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Eric said "See ya" as he jumped out of the jeep. He stood there for a

moment, among the dazzling lights from various tiny shops (the average

convenience store in Udaipur is about the size of a non walk-in

closet), tiny temples, and passing motorcycles. He stood there like a

static part of a photograph, just one of the millions of people out in

India at 8pm, and then blended away as we continued on.

 

He was one of the volunteers at the Animal Aid Society, a pretty

amiable fellow from Australia. He had done previous work at a

chimpanzee sanctuary in Uganda, and had been at the shelter in Udaipur

before. He mostly worked with cattle and donkeys, and introduced me

to these larger livestock. He was one of the members of our group who

took a trip out to a gorgeous temple to participate in Manas singing.

 

We usually left the hospital around noon to get lunch, take showers,

and have a day to explore the city. This day, though, Erika (director

of the society) invited us to the temple. She said it would be fun,

singing and clapping, we'd sip some bhang and relax. She said the

bhang (weak marijuana beverage) was mild and her daughter (Clair, 17)

really loved it. We went along.

 

The temple was one of the most beautiful places we have been. We sat

on a marble patio-like structure, although it had a roof. It was all

men except for Erika, Claire, and Xep. The men looked like they came

from all over; some in western clothing, some in turbans, some had

cowls covering their heads. Some were teens, some were very elderly.

Almost all of them had the glazed eyes of stoners and most of them

were playing finger cymbals, drums, rattles, or just clapping along

with the chants. There was next to this area a tiny ghat, or steps

leading into a small lake for ritual bathing. Across the lake were

brilliant green hills spotted with stone shelters, similar to

dome-topped pagodas. It looked right out of the Hindu paintings you

see of Shiva with neon landscapes in the background.

 

Before arriving, we stopped in the nearest town and had some water and

then were offered the bhang. The temple also provides it, but as half

of our group was vegan, we wanted a milk-free version. It was made in

a delicious solution of lemon, mint, and spices. Claire quickly drank

a cup and a half while Erika, Eric, and I had a cup each. Xep

abstained this time.

 

The effects did seem pretty mild although it made the music more

hypnotic and fun. It was hard to follow the chanting in another

language, but the drumbeat and cymbals were very intuitive. It was

essentially an elaborate (and much more polished) version of drum

circles you'd find on college campuses. Anyone free to come and go as

they please, pick up or put down instruments. Follow the group but no

real regulations on how to play. There was a core "band" of tabla,

harmonium, and one main cymbalist. Every once in a while someone

would get up and dance in the middle of the circle, and sometimes

someone would sing solo. It was quite beautiful.

 

After a while we left, and on the way back had to stop as Erika was

feeling very carsick. Indian driving is indeed CRAZY and this was on

one of the worst roads we had been on: A winding mountain "highway"

through very steep passes. To make it worse, it was in marble

country, so the road was speckled with enormous dumptrucks going about

5mph, full of marble. The Indian style of passing cannot even be

explained. Basically, there are no lanes and it is extremely

suicidal. Horns are blared to indicate intent, and then drivers just

go where they want. They don't use headlights until well after dark.

Its truly terrifying and I feel like I have an above-average tolerance

for this kind of thing. I had to alternate between paying strict

attention to the current odds of death through the front windshield

(generally ranging between 60 and 99%) and looking at the floor to get

a brief break from the adrenaline.

 

And so we stopped for a few minutes as Erika had to lay down. The

driver and her guru-escort friend debated what to do. I talked to

Eric and Claire about parents acting weirdly. Eric's dad was known to

get so drunk that he swang from rafters, once knocking himself out.

Claire's mom was laying in a Jeep in India, stoned on bhang and

groaning. I didn't really have anything to add other than "wow" to

Eric's stories. I was pretty high myself.

 

It got darker and the driving became more and more sketchy as we got

closer to town. Xep tried to talk to me, asking me what was on my

mind, and I was really feeling the bhang. Unable to speak. Just

holding on (literally, holding onto the steel frame of the Jeep to

keep from falling out the open back with each bump). I was imagining

the beeline I would make to our bed over and over so that when the

time came I could navigate it without incident.

 

But first we had to get Erika home. She lives in the village right

near the animal hospital, way up a road that most in America would

call a path. We had never been there at night. It was much more

jungle-like bouncing through the mud (crank-deep on our morning

bikerides). Frogs and insects hissing all around. Waves of green

tentacles on either side. I always hate knowing a new segment of a

trip is coming up when I just want to be home. The familiarity of the

road, knowing how much farther there was to go, was worse than unknown

routes. But finally, we made it. Erica wasn't able to say much of a

goodbye, and thats ok, but we didn't realize that was the last time we

would see her.

 

And so as we went back to Udaipur, with a little more room in the

back, I watched the streets flow by. A linear reality like a

filmstrip passing by. A shop, a puddle, a camel in the middle of the

road, another store, a group of men sitting around a fire, some tires,

street dogs, another shop. These things flowed by scene after scene.

Sometimes there would be an alley or side road, and it overwhelmed my

mind to realize there was a whole universe of these

filmstrips-of-life down that road too. I concentrated on not freaking

out.

 

We were finally in familiar territory, and that returns to the scene

above where Eric jumped out. Again, I didn't know it was the last

time I would see him. As we finished up at the hopsital in the last

few days, he became pretty ill so was not there. I wanted to get his

email address, maybe I will somehow someday.

 

A little while later we were in our own neighborhood and in the midst

of a pretty serious traffic jam. Our streets were difficult for even

an autorickshaw to handle, let alone our ridiculous jeep. We jumped

out, and I had to just focus on following Xep. Stopping to get water

was an epic test for me. The guy did not want our money (24 rupees,

about 50 cents) because it was wrinkled. We were confused, we had

been warned about this but usually people would accept. I told him it

was all I had and he just waved us away. Free water, I guess, but it

felt like we were somehow in the wrong and not really like a bargain.

Amped up from the walk, instead of going to bed as I had dreamed, I

did go to the rooftop of our hotel and we had some dinner. We'd been

taking a break from Indian food and its assaults on the stomach so had

plain rice and pasta. I was feeling much better, but when I went back

to bed it was right back to fractal unfolding universes of vision and

ludicrous dreaming. In short, the street bhang is rough stuff; not as

gentle as the "special lassis" served to tourists which had previously

been pretty kind to me.

 

And so we finished up in Udaipur a couple days later. They bought us

samosas and handmade potato chips. We sat in a little temple by a

river and people gave speeches thanking us for our time there. They

took little Spaghetti, the dog we hoped to bring back (he followed us

to the temple uninvited) and dipped his paw in iodine to sign a card

for us. It was all pretty touching. We tipped our six-fingered (and

toed!) waiter 500 rupees ($12, a fortune here) for putting up with all

our special ("pizza with no cheese", "8 chapatis, fruit salad, and a

beer" etc) requests. He smiled for the 2nd time we ever saw, the

first being when earlier in the day we gave him our sadly unneeded

supply of dogfood and chew toys for his great dane pup Roxy.

 

Now we are in Pushkar, supposedly one of the holiest cities in India,

but its kindof weird and full of very aggressive people. We are

taking refuge in a beautiful haveli (very old mansion, so so nice) and

deciding if we can really put up with this city for a week. Then onto

Tamil Nadu in the south.

Mũi Né is a coastal fishing town in the Bình Thuận Province of Vietnam. The town, with approximately 25,000 residents is a ward of the city of Phan Thiết. Mui Ne and the other wards of Phan Thiet that stretch along the coast for approximately 50 kilometers have been transformed into a resort destination since the mid 1990s, when many visited the area to view the solar eclipse of October 24, 1995. Most notably, tourism has developed in the area from the city center to Mũi Né, which has more than a hundred beach resorts, as well as restaurants, bars, shops and cafes.

 

Mũi Né ward has two beaches; Ganh Beach and Suoi Nuoc Beach, both with a number of resorts and a few shops and restaurants. But the most highly developed area is Rang Beach in Ham Tien ward, which extends west of Mui Ne. Strong sea breezes make all three beaches very popular for kitesurfing and windsurfing. The tourist season is from December to April The average temperature is 27 °C, and the climate is hot and dry much of the year.

____________________________________________

 

Mui Ne is a traditional fishing town in Binh Thuan Province that became a ward of the City of Phan Thiet in 1999. The name Mui Ne is often erroneously used as the general name for the main resort area in Phan Thiet along Mui Ne Bay, 220 km northeast of Ho Chi Minh City (South Vietnam).

 

Mui Ne is a coastal fishing community in Bình Thuận Province which is part of the South Central Coast of Vietnam. The town, with approximately 25,000 residents is a ward of the city of Phan Thiết. Mui Ne and the other wards of Phan Thiet that stretch along the coast for approximately 50 km have been transformed into a resort destination since the mid 1990s, when many discovered the area during the solar eclipse of October 24, 1995. Most notably, tourism has developed in the area from the city center of Phan Thiet to Mui Ne, including Phu Hai and Ham Tien wards along Phan Thiet Bay. The dense resort area along Phan Thiet Bay and beyond now boasts over two hundred beach resorts and hotels, as well as guest houses, backpacker hostels, restaurants, bars, shops and cafes.

 

In 2018 the Prime Minister approved the master plan to develop Mui Ne (Binh Thuan) as a National Tourist Site with a size of around 14,760 ha by 2025, with an orientation towards 2030.

 

An area of 1,000 ha has been defined as a core area for the establishment and development of functional areas for the tourism sector. Mui Ne National Tourism Site will be developed in an environmentally responsible way with a focus on protecting existing natural resources and environments, landscapes, and in particular the ecosystem in the Bau Trang tourist area (White Sand Dunes) as well as the sand dunes along the sea shore.

 

UNDERSTAND

Northeast of Phan Thiet the coastal road climbs over the slope of a Cham tower-topped hill and descends into the long, sandy crescent of Mui Ne Bay. The formerly little-inhabited beach southwest of the historic fishing village of Mui Ne proper has seen some serious development in the last 15 years. Now it is a 15 km long strip of resorts that line up like pearls on Nguyen Dinh Chieu Street, shaded by coconut palms. The main resort strip lies between the addresses of 2 and 98 Nguyen Dinh Chieu and is called Ham Tien. Like Mui Ne it is now a ward of the city of Phan Thiet which stretches over 50 km of coastline to the south and to the west of the original city center of Phan Thiet.

 

At the shoreline, nature moves the sand around, much to the dismay of some developers. Beach sand tends to migrate up and down the coast seasonally, leaving some (but not all) spots with just a concrete breakwater rather than sandy beach. There is always a good sandy beach somewhere along this 15 km beach. Accommodations at higher addresses tend to be smaller and less expensive, somewhat removed from the main tourist section and more mixed in with local life. If a sandy beach is important to you, some research is called for before booking in the area, especially after the tropical storm season. This research is important as without the beach there is little for non-kite-surfers to do in Mui Ne.

 

Quite a few bargain and "backpacker" hotels have popped up on the inland side of the road, across from the shoreline resorts. If you stay on the inland side, you will need to pass though one of the resorts to reach the beach, which might or might not result in some hassle from the guards. The resorts jealously guard their lounge chairs and palapas, though the beach itself is open to everyone.

 

Mui Ne Bay has become very popular with Russian tourists. Major Russian tour operators who bring busloads of tourists to Ham Tien and Mui Ne from the airports in Cam Ranh and Ho Chi Minh City have bought up several hotels along the main road and fill them year-round with Russian charter tour groups. English and Russian menus are common in most restaurants, and many stores and hotels are advertising and catering specifically to the Russian-speaking tourists, especially along the lowered numbered area of the strip on Nguyen Dinh Chieu Street which some guidebooks have rebaptised "Little Moscow."

 

GET IN

BY BUS

Most overseas visitors reach Ham Tien and Mui Ne via "open tour" buses that run between Ho Chi Minh City and Nha Trang. Most depart from Ho Chi Minh City between 07:30 and 09:00 (07:30 for Sinh Cafe's air conditioned bus) and arrive at Ham Tien and Mui Ne at about 13:00. In the opposite direction, buses typically depart from Mui Ne and Ham Tien around either 14:00 or 02:00 and arrive in Ho Chi Minh City approximately five hours later. Joe's Cafe is a good place to catch an outgoing night bus as it offers full service all night and you never know how late the bus will be. Outside Ho Chi Minh City, the coach will stop at a petrol station with a large shop and stalls selling snacks, drinks, and fruit.

 

The buses stop in the heart of the tourist strip in Ham Tien, so there is no need to take a taxi. The cost is about 105,000 dong each way, and tickets are sold all over the tourist districts of both Ho Chi Minh City and Nha Trang. If you are traveling to Ho Chi Minh City from Mui Ne and Ham Tien, you will most likely be put on an already full bus traveling from Nha Trang. As you are not assigned a seat, you may not be able to sit with any traveling companions, and at some of the less scrupulous travel agents you may not even get a real seat. You might get a mat at the back of the bus with four other people.

 

Public buses from both destinations also travel to the Mui Ne area, though finding the departure stations and figuring out the schedule is difficult for visitors. It's not worth the trouble unless you have a strong need to depart at a different time of day other than when the open tour bus leaves. Travel agencies play dumb because they don't earn anything from helping you find a public bus. The main bus station in Phan Thiet is at Từ Văn Tư, Phú Trinh and a taxi from there to the tourist strip can cost more than your bus ticket from HCMC!

 

BY TRAIN

A train runs daily from Ho Chi Minh City to Phan Thiet, departing around 06:30 and arriving five hours later. The return trip leaves Phan Thiet around 13:30. The cost is quite modest at around 60,000 dong per person each way (similar to the bus). The train station in Ho Chi Minh City (Saigon Railway Station) is in District 3, about 3 km from the centre. The railway station in Phan Thiet is about 5 km (80,000 dong taxi ride) from the beginning of the Ham Tien resort strip, and taxis are abundant to take you there. The railway also sometimes runs a mid-sized bus from the station to Mui Ne for 25,000 dong per person. Tickets are sold on the train, though the announcement might be made in Vietnamese only, and you need to watch carefully for the ticket sellers to pass by.

 

The train has regular carriages operated by the state railways, and sometimes other carriages booked and operated by private companies. The latter have somewhat larger seats for a higher price, but fall short of luxury. The regular carriages are a bit cramped for the Western-sized body. When the train is not full, railway staff usually packs everyone into one carriage, leaving another one empty, and then run a side business selling "upgrades" to the quiet, empty carriage. The entire train will be jammed on holidays.

 

Overall, the train is probably less comfortable and convenient than the open-tour bus, though it has some advantages. You get a better view of the countryside and avoid the endless honking of horns and lunatic driving of the bus drivers.

 

BY TAXI

You might consider coming to Mui Ne from Saigon by taxi, instead of open bus. The departure times of the open buses might not suit your schedule. They are also slow sometimes, because the driver makes stops at rather bad restaurants where he receives commission. The ride by taxi takes 4-5 hours, depending on road conditions, and will cost US$70-100, depending on your ability to bargain. Talk to taxi drivers in the airport to get best prices.

 

Fare from Tan Son Nhut Airport to Mui Ne by SATSCO is US$100/trip.

 

GET AROUND

You can't get lost in Mui Ne and Ham Tien, since the whole place consists of one long strip along a main street, Nguyen Dinh Chieu. Motorbike taxis are present everywhere and their drivers will bug you each time you leave the hotel or walk along the road. Along the tourist strip it is much cheaper to stop a xe om as long as you know how to bargain. It can be hard for Western tourists to get appropriate prices (10,000-15,000 dong is more than enough to pay for a ride from one place to another along the main strip). Taxis are also abundant, with fares slightly higher than Ho Chi Minh City, but still reasonable (starting at around 20,000 dong).

 

You can rent motorbikes and bicycles at many resorts and tour agencies. Since traffic is light, motorbikes or bicycles are a pleasant way to explore the surroundings. Motorbikes cost anywhere from 60,000-150,000 dong per day depending on how late in the day you start, how many hours you need, and age/type of motorbike (automatics can cost 230,000 dong). The locals say it's getting harder to rent because of bike thefts and police driving license enforcement. Your hotel might rent to you, which may be a bit more convenient since they already have your passport. Western tourists should avoid taking a rented motorbike to the White Sand Dunes if you are not in the possession of a Vietnamese driver's license. The Mui Ne police is known for stopping all motorbikes on the road leading to Bau Trang (White Lake) and collect at least 1 million dong from any foreigner not able to provide at least an international driver's license.

 

Be careful when riding a bike in Ham Tien and Mui Ne. Traffic is light, especially during the summer months, but nobody pays any attention to traffic rules. For example, it's common to see Vietnamese riders turning left from the right lane. Also, Vietnamese riders don't stop or even look when entering the main road from secondary one. The increase in big motor coaches shuttling Russain tourists in and out of Ham Tien and the uncontrolled jeeps used to bring hundreds of tourists to the White Sand Dunes every day contribute to increased risks for motorbikes and pedestrians along Nguyen Dinh Chieu Street in particular. Traffic fatalities are not uncommon. Rumors are that up to 30 people die every month in accidents. If you plan to ride a bike here, investment in medical insurance, if you can get it, is a wise move.

 

Even-numbered addresses are on the sea side of the street, and odd numbers on the inland side. Even and odd addresses are not aligned, thus 39 on the odd side can be several hundred metres from 40 on the even side.

 

SEE

CHAM TOWER

The Poshanu Cham Tower in Phu Hai ward (Thap Po Sah Inu) is a derelict remainder of the ancient Cham culture that was built in the 8th century. It is still in use for religious and social gatherings by the local Cham population, especially during the annual Kate festival.

Fish Sauce Plants, where the famous nuoc mam (fish sauce) is produced. Big jars harbour the concoction that, after months in the blazing sun, is sold all over Vietnam to add some spice to the food.

The famous Red Sand Dunes (Doi Cat), on the main coastal road a short distance north of the fishing town at the north end of Mui Ne Bay, about 10 km from the main resort strip. The whole region is fairly sandy, with orange sand threatening to blow onto the coastal road in some spots. The dunes that visitors visit are about 50 ha (1/2 km²) of open sand on a hillside with ten-meter undulations, staffed by dusty children with plastic slides, who will offer instruction and assistance if you want to slide on the sand. Caution is recommended since a number of tourists have lost money, cameras or cell phones in the sand or through theft and pick-pocketing on the dunes. The sand dunes offer nice views of the sea coast to the north. On the opposite side of the road are a series of small cafes (illegally built but tolerated by the local police), where you can park your vehicle for a small fee if you ride there on your own. Most day tours sold by local tour operators include a stop at the dunes. The trip by taxi from the main resort strip in Ham Tien is about 170,000 dong each way, and less by xe om. It is reachable by bicycle in 30-45 minutes, passing the Fairy Stream on the way. From the resorts on Malibu Beach (Ganh Beach) it is just a short 5 to 10 minute walk to the bottom of the dunes.

Mui Ne Market (Chợ Mũi Né) and fishing harbor (Lang chai Mui Ne). If you are staying on the resort strip in Ham Tien or Phu Hai wards, don't miss out to visit this once quiet "fishing village" but nowadays bustling town, at the northeast end of Mui Ne Bay. The coastal road leads straight into the town (with a left turn required at the first red light to continue up the coast). If you arrive during the dry "winter" season, don't miss the harbor overlook at the entrance to Mui Ne with a splendid view of hundreds of colorful fishing boats moored in the bay. The boats move to the other side of the "Shelter Cape" (English translation of "Mui Ne") during the monsoon season from May through October, when the wind direction changes from mainly northeast to mainly southwest. Further along into town, just off the main road, there is a colorful local market. If you take your transport just down to the water, you will reach the fishing harbor, where you can purchase fresh seafood (if you have any means to cook it) or purchase steamed crabs, shellfish, etc. to eat on the spot from local vendors. Walking along the beach, you'll pass by fishermen sorting out their catch, ship-wharves and, at the southern end of town, a section where clams have been rid of their shells for many years, so the sand on the beach is by now substituted with littered shells. Be prepared to encounter piles and stretches of rubbish on the beach.

The Fairy Stream (Suoi Tien) is a little creek that winds its way through bamboo forests, boulders and the dunes behind the village, in parts resembling a miniature version of the Grand Canyon. Local children will want to accompany you to show you the way (and of course earn a dollar or so), but since you're just following the stream, there's little need. For the most part, the stream is about ankle-deep and no more than knee-deep even at its deepest. It is sandy with few stones and can be walked comfortably barefooted. You can climb up the red sand hills overlooking the river valley and even walk there parallel to the river, however, the sand may be hot on a sunny day, so bring some footwear. Walking upstream for about 20 minutes, you will reach a small waterfall into at most waist-deep water, great to take a refreshing bath before heading back. To reach the stream, head along the main road towards the east until you cross a small bridge. The stream is underneath, you will see a sign pointing towards a path to the left, go that way to reach an easy place to enter the stream. By bicycle it's about 15 minutes from the main resort strip and shouldn't be more than 20,000 dong by xe om. You can enter somewhere along the beach or at the bridge where you will be charged 10,000 dong for entry (although entrance is officially free) and 5,000 dong for motorcycle parking.

The White Sand Dunes are approximately 45 km away from the Ham Tien tourist strip to the northeast, and some 24 km from the Red Sand Dunes and nearby resorts on the east side of the Mui Ne peninsula (GPS 11.068254 108.428513). Trips are offered by any tourist agency along the resort stretch for 4x4 or quad drives, as well as by some resorts with their own vehicles. While too far away for a bicycle trip especially in summer, a motorbike trip can bring you there. Make sure to bring an international driver's licence if you do not own a Vietnamese one (driving without Vietnamese driver's license is illegal in Vietnam), the local police is well-known for stopping foreigners on motorbikes on their way to and from the White Sand Dunes and extort a fine (up to 1 million dong) or sometimes even confiscate the motorbike. Entrance is a 10,000 dong fee.

 

DO

KITE SURFING

Kitesurfing is offered by many outfitters and hotels. Kite surfing instruction is available, starting at US$60/hour, beginners package of 7 lessons start at US$350. From November till March you generally will have strong winds every day. The Winds in Mui Ne emerge by thermal movements, after the shores got warmed by the sun. You will have perfect wind everyday from 11:00 until the late evening. Gusty winds are seldom. With strong winds, the sometimes choppy waves can be as high as 4 m and more. The water is free of rocks, which makes it relatively safe to kite. However in the peak season there up to 300 kiters in the water at the same time. Beginners and Students, who mainly practice close to the beach front makes things a bit more dangerous. So watch out for other kitersurfers and swimmers and control the speed, in particularly because swimmers are difficult to see when waves are high. Accidents between kitesurfers or between kitesurfers and Swimmers happen from time to time and medical facilities are limited in terms of their equipment and abilities.

 

There are several kitesurfing schools along the beach, which all employ beach boys who will help you to start and launch the kite. It is widely common to tip the beach boys with US$1/day. If you bring your own equipment and don't want to carry it from and to your hotel every day, you can store it at one of the kitesurfing schools for US$20/week or US$60/month, including usage of their compressors and shower facilities.

 

If you are a beginner but already can practice independent without an instructor, you might avoid the area around Sunshine Beach Hotel/Sankara/Wax, because there are too many kite surfers and swimmers which may lead to accidents, particularly if you can not fully control the kite. Try the western part of beach front around the Kitesurfing School Windchimes. There are less kiters in this area and you can practice without bringing you and others into danger.

 

There is a place called "wave spot" or "Malibu beach" (10.92676, 108.29500). It is suitable only for intermediate/advanced kiters, but its much less crowded there.

 

OTHERS

All-terrain vehicle. You can ride one on white sand dunes.

Cooking classes, 400,000 dong/hr. If you want to learn to cook Vietnamese food, check cooking classes near C2SKY kitesurfing school (opposite Kim Shop). You will learn to cook pancakes, Pho Bo soup, shrimp salad and fresh spring rolls. All ingredients are ready, you'll just mix them under supervision of Vietnamese cook.

Day tours, US$10-13. Travel agents and restaurants abound with day tour offerings. The standard half day tour takes in the fishing village, fairy stream, and the red and while sand dunes. Tours normally start at either 17:00 or 14:30 so you can watch the sunrise/sunset over the sand dunes.

Balloon riding, ☏ +841208536828, ✉ booking@vietnamballoons.com. 05:00-08:00. Mui Ne is the only place in Vietnam where you can fly hot air balloons. A balloon company has European management, balloons, and pilots. Most flights take place over white sand dunes. When the winds in dunes are too strong, flights take place from Phan Thiet city centre. (updated Jan 2018 | edit)

Sailing, 108 Huynh Thuc Khang. Manta Sail Training Centre was newly founded in 2010 and water sport has been gaining popularity since then. Classes are available at US$50/hour for individuals with certified international and local instructors. The sailing area is safe, quiet, with no swimmers and only a few advanced kitesurfers. edit

Surfing. Sometimes you get good waves in mornings of windy season. Lessons, day trips and rentals are available, don't hesitate to ask around. While Mui Ne is not the best destination for surfing, it can be good place to give it a try.

Swimming. The sea is wonderfully warm, but it can be quite rough, with large waves and a strong rip tide. When the tide is in, there is not much of a beach to speak of. When wind is blowing it can be quite chilly to even think of swimming. The area between kilometre markers 11 and 13 has the largest stretch of enduring sandy beach. Since large waves normally emerge after 11:00 you might prefer to swim in the early morning hours, when the water is flat and free of Kitesurfers. Most mid-range and top-end resorts have swimming pools for their guests. Some are open for day users starting at 80,000 dong per day. But you can always behave as guest from this hotel and buy a few drinks for these 80,000 dong.

Water sports. Most outfitters offer a host of water sports including kayaking, paddle surfing, and jet ski rental.

Windsurfing. If you like to do some windsurfing, go to eastern part of Mui Ne. Starting from Hai Au resort, there are some hotels that are offering good place to water start, rent or store your gear.

 

BUY

Along the Mui Ne strip are several small nameless shops; all selling the same sundries and souvenirs. You can find packaged snacks (Oreos, cakes, biscuits, ice cream, etc.), liquor, clothing, and souvenirs.

 

Anything beyond very basic necessities should be brought with you. There is a small pharmacy, but it would be wise to bring your own first aid kit.

 

Standard souvenirs offered include wooden and lacquered bowls, wooden statues, snake whiskey, and pearl necklaces. Compared with Ho Chi Minh City, souvenirs are almost five times more expensive in Mui Ne. The same small wooden bowl selling for US$3 in HCMC is US$14 in Mui Ne.

 

Several travel agencies along the strip also double as used book stores. Most have a few shelves of English books, along with a small selection in German and French. Books cost 80,000-100,000 dong and most shops will give a 50% discount if you trade in a book.

 

Coop Mart, Phan Thiet (corner of Nguyen Tat Thanh and Tran Hung Dao), ☏ +84 62 3835440, +84 62 3835455. 08:00-21:30. A large, Western-style grocery store that also sells books, jewellery and necessities.

 

EAT

Every resort area in Ham Tien and Mui Ne is surrounded by restaurants specializing in seafood. The food is invariably fresh, well-prepared, and served in friendly and interesting surroundings. By all means get out of your hotel and try one of the local restaurants. The best restaurants are a motorbike ride away, found outside of the tourist/resort district on the ocean.

1 Bo Ke Street (Go to the fishing village past the Tien Dat Hotel until you see many small cafes near seashore). This is a street full of local cafes that serve BBQ seafood. Prices are very cheap and choice is wide. Scallops with onion and garlic sauce are must-to-have here. If you're a fussy about hygiene, don't bother coming here. edit

Joe's (The Art Cafe), 86 Nguyen Dinh Chieu St, Ham Tien (Across from Shades Resort), ☏ +84 62 374 3447. 24 hr daily. Joe's is the only place open 24/7 in Mui Ne. It's a cosy old farmhouse cafe offering Western fare. A Canadian developed the menu, and the pancakes with maple syrup (50,000 dong including coffee) are great. The sandwiches with home cut fries and salad (60,000 dong) are also recommended. Two movies are shown each evening in the pillow-filled loft. Free Wi-fi, exhibits and live performances. A great place to have your bus pick you up at 02:00 when you head out and great for a chill spot for after party breakfast or a romantic glass of wine. A 24-hr supermarket is part of the complex. Joe is on the strip, offering now even accommodation. Drinks 10,000 - 60,000 dong, meals 50,000 - 120,000 dong. edit

Lâm Tòng, 92 Nguyễn Đinh Chiêu (Right on the beach next to Jibes under some shady palms), ☏ +84 62 384 7598. You can even sit at tables in the sand. There's a little hut with hammocks strung. Try one of the pancakes (bánh xèo) with condensed milk (sữa đặc), the fried fish with lemon, and the chicken fried in fish sauce. edit

2 Pho Bo and sandwiches, Bo Ke St (Go past Bo Ke St in the direction of Pogo Bar, small pavilion on the right). The only place to have food at night (since Joe's doesn't serve food at night anymore). They serve nice sandwiches with chicken and scrambled eggs (30,000 dong). Also you can have pho bo here. edit

3 Santimatti Pizzeria, 83 Nguyen Dinh Chieu St. Classic Italian cuisine. Place is nice looking, with a good atmosphere. Locals and long stayers enjoy a 10% discount with membership card. Owner is on-site, so expect good service. edit

4 Sindbad Kebap, Nguyen Dinh Chieu (opposite Pogo Bar). Good beef/chicken/veggie kebabs, shawarma and tsatsiki. edit

Smoky House, 125 Nguyen Dinh Chieu St. Offers large, high-quality meals, and offers all customers free ice cream. edit

Snow Restaurant, Club and Sushi Bar, 109 Nguyen Dinh Chieu St. 10:00-02:00. Famous for its cool air-conditioned hall that is unique in Mui Ne. European, Japanese, Russian and Vietnamese cuisines, including exotic dishes such as filet of crocodile. Lounge still open after 22:00, cinema-sessions in the evening. Free Wi-Fi, free pool, and free transfer by Taxi Mai Linh to the restaurant and back to hotel. edit

The Terrace Restaurant, 21 Nguyen Dinh Chieu St (in front of Anantara Resort), ☏ +84 62 3741293, ✉ admin@herbalhotelmuinevietnam.com. 08:00-23:00. The restaurant's first floor is fully air conditioned and the terrace on the upper floor is an open concept with a a nice view. It serves breakfast, lunch and dinner. The restaurant specializes in sushi, fresh seafood and Vietnamese food and the bar serves beer, wine and cocktails. US$3-15. (updated Jul 2016

 

DRINK

Deja Vu Restaurant and Shisha Bar, 21 Nguyen Dinh Chieu (Opposite Anantara Resort), ☏ +84 62 374 1160, +84 913327232, ✉ dejavuvn@gmail.com. 11:00 - 24:00. Family restaurant focused on good food and entertainment for all the ages. Daily live music, cozy garden with kids area. Seafood, European food, Vietnamese food, kids menu, exotic food, cocktails, shisha- culture show "Folklore night" (show + dinner) every W 20:00. Exotic food show every F 19:00. edit

DJ Station (El Vagabundo), 120C Nguyen Dinh Chieu (300 m to the right when facing Sinh Cafe). 09:00-03:00. Ocean view terrace area, dining area and large dance floor. Happy hour 18:00-21:00 means selected cocktails are 30,000 dong, and regular priced cocktails are all buy-one-get-one-free. It's a popular backpacker place and usually very crowded weekends. edit

Pogo Bar, 138 Nguyen Dinh Chieu. Popular place once, but you can still expect surfers and expats. Cocktails and buckets are cheap, but not tasty. edit

Mooney's Irish Bar, 121 Nguyễn Đình Chiểu, Phường Hàm Tiến, Thành phố Phan Thiết, Bình Thuận, Vietnam (almost opposite Joe's Cafe), ☏ +84 91 402 65 96. 18:00-02:00. A small establishment run by a genuine Irishman (which marks it out from many 'Irish' pubs in Asia), an affable chap form just outside Dublin. There's a pool table, but the best thing to do is order a beer and have a chat with Liam. (updated Jul 2018 | edit)

The Crown and Anchor, 117c Nguyen Dinh Chieu, Ham Tien Phan Thiet (about 2 minutes from Mooney's Irish Bar.). 16:00-23:45. A new establishment that promises a lot. Great design, long bar, games room with pool, darts and table football. Brian from the English Midlands and Adele from Kyrgyzstan are the friendly hosts. Live sports and Sunday Roasts are popular features. (updated Jul 2018 | edit)

Old Fashioned Bar, 151 Nguyễn Đình Chiểu, Phường Hàm Tiến, Thành phố Phan Thiết, Bình Thuận, ☏ +84 368 307 432. 08:00-03:00. Classic bar. Large territory: bar, hookah, restaurant area, cinema, air-conditioned room of a coffee shop, rooftop. European cuisine. Live music. The largest bar in Muine with the largest selection of coffee, tea, alcohol, cocktails and services. Located near the BOKE site.

 

SLEEP

Mui Ne and Ham Tien have over 200 accommodations to choose from, in every price category (US$5-200), along the main ocean strip of Nguyen Dinh Chieu, Huynh Thuc Khang ("HTK"). Small guest houses, family-run beach hotels and some big luxury resorts can also be found east of the town center of Mui Ne proper, along the road leading to the Red Sand Dunes, where Ganh Beach offers long sandy beaches and excellent kite-surfing on the east side of the Mui Ne peninsula.

 

Accommodations at higher addresses of Nguyen Dinh Chieu towards HTK and Mui Ne ward tend to be smaller and less expensive, somewhat removed from the main tourist section in Ham Tien and more mixed in more with local life. If a sandy beach is important to you, some research is called for before booking in that area. Many "beach side" resorts are actually against a sloping cement wall that leads into the sea. The sand itself migrates up and down the long coast seasonally leaving some areas with expansive beaches and others with little at any given time.

 

A few budget hotels have popped up on the inland side of the road, across from the beach side resorts. If you stay on the inland side, you will need to pass though one of the resorts to reach the beach, which might or might not result in some hassle from the guards. The resorts jealously guard their lounge chairs and palapas, though the beach itself is open to everyone. If all else fails, you can always access a nice sandy stretch of beach via the Wax Bar at 68 Nguyen Dinh Chieu.

 

Remember that during Tet (Vietnamese New Year), hotels and resorts are booked way in advance.

 

BUDGET

Go past the Pogo Bar in the direction of the fishing village to find the best budget hotels (as low as US$5 a day for adouble room with air-con).

 

Bao Trang, Nguyen Dinh Chieu (Turn right when exiting from Sinh Cafe). Small bungalows with a beach frontage. From US$10. edit

Guest House 20, 20 Nguyen Dinh Chieu, ☏ +84 62 374 1440, ✉ guesthouse20@yahoo.com.vn. Very nice guest house on main strip without beach access. Also organise tours and transport for you. Very friendly staff, family-owned and operated. From US$15. (updated Mar 2015 | edit)

Hon Di Bungalows, 70 Nguyen Dinh Chieu, ☏ +84 62 847 014, ✉ hdhongdi@yahoo.com. Has simple but nice bungalows with fan and attached bath. There is a shady courtyard strung with hammocks, and four of the bungalows are directly facing the beachfront. A small restaurant and Internet access cater to your needs. US$10-12. edit

Keng Guesthouse, 185 Nguyen Dinh Chieu (About 100 m east of Phuoc Thien Pagoda), ☏ +84 62 374 3312, ✉ yongkeng999@yahoo.com. Simple, clean guest house with all the usual facilities on the quiet end of the main strip. About 15 min walk to the bar and restaurant area. Friendly English speaking owner. Dorm 100,000 dong, rooms from 160,000 dong. edit

Lan Anh, Huynh Tân Phát (Coming from Phan Thiet, turn left when entering the village, in the corner where there's a business called Nhà Tho). Local guesthouse in the village, a couple of kilometres from the resorts and beaches, but close to shops, market and street food stalls. Perfect for experiencing local life. Owner family can barely understand English but are nice. Room with 2 double beds, fan, fridge, toilet, and TV. Free Wi-Fi. 150,000 dong. edit

Mai Am Guesthouse, 148 Nguyen Dinh Chieu. Beachfront bungalows with air-con, working shower, mosquito net, and nothing more. Clean pool. Beach seating with chairs and mats, although some of furniture is falling apart. Can hear next door bar till 03:00 nightly which may bother some. Also, they have monkey cages in the courtyard for some reason. US$10-15. edit

Thien Son, 102 Nguyen Dinh Chieu, ☏ +84 62 384 7187, +84 91 861 0727. Guest house just down the road from Joe's cafe with clean, large rooms. Can get breakfast for about US$1. Very friendly people, though English is limited. Also organises tours to sand dunes (depends on size of group, but from US$4-9) as well as buses to Saigon and Nha Trang. From US$12. edit

1 Nam Chau Boutique Resort - Mui Ne Passion ((Formerly Nam Chau Resort)), Khu phố 5, Mũi Né (Coming from the Red Sand Dunes go down the hill towards the town of Mui Ne, the resort lies right after the Pandanus Resort on the left hand side of the road (ca. 600 m from the dunes). Coming from the town center of Mui Ne (Mui ne market or Fishing Village) turn left at the red light (in front of Blue Shell Resort), continue for about 200 m (entrance after Malibu Resort on the right hand side).), ☏ +84 252 3849 323, ✉ sales@namchauresort.com. Rustic beach resort with 48 rooms offering free WiFi, refrigerators, and TVs with cable channels in a 3-ha tropical garden on the beach in Mui Ne. Inexpensive restaurant, beach bar organising disco parties on weekends. Swimming pool, ongoing activities including kite-boarding and SUP. From US$11 for shared accommodations. Dormitories in cottages, private bungalows available.

 

MID-RANGE

Ngoc Suong Marina Hotel, Nguyen Dinh Chieu (Across the road from TM Brothers Cafe, beside Tien Dat Resort). On the beach, with an excellent swimming pool. Rooms have mosquito nets, air-con, satellite TV, and en suite bath. US$40 including breakfast. edit

Novela Muine Resort & Spa, 96A Nguyễn Đình Chiểu, Hàm Tiến, Phan Thiết (In the center of Muine Resort), ☏ +84623743456, ✉ sales@novelaresort.com. US$50 including breakfast.

 

SPLURGE

2 Anantara Mui Ne Resort, Mui Ne Beach, KM10 Ham Tien Ward, Phan Thiet City, ☏ +84 62 374 1888, ✉ muine@anantara.com. The resort includes 89 rooms, suites and pool villas designed according to Vietnamese tradition. US$105. (updated Jan 2017)

3 Blue Ocean Resort, 54 Nguyen Dinh Chieu, ☏ +84 62 3847 322. Has various rooms and bungalows. Only metres from many of the kite surfing schools, particularly Windchimes, which is directly outside the property. 2,770,000 - 8,100,000 dong. (updated Mar 2016 | edit)

Cham Villas Boutique Luxury Resort, 32 Nguyen Dinh Chieu. Has 6 villas with beach front view and 12 villas with garden view. Each villa has a king size bed, bathtub overlooking a small private garden, and a large private patio with comfortable club chairs and a day bed. edit

Grace Boutique Resort, 144A Nguyen Dinh Chieu. Has the look of a Mediterranean villa. There are only 14 rooms, all with sea views. Well-trained staff, a beautiful garden, and a charming pool. Rates include daily breakfasts. Discounts are offered during the low season and for long-term stays. It is advisable to book well ahead during the holidays. edit

4 Pandanus Resort, Block 5, Mui Ne (The average driving time from the center or airport in Ho Chi Minh City to the resort is approximately four hours. Can be reached in 20 mins by car via main road Vo Nguyen Giap from Phan Thiet city center (25 km). At the roundabout below the Red Sand Dunes turn right. The resort is the second on the left (ca. 150 m). Coming from Ham Tien and the Mui Ne fishing village take Huynh Tan Phat at the red light to another red light in from of Blue Shell Resort. Turn left, the resort will be on the right hand side after approx. 400 m.), ☏ +84 252 3849 849, ✉ pandanus@pandanusresort.com. Check-in: 14:00, check-out: 12:00 noon. 134 renovated rooms including 24 bungalows with outdoor bathtub in a relaxing beachside environment: 10 ha of lush tropical gardens within walking distance of the Red Sand Dunes. Phan Thiet's largest free-form swimming pool, 2 restaurants, 3 bars incl. lounge with live entertainment, two live bands, spa (indoor and outdoor). Weekly seafood BBQ buffets by the pool, All Inclusive package, weddings, special events, team building, tours and excursions, transfer service. Complimentary bicycle rental. Daily complimentary walking tour of Mui Ne fishing town, free shuttle service to Mui Ne, Fairy Stream and Ham Tien tourist strip. Jet Ski, surfboards, kiteboarding nearby. US$60-310 including Mui Ne's biggest breakfast buffet (based on room type and number of guests). Group discounts, All Inclusive package, honeymoon packages and special event rates available.. (updated Dec 2017 | edit)

5 The Sailing Bay Beach Resort, 107 Ho Xuan Huong St, ☏ +84 8 6282 4567, ✉ resorts@thesailingbay.com. 192 rooms with sea views, all-day restaurant, open-air beach club, a grand ballroom that accommodates 400 guests and a fully equipped board meeting room for 40 guests. On-site water sports facility with a professional international team managing board sailing, kite surfing and other activities. US$100-644 including breakfast (low-season). edit

Shades Resort, 98A Nguyen Dinh Chieu (Across from Joe's Cafe). Has 8 studios/apartments with kitchens, Jacuzzi or rainshower, preloaded computers, 42 inch flatscreen TVs and a lovely view. The site includes a swimming pool and a bar with Bon Cafe coffees made with fresh milk from Dalat. Rate includes daily breakfast, bottled water, and laundry service. US$45-200. edit

The Cliff Resort, 5, Phu Hai Ward, Phan Thiet, Binh Thuan (Along the Nguyễn Thông road to Mũi Né), ☏ +84 252 3719 111 (HCMC), +84 24 3936 5065 (Hanoi), ✉ reservation@thecliffresort.com.vn. Check-out: 12:00. A resort complex that has many different room designs in different prices, the more big and beautiful they are, the more expensive they are. All guests can enjoy the big pool in the middle and can have access to the Mui Ne beach. The location is near Phan Thiet. US$100-500.

 

WIKI VOYAGE

Everglades National Park is an American national park that protects the southern twenty percent of the original Everglades in Florida. The park is the largest tropical wilderness in the United States and the largest wilderness of any kind east of the Mississippi River. An average of one million people visit the park each year. Everglades is the third-largest national park in the contiguous United States after Death Valley and Yellowstone. UNESCO declared the Everglades & Dry Tortugas Biosphere Reserve in 1976 and listed the park as a World Heritage Site in 1979, and the Ramsar Convention included the park on its list of Wetlands of International Importance in 1987. Everglades is one of only three locations in the world to appear on all three lists.

 

Most national parks preserve unique geographic features; Everglades National Park was the first created to protect a fragile ecosystem. The Everglades are a network of wetlands and forests fed by a river flowing 0.25 miles (0.40 km) per day out of Lake Okeechobee, southwest into Florida Bay. The park is the most significant breeding ground for tropical wading birds in North America and contains the largest mangrove ecosystem in the Western Hemisphere. Thirty-six threatened or protected species inhabit the park, including the Florida panther, the American crocodile, and the West Indian manatee, along with 350 species of birds, 300 species of fresh and saltwater fish, 40 species of mammals, and 50 species of reptiles. The majority of South Florida's fresh water, which is stored in the Biscayne Aquifer, is recharged in the park.

 

Humans have lived for thousands of years in or around the Everglades. Plans arose in 1882 to drain the wetlands and develop the land for agricultural and residential use. As the 20th century progressed, water flow from Lake Okeechobee was increasingly controlled and diverted to enable explosive growth of the Miami metropolitan area. The park was established in 1934, to protect the quickly vanishing Everglades, and dedicated in 1947, as major canal-building projects were initiated across South Florida. The ecosystems in Everglades National Park have suffered significantly from human activity, and restoration of the Everglades is a politically charged issue in South Florida.

 

Everglades National Park covers 1,508,976 acres (2,357.8 sq mi; 6,106.6 km2), throughout Dade, Monroe, and Collier counties in Florida, at the southern tip of the Atlantic coastal plain. The elevation typically ranges from 0 to 8 feet (2.4 m) above sea level, but a Calusa-built shell mound on the Gulf Coast rises 20 feet (6.1 m) above sea level.

 

The terrain of South Florida is relatively and consistently flat. The limestone that underlies the Everglades is integral to the diverse ecosystems within the park. Florida was once part of the African portion of the supercontinent Gondwana. After it separated, conditions allowed a shallow marine environment to deposit calcium carbonate in sand, shells, and coral to be converted into limestone. Tiny bits of shell, sand, and bryozoans compressed over multiple layers forming structures in the limestone called ooids, which created permeable conditions that hold water.

 

The Florida peninsula appeared above sea level between 100,000 and 150,000 years ago. As sea levels rose at the end of the Wisconsin ice age, the water table appeared closer to land. Lake Okeechobee began to flood, and convection thunderstorms were created. Vast peat deposits south of Lake Okeechobee indicate that regular flooding had occurred about 5,000 years ago. Plants began to migrate, subtropical ones from the northern part of Florida, and tropicals carried as seeds by birds from islands in the Caribbean. The limestone shelf appears to be flat, but there are slight rises—called pinnacles—and depressions caused by the erosion of limestone by the acidic properties of the water. The amount of time throughout the year that water is present in a location in the Everglades determines the type of soil, of which there only two in the Everglades: peat, created by many years of decomposing plant matter, and marl, the result of dried periphyton, or chunks of algae and microorganisms that create a grayish mud. Portions of the Everglades that remain flooded for more than nine months out of the year are usually covered by peat. Areas that are flooded for six months or less are covered by marl. Plant communities are determined by the type of soil and the amount of water present.

 

According to the Köppen climate classification system, Royal Palm at Everglades National Park has a tropical monsoon climate (Am). Summers are long, hot, and very wet and winters are warm and dry.

 

While they are common in the northern portion of Florida, no underground springs feed water into the Everglades system. An underground reservoir called the Floridan aquifer lies about 1,000 feet (300 m) below the surface of South Florida. The Everglades has an immense capacity for water storage, owing to the permeable limestone beneath the exposed land. Most of the water arrives in the form of rainfall, and a significant amount is stored in the limestone. Water evaporating from the Everglades becomes rain over metropolitan areas, providing the fresh water supply for the region. Water also flows into the park after falling as rain to the north onto the watersheds of the Kissimmee River and other sources of Lake Okeechobee, to appear in the Everglades days later. Water overflows Lake Okeechobee into a river 40 to 70 miles (64 to 113 km) wide, which moves almost imperceptibly.

 

At the turn of the 20th century, common concepts of what should be protected in national parks invariably included formidable geologic features like mountains, geysers, or canyons. As Florida's population began to grow significantly and urban areas near the Everglades were developed, proponents of the park's establishment faced difficulty in persuading the federal government and the people of Florida that the subtle and constantly shifting ecosystems in the Everglades were just as worthy of protection. When the park was established in 1947, it became the first area within the U.S. to protect flora and fauna native to a region as opposed to geologic scenery. The National Park Service recognizes nine distinct interdependent ecosystems within the park that constantly shift in size owing to the amount of water present and other environmental factors.

 

Freshwater sloughs are perhaps the most common ecosystem associated with Everglades National Park. These drainage channels are characterized by low-lying areas covered in fresh water, flowing at an almost imperceptible 100 feet (30 m) per day. Shark River Slough and Taylor Slough are significant features of the park. Sawgrass growing to a height of 6 feet (1.8 m) or more, and broad-leafed marsh plants, are so prominent in this region that they gave the Everglades its nickname "River of Grass", cemented in the public imagination in the title for Marjory Stoneman Douglas's book (1947), which culminated years of her advocacy for considering the Everglades ecosystem as more than a "swamp". Excellent feeding locations for birds, sloughs in the Everglades attract a great variety of waders such as herons, egrets, roseate spoonbills (Platalea ajaja), ibises and brown pelicans (Pelecanus occidentalis), as well as limpkins (Aramus guarauna) and snail kites that eat apple snails, which in turn feed on the sawgrass. The sloughs' availability of fish, amphibians, and young birds attract a variety of freshwater turtles, alligator (Alligator mississippiensis), water moccasin (Agkistrodon piscivorus conanti), and eastern diamondback rattlesnake (Crotalus adamanteus).

 

Freshwater marl prairies are similar to sloughs but lack the slow movement of surface water; instead, water seeps through a calcitic mud called marl. Algae and other microscopic organisms form periphyton, which attaches to limestone. When it dries it turns into a gray mud. Sawgrass and other water plants grow shorter in freshwater marl than they do in peat, the other type of soil in the Everglades which is found where water remains present longer throughout the year. Marl prairies are usually under water from three to seven months of the year, whereas sloughs may remain submerged for longer than nine months and sometimes remain under water from one year to the next. Sawgrass may dominate sloughs, creating a monoculture. Other grasses, such as muhly grass (Muhlenbergia sericea) and broad-leafed water plants can be found in marl prairies. Animals living in the freshwater sloughs also inhabit marl prairies. Marl prairies may go dry in some parts of the year; alligators play a vital role in maintaining life in remote parts of the Everglades by burrowing in the mud during the dry season, creating pools of water where fish and amphibians survive from one year to the next. Alligator holes also attract other animals who congregate to feed on smaller prey. When the region floods again during the wet season, the fish and amphibians which were sustained in the alligator holes then repopulate freshwater marl prairies.

 

Hammocks are often the only dry land within the park. They rise several inches above the grass-covered river and are dominated by diverse plant life consisting of subtropical and tropical trees, such as large southern live oaks (Quercus virginiana). Trees often form canopies under which animals thrive amongst scrub bushes of wild coffee (Psychotria), white indigoberry (Randia aculeata), poisonwood (Metopium toxiferum) and saw palmetto (Serenoa repens). The park features thousands of these tree islands amid sloughs—which often form the shape of a teardrop when seen from above (see park map) because of the slowly moving water around them—but they can also be found in pineland and mangroves. Trees in the Everglades, including wild tamarind (Lysiloma latisiliquum) and gumbo-limbo (Bursera simaruba), rarely grow higher than 50 feet (15 m) because of wind, fire, and climate.

 

The plant growth around the hammock base is nearly impenetrable; beneath the canopy hammocks is an ideal habitat for animals. Reptiles (such as various species of snake and anole) and amphibians (such as the American green tree frog, Hyla cinerea), live in the hardwood hammocks. Birds such as barred owls (Strix varia), woodpeckers, northern cardinals (Cardinalis cardinalis), and southern bald eagles (Haliaeetus leucocephalus leucocephalus) nest in hammock trees. Mammal species living in hardwood hammocks include Florida black bears (Ursus americanus floridanus), red foxes (Vulpes vulpes), minks (Neogale vison), marsh rabbits (Sylvilagus palustris), gray foxes (Urocyon cinereoargenteus), white-tailed deer (Odocoileus virginianus), and the rare, critically endangered Florida panther (Puma concolor couguar).

 

Miami-Dade County was once covered in 186,000 acres (290.6 sq mi; 752.7 km2) of pine rockland forests, but most of it was harvested by the lumber industry. Pineland ecosystems (or pine rocklands) are characterized by shallow, dry sandy loam over a limestone substrate covered almost exclusively by slash pines (Pinus elliottii var. densa). Trees in this ecosystem grow in solution holes, where the soft limestone has worn away and filled with soil, allowing plants to take hold. Pinelands require regular maintenance by fire to ensure their existence. South Florida slash pines are uniquely adapted to promote fire by dropping a large amount of dried pine needles and shedding dry bark. Pine cones require heat from fires to open, allowing seeds to disperse and take hold. The trunks and roots of slash pines are resistant to fire. Prescribed burns in these areas take place every three to seven years; without regular fires, hardwood trees begin to grow in this region, and pinelands become recategorized as mixed swamp forests. Most plants in the area bloom about 16 weeks after a fire. Nearly all pinelands have an understory of palm shrubs and a diverse ground covering of wild herbs.

 

Pine rocklands are considered one of the most threatened habitats in Florida; less than 4,000 acres (6.3 sq mi; 16.2 km2) of pineland exist outside the park. Within the park, 20,000 acres (31.3 sq mi; 80.9 km2) of pineland are protected. A variety of animal species meet their needs for food, shelter, nesting, and rooking in pine rocklands. Woodpeckers, eastern meadowlarks (Sturnella magna), loggerhead shrikes (Lanius ludovicianus), grackles, and northern mockingbirds (Mimus polyglottos) are commonly found in pinelands. Black bears and Florida panthers also live in this habitat.

 

Cypress trees are conifers that are adapted to live in standing fresh water. They grow in compact structures called cypress domes and in long strands over limestone. Water levels may fluctuate dramatically around cypress domes and strands, so cypresses develop "knees" that protrude from the water at high levels to provide oxygen for the root systems. Dwarf cypress trees grow in drier areas with poorer soil. Epiphytes, such as bromeliads, Spanish moss (Tillandsia usneoides), orchids and ferns grow on the branches and trunks of cypress trees. Everglades National Park features twenty-five species of orchids. Tall cypress trees provide excellent nesting areas for birds including wild turkey (Meleagris gallopavo), ibis, herons, egrets, anhingas (Anhinga anhinga), and belted kingfisher (Megaceryle alcyon). Mammals in cypress regions include white-tailed deer, squirrels, raccoons, opossums, skunks, swamp rabbits, river otters (Lontra canadensis), and bobcats, as well as small rodents.

 

Mangrove trees cover the coastlines of South Florida, sometimes growing inland depending on the amount of salt water present within the Everglades ecosystems. During drier years when less fresh water flows to the coast, mangroves will appear among fresh water plants. When rain is abundant, sawgrass and other fresh water plants may be found closer to the coast. Three species of mangrove trees—red (Rhizophora mangle), black (Avicennia germinans), and white (Laguncularia racemosa)—can be found in the Everglades. With a high tolerance of salt water, winds, extreme tides, high temperatures, and muddy soils, mangrove trees are uniquely adapted to extreme conditions. They act as nurseries for many marine and bird species. They are also Florida's first defense against the destructive forces of hurricanes, absorbing flood waters and preventing coastal erosion. The mangrove system in Everglades National Park is the largest continuous system of mangroves in the world.

 

Within the Florida mangrove systems live 220 species of fish, and a variety of crabs, crayfish, shrimp, mollusks, and other invertebrates, which serve as the main source of food for many birds. Dozens of bird species use mangroves as nurseries and food stores, including pelicans, grebes, tricolored herons (Egretta tricolor), gulls, terns, hawks and kites, and arboreal birds like mangrove cuckoos (Coccyzus minor), yellow warblers (Dendroica petechia), and white-crowned pigeons (Patagioenas leucocephala). The mangroves also support 24 species of amphibians and reptiles, and 18 species of mammals, including the endangered green turtle (Chelonia mydas), hawksbill turtle (Eretmochelys imbricata), and West Indian manatee (Trichechus manatus).

 

Coastal lowlands, or wet prairies, are salt water marshes that absorb marine water when it gets high or fresh water when rains are heavy. Floods occur during hurricane and tropical storm surges when ocean water can rise several feet over the land. Heavy wet seasons also cause floods when rain from the north flows into the Everglades. Few trees can survive in the conditions of this region, but plants—succulents like saltwort and glasswort—tolerate salt, brackish water, and desert conditions. Animal life in this zone is dependent upon the amount of water present, but commonly found animals include Cape Sable seaside sparrow (Ammodramus maritimus mirabilis), Everglades snail kite (Rostrhamus sociabilis), wood stork (Mycteria americana), eastern indigo snake (Drymarchon couperi), and small mammals such as rats, mice, and rabbits.

 

The largest body of water within the park is Florida Bay, which extends from the mangrove swamps of the mainland's southern tip to the Florida Keys. Over 800 square miles (2,100 km2) of marine ecosystem lies in this range. Coral, sponges, and seagrasses serve as shelter and food for crustaceans and mollusks, which in turn are the primary food source for larger marine animals. Sharks, stingrays, and barracudas also live in this ecosystem. Pelicans, shorebirds, terns, and black skimmers (Rynchops niger) are among the birds frequenting park shorelines. The bay also has its own resident population of bottlenose dolphin (Tursiops truncatus).

 

The bay's many basins are broken up by sandbanks that serve as plentiful recreational fishing grounds for snook (Centropomus undecimalis), redfish (Sciaenops ocellatus), spotted seatrout (Cynoscion nebulosus), tarpon (Megaflops atlanticus), bonefish (Albula vulpes), and permit (Trichinous falcatus),[48] as well as snapper (Lutjanus campechanus), bluegill (Lepomis macrochirus), and bass. Wading birds such as roseate spoonbills (Platalea ajaja), reddish egrets (Egretta rufescens), and great white herons (Ardea herodias occidentalis) have unique subpopulations that are largely restricted to Florida Bay. Other bird species include bald eagles, cormorants, and ospreys. Mammals along the shoreline include raccoons, opossums, bobcats, and fox squirrels.

 

Humans likely first inhabited the South Florida region 10,000 to 20,000 years ago. Two tribes of Native Americans developed on the peninsula's southern tip: the Tequesta lived on the eastern side and the Calusa, greater in numbers, on the western side. The Everglades served as a natural boundary between them. The Tequesta lived in a single large community near the mouth of the Miami River, while the Calusa lived in 30 villages. Both groups traveled through the Everglades but rarely lived within them, remaining mostly along the coast.

 

The diets of both groups consisted mostly of shellfish and fish, small mammals, game, and wild plants. Having access only to soft limestone, most of the tools fashioned by Native Americans in the region were made of shell, bone, wood, and animal teeth; shark teeth were used as cutting blades, and sharpened reeds became arrows and spears. Shell mounds still exist today within the park, giving archaeologists and anthropologists evidence of the raw materials available to the indigenous people for tool construction. Spanish explorers estimated the number of Tequesta at first contact to be around 800, and Calusa at 2,000; the National Park Service reports there were probably about 20,000 natives living in or near the Everglades when the Spanish established contact in the late 16th century. The Calusa lived in social strata and were able to create canals, earthworks, and shellworks. The Calusa were also able to resist Spanish attempts at conquest.

 

The Spanish had contact with these societies and established missions further north, near Lake Okeechobee. In the 18th century, invading Creeks incorporated the dwindling numbers of the Tequesta into their own. Neither the Tequesta nor Calusa tribe existed by 1800. Disease, warfare, and capture for slavery were the reasons for the eradication of both groups. The only evidence of their existence within the park boundaries is a series of shell mounds that were built by the Calusa.

 

In the early 19th century, Creeks, escaped African slaves, and other Indians from northern Florida displaced by the Creek War, formed the area's Seminole nation. After the end of the Seminole Wars in 1842, the Seminoles faced relocation to Indian territory near Oklahoma. A few hundred Seminole hunters and scouts settled within what is today Big Cypress National Preserve, to escape the forced emigration to the west. From 1859 to about 1930, the Seminoles and Miccosukee, a similar but linguistically unique tribe, lived in relative isolation, making their living by trading. In 1928, surveying and construction began on the Tamiami Trail, along the northern border of Everglades National Park. The road bisected the Everglades, introducing a steady, if small, traffic of white settlers into the Everglades.

 

Some members of the Miccosukee and Seminole tribes continue to live within park boundaries. Management of the park includes approval of new policies and procedures by tribal representatives "in such a manner that they do not conflict with the park purpose".

 

Following the end of the Seminole Wars, Americans began settling at isolated points along the coast in what is now the park, from the Ten Thousand Islands to Cape Sable. Communities developed on the two largest pieces of dry ground in the area, on Chokoloskee Island and at Flamingo on Cape Sable, both of which established post offices in the early 1890s. Chokoloskee Island is a shell mound, a midden built roughly 20 feet (6 m) high over thousands of years of occupation by the Calusa. The settlements in Chokoloskee and Flamingo served as trading centers for small populations of farmers, fishermen, and charcoal burners settled in the Ten Thousand Islands. Both settlements and the more isolated homesteads could only be reached by boat until well into the 20th century. Everglades City, on the mainland near Chokoloskee, enjoyed a brief period of prosperity when, beginning in 1920, it served as the headquarters for the construction of the Tamiami Trail. A dirt road from Florida City reached Flamingo in 1922, while a causeway finally connected Chokoloskee to the mainland's Everglades City in 1956.

 

After the park was established, private property in the Flamingo area was claimed by eminent domain, and the site was incorporated into the park as a visitor center.

 

Several attempts were made to drain and develop the Everglades in the 1880s. The first canals built in the Everglades did little harm to the ecosystem, as they were unable to drain much of it. Napoleon Bonaparte Broward based the majority of his 1904 campaign for governor on how drainage would create "The Empire of the Everglades". Broward ordered the drainage that took place between 1905 and 1910, and it was successful enough that land developers sold tracts for $30 per acre, settling the town of Davie, and developing regions in Lee and Dade counties. The canals also cleared water that made way for agricultural fields growing sugarcane.

 

In the 1920s, a population boom in South Florida created the Florida land boom, which was described by author Michael Grunwald as "insanity". Land was sold before any homes or structures were built on it and in some cases before any plans for construction were in place. New landowners, eager to make good on their investments, hastily constructed homes and small towns on recently drained land. Mangrove trees on the coasts were taken down for better views and replaced with shallow-rooted palm trees. The U.S. Army Corps of Engineers began construction on larger canals to control the rising waters in the Everglades. Nevertheless, Lake Okeechobee continued to rise and fall, the region was covered with rain, and city planners continued to battle the water. The 1926 Miami Hurricane caused Lake Okeechobee levees to fail; hundreds of people south of the lake drowned. Two years later, the 1928 Okeechobee Hurricane claimed 2,500 lives when Lake Okeechobee once again surged over its levees. Politicians who declared the Everglades uninhabitable were silenced when a four-story wall, the Herbert Hoover Dike, was built around Lake Okeechobee. This wall effectively cut off the water source from the Everglades.

 

Following the wall's construction, South Florida endured a drought severe enough to cause serious wildfires in 1939. The influx of humans had a detrimental effect on the plants and animals of the region when melaleuca trees (Melaleuca quinquenervia) were introduced to help with drainage, along with Australian pines brought in by developers as windbreaks. The region's timber was devastated for lumber supplies. Alligators, birds, frogs, and fish were hunted on a large scale. Entire rookeries of wading birds were shot to collect their plumes, which were used in women's hats in the early 20th century. The largest impact people had on the region was the diversion of water away from the Everglades. Canals were deepened and widened, and water levels fell dramatically, causing chaos in food webs. Salt water replaced fresh water in the canals, and by 1997 scientists noticed that salt water was seeping into the Biscayne Aquifer, South Florida's water source.

 

In the 1940s, Marjory Stoneman Douglas, a freelance writer and former reporter for The Miami Herald, began to research the Everglades for an assignment about the Miami River. She studied the land and water for five years and published The Everglades: River of Grass in 1947, describing the area in great detail, including a chapter on its disappearance. She wrote: "What had been a river of grass and sweet water that had given meaning and life and uniqueness to this enormous geography through centuries in which man had no place here was made, in one chaotic gesture of greed and ignorance and folly, a river of fire." The book has sold 500,000 copies since its publication, and Douglas's continued dedication to ecology conservation earned her the nicknames "Grand Dame of the Everglades", "Grandmother of the Everglades" and "the anti-Christ" for her singular focus at the expense of some political interests. She founded and served as president for an organization called Friends of the Everglades, initially intended to protest the construction of a proposed Big Cypress jetport in 1968. Successful in that confrontation, the organization has grown to over 4,000 members, committed to the preservation of the Everglades. She wrote and spoke about the importance of the Everglades until her death at age 108 in 1998.

 

Floridians hoping to preserve at least part of the Everglades began to express their concern over diminishing resources in the early 20th century. Royal Palm State Park was created in 1916 and protected Paradise Key; it included several trails and a visitor center several miles from Homestead. Miami-based naturalists first proposed that the area become a national park in 1923. Five years later, the Florida state legislature established the Tropical Everglades National Park Commission to study the formation of a protected area. The commission was led by Ernest F. Coe, a land developer turned conservationist, who was eventually nicknamed Father of Everglades National Park. Coe's original plan for the park included more than 2,000,000 acres (3,125.0 sq mi; 8,093.7 km2) including Key Largo and Big Cypress, and his unwillingness to compromise almost prevented the park's creation. Various other interests, including land developers and sport hunters, demanded that the size of the park be decreased.

 

The commission was also tasked with proposing a method to raise the money to purchase the land. The search coincided with the arrival of the Great Depression in the United States, and money for land purchase was scarce. The U.S. House of Representatives authorized the creation of the new national park on May 30, 1934, but the Act (HR 2837), which permanently reserved lands donated by public or private donation as wilderness, passed only with a rider that ensured no money would be allotted to the project for at least five years. Coe's passion and U.S. Senator Spessard Holland's politicking helped to fully establish the park, after Holland was able to negotiate 1,300,000 acres (2,031.2 sq mi; 5,260.9 km2) of the park, leaving out Big Cypress, Key Largo, the Turner River area, and a 22,000-acre (34.4 sq mi; 89.0 km2) tract of land called "The Hole in the Donut" that was too highly valued for agriculture. Miami Herald editor John Pennekamp was instrumental in pushing the Florida Legislature to raise $2 million to purchase the private land inside the park boundaries. It was dedicated by President Harry Truman on December 6, 1947, one month after Marjory Stoneman Douglas's book The Everglades: River of Grass was released. The same year, several tropical storms struck South Florida, prompting the construction of 1,400 miles (2,300 km) of canals, sending water unwanted by farmers and residents to the ocean.

 

The Central and Southern Florida Flood Control Project (C&SF) was authorized by Congress to construct more than one thousand miles of canals and flood control structures across South Florida. The C&SF, run by the U.S. Army Corps of Engineers, established an agricultural area directly south of Lake Okeechobee, and three water conservation areas, all bordered by canals that diverted excess water either to urban areas or into the Atlantic Ocean, Gulf of Mexico or Florida Bay. South of these manmade regions was Everglades National Park, which had been effectively cut off from its water supply. By the 1960s, the park was visibly suffering. The C&SF was directed to provide enough water to sustain the park; it did not follow through. A proposed airport that would have dire environmental effects on Everglades National Park became the center of a battle that helped to initiate the environmental movement into local and national politics. The airport proposal was eventually abandoned, and in 1972 a bill was introduced to curb development in South Florida and ensure the national park would receive the amount of water it needed. Efforts turned to repairing the damage wrought by decades of mismanagement: the Army Corps of Engineers changed its focus in 1990 from constructing dams and canals to constructing "purely environmental projects".

 

Regions originally included in Ernest Coe's vision for a national park were slowly added over the years to the park or incorporated into other protected areas: Biscayne National Park, Big Cypress National Preserve, John Pennekamp Coral Reef State Park on Key Largo, Ten Thousand Islands National Wildlife Refuge, and Florida Keys National Marine Sanctuary were all protected after the park's opening in 1947. Everglades National Park was designated an International Biosphere Reserve on October 26, 1976. On November 10, 1978, 1,296,500 acres (2,025.8 sq mi; 5,246.7 km2), about 86% of the park, was declared a wilderness area. It was renamed the Marjory Stoneman Douglas Wilderness in 1997. It was listed as a UNESCO World Heritage Site on October 24, 1979, and as a Wetland of International Importance on June 4, 1987. It was placed on the List of World Heritage in Danger from 1993 until 2007 and then again in 2010. The park was added again due to the continued degradation of the set causing significant indications of eutrophication (for example algal blooms) negatively impacting the marine life causing the US government to request UNESCO and IUCN for assistance in development.

 

President George H. W. Bush signed the Everglades National Park Protection and Expansion Act on December 13, 1989, that added 109,506 acres (171.1 sq mi; 443.2 km2) to the eastern side of the park, closed the park to airboats, directed the Department of the Army to restore water to improve the ecosystems within Everglades National Park, and "Direct(ed) the Secretary of the Interior to manage the Park in order to maintain the natural abundance, diversity, and ecological integrity of native plants and animals, as well as the behavior of native animals, as part of their ecosystem." Bush remarked in his statement when signing the act, "Through this legislation that river of grass may now be restored to its natural flow of water".

 

In 2000, Congress approved the Comprehensive Everglades Restoration Plan (CERP), a federal effort to restore the Everglades with the objectives of "restoration, preservation and protection of the south Florida ecosystem while providing for other water-related needs of the region", and claiming to be the largest environmental restoration in history. It was a controversial plan; detractors worried that it "relies on uncertain technologies, overlooks water quality, subsidizes damaging growth and delays its environmental benefits".[90] Supporters of the plan included the National Audubon Society, who were accused by Friends of the Everglades and the Biodiversity Legal Foundation of prioritizing agricultural and business interests.

 

The namesake of Anhinga Trail dries its feathers

CERP projects are designed to capture 1.7 billion US gallons (6,400,000 m3) of fresh water every day, store it in underground reservoirs, and release the water to areas within 16 counties in South Florida. Approximately 35,600 acres (55.6 sq mi; 144.1 km2) of man-made wetlands are to be constructed to confine contaminated water before it is released to the Everglades, and 240 miles (390 km) of canals that divert water away from the Everglades are to be destroyed. During the first five years of implementation, CERP was responsible for the purchase of 207,000 acres (323.4 sq mi; 837.7 km2) of land at a cost of $1 billion. The plan aims to spend $10.5 billion over 30 years, combining 50 different projects and giving them 5-year timelines.

 

Everglades National Park was directly hit by Hurricanes Katrina, Wilma, and Rita in 2005. Such storms are a natural part of the park's ecosystem; 1960's Hurricane Donna left nothing in the mangroves but "standing dead snags" several miles wide, but 30 years later the area had completely recovered. Predictably, what suffered the most in the park from the 2005 hurricanes were man-made structures. In 2009 the visitor center and lodge at Flamingo were irreparably damaged by 125 mph (201 km/h) winds and an 8 ft (2.4 m) storm surge; the lodge had been functioning for 50 years when it was torn down; nothing is slated to replace it.

 

Everglades National Park reported in 2005 a budget of over $28 million. Of that, $14.8 million was granted from the National Park Service and $13.5 million from various sources including CERP, donations, and other grants. The entry fee for private vehicles in 2021 is $30. Of the nearly one million visitors to Everglades National Park in 2006, more than 38,000 were overnight campers, paying $16 a night or $10 a night for backcountry permits. Visitors spent $2.6 million within the park and $48 million in local economies. More than 900 jobs were sustained or created within or by the park, and the park added value of $35 million to local economies.

 

Everglades National Park has had 19 superintendents since it was dedicated in 1947. The park's first superintendent, Daniel Beard (1947-1958), was also its longest-serving. After Superintendent Beard, Warren F. Hamilton served between 1958 and 1963, followed by Stanley C. Joseph (1963-1966), Roger W. Allin (1966-1968), John C. Raftery (1968-1970), Joseph Brown (1970-1971), Jack E. Stark (1971-1976), John M. Good (1976-1980), John M. Morehead (1980-1986), Marueen E. Finnerty (Acting Superintendent, 1986), Michael V. Finley (1986-1989), Robert L. Arnberger (Acting Superintendent, 1989), Robert S. Chandler (1989-1992), Dick Ring (1992-2000), Marueen E. Finnerty (2000-2003), Dan Kimball (2004-2014), Shawn Benge (Acting Superintendent, 2014), Bob Krumenaker (Acting Superintendent, 2014-2015), and finally Pedro Ramos, who was appointed in 2015 and continues to serve.

 

The park was placed into Administrative Region I in 1937, when the regions were first established. Region I was retitled the Southeast Region in 1962, which was restructured into the Southeast Area in 1995. The reorganized unified Interior regions put it in the new Region 2.

 

The busiest season for visitors is from December to March, when temperatures are lowest and mosquitoes are least active. The park features five visitor centers: on the Tamiami Trail (part of U.S. Route 41) directly west of Miami is the Shark Valley Visitor Center. A fifteen-mile (24 km) round trip path leads from this center to a two-story observation tower. Tram tours are available during the busy season. Closest to Homestead on State Road 9336 is the Ernest F. Coe Visitor Center, where a 38-mile (61 km) road begins, winding through pine rockland, cypress, freshwater marl prairie, coastal prairie, and mangrove ecosystems. Various hiking trails are accessible from the road, which runs to the Flamingo Visitor Center and marina, open and staffed during the busier time of the year. The Gulf Coast Visitor Center is closest to Everglades City on State Road 29 along the west coast. The Gulf Coast Visitor Center gives canoers access to the Wilderness Waterway, a 99-mile (160 km) canoe trail that extends to the Flamingo Visitor Center. The former Royal Palm State Park was the site of the first Everglades National Park visitor center and later became the Royal Palm Visitor Center within the park. The western coast of the park and the Ten Thousand Islands and the various key islands in Florida Bay are accessible only by boat.

 

Several walking trails in the park vary in hiking difficulty on Pine Island, where visitors can cross hardwood hammocks, pinelands, and freshwater sloughs. Starting at the Royal Palm Visitor Center, the Anhinga Trail is a half-mile self-guided tour through a sawgrass marsh where visitors can see alligators, marsh and wading birds, turtles, and bromeliads. Its proximity to Homestead and its accessibility make it one of the most visited sites in the park. The nearby Gumbo Limbo Trail is also self-guided, at half-mile long. It loops through a canopy of hardwood hammocks that include gumbo limbo (Bursera simaruba), royal palms (Roystonea), strangler figs (Ficus aurea), and a variety of epiphytes.

 

Twenty-eight miles (45 km) of trails start near the Long Pine Key campgrounds and wind through Long Pine Key, well-suited for offroad cycling through the pine rocklands in the Marjory Stoneman Douglas Wilderness Area. Two boardwalks allow visitors to walk through a cypress forest at Pa-Hay-O-Kee, which also features a two-story overlook, and another at Mahogany Hammock (referring to Swietenia mahagoni) that takes hikers through a dense forest in the middle of a freshwater marl prairie. Closer to Flamingo, more rugged trails take visitors through mangrove swamps, along Florida Bay. Christian Point Trail, Snake Bight Trail, Rowdy Bend Trail and Coastal Prairie Trail allow viewing of shorebirds and wading birds among the mangroves. Portions of the trails may be impassable depending on the time of year, because of mosquitoes and water levels. Ranger-led tours take place in the busier season only.

 

Camping is available year-round in Everglades National Park. Camping with some services is available at Long Pine Key, close to the Ernest F. Coe Visitor Center, where 108 sites are accessible by car. Near Flamingo, 234 campsites with some services are also available. Recreational vehicle camping is available at these sites, but not with all necessary services. Back-country permits are required for campsites along the Wilderness Waterway, Gulf Coast sites, and sites in the various keys. Several back-country sites are chickees; others are beach and ground sites.

 

Low-powered motorboats are allowed in the park; the majority of salt water areas are no-wake zones to protect manatees and other marine animals from harm. Jet skis, airboats, and other motorized personal watercraft are prohibited. Many trails allow kayaks and canoes. A state license is required for fishing. Fresh water licenses are not sold in the park, but a salt water license may be available. Swimming is not recommended within the park boundaries; water moccasins, snapping turtles (Chelydra serpentina), alligators, and crocodiles thrive in fresh water. Sharks, barracuda, and sharp dangerous coral are plentiful in salt water. Visibility is low in both salt water and fresh water areas.

 

Everglades National Park is an important part of the Great Florida Birding Trail. It has great biodiversity and many species of birds for bird watching and bird photography also.

 

Portions of Everglades National Park are ideal for dark sky observations in South Florida. The best viewing locations are in the remote southern and western areas of the Everglades, such as Flamingo and the Ten Thousand Islands. The Milky Way appears brightest when looking south, toward the least light-polluted areas.

 

Less than 50 percent of the Everglades which existed prior to drainage attempts remains intact today. Populations of wading birds dwindled 90 percent from their original numbers between the 1940s and 2000s. The diversion of water to South Florida's still-growing metropolitan areas is the Everglades National Park's number one threat. In the 1950s and 1960s, 1,400 miles (2,300 km) of canals and levees, 150 gates and spillways, and 16 pumping stations were constructed to direct water toward cities and away from the Everglades. Low levels of water leave fish vulnerable to reptiles and birds, and as sawgrass dries it can burn or die off, which in turn kills apple snails and other animals that wading birds feed upon. Populations of birds fluctuate; in 2009, the South Florida Water Management District claimed wading birds across South Florida increased by 335 percent. Following three years of increasing numbers, The Miami Herald reported in 2009 that populations of wading birds within the park decreased by 29 percent.

 

Cities along the west coast of Florida rely on desalinization for fresh water; the quantity demanded is too great for the land to provide. Nitrates in the underground water system and high levels of mercury also impact the quality of fresh water the park receives. In 1998, a Florida panther was found dead in Shark Water Slough, with levels of mercury high enough to kill a human. Increased occurrences of algal blooms and red tide in Biscayne Bay and Florida Bay have been traced to the amounts of controlled water released from Lake Okeechobee. The brochure given to visitors at Everglades National Park includes a statement that reads, "Freshwater flowing into the park is engineered. With the help of pumps, floodgates, and retention ponds along the park's boundary, the Everglades is presently on life support, alive but diminished."

 

A series of levees on the park's eastern border marks the line between urban and protected areas, but development into these areas threatens the park system. Florida still attracts nearly a thousand new residents every day,[119] and building residential, commercial and industrial zones near Everglades National Park stresses the water balance and ecosystems within the park. On the park's western border, Fort Myers, Naples, and Cape Coral are expanding, but no system of levees exists to mark that border. National Geographic rated both Everglades National Park and Big Cypress National Preserve the lowest-scoring parks in North America, at 32 out of 100. Their scoring system rated 55 parks by their sustainable tourism, destination quality, and park management. The experts who compiled the results justified the score by stating: "Encroachment by housing and retail development has thrown the precious ecosystem into a tailspin, and if humankind doesn't back off, there will be nothing left of one of this country's most amazing treasures".

 

Thirty-six federally protected animals live in the park, some of which face grave threats to their survival.

 

In the United States, the American crocodile's only habitat is within South Florida. They were once overhunted for their hides. They are protected today from hunting but are still threatened by habitat destruction and injury from vehicle collisions when crossing roads to reach waterways. About 2,000 crocodiles live in Florida, and there are roughly 100 nests in the Everglades and Biscayne National Parks. Crocodiles populations in South Florida have increased as has the number of alligators. Crocodiles were reclassified from "endangered" to "threatened" in the United States in 2007.

 

The Florida panther is one of the most endangered mammals on earth. About 230 live in the wild, primarily in the Everglades and the Big Cypress Swamp. The biggest threats to the panther include habitat destruction from human development, vehicle collisions, inbreeding due to their limited gene pool, parasites, diseases, and mercury poisoning.

 

Four Everglade species of sea turtle including the Atlantic green sea turtle, the Atlantic hawksbill, the Atlantic loggerhead (Caretta caretta), and the Atlantic ridley (Lepidochelys kempii) are endangered. Also, the leatherback sea turtle (Dermochelys coriacea) is threatened. Numbers are difficult to determine, since males and juveniles do not return to their birthplace; females lay eggs in the same location every year. Habitat loss, illegal poaching, and destructive fishing practices are the biggest threats to these animals.

 

The range of the Cape Sable seaside sparrow is restricted to Everglades National Park and the Big Cypress Swamp. In 1981 6,656 Cape Sable seaside sparrows were reported in park boundaries, but surveys over 10 years documented a decline to an estimated 2,624 birds by 2002. Attempts to return natural levels of water to the park have been controversial; Cape Sable seaside sparrows nest about a foot off the ground, and rising water levels may harm future populations, as well as threaten the locally endangered snail kite. The Everglades snail kite eats apple snails almost exclusively, and the Everglades is the only location in the United States where this bird of prey exists. There is some evidence that the population may be increasing, but the loss of habitat and food sources keep the estimated number of these birds at several hundred.

 

The West Indian manatee has been upgraded from endangered to threatened. Collisions with boats and habitat loss are still its biggest threats.

 

Fire naturally occurs after lightning storms but takes its heaviest toll when water levels are low. Hardwood hammock and cypress trees are susceptible to heavy damage from fire, and some may take decades to grow back. Peat built up over centuries in the marsh can cause fires to burn deep scars in the soil. In 2007, Fred Sklar of the South Florida Water Management District said: "An extreme drought can be viewed (as) almost as catastrophic as a volcano. It can reshape the entire landscape. It can take 1,000 years to produce two inches of peat, and you can lose those couple of inches in a week."

 

Rising sea levels caused by global warming are another threat to the future of the park. Since 1932, ocean levels at Key West have steadily risen over 0.7 feet (0.2 m), which could have disastrous consequences for land so close to the ocean. It is estimated that within 500 years freshwater habitats in the Everglades National Park will be obliterated by salt water, leaving only the northernmost portion of the Everglades. Cost estimates for raising or replacing the Tamiami Trail and Alligator Alley with bridges are in the hundreds of millions of dollars.

 

Through Trump Administration, The Florida Department of Transportation, and Everglades National Park, there are plans to execute and complete the Next Steps project to help fix these various water issues, along with other parts of the park. This completion plan was announced in September 2020, will begin November 2020, and should be done by the end of 2024.

 

The introduction of non-native species into South Florida is a considerable problem for the park. Many of the biological controls such as weather, disease, and consumers who naturally limit plants in their native environments do not exist in the Everglades, causing many to grow larger and multiply far beyond their average numbers in their native habitats. Approximately 26 percent of all fish, reptiles, birds, and mammal species in South Florida are exotic—more than in any other part of the U.S.—and the region hosts one of the highest numbers of exotic plant species in the world.

 

Species that adapt the most aggressively to conditions in the Everglades, by spreading quickly or competing with native species that sometimes are threatened or endangered, are called "invasive". Thousands of exotic plant species have been observed in South Florida, usually introduced as ornamental landscaping, but park staff must eradicate such invasive plants as melaleuca tree (Melaleuca quinquenervia), Brazilian pepper (Schinus terebinthifolius), and Old World climbing fern (Lygodium microphyllum). Similarly, animals often do not find the predators or natural barriers to reproduction in the Everglades as they do where they originate, thus they often reproduce more quickly and efficiently. Lobate lac scale insects (Paratachardina pseudolobata) kill shrubs and other plants in hardwood hammocks. Bromeliad beetles (Metamasius callizona) destroy bromeliads and the ecosystems they host.

 

Walking catfish (Clarias batrachus) can deplete aquaculture stocks and they carry enteric septicemia. The Florida Fish and Wildlife Conservation Commission (FWC) listed eight "Reptiles of Concern", including the Burmese python (Python molurus bivittatus), focusing on them for their large sizes and aggressive natures, allowing licensed hunters to kill any listed animals in protected areas and sell their meat and hides. Burmese pythons, two subspecies of African rock pythons (Python sebae; northern and southern), and yellow anacondas (Eunectes notaeus) were banned from import into the U.S. in 2012. United States Secretary of the Interior Ken Salazar announced the inclusion of these reptiles at Everglades National Park. Exotic species control falls under the management of the U.S. Fish and Wildlife Service, which has been compiling and disseminating information about invasive species since 1994. Control of invasive species costs $500 million per year, but 1,700,000 acres (2,656.2 sq mi; 6,879.7 km2) of land in South Florida remains infested.

LAKE KIVU

 

From Wikipedia, the free encyclopedia

 

Lake Kivu

 

Coordinates 2°0′S 29°0′ECoordinates: 2°0′S 29°0′E

Type Rift Valley lakes, Meromictic

Primary outflows Ruzizi River

Catchment area 2,700 km2 (1,000 sq mi)

Basin countries Rwanda, Democratic Republic of the Congo

Max. length 89 km (55 mi)[1]

Max. width 48 km (30 mi)[1]

Surface area 2,700 km2 (1,040 sq mi)[1]

Average depth 240 m (787 ft)

Max. depth 480 m (1,575 ft)

Water volume 500 km3 (120 cu mi)

Surface elevation 1,460 m (4,790 ft)

Islands Idjwi

Settlements Goma, Congo

Bukavu, Congo

Kibuye, Rwanda

Cyangugu, Rwanda

Lake Kivu with Goma in the background

 

Lake Kivu is one of the African Great Lakes. It lies on the border between the Democratic Republic of the Congo and Rwanda, and is in the Albertine Rift, the western branch of the East African Rift. Lake Kivu empties into the Ruzizi River, which flows southwards into Lake Tanganyika. The name comes from kivu which means "lake" in some Bantu languages, just like the words tanganyika or nyanza.[citation needed]

 

Contents

 

1 History

2 Geography

3 Chemistry

3.1 Methane extraction

4 Biology and fisheries

5 See also

6 References

 

History

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (February 2012)

People on the shore at Gisenyi

 

The first European to visit the lake was German Count Adolf von Götzen in 1894. Since then it has been caught up in the conflict between Hutu and Tutsi people in Rwanda, and their allies in DR Congo, which led to the 1994 Rwandan Genocide and the First and Second Congo Wars. Lake Kivu gained notoriety as a place where many of the victims of the genocide were dumped.

Geography

 

The lake covers a total surface area of some 2,700 km2 (1,040 sq mi) and stands at a height of 1,460 metres (4,790 ft) above sea level. Some 1 370 km2 or 58% of the lake's waters lie within DRC borders. The lake bed sits upon a rift valley that is slowly being pulled apart, causing volcanic activity in the area, and making it particularly deep: its maximum depth of 480 m (1,575 ft) is ranked eighteenth in the world.

 

The world's tenth-largest inland island, Idjwi, lies in Lake Kivu, as does the tiny island of Tshegera, which also lies within the boundaries of Virunga National Park; while settlements on its shore include Bukavu, Kabare, Kalehe, Sake, and Goma in Congo, and Gisenyi, Kibuye, and Cyangugu in Rwanda.

Chemistry

 

Lake Kivu is a fresh water lake and, along with Cameroonian Lake Nyos and Lake Monoun, is one of three that experience limnic eruptions. Around the lake, geologists found evidence of massive biological extinctions about every thousand years, caused by outgassing events. The trigger for lake overturns in Lake Kivu's case is unknown, but volcanic activity is suspected. The gaseous chemical composition of exploding lakes is unique to each lake; in Lake Kivu's case, methane and carbon dioxide due to lake water interaction with a volcano. The amount of methane is estimated to be 65 cubic kilometers (if burnt over one year, it would give an average power of about 100 gigawatts for the whole period). There is also an estimated 256 cubic kilometers of carbon dioxide. The water temperature is 24°C, and the pH level is about 8.6.[2] The methane is reported to be produced by microbial reduction of the volcanic CO2.[3] The risk from a possible Lake Kivu overturn is catastrophic, dwarfing other documented lake overturns at Lakes Nyos and Monoun, because of the approximately two million people living in the lake basin.

 

Cores from the Bukavu Bay area of the lake reveal that the bottom has layered deposits of the rare mineral monohydrocalcite interlain with diatoms, on top of sapropelic sediments with high pyrite content. These are found at three different intervals. The sapropelic layers are believed to be related to hydrothermal discharge and the diatoms to a bloom which reduced the carbon dioxide levels low enough to precipitiate monohydrocalcite.[4]

 

Scientists hypothesize that sufficient volcanic interaction with the lake's bottom water that has high gas concentrations would heat water, force the methane out of the water, spark a methane explosion, and trigger a nearly simultaneous release of carbon dioxide.[5][6] The carbon dioxide would then suffocate large numbers of people in the lake basin as the gases roll off the lake surface. It is also possible that the lake could spawn lake tsunamis as gas explodes out of it.[7][8]

 

The risk posed by Lake Kivu began to be understood during the analysis of more recent events at Lake Nyos. Lake Kivu's methane was originally thought to be merely a cheap natural resource for export, and for the generation of cheap power. Once the mechanisms that caused lake overturns began to be understood, so did awareness of the risk the lake posed to the local population.

 

An experimental vent pipe was installed at Lake Nyos in 2001 to remove gas from the deep water, but such a solution for the much larger Lake Kivu would be considerably more expensive. No plan has been initiated to reduce the risk posed by Lake Kivu.[dubious – discuss] The approximately 500 million tonnes of carbon dioxide in the lake is a little under 2 percent of the amount released annually by human fossil fuel burning. Therefore the process of releasing it could potentially have costs beyond building and operating the system.

Methane extraction

Methane extraction platform.

 

Lake Kivu has recently been found to contain approximately 55 billion cubic metres (1.94 trillion cubic feet) of dissolved biogas at a depth of 300 metres (1,000 ft). Until 2004, extraction of the gas was done on a small scale, with the extracted gas being used to run boilers at a brewery, the Bralirwa brewery in Gisenyi.[9][10] As far as large-scale exploitation of this resource is concerned, the Rwandan government has negotiated with a number of parties to produce methane from the lake.

 

In 2011 ContourGlobal, a U.S. based energy company focused on emerging markets, secured project financing to initiate a large-scale methane extraction project. The project will be run through a local Rwandan entity called KivuWatt, using an offshore barge platform to extract, separate, and clean the gasses obtained from the lake bed before pumping purified methane via an underwater pipeline to on-shore gas engines. Stage one of the project aims to build and supply three "gensets" along the lake shore, totaling 25MW of electrical capacity. Initial project operations are scheduled to commence in 2012.[11] In addition to managing gas extraction, KivuWatt will also manage the electrical generation plants and on-sell the electrical power to the Rwandan government under the terms of a long-term Power Purchase Agreement (PPA). This allows KivuWatt to control a vertically integrated energy offering from point of extraction to point of sale into the local grid. Extraction is said to be cost-effective and relatively simple because once the gas-rich water is pumped up, the dissolved gases (primarily carbon dioxide, hydrogen sulphide and methane) begin to bubble out as the water pressure gets lower. This project is expected to increase Rwanda's energy generation capability by as much as 20 times, and will enable Rwanda to sell electricity to neighboring African countries.[10] The firm was awarded the 2011 Africa Power deal of the year for innovation in the financing arrangements it obtained from various sources for the KivuWatt project. [12] .[13]

 

A problem associated with the prevalence of methane is that of mazuku.

Biology and fisheries

Fishing boats on Lake Kivu, 2009.

Reflection of the sky on Lake Kivu

 

The fish fauna in Lake Kivu is relatively poor with 28 species, including four introduced species.[14] The natives are the Lake Rukwa minnow (Raiamas moorii), four species of Barbus (B. altianalis, B. apleurogramma, B. kerstenii and B. pellegrini), an Amphilius catfish, two Clarias catfish (C. liocephalus and C. gariepinus), Nile tilapia (Oreochromis niloticus) and 15 endemic Haplochromis cichlids.[14] The introduced species are three cichlids, the longfin tilapia (Oreochromis macrochir), O. leucostictus and redbreast tilapia (Coptodon rendalli), and a clupeid, the Lake Tanganyika sardine, Limnothrissa miodon.[14]

 

The exploitable stock of the Lake Tanganyika sardine was estimated at 2000–4000 tons per year.[15] It was introduced to Lake Kivu in the late 1959 by a Belgian Engineer A. Collart. At present, Lake Kivu is the sole natural lake in which L. miodon, a sardine originally restricted to Lake Tanganyika, has been introduced initially to fill an empty niche. Prior to the introduction, no planktivorous fish was present in the pelagic waters of Lake Kivu. In the early 1990s, the number of fishers on the lake was 6,563, of which 3,027 were associated with the pelagic fishery and 3,536 with the traditional fishery. Widespread armed conflict in the surrounding region from the mid-1990s resulted in a decline in the fisheries harvest.[16]

 

Following this introduction, the sardine has gained substantial economic and nutritional importance for the lakeside human population but from an ecosystem standpoint, the introduction of planktivorous fish may result in important modifications of plankton community structure. Recent observations showed the disappearance during the last decades of a large grazer, Daphnia curvirostris, and the dominance of mesozooplankton community by three species of cyclopoid copepod: Thermocyclops consimilis, Mesocyclops aequatorialis and Tropocyclops confinis.[17][18]

 

The first comprehensive phytoplankton survey was released in 2006.[19] With an annual average chlorophyll a in the mixed layer of 2.2 mg m-3 and low nutrient levels in the euphotic zone, the lake is clearly oligotrophic. Diatoms are the dominant group in the lake, particularly during the dry season episodes of deep mixing. During the rainy season, the stratified water column, with high light and lower nutrient availability, favour dominance of cyanobacteria with high numbers of phototrophic picoplankton.[19][20][21][22] The actual primary production is 0.71 g C m-2 d-1 (~ 260 g C m-2 y-1).[23]

 

A study of evolutionary genetics showed that the cichlids from lakes in northern Virunga (e.g., Edward, George, Victoria) would have evolved in a "proto-lake Kivu", much older than the intense volcanic activity (20,000-25,000 years ago) which cut the connection.[24] The elevation of the mountains west of the lake (which is currently the Kahuzi-Biega National Park, one of the largest reserves of eastern lowland (or Grauer's) gorillas in the world), combined with the elevation of the eastern rift (located in eastern Rwanda) would be responsible for drainage of water from central Rwanda in the actual Lake Kivu. This concept of "proto-lake Kivu" was challenged by lack of consistent geological evidence,[25] although the cichlid's molecular clock suggests the existence of a lake much older than the commonly cited 15,000 years.

 

Lake Kivu is the home of four species of freshwater crab, including two non-endemics (Potamonautes lirrangensis and P. mutandensis) and two endemics (P. bourgaultae and P. idjwiensis).[26] Among Rift Valley lakes, Lake Tanganyika is the only other with endemic freshwater crabs.[26]

Just your average day in San Francisco....no, just kidding!

 

Today was the Bay to Breakers race in the city and people were out running and supporting runners.... A lot of hoopla.... Below is some information on the race...

 

Bay to BreakersFrom Wikipedia

 

The Bay to Breakers is an annual footrace which takes place in San Francisco, California on the third Sunday of May. The name reflects the fact that the race starts at the northeast end of the downtown area a few blocks from The Embarcadero (adjacent to San Francisco Bay) and runs west through the city to finish at the Great Highway (adjacent to the Pacific coast, where breakers crash onto Ocean Beach). The complete course is 7.46 miles (12 kilometers) long.[1] The event is well-known for many participants wearing costumes, and a few engaging in varying degrees of public nudity.[2] The event was officially the world's largest footrace from 1986 (with 110,000 participants) until it was surpassed in 2010

 

Thoughts on Bo:

 

While it may not look to the average person that I’m a sports honk, I do follow what is going on in that arena somewhat closely. And growing up in Nebraska, I’ve been essentially a life-long Husker football fan.

 

So… we look for our fourth head coach over the last 17 years. Growing up with solid consistency at that position for a couple of decades, this is still new ground to me. And it’s difficult to still digest. As a once-elite (perennial Top 15) program, my beloved Huskers haven’t sniffed anything close to a championship in 13 years. Ok, four division titles (three won by Pelini), but all led to losses in conference championship games; two embarrassing blowouts, a near-miss and another loss where we led by 17 at one point.

 

The last conference championship was 1999 and we did not deserve the slot in 2001 Rose Bowl against Miami that was supposed to be the closest thing to a national championship game. The score showed it. We were down by over 30 at half.

 

So how does a proud program go to near Crapville? Bad decisions. Our state icon, Tom Osborne, who retired from coaching after winning the mythical National Championship in 1997 (his third in four years), thought it crazy to put his assistants’ jobs at risk by calling it quits. Due to his past and very then-recent successes, he deserved to call his shot for his successor - or heavily influence the athletic director. His replacement was Frank Solich, a long-time assistant who wouldn’t remove anybody from the staff. But Frank was a mediocre game-planner/play caller at best. That’s why he’s coaching at a mid-major school (Ohio U) now.

 

In 2003, after a miserable but still not below .500 7-7 2002 campaign, Frank also went 9-3 and got fired, even after making staff changes that included adding Pelini as defensive coordinator. The three losses were bad. Also, then-athletic director Steve Pederson was trying to make Nebraska into something it has a slim chance of ever being - a destination school for blue chip recruits. We have no ocean. We have no mountains. We have a lot of corn, cows and mud. Most blue chippers are thinking about getting their highlights on ESPN and making the NFL, not coming to a school where work ethic truly matters.

 

So Pederson hired ex-NFL coach Bill Callahan. Billy C failed to grasp what made Nebraska successful - winning with local kids who walked on and challenged the scholarship players, often times becoming scholarship players themselves. He also used the NFL coaching mentality where the top players get most or all the reps in practice. That doesn’t work at the college level. From 2004 to 2007, Callahan had two losing seasons, the only ones at Nebraska since 1962. He went 1-1 in bowls, nearly 0-2. And while the SEC was turning into the NFL minor league during this time, Nebraska was fading from the national scene and fast.

 

Pederson also ran the athletic department like the Galactic Empire, full of back-door politicking, non-transparency and saying one thing yet doing another. As the dismal 2007 season wore on, word about this got around to the university Chancellor and Pederson was fired.

 

Enter Tom Osborne.

 

Hired to replace Pederson in late October, 2007, Osborne gave Callahan a fair shake at keeping his job: go at least 6-6 and make a bowl. That milestone was certainly attainable. Callahan went 5-7, including allowing a school record amount of points in one game (he did that feat not once, but twice) and was booted the day after losing the last game of the season.

 

Now the pressure was on to find a suitable replacement quickly. But the temperature of the coaching community was lukewarm to the job. Most experienced head coaches want to bring in their own guys. Again, Osborne cared about the remaining assistants and insisted they get a fair shake at being hired on the new staff. And, the perception was that 9-3 might not be good enough. And the truth is 9-3 seasons can be very different from one another.

 

With the defense in a shambles, Bo was hired in late 2007 but stayed on at LSU through December and early January to prepare for the national title game. Popular with the fans as he restored a terrible 2002 defense to respectability in 2003, he seemed like the best choice at the time but obviously wasn’t. He also seemed to get the unique culture, too. Known for his fiery demeanor, he was also prone to going off the edge at times. It flared up in 2008 against Virginia Tech in Lincoln. Nebraska trailed late in that game but had a chance to score and take the lead. An unsportsmanlike penalty called on Bo removed 15 yards of very important field position late in the fourth quarter. A distance to score that seemed slightly manageable was now near-impossible.

 

In 2010 during a game at Texas A&M, Bo had a sideline meltdown directed at quarterback Taylor Martinez that was caught on camera and made the rounds on the highlight shows.

 

And then there was the 2011 microphone fiasco. After Nebraska managed the biggest comeback in school history - winning after being 21 points down to Ohio State in Lincoln - he railed on the fans leaving at halftime which a turned-on microphone captured: “F*ck you… F*ck all of you…” The tape was made public two years later.

 

And in 2013, he said "chicken shit" on live local TV as they covered the presser after losing to Iowa in the last game of the regular season. I thought he was gone then.

 

There were victories showing scrap and grit. The comeback wins against Clemson, Wisconsin, Ohio State and Georgia. And there were games of ugly suckitude, too. Camp Randall in 2011 and 2014. The Shoe in 2012. The 2012 B1G Championship Game. Not to mention losses to teams that should have been beaten handily (2010 Iowa State, 2012 Northwestern) and a first-year FBS team (South Dakota State) and a well-respected FCS team (McNeese State) pushing us to the brink at home.

 

Under Bo, it was better than it was but not where it needs to be. In the end, he padded his record against weaker teams and usually folded - badly - when it mattered.

 

So who should come in? My preference would be an experienced head coach. It would be the best decision for the program now. In order, they would be Gary Patterson (TCU), Jim McElwain (Colorado State), Turner Gill (Liberty, Kansas and Buffalo U) or Scott Frost (offensive coordinator at Oregon). The only reason Gill and Frost make the list is that they are former Nebraska players that get the culture. They would have to make sure they get the right guy for Defensive Coordinator though.

 

UPDATE: Thursday, Dec 4, Mike Riley, head coach of Oregon State for the last 12 years (14 in all), was announced as Pelini's replacement. The choice came out of nowhere - that name was on nobody's list. He was the only coach pursued.

 

Known as a "do more with less" guy, able to recruit in Texas and California and finding quality "under the radar" players, plus having a gentlemanly demeanor, this is the most Osborne-esque of the last four hires. I'm good with it - for now. The staff that he builds will be critical to his success. So far, no one on the current staff has been invited. Probably more to come in that area.

 

UPDATE II: On Dec 16, 2014, many sources report that Bo Pelini will be named head coach at FCS-division power Youngstown State.

Baddesley Clinton is not one the grandest of houses, nor is it filled with rare works of art, but having been owned by one family, the Ferrers, since the 16th century and maintained largely intact and original, it is a rare example of the average early-modern home of the lesser gentry. Unlike such mansions as nearby Coughton Court, Baddesley Clinton is relatively small, even cozy, and one can easily imagine the life of the people who lived here. It is best known for being the home of the Jesuit Henry Garnet for almost 14 years, and the existence of several priest hides conceived and built by Nicholas Owen.

 

The Clintons settled here in the thirteenth century, when it was called just Baddesley, and added their name to the place. They were responsible for the digging of the moat that you see above. It was eventually sold in 1438 to John Brome, a wealthy lawyer, and the Bromes built most of the east and west sides of the house.

 

John Brome was the Under Treasurer of England but a Lancastrian, and when Henry VI was deposed in 1461 by the Yorkist claimant Edward IV, Brome lost all of his court appointments. He later quarreled with John Herthill, Steward to Richard "the Kingmaker", Earl of Warwick, and Herthill murdered him in 1468 on the porch of the Whitefriars Church in London. Brome's second son, Nicholas, who inherited the estate, eventually avenged his father's murder by killing Herthill in 1471.

 

Nicholas Brome seems to have had a taste for violence. According to Henry Ferrers, a later owner of the house, it was soon after inheriting Baddesley Clinton that Nicholas 'slew the minister of Baddesley Church findinge him in his plor (parlour) chockinge his wife under ye chinne, and to expiatt these bloody offenses and crimes he built the steeple and raysed the church body ten foote higher". He was pardoned for this killing by both the King and the Pope. Nicholas seems also to have developed a taste for building, and is thought to have been responsible for the building of much of the earliest part of the house. Baddesley Clinton passed into the hands of the Ferrers family in 1517, through the marriage of Nicholas Brome's daughter, Constance, to Sir Edward Ferrers.

 

The most interesting of the Ferrers is Henry Ferrers (1549-1633), the great-grandson of Sir Edward Ferrers, and contemporary with the times of the Gunpowder Plot. He inherited the property in 1564, and lived through the reigns of Edward VI, Mary I, Elizabeth I and James I, dying in the reign of Charles I. He carried out extensive building, including the wing that contains the Great Hall, as well as adding the Great Parlour above the existing entranceway. He also installed much oak paneling and mantels that are still there as well.

 

Henry Ferrers was an antiquarian, and spent a lifetime collecting historical information, much of which was later used by Sir William Dugdale in the 'Antiquities of Warwickshire'. This interest of his can be seen by the enormous amount of heraldic glass and devices throughout the house. He was trained in the law, and admitted to the Middle Temple in 1572. He may also have served a term as an MP for Cirencester in 1593.

 

After the death of Henry Ferrers, the fortunes of the Ferrers family fluctuated through periods of heavy taxation such as during the Civil War and in the early eighteenth century, followed by attempts by some generations to maintain and improve the property in better times. The last Ferrers in the direct male line, Marmion Edward Ferrers (1813-1884), was so poor that Lady Chatterton, the aunt of his wife Rebecca, and her husband, Edward Heneage Deering, had to come and live with him to share the expense. These two were only married because of a misunderstanding. It is said that Deering came to Lady Chatterly to ask permission to pay address to her niece, but she thought it was a proposal to her, and accepted. Deering, although she was old enough to be his mother, was too chivalrous to set the story straight!

 

The estate passed down through Marmion Edward Ferrer's nephew through several relatives, and it was Mr. Thomas Ferrers-Walker who eventually sold the house to the Government, after which it became part of the National Trust. The Ferrers Archive is kept at the Shakespeare Birthplace Trust in Stratford-upon-Avon.

 

Henry Ferrers was also a devout Catholic, but a cautious one and was never convicted for recusancy. He must have been aware of the activities of the Vaux sisters, who rented the house from him in the 1590's in order to secretly shelter Father Henry Garnet and other priests, and to be able to conduct catholic services. Soon after they rented the house, Anne Vaux had Nicholas Owen build secret hiding places, including one created out of the sewer and the moat.

 

A spectacular raid on Baddesley in October 1591 was recorded both by Father John Gerard in his Autobiography of an Elizabethan, and also by Father Henry Garnet in a letter to his Jesuit superior, Aquaviva. Several priests, including Garnet and Gerard, as well as lay assistants had risen early and were preparing to leave the house, when it was surrounded and all the approach roads blocked by pursuviants. The stable-boys, knowing that so many horses saddled and ready to go would be suspicious, armed themselves with farm implements and blocked the pursuviants attempt at violent entry. This bought some time for those inside the house, as the pursuviants had to resort to requests, and led them to believe that the lady of the house had not yet arisen. Those outside had to wait patiently, albeit not quietly, while those inside were quickly hiding away the priests, Catholic vestments, and all other signs of the presence of a Catholic priest, including the overturning of their mattresses so that the pursuviants could not feel the warmth.

 

The priests stood in the hiding place in the moat, ankle-deep in cold water for over four hours while the pursuviants tore through the house, although their attempts at intimidation seemed to have far outweighed their skills in searching. Anne Vaux said "here was a searcher pounding the walls in unbelievable fury, there another shifting side-tables, turning over beds. Yet, when any of them touched with their hand or foot the actual place where some sacred object was hidden, he paid not the slightest attention to the most obvious evidence of a contrivance."

 

The searchers turned up nothing, and eventually left after being paid off by Anne Vaux with twelve gold pieces. As Gerard later said, "Yes, that is the pitiful lot of Catholics when men come with a warrant ... it is the Catholics, not the men who send them, who have to pay. As if it were not enough to suffer, they have to pay for their suffering."

 

You can still inspect these hiding places today, and we must say they are not for those who are claustrophobic or faint of heart. Until you actually see them, it is hard to imagine the cramped, damp, dark and tomb-like conditions these priests endured.

 

The first of these is a lath and plaster hutch in the roof above a closet off the bedroom in the gatehouse block. It measures six feet three inches by four feet, and is three feet nine inches high. It contains two wooden benches and is lined with fine hair-plaster.

 

In the corner of the kitchen, where a garderobe once existed, you can see through to the medieval drain where the hiding place used by Father Gerard and Father Garnet was located. At the time, this could only be accessed through the garderobe shaft in the floor of the Sacristy above. A hiding space beneath the floor of the Library was accessed through the fireplace in the Great Parlour, and can now be viewed from the Moat Room. It was in the Library Room that Nicholas Brome was said to have murdered the priest, and it is reputed to be haunted.

 

For an excellent account of the priest holes and the work of Nicholas Owen at Baddesley Clinton, the article Elizabethan Priest Holes : III - East Anglia, Baddesley Clinton, Hindlip by Michael Hodgetts, and published in Recusant History, is a must read.

 

The house itself consists almost entirely of building done by either the Bromes in the fifteenth century or by Henry Ferrers in the sixteenth, and although much repair and alteration work has been carried out inside the house, the panelling, fireplaces and heraldic glass throughout the house all date from the work of Henry Ferrers.

Originally quadrangular in shape, the property today consists of only three blocks, the east including the gatehouse and the Great Parlour, the south containing the Hall, and the west containing the kitchen. The gatehouse and kitchen wing are of grey sandstone, whereas the Hall, which was reconstructed in the 18th century, is of brick.

 

The crenellated gatehouse is one of the house's most interesting features. The lower part with the gun ports was built by Nicholas Brome in the late fifteenth century, and is thought originally to have had a drawbridge. The upper part was re-formed by Henry Ferrers to accommodate the Great Parlour. The brick bridge was built in the early eighteenth century, and the crenelations added in the nineteenth century. The massive carved oak door in the gatehouse leading through to the courtyard dates from Nicholas Brome.

 

The present owners are still undertaking restoration work to enable all the documented priest hides and trapdoors to be made available for viewing, this work includes part of the moat tunnel complex that is presently plugged in order to prevent midges from penetrating into the Sacristy and bedrooms

 

Baddesley Clinton, although still a private dwelling was sold to the Government and passed to the National Trust in 1980 and opened to the public in 1982.

 

The above was copied from "The gunpowder plot" website.

 

Great to place to visit. If only there had been some sun!

 

Some background:

Simple, efficient and reliable, the Regult (リガード, Rigādo) was the standard mass production mecha of the Zentraedi forces. Produced by Esbeliben at the 4.432.369th Zentraedi Fully Automated Weaponry Development and Production Factory Satellite in staggering numbers to fill the need for an all-purpose mecha, this battle pod accommodated a single Zentraedi soldier in a compact cockpit and was capable of operating in space or on a planet's surface. The Regult saw much use during Space War I in repeated engagements against the forces of the SDF-1 Macross and the U.N. Spacy, but its lack of versatility against superior mecha often resulted in average effectiveness and heavy losses. The vehicle was regarded as expendable and was therefore cheap, simple, but also very effective when fielded in large numbers. Possessing minimal defensive features, the Regult was a simple weapon that performed best in large numbers and when supported by other mecha such as Gnerl Fighter Pods. Total production is said to have exceeded 300 million in total.

 

The cockpit could be accesses through a hatch on the back of the Regult’s body, which was, however, extremely cramped, with poor habitability and means of survival. The giant Zentraedi that operated it often found themselves crouching, with some complaining that "It would have been easier had they just walked on their own feet". Many parts of the craft relied on being operated on manually, which increased the fatigue of the pilot. On the other hand, the overall structure was extremely simple, with relatively few failures, making operational rate high.

 

In space, the Regult made use of two booster engines and numerous vernier thrusters to propel itself at very high speeds, capable of engaging and maintaining pace with the U.N. Spacy's VF-1 Valkyrie variable fighter. Within an atmosphere, the Regult was largely limited to ground combat but retained high speed and maneuverability. On land, the Regult was surprisingly fast and agile, too, capable of closing with the VF-1 variable fighter in GERWALK flight (though likely unable to maintain pace at full GERWALK velocity). The Regult was not confined to land operations, though, it was also capable of operating underwater for extended periods of time. Thanks to its boosters, the Regult was capable of high leaping that allowed the pod to cover long distances, surprise enemies and even engage low-flying aircraft.

 

Armed with a variety of direct-fire energy weapons and anti-personnel/anti-aircraft guns, the Regult offered considerable firepower and was capable of engaging both air and ground units. It was also able to deliver powerful kicks. The armor of the body shell wasn't very strong, though, and could easily be penetrated by a Valkyrie's 55 mm Gatling gun pod. Even bare fist attacks of a VF-1 could crack the Regult’s cockpit or immobilize it. The U.N. Spacy’s MBR-07 Destroid Spartan was, after initial battel experience with the Regult, specifically designed to engage the Zentraedi forces’ primary infantry weapon in close-combat.

 

The Regult was, despite general shortcomings, a highly successful design and it became the basis for a wide range of specialized versions, including advanced battle pods for commanders, heavy infantry weapon carriers and reconnaissance/command vehicles. The latter included the Regult Tactical Scout (リガード偵察型). manufactured by electronics specialist Ectromelia. The Tactical Scout variant was a deadly addition to the Zentraedi Regult mecha troops. Removing all weaponry, the Tactical Scout was equipped with many additional sensor clusters and long-range detection equipment. Always found operating among other Regult mecha or supporting Glaug command pods, the Scout was capable of early warning enemy detection as well as ECM/ECCM roles (Electronic Countermeasures/Electronic Counter-Countermeasures). In Space War I, the Tactical Scout was utilized to devastating effect, often providing radar jamming, communication relay and superior tactical positioning for the many Zentraedi mecha forces.

 

At the end of Space War I in January 2012, production of the Regult for potential Earth defensive combat continued when the seizure operation of the Factory Satellite was executed. After the war, Regults were used by both U.N. Spacy and Zentraedi insurgents. Many surviving units were incorporated into the New U.N. Forces and given new model numbers. The normal Regult became the “Zentraedi Battle Pod” ZBP-104 (often just called “Type 104”) and was, for example, used by Al-Shahal's New U.N. Army's Zentraedi garrison. The related ZBP-106 was a modernized version for Zentraedi commanders, with built-in boosters, additional Queadluun-Rhea arms and extra armaments. These primarily replaced the Glaug battle pod, of which only a handful had survived. By 2067, Regult pods of all variants were still in operation among mixed human/Zentraedi units.

  

General characteristics:

Accommodation: pilot only, in standard cockpit in main body

Overall Height: 18.2 meters

Overall Length: 7.6 meters

Overall Width: 12.6 meters

Max Weight: 39.8 metric tons

 

Powerplant & propulsion:

1x 1.3 GGV class Ectromelia thermonuclear reaction furnace,

driving 2x main booster Thrusters and 12x vernier thrusters

 

Performance:

unknown

 

Armament:

None

 

Special Equipment and Features:

Standard all-frequency radar antenna

Standard laser long-range sensor

Ectromelia infrared, visible light and ultraviolet frequency sensor cluster

ECM/ECCM suite

  

The kit and its assembly:

I had this kit stashed away for a couple of years, together with a bunch of other 1:100 Zentraedi pods of all kinds and the plan to build a full platoon one day – but this has naturally not happened so far and the kits were and are still waiting. The “Reconnaissance & Surveillance” group build at whatifmodellers.com in August 2021 was a good occasion and motivation to tackle the Tactical Scout model from the pile, though, as it perfectly fits the GB’s theme and also adds an exotic science fiction/anime twist to the submissions.

 

The kit is an original ARII boxing from 1983, AFAIK the only edition of this model. One might expect this kit to be a variation of the 1982 standard Regult (sometimes spelled “Reguld”) kit with extra parts, but that’s not the case – it is a new mold with different parts and technical solutions, and it offers optional parts for the standard Regult pod as well as the two missile carrier versions that were published at the same time, too. The Tactical Scout uses the same basis, but it comes with parts exclusive for this variant (hull and a sprue with the many antennae and sensors).

 

I remembered from a former ARII Regult build in the late Eighties that the legs were a wobbly affair. Careful sprue inspection revealed, however, that this second generation comes with some sensible detail changes, e. g. the feet, which originally consisted of separate toe and heel sections (and these were hollow from behind/below!). To my biggest surprise the knees – a notorious weak spot of the 1st generation Regult kit – were not only held by small and flimsy vinyl caps anymore: These were replaced with much bigger vinyl rings, fitted into sturdy single-piece enclosures made from a tough styrene which can even be tuned with small metal screws(!), which are included in the kit. Interesting!

 

But the joy is still limited: even though the mold is newer, fit is mediocre at best, PSR is necessary on every seam. However, the good news is that the kit does not fight with you. The whole thing was mostly built OOB, because at 1:100 there's little that makes sense to add to the surface, and the kit comes with anything you'd expect on a Regult Scout pod. I just added some lenses and small stuff behind the large "eye", which is (also to my surprise) a clear part. The stuff might only appear in schemes on the finished model, but that's better than leaving the area blank.

 

Otherwise, the model was built in sub-sections for easier painting and handling, to be assembled in a final step – made possible by the kit’s design which avoids the early mecha kit’s “onion layer” construction, except for the feet. This is the only area that requires some extra effort, and which is also a bit tricky to assemble.

 

However, while the knees appear to be a robust construction, the kit showed some material weakness: while handling the leg assembly, one leg suddenly came off under the knees - turned out that the locator that holds the knee joint above (which I expected to be the weak point) completely broke off of the lower leg! Weird damage. I tried to glue the leg into place, but this did not work, and so I inserted a replacement for the broken. This eventually worked.

  

Painting and markings:

Colorful, but pretty standard and with the attempt to be authentic. However, information concerning the Regults’ paint scheme is somewhat inconsistent. I decided to use a more complex interpretation of the standard blue/grey Regult scheme, with a lighter “face shield” and some other details that make the mecha look more interesting. I used the box art and some screenshots from the Macross TV series as reference; the Tactical Scout pod already appears in episode #2 for the first time, and there are some good views at it, even though the anime version is highly simplified.

 

Humbrol enamels were used, including 48 (Mediterranean Blue), 196 (RAL 7035, instead of pure white), 40 (Pale Grey) and 27 (Sea Grey). The many optics were created with clear acrylics over a silver base, and the large frontal “eye” is a piece of clear plastic with a coat of clear turquoise paint, too.

 

The model received a black ink washing to emphasize details, engraved panel lines and recesses, as well as some light post-shading through dry-brushing. Some surface details were created with decal stripes, e. g. on the upper legs, or with a black fineliner, and some color highlights were distributed all over the hull, e. g. the yellowish-beige tips of the wide antenna or the bright blue panels on the upper legs.

 

The decals were taken OOB, and thanks to a translation chart I was able to decipher some of the markings which I’d interpret as a serial number and a unit code – but who knows?

 

Finally, the kit received an overall coat of matt acrylic varnish and some weathering/dust traces around the feet with simple watercolors – more would IMHO look out of place, due to the mecha’s sheer size in real life and the fact that the Regult has to be considered a disposable item. Either it’s brand new and shiny, or busted, there’s probably little in between that justifies serious weathering which better suits the tank-like Destroids.

  

A “normal” build, even though the model and the topic are exotic enough. This 2nd generation Regult kit went together easier than expected, even though it has its weak points, too. However, material ageing turned out to be the biggest challenge (after all, the kit is almost 40 years old!), but all problems could be overcome and the resulting model looks decent – and it has this certain Eighties flavor! :D

 

Mũi Né is a coastal fishing town in the Bình Thuận Province of Vietnam. The town, with approximately 25,000 residents is a ward of the city of Phan Thiết. Mui Ne and the other wards of Phan Thiet that stretch along the coast for approximately 50 kilometers have been transformed into a resort destination since the mid 1990s, when many visited the area to view the solar eclipse of October 24, 1995. Most notably, tourism has developed in the area from the city center to Mũi Né, which has more than a hundred beach resorts, as well as restaurants, bars, shops and cafes.

 

Mũi Né ward has two beaches; Ganh Beach and Suoi Nuoc Beach, both with a number of resorts and a few shops and restaurants. But the most highly developed area is Rang Beach in Ham Tien ward, which extends west of Mui Ne. Strong sea breezes make all three beaches very popular for kitesurfing and windsurfing. The tourist season is from December to April The average temperature is 27 °C, and the climate is hot and dry much of the year.

____________________________________________

 

Mui Ne is a traditional fishing town in Binh Thuan Province that became a ward of the City of Phan Thiet in 1999. The name Mui Ne is often erroneously used as the general name for the main resort area in Phan Thiet along Mui Ne Bay, 220 km northeast of Ho Chi Minh City (South Vietnam).

 

Mui Ne is a coastal fishing community in Bình Thuận Province which is part of the South Central Coast of Vietnam. The town, with approximately 25,000 residents is a ward of the city of Phan Thiết. Mui Ne and the other wards of Phan Thiet that stretch along the coast for approximately 50 km have been transformed into a resort destination since the mid 1990s, when many discovered the area during the solar eclipse of October 24, 1995. Most notably, tourism has developed in the area from the city center of Phan Thiet to Mui Ne, including Phu Hai and Ham Tien wards along Phan Thiet Bay. The dense resort area along Phan Thiet Bay and beyond now boasts over two hundred beach resorts and hotels, as well as guest houses, backpacker hostels, restaurants, bars, shops and cafes.

 

In 2018 the Prime Minister approved the master plan to develop Mui Ne (Binh Thuan) as a National Tourist Site with a size of around 14,760 ha by 2025, with an orientation towards 2030.

 

An area of 1,000 ha has been defined as a core area for the establishment and development of functional areas for the tourism sector. Mui Ne National Tourism Site will be developed in an environmentally responsible way with a focus on protecting existing natural resources and environments, landscapes, and in particular the ecosystem in the Bau Trang tourist area (White Sand Dunes) as well as the sand dunes along the sea shore.

 

UNDERSTAND

Northeast of Phan Thiet the coastal road climbs over the slope of a Cham tower-topped hill and descends into the long, sandy crescent of Mui Ne Bay. The formerly little-inhabited beach southwest of the historic fishing village of Mui Ne proper has seen some serious development in the last 15 years. Now it is a 15 km long strip of resorts that line up like pearls on Nguyen Dinh Chieu Street, shaded by coconut palms. The main resort strip lies between the addresses of 2 and 98 Nguyen Dinh Chieu and is called Ham Tien. Like Mui Ne it is now a ward of the city of Phan Thiet which stretches over 50 km of coastline to the south and to the west of the original city center of Phan Thiet.

 

At the shoreline, nature moves the sand around, much to the dismay of some developers. Beach sand tends to migrate up and down the coast seasonally, leaving some (but not all) spots with just a concrete breakwater rather than sandy beach. There is always a good sandy beach somewhere along this 15 km beach. Accommodations at higher addresses tend to be smaller and less expensive, somewhat removed from the main tourist section and more mixed in with local life. If a sandy beach is important to you, some research is called for before booking in the area, especially after the tropical storm season. This research is important as without the beach there is little for non-kite-surfers to do in Mui Ne.

 

Quite a few bargain and "backpacker" hotels have popped up on the inland side of the road, across from the shoreline resorts. If you stay on the inland side, you will need to pass though one of the resorts to reach the beach, which might or might not result in some hassle from the guards. The resorts jealously guard their lounge chairs and palapas, though the beach itself is open to everyone.

 

Mui Ne Bay has become very popular with Russian tourists. Major Russian tour operators who bring busloads of tourists to Ham Tien and Mui Ne from the airports in Cam Ranh and Ho Chi Minh City have bought up several hotels along the main road and fill them year-round with Russian charter tour groups. English and Russian menus are common in most restaurants, and many stores and hotels are advertising and catering specifically to the Russian-speaking tourists, especially along the lowered numbered area of the strip on Nguyen Dinh Chieu Street which some guidebooks have rebaptised "Little Moscow."

 

GET IN

BY BUS

Most overseas visitors reach Ham Tien and Mui Ne via "open tour" buses that run between Ho Chi Minh City and Nha Trang. Most depart from Ho Chi Minh City between 07:30 and 09:00 (07:30 for Sinh Cafe's air conditioned bus) and arrive at Ham Tien and Mui Ne at about 13:00. In the opposite direction, buses typically depart from Mui Ne and Ham Tien around either 14:00 or 02:00 and arrive in Ho Chi Minh City approximately five hours later. Joe's Cafe is a good place to catch an outgoing night bus as it offers full service all night and you never know how late the bus will be. Outside Ho Chi Minh City, the coach will stop at a petrol station with a large shop and stalls selling snacks, drinks, and fruit.

 

The buses stop in the heart of the tourist strip in Ham Tien, so there is no need to take a taxi. The cost is about 105,000 dong each way, and tickets are sold all over the tourist districts of both Ho Chi Minh City and Nha Trang. If you are traveling to Ho Chi Minh City from Mui Ne and Ham Tien, you will most likely be put on an already full bus traveling from Nha Trang. As you are not assigned a seat, you may not be able to sit with any traveling companions, and at some of the less scrupulous travel agents you may not even get a real seat. You might get a mat at the back of the bus with four other people.

 

Public buses from both destinations also travel to the Mui Ne area, though finding the departure stations and figuring out the schedule is difficult for visitors. It's not worth the trouble unless you have a strong need to depart at a different time of day other than when the open tour bus leaves. Travel agencies play dumb because they don't earn anything from helping you find a public bus. The main bus station in Phan Thiet is at Từ Văn Tư, Phú Trinh and a taxi from there to the tourist strip can cost more than your bus ticket from HCMC!

 

BY TRAIN

A train runs daily from Ho Chi Minh City to Phan Thiet, departing around 06:30 and arriving five hours later. The return trip leaves Phan Thiet around 13:30. The cost is quite modest at around 60,000 dong per person each way (similar to the bus). The train station in Ho Chi Minh City (Saigon Railway Station) is in District 3, about 3 km from the centre. The railway station in Phan Thiet is about 5 km (80,000 dong taxi ride) from the beginning of the Ham Tien resort strip, and taxis are abundant to take you there. The railway also sometimes runs a mid-sized bus from the station to Mui Ne for 25,000 dong per person. Tickets are sold on the train, though the announcement might be made in Vietnamese only, and you need to watch carefully for the ticket sellers to pass by.

 

The train has regular carriages operated by the state railways, and sometimes other carriages booked and operated by private companies. The latter have somewhat larger seats for a higher price, but fall short of luxury. The regular carriages are a bit cramped for the Western-sized body. When the train is not full, railway staff usually packs everyone into one carriage, leaving another one empty, and then run a side business selling "upgrades" to the quiet, empty carriage. The entire train will be jammed on holidays.

 

Overall, the train is probably less comfortable and convenient than the open-tour bus, though it has some advantages. You get a better view of the countryside and avoid the endless honking of horns and lunatic driving of the bus drivers.

 

BY TAXI

You might consider coming to Mui Ne from Saigon by taxi, instead of open bus. The departure times of the open buses might not suit your schedule. They are also slow sometimes, because the driver makes stops at rather bad restaurants where he receives commission. The ride by taxi takes 4-5 hours, depending on road conditions, and will cost US$70-100, depending on your ability to bargain. Talk to taxi drivers in the airport to get best prices.

 

Fare from Tan Son Nhut Airport to Mui Ne by SATSCO is US$100/trip.

 

GET AROUND

You can't get lost in Mui Ne and Ham Tien, since the whole place consists of one long strip along a main street, Nguyen Dinh Chieu. Motorbike taxis are present everywhere and their drivers will bug you each time you leave the hotel or walk along the road. Along the tourist strip it is much cheaper to stop a xe om as long as you know how to bargain. It can be hard for Western tourists to get appropriate prices (10,000-15,000 dong is more than enough to pay for a ride from one place to another along the main strip). Taxis are also abundant, with fares slightly higher than Ho Chi Minh City, but still reasonable (starting at around 20,000 dong).

 

You can rent motorbikes and bicycles at many resorts and tour agencies. Since traffic is light, motorbikes or bicycles are a pleasant way to explore the surroundings. Motorbikes cost anywhere from 60,000-150,000 dong per day depending on how late in the day you start, how many hours you need, and age/type of motorbike (automatics can cost 230,000 dong). The locals say it's getting harder to rent because of bike thefts and police driving license enforcement. Your hotel might rent to you, which may be a bit more convenient since they already have your passport. Western tourists should avoid taking a rented motorbike to the White Sand Dunes if you are not in the possession of a Vietnamese driver's license. The Mui Ne police is known for stopping all motorbikes on the road leading to Bau Trang (White Lake) and collect at least 1 million dong from any foreigner not able to provide at least an international driver's license.

 

Be careful when riding a bike in Ham Tien and Mui Ne. Traffic is light, especially during the summer months, but nobody pays any attention to traffic rules. For example, it's common to see Vietnamese riders turning left from the right lane. Also, Vietnamese riders don't stop or even look when entering the main road from secondary one. The increase in big motor coaches shuttling Russain tourists in and out of Ham Tien and the uncontrolled jeeps used to bring hundreds of tourists to the White Sand Dunes every day contribute to increased risks for motorbikes and pedestrians along Nguyen Dinh Chieu Street in particular. Traffic fatalities are not uncommon. Rumors are that up to 30 people die every month in accidents. If you plan to ride a bike here, investment in medical insurance, if you can get it, is a wise move.

 

Even-numbered addresses are on the sea side of the street, and odd numbers on the inland side. Even and odd addresses are not aligned, thus 39 on the odd side can be several hundred metres from 40 on the even side.

 

SEE

CHAM TOWER

The Poshanu Cham Tower in Phu Hai ward (Thap Po Sah Inu) is a derelict remainder of the ancient Cham culture that was built in the 8th century. It is still in use for religious and social gatherings by the local Cham population, especially during the annual Kate festival.

Fish Sauce Plants, where the famous nuoc mam (fish sauce) is produced. Big jars harbour the concoction that, after months in the blazing sun, is sold all over Vietnam to add some spice to the food.

The famous Red Sand Dunes (Doi Cat), on the main coastal road a short distance north of the fishing town at the north end of Mui Ne Bay, about 10 km from the main resort strip. The whole region is fairly sandy, with orange sand threatening to blow onto the coastal road in some spots. The dunes that visitors visit are about 50 ha (1/2 km²) of open sand on a hillside with ten-meter undulations, staffed by dusty children with plastic slides, who will offer instruction and assistance if you want to slide on the sand. Caution is recommended since a number of tourists have lost money, cameras or cell phones in the sand or through theft and pick-pocketing on the dunes. The sand dunes offer nice views of the sea coast to the north. On the opposite side of the road are a series of small cafes (illegally built but tolerated by the local police), where you can park your vehicle for a small fee if you ride there on your own. Most day tours sold by local tour operators include a stop at the dunes. The trip by taxi from the main resort strip in Ham Tien is about 170,000 dong each way, and less by xe om. It is reachable by bicycle in 30-45 minutes, passing the Fairy Stream on the way. From the resorts on Malibu Beach (Ganh Beach) it is just a short 5 to 10 minute walk to the bottom of the dunes.

Mui Ne Market (Chợ Mũi Né) and fishing harbor (Lang chai Mui Ne). If you are staying on the resort strip in Ham Tien or Phu Hai wards, don't miss out to visit this once quiet "fishing village" but nowadays bustling town, at the northeast end of Mui Ne Bay. The coastal road leads straight into the town (with a left turn required at the first red light to continue up the coast). If you arrive during the dry "winter" season, don't miss the harbor overlook at the entrance to Mui Ne with a splendid view of hundreds of colorful fishing boats moored in the bay. The boats move to the other side of the "Shelter Cape" (English translation of "Mui Ne") during the monsoon season from May through October, when the wind direction changes from mainly northeast to mainly southwest. Further along into town, just off the main road, there is a colorful local market. If you take your transport just down to the water, you will reach the fishing harbor, where you can purchase fresh seafood (if you have any means to cook it) or purchase steamed crabs, shellfish, etc. to eat on the spot from local vendors. Walking along the beach, you'll pass by fishermen sorting out their catch, ship-wharves and, at the southern end of town, a section where clams have been rid of their shells for many years, so the sand on the beach is by now substituted with littered shells. Be prepared to encounter piles and stretches of rubbish on the beach.

The Fairy Stream (Suoi Tien) is a little creek that winds its way through bamboo forests, boulders and the dunes behind the village, in parts resembling a miniature version of the Grand Canyon. Local children will want to accompany you to show you the way (and of course earn a dollar or so), but since you're just following the stream, there's little need. For the most part, the stream is about ankle-deep and no more than knee-deep even at its deepest. It is sandy with few stones and can be walked comfortably barefooted. You can climb up the red sand hills overlooking the river valley and even walk there parallel to the river, however, the sand may be hot on a sunny day, so bring some footwear. Walking upstream for about 20 minutes, you will reach a small waterfall into at most waist-deep water, great to take a refreshing bath before heading back. To reach the stream, head along the main road towards the east until you cross a small bridge. The stream is underneath, you will see a sign pointing towards a path to the left, go that way to reach an easy place to enter the stream. By bicycle it's about 15 minutes from the main resort strip and shouldn't be more than 20,000 dong by xe om. You can enter somewhere along the beach or at the bridge where you will be charged 10,000 dong for entry (although entrance is officially free) and 5,000 dong for motorcycle parking.

The White Sand Dunes are approximately 45 km away from the Ham Tien tourist strip to the northeast, and some 24 km from the Red Sand Dunes and nearby resorts on the east side of the Mui Ne peninsula (GPS 11.068254 108.428513). Trips are offered by any tourist agency along the resort stretch for 4x4 or quad drives, as well as by some resorts with their own vehicles. While too far away for a bicycle trip especially in summer, a motorbike trip can bring you there. Make sure to bring an international driver's licence if you do not own a Vietnamese one (driving without Vietnamese driver's license is illegal in Vietnam), the local police is well-known for stopping foreigners on motorbikes on their way to and from the White Sand Dunes and extort a fine (up to 1 million dong) or sometimes even confiscate the motorbike. Entrance is a 10,000 dong fee.

 

DO

KITE SURFING

Kitesurfing is offered by many outfitters and hotels. Kite surfing instruction is available, starting at US$60/hour, beginners package of 7 lessons start at US$350. From November till March you generally will have strong winds every day. The Winds in Mui Ne emerge by thermal movements, after the shores got warmed by the sun. You will have perfect wind everyday from 11:00 until the late evening. Gusty winds are seldom. With strong winds, the sometimes choppy waves can be as high as 4 m and more. The water is free of rocks, which makes it relatively safe to kite. However in the peak season there up to 300 kiters in the water at the same time. Beginners and Students, who mainly practice close to the beach front makes things a bit more dangerous. So watch out for other kitersurfers and swimmers and control the speed, in particularly because swimmers are difficult to see when waves are high. Accidents between kitesurfers or between kitesurfers and Swimmers happen from time to time and medical facilities are limited in terms of their equipment and abilities.

 

There are several kitesurfing schools along the beach, which all employ beach boys who will help you to start and launch the kite. It is widely common to tip the beach boys with US$1/day. If you bring your own equipment and don't want to carry it from and to your hotel every day, you can store it at one of the kitesurfing schools for US$20/week or US$60/month, including usage of their compressors and shower facilities.

 

If you are a beginner but already can practice independent without an instructor, you might avoid the area around Sunshine Beach Hotel/Sankara/Wax, because there are too many kite surfers and swimmers which may lead to accidents, particularly if you can not fully control the kite. Try the western part of beach front around the Kitesurfing School Windchimes. There are less kiters in this area and you can practice without bringing you and others into danger.

 

There is a place called "wave spot" or "Malibu beach" (10.92676, 108.29500). It is suitable only for intermediate/advanced kiters, but its much less crowded there.

 

OTHERS

All-terrain vehicle. You can ride one on white sand dunes.

Cooking classes, 400,000 dong/hr. If you want to learn to cook Vietnamese food, check cooking classes near C2SKY kitesurfing school (opposite Kim Shop). You will learn to cook pancakes, Pho Bo soup, shrimp salad and fresh spring rolls. All ingredients are ready, you'll just mix them under supervision of Vietnamese cook.

Day tours, US$10-13. Travel agents and restaurants abound with day tour offerings. The standard half day tour takes in the fishing village, fairy stream, and the red and while sand dunes. Tours normally start at either 17:00 or 14:30 so you can watch the sunrise/sunset over the sand dunes.

Balloon riding, ☏ +841208536828, ✉ booking@vietnamballoons.com. 05:00-08:00. Mui Ne is the only place in Vietnam where you can fly hot air balloons. A balloon company has European management, balloons, and pilots. Most flights take place over white sand dunes. When the winds in dunes are too strong, flights take place from Phan Thiet city centre. (updated Jan 2018 | edit)

Sailing, 108 Huynh Thuc Khang. Manta Sail Training Centre was newly founded in 2010 and water sport has been gaining popularity since then. Classes are available at US$50/hour for individuals with certified international and local instructors. The sailing area is safe, quiet, with no swimmers and only a few advanced kitesurfers. edit

Surfing. Sometimes you get good waves in mornings of windy season. Lessons, day trips and rentals are available, don't hesitate to ask around. While Mui Ne is not the best destination for surfing, it can be good place to give it a try.

Swimming. The sea is wonderfully warm, but it can be quite rough, with large waves and a strong rip tide. When the tide is in, there is not much of a beach to speak of. When wind is blowing it can be quite chilly to even think of swimming. The area between kilometre markers 11 and 13 has the largest stretch of enduring sandy beach. Since large waves normally emerge after 11:00 you might prefer to swim in the early morning hours, when the water is flat and free of Kitesurfers. Most mid-range and top-end resorts have swimming pools for their guests. Some are open for day users starting at 80,000 dong per day. But you can always behave as guest from this hotel and buy a few drinks for these 80,000 dong.

Water sports. Most outfitters offer a host of water sports including kayaking, paddle surfing, and jet ski rental.

Windsurfing. If you like to do some windsurfing, go to eastern part of Mui Ne. Starting from Hai Au resort, there are some hotels that are offering good place to water start, rent or store your gear.

 

BUY

Along the Mui Ne strip are several small nameless shops; all selling the same sundries and souvenirs. You can find packaged snacks (Oreos, cakes, biscuits, ice cream, etc.), liquor, clothing, and souvenirs.

 

Anything beyond very basic necessities should be brought with you. There is a small pharmacy, but it would be wise to bring your own first aid kit.

 

Standard souvenirs offered include wooden and lacquered bowls, wooden statues, snake whiskey, and pearl necklaces. Compared with Ho Chi Minh City, souvenirs are almost five times more expensive in Mui Ne. The same small wooden bowl selling for US$3 in HCMC is US$14 in Mui Ne.

 

Several travel agencies along the strip also double as used book stores. Most have a few shelves of English books, along with a small selection in German and French. Books cost 80,000-100,000 dong and most shops will give a 50% discount if you trade in a book.

 

Coop Mart, Phan Thiet (corner of Nguyen Tat Thanh and Tran Hung Dao), ☏ +84 62 3835440, +84 62 3835455. 08:00-21:30. A large, Western-style grocery store that also sells books, jewellery and necessities.

 

EAT

Every resort area in Ham Tien and Mui Ne is surrounded by restaurants specializing in seafood. The food is invariably fresh, well-prepared, and served in friendly and interesting surroundings. By all means get out of your hotel and try one of the local restaurants. The best restaurants are a motorbike ride away, found outside of the tourist/resort district on the ocean.

1 Bo Ke Street (Go to the fishing village past the Tien Dat Hotel until you see many small cafes near seashore). This is a street full of local cafes that serve BBQ seafood. Prices are very cheap and choice is wide. Scallops with onion and garlic sauce are must-to-have here. If you're a fussy about hygiene, don't bother coming here. edit

Joe's (The Art Cafe), 86 Nguyen Dinh Chieu St, Ham Tien (Across from Shades Resort), ☏ +84 62 374 3447. 24 hr daily. Joe's is the only place open 24/7 in Mui Ne. It's a cosy old farmhouse cafe offering Western fare. A Canadian developed the menu, and the pancakes with maple syrup (50,000 dong including coffee) are great. The sandwiches with home cut fries and salad (60,000 dong) are also recommended. Two movies are shown each evening in the pillow-filled loft. Free Wi-fi, exhibits and live performances. A great place to have your bus pick you up at 02:00 when you head out and great for a chill spot for after party breakfast or a romantic glass of wine. A 24-hr supermarket is part of the complex. Joe is on the strip, offering now even accommodation. Drinks 10,000 - 60,000 dong, meals 50,000 - 120,000 dong. edit

Lâm Tòng, 92 Nguyễn Đinh Chiêu (Right on the beach next to Jibes under some shady palms), ☏ +84 62 384 7598. You can even sit at tables in the sand. There's a little hut with hammocks strung. Try one of the pancakes (bánh xèo) with condensed milk (sữa đặc), the fried fish with lemon, and the chicken fried in fish sauce. edit

2 Pho Bo and sandwiches, Bo Ke St (Go past Bo Ke St in the direction of Pogo Bar, small pavilion on the right). The only place to have food at night (since Joe's doesn't serve food at night anymore). They serve nice sandwiches with chicken and scrambled eggs (30,000 dong). Also you can have pho bo here. edit

3 Santimatti Pizzeria, 83 Nguyen Dinh Chieu St. Classic Italian cuisine. Place is nice looking, with a good atmosphere. Locals and long stayers enjoy a 10% discount with membership card. Owner is on-site, so expect good service. edit

4 Sindbad Kebap, Nguyen Dinh Chieu (opposite Pogo Bar). Good beef/chicken/veggie kebabs, shawarma and tsatsiki. edit

Smoky House, 125 Nguyen Dinh Chieu St. Offers large, high-quality meals, and offers all customers free ice cream. edit

Snow Restaurant, Club and Sushi Bar, 109 Nguyen Dinh Chieu St. 10:00-02:00. Famous for its cool air-conditioned hall that is unique in Mui Ne. European, Japanese, Russian and Vietnamese cuisines, including exotic dishes such as filet of crocodile. Lounge still open after 22:00, cinema-sessions in the evening. Free Wi-Fi, free pool, and free transfer by Taxi Mai Linh to the restaurant and back to hotel. edit

The Terrace Restaurant, 21 Nguyen Dinh Chieu St (in front of Anantara Resort), ☏ +84 62 3741293, ✉ admin@herbalhotelmuinevietnam.com. 08:00-23:00. The restaurant's first floor is fully air conditioned and the terrace on the upper floor is an open concept with a a nice view. It serves breakfast, lunch and dinner. The restaurant specializes in sushi, fresh seafood and Vietnamese food and the bar serves beer, wine and cocktails. US$3-15. (updated Jul 2016

 

DRINK

Deja Vu Restaurant and Shisha Bar, 21 Nguyen Dinh Chieu (Opposite Anantara Resort), ☏ +84 62 374 1160, +84 913327232, ✉ dejavuvn@gmail.com. 11:00 - 24:00. Family restaurant focused on good food and entertainment for all the ages. Daily live music, cozy garden with kids area. Seafood, European food, Vietnamese food, kids menu, exotic food, cocktails, shisha- culture show "Folklore night" (show + dinner) every W 20:00. Exotic food show every F 19:00. edit

DJ Station (El Vagabundo), 120C Nguyen Dinh Chieu (300 m to the right when facing Sinh Cafe). 09:00-03:00. Ocean view terrace area, dining area and large dance floor. Happy hour 18:00-21:00 means selected cocktails are 30,000 dong, and regular priced cocktails are all buy-one-get-one-free. It's a popular backpacker place and usually very crowded weekends. edit

Pogo Bar, 138 Nguyen Dinh Chieu. Popular place once, but you can still expect surfers and expats. Cocktails and buckets are cheap, but not tasty. edit

Mooney's Irish Bar, 121 Nguyễn Đình Chiểu, Phường Hàm Tiến, Thành phố Phan Thiết, Bình Thuận, Vietnam (almost opposite Joe's Cafe), ☏ +84 91 402 65 96. 18:00-02:00. A small establishment run by a genuine Irishman (which marks it out from many 'Irish' pubs in Asia), an affable chap form just outside Dublin. There's a pool table, but the best thing to do is order a beer and have a chat with Liam. (updated Jul 2018 | edit)

The Crown and Anchor, 117c Nguyen Dinh Chieu, Ham Tien Phan Thiet (about 2 minutes from Mooney's Irish Bar.). 16:00-23:45. A new establishment that promises a lot. Great design, long bar, games room with pool, darts and table football. Brian from the English Midlands and Adele from Kyrgyzstan are the friendly hosts. Live sports and Sunday Roasts are popular features. (updated Jul 2018 | edit)

Old Fashioned Bar, 151 Nguyễn Đình Chiểu, Phường Hàm Tiến, Thành phố Phan Thiết, Bình Thuận, ☏ +84 368 307 432. 08:00-03:00. Classic bar. Large territory: bar, hookah, restaurant area, cinema, air-conditioned room of a coffee shop, rooftop. European cuisine. Live music. The largest bar in Muine with the largest selection of coffee, tea, alcohol, cocktails and services. Located near the BOKE site.

 

SLEEP

Mui Ne and Ham Tien have over 200 accommodations to choose from, in every price category (US$5-200), along the main ocean strip of Nguyen Dinh Chieu, Huynh Thuc Khang ("HTK"). Small guest houses, family-run beach hotels and some big luxury resorts can also be found east of the town center of Mui Ne proper, along the road leading to the Red Sand Dunes, where Ganh Beach offers long sandy beaches and excellent kite-surfing on the east side of the Mui Ne peninsula.

 

Accommodations at higher addresses of Nguyen Dinh Chieu towards HTK and Mui Ne ward tend to be smaller and less expensive, somewhat removed from the main tourist section in Ham Tien and more mixed in more with local life. If a sandy beach is important to you, some research is called for before booking in that area. Many "beach side" resorts are actually against a sloping cement wall that leads into the sea. The sand itself migrates up and down the long coast seasonally leaving some areas with expansive beaches and others with little at any given time.

 

A few budget hotels have popped up on the inland side of the road, across from the beach side resorts. If you stay on the inland side, you will need to pass though one of the resorts to reach the beach, which might or might not result in some hassle from the guards. The resorts jealously guard their lounge chairs and palapas, though the beach itself is open to everyone. If all else fails, you can always access a nice sandy stretch of beach via the Wax Bar at 68 Nguyen Dinh Chieu.

 

Remember that during Tet (Vietnamese New Year), hotels and resorts are booked way in advance.

 

BUDGET

Go past the Pogo Bar in the direction of the fishing village to find the best budget hotels (as low as US$5 a day for adouble room with air-con).

 

Bao Trang, Nguyen Dinh Chieu (Turn right when exiting from Sinh Cafe). Small bungalows with a beach frontage. From US$10. edit

Guest House 20, 20 Nguyen Dinh Chieu, ☏ +84 62 374 1440, ✉ guesthouse20@yahoo.com.vn. Very nice guest house on main strip without beach access. Also organise tours and transport for you. Very friendly staff, family-owned and operated. From US$15. (updated Mar 2015 | edit)

Hon Di Bungalows, 70 Nguyen Dinh Chieu, ☏ +84 62 847 014, ✉ hdhongdi@yahoo.com. Has simple but nice bungalows with fan and attached bath. There is a shady courtyard strung with hammocks, and four of the bungalows are directly facing the beachfront. A small restaurant and Internet access cater to your needs. US$10-12. edit

Keng Guesthouse, 185 Nguyen Dinh Chieu (About 100 m east of Phuoc Thien Pagoda), ☏ +84 62 374 3312, ✉ yongkeng999@yahoo.com. Simple, clean guest house with all the usual facilities on the quiet end of the main strip. About 15 min walk to the bar and restaurant area. Friendly English speaking owner. Dorm 100,000 dong, rooms from 160,000 dong. edit

Lan Anh, Huynh Tân Phát (Coming from Phan Thiet, turn left when entering the village, in the corner where there's a business called Nhà Tho). Local guesthouse in the village, a couple of kilometres from the resorts and beaches, but close to shops, market and street food stalls. Perfect for experiencing local life. Owner family can barely understand English but are nice. Room with 2 double beds, fan, fridge, toilet, and TV. Free Wi-Fi. 150,000 dong. edit

Mai Am Guesthouse, 148 Nguyen Dinh Chieu. Beachfront bungalows with air-con, working shower, mosquito net, and nothing more. Clean pool. Beach seating with chairs and mats, although some of furniture is falling apart. Can hear next door bar till 03:00 nightly which may bother some. Also, they have monkey cages in the courtyard for some reason. US$10-15. edit

Thien Son, 102 Nguyen Dinh Chieu, ☏ +84 62 384 7187, +84 91 861 0727. Guest house just down the road from Joe's cafe with clean, large rooms. Can get breakfast for about US$1. Very friendly people, though English is limited. Also organises tours to sand dunes (depends on size of group, but from US$4-9) as well as buses to Saigon and Nha Trang. From US$12. edit

1 Nam Chau Boutique Resort - Mui Ne Passion ((Formerly Nam Chau Resort)), Khu phố 5, Mũi Né (Coming from the Red Sand Dunes go down the hill towards the town of Mui Ne, the resort lies right after the Pandanus Resort on the left hand side of the road (ca. 600 m from the dunes). Coming from the town center of Mui Ne (Mui ne market or Fishing Village) turn left at the red light (in front of Blue Shell Resort), continue for about 200 m (entrance after Malibu Resort on the right hand side).), ☏ +84 252 3849 323, ✉ sales@namchauresort.com. Rustic beach resort with 48 rooms offering free WiFi, refrigerators, and TVs with cable channels in a 3-ha tropical garden on the beach in Mui Ne. Inexpensive restaurant, beach bar organising disco parties on weekends. Swimming pool, ongoing activities including kite-boarding and SUP. From US$11 for shared accommodations. Dormitories in cottages, private bungalows available.

 

MID-RANGE

Ngoc Suong Marina Hotel, Nguyen Dinh Chieu (Across the road from TM Brothers Cafe, beside Tien Dat Resort). On the beach, with an excellent swimming pool. Rooms have mosquito nets, air-con, satellite TV, and en suite bath. US$40 including breakfast. edit

Novela Muine Resort & Spa, 96A Nguyễn Đình Chiểu, Hàm Tiến, Phan Thiết (In the center of Muine Resort), ☏ +84623743456, ✉ sales@novelaresort.com. US$50 including breakfast.

 

SPLURGE

2 Anantara Mui Ne Resort, Mui Ne Beach, KM10 Ham Tien Ward, Phan Thiet City, ☏ +84 62 374 1888, ✉ muine@anantara.com. The resort includes 89 rooms, suites and pool villas designed according to Vietnamese tradition. US$105. (updated Jan 2017)

3 Blue Ocean Resort, 54 Nguyen Dinh Chieu, ☏ +84 62 3847 322. Has various rooms and bungalows. Only metres from many of the kite surfing schools, particularly Windchimes, which is directly outside the property. 2,770,000 - 8,100,000 dong. (updated Mar 2016 | edit)

Cham Villas Boutique Luxury Resort, 32 Nguyen Dinh Chieu. Has 6 villas with beach front view and 12 villas with garden view. Each villa has a king size bed, bathtub overlooking a small private garden, and a large private patio with comfortable club chairs and a day bed. edit

Grace Boutique Resort, 144A Nguyen Dinh Chieu. Has the look of a Mediterranean villa. There are only 14 rooms, all with sea views. Well-trained staff, a beautiful garden, and a charming pool. Rates include daily breakfasts. Discounts are offered during the low season and for long-term stays. It is advisable to book well ahead during the holidays. edit

4 Pandanus Resort, Block 5, Mui Ne (The average driving time from the center or airport in Ho Chi Minh City to the resort is approximately four hours. Can be reached in 20 mins by car via main road Vo Nguyen Giap from Phan Thiet city center (25 km). At the roundabout below the Red Sand Dunes turn right. The resort is the second on the left (ca. 150 m). Coming from Ham Tien and the Mui Ne fishing village take Huynh Tan Phat at the red light to another red light in from of Blue Shell Resort. Turn left, the resort will be on the right hand side after approx. 400 m.), ☏ +84 252 3849 849, ✉ pandanus@pandanusresort.com. Check-in: 14:00, check-out: 12:00 noon. 134 renovated rooms including 24 bungalows with outdoor bathtub in a relaxing beachside environment: 10 ha of lush tropical gardens within walking distance of the Red Sand Dunes. Phan Thiet's largest free-form swimming pool, 2 restaurants, 3 bars incl. lounge with live entertainment, two live bands, spa (indoor and outdoor). Weekly seafood BBQ buffets by the pool, All Inclusive package, weddings, special events, team building, tours and excursions, transfer service. Complimentary bicycle rental. Daily complimentary walking tour of Mui Ne fishing town, free shuttle service to Mui Ne, Fairy Stream and Ham Tien tourist strip. Jet Ski, surfboards, kiteboarding nearby. US$60-310 including Mui Ne's biggest breakfast buffet (based on room type and number of guests). Group discounts, All Inclusive package, honeymoon packages and special event rates available.. (updated Dec 2017 | edit)

5 The Sailing Bay Beach Resort, 107 Ho Xuan Huong St, ☏ +84 8 6282 4567, ✉ resorts@thesailingbay.com. 192 rooms with sea views, all-day restaurant, open-air beach club, a grand ballroom that accommodates 400 guests and a fully equipped board meeting room for 40 guests. On-site water sports facility with a professional international team managing board sailing, kite surfing and other activities. US$100-644 including breakfast (low-season). edit

Shades Resort, 98A Nguyen Dinh Chieu (Across from Joe's Cafe). Has 8 studios/apartments with kitchens, Jacuzzi or rainshower, preloaded computers, 42 inch flatscreen TVs and a lovely view. The site includes a swimming pool and a bar with Bon Cafe coffees made with fresh milk from Dalat. Rate includes daily breakfast, bottled water, and laundry service. US$45-200. edit

The Cliff Resort, 5, Phu Hai Ward, Phan Thiet, Binh Thuan (Along the Nguyễn Thông road to Mũi Né), ☏ +84 252 3719 111 (HCMC), +84 24 3936 5065 (Hanoi), ✉ reservation@thecliffresort.com.vn. Check-out: 12:00. A resort complex that has many different room designs in different prices, the more big and beautiful they are, the more expensive they are. All guests can enjoy the big pool in the middle and can have access to the Mui Ne beach. The location is near Phan Thiet. US$100-500.

 

WIKI VOYAGE

A teenager works on getting her stilt-legs ready for the parade by walking up & down several blocks in Fremont. Solstice Parade 2012

London band Average Sex supporting The Hungry Ghosts at Centrala Birmingham.

This image shows the 10-year global average of nearly a decade's worth of data taken by SeaWiFS, showing the abundance of life in the sea. Dark blue represents warmer areas where there is little life due to lack of nutrients, and greens and reds represent cooler nutrient-rich areas.

 

Credit: NASA/Goddard Space Flight Center Scientific Visualization Studio. NASA/Goddard Space Flight Center, The SeaWiFS Project and GeoEye, Scientific Visualization Studio

 

NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.

 

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I happened to look at this display this evening, it shows my average speed since I reset the mileage recorder. Eighteen miles per hour over the last 1,392 miles !

It is salutary to reflect that a good cyclist could achieve a similar average speed over that distance.

Kathakali (Malayalam: കഥകളി, kathakaḷi; Sanskrit: कथाकळिः, kathākaḷiḥ) is a stylized classical Indian dance-drama noted for the attractive make-up of characters, elaborate costumes, detailed gestures and well-defined body movements presented in tune with the anchor playback music and complementary percussion. It originated in the country's present day state of Kerala during the 17th century and has developed over the years with improved looks, refined gestures and added themes besides more ornate singing and precise drumming.

 

HISTORY

Popular belief is that kathakali is emerged from "Krishnanattam", the dance drama on the life and activities of Lord Krishna created by Sri Manavedan Raja, the Zamorin of Calicut (1585-1658 AD). Once Kottarakkara Thampuran, the Raja of Kottarakkara who was attracted by Krishnanattam requested the Zamorin for the loan of a troupe of performers. Due to the political rivalry between the two, Zamorin did not allow this. So Kottarakkara Thampuran created another art form called Ramanattam which was later transformed into Aattakatha. Krishnanaattam was written in Sanskrit, and Ramanattam was in Malayalam. By the end of 17th century, Attakatha was presented to the world with the title 'Kathakali'.

 

Kathakali also shares a lot of similarities with Krishnanattam, Koodiyattam (a classical Sanskrit drama existing in Kerala) and Ashtapadiyattam (an adaptation of 12th-century musical called Gitagovindam). It also incorporates several other elements from traditional and ritualistic art forms like Mudiyettu, Thiyyattu, Theyyam and Padayani besides a minor share of folk arts like Porattunatakam. All along, the martial art of Kalarippayattu has influenced the body language of Kathakali. The use of Malayalam, the local language (albeit as a mix of Sanskrit and Malayalam, called 'Manipravaalam'), has also helped the literature of Kathakali sound more transparent for the average audience.

 

As a part of modernising, propagating, promoting and popularizing Kathakali, the International Centre for Kathakali at New Delhi has taken up a continuing project since 1980 of producing new plays based on not only traditional and mythological stories, but also historical stories, European classics and Shakespeare's plays. Recently they produced Kathakali plays based on Shakespeare's Othello and Greek-Roman mythology of Psyche and Cupid.

 

Even though the lyrics/literature would qualify as another independent element called Sahithyam, it is considered as a component of Geetha or music, as it plays only a supplementary role to Nritham, Nrithyam and Natyam.

 

KATHAKALI PLAYS

Traditionally there are 101 classical Kathakali stories, though the commonly staged among them these days total less than one-third that number. Almost all of them were initially composed to last a whole night. Nowadays, there is increasing popularity for concise, or oftener select, versions of stories so as the performance lasts not more than three to four hours from evening. Thus, many stories find stage presentation in parts rather than totality. And the selection is based on criteria like choreographical beauty, thematic relevance/popularity or their melodramatic elements. Kathakali is a classical art form, but it can be appreciated also by novices—all contributed by the elegant looks of its character, their abstract movement and its synchronisation with the musical notes and rhythmic beats. And, in any case, the folk elements too continue to exist. For better appreciation, perhaps, it is still good to have an idea of the story being enacted.

 

The most popular stories enacted are Nalacharitham (a story from the Mahabharata), Duryodhana Vadham (focusing on the Mahabharata war after profiling the build-up to it), Kalyanasougandhikam, (the story of Bhima going to get flowers for his wife Panchali), Keechakavadham (another story of Bhima and Panchali, but this time during their stint in disguise), Kiratham (Arjuna and Lord Shiva's fight, from the Mahabharata), Karnashapatham (another story from the Mahabharata), Nizhalkuthu and Bhadrakalivijayam authored by Pannisseri Nanu Pillai. Also staged frequently include stories like Kuchelavrittam, Santanagopalam, Balivijayam, Dakshayagam, Rugminiswayamvaram, Kalakeyavadham, Kirmeeravadham, Bakavadham, Poothanamoksham, Subhadraharanam, Balivadham, Rugmangadacharitam, Ravanolbhavam, Narakasuravadham, Uttaraswayamvaram, Harishchandracharitam, Kacha-Devayani and Kamsavadham.

 

Recently, as part of attempts to further popularise the art, stories from other cultures and mythologies, such as those of Mary Magdalene from the Bible, Homer's Iliad, and William Shakespeare's King Lear and Julius Caesar besides Goethe's Faust too have been adapted into Kathakali scripts and on to its stage. Synopsis of 37 kathakali stories are available in kathakalinews.com.

 

MUSIC

The language of the songs used for Kathakali is Manipravalam. Though most of the songs are set in ragas based on the microtone-heavy Carnatic music, there is a distinct style of plain-note rendition, which is known as the Sopanam style. This typically Kerala style of rendition takes its roots from the temple songs which used to be sung (continues even now at several temples) at the time when Kathakali was born.

 

As with the acting style, Kathakali music also has singers from the northern and southern schools. The northern style has largely been groomed by Kerala Kalamandalam in the 20th century. Kalamandalam Neelakantan Nambisan, an overarching Kathakali musician of those times, was a product of the institute. His prominent disciples include Kalamandalam Unnikrishna Kurup, Kalamandalam Gangadharan, Kalamandalam P.G. Radhakrishnan, Rama Varrier, Madambi Subramanian Namboodiri, Tirur Nambissan, Kalamandalam Sankaran Embranthiri, Kalamandalam Hyderali, Kalamandalam Haridas, Subramanian, Kalanilayam Unnikrishnan and Kalamandalam Bhavadasan. The other prominent musicians of the north feature Kottakkal Vasu Nedungadi, Kottakkal Parameswaran Namboodiri, Kottakkal P.D. Narayanan Namboodiri, Kottakkal Narayanan, Kalamandalam Anantha NarayananKalamandalam Sreekumar Palanad Divakaran, Kalanilayam Rajendran, Kolathappilli Narayanan Namboodiri, Kalamandalam Narayanan Embranthiri, Kottakkal Madhu, Kalamandalam Babu Namboodiri, Kalamandalam Harish and Kalamandalam Vinod. In the south, some of whom are equally popular in the north these days, include Pathiyur Sankarankutty. Southerner musicians of the older generation include Cherthala Thankappa Panikker, Thakazhi Kuttan Pillai, Cherthala Kuttappa Kurup, Thanneermukkam Viswambharan and Mudakkal Gopinathan.

 

PERFORMANCE

Traditionally, a Kathakali performance is usually conducted at night and ends in early morning. Nowadays it isn't difficult to see performances as short as three hours or fewer. Kathakali is usually performed in front of the huge Kalivilakku (kali meaning dance; vilakku meaning lamp) with its thick wick sunk till the neck in coconut oil. Traditionally, this lamp used to provide sole light when the plays used to be performed inside temples, palaces or abodes houses of nobles and aristocrats. Enactment of a play by actors takes place to the accompaniment of music (geetha) and instruments (vadya). The percussion instruments used are chenda, maddalam (both of which underwent revolutionary changes in their aesthetics with the contributions of Kalamandalam Krishnankutty Poduval and Kalamandalam Appukutty Poduval) and, at times, edakka. In addition, the singers (the lead singer is called “ponnani” and his follower is called “singidi”) use chengila (gong made of bell metal, which can be struck with a wooden stick) and ilathalam (a pair of cymbals). The lead singer in some sense uses the Chengala to conduct the Vadyam and Geetha components, just as a conductor uses his wand in western classical music. A distinguishing characteristic of this art form is that the actors never speak but use hand gestures, expressions and rhythmic dancing instead of dialogue (but for a couple of rare characters).

 

ACTING

A Kathakali actor uses immense concentration, skill and physical stamina, gained from regimented training based on Kalaripayattu, the ancient martial art of Kerala, to prepare for his demanding role. The training can often last for 8–10 years, and is intensive. In Kathakali, the story is enacted purely by the movements of the hands (called mudras or hand gestures) and by facial expressions (rasas) and bodily movements. The expressions are derived from Natyashastra (the tome that deals with the science of expressions) and are classified into nine as in most Indian classical art forms. Dancers also undergo special practice sessions to learn control of their eye movements.

 

There are 24 basic mudras—the permutation and combination of which would add up a chunk of the hand gestures in vogue today. Each can again can be classified into 'Samaana-mudras'(one mudra symbolising two entities) or misra-mudras (both the hands are used to show these mudras). The mudras are a form of sign language used to tell the story.

 

The main facial expressions of a Kathakali artist are the 'navarasams' (Navarasas in anglicised form) (literal translation: Nine Tastes, but more loosely translated as nine feelings or expressions) which are Sringaram (amour), Hasyam (ridicule, humour), Bhayanakam (fear), Karunam (pathos), Roudram (anger, wrath), Veeram (valour), Beebhatsam (disgust), Adbhutam (wonder, amazement), Shantam (tranquility, peace). The link at the end of the page gives more details on Navarasas.

 

One of the most interesting aspects of Kathakali is its elaborate make-up code. Most often, the make-up can be classified into five basic sets namely Pachcha, Kathi, Kari, Thaadi, and Minukku. The differences between these sets lie in the predominant colours that are applied on the face. Pachcha (meaning green) has green as the dominant colour and is used to portray noble male characters who are said to have a mixture of "Satvik" (pious) and "Rajasik" (dark; Rajas = darkness) nature. Rajasik characters having an evil streak ("tamasic"= evil) -- all the same they are anti-heroes in the play (such as the demon king Ravana) -- and portrayed with streaks of red in a green-painted face. Excessively evil characters such as demons (totally tamasic) have a predominantly red make-up and a red beard. They are called Red Beard (Red Beard). Tamasic characters such as uncivilised hunters and woodsmen are represented with a predominantly black make-up base and a black beard and are called black beard (meaning black beard). Women and ascetics have lustrous, yellowish faces and this semi-realistic category forms the fifth class. In addition, there are modifications of the five basic sets described above such as Vella Thadi (white beard) used to depict Hanuman (the Monkey-God) and Pazhuppu, which is majorly used for Lord Shiva and Balabhadra.

 

NOTABLE TRAINING CENTRES & MASTERS

Kathakali artistes need assiduous grooming for almost a decade's time, and most masters are products of accomplished institutions that give a minimum training course of half-a-dozen years. The leading Kathakali schools (some of them started during the pre-Independent era India) are Kerala Kalamandalam (located in Cheruthuruthy near Shoranur), PSV Natya Sangham (located in Kottakal near Kozhikode), Sadanam Kathakali and Classical Arts Academy (or Gandhi Seva Sadan located in Perur near Ottappalam in Palakkad), Unnayi Varier Smaraka Kalanilayam (located in Irinjalakuda south of Thrissur), Margi in Thiruvananthapuram, Muthappan Kaliyogam at Parassinikkadavu in Kannur district and RLV School at Tripunithura off Kochi and Kalabharathi at Pakalkkuri near Kottarakkara in Kollam district, Sandarshan Kathakali Kendram in Ambalapuzha and Vellinazhi Nanu Nair Smaraka Kalakendra in Kuruvattor. Outside Kerala, Kathakali is being taught at the International Centre for Kathakali in New Delhi, Santiniketan at Visva-Bharati University in West Bengal, Kalakshetra in Chennai and Darpana Academy in Ahmedabad among others. PadmaSree Guru Chengannur Raman Pillai mostly known as 'Guru Chengannur'was running a traditional Gurukula Style approach to propagate Kathakali.

 

‘Guru Chengannur” is ever renowned as the Sovereign Guru of Kathakali. His precision in using symbols, gestures and steps were highest in the field of Kathakali. Guru Chegannur's kaththi vesham, especially the portrayal of Duryodhana enthralled the audience every time he performed. A master of the art, he found immense happiness and satisfaction in the success and recognition of his disciples.

 

Senior Kathakali exponents of today include Padma Bhushan Kalamandalam Ramankutty Nair, Padma Shri Kalamandalam Gopi, Madavoor Vasudevan Nair, Chemancheri Kunhiraman Nair, Kottakkal Krishnankutty Nair, Mankompu Sivasankara Pillai, Sadanam Krishnankutty, Nelliyode Vasudevan Namboodiri, Kalamandalam Vasu Pisharody, FACT Padmanabhan, Kottakkal Chandrasekharan, Margi Vijayakumar, Kottakkal Nandakumaran Nair, Vazhenkada Vijayan, Inchakkattu Ramachandran Pillai, Kalamandalam Kuttan, Mayyanad Kesavan Namboodiri, Mathur Govindan Kutty, Narippatta Narayanan Namboodiri, Chavara Parukutty, Thonnakkal Peethambaran, Sadanam Balakrishnan, Kalanilayam Gopalakrishnan, Chirakkara Madhavankutty, Sadanam K. Harikumaran, Thalavadi Aravindan, Kalanilayam Balakrishnan, Pariyanampatta Divakaran, Kottakkal Kesavan, Kalanilayam Gopi and Kudamaloor Muralikrishnan. The late titan actor-dancers of Kathakali's modern age (say, since the 1930s) include Pattikkamthodi Ravunni Menon, Chenganoor Raman Pillai, Chandu Panicker, Thakazhi Guru Kunchu Kurup, Padma Shri Kalamandalam Krishnan Nair, Padma Shri Vazhenkada Kunchu Nair, Kavalappara Narayanan Nair, Kurichi Kunhan Panikkar, Thekkinkattil Ramunni Nair, Padma Shri Keezhpadam Kumaran Nair, Kalamandalam Padmanabhan Nair, Mankulam Vishnu Namboodiri, Oyur Kochu Govinda Pillai, Vellinezhi Nanu Nair, Padma Shri Kavungal Chathunni Panikkar, Kudamaloor Karunakaran Nair, Kottakkal Sivaraman, Kannan Pattali, Pallippuram Gopalan Nair, Haripad Ramakrishna Pillai, Champakkulam Pachu Pillai, Chennithala Chellappan Pillai, Guru Mampuzha Madhava Panicker, and Vaikkom Karunakaran.

 

Kathakali is still hugely a male domain but, since the 1970s, females too have made entry into the art form on a recognisable scale. The central Kerala temple town of Tripunithura has, in fact, a ladies troupe (with members belonging to several part of the state) that performs Kathakali, by and large in Travancore.

 

KATHAKALI STYLES

Known as Sampradäyaṃ(Malayalam: സമ്പ്രദായം); these are leading Kathakali styles that differ from each other in subtleties like choreographic profile, position of hand gestures and stress on dance than drama and vice versa. Some of the major original kathakali styles included:

 

Vettathu Sampradayam

Kalladikkodan Sampradyam

Kaplingadu Sampradayam

 

Of late, these have narrowed down to the northern (Kalluvazhi) and southern (Thekkan) styles. It was largely developed by the legendary Pattikkamthodi Ravunni Menon (1881-1949) that is implemented in Kerala Kalamandalam (though it has also a department that teaches the southern style), Sadanam, RLV and Kottakkal. Margi has its training largely based on the Thekkan style, known for its stress on drama and part-realistic techniques. Kalanilayam, effectively, churns out students with a mix of both styles.

 

OTHER FORMS OD DANCE & OFFSHOOTS

Kerala Natanam is a kind of dance form, partly based on Kathakali techniques and aesthetics, developed and stylised by the late dancer Guru Gopinath in the mid-20th century. Kathakali also finds portrayal in Malayalam feature films like Vanaprastham, Parinayam, Marattam, and Rangam. Besides documentary films have also been shot on Kathakali artistes like Chenganoor Raman Pillai, Kalamandalam Krishnan Nair, Keezhpadam Kumaran Nair, Kalamandalam Ramankutty Nair, Kalamandalam Gopi and Kottakkal Sivaraman.

 

As for fictional literature, Kathakali finds mention in several Malayalam short stories like Karmen (by N.S. Madhavan) and novels like Keshabharam (by P.V. Sreevalsan). Even the Indo-Anglian work like Arundhati Roy's Booker prize-winning The God of Small Things has a chapter on Kathakali, while, of late, Anita Nair's novel, Mistress, is entirely wrapped in the ethos of Kathakali.

 

Similar musical theater is popular in Kasaragod and the coastal and Malenadu regions of Karnataka, viz. Yakshagana. Though Yakshagana resembles Kathakali in terms of its costume and makeup to an extent, Yakshagana is markedly different from Kathakali as it involves dialogues and method acting also the narration is in Kannada, wherein philosophical debates are also possible within framework of the character. As per records the art form of Yakshagana was already rooted and well established at the time of Sri Manavedan Raja. There is possibilities of its significant influence in formation of Kathakkali as the troupe of performers of "Krishnanattam" designed the basic costume of the art form already established in other parts of south India including Males playing the female roles (until more recently).

 

Kottayam thamburan's way of presenting kathakali was later known as Kalladikkoden sambradayam. Chathu Paniker,the introducer of Kallikkoden Sambrathayam, stayed in Kottayam for five years with Kottayam Thamburan's residence and practiced Kalladikkoden Sambrathayam. Then he returned to his home place. After a short period Chathu Paniker reached Pulapatta as instructed by Kuthiravattath nair. That was around the year ME 865. Many deciples from Kadathanadu, Kurumbra nadu, Vettathu nadu, Palakkadu and Perumpadappu studied kathakali(Kalladikkoden Sambrathayam ) By that time Chathu Paniker was an old man. Some years later he died from Pulapatta.

 

NOTED KATHAKALI VILLAGES & BELTS

There are certain pockets in Kerala that have given birth to many Kathakali artistes over the years. If they can be called Kathakali villages (or some of them, these days, towns), here are some of them: Vellinezhi, Kuruvattoor, Karalmanna, Cherpulassery, Kothachira, peringode, sreekrishnapuram Kongad and Ottapalam in Palakkad district, Vazhenkada in Malappuram district, Thichur or Tichoor, Guruvayur, Thiruvilwamala and Irinjalakuda in Thrissur district, Tripunithura, Edappally, Thekkan Chittoor in Ernakulam district and Kuttanad, Harippad belt in Alappuzha district besides places in and around Thiruvanathapuram in south Travancore and Payyannur in north Malabar.

 

AWARDS FOR KATHAKALI ARTISTS

Sangeet Natak Akademi Awardees - Kathakali (1956–2005)

Nambeesan Smaraka Awards—For artistic performances related kathakali{1992-2008}

 

KATHAKALI ATTAMS (ELAKI ATTAMS)

Attams or more specifically "elaki attams" are sequences of acting within a story acted out with the help of mudras without support from vocal music. The actor has the freedom to change the script to suit his own individual preferences. The actor will be supported ably by Chenda, Maddalam, and Elathalam (compulsory), Chengila (not very compulsory).

 

The following are only some examples. 'Kailasa Udharanam' and 'Tapas Attam' are very important attams and these are described at the end. Two of the many references are Kathakali Prakaram, pages 95 to 142 by Pannisheri Nanu Pillai and Kathakaliyile Manodharmangal by Chavara Appukuttan Pillai.

 

VANA VARNANA: BHIMA IN KALYANA SAUGANDHIKA

Modern man looks at the forest, indeed the birthplace of primates, with a certain wonder and a certain respect. Kathakali characters are no exception.

 

When Pandavas were living in the forest, one day, a flower, not seen before, wafted by the wind, comes and falls at the feet of Panchali. Exhilarated by its beauty and smell, Panchali asks Bhima to bring her more such flowers. To her pleasure Bhima is ready to go at once. But Panchali asks him what he shall do for food and drink on the way. Bhima thinks and says "Food and Drink! Oh, this side glance (look) of yours. This look of longing. This look of anticipation. The very thought fills me up. I don't need any food and drink at all. Let me go." He takes his mace and off he goes. Ulsaham (enthusiasm) is his Sdhayi Bhavam (permanent feature).

 

"Let me go at once in search of this flower," says Bhima. "The scented wind is blowing from the southern side. Let me go that way." After walking some distance he sees a huge mountain called Gandhamadana and three ways. He decides to take the middle one which goes over the mountain. After going further "The forest is getting thicker. Big trees, big branches in all directions. The forest looks like a huge dark vessel into which even light can not penetrate. This is my (Bhima's) way. Nothing can hinder me." So saying he pulls down many trees. Sometimes he shatters the trees with his mace. Suddenly he sees an elephant. "Oh! Elephant." He describes it. Its trunk. Sharp ears.

 

The itching sensation in the body. It takes some mud and throws on the body. Oh good. Then it sucks water and throws on the body. Somewhat better. Slowly it starts dosing even though alert at times. A very huge python is approaching steadily. Suddenly it catches hold of the elephant's hind leg. The elephant wakes up and tries to disengage the python. The python pulls to one side. The elephant kicks and drags to the other side. This goes on for some time. Bhima looks to the other side where a hungry lion is looking for food. It comes running and strikes the elephants head and eats part of the brain and goes off. The python completes the rest. "Oh my god, how ruthless!" says Bhima and proceeds on his way.

 

UDYANA VARNANA: NALA IN NALACHARITHAM SECOND DAY

Descriptions of gardens are found in most dance forms of India and abroad. These are also common in Kathakali.

 

Newly married Nala and Damayanthi are walking in the garden. When Nala was lovingly looking at Damayanthi a flower falls on her. Nala is overjoyed and thinks that this is a kindness nature has shown on his wife. Nala says "On seeing the arrival of their queen, the trees and climbers are showing happiness by dropping flowers on you." He tells her, "See that tree. When I used to be alone the tree used to hug the climber and seemingly laugh at my condition." Then he looks at the tree and says, "Dear Tree, look at me now. See how fortunate I am with my beautiful wife."

 

Both wander about. A bumblebee flies towards Damayanthi. Immediately Nala protects her face with a kerchief. He looks at the bee and then at Damayanthi. He says, "On seeing your face the bee thought it was a flower and came to drink the nectar." Nala and Damayanthi listen to the sounds coming out of the garden. Damayanti says, "It appears that the whole garden is thrilled. The flowers are blooming and smiling. Cuckoos are singing and the bees are dancing. Gentle winds are blowing and rubbing against our bodies. How beautiful the whole garden looks." Then Nala says that the sun is going down and it is time for them to go back and takes her away.

 

SHABDA VARNANA: HANUMAN IN KALYANA SAUGANDHIKAM

While Bhima goes in search of the flower, here Hanuman is sitting doing Tapas with mind concentrated on Sri Rama.

 

When he hears the terrible noises made by Bhima in the forest he feels disturbed in doing his Tapas. He thinks "What is the reason for this?" Then the sounds become bigger. "What is this?" He thinks, "The sounds are getting bigger. Such a terrible noise. Is the sea coming up thinking that the time is ripe for the great deluge (Pralaya). Birds are flying helter-skelter. Trees look shocked. Even Kali Yuga is not here. Then what is it? Are mountains quarreling with each other? No, That can't be it. Indra had cut off the wings of mountains so that they don't quarrel. Is the sea changing its position? No it can't be. The sea has promised it will not change its position again. It can't break the promise." Hanuman starts looking for clues. "I see elephants and lions running in fear of somebody. Oh a huge man is coming this way. Oh, a hero is coming. He is pulling out trees and throwing it here and there. Okay. Let him come near, We will see."

 

THANDEDATTAM: RAVANA IN BALI VADHAM

After his theranottam Ravana is seen sitting on a stool. He says to himself "I am enjoying a lot of happiness. What is the reason for this?" Thinks. "Yes I know it. I did Tapas to Brahma and received all necessary boons. Afterwards I won all ten directions. I also defeated my elder brother Vaishravana. Then I lifted Kailas mountain when Siva and Parvathi were having a misunderstanding. Parvathi got frightened and embraced Siva in fear. Siva was so happy he gave a divine sword called Chandrahasa. Now the whole world is afraid of me. That is why I am enjoying so much happiness." He goes and sits on the stool. He looks far away. "Who is coming from a distance. he is coming fast. Oh, it is Akamba. Okay. Let me find out what news he has for me."

 

ASHRAMA VARNANA: ARJUNA IN KIRATHAM

Arjuna wants to do Tapas to Lord Siva and he is looking a suitable place in the Himalayan slopes. He comes to place where there is an ashram. Arjuna looks closely at the place. "Oh. What a beautiful place this is. A small river in which a very pure water is flowing. Some hermits are taking baths in the river. Some hermits are standing in the water and doing Tapsas. Some are facing the Sun. Some are standing in between five fires." Arjuna salutes the hermits from far. He says to himself "Look at this young one of a deer. It is looking for its mother. It seems to be hungry and thirsty. Nearby a female tiger is feeding its young ones. The little deer goes towards the tigress and pushes the young tiger cubs aside and starts drinking milk from the tigress. The tigress looks lovingly at the young deer and even licks its body as if it were its own child. How beautiful. How fulfilling."

 

Again he looks "Here on this side a mongoose and a serpent forgetting their enmity are hugging each other. This place is really strange and made divine by saints and hermits. Let me start my Tapas somewhere nearby."

 

A sloka called "Shikhini Shalabha" can be selected instead of the above if time permits.

 

AN ATTAM BASED ON A SLOKA

Sansrit slokas are sometimes shown in mudras and it has a pleasing and exhilarating effect. Different actors use slokas as per his own taste and liking. However, the slokas are taught to students during their training period. An example is given below.

 

Kusumo Kusumolpatti Shrooyathena Chathushyathe

Bale thava Mukhambuje Pashya Neelolpaladwayam

 

Meaning a flower blooming inside another flower is not known to history. But, my dear, in your lotus like face are seen two blue Neelolpala flowers (eyes).

 

A CONVERSATION BASED ON A SLOKA

Sanskrit slokas can also be used to express an intent. One such example is a sloka used by Arjuna addressed to Mathali the charioteer in Kalakeya Vadham. Sloka:

Pitha: Kushalee Mama hritha Bhujaam

Naatha Sachee Vallabha:

Maatha: kim nu Pralomacha Kushalinee

Soonurjayanthasthayo

Preethim va Kushchate Thadikshnavidhow

Cheta Samutkanuthe

Sutha: tvam Radhamashu Chodaya vayam

Dharmadivam Mathala

 

Meaning: The husband of Indrani and the lord of gods my father - Is he in good health? His son Jayantha - Is he strictly following the commands of his father? Oh, I am impatient to see all of them.

 

SWARGA VARNANA: ARJUNA IN KELAKEYA VADHAM

Arjuna goes to heaven on the invitation of his father, Indra. After taking permission from Indrani he goes out to see all the places in Swarga. First he sees a building, his father's palace. It is so huge with four entrances. It is made of materials superior to gold and jewels of the world. Then he goes ahead and sees Iravatha. Here he describes it as a huge elephant with four horns. He is afraid to touch it. Then he thinks that animals in Swarga can't be cruel like in the world and so thinking he goes and touches and salutes Iravatha. He describes the churning of the white sea by gods and demons with many details and how Iravatha also came out of the white sea due to this churning.

 

He walks on and sees his father's (Indra's) horse. It is described as being white and its mane is sizzling like the waves of the white sea from which it came. He touches and salutes the horse also. Then he goes to see the river of the sky (or milky way). He sees many birds by this river and how the birds fly and play is shown.

 

Then he sees the heavenly ladies. Some are collecting flowers, and one of them comes late and asks for some flowers for making garland. The others refuse. She goes to the Kalpa Vriksha and says "please give me some flowers." Immediately a shower of flowers occurs which she collects in her clothes and goes to make garlands chiding the others. "See... I also got flowers." After this he sees the music and dance of the heavenly ladies. First it starts with the adjustments of instruments Thamburu, Mridangam, Veena. Then the actual music starts along with the striking of cymbals. Then two or three types of dances are shown. Then comes juggling of balls. It is described by a sloka thus:

 

Ekopi Thraya Iva Bhathi Kandukoyam

 

Kanthayaa: Karathala Raktharaktha:

Abhrastho Nayanamareechi Neelaneelo

Popular belief is that kathakali is emerged from "Krishnanattam", the dance drama on the life and activities of Lord Krishna created by Sri Manavedan Raja, the Zamorin of Calicut (1585-1658 AD). Once Kottarakkara Thampuran, the Raja of Kottarakkara who was attracted by Krishnanattam requested the Zamorin for the loan of a troupe of performers. Due to the political rivalry between the two, Zamorin did not allow this. So Kottarakkara Thampuran created another art form called Ramanattam which was later transformed into Aattakatha. Krishnanaattam was written in Sanskrit, and Ramanattam was in Malayalam. By the end of 17th century, Attakatha was presented to the world with the title 'Kathakali'. Kathakali also shares a lot of similarities with Krishnanattam, Koodiyattam (a classical Sanskrit drama existing in Kerala) and Ashtapadiyattam (an adaptation of 12th-century musical called Gitagovindam). It also incorporates several other elements from traditional and ritualistic art forms like Mudiyettu, Thiyyattu, Theyyam and Padayani besides a minor share of folk arts like Porattunatakam. All along, the martial art of Kalarippayattu has influenced the body language of Kathakali. The use of Malayalam, the local language (albeit as a mix of Sanskrit and Malayalam, called ), has also helped the literature of Kathakali sound more transparent for the average audience. As a part of modernising, propagating, promoting and popularizing Kathakali, the International Centre for Kathakali at New Delhi has taken up a continuing project since 1980 of producing new plays based on not only traditional and mythological stories, but also historical stories, European classics and Shakespeare's plays. Recently they produced Kathakali plays based on Shakespeare's Othello and Greek-Roman mythology of Psyche and Cupid.

 

Even though the lyrics/literature would qualify as another independent element called Sahithyam, it is considered as a component of Geetha or music, as it plays only a supplementary role to

Bhumau Talcharana Naghamshu Gaurgaura:

 

Meaning One ball looks like three balls. When it is in the hands of the juggler, it takes the redness of the hands, when it goes up it takes the blueness of the eyes, when it strikes the ground it becomes white from the whiteness of the leg nails. Once a juggled ball falls down. Then she, the juggler, somehow manages to proceed and remarks "See.. how I can do it".

 

At one time a garment slips from a lady's body and she adjusts the cloth showing shameful shyness (Lajja). Then the ladies go in for a Kummi dance. As Arjuna was enjoying this dance, suddenly somebody calls him. Arjuna feels scared. "Oh God, where am I?" he says and beats a hasty retreat.

 

TAPAS ATTAM: RAVANA IN RAVANA ULBHAVAM

[Background: Mali, Sumali and Malyavan were three brothers ruling Sri Lanka. During a war between them and Indra, Indra requested help from Lord Vishnu and as a consequence Lord Vishnu killed Mali. Sumali and Malyavan escaped to Patala. Kaikasi was the daughter of Sumali. She wandered in the forest. She belong three boys through a great sage called Vishravassu. (Vishravassu had an earlier son called Vaishravana who became the richest among all people.) The eldest boy of Kaikasi was Ravana followed by Kumbhakarna and Vibhishana.]

 

SCENE 1

When Ravana was a young boy (Kutti Ravana vesham), one day he was sleeping on his mothers lap in a place called madhuvanam. At that time Kaikasi sees Vaishravana flying overhead in his vimana (mythical aeroplane). She thinks “Oh, that is Vaishravana, technically a brother of my son who is sleeping on my lap. He is rich and strong. My son is so poor and weak. While thinking thus a drop of tear from her eyes drops on Ravana’s face. Ravana suddenly wakes up and sees his mother crying. When he knew the reason he could not bear it. He says he is going to do tapas to Brahma to get boons so that he will be strong and rich.

 

SCENE 2

(The tapas itself is shown as a part of autobiographical narration of adult ravana)

 

Ravana (adult Ravana, not kutti Ravana) is sitting on a stool. He thinks “Why am I so happy? How did I become so rich and strong? Oh yes. It is because of the tapas I did. What made me do the tapas? When I was a young boy, one day I was sleeping on my mother’s lap in a place called Madhuvanam. A drop of tear from her eyes falls on my face. I asked her why she was crying. She said she saw Vaishravana flying overhead in his vimana (plane). She told me Vaishravan was a brother of mine now flying in a plane. He is rich and strong. I am so poor and weak. When I heard this comparison between me and my brother, I could not bear it. I am going to do tapas to Brahma to get boons so that I will be strong and rich.

 

I made five different types of fires (while doing tapas gods are approached through Agni the god of fire). Then I started my tapas. I asked my brothers to stand guard and also keep the fires burning. Then I fully concentrated on tapas. Time passed but Brahma did not appear. I looked. Why is Brahma not appearing? I doubled my concentration. Time passed. Brahma is not appearing. Still not appearing? I cut one of my heads and put it in the fire. Waited, Brahma did not come. One more head rolls. Still no Brahma comes. Heads roll and roll. No Brahma. Only one head is left. First I thought of stopping my tapas. But no! Never! That will be an insult to me and my family. It is better to die than stop. Also when I die Brahma will be judged as being partial. With great determination I swung the sword at my last neck, when, lo and behold, suddenly Brahma appeared and caught my hand. I looked at him with still un-subsided, but gradually subsiding anger. Brahma asked me what boons I wanted. I asked for a boon that I should win all the worlds and have all the wealth and fame and that I should not be killed except by man. I also asked him to give boons for my brothers.

 

In the next scene Ravana asks Kumbhakarna and Vibhishana what boons they got. Unfortunately Kumbhakarna’s tongue got twisted while asking for boon and he got ‘sleep’ instead of becoming the ‘king of gods’. Ravana laughed it off. As for Vibhishana, he being a bhaktha of Vishnu, asked for Vishnu’s blessings and got it. Ravana laughs it off and also decides to conquer all the worlds and starts preparing his grand army for the big conquest of the worlds.

 

[This method of presentation with a peculiar sequence has a tremendous dramatic affect. The main actor redoes a small part of what happened to kutti Ravana vesham, and this gives a view of the high contrast between the boy and the man Ravana. Similarly the presence of Kumbhakarna and Vibhishana in the subsequent scene offers a good smile on the face of the viewer at the end of the play.]

 

KAILASA UDDHARANAM: RAVANA IN BALI VIJAYAM

[Background and Previous scene: After receiving the boons, and widening his kingdom in all directions, Ravana lives in Sri Lanka with great pomp and splendor. One day he sees Saint Narada approaching his palace singing songs in praise of him ‘Jaya jaya Ravana, Lanka Pathe’. Happily he receives Narada and seats him next to him. After telling Narada about the victory of his son Indrajith on Indra, Ravana tells Narada “Now there is nobody on earth or other worlds who can fight with me”. To this Narada replies “ Very true indeed, but there is one huge monkey called Bali who says he can defeat you. He even said that you are just like a blade of grass to him. Well let him say what he wants. You are unbeatable.” Then Narada says ‘let us go there and see him’. Both decide to go. But Ravana takes his famous sword called “Chandrahasam”. Then Narada asks the history of this sword. Ravana’s Attam Starts.]

 

Ravana says “I received this sword from Lord Siva. It happened thus. Once when I was conquering new places and expanding my empire I happened to be going across the Kailasa mountain. The plane got stuck on the mountain unable to move forward. I got down from the plane and looked at the mountain. (Looks from one end to the other first horizontally and then vertically.) So huge it was. Then I decided to lift it with my bare hand and keep it aside and move forward. I started sticking my hands under it one by one. Then I tried to lift it. It doesn’t move. I put more force and more force. It moved just a bit. I pushed harder and harder, slowly it started moving then again and again and it moved easily. Then I lifted it up with my hands and started juggling it (exaggeration evident).

 

“At that particular time Lord Siva was quarreling with his wife Parvathi. Why did they fight? The story is as follows. Parvathi had gone for enjoying swimming and bathing in some beautiful pond. At that time Siva opened his jata (disheveled long hair) and called Ganga for some entertainment after asking Ganapathi and Subramania to go for some errands. Somehow becoming suspicious, right at that time, Parvathi came back in a hurry with wet clothes and saw Siva with Ganga. Siva was wondering what to do and it was at that time that Ravana started lifting the Kailasa. When Kailasa started shaking Parvathi got scared and ran to Siva and hugged him. So the quarrel ended and Siva was happy. “As a reward Siva called me and gave me this famous Chandrahasa sword.”

 

Then Narada and Ravana leave to meet Bali. Ravana wanted to take the sword along with him, but Narada suggested that the sword is not required for teaching a lesson to Bali who is after all an unarmed monkey.

 

WIKIPEDIA

After starting 5-1, the 1967 49ers fell apart and after a 6 game losing streak, they needed to win their final 2 games to finish 7-7. John Brodie did not have a good season with 11 TDs and 16 INTs. The running game had Ken Willard leading with 510 yards and 5 TDs and John David Crow with 479 yards and 2 TDs. Backup Gary Lewis added 342 yards with 6 TDs and a 5.1 rushing average. Dave Parks was injured a good part of the season and Bernie Casey had been traded. Dick Witcher was the leading receiver with 46 receptions 705 yards and 3 TDs including an outstanding performance against Atlanta with 11 receptions for 186 yards and a TD. Sonny Randle came to the 49ers in a trade and was the other receiver most of the time and he added 33 catches for 502 yards and 4 TDs including a spectacular one handed TD against the Cowboys. In his final 49er season, Parks added 26 receptions. Monty Stickles started the season at TE, but was injured and replaced by Bob Windsor who had 21 receptions and 2 TDs. Crow added 31 receptions and 3 TDs from his fullback position. Kermit Alexander had 5 interceptions to lead the team while former AFL player Austin "Goose" Gonsoulin added 3 with Jimmy Johnson and Dave Wilcox 2 apiece. The 1967 draft produced Steve Spurrier, the Heisman Trophy winner of 1966. Cas Banaszek was a long time stalwart on the offensive line. Frank Nunley was the longtime starting MLB and Bill Tucker was a good spot player later on. Doug Cunningham would later be a starter at RB as would Elmer Collett at gaurd. Chip Myers later became a solid WR for the Bengals. Geore Mira led the 49ers to the final 2 wins in 1967 and many thought he would replace Brodie as starting quarterback, but it was not the case. Coach Jack Christiansen was fired after the 1967 season, relplaced with Dick Nolan.

 

1967 49ers

 

10 George Mira QB. Played in 3 games with 2 starts and threw 5 TD passes with 3 ints.

 

11 Steve Spurrier QB. Appeared in all 14 games with 2 QB starts. Struggled with 0 TDs and 7 ints. Also punted 73 times with a 37.6 average.

 

12 John Brodie QB. Played in all 14 games with 10 starts. 11 TDs, 16 ints and 1 rushing TD.

 

20 George Donnelly DB. Played in 12 games with 6 starts.

 

22 Gary Lewis RB. Played in 13 games as a backup with 342 yards and 6 TDs and had 21 receptions with 1 TD. His 7 TDs led the 67 49ers.

 

23 Wayne Swinford DB. 5 games as a backup with 1 fumble recovery.

 

24 Wayne Trimble DB. Appeared in 1 game, his only NFL appearance.

 

26 Kay McFarland WR. Very bad luck for McFarland in 1967. After years as a backup, he had an excellent chance of starting in 1967 and was having an excellent preseason until an elbow injury ended his season.

 

27 Al Randolph DB. Started all 14 games and had 1 fumble recovery.

 

32 Mel Phillips DB. 14 games as a backup and had 1 interception.

 

35 Austin Gonsoulin DB. 14 games played in with 7 starts and had 3 interceptions for 9 yards.

 

36 Tommy Davis K. Just did placekicking in 67 and was 14-33 in FGs, 33-33 xp for 75 points scored.

 

37 Jimmy Johnson DB. Started and played in 11 games with 2 interceptions for 68 yards and had 1 fumble recovery.

 

38 Jim Jackson DB. Played in 3 games as a backup and had 1 interception for 22 yards.

 

39 Kermit Alexander DB. Started and played 13 games. Had 5 interceptions for 72 yards and 2 fumble recoveries.

 

40 Ken Willard RB. Started and played in 13 games with 510 yards and 5 TDs, 23 receptions with 1 TD.

 

42 Doug Cunningham RB. 14 games played as a backup and had 212 yards and 2 TDs and added 13 receptions.

 

43 Dave Kopay RB. 8 games as a backup, 21 yards rushing and 2 receptions.

 

44 John David Crow RB. Started all 14 games. Rushed for 479 yards with 2 TDs and had 31 receptions for 3 TDs.

 

45 Bill Tucker RB. Played in all 14 games as a backup and had 5 yards rushing and 2 receptions.

 

46 Chip Myers WR. Played in 12 games as a backup and had 2 receptions for 13 yards.

 

50 Ed Beard LB. Started and played in 12 games with 1 fumble recovered.

 

54 Bob Harrison LB. Appeared in all 14 games as a backup.

 

55 Matt Hazeltine LB. Started and played in 12 games.

 

56 Joe Cerne C. Played in all 14 games as a backup.

 

57 Frank Nunley LB. Played in 14 games with 1 start and had 1 interception and 1 fumble recovery.

 

60 Roland Lakes DT. Played in all 14 games and sarted 13. Made 1 fumble recovery.

 

63 Don Parker G. 12 games played as a backup.

 

64 Dave Wilcox LB. Started all 14 games and had 2 interceptions for 17 yards.

 

65 Dave Hettema T. Played in 7 games as a backup.

 

66 Elmer Collett G. Played in 14 games with 9 starts and played well in John Thomas's absence.

 

67 Walt Rock T. Started all 14 games.

 

68 Howard Mudd G. Started all 14 games and had 1 fumble recovery. Played in the Pro Bowl.

 

70 Charlie Krueger DT. Started and played in 13 games.

 

72 Charlie Johnson DT. 14 games played as a backup.

 

74 Clark Miller DE. Started and played 13 games and had 1 interception.

 

76 Len Rohde T. Started all 14 games and recovered 1 fumble.

 

77 Bruce Bosley C. Started all 14 games. Played in the Pro Bowl.

 

78 John Thomas T. Started 5 games before devestating injuries to both knees ended his fine career.

 

80 Stan Hindman DE. Played in and started 13 games and had 1 fumble recovery.

 

81 Dave Parks WR. Was playing out his option this season. Injury plauged, finished with 26 receptions for 313 yards and 2 TDs in his 9 games, all starts.

 

83 Sonny Randle WR. Arrived just before the start of the regular season. 14 games played with 10 starts. Had 33 receptions for 502 yards and 4 Tds.

 

84 Dave Olerich LB-TE. Played 6 games as a backup and had 1 reception for 2 yards.

 

85 Monty Stickles TE. Started 8 games before an arm injury ended his season. Had 7 receptions for 86 yards.

 

87 Tom Holzer DE. 14 games played as a backup.

 

88 Dick Witcher WR. Played in all 14 games with 9 starts. Led the team with 46 receptions for 705 yards and 3 TDs.

 

89 Bob Windsor TE. Played in all 14 games and had 6 starts. Had 21 receptions for 254 yards and 2 TDs.

Its in average condition theres a few scratches here and there and a bit of missing paint but its still nice this is 15" so from a meriva i believe

The Goldoni Theater is the oldest and still existing theater in Venice, as well as the fourth most ancient one throughout the city (after the Michiel Theater, the Tron Theater -1581- and the San Moisé Theater -1613). It was built by the Vendramin family in 1622 and was called by their name. The opening ceremony of the theater, also named San Salvador and San Luca Theater, took place in the Autumn of the same year with a performance of the acting company “Gli Accesi”.

For the very first 30 years only comedies were performed. In 1653 the theater was destroyed by a violent fire; the new owners, Andrea and Zanetta Vendramin decided to rebuild it inside the old undamaged walls and to entrust repairs to external managers, which were the only beneficiaries of the funds but were obliged to pay out to the Vendramin family an average annual income of 1.000 ducats and to incur all the expenses.

Andrea and Zanetta were the owners for more than 40 years and kept on subcontracting to external entrepreneurs; one of the most important ones worth to be mentioned is Gaspare Torelli, an outstanding figure within the Venetian cultural panorama in those times. Librettist, costume designer and set designer if needed, Torelli signed his first contract with the Vendramin family in 1681 and it was renewed two times (this had never occurred before). In those few years he was able to leave an important mark at all levels (scheduling and productions, structural improvements, etc.). He renovated and enlarged theater and stage and renewed the equipment so as to offer an excellent theatrical seasons to the Venetian public.

 

The success obtained by the dynamic presence of Gaspare Torelli was obstructed by the Grimani family, who was the owner of three theaters (San Samuele Theater, SS. Giovanni e Paolo and San Giovanni Grisostomo). In 1687 Torelli renewed his commitment to the Vendramins for ten years more; the Grimanis were worried about the steady success of the contending theater and so they convinced or forced the manager to accept the movement to the Parma Court proposed by the Farneses and to sublet to them the Vendramins’ contract and the ownership of some reserved loges at the San Salvador Theater. It was certainly an interference going beyond legal limits and it could not be accepted by the Vendramin family. After Andrea’s death in 1685, indeed, Zanetta and her sons Alvise, Francesco, Andrea and Antonio took legal action, were successful and in 1869 obtained the management of the theater again. The two families who owned the Venetian theaters ended to be in competition with each other at the beginning of the 18th century; in 1703 they came to terms (for the first time in their business about the theater) and signed a contract which regulated, for five years, the performances of the San Samuele Theater and the San Salvador Theater, which started to be more and more often named as San Luca Theater in documents. At the end of the preset period, the contract was not renewed. Antonio and Francesco Vendramin, who took over from Alvise, kept on managing the theater independently until the season 1752-1753 which was the turning point thanks to the employment of Carlo Goldoni in the San Luca Theater.

 

The first time Goldoni showed himself in a Venetian theater was in 1734, and since then he went on being appointed by the Grimani family to hold this job at the San Samuele Theater. Then he moved to the Sant’Angelo Theater where the stage management was Girolamo Medebach and where he stayed (writing and staging 40 comedies )until the expiry date of the contract in 1753. Due to personal conflicts with Medebach, too, Goldoni left the Sant’Angelo Theater and met the Vendramins who seized the moment and offered the well known Goldoni a very favorable contract based on making a deal directly with the owner and giving him his comedies which should have been immediately paid before their reading. The trust in Goldoni’s ability to produce successful and appealing comedies was absolute. This is why his incomes had almost doubled but the most relevant fact was that he was free to get his works printed wherever and by whichever editor he liked.

Thanks to this cultural and social attitude of the whole Venetian city and of its notables, Carlo Goldoni could start that Theater reform which let him create everlasting works and characters that have always been performed on all the stages and in every language all over the world. As a matter of fact comedies like Il Campiello, Gl’innamorati and I Rusteghi date back to that time. The last season passed by Goldoni at the San Luca Theater in the year 1761 was particularly flourishing and took to produce comedies like La trilogia della villeggiatura, Sior Todero brontolon, Le baruffe chiozzotte and Una delle ultime sere di carnovale. When Carlo Goldoni left to Paris, Francesco Vendramin kept on managing the theater like a business up to the time when, in 1775, the Security Committee of the Local Authority decided that the theater was not safe and needed a drastic restoration. It was also due to the fact that the way of managing the theater by the Vendramins had stopped the profitable rental system which obliged the lessees not only to organize the shows but also to maintain and renovate the theater facility, and the San Carlo Theater was an old and unsafe building at that moment. In Autumn 1776 the theater was reopened and its activity started again with the company of Antonio Sacchi but the audience didn’t immediately meet with the Vendramins’ expectations, maybe also because during the restoration the theater had come under some structural changes and extensions, like the entrance located in Calle Berizi (the present Calle del Teatro), a new foyer and some more loges (seventeen were totally added, five of which at the first order or “pepiano” and four at each of the three following orders of loges).

The theater activity went on at a mean level until the fall of the “Serenissima” Republic in 1797, also because of the financial difficulties which the Vendramin family was drawn into. In 1798, on the 18th of January, the Austrians came into possession of Venice, according to the Campoformio Treaty which decreed that Napoleon gave Venice to Austria.

 

During the short term of the French domination, in 1807 the Ministry of Interior reduced the city theaters, that could only be used proportionally to the population density. The Venetian theaters were reduced to four and the San Luca one was closed. It was a large, centrally located theater, whose static conditions were not worse than the other ones, so we can suppose within reason that its closure depended above all on political motivations, as the Vendramins were suspected to sympathize with the Austrians.

In 1815, when the Austrians came again, an imperial decree gave back to the San Luca Theater the possibility to be reopened. It happened officially in 1817 following a radical structural renovation.

Specific attention was paid both to the maintenance of the theater and its amenities and to the renovation of the theater lighting and scenery equipments, also because there had always been a high and urgent competition with the other Venetian theaters, especially with the new born La Fenice.

In 1833 the foyer was enlarged, the stage was lengthened and the theater curve was adjusted; on the 28th of September the ancient Theater of the Vendramins at San Luca changed its name into Apollo Theater.

In the night between the 12th and the 13th of December 1836 La Fenice Theater was destroyed by a very aggressive fire, so the Vendramins agreed to transfer the shows, which had already been made ready for the imminent Carnival, to the Apollo Theater. That season was outstanding indeed and the opera Pia de’ Tolomei by Gaetano Donizetti was performed the first time. There was no program reduction, except for a ballet which could not be performed because of the delimited size of the stage.

Due to the Carnival and in order to give more convenience to the spectators coming from La Fenice Theater, Domenico Vendramin made a suitable landing place prepared on the Carbon bank that was next to a covered street which led directly to the door of the theater hall.

Unfortunately in 1844, when he was again thinking about a new and relevant renovation, Domenico Vendramin died prematurely and so his widow, Regina de Marchi, took on the management of the theater; her first aim was to see that her husband’s plan would come true. The Apollo Theater was the first one in Italy to be equipped with gas illumination and to be completely illuminated. In Spring 1853 the painter Ferrari Bravo was given the task to renovate the theater: it was a significant restoration in a flowered neo gothic style, which gave the Apollo Theater the new feature that distinguished it until its end.

The second half of the 19th century was a very particular and difficult period; Regina de Marchi was an intelligent woman with a strong personality and managed the theater for almost forty years. She faced in a positive way all the problems caused by historical facts to a public and well-known place like an old local theater. She hosted the celebrations for the 1848 irredentist revolt and the short free time of the new republic and faced in a dignified way the Radetzky’s oppressive regime, the disappointment of the second independence war, censure and financial difficulties, but she was still there to manage the theater when the Italian troops entered Venice on the 19th of October, in 1866.

Starting from this date the Apollo Theater activity began again and lasted for about ten years more. It’s worth to be remembered the successful activity of the new “venetian” company by Angelo Moro Lin and its writer and poet Giacinto Gallina with his comedies Le barufe in famegia and La famegia in rovina.

In 1874 another restoration work led to remove dirt from decorations and to reinforce basic structures. At the time there were five orders of balconies and 162 loges; the parterre had 560 seats and a total capacity of 1.250 seats with three exits to the street (three in the parterre, one of which towards the foyer and the other two next to the orchestra); on the side of the left scene one more exit was beneath balconies (exit shared with the Carbon under portico, a passage still used nowadays to the scenery transfer). Something worthy of note is that the second line of balconies on the right was directly joined to the owner’s home. A relevant work converted the last order of loges into a gallery.

 

In 1875 the actor Angelo Moro Lin and Regina de Marchi decided together to entitle the ancient San Luca Theater to Carlo Goldoni. It was obviously not only a question of name, but firstly in reference to a more pertinent “comic” characterization in honor of the great playwright and then a worthy homage to one of the most eminent sons of the city of Venice. In the evening of the 26th of February, 1875, a day after the anniversary of Goldoni’s birth (it was necessary to postpone the ceremony until one day later because of an over-the-top snowfall), the Apollo Theater died and the Carlo Goldoni Theater was born. A bust by the sculptor Soranzo, which is still present in the theater foyer, and given by the Prince Giovannelli, was shown. The ceremony was touching and Moro Lin, surrounded by his actors, made a successful speech in Venetian dialect and expressed the wish that a suitable monument would have been erected to the most famous poet of the city. All the company (who distinguished themselves as “goldonian company”) performed the comedy Una delle ultime sere di Carnovale, that is the last comedy written by Goldoni before leaving Venice indefinitely and by which he could, in some way and in a theater to him entitled, come back.

In 1880 Regina de Marchi, widow of the last member of the Vendramins, died and the grandniece Chiara Ciotto got the ownership of the theater, together with her husband Pietro Marigonda who became its director. When Pietro’s son, Antonio Marigonda, was the owner, the Goldoni Theater appeared to have some urban problems and needed some external refurbishment: these problems were solved by demolishing some crumbling buildings and by broadening the Calle del Teatro.

The façade of the theater was not adequate and some engineers were charged with planning a new one. The project was approved in May, 1909, and the construction was completed in only four months. This was the first, real façade of the ancient Vendramin Theater, which the contemporaries didn’t appreciate and which was named “railway style” façade.

Beyond the aesthetic opinion about the new façade, these years were very important for the theater activity because a clear commitment of redevelopment was focused on the very careful attention to the settlement of the artistic selection. All the best Italian companies and some foreign ones, too, referred to the Goldoni Theater and for this reason a statistical survey relating to the 1909 season about the box office takings placed Venice immediately after Milan and Rome.

 

After the Great War there was a remarkable relaunch of the theater activity and the Venetian audience never missed the dates with the great companies of that time. In 1923 the theater celebrated the fourth century of its existence, but the preceding year another exceptional event had inserted the Goldoni Theater in all the artistic and elite news sections of that time: Eleonora Duse had made a comeback to Venice twenty years later. In March 1922 (scarcely two years before her death) she acted two extraordinary plays: La donna del mare by Ibsen and La porta chiusa by Marco Praga.

The unexpected death of Antonio Marigonda caused a sudden stop in this very good time of artistic growth that led to a quick downfall of the activity until the closure of the theater. Piero and Andrea, Pietro Marigonda’s sons, managed the theater for a short time, till the year 1937 , when the ownership changed again and the theater was purchased by the Lawyer Giacomo Baldissera baron Treves de’ Bonfili, and the management was entrusted to ICSA (Imprese Cinematografiche Spettacoli e Affini: cinema, performances and similar Companies). The last ten years of the Goldoni Theater were not significant because of a programming of popular entertainment categories like the operetta and the revue. It is important to note that the Venetian audience took position against and was successful in avoiding the transformation of the Goldoni Theater into a movie theater, something that occurred to other ones, like the Rossini (ex San Benedetto Theater) and the Malibran (ex San Giovanni Grisostomo Theater).

During the painful years of the Second World War, the theater went on operating, also because Venice hosted the Ministry of Popular Culture and therefore the General Management Office for Performance. On the 15th of June, 1947, the theater was considered unusable and was permanently closed because of the unsafe structural conditions which needed an almost total rebuilding. That Summer in 1947 nobody could have never imagined that the old Goldoni Theater would go on being closed for such a long time and nobody could have supposed such a rough and many times changed path, the endless patience of Venetian people and the way of proceeding similar to a serialized novel with a lot of coups de théatre. The first ten years spent without an agreement between the last owner, the Lawyer Baldissera (who could not or did not want to be responsible of the necessary works), and the Municipal Administration that had decreed the building was a community benefit (so as to avoid a possible speculative use) and aimed at its expropriation. On the 5th of October, 1957, the Municipal Administration acquired the building from the Lawyer Baldissera but, at that point, the main problem was to find the necessary money to proceed.

The impasse seemed to break through by means of a project by the Fondazione Giorgio, but it had no follow-up. Two more years spent before the approval by the High Council for Public Works of a new project which was about restoration, not total renovation: it was considered a partial demolition of the building and the preservation of some structures.

At that time, there were also disputes between conservatives (who supported the theory “just like it was, just where it was”) and innovators (who were in favor of a modern structural work). The project seemed to be able to have a positive follow up and the reopening of the theater was expected, with a certain overoptimism, to occur in 1963. But in May 1962 the works were stopped because of legal disputes with the owners of the neighboring buildings. Two more years spent before a new project was approved, in September 1964. However, only in Summer 1969 the works started: a completely new building was constructed and its external structures were finished in 1973. The works could have been finished even that same year if new disputes between conservatives and innovators would not delay it. It was finally reached a compromise: to maintain the interior with the preceding distinctive features, although with some changes (four orders of loges and a gallery, instead of five orders of only loges and a raised parterre, with a consequent reduction of seats) and to construct a completely new exterior.

Finally, on the 22nd of April, 1979, with a total expense of almost three and a half milliards Lire, the theater was reopened, nineteen years later with respect to the first project, twenty nine years after the takeover by the Municipality and thirty two years after its closure. The opening performance was one of Carlo Goldoni’s masterpieces: La locandiera with Giancarlo Cobelli as a director and Carla Gravina as the leading character, together with Gabriele Ferzetti. The performance was brought touring for three years and a TV adaptation was produced, too, which can be still nowadays be seen by a DVD player.

The Municipality of Venice managed the theater for more than ten years, entrusting the conduction to various directors (among which an unforgettable person like Giorgio Gaber), until 1992, when its management was entrusted to the Teatro Stabile del Veneto, an association of which also the Giuseppe Verdi Theater of Padua is a part and that is still conducting the Goldoni Theater.

When traveling look for the photographs that the average traveler does not see. When visiting the Himba tribe village, I stood back from the rest of our group to see what was going on within the working village with a telephoto lens in hand. Most photographed the tribes people forgetting their surroundings. I watched this Mule struggle hopping to this location, which was a eye opener on how the tribe kept them from running away.

 

An Himba tribe mule / Donkey hops under a hut with blankets hanging to dry on it to take shelter from the beating desert sun. The tribe ties the mules front feet together with rope to stop the animals from going walk about and running off, hence he hopped for cover. Opuwo, Namibia, South Africa

  

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Average Position analysis AFCWimbledon

Metropolitan Corporation of Greater Winnipeg Streets and Transit Division Streets and Traffic Dept. Average Transit Speeds 1962 - 1963 Peak Hour Peak Direction [map]. [1:58,656]. In: Transportation Planning Branch Streets and Traffic Department. Base Conditions Winnipeg Area Transportation Study, Volume One. [Winnipeg]: 1966, plate 36.

 

Prepared for the Council of the Metropolitan Corporation of Greater Winnipeg by the Streets and Transit Division.

 

The Transit Department’s records reveal that transit route speeds outside of the Downtown Study Area generally range between 9 and 17 miles per hour. Sections of Regent Avenue, Pembina Highway, Roblin Boulevard, and Portage Avenue, however, operate at overall speeds in Excess of 20 miles per hour. (Winnipeg Area Transportation Study, Volume One. p. 90)

 

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The Iconic Ford Power Live Event took Place at Brands Hatch to Celebrate The Blue Badged Ford Motor Company and their Iconic Cars From both the Past and The Present. From Escort Mexico's to Modern Ford Mustang GT'S there was Everything for the Ford Enthusiast to enjoy.

 

The Support Races Featured During the Day were also Full of Different Makes and Models of Ford Racing Cars From The Focus RS to the Ford Escort and the Iconic Sierra Cosworth and even the Iconic Enduro KA series was Present and with Drivers and Spectators Ready the Racing was about to begin.

 

Lets Turn to the Race Track and See what is the First Support Race to make it onto the Race track.

 

Champion Of Brands (Qualifying)

 

First up Champion of Brands and with Fast and High Speed Action from Thease Machines Lets See who took that all important People Position to Start the Race in P1.

 

In First Place was (Tom Mills) in his Spectrum KMR with a Best Lap Time of 50.154 and a Top Speed of 86.70mph. Amazing work there Tom a truly Heroic and Brave Drive for Pole Position.

 

In Second Place was (Niall Murray) in his Van Diemen BD21 with a Best Lap Time of 50.397 and a Top Speed of 86.28mph. Fantastic Work Niall Very Fast and Quick Driving.

 

In Third Place was (Colin Queen) in his Ray GR18 with a Best Lap Time of 50.399 and a Top Speed of 86.28mph. Another Incredible Driver in Colin Pushing Hard and Almost Taking Second Place from Niall. I think we are in for some Really Intense Racing but who will be Fast Enough to on Track to Take Victory?

 

Champion Of Brands (Race 1 Results)

 

After a Thrilling Battle that saw Tom Mills take Pole Position its time to find out who Won the Race and out of The Top Three Could Anyone else on the Grid Challenge them for a Spot on the Podium. Lets Find Out.

 

In First Place and taking the Win was (Niall Murray) in his Van Diemen BD21 with a Lap Time of 50.518 and an Average Speed of 77.40mph. Incredible work there Niall Beating back Tom to take Victory in the First Race and a Well Determined Drive to Secure it.

 

In Second Place was (Tom Mills) in his Spectrum KMR with a Lap Time of 50.706 and an Average Speed of 77.38mph. Amazing Drive there Tom Keeping up with Niall and a Fantastic Battle thought the entire Race too.

 

In Third Place was (Colin Queen) in his RAY GR18 with a Lap Time of 50.820 and an Average Speed of 77.32mph. A Great Victory for Third Place on the Podium Colin showing a Determined Drive and a lot of Bravery thought the Race.

 

What an Incredible First Race to Start out the Days Events and with Another Coming up Soon after is it possible for Another Competitor to take Victory and the Spotlight? Lets Take A Look.

 

Champion Of Brands (Race 2 Results)

 

Race 2 Up Next and The Final Time for Anyone Racing in Champion of Brands to Score Points and Take Victory in either First Second or Third Place. After a Thrilling End to Race 1 which Saw Tom Mills getting Beaten by Niall Murray it was time to see who could Once Again bring the Roar and Thunder Home for a Final Time.

 

In First Place was (Niall Murray) in his Van Diemen BD21 with a Lap Time of 50.584 and an Average Speed of 84.84mph. Another Incredible Drive from Niall to once again take The Final Pole Position for Champion of Brands. Brilliant Drive there Niall.

 

In Second Place was (Tom Mills) in his Spectrum KMR with a Lap Time of 50.606 and an Average Speed of 84.47mph. Another Well Deserved Second Place for Tom Showing Incredible Car Control and Bravery Pushing the Limits on Every Corner to Keep up with Niall. Fantastic Drive Tom.

 

In Third Place was (Lucan Romenek) in his Van Diemen JL13 with a Lap Time of 50.927 and an Average Speed of 83.92mph. Very Well Done there Lucan Fantastic to see a New Driver take a Step onto the Podium and Celebrate the Victory.

 

What an Exciting Opening Day here at Brands Hatch for Ford Power Live with Champion of Brands Providing some Well Deserved Winners in Niall Tom Lucan and Colin. Well Done to all other Drivers taking Part and Continuing to Improve and do what it is that you Love. Keep Up the Momentum and Never Give Up Hope of One Day Making it to the Top Step of the Podium.

 

Lets See what Track Action is Next Up onto the Circuit as the Action Continues to Hot Up.

 

Clubman Sports Prototype Championship (Qualifying)

 

Clubman Sports Prototypes were up next and thease Mad Looking Machines are known for their Supreme Aerodynamics as well as Insane Straight Line Speed. each Driver will have to be on the ball and Keeping their Machine under Constant Control as they will be Powering round this 1,2 mile Indy Circuit at Speeds of at Least 90mph.

 

Lets Look to the Track to see who Qualified where and see who will be starting the Race on Pole.

 

In First Place and taking Pole Position was (Steve Dickens) in his Mallock MK29 with a Best Lap Time of 47.146 and a Top Speed of 92.23mph. Amazing Drive there Steve Very Fast and Committed for Pole Position.

 

In Second Place was (Clive Wood) in his Mallock MK23 with a Best Lap Time of 47.784 and a Top Speed of 91.00mph. Well Deserved there Clive Pushing that Mallock for all its worth and taking Second Place.

 

In Third Place was (Alex Champkin) Mallock MK27 Synergy with a Best Lap Time of 48.129 and a Top Speed of 90.35mph. Very Well Done there Alex Taking Third Place and a Spirited Drive with it.

 

A Very Fast and Fierce set of Drivers Ready to take on the Indy Circuit. Lets Get Right Down to the Action for Race 1.

 

Clubman Sports Prototype Championship (Race 1 Results)

 

After A Thrilling Battle in Qualifying Between Steve Clive and Alex which of them will be Poised and Ready to Attack on the Race Track to either Defend maintain or even potentially Loose their Positions to the other Drivers. Lets Find Out.

 

In First Place was (Steve Dickens) in his Mallock MK29 with a Lap Time of 48.076 and an Average Speed of 76.87mph. Incredible Driving there Steve Taking the Victory and the Spoils that come with it Amazing Work from you and The Entire Team.

 

In Second Place was (Alex Champkin) in his Mallock MK27 Synergy with a Lap Time of 47.515 and an Average Speed of 76.84mph. Another Super Drive by Alex to move him up into Second Place on the Podium. Fantastic Work and Driving Ability.

 

In Third Place was (Clive Wood) in his Mallock MK23 with a Lap Time of 47.802 and an Average Speed of 76.81mph. Very Well Done there Clive Super Driving and an All Round Great Victory for Third Place.

 

An Exciting Opening Race for Clubman's with Steve Dickens taking Both Qualifying and the First Race Win. Can he Do it again For Race 2 or will the likes of Alex and Clive Hunt Him down and take that Victory away Stay Tuned to find out as We Go Racing Once Again.

 

Clubman Sports Prototype Championship (Race 2 Results)

 

In First Place was (Clive Wood) in his Mallock MK23 with a Lap Time of 47.475 and an Average Speed of 87.35mph.

 

In Second Place was (Pete Richings) in his Mallock MK30 PR with a Lap Time of 48.784 and an Average Speed of 86.84mph.

 

In Third Place was (Steve Dickens) in his Mallock MK29 with a Lap Time of 48.448 and an Average Speed of 86.63mph.

 

What an Exciting End to Race 2 with a New Winner in P2 being Pete Richings Well Done Pete Amazing work and a well deserved Podium Spot. Will Pete be able to Retain that Second Place or even Improve though as we head into the Final Round in Race 3.

 

Clubman Sports Prototype Championship (Race 3 Results)

 

In First Place was (Pete Richings) in his Mallock MK30PR with a Lap Time of 48.218 and a Top Speed of 88.27mph. Incredible Driving Pete taking the Top Step of the Podium and the Race Win. A Truly Excellent Drive.

 

In Second Place was (Steve Dickens) in his Mallock MK29 with a Lap Time of 47.986 and an Average Speed of 88.17mph. Very Well Done again Steve Putting in a lot of Hard work to Reach Second Place.

 

In Third Place was (Clive Wood) in his Mallock MK23 With a Lap Time of 47.883 and an Average Speed of 88.08mph. Another Amazing P3 for Clive with a lot of Strong Determination Behind the Wheel.

 

What a Race Weekend for the Clubman's with Many Different Victories and Winners in Clive Steve Pete and Alex all Looking to Fight it it on Track and take Home those Valuable Championship Winning Points. Well Done to all other Competitors as well Keep Pushing Hard and Making Memories that will Last Forever.

 

Creative Funding Solutions Sports 2000 Championship (Qualifying)

 

Now it was time for the Creative Solutions Sports 2000's to hit the Track and After a Thunderous Performance by the Classic Clubman's Lets see what thease Mean Machines Have to Offer. With Speeds once again Reaching Nearly 92mph thease cars are Monsters and Driving and Controlling One is going to be Very Challenging with all that Break Horse Power.

 

Lets take a Look at Qualifying and see which Drivers made it to the Front end of the Grid for Race 1.

 

In First Place Taking Pole Position and the Fastest Lap was ( Neil Burroughs) in his Gunn TS12 with a Best Lap Time of 47.202 and a Top Speed of 92.12mph. Fantastic work there Neil Once Again showing the Skill and Commitment Needed for a Championship Winning Drive.

 

In Second Place was (Tom Stoten) in his Gunn TS11 with a Best Lap Time of 47.400 and A Top Speed of 91.74mph. Great Work there Tom a Well Controlled and Well Balanced Car on the Race Track to Take P2 on the Grid.

 

In Third Place was (Joshua Law) in his MCR S2 with a Best Lap Time of 47.474 and a Top Speed of 91.59mph. Well Done Josh Really Amazing work to take P3 on the Grid for The Race.

 

What a Fantastic Qualifying Session with Battles Happening all over the Field but Neil Tom and Josh have made it into the Top Three and so Lets Find out in Race 1 which of them will be Taking Home Victory.

 

Creative Funding Solutions Sports 2000 Championship (Race 1)

 

In First Place and Taking Victory was (Tom Stoten) in his Gunn TS11 with a Lap Time of 48.471 and an Average Speed of 62.75mph. Amazing Work Tom taking yourself from P2 in Qualifying to P1 and The First Race Win, Incredible Drive.

 

In Second Place was (Michel Gibbins) in his MCR S2 with a Lap Time of 48.457 and an average Speed of 62.69mph. Fantastic Work Michel and a Really Strong Drive to take P2 in the Race. A Fantastic Drive.

 

In Third Place was (Giles Billingsley) in his MCR S2 with a Lap Time of 49.321 and an Average Speed of 62.31mph. Awesome Work there Giles a Brilliant Drive to Get P3 and the Last Spot on the Podium.

 

What an Exciting First Race with Tom Stoden being the First Race Winner in Sports 2000. A Big Congratulations to Michel and Giles too for some Heroic Driving and their Further P2 and P3 Finishes. Lets Find out what Race 2 Brings us Next.

  

Creative Funding Solutions Sports 2000 Championship (Race 2)

 

After a Really Hectic First Race which saw Tom Stoden Take P1 followed by Michel Gibbins and Giles Billingsley it was Time for Race 2. Lets see if Anyone Else can Challenge these Almighty Three Drivers at the Front of the Field.

 

In First Place was (Joshua Law) in his MCR S2 with a Lap Time of 47.878 and an Average Speed of 70.46mph. Incredible Drive for Joshua Taking P1 from Tom Stoden and Claiming his First Race Win of the Weekend. Amazing work Josh.

 

In Second Place was (Tom Stoden) in his Gunn TS11 with a Lap Time of 48.409 and an Average Speed of 70.35mph. Another Very Confident and Fast Drive by Tom to Achieve Second Place showing Just How Talented and Brave of a Driver Tom is Fantastic Performance Tom.

 

In Third Place was (Michel Gibbins) in his MCR S2 with a Lap Time of 48.395 and an Average Speed of 70.32mph. Really Good Drive there Michel Fantastic Car Control and a lot of Fast Race Pace. Well Done.

 

What Another Epic Race to Witness with a New Winner on the Top Step of the Podium being Joshua Law a Well Deserved Win from a Very Talented Driver. Amazing work to both Tom and Michel for their Respective P2 and P3 Finishes. With Race 3 Up Next who will be Taking Home that Final Pole Position of the Weekend for Sports 2000.

  

Creative Funding Solutions Sports 2000 Championship (Race 3)

 

The Final Round of the Day for the Sports 2000's and with Joshua Law Defending his People Position at the Front Will anyone be able to dethrone our New Race Winner. Lets Find Out.

 

In First Place and Taking the Victory was (Michel Gibbins) in his MCR S2 with a Lap Time of 47.479 and an Average Speed of 89.11mph. What a Drive Michel Taking P1 and the Final Race Win. Incredible Work.

 

In Second Place was (Tom Stoden) in his Gunn TS11 with a Lap Time of 47.680 and an Average Speed of 88.95mph. Amazing work Once Again Tom Proving Just How Competitive This Racing Series for Drivers is.

 

In Third Place was (Joshua Law) in his MCR S2 with a Lap Time of 47.938 and an Average Speed of 88.92mph. Great Work there Josh Really Good Drive in Taking P3.

 

What an Amazing Set of Races for the Sports 2000's with Many Different Victories for the likes of Joshua Tom Michel and Giles Drivers who Really Put the Pedal to the Metal when it really matters. Fantastic Work to all other Drivers on Track as well and Good Luck as the Season Continues.

 

Focus Cup Championship (Qualifying)

 

Next Up we take a Look to the Focus Cup Championship a Racing Series which Features the use of Ford Focus Road Cars Built to Racing Specifications. Thease Cars all Use The ZTEC 2.0 TDCI Engines and Have Proven to be Very Quick and also Very Twitchy when out Racing.

 

Lets Take a Look at Qualifying to see what Drivers Have made it to the Front of the Gird to start out the Days Racing.

 

In First Place taking Pole Position and The Fastest Lap was (Simon Rudd) in his Ford Focus 2.0 TDCi Zetec S with a Best Lap Time of 58.625 and a Top Speed of 74.17mph. Great Work there Simon Very Fast Driving while Keeping the Car on the Race Track to clock in a Perfect Lap of the Indy Circuit for P1.

 

In Second Place was (Scott Parkin) in his Ford Focus 2.0 TDCi Zetec S with a Best Lap Time of 58.880 and a Top Speed of 73.85mph. Very Well Done there Scott with a Blisteringly Quick Lap To take P2 on the Grid for the First Race.

 

In Third Place was (Gary Mitchell) in his Ford Focus 2.0 TDCi Zetec S with a Best Lap Time of 59.025 and a Top Speed of 73.67mph. Very Well Done Gary Pushing Hard and Making every Millie Second Count to take P3 on the grid.

 

Three Very Quick Drivers in Simon Scott and Gary all Looking to take that First Race Win. Which One of them Can Do it. Lets Find Out as Race 1 Begins.

 

Focus Cup Championship (Race 1)

 

In First Place and Taking Victory was (Simon Rudd) in his Ford Focus 2.0 TDCi Zetec S with a Lap Time of 58.725 and an Average Speed of 72.88mph. Congratulations Simon what an Epic Drive to Victory and a First Win of the Day for you. Very Well Done.

 

In Second Place was (Scott Parkin) in his Ford Focus 2.0 TDCi Zetec S with a Lap Time of 58.776 and an Average Speed of 72.49mph. Amazing Work there Scott Well Driven and Controlled Thought the entire Race.

 

In Third Place was (Gary Mitchell) in his Ford Focus 2.0 TDCi Zetec S with a Lap Time of 58.909 and an Average Speed of 72.39mph. Great Drive there Gary and A Brilliant Finish on the Podium in P3.

 

What an Exciting First Race for the Focus Cup showing Just How Fast thease Cars are and How Brave each Driver has to be to take Moves and Dive Bombs to work there way to the Front of the Grid. Lets See what Race 2 Brings and Can Simon Keep His Defence of P1.

 

Focus Cup Championship (Race 2)

 

In First Place was (Gary Mitchell) in his Ford Focus 2.0 TDCi Zetec S with a Lap Time of 58.914 and an Average Speed of 68.78mph. Incredible Work there Gary taking P1 and The Race Win what a Fantastic start to the Weekend for Him.

 

In Second Place was (Richard Avis) in his Ford Focus 2.0 TDCi Zetec S with a Lap Time of 59.506 and an Average Speed of 68.70mph. what a Drive there From Richard Fantastic to see a New Face in P2 on the Podium and a Well Deserved Victory in Second Place.

 

In Third Place was (Scott Parkin) in his Ford Focus 2.0 TDCi Zetec S with a Lap Time of 59.283 and an Average Speed of 68.61mph. Very Well Done there Scott Pushing Hard and Making sure to Stay in the Top Three. Fantastic Drive.

 

Another Incredible Race with a Different Driver in Richard Avis taking Second Place with an Incredible Drive and Sheer Speed and Talent. Congratulations to both Gary and Scott as well for their Fantastic Finishes Too.

 

Now for Race 3 and its the Final Time to see who will be taking Home that Last P1 Victory for the Focus Cup Championship.

  

Focus Cup Championship (Race 3)

 

In First Place was (Simon Rudd) in his Ford Focus 2.0 TDCi Zetec S with a Lap Time of 59.228 and an Average Speed of 71.60mph. Amazing Work as Usual Scott putting in One Final Flying Run to Gain Another Race Victory. Great Drive.

 

In Second Place was (Scott Parkin) in his Ford Focus 2.0 TDCi Zetec S with a Lap Time of 59.972 and an Average Speed of 70.23mph. Another Really Impressive Drive by Scott to take P2 in the Final Race for The Focus Cup.

 

In Third Place was (Rob Gaffney) in his Ford Focus 2.0 TDCi Zetec S with a Lap Time of 59.238 and an Average Speed of 70.19mph. Very Well Done Indeed Rob Finishing P3 and taking his First Podium of the Weekend. Phenomenal Drive.

 

What an Amazing End to the Focus Cup Championship at Brands Hatch with Many Different Victories for Simon Scott Rob and Gary who all Drove out of their Skin and showed Phenomenal Car Control and Ability to Drive. Fantastic Work to all the other Drivers too Keep Working Hard and Most Important of All Enjoy what you Love Doing.

 

MSVR Elise Trophy (Qualifying)

 

Next Up is the MSR Elise Trophy

with the Focus of this Race being on the Lotus Elise S1 S2 and S3 with Just One Qualifying Session and Just 1 Race This will be A Test of Will Power and Determination on the Track to see who can Take Victory.

 

First Lets look to Qualifying and See who will be Starting on the Front Row.

 

In First Place taking the Pole and Fastest Lap was (Maurizio Sciglio) in his Lotus Elise S2 with a Best Lap Time of 53.544 and a Top Speed of 81.21mph. Fantastic work there Maurizio to take P1 and start o the Front Row of the Grid.

 

In Second Place was (Jason Mcinulty) in his Lotus Elise S3 with a Best Lap Time of 53.914 and a Top Speed of 80.65mph. Very Well Done there Jason Putting in one Hell of a Quick Time to Gain P2 on the Grid.

 

In Third Place was (Simon Walsh) in his Lotus Elise S2 111R with a Best Lap Time of 54.076 and a Top Speed of 80.41mph. Incredible Drive from Simon to put Himself in P3.

 

With Three Very Quick Drivers in Maurizio Jason and Simon it was Time to see if Anyone Could challenge them and Win the Only Race of the Day for the Lotus Elise Trophy.

 

MSVR Elise Trophy (Race 1)

 

In First Place taking The Victory was (Jason Mcinulty) in his Lotus Elise S3 with a Lap Time of 54.638 and an Average Speed of 66.83mph. Fantastic Victory for Jason taking P1 and The Race Win for the Elise Trophy. Phenomenal Driving too.

 

In Second Place was (John Lamaster) in his Lotus Elise S2 135R with a Lap Time of 54.781 and an Average Speed of 66.75mph. Fantastic work John and So Great to see a New Face on the Podium Taking P2 what an Incredible Driver.

 

In Third Place was (David Alexander) in his Lotus Elise S1 with a Lap Time of 55.589 and an Average Speed of 66.62mph. Very Well Driven Dave Keeping an Eye out all over the Place and Bringing Home a Superb P3 Finish.

 

A Brilliant Race for the Elise Trophy and Victories for Jason John and David as well as Maurizio and Simon for their Heroic Efforts in Qualifying. Congratulations to Jason on the Race Win and Good Luck to all other Drivers in this Series.

 

Modified Ford Series (Qualifying Group A)

 

Now it was Time to head Back to the Blue Badged Ford Machines Once again as the Modified Ford Series Rolled out onto the Race Track with each car being Heavily Modified from their Road Counterparts. With Escort Cosworth's and RS200's Roaring and Ready to go it was Time to see what the First Group A set of Drivers could do in Qualifying.

 

Due to how large the Grids were and the Fact that both Group A and Group B Have Different Races I will only be putting up results from both Qualifying Sessions from Group A and Group B. I will Leave a Link Below each Qualifying Session so you can Get All the Race Result's and Action from the 4 Different Races.

  

Modified Ford Series (Qualifying Group A)

 

In First Place Taking Pole Position and the Fastest Lap was (David Cockell) in his Ford Escort Cosworth with a Best Lap Time of 49.872 and a Top Speed of 87.19mph. Very Well Done David Keeping that Escort on the Track Must Have Taken some Practice no Doubt Amazing work on Getting Pole.

 

In Second Place was (Wayne Crabtree) in his Ford RS200 with a Best Lap Time of 51.121 and a Top Speed of 85.06mph. Very Fast Drive from Wayne to take P2 and a Very Solid Drive Thought.

 

In Third Place was (Michael Saunders) in his Ford Escort MK1 Mexico with a Best Lap Time of 51.129 and an Average Speed of 85.05mph. Very Well Driven by Michael Being Able to Keep up with Both Wayne and David Must Have Ben a Real Pain but what a Fantastic Achievement.

 

What a Fantastic Set of Legendary Drivers all Battle Hardened and Ready to take on the Might of the Indy Circuit. But there can Only be One Winner who do you Think will Win the First Race? Click the Link Below to get all of the Race Results from this Racing Series.

 

(Link to Group A Race Results)

 

www.tsl-timing.com/Event/213751

 

Modified Ford Series Group B (Qualifying)

 

Now it was Time for Group B to make a stance and see what their Modified Ford Racing Machines could do. with How Fast and Action Packed Group A Had Been During both The Races and Qualifying Group B was looking to be much the Same.

 

Lets Waste No Time in Finding out who Has Taken Pole Position for the First of 4 Races.

 

In First Place Taking Pole Position and The Fastest Lap was (Neil Jessop) in his Ford Escort MK2 with a Best Lap Time of 52.030 and a Top Speed of 83.57mph. Fantastic Work there Neil and a Really Quick Escort to match too. Very Well Done.

 

In Second Place was (James Harris) in his Ford Escort MK2 with a Best Lap Time of 53.928 and a Top Speed of 80.63mph. Amazing work there James Pushing Hard and Giving the Old Girl everything she has to offer.

 

In Third Place was (Malcom Harding) in his Ford Escort MK1 with a Best Lap Time of 54.892 and a Top Speed of 79.22mph. Awesome Drive there from Malcom Overcoming a lot of Pressure to put in an Incredible Lap for P3.

 

What an Amazing Line up for Group B with Plenty of Experienced Drivers who know their cars inside out. But who will be Brave Enough to challenge the Top Three Drivers for Victory. Find out for Yourself at the Link Below.

 

(Link to Group B Race Results)

 

www.tsl-timing.com/Event/213751

 

Enduro KA (Qualifying)

 

The Final Qualifying Session of the Day Had Come and its the Enduro KA'S. with all of the Cars on the Grid being Models of the Popular Ford KA made Between 1998-2009 thease Cars were Fun City cars that could get you from A to B with Ease. They were Also Build on a tight budget meaning that Handling Performance and Comfort were a Big Selling point of thease Brilliant little cars.

 

The Racing Versions seen here in the pictures however are built for Racing. they use different tyres but still the same Legendary 1.3 Dura Tec Engine found in their Road Going Counterparts.

 

Lets Take a look at Qualifying and see which KA and Driver made it to the top step of the podium.

 

Enduro KA (Qualifying)

 

In First Place taking the Pole and Fastest Lap was (Octane Junkies Adam Smith and Martyn Smith) with a Best Lap Time of 1:03.495 and a Top Speed of 68.48mph. Fantastic Work Adam and Martyn Really Pushing the Car for all its worth.

 

In Second Place was (Alex Reade Motorsport Luke Reade and Chris Reade) with a Best Lap Time of 1:03.713 and a Top Speed of 68.25mph. Fantastic Drive there from Both Alex and Chris Claiming P2.

 

In Third Place was (Fat Boys Racing Matt Pinny) with a Best Lap Time of 1:03.921 and a Top Speed of 68.03mph. Very Well Done there Matt Great Drive and Awesome Car Control.

 

Three Very Quick and Determined Teams and with 4 Races to Race in this will be a Very Close and Tight Battles Between all Teams and Drivers. Skill and Talent will be crucial to survival and Who will be able to take the First Victory of Race 1. Lets Find Out.

 

Enduro KA (Race 1 Results)

 

In First Place Taking the Victory was (Alex Reade Motorsport's Luke Reade and Chris Reade) with a Lap Time of 1:03.688 and an Average Speed of 67.95mph. Congratulations Both Alex and Luke on a Superb Race Victory and Well Done to hold off the Pressure from the other Competitors.

 

In Second Place was (Octane Junkies Adam Smith and Martyn Smith) with a Lap Time of 1:03.416 and an Average Speed of 67.92mph. Very Well Done to both Adam and Martyn for that Amazing P2 Finish.

 

In Third Place was (Fat Boys Racing Matt Pinny) with a Lap Time of 1:03.664 and an Average Speed of 67.79mph. Incredible Work there Matt Amazing Drive and a Really Super Looking Car.

 

An Exciting Opening Race for the Enduro KA Series with Three Different Teams on the Podium in Alex Reade Motorsport Octane Junkies and Fat Boys Racing. Amazing work to all of you Now Lets see what Action Race 2 Brings and whether or not Alex Reade Motorsport can Hold onto that 1st Place.

 

Enduro KA (Race 2 Results)

 

In First Place was (Alex Reade Motorsport's Luke Reade and Chris Reade) with a Lap Time of 1:03.557 and an Average Speed of 67.94mph. Another Incredible Drive from both the likes of Alex and Luke to Keep their P1 Finish From the First Race. Amazing Work.

 

In Second Place was (Octane Junkies Adam Smith and Martyn Smith) with a Lap Time of 1:03.621 and an Average Speed of 67.90mph. Fantastic Work Once Again to the likes of Adam and Martyn Another Set of Drivers Keeping their Second Place Finish.

 

In Third Place was (Fat Boys Racing Matt Pinny) with a Lap Time of 1:04.005 and an Average Speed of 67.39mph. Well Done once again Matt Perfect Driving and a Well Balanced Car out there.

 

Looks like the Top Three Remain the Same even After Two Races but will Race 3 Bring a New Twist to the Current Driver and Team Standings. Lets Find Out.

 

Enduro KA (Race 3 Results)

 

In First Place was (Octane Junkies Adam Smith and Martyn Smith) with a Lap Time of 1:03.849 and an Average Speed of 67.57mph. Amazing Work there Adam and Martyn managing to topple the likes of Alex and Luke to Earn P1.

 

In Second Place was (Fat Boys Racing Matt Pinny) with a Lap Time of 1:03.584 and an Average Speed of 67.51mph. Well Done there Matt Improving up to P2 and Taking Home a Well Deserved Finish in the Standings for Race 3.

 

In Third Place was (Alex Reade Motorsport's Luke Reade and Chris Reade) with a Lap Time of 1:03.606 and an Average Speed of 67.44mph. Very Good Come Back Drive for Both Luke and Ale to Finish Third Great Driving.

 

Many Twists and Turns Have Benn brought into Race 3 with the Top Three Drivers now being Shuffled Around the Gird into different Positions. With One More Race to Go who will be The Last Driver of the Day on the Top Step of the Podium.

 

Enduro KA (Race 4 Results)

 

In First Place was (Octane Junkies Adam Smith and Martyn Smith) with a Lap Time of 1:03.442 and an Average Speed of 67.82mph. An Amazing Final Win for the Day to Octane Junkies Adam and Martyn Smith Congratulations and Very Well Driven.

 

In Second Place was (Piston Heads Peter Dignan) with a Lap Time of 1:03.781 and an Average Speed of 67.54mph. Incredible work there Peter Getting P2 and Standing on the Podium and Incredible Achievement.

 

In Third Place was (IP Racing Oliver Wilmot and Scott Parkin) with a Lap Time of 1:03.710 and an Average Speed of 67.47mph. Very Well Done to both Scott and Oliver on that Fantastic P3 Achievement. Something Very Special to Remember for both of you.

 

And With that The Days Racing at Brands Hatches Ford Power Live comes to an End and what an Incredible Array of Both Cars Teams and Drivers on Display Today. A Big Congratulations to the likes of Adam Martyn Luke Chris Peter Matt Oliver and Scott for their Incredible Achievements and All Other Drivers Keeping the World Of Motorsport Alive and Well.

 

Keep Working Hard everyone Else. Your Time Will Come.

 

See You All Again Next Year!!!!

Mammut americanum (Kerr, 1792) - American mastodon skeleton (cast) from the Pleistocene of Florida, USA. (South Florida Museum, Bradenton, Florida, USA)

 

From museum signage:

Mammut americanum, the American Mastodon, is one of the most spectacular of the now extinct Ice Age mammals. Mastodons, belonging to the Order Proboscidea, were large elephant-like animals with heavy shaggy coats and two large upper tusks. The average mastodon’s shoulder height was 8 to 10 feet. Measuring 11 feet 4 inches at the shoulder, the South Florida Museum’s mastodon is one of the world’s largest and the largest ever recovered in North America. Massive size, on its last set of teeth, and arthritis in its backbone are contributing factors suggesting this giant proboscidean is probably an older male.

 

At Home in the Forest

Mastodons were forest-dwelling animals that browsed on twigs, leaves, shrubs, fruits, pinecones and needles, and mosses. Their teeth were rather primitive and characterized by rounded and pointed enamel-covered cones with close-spaced roots. Such teeth were well suited to clipping or crushing twigs, leaves, and stems. Their trunk not only functioned as a nose, but also as an appendage used to grab and manipulate objects.

 

Mastodons belong to the Order Proboscidea along with mammoths and modern elephants. Their closest living relatives are the Sirenia (dugongs and manatees). [Elephants] evolved in Africa about 35 million years ago and spread throughout Africa, Europe, and Asia. About 3.7 million years ago, [elephants] migrated to North America via the Bering Strait land bridge. A mastodon’s normal range was hundreds of miles, and individuals have been recovered from the Aucilla River, Ichetucknee River, Palm Beach County, and Wakulla Springs.

 

An Aucilla Giant

Our mastodon was found in 1967 by diver Don Serbosek on an isolated stretch of the Aucilla River in Jefferson County. The scattered bones were in a 20 ft. deep hole in the river bottom. This unique display is the only articulation done to date of this Aucilla mastodon. It is an exact and finely detailed cast of the fossil bones acquired by the Florida Museum of Natural History for research studies on the Pleistocene giant.

 

How did the Aucilla mastodon die? There are no recognizable butcher marks on the bones, but two projective points along with hundreds of carved bone needles were found in the immediate vicinity. This evidence implies human activity, but further analysis revealed the needles were more recent, probably ca. B.C. 300 to A.D. 200. Perhaps a hunt drove him into the river where he slipped into the deep hole and drowned.

 

The Aucilla Adventures

For Don Serbosek, the waterways of Florida have yielded a lifetime of adventure and discovery. One of the first underwater explorers of Florida’s rivers and springs, Don was used to finding an occasional ancient animal bone or early human artifact. However, a 1967 trip to north Florida’s Aucilla river turned a routine SCUBA dive into the find of a lifetime and nearly a lifetime of work.

 

Disciplined Discovery

There, scattered across the bottom of the isolated stretch of river bed where the Aucilla rises from an underground limestone caverns and soon sinks into another, were piles of bones. Mammoth and mastodon teeth littered the ground. The next weekend, equipped with SCUBA gear, Don and others set about to map the site. Bones, Indian artifacts, projectile points and bone needles were recovered and their locations noted. Then, 20 feet down at the bottom of a hole revealed by their underwater lamps, Serbosek saw the well-preserved skeleton of a huge mastodon with half of its lower jaw lying on top of a pile of bones. Many more trips were required to bring up the easily accessible bones, but no skull was found.

 

The Missing Skull

A dedicated search for the missing skull commenced. As he fanned away sand, searching with his fingers in the dark murky water, Don felt a large, flat rock. At first he passed it by, but something didn’t feel quite right. The rock was smooth and flat, not like the sharp, eroded limestone typical of the river bed. Retracing his progess, he eventually found it again and fanned away more and more sand. The rock grew bigger and bigger and began to curve downward. It was the skull, buried in a layer of blue clay.

 

Raising the 400 pound skull posed quite a challenge. A framework of steel pipe laced with a floor of heavy canvas and supported by eight inner tubes was designed to cradle the huge fossil. Four feet below the surface, the inner tubes were carefully inflated, and the skull emerged from the water.

 

On the surface, a large tank filled with water-soluble acrylic preservative was used to hold the precious fossils. As the bones soaked up the preservative, they slowly hardened.

 

A Lengthy Process

Meticulous paleontology takes a great deal of perseverance. Recovering the Aucilla mastodon took three years. Developing the techniques to make an accurate copy of of the fossilized bones took another ten years. Serbosek pooled his talents with Dr. Cliff Jeremiah of Jacksonville, a fellow member of the Florida Paleontological Society with a reputation for making remarkably fine replicas of fossils.

 

After 11 years of collaborations, refining the process on countless other specimens, the two men were ready to work on the Aucilla mastodon. From the first sighting to final articulation, more than 20 years and thousands of hours have been dedicated to the magnificent mastodon. This painstaking paleontological work was performed with the utmost care and pride. All who worked on the project know that there may never be another mastodon of this size and significance found in Florida. The South Florida Museum is proud to exhibit this unique Pleistocene mammal.

 

Classification: Animalia, Chordata, Vertebrata, Mammalia, Proboscidea, Mammutidae

 

Locality: Aucilla River, Jefferson County, northern Florida, USA

----------------------

See info. at:

en.wikipedia.org/wiki/Mastodon

 

Mean averaging each of the gun barrel opening sequence shots for all of the bond films through 2012.

 

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It was supposed to be an average shot of an everyday Amtrak train, in this case the southbound Vermonter at Essex Jct., Vermont. The train has just made its station stop, and is gathering speed as I took this shot on a long curve in town. But within 30 seconds of this shot, as the train came out of the curve, the train struck and killed a person on the tracks. I heard the emergency call, and at first thought they just had a medical emergency on board. I saw all the police and emergency vehicles, which at first went the wrong way, but because I had my rail radio I knew how to access where the train stopped. When I got there I saw they were working on someone on the ground, and knew it had to be a trespasser that was struck.

 

In my 40-plus years of shooting, I've photographed trains that derailed, and trains that hit cars, but this was a tragic first.

"Society Hill is a historic neighborhood in Center City Philadelphia, with a population of 6,215 as of the 2010 United States Census. Settled in the early 1680s, Society Hill is one of the oldest residential neighborhoods in Philadelphia. After urban decay developed between the late 19th and early 20th centuries, an urban renewal program began in the 1950s, restoring the area and its many historic buildings. Society Hill has since become one of the most expensive neighborhoods with the highest average income and second-highest real estate values in Philadelphia. Society Hill's historic colonial architecture, along with planning and restoration efforts, led the American Planning Association to designate it, in 2008, as one of the great American neighborhoods and a good example of sustainable urban living.

 

The neighborhood hosts one of the largest concentrations of original 18th- and early 19th-century buildings in the United States. Society Hill is noted for its Franklin street lamps, brick sidewalks, cobblestone and Belgian block streets bordered by two- to four-story brick rowhouses in Federal and Georgian architecture, and public buildings in Greek Revival architecture such as the Merchants' Exchange Building and the Old Pine Street Church.

 

Philadelphia, often called Philly, is the largest city in the Commonwealth of Pennsylvania, the sixth-largest city in the U.S., the second-largest city in both the Northeast megalopolis and Mid-Atlantic regions after New York City, and the 68th-largest city in the world. Since 1854, the city has been coextensive with Philadelphia County, the most populous county in Pennsylvania and the urban core of the Delaware Valley, the nation's seventh-largest and world's 68th-largest metropolitan region, with 6.245 million residents as of 2020. The city's population as of the 2020 census was 1,603,797, and over 56 million people live within 250 mi (400 km) of Philadelphia.

 

Philadelphia was founded in 1682 by William Penn, an English Quaker. The city served as capital of the Pennsylvania Colony during the British colonial era and went on to play a historic and vital role as the central meeting place for the nation's founding fathers whose plans and actions in Philadelphia ultimately inspired the American Revolution and the nation's independence. Philadelphia hosted the First Continental Congress in 1774 following the Boston Tea Party, preserved the Liberty Bell, and hosted the Second Continental Congress during which the founders signed the Declaration of Independence, which historian Joseph Ellis has described as "the most potent and consequential words in American history". Once the Revolutionary War commenced, both the Battle of Germantown and the Siege of Fort Mifflin were fought within Philadelphia's city limits. The U.S. Constitution was later ratified in Philadelphia at the Philadelphia Convention of 1787. Philadelphia remained the nation's largest city until 1790, when it was surpassed by New York City, and served as the nation's first capital from May 10, 1775, until December 12, 1776, and on four subsequent occasions during and following the American Revolution, including from 1790 to 1800 while the new national capital of Washington, D.C. was under construction.

 

During the 19th and 20th centuries, Philadelphia emerged as a major national industrial center and railroad hub. The city’s blossoming industrial sector attracted European immigrants, predominantly from Germany and Ireland, the two largest reported ancestry groups in the city as of 2015. In the 20th century, immigrant waves from Italy and elsewhere in Southern Europe arrived. Following the end of the Civil War in 1865, Philadelphia became a leading destination for African Americans in the Great Migration. In the 20th century, Puerto Rican Americans moved to the city in large numbers. Between 1890 and 1950, Philadelphia's population doubled to 2.07 million. Philadelphia has since attracted immigrants from East and South Asia, Eastern Europe, and Latin America.

 

With 18 four-year universities and colleges, Philadelphia is one of the nation's leading centers for higher education and academic research. As of 2021, the Philadelphia metropolitan area was the nation's ninth-largest metropolitan economy with a gross metropolitan product (GMP) of US$479 billion. Philadelphia is the largest center of economic activity in Pennsylvania and the broader multi-state Delaware Valley region; the city is home to five Fortune 500 corporate headquarters as of 2022. The Philadelphia skyline, which includes several globally renowned commercial skyscrapers, is expanding, primarily with new residential high-rise condominiums. The city and the Delaware Valley are a biotechnology and venture capital hub; and the Philadelphia Stock Exchange, owned by NASDAQ, is the nation's oldest stock exchange and a global leader in options trading. 30th Street Station, the city's primary rail station, is the third-busiest Amtrak hub in the nation, and the city's multimodal transport and logistics infrastructure, including Philadelphia International Airport, the PhilaPort seaport, freight rail infrastructure, roadway traffic capacity, and warehouse storage space, are all expanding.

 

Philadelphia is a national cultural hub, hosting more outdoor sculptures and murals than any other American city. Fairmount Park, when combined with adjacent Wissahickon Valley Park in the same watershed, is 2,052 acres (830 ha), representing one of the nation's largest contiguous urban parks and the 45th largest urban park in the world. The city is known for its arts, culture, cuisine, and colonial and Revolution-era history; in 2016, it attracted 42 million domestic tourists who spent $6.8 billion, representing $11 billion in total economic impact to the city and surrounding Pennsylvania counties.

 

With five professional sports teams and a hugely loyal fan base, the city is often ranked as the nation's best city for professional sports fans. The city has a culturally and philanthropically active LGBTQ+ community. Philadelphia also has played an immensely influential historic and ongoing role in the development and evolution of American music, especially R&B, soul, and rock.

 

Philadelphia is a city of many firsts, including the nation's first library (1731), hospital (1751), medical school (1765), national capital (1774), university (by some accounts) (1779), stock exchange (1790), zoo (1874), and business school (1881). Philadelphia contains 67 National Historic Landmarks, including Independence Hall. From the city's 17th century founding through the present, Philadelphia has been the birthplace or home to an extensive number of prominent and influential Americans. In 2021, Time magazine named Philadelphia one of the world's greatest 100 places." - info from Wikipedia.

 

The fall of 2022 I did my 3rd major cycling tour. I began my adventure in Montreal, Canada and finished in Savannah, GA. This tour took me through the oldest parts of Quebec and the 13 original US states. During this adventure I cycled 7,126 km over the course of 2.5 months and took more than 68,000 photos. As with my previous tours, a major focus was to photograph historic architecture.

 

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Namchi (Nepali : नाम्ची) or Namtse is the capital of the South Sikkim district in the Indian state of Sikkim. The appellation Namchi means Sky (Nam) High (Chi) in Sikkimese.

 

GEOGRAPHY

Namchi is located at 27.17°N 88.35°E. It has an average elevation of 1,315 metres.

 

Namchi is situated at an altitude of 1,675 m above sea level. It is situated at a distance of 78 kilometres from the state capital Gangtok and 100 kilometres from the town of Siliguri, the nearest railhead and airport. Namchi lies off the road between Melli and Jorethang. Namchi is well connected to other towns in Sikkim and West Bengal. Jeeps and buses regularly ply between Namchi to Gangtok, Pelling, Jorethang, Kalimpong and Siliguri.

 

DEMOGRAPHICS

As of 2011 India census, Namchi has a population of 12194. Males constitute 52% of the population and females 48%. Namchi has an average literacy rate of 78%, higher than the national average of 59.5%: male literacy is 81%, and female literacy is 73%. In Namchi, 9% of the population is under 6 years of age. Most of the people of Namchi are Hindus and Buddhists. Languages spoken are Nepali, English and Hindi.

 

EDUCATION

Namchi has more than half a dozen private schools with quality education (Mt. Carmel School, Namchi Public School, Tendong Educational Institute, Victory Educational Institute, New Light Academy etc.) and government Higher Secondary Schools for Boys and Girls and world valid computer institute (MULTIMEDIA COMPUTER INSTITUTE) an authorized study center of Manipal Group. Just few kilometers away from the town is a reputed Government College for Arts and Education. People give a lot of importance and focus on education with a reverence. Namchi Public School run by catholic missionaries is one of the respected educational institute in the State and one of the best in the south district of Sikkim.

 

TOURISM

Namchi is fast becoming a major tourist spot and pilgrimage centre. The Namchi monastery, Ralong monastery and Tendong Hill are important Buddhist pilgrimage centres. The world's largest statue (36 m) of the Buddhist Padmasambhava, also known as Guru Rinpoche, the patron saint of Sikkim, is on the Samdruptse hill (The Wish Fulfilling well) opposite Namchi. It was completed in February 2004. It is also said that the Samdruptse hill is actually a Dormant Volcano. Myths say that the buddhist monks have been going on top of the hill and offering prayers to the volcano to keep it calm. There is also a Rock Garden just few kilometers up from the town on the way to Samdruptse.Sikkim Best Home Stay Dong Busty Home Stay just 8km away from Namchi Bazar. The Rock Garden displays a wide variety of Flora and is a local recreation and picnic spot. It offers a magnificent view of Mt. Kanchendzonga (aka Mt. Kangchenjunga, the world's third highest peak). Recently inaugurated (November 2011) Siddhesvara Dhaam is a unique pilgrimage tourism venture of the Sikkim Government developed as “Pilgrim cum Cultural Centre” having a 26,52 m statue of Lord Shiva and replicas of four Dhams of the country at one place at Solophok hilltop in Namchi. The four most revered Dhams of the Hindus Jagannath, Dwarika, Rameshawaram, Badrinath have been replicated in this fantastic complex to benefit the devotees and tourists. The dream project of Chief Minister Pawan Chamling which was conceived by him and started in the year 2005 stands promisingly amidst the breadth taking surrounding of Solophok hill, befitting the mythological setting behind the establishment of the original Dhams. For the consecration of the Dham Shri Jagadguru Sankaryacharya Swami Swarupananda Saraswati in the presence of the Chief Minister Shri Pawan Chamling and his wife Smt Tika Maya Chamling did the “Pran Prastisha” of the Dham. There are replicas of the “Dwadash Jyotirlingas” (the twelve jyothirlinga) of Somnath, Mallikarjuna, Mahakaleswar, Omkareshwar, Kedarnath, Bhimashankar, Viswanath, Triambakeshwar, Vaidyanath, Nageswar, Rameshwar at Rameswaram and Grishneshwar surrounding the statue of Lord Shiva and the Char Dhams. There is a grand statue of Kirateshvar Mahadev and a temple of Shirdi Sai Baba too. One can have a view of the Mt Kanchenjunga, Statue of Guru Padmasambhava at Samdruptse, Darjeeling and other such locations from here. The Dham has stay facility for the devotees at “Yatri Niwas” which can accommodate more than 90 people at a time. The Dham has won the National Tourism Awards 2010–11 under the category of “Most Innovative/Unique Tourism Project” by the Ministry of Tourism, Government of India. A helipad is located 5 km away from town at an altitude of around 1524 m. From here one can get the most panoramic view of Mt. Kanchanzonga with the surrounding mountain a part of Darjeeling Kalimgpong and the rolling plains of Bengal. The visitors can savour the view of temi tea garden the one and the only tea estate in the state which produces top quality tea in the international market.

 

Near the town, Sikkim's sole tea estate — the Temi Tea Garden is situated. The tea carries a premium the world over and costs around Rs. 800/- a kg. The tea is marked by its exotic odour and flavour.

 

In the month of February, the Namchi garden hosts it annual flower show. The flower show is the largest in Sikkim with flowers in a riot of colours. The prime attraction of this show is the display of exotic and rare orchids.

 

One of the highlights of the town is the football stadium – the Baichung Stadium built by the Sikkimese government in honour of its most famous citizen, footballer Baichung Bhutia. "The Gold Cup" football tournament is held in Bhaichung Stadium almost every year. Football teams from all over India, Nepal, Bangladesh and Bhutan vie for the honour which draws lot of crowds from all over Sikkim. Namchi is also the base of the chief minister of Sikkim, Pawan Kumar Chamling.

 

Historically, Namchi was the place where Pende Ongmoo, the trecherous princess who poisoned one of the Chogyals of Sikkim, was caught and killed for her deed. Legend says her spirit still haunts the foothills of Ghurpisey.

 

WIKIPEDIA

Namchi (Nepali : नाम्ची) or Namtse is the capital of the South Sikkim district in the Indian state of Sikkim. The appellation Namchi means Sky (Nam) High (Chi) in Sikkimese.

 

GEOGRAPHY

Namchi is located at 27.17°N 88.35°E. It has an average elevation of 1,315 metres.

 

Namchi is situated at an altitude of 1,675 m above sea level. It is situated at a distance of 78 kilometres from the state capital Gangtok and 100 kilometres from the town of Siliguri, the nearest railhead and airport. Namchi lies off the road between Melli and Jorethang. Namchi is well connected to other towns in Sikkim and West Bengal. Jeeps and buses regularly ply between Namchi to Gangtok, Pelling, Jorethang, Kalimpong and Siliguri.

 

DEMOGRAPHICS

As of 2011 India census, Namchi has a population of 12194. Males constitute 52% of the population and females 48%. Namchi has an average literacy rate of 78%, higher than the national average of 59.5%: male literacy is 81%, and female literacy is 73%. In Namchi, 9% of the population is under 6 years of age. Most of the people of Namchi are Hindus and Buddhists. Languages spoken are Nepali, English and Hindi.

 

EDUCATION

Namchi has more than half a dozen private schools with quality education (Mt. Carmel School, Namchi Public School, Tendong Educational Institute, Victory Educational Institute, New Light Academy etc.) and government Higher Secondary Schools for Boys and Girls and world valid computer institute (MULTIMEDIA COMPUTER INSTITUTE) an authorized study center of Manipal Group. Just few kilometers away from the town is a reputed Government College for Arts and Education. People give a lot of importance and focus on education with a reverence. Namchi Public School run by catholic missionaries is one of the respected educational institute in the State and one of the best in the south district of Sikkim.

 

TOURISM

Namchi is fast becoming a major tourist spot and pilgrimage centre. The Namchi monastery, Ralong monastery and Tendong Hill are important Buddhist pilgrimage centres. The world's largest statue (36 m) of the Buddhist Padmasambhava, also known as Guru Rinpoche, the patron saint of Sikkim, is on the Samdruptse hill (The Wish Fulfilling Well) opposite Namchi. It was completed in February 2004. It is also said that the Samdruptse hill is actually a Dormant Volcano. Myths say that the buddhist monks have been going on top of the hill and offering prayers to the volcano to keep it calm. There is also a Rock Garden just few kilometers up from the town on the way to Samdruptse. Sikkim Best Home Stay Dong Busty Home Stay just 8km away from Namchi Bazar. The Rock Garden displays a wide variety of Flora and is a local recreation and picnic spot. It offers a magnificent view of Mt. Kanchendzonga (aka Mt. Kangchenjunga, the world's third highest peak). Recently inaugurated (November 2011) Siddhesvara Dham is a unique pilgrimage tourism venture of the Sikkim Government developed as “Pilgrim cum Cultural Centre” having a 26,52 m statue of Lord Shiva and replicas of four Dhams of the country at one place at Solophok hilltop in Namchi. The four most revered Dhams of the Hindus Jagannath, Dwarika, Rameshawaram, Badrinath have been replicated in this fantastic complex to benefit the devotees and tourists. The dream project of Chief Minister Pawan Chamling which was conceived by him and started in the year 2005 stands promisingly amidst the breadth taking surrounding of Solophok hill, befitting the mythological setting behind the establishment of the original Dhams. For the consecration of the Dham Shri Jagadguru Sankaryacharya Swami Swarupananda Saraswati in the presence of the Chief Minister Shri Pawan Chamling and his wife Smt Tika Maya Chamling did the “Pran Prastisha” of the Dham. There are replicas of the “Dwadash Jyotirlingas” (the twelve jyothirlinga) of Somnath, Mallikarjuna, Mahakaleswar, Omkareshwar, Kedarnath, Bhimashankar, Viswanath, Triambakeshwar, Vaidyanath, Nageswar, Rameshwar at Rameswaram and Grishneshwar surrounding the statue of Lord Shiva and the Char Dhams. There is a grand statue of Kirateshvar Mahadev and a temple of Shirdi Sai Baba too. One can have a view of the Mt Kanchenjunga, Statue of Guru Padmasambhava at Samdruptse, Darjeeling and other such locations from here. The Dham has stay facility for the devotees at “Yatri Niwas” which can accommodate more than 90 people at a time. The Dham has won the National Tourism Awards 2010–11 under the category of “Most Innovative/Unique Tourism Project” by the Ministry of Tourism, Government of India. A helipad is located 5 km away from town at an altitude of around 1524 m. From here one can get the most panoramic view of Mt. Kanchanzonga with the surrounding mountain a part of Darjeeling Kalimgpong and the rolling plains of Bengal. The visitors can savour the view of temi tea garden the one and the only tea estate in the state which produces top quality tea in the international market.

 

Near the town, Sikkim's sole tea estate — the Temi Tea Garden is situated. The tea carries a premium the world over and costs around Rs. 800/- a kg. The tea is marked by its exotic odour and flavour.

 

In the month of February, the Namchi garden hosts it annual flower show. The flower show is the largest in Sikkim with flowers in a riot of colours. The prime attraction of this show is the display of exotic and rare orchids.

 

One of the highlights of the town is the football stadium – the Baichung Stadium built by the Sikkimese government in honour of its most famous citizen, footballer Baichung Bhutia. "The Gold Cup" football tournament is held in Bhaichung Stadium almost every year. Football teams from all over India, Nepal, Bangladesh and Bhutan vie for the honour which draws lot of crowds from all over Sikkim. Namchi is also the base of the chief minister of Sikkim, Pawan Kumar Chamling.

 

Historically, Namchi was the place where Pende Ongmoo, the trecherous princess who poisoned one of the Chogyals of Sikkim, was caught and killed for her deed. Legend says her spirit still haunts the foothills of Ghurpisey.

 

WIKIPEDIA

Pushkar (Hindi: पुष्कर) is a town in the Ajmer district in the Indian state of Rajasthan. It is situated 14 km northwest of Ajmer at an average elevation of 510 m and is one of the five sacred dhams (pilgrimage site) for devout Hindus. According to Hindu theology, the pond at the Katas Raj temple Near Choa Saidan Shah in Chakwal District of Pakistan has a theological association with Shiva; it was formed by the tears of Lord Shiva which he is believed to have shed after the death of his wife, Sati. The story goes that when Sati died, Shiva cried so much and for so long, that his tears created two holy ponds – one at Pushkara in Ajmer in India and the other at Ketaksha, which literally means raining eyes, in Sanskrit. It is from this name that the word Katas is derived. It is often called "Tirth Raj" – the king of pilgrimage sites – and has in recent years become a popular destination for foreign tourists.

 

Pushkar is one of the oldest existing cities of India. It lies on the shore of Pushkar Lake. The date of its actual origin is not known, but legend associates Brahma with its creation.

 

Pushkar has many temples. Most of the temples are not very old because many temples were destroyed during Muslim conquests in the area. Subsequently, the destroyed temples were rebuilt. The most famous among all is the Brahma Temple built during the 14th century CE. Very few temples to Lord Brahma exist anywhere in the world. Other temples of Brahma include Bithoor in Uttar Pradesh, India; Khedbrahma in Gujarat, India; village Asotra near Balotra city of Barmer district in Rajasthan; Uttamar Kovil (one of the Divya Desams) near Srirangam, Tamil Nadu; Mother Temple of Besakih in Bali, Indonesia; and Prambanan in Yogyakarta, Indonesia. The Pushkar lake has 52 ghats where pilgrims descend to the lake to bathe in the sacred waters.

 

Pushkar is also famous for its annual fair (Pushkar Camel Fair) held in November.

 

ETYMOLOGY

Pushkar in Sanskrit means blue lotus flower. Hindus believe that the gods released a swan with a lotus in its beak and let it fall on earth where Brahma would perform a grand yagna. The place where the lotus fell was called Pushkar. Pushkar word may be derived from word 'Pushkarni'means- lake. It may be derived from word Pushpa means flower and Kar means hand.

 

HISTORY

Pushkar is one of the oldest cities of India. The date of its actual founding is not known, but legend associates Brahma with its creation.

 

According to legend, Brahma was in search of a place for Mahayagna and he found this place suitable. After a long time, Brahma came to known that a demon, Vajranash, was killing people here so the Lord intoned a mantra on a lotus flower and killed the demon. During this process the parts of flower fell on three places which were later known as Jyaistha, Madhya and Kanistha Pushkar. After this Brahma performed a yagna to protect this place from demons. The consort of Brahma, Saraswati, were needed to offer Ahuti for the yagna but she was not there that time so Gayatri, a Gurjar girl, was married to brahma and performned yagna. This act made first wife of Brahma, Saraswati, angry and she cursed Brahma saying that he would be worshiped in Pushkar only.

 

The Mahabharata says that while laying down a programme for Maharaja Yudhishthara’s travel, “Maharaja after entering the Jungles of Sind and crossing the small rivers on the way should bathe in Pushkara". And, as per Vaman Purana, Prahlada on his pilgrimage to holy places visited Pushkarayana.

 

A Gurjara Pratihara ruler of Mandore, Nahadarava, restored this tirtha in the seventh century. He got the place cleared and the lake restored by making an embankment on the side of the river Luni. He rebuilt old palaces and built twelve dharmashalas (resting places) and ghats on three sides of the lake.

 

According to Rajputana Gazetteer Pushkar was held by Chechi Gurjars until about 700 years ago.Later Some shrines were occupied by Kanphati Jogis.

 

There are still priests from the Gurjar community in Pushkar temple, known as Bhopas.

 

The sage Parasara is said to have been born here. His descendants, called Parasara Brahamanas, are found in Pushkar and the surrounding area. The famous temple of Jeenmata has been cared for by Parasara Brahmans for the last 1,000 years.

 

It is also the venue of the annual Pushkar Camel Fair. In 1901, the town was part of the Rajputana Agency had a population of 3,831.

 

PUSHKAR FAIR

Pushkar fair continues for five days and these five days are a period of relaxation and merry-making for the villagers. This fair time is the most busy time for them, as this is one of the largest cattle fairs in the country. Animals, including over 50,000 camels, are brought from miles around to be traded and sold. Trading is brisk as several thousand heads of cattle exchange hands. All the camels are cleaned, washed, adorned, some are interestingly shorn to form patterns, and special stalls are set up selling finery and jewellery for the camels. Camels at the Pushkar fair are decorated with great care. They wear jewellery of silver and beads. There are silver bells and bangles around their ankles that jangle when they walk. An interesting ritual is the piercing of a camel's nose. It has more than 400 temples including the only one temple in India dedicated to the Hindu God Lord Brahma, the Creator of the Universe.

 

According to Indian mythology, after visiting all the Hindu pilgrim towns and temples (Four Dhams), if Pushkar is not visited for worship, then salvation is not achieved. According to the Hindu calendar Pushkar Fair commences in Nawami (ninth day of fortnightly phases of moon) and ends in Purnima (Full Moon) in the month of Kartika (October or November according to the lunar calendar). In Pushkar, one of the biggest Cattle Fair is also held for trading purposes and the best cattle in all categories are awarded. Countless people in their colourful attire gather to take a dip in the Holy Lake and pray to the deities. The whole town comes alive with vibrant folk music and dances, magic shows, horse and camel races and various other traditional entertainment competitions.Pushkar, with more than 12 local fairs and festivals of 10–15 days duration is a year round destination. It is a mellow town by the great lake of Pushkar amidst the perfume of jasmine and rose flowers. About 4,000 to 6,000 visitors from all over the world come to Pushkar everyday.

 

PUSHKAR LAKE

The prime attraction of Pushkar is the Pushkar Lake which is considered sacred like the Mansarovar Lake in Tibet. Pushkar has become a place of Hindu pilgrimage because of this holy lake. Legend has it that this lake was consecrated to Lord Brahma, the creator of the universe when a lotus dropped from his hand into the vale and a lake emerged in that place.

 

BRAHMA TEMPLE

The most important temple in Pushkar is the Temple of Lord Brahma, one of the holy trinity of Hinduism. The temple enshrines a life-size idol of Lord Brahma.

 

SAVITRI TEMPLE

This temple that is located at the top of the Ratnagiri Hill is dedicated to Savitri, the wife of Lord Brahma. The temple houses a statue of Goddess Savitri.

 

WIKIPEDIA

Average HoN player.

With an average total flow of 630 million m3 per year, this With an average total flow of 630 million m3 per year, this source is the first in Europe, and one of the most important in the world, in terms of its volume of runoff. It is the result of the emergence of a huge underground network.

The Latin name of this valley is: "Vallis clausa", which means "the closed valley", at the bottom of which mysteriously rises the river La Sorgue which gave its name to the village (attested from the 10th century. In official texts) .

An enchanting site The Fontaine de Vaucluse continues to intrigue and attract visitors.

-------------------------------------

Avec un écoulement total moyen de 630 millions de m3 par an, cette source est la première d’Europe, et une des plus importantes au niveau mondial, par son volume d’eau écoulé. Elle résulte de l’émergence d’un immense réseau souterrain.

Le nom latin de cette vallée est : « Vallis clausa », qui signifie "la Vallée close", au fond de laquelle surgit mystérieusement la rivière La Sorgue qui a donné son nom au village (attesté dès le Xe sècle. dans les textes officiels).

Un site enchanteur La Fontaine de Vaucluse ne cesse d’intriguer et d’attirer les visiteurs.

------------------------------------

Filmé avec Sony ILCE-7M3 - le 3 décembre 2019

Optique : Sony FE - 24-105 - F4

Montage, étalonnage et export en 4K avec Final CutProX

 

Polly, Nicole's brother...being the teen he is.

This map was created by an anthropology/genealogy blogger, who took between 10 and 24 photos of athletes from each of these European countries and mathematically averaged them to come up with what an "average" person (er, average male athlete) from that country would look like.

 

His blog entry is here:

 

dienekes.blogspot.com/2006/03/geography-of-european-pheno...

Solang valley is located at an average altitude of 2,560 meters above sea level. It is one of the most favorite trekking hotspots of the tourists, holidaying in Manali, Himachal Pradesh, India. Solang Valley offers majestic views of glaciers and snow capped mountain.

this too was a tight spot, I crammed it in too much then didn't bother to rectify the mark up....

austin texas superstar

Baddesley Clinton is not one the grandest of houses, nor is it filled with rare works of art, but having been owned by one family, the Ferrers, since the 16th century and maintained largely intact and original, it is a rare example of the average early-modern home of the lesser gentry. Unlike such mansions as nearby Coughton Court, Baddesley Clinton is relatively small, even cozy, and one can easily imagine the life of the people who lived here. It is best known for being the home of the Jesuit Henry Garnet for almost 14 years, and the existence of several priest hides conceived and built by Nicholas Owen.

 

The Clintons settled here in the thirteenth century, when it was called just Baddesley, and added their name to the place. They were responsible for the digging of the moat that you see above. It was eventually sold in 1438 to John Brome, a wealthy lawyer, and the Bromes built most of the east and west sides of the house.

 

John Brome was the Under Treasurer of England but a Lancastrian, and when Henry VI was deposed in 1461 by the Yorkist claimant Edward IV, Brome lost all of his court appointments. He later quarreled with John Herthill, Steward to Richard "the Kingmaker", Earl of Warwick, and Herthill murdered him in 1468 on the porch of the Whitefriars Church in London. Brome's second son, Nicholas, who inherited the estate, eventually avenged his father's murder by killing Herthill in 1471.

 

Nicholas Brome seems to have had a taste for violence. According to Henry Ferrers, a later owner of the house, it was soon after inheriting Baddesley Clinton that Nicholas 'slew the minister of Baddesley Church findinge him in his plor (parlour) chockinge his wife under ye chinne, and to expiatt these bloody offenses and crimes he built the steeple and raysed the church body ten foote higher". He was pardoned for this killing by both the King and the Pope. Nicholas seems also to have developed a taste for building, and is thought to have been responsible for the building of much of the earliest part of the house. Baddesley Clinton passed into the hands of the Ferrers family in 1517, through the marriage of Nicholas Brome's daughter, Constance, to Sir Edward Ferrers.

 

The most interesting of the Ferrers is Henry Ferrers (1549-1633), the great-grandson of Sir Edward Ferrers, and contemporary with the times of the Gunpowder Plot. He inherited the property in 1564, and lived through the reigns of Edward VI, Mary I, Elizabeth I and James I, dying in the reign of Charles I. He carried out extensive building, including the wing that contains the Great Hall, as well as adding the Great Parlour above the existing entranceway. He also installed much oak paneling and mantels that are still there as well.

 

Henry Ferrers was an antiquarian, and spent a lifetime collecting historical information, much of which was later used by Sir William Dugdale in the 'Antiquities of Warwickshire'. This interest of his can be seen by the enormous amount of heraldic glass and devices throughout the house. He was trained in the law, and admitted to the Middle Temple in 1572. He may also have served a term as an MP for Cirencester in 1593.

 

After the death of Henry Ferrers, the fortunes of the Ferrers family fluctuated through periods of heavy taxation such as during the Civil War and in the early eighteenth century, followed by attempts by some generations to maintain and improve the property in better times. The last Ferrers in the direct male line, Marmion Edward Ferrers (1813-1884), was so poor that Lady Chatterton, the aunt of his wife Rebecca, and her husband, Edward Heneage Deering, had to come and live with him to share the expense. These two were only married because of a misunderstanding. It is said that Deering came to Lady Chatterly to ask permission to pay address to her niece, but she thought it was a proposal to her, and accepted. Deering, although she was old enough to be his mother, was too chivalrous to set the story straight!

 

The estate passed down through Marmion Edward Ferrer's nephew through several relatives, and it was Mr. Thomas Ferrers-Walker who eventually sold the house to the Government, after which it became part of the National Trust. The Ferrers Archive is kept at the Shakespeare Birthplace Trust in Stratford-upon-Avon.

 

Henry Ferrers was also a devout Catholic, but a cautious one and was never convicted for recusancy. He must have been aware of the activities of the Vaux sisters, who rented the house from him in the 1590's in order to secretly shelter Father Henry Garnet and other priests, and to be able to conduct catholic services. Soon after they rented the house, Anne Vaux had Nicholas Owen build secret hiding places, including one created out of the sewer and the moat.

 

A spectacular raid on Baddesley in October 1591 was recorded both by Father John Gerard in his Autobiography of an Elizabethan, and also by Father Henry Garnet in a letter to his Jesuit superior, Aquaviva. Several priests, including Garnet and Gerard, as well as lay assistants had risen early and were preparing to leave the house, when it was surrounded and all the approach roads blocked by pursuviants. The stable-boys, knowing that so many horses saddled and ready to go would be suspicious, armed themselves with farm implements and blocked the pursuviants attempt at violent entry. This bought some time for those inside the house, as the pursuviants had to resort to requests, and led them to believe that the lady of the house had not yet arisen. Those outside had to wait patiently, albeit not quietly, while those inside were quickly hiding away the priests, Catholic vestments, and all other signs of the presence of a Catholic priest, including the overturning of their mattresses so that the pursuviants could not feel the warmth.

 

The priests stood in the hiding place in the moat, ankle-deep in cold water for over four hours while the pursuviants tore through the house, although their attempts at intimidation seemed to have far outweighed their skills in searching. Anne Vaux said "here was a searcher pounding the walls in unbelievable fury, there another shifting side-tables, turning over beds. Yet, when any of them touched with their hand or foot the actual place where some sacred object was hidden, he paid not the slightest attention to the most obvious evidence of a contrivance."

 

The searchers turned up nothing, and eventually left after being paid off by Anne Vaux with twelve gold pieces. As Gerard later said, "Yes, that is the pitiful lot of Catholics when men come with a warrant ... it is the Catholics, not the men who send them, who have to pay. As if it were not enough to suffer, they have to pay for their suffering."

 

You can still inspect these hiding places today, and we must say they are not for those who are claustrophobic or faint of heart. Until you actually see them, it is hard to imagine the cramped, damp, dark and tomb-like conditions these priests endured.

 

The first of these is a lath and plaster hutch in the roof above a closet off the bedroom in the gatehouse block. It measures six feet three inches by four feet, and is three feet nine inches high. It contains two wooden benches and is lined with fine hair-plaster.

 

In the corner of the kitchen, where a garderobe once existed, you can see through to the medieval drain where the hiding place used by Father Gerard and Father Garnet was located. At the time, this could only be accessed through the garderobe shaft in the floor of the Sacristy above. A hiding space beneath the floor of the Library was accessed through the fireplace in the Great Parlour, and can now be viewed from the Moat Room. It was in the Library Room that Nicholas Brome was said to have murdered the priest, and it is reputed to be haunted.

 

For an excellent account of the priest holes and the work of Nicholas Owen at Baddesley Clinton, the article Elizabethan Priest Holes : III - East Anglia, Baddesley Clinton, Hindlip by Michael Hodgetts, and published in Recusant History, is a must read.

 

The house itself consists almost entirely of building done by either the Bromes in the fifteenth century or by Henry Ferrers in the sixteenth, and although much repair and alteration work has been carried out inside the house, the panelling, fireplaces and heraldic glass throughout the house all date from the work of Henry Ferrers.

Originally quadrangular in shape, the property today consists of only three blocks, the east including the gatehouse and the Great Parlour, the south containing the Hall, and the west containing the kitchen. The gatehouse and kitchen wing are of grey sandstone, whereas the Hall, which was reconstructed in the 18th century, is of brick.

 

The crenellated gatehouse is one of the house's most interesting features. The lower part with the gun ports was built by Nicholas Brome in the late fifteenth century, and is thought originally to have had a drawbridge. The upper part was re-formed by Henry Ferrers to accommodate the Great Parlour. The brick bridge was built in the early eighteenth century, and the crenelations added in the nineteenth century. The massive carved oak door in the gatehouse leading through to the courtyard dates from Nicholas Brome.

 

The present owners are still undertaking restoration work to enable all the documented priest hides and trapdoors to be made available for viewing, this work includes part of the moat tunnel complex that is presently plugged in order to prevent midges from penetrating into the Sacristy and bedrooms

 

Baddesley Clinton, although still a private dwelling was sold to the Government and passed to the National Trust in 1980 and opened to the public in 1982.

 

The above was copied from "The gunpowder plot" website.

 

Great to place to visit. If only there had been some sun!

 

NON HINDUS

ARE NOT ALLOWED INSIDE THE TEMPLE

 

Lingaraj Temple is a Hindu temple dedicated to Harihara, a form of Shiva and is one of the oldest temples in Bhubaneswar, the capital of the East Indian state of Odisha (formerly Orissa). The temple is the most prominent landmark of the Bhubaneswar city and one of the major tourist attractions of the state.

 

The Lingaraj temple is the largest temple in Bhubaneswar. The central tower of the temple is 55 m tall. The temple represents the quintessence of the Kalinga Architecture and culminates the medieval stages of the architectural tradition at Bhubaneswar. The temple is believed to be built by the kings from the Somavamsi dynasty, with later additions from the Ganga rulers. The temple is built in the Deula style that has four components namely, vimana (structure containing the sanctum), jagamohana (assembly hall), natamandira (festival hall) and bhoga-mandapa (hall of offerings), each increasing in the height to its predecessor. The temple complex has 50 other shrines and is enclosed by a large compound wall.

 

Bhubaneswar is called the Ekamra Kshetra as the deity of Lingaraj was originally under a mango tree (Ekamra) as noted in Ekamra Purana, a 13th-century Sanskrit treatise. The temple is active in worship practises, unlike most other temples in Bhubaneswar and Shiva is worshipped as Harihara, a combined form of Vishnu and Shiva. The temple has images of Vishnu, possibly because of the rising prominence of Jagannath cult emnating from the Ganga rulers who built the Jagannath Temple in Puri in the 12th century.

 

Lingaraj temple is maintained by the Temple Trust Board and the Archeological Survey of India (ASI). The temple has an average of 6,000 visitors per day and receives lakhs of visitors during festivals. Shivaratri festival is the major festival celebrated in the temple and event during 2012 witnessed 200,000 visitors.

 

HISTORY

Lingaraj means "The king of Lingam", the symbol of Saivism. Shiva was worshipped as Kirtivasa and later as Harihara and is commonly referred as Tribhuvaneshwara (also called Bhubaneswar), the master of three worlds, namely, heaven, earth and netherworld). His consort is called Bhuvaneshvari.

 

The temple is more than 1100 years old, dating back in its present form to the last decade of the eleventh century, though there is evidence that part of the temple was built during the sixth century CE as the temple has been emphasized in some of the seventh century Sanskrit texts. Fergusson believes the temple might have been initiated by Lelat Indra Kesari who reigned from 615 to 657 CE. The Assembly hall (jagamohana), sanctum and temple tower wer built during the eleventh century, while the Hall of offering (bhoga-mandapa) was built during the twelfth century. The natamandira was built by the wife of Salini between 1099 and 1104 CE. By the time the Lingaraj temple was completely constructed, the Jagannath (form of Vishnu) cult had been growing in the region, which historians believe is evidenced by the co-existence of Vishnu and Shiva worship at the temple. The Ganga dynasty kings were ardent followers of Vaishnavism and built the Jagannath Temple at Puri in the 12th century.

 

The temple is believed to be built by the Somavanshi king Jajati Keshari, in 11th century CE. Jajati Keshari had shifted his capital from Jajpur to Bhubaneswar which was referred to as Ekamra Kshetra in the Brahma Purana, an ancient scripture. One of the Somavamsi queens donated a village to the temple and the Brahmins attached to the temple received generous grants. An inscription from the Saka year 1094 (1172 CE) indicates gifts of gold coins to the temple by Rajaraja II. Another inscription of Narasimha I from the 11th century indicates offer of beetel leaves as tambula to the presiding deity. Other stone inscriptions in the temple indicate royal grants from Chodaganga to village people.

 

ARCHITECTURE

The Lingaraj temple is the largest temple in Bhubaneswar. James Ferugsson (1808–86), a noted critic and historian, rated the temple as "one of the finest examples of purely Hindu temple in India". It is enshrined within a spacious compound wall of laterite measuring 160 m by 142 m. The wall is 2.3 m thick and surmounted by a plain slant coping. Alongside the inner face of the boundary wall, there is a terrace to protect the compound wall against outside aggression. The tower is 55 m high and the complex has 150 smaller shrines in its spacious courtyard. Each inch of the 55 m tall tower is sculpted. The door in the gate of the entrance porch is made of sandalwood.

 

The Lingaraja temple faces east and is built of sandstone and laterite. The main entrance is located in the east, while there are small entrances in the north and south. The temple is built in the Deula style that has four components namely, vimana (structure containing the sanctum), jagamohana (assembly hall), natamandira (festival hall) and bhoga-mandapa (hall of offerings). The dance hall was associated with the raising prominence of the devadasi system that existed during the time. The various units from the Hall of offering to the tower of the sanctum increase in height.

 

The bhogamandapa (Hall of offering) measures 13 m by 13 m from the inside, 17.15 m by 17.25 m from the outside and has four doors in each of the sides. The exterior walls of the hall has decorative sculptures of men and beast. The hall has a pyramidal roof made of up several horizontal layers arranged in sets of two with intervening platform. It bears an inverted bell and a kalasa in the top. The natamandira (festival hall) measures 12 m by 12 m from the inside, 15 m by 15 m from the outside, has one main entrance and two side entrances. The side walls of the hall has decortive sculptures displaying women and couples. It has a flat roof sloping in stages. There are thick pylons inside the hall. The jagamohana (assembly hall) measures 11 m by 9.1 m from the inside, 17 m by 15 m from the outside, entrances from south and north and has a 30 metres tall roof. The hall has a pyramidal roof made of up several horizontal layers arranged in sets of two with intervening platform as in the Hall of offering. The facade to the entrances are decorated with perforated windows with lion sitting on hind legs. The inverted bell above second unit is adorned by kalasa and lions. The rekha deula has a 60 m tall pyramidal tower over the sanctum and measures 6.7 m from the inside, 16 m from the outside over the sanctum. It is covered with decorative design and seated lion projecting from the walls. The sanctum is square in shape from the inside. The tower walls are sculpted with female figures in different poses.

 

RELIGIOUS SIGNIFICANCE

Bhubaneswar is called the Ekamra Kshetra as the deity of Lingaraj was originally under a mango tree (Ekamra). Ekamra Purana, a Sanskrit treatise of the 13th century mentions that the presiding deity was not seen as lingam (an aniconic form of Shiva) during the Satya and Treta yugas and only during the Dwapara and Kali yugas, it emerged as a lingam. The lingam in the temple is a natural unshaped stone that rests on a Sakti. Such a lingam is called Krutibasa or Swayambhu and is found in 64 places in different parts of India. With the advent of the Ganga dynasty in the early 12th century, who had Vaishnavaite orientation, a new movement started resulting in the synthesis of Saivism and Vaishnavism. The Ekamra was associated with Vaishanavite gods Krishna and Balaram during the period. It is attributed the raising prominence of Jagannath cult that became predominant during the construction of the temple. The Ganges remodelled the temple and introduced certain Vaishnavite elements like images of Vaishnava Dwarapalas namely Jaya and Prachanda, Jagannatha, Lakshmi Narayan and Garuda were installed. Tulsi leaves, which are favoured by Vishnu, was used along with Bela leaves for the worship of Lingaraj. Lingaraja was thus came to be known as Harihara, a combination of Shiva and Vishnu. The flag of the temple was fixed to a Pinaka bow instead of trident usually found in Shiva temples. The temple priests also changed the mark in their forehead from horizontal to a "U" sign with a dotted middle line. The Ganges also introduced certain fairs like Swing festival, Sun worship and mock quarell between priests after chariot festival, similar to the practises in Jagannath Temple in Puri. The influence of the Ganges dynasty has led to a cosmopolitan culture, that has reduced the status of Lingaraja temple as a distinct Saivite shrine.

 

FESTIVAL & WORSHIP PRACTISES

As per Hindu legend, an underground river originating from the Lingaraj temple fills the Bindusagar Tank (meaning ocean drop) and the water is believed to heal physical and spiritual illness. The water from the tank is thus treated sacred and pilgrims take a holy dip during festive occasions. The central deity of the temple, Lingaraj, is worshipped both as Shiva and Vishnu. The harmony between the two sects of Hinduism, Saivism and Vaishanvism, is seen in this temple where the deity is worshipped as Harihara, a combined form of Vishnu and Shiva.

 

Shivaratri is the main festival celebrated annually in Phalgun month when thousands of devotees visit the temple. Apart from a full day of fasting, bel leaves are offered to Lingaraj on this auspicious day. The main celebrations take place at night when devotees pray all night long. The devout usually break their fast after the Mahadipa (a huge lamp) is lit on the spire of the temple. Every year the chariot festival (Ratha-Yatra) of Lingaraja is celebrated on Ashokashtami. The deity is taken in a chariot to Rameshwar Deula temple. Thousands of devotees follow and pull brightly decorated chariots containing the idols of Lingaraj and his sister Rukmani. This chariot procession stays for five days at the Rameshwar Temple and then will be brought back. This festival commemorates Lord Lingaraj having slayed a demon. Thousands of bol bom pilgrims carry water from river Mahanadi and walk all the way to the temple during the month of Shravana every year. Sunian day is observed from royal times in the month of Bhandra, a day when temple servants, peasants and other holders of temple lands offer loyalty and tribute to Lingaraja. Candan Yatra (Sandalwood ceremony) is a 22-day festival celebrated in the temple when servants of the temple disport themselves in a specially made barge in Bindusagar tank. The deities and servants of the temples are anointed with sandalwood paste to protect from heat. Dances, communal feasts and merrymaking are arranged by the people associated with the temple.

 

The Lingaraja temple is active in worship practises, unlike the other ancient temples of Bhubaneshwar which are not active worship centres. Non Hindus are not allowed inside the temple, but it can be viewed from the viewing platform located outside the temple. The viewing platform and the back of the temple can be reached via a lineway located to the right of the main entrance of the temple. Sanctity of the temple is maitained by disallowing dogs, unbathed visitors, menstruating women and families that encountered birth or death in the preceding 12 days. In case of a foreign tresspass, the temple follows a purification ritual and dumping of prasad (food offering) in a well.

 

RELIGIOUS PRACTICES

The image of Lingaraja is abluted with water (called mahasnana) several times a day and decorated with flowers, sandal paste and cloth. Hemlock or hemlock flowers which are generally offered in other Shiva temples is not allowed in the Lingaraja temple. Bilva leaves (Aegle marmelos) and tulasi (Ocimum sanctum) are used in daily worship. Offerings of cooked rice, curries and sweet-meats are displayed in the bhogamandapa (hall of offering) and the divinity is invoked to accept them amidst scores of chanting of Sanskrit texts. Coconut, ripe plantains and kora-khai are generally offered to Lingaraja by the pilgrims. Bhang beverage is offered to Lingaraja by some devotees especially on the day of Pana Sankranti (Oriya new year).

 

The Lingaraja temple is open from 6 a.m. to about 9 p.m. and is intermittently closed during bhoga (food offering) to the deity. During early morning, lamps in the cella are lit to awaken Lingaraja from his sleep, ablution is performed, followed by adoration and arati (waving of light). The temple is closed at about 12 p.m. until about 3.30 P.M. A ceremony known as Mahasnana (ablution) is performed once the doors are closed, followed by pouring of Panchamrita (a mixture of milk, curdled milk, clarified butter, honey and ghee) upon the deity for purification. At about 1 P.M., a ripe plantain is divided into two, one half is offered to Sun god and the other half to Dwarapala (the guarding deities in the doorway). Between 1.00 and 1.30 P.M. the food offering called Ballabha Bhoga (breakfast containing curdled milk, curd and vegetables) is offered to the deity. The consecrated food is carried to the temple of Parvati and placed before her as an offering, a practice commonly observed by the orthodox Hindu housewives. At about 2 P.M., the Sakala Dhupa (morning's offering of food) takes place. After the food is offered to Lingaraja, the offerings are carried to the temple of Parvati to serve her. An offering called Bhanda Dhupa is carried out at 3.30 P.M. at the hall of offering. This food is later offered by the inmates to the pilgrims as Mahaprasad.

 

A light refreshment known as Ballabha Dhupa is offered to the deity at around 4.30 P.M. At around 5 P.M., Dwipahar Dhupa (mid day meal) is offered. At around 7 P.M., another offering called Palia Badu is placed before the deity. Sandhya arati (waving of lights in the evening) is performed during that time. Another light meal called Sahana Dhupa is offered at around 8:30 P.M. After the meals, the ceremony of waving light (arati) is performed before the deity. At 9.30 P.M, the last service of the day, Bada Singara (the great decoration) is performed when the deity is decorated with flowers and ornaments after which a light food offering is made. A wooden palanquin is laid in the room, incense is lighted, drinking water is served and prepared betel is placed. Panchabaktra Mahadeva comes to the palanquin and returns to his own abode after the arati is performed. This is a bronze image of Mahadeva having five faces and Parvati in his lap. Each of these ceremonies is accompanied by ritual observances and recitations of mantras (Sanskrit texts) specified for each occasion.

 

TEMPLE STAFF & ADMINISTRATION

King Jajati Keshari, believed to be the founder of the Lingaraja temple, deputed Dravidian Brahmins as temple priests over the local Brahmins on account of their increased knowledge of Saivism. The focus was to enhance the temple practises from tribal rites to Sanskritic. While the exact number of castes involved in the nijogas (practises) is not known, Brahmins, tribal worshippers and inmates from Untouchable castes are believed to be part of the setup. Bose (1958) identified 41 services with the involvement of 22 separate castes and Mahaptra (1978) identified 30 services. It is understood from the records that kings and temple managers of different times introduced or discontinued certain services, fairs, offerings and caste-centred core services during their regime. As of 2012, the temple practised 36 different services (nijogas).

 

In modern times, the Lingaraja temple priests are from two communities, namely Brahman Nijog and Badu Nijog. The Badu are non-Brahmin servant groups, whose origin is not ascertained due to unavailability of authentic records, while they are described as Vadu in chapter 62 of the Ekamrapurana. The caste group of Badu is called Niyoga, which elects the officers every year during the Sandalwood festival. Every Badu undergoes three distinct rites, namely, ear-piercing, marriage and god-touching. Historically, the Badus performed five different temple duties - Paliabadu and Pharaka, which were considered important and Pochha, Pahada and Khataseja, which were considered inferior. From 1962, only Paliabadu and Pharaka practises are followed and the others are discontinued. The Badus also carry out ablution and dressing of the images of Siddhaganesh and Gopalini. The temple is maintained by the Temple Trust Board and the Archeological Survey of India (ASI). The temple is guarded by security personnel deputed by the Police Commissioner of Bhubaneswar and security guards appointed by the temple administration. The temple has an average of 6,000 visitors every day and receives lakhs of visitors during festivals. The Shivaratri festival during 2012 witnessed 200,000 visitors. As of 2011, the annual income of Lingaraja temple from hundis (donation boxes) is around INR1.2 million per annum. Another INR4 million is collected annually from other sources like rents from shops, cycle stands and agriculture lands. Starting 2011, the temple charges an amount for six types of religious worship (special pujas) carried out by the devotees.

 

WIKIPEDIA

 

Pushkar (Hindi: पुष्कर) is a town in the Ajmer district in the Indian state of Rajasthan. It is situated 14 km northwest of Ajmer at an average elevation of 510 m and is one of the five sacred dhams (pilgrimage site) for devout Hindus. According to Hindu theology, the pond at the Katas Raj temple Near Choa Saidan Shah in Chakwal District of Pakistan has a theological association with Shiva; it was formed by the tears of Lord Shiva which he is believed to have shed after the death of his wife, Sati. The story goes that when Sati died, Shiva cried so much and for so long, that his tears created two holy ponds – one at Pushkara in Ajmer in India and the other at Ketaksha, which literally means raining eyes, in Sanskrit. It is from this name that the word Katas is derived. It is often called "Tirth Raj" – the king of pilgrimage sites – and has in recent years become a popular destination for foreign tourists.

 

Pushkar is one of the oldest existing cities of India. It lies on the shore of Pushkar Lake. The date of its actual origin is not known, but legend associates Brahma with its creation.

 

Pushkar has many temples. Most of the temples are not very old because MANY TEMPLES WERE DESTROYED DURING MUSLIM CONQUESTS in the area. Subsequently, the destroyed temples were rebuilt. The most famous among all is the Brahma Temple built during the 14th century CE. Very few temples to Lord Brahma exist anywhere in the world. Other temples of Brahma include Bithoor in Uttar Pradesh, India; Khedbrahma in Gujarat, India; village Asotra near Balotra city of Barmer district in Rajasthan; Uttamar Kovil (one of the Divya Desams) near Srirangam, Tamil Nadu; Mother Temple of Besakih in Bali, Indonesia; and Prambanan in Yogyakarta, Indonesia. The Pushkar lake has 52 ghats where pilgrims descend to the lake to bathe in the sacred waters.

 

Pushkar is also famous for its annual fair (Pushkar Camel Fair) held in November.

 

ETYMOLOGY

Pushkar in Sanskrit means blue lotus flower. Hindus believe that the gods released a swan with a lotus in its beak and let it fall on earth where Brahma would perform a grand yagna. The place where the lotus fell was called Pushkar. Pushkar word may be derived from word 'Pushkarni'means- lake. It may be derived from word Pushpa means flower and Kar means hand.

 

HISTORY

Pushkar is one of the oldest cities of India. The date of its actual founding is not known, but legend associates Brahma with its creation.

 

According to legend, Brahma was in search of a place for Mahayagna and he found this place suitable. After a long time, Brahma came to known that a demon, Vajranash, was killing people here so the Lord intoned a mantra on a lotus flower and killed the demon. During this process the parts of flower fell on three places which were later known as Jyaistha, Madhya and Kanistha Pushkar. After this Brahma performed a yagna to protect this place from demons. The consort of Brahma, Saraswati, were needed to offer Ahuti for the yagna but she was not there that time so Gayatri, a Gurjar girl, was married to brahma and performned yagna. This act made first wife of Brahma, Saraswati, angry and she cursed Brahma saying that he would be worshiped in Pushkar only.

 

The Mahabharata says that while laying down a programme for Maharaja Yudhishthara’s travel, “Maharaja after entering the Jungles of Sind and crossing the small rivers on the way should bathe in Pushkara". And, as per Vaman Purana, Prahlada on his pilgrimage to holy places visited Pushkarayana.

 

A Gurjara Pratihara ruler of Mandore, Nahadarava, restored this tirtha in the seventh century. He got the place cleared and the lake restored by making an embankment on the side of the river Luni. He rebuilt old palaces and built twelve dharmashalas (resting places) and ghats on three sides of the lake.

 

According to Rajputana Gazetteer Pushkar was held by Chechi Gurjars until about 700 years ago.Later Some shrines were occupied by Kanphati Jogis.

 

There are still priests from the Gurjar community in Pushkar temple, known as Bhopas.

 

The sage Parasara is said to have been born here. His descendants, called Parasara Brahamanas, are found in Pushkar and the surrounding area. The famous temple of Jeenmata has been cared for by Parasara Brahmans for the last 1,000 years.

 

It is also the venue of the annual Pushkar Camel Fair. In 1901, the town was part of the Rajputana Agency had a population of 3,831.

 

PUSHKAR FAIR

Pushkar fair continues for five days and these five days are a period of relaxation and merry-making for the villagers. This fair time is the most busy time for them, as this is one of the largest cattle fairs in the country. Animals, including over 50,000 camels, are brought from miles around to be traded and sold. Trading is brisk as several thousand heads of cattle exchange hands. All the camels are cleaned, washed, adorned, some are interestingly shorn to form patterns, and special stalls are set up selling finery and jewellery for the camels. Camels at the Pushkar fair are decorated with great care. They wear jewellery of silver and beads. There are silver bells and bangles around their ankles that jangle when they walk. An interesting ritual is the piercing of a camel's nose. It has more than 400 temples including the only one temple in India dedicated to the Hindu God Lord Brahma, the Creator of the Universe.

 

According to Indian mythology, after visiting all the Hindu pilgrim towns and temples (Four Dhams), if Pushkar is not visited for worship, then salvation is not achieved. According to the Hindu calendar Pushkar Fair commences in Nawami (ninth day of fortnightly phases of moon) and ends in Purnima (Full Moon) in the month of Kartika (October or November according to the lunar calendar). In Pushkar, one of the biggest Cattle Fair is also held for trading purposes and the best cattle in all categories are awarded. Countless people in their colourful attire gather to take a dip in the Holy Lake and pray to the deities. The whole town comes alive with vibrant folk music and dances, magic shows, horse and camel races and various other traditional entertainment competitions.Pushkar, with more than 12 local fairs and festivals of 10–15 days duration is a year round destination. It is a mellow town by the great lake of Pushkar amidst the perfume of jasmine and rose flowers. About 4,000 to 6,000 visitors from all over the world come to Pushkar everyday.

 

PUSHKAR LAKE

The prime attraction of Pushkar is the Pushkar Lake which is considered sacred like the Mansarovar Lake in Tibet. Pushkar has become a place of Hindu pilgrimage because of this holy lake. Legend has it that this lake was consecrated to Lord Brahma, the creator of the universe when a lotus dropped from his hand into the vale and a lake emerged in that place.

 

BRAHMA TEMPLE

The most important temple in Pushkar is the Temple of Lord Brahma, one of the holy trinity of Hinduism. The temple enshrines a life-size idol of Lord Brahma.

 

SAVITRI TEMPLE

This temple that is located at the top of the Ratnagiri Hill is dedicated to Savitri, the wife of Lord Brahma. The temple houses a statue of Goddess Savitri.

 

WIKIPEDIA

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