I really hope Deadpool has a cup as part of his armor. If not, he will be singing soprano. It is just me or does Han (Harley) have the most angry and determined look on her face?

@上野公園(Ueno Park, Tokyo)

Oh, I just had to take a photo of these colorful carnival prizes. And it looks like those aliens are attacking hulk. And where's his head? And the sunset is just a bonus. We did have fun at the carnival!

92203 Black Prince is going well half way up the bank from Weybourne and is seen passing a less than vertical fixed distance signal.

NNR Gala, 16.3.13

Pine Glades Lake, Everglades National Park, FL

Here's another shot from Saturday's sunset. For this shot I wanted to get a different angle.

For the most part of it, the lake is surrounded by trees and shrubbery that don't allow one to get close to the waters edge. But some people before me have been adventurous enough and there are some gaps between the trees. Unfortunately they weren't where I wanted to be.

So once at the water I carefully navigated a tree, trying not to slip and end up in the water. I set up my tripod, took a few shots turned round to get back where I came from when I felt something rather cold on my leg. My first thought was "frog" and I almost jumped, but thought better of it.

Feeling a bit stupid that my first thought was of a frog I figured it was just some branch or wet grass or whatever. There was as wet spot on my jeans after all. Back on save grounds there it was again... something cold on my leg. Grabbing my pant leg and giving it a shake a frog landed on the ground behind me shoe. Seriously!

We were a bit stunned but I am happy to report that we both survived the ordeal.

View on Fluidr | All My Photos on Fluidr

"A dragon, sir! Cried Rowan. "I see a dragon approaching from the west!"

"Go get the wizard" Came the calm reply. "He should be somewhere in the town."

He was evil. Pure evil.

Leica MP240 Titanium : Summilux 50 F1.4 [V2]

While visiting Senseless_, I became a crazy cat lady and attracted a bunch of neighborhood cats... this was was named Cupcake and was supercute, especially when he (yes, he) saw his reflection in my bumper and attacked.

Please comment and fave the main photo

Enjoy!

Summer Joust 12x12

In the year 858 AD the Vikings, with a fleet of more than 60 ships commanded by Hastings and Björn Jaernside, son of the legendary Ragnar Lodbrog, went around the Iberian peninsula, reached the village of Orihuela in eastern Spain and conquered its castle. At that historical moment most of the peninsula was dominated by Muslims who saw with disbelief the arrival of these northern warriors.

Based on this historical moment The Brickstons along with several friends of the LUG ALE built this diorama of the Vikings reaching a village in the south-east of Spain. The diorama was presented at the ALEBricks event held on June 2nd and 3rd, 2018.

The Brickstons Group: Alfonso Abeger (FonsoSac), Pepi Blas, Julio César Cedena, Domingo Hidalgo, Luis López, Emiliano Martínez (Legófito), Victor Martínez (Loko / Nouvilas) and their friends: César Ivan Acero, Luismi Bartolomé, Juan Manuel Boillos, Antonio J. Fernández (Lord Jerome), David Horcajada y David Valderrama have taken part in the diorama.

You can see all the photos inthe album Viking Attack

There is a video with the details: youtu.be/SXz05MJafDg

-----------------------------------------

En el año 858 d.C. los vikingos con una flota de más de 60 barcos al mando de Hastings y Björn Jaernside, hijo del legendario Ragnar Lodbrog, rodearon la península Ibérica, llegaron hasta la población de Orihuela en el este de España y tomaron su castillo. En ese momento histórico la mayor parte de la península estaba dominada por los musulmanes que veían con incredulidad la llegada de estos guerreros del norte.

Basándose este momento histórico Los Brickstons junto con varios amigos del LUG ALE construyen este diorama de los vikingos llegando a una población en el sur-este de España. El diorama fue presentado en el evento ALEBricks celebrado los días 2 y 3 de junio de 2018.

En el diorama han participado Los Brickstons: Alfonso Abeger (FonsoSac), Pepi Blas, Julio César Cedena, Domingo Hidalgo, Luis López, Emiliano Martínez (Legófito) y Victor Martínez (Loko / Nouvilas) y sus amigos: César Ivan Acero, Luismi Bartolomé, Juan Manuel Boillos, Antonio J. Fernández (Lord Jerome), David Horcajada y David Valderrama.

Puedes ver todas las fotos en el album Viking Attack

The Burgtheater at Dr.-Karl -Lueger-Ring (from now on, Universitätsring) in Vienna is an Austrian Federal Theatre. It is one of the most important stages in Europe and after the Comédie-Française, the second oldest European one, as well as the greatest German speaking theater. The original 'old' Burgtheater at Saint Michael's square was utilized from 1748 until the opening of the new building at the ring in October, 1888. The new house in 1945 burnt down completely as a result of bomb attacks, until the re-opening on 14 October 1955 was the Ronacher serving as temporary quarters. The Burgtheater is considered as Austrian National Theatre.

Throughout its history, the theater was bearing different names, first Imperial-Royal Theater next to the Castle, then to 1918 Imperial-Royal Court-Burgtheater and since then Burgtheater (Castle Theater). Especially in Vienna it is often referred to as "The Castle (Die Burg)", the ensemble members are known as Castle actors (Burgschauspieler).

History

St. Michael's Square with the old K.K. Theatre beside the castle (right) and the Winter Riding School of the Hofburg (left)

The interior of the Old Burgtheater, painted by Gustav Klimt. The people are represented in such detail that the identification is possible.

The 'old' Burgtheater at St. Michael's Square

The original castle theater was set up in a ball house that was built in the lower pleasure gardens of the Imperial Palace of the Roman-German King and later Emperor Ferdinand I in 1540, after the old house 1525 fell victim to a fire. Until the beginning of the 18th Century was played there the Jeu de Paume, a precursor of tennis. On 14 March 1741 finally gave the Empress Maria Theresa, ruling after the death of her father, which had ordered a general suspension of the theater, the "Entrepreneur of the Royal Court Opera" and lessees of 1708 built theater at Kärntnertor (Carinthian gate), Joseph Karl Selliers, permission to change the ballroom into a theater. Simultaneously, a new ball house was built in the immediate vicinity, which todays Ballhausplatz is bearing its name.

In 1748, the newly designed "theater next to the castle" was opened. 1756 major renovations were made, inter alia, a new rear wall was built. The Auditorium of the Old Burgtheater was still a solid timber construction and took about 1200 guests. The imperial family could reach her ​​royal box directly from the imperial quarters, the Burgtheater structurally being connected with them. At the old venue at Saint Michael's place were, inter alia, several works of Christoph Willibald Gluck, Ludwig van Beethoven, Wolfgang Amadeus Mozart as well as Franz Grillparzer premiered .

On 17 February 1776, Emperor Joseph II declared the theater to the German National Theatre (Teutsches Nationaltheater). It was he who ordered by decree that the stage plays should not deal with sad events for not bring the Imperial audience in a bad mood. Many theater plays for this reason had to be changed and provided with a Vienna Final (Happy End), such as Romeo and Juliet or Hamlet. From 1794 on, the theater was bearing the name K.K. Court Theatre next to the castle.

1798 the poet August von Kotzebue was appointed as head of the Burgtheater, but after discussions with the actors he left Vienna in 1799. Under German director Joseph Schreyvogel was introduced German instead of French and Italian as a new stage language.

On 12 October 1888 took place the last performance in the old house. The Burgtheater ensemble moved to the new venue at the Ring. The Old Burgtheater had to give way to the completion of Saint Michael's tract of Hofburg. The plans to this end had been drawn almost 200 years before the demolition of the old Burgtheater by Joseph Emanuel Fischer von Erlach.

The "new" K.K. Court Theatre (as the inscription reads today) at the Ring opposite the Town Hall, opened on 14 October 1888 with Grillparzer's Esther and Schiller's Wallenstein's Camp, was designed in neo-Baroque style by Gottfried Semper (plan) and Karl Freiherr von Hasenauer (facade), who had already designed the Imperial Forum in Vienna together. Construction began on 16 December 1874 and followed through 14 years, in which the architects quarreled. Already in 1876 Semper withdrew due to health problems to Rome and had Hasenauer realized his ideas alone, who in the dispute of the architects stood up for a mainly splendid designed grand lodges theater.

However, created the famous Viennese painter Gustav Klimt and his brother Ernst Klimt and Franz Matsch 1886-1888 the ceiling paintings in the two stairwells of the new theater. The three took over this task after similar commissioned work in the city theaters of Fiume and Karlovy Vary and in the Bucharest National Theatre. In the grand staircase on the side facing the café Landtmann of the Burgtheater (Archduke stairs) reproduced ​​Gustav Klimt the artists of the ancient theater in Taormina on Sicily, in the stairwell on the "People's Garden"-side (Kaiserstiege, because it was reserved for the emperor) the London Globe Theatre and the final scene from William Shakespeare's "Romeo and Juliet". Above the entrance to the auditorium is Molière's The Imaginary Invalid to discover. In the background the painter immortalized himself in the company of his two colleagues. Emperor Franz Joseph I liked the ceiling paintings so much that he gave the members of the company of artists of Klimt the Golden Cross of Merit.

The new building resembles externally the Dresden Semper Opera, but even more, due to the for the two theaters absolutely atypical cross wing with the ceremonial stairs, Semper's Munich project from the years 1865/1866 for a Richard Wagner Festspielhaus above the Isar. Above the middle section there is a loggia, which is framed by two side wings, and is divided from a stage house with a gable roof and auditorium with a tent roof. Above the center house there decorates a statue of Apollo the facade, throning between the Muses of drama and tragedy. Above the main entrances are located friezes with Bacchus and Ariadne. At the exterior facade round about, portrait busts of the poets Calderon, Shakespeare, Moliere, Schiller, Goethe, Lessing, Halm, Grillparzer, and Hebbel can be seen. The masks which also can be seen here are indicating the ancient theater, furthermore adorn allegorical representations the side wings: love, hate, humility, lust, selfishness, and heroism. Although the theater since 1919 is bearing the name of Burgtheater, the old inscription KK Hofburgtheater over the main entrance still exists. Some pictures of the old gallery of portraits have been hung up in the new building and can be seen still today - but these images were originally smaller, they had to be "extended" to make them work better in high space. The points of these "supplements" are visible as fine lines on the canvas.

The Burgtheater was initially well received by Viennese people due to its magnificent appearance and technical innovations such as electric lighting, but soon criticism because of the poor acoustics was increasing. Finally, in 1897 the auditorium was rebuilt to reduce the acoustic problems. The new theater was an important meeting place of social life and soon it was situated among the "sanctuaries" of Viennese people. In November 1918, the supervision over the theater was transferred from the High Steward of the emperor to the new state of German Austria.

1922/1923 the Academy Theatre was opened as a chamber play stage of the Burgtheater. On 8th May 1925, the Burgtheater went into Austria's criminal history, as here Mentscha Karnitschewa perpetrated a revolver assassination on Todor Panitza.

The Burgtheater in time of National Socialism

The National Socialist ideas also left traces in the history of the Burgtheater. In 1939 appeared in Adolf Luser Verlag the strongly anti-Semitic characterized book of theater scientist Heinz Kindermann "The Burgtheater. Heritage and mission of a national theater", in which he, among other things, analyzed the "Jewish influence "on the Burgtheater. On 14 October 1938 was on the occasion of the 50th anniversary of the opening of the Burgtheater a Don Carlos production of Karl-Heinz Stroux shown that served Hitler's ideology. The role of the Marquis of Posa played the same Ewald Balser, who in a different Don Carlos production a year earlier (by Heinz Hilpert) at the Deutsches Theater in the same role with the sentence in direction of Joseph Goebbels box vociferated: "just give freedom of thought". The actor and director Lothar Müthel, who was director of the Burgtheater between 1939 and 1945, staged 1943 the Merchant of Venice, in which Werner Kraus the Jew Shylock clearly anti-Semitic represented. The same director staged after the war Lessing's parable Nathan the Wise. Adolf Hitler himself visited during the Nazi regime the Burgtheater only once (1938), and later he refused in pure fear of an assassination.

For actors and theater staff who were classified according to the Reich Citizenship Law of 1935 as "Jews ", were quickly imposed stage bans, within a few days, they were on leave, fired or arrested. The Burgtheater ensemble ​​between 1938 and 1945 did not put up significant resistance against the Nazi ideology, the repertoire was heavily censored, only a few joined the Resistance, as Judith Holzmeister (then also at the People's Theatre engaged) or the actor Fritz Lehmann. Although Jewish members of the ensemble indeed have been helped to emigrate, was still an actor, Fritz Strassny, taken to a concentration camp and murdered there.

The Burgtheater at the end of the war and after the Second World War

In summer 1944, the Burgtheater had to be closed because of the decreed general theater suspension. From 1 April 1945, as the Red Army approached Vienna, camped a military unit in the house, a portion was used as an arsenal. In a bomb attack the house at the Ring was damaged and burned down on 12th April 1945 completely. Auditorium and stage were useless, only the steel structure remained. The ceiling paintings and part of the lobby were almost undamaged.

The Soviet occupying power expected from Viennese City Councillor Viktor Matejka to launch Vienna's cultural life as soon as possible again. The council summoned on 23 April (a state government did not yet exist) a meeting of all Viennese cultural workers into the Town Hall. Result of the discussions was that in late April 1945 eight cinemas and four theaters took up the operation again, including the Burgtheater. The house took over the Ronacher Theater, which was understood by many castle actors as "exile" as a temporary home (and remained there to 1955). This venue chose the newly appointed director Raoul Aslan, who championed particularly active.

The first performance after the Second World War was on 30 April 1945 Sappho by Franz Grillparzer directed by Adolf Rott from 1943 with Maria Eis in the title role. Also other productions from the Nazi era were resumed. With Paul Hoerbiger, a few days ago as Nazi prisoner still in mortal danger, was shown the play of Nestroy Mädl (Girlie) from the suburbs. The Academy Theatre could be played (the first performance was on 19 April 1945 Hedda Gabler, a production of Rott from the year 1941) and also in the ball room (Redoutensaal) at the Imperial Palace took place performances. Aslan the Ronacher in the summer had rebuilt because the stage was too small for classical performances. On 25 September 1945, Schiller's Maid of Orleans could be played on the enlarged stage.

The first new productions are associated with the name of Lothar Müthel: Everyone and Nathan the Wise, in both Raoul Aslan played the main role. The staging of The Merchant of Venice by Müthel in Nazi times seemed to have been fallen into oblivion.

Great pleasure gave the public the return of the in 1938 from the ensemble expelled Else Wohlgemuth on stage. She performaed after seven years in exile in December 1945 in Clare Biharys The other mother in the Academy Theater. 1951 opened the Burgtheater its doors for the first time, but only the left wing, where the celebrations on the 175th anniversary of the theater took place.

1948, a competition for the reconstruction was tendered: Josef Gielen, who was then director, first tended to support the design of ex aequo-ranked Otto Niedermoser, according to which the house was to be rebuilt into a modern gallery theater. Finally, he agreed but then for the project by Michael Engelhardt, whose plan was conservative but also cost effective. The character of the lodges theater was largely taken into account and maintained, the central royal box but has been replaced by two balconies, and with a new slanted ceiling construction in the audience was the acoustics, the shortcoming of the house, improved significantly.

On 14 October 1955 was happening under Adolf Rott the reopening of the restored house at the Ring. For this occasion Mozart's A Little Night Music was played. On 15 and on 16 October it was followed by the first performance (for reasons of space as a double premiere) in the restored theater: King Ottokar's Fortune and End of Franz Grillparzer, staged by Adolf Rott. A few months after the signing of the Austrian State Treaty was the choice of this play, which the beginning of Habsburg rule in Austria makes a subject of discussion and Ottokar of Horneck's eulogy on Austria (... it's a good country / Well worth that a prince bow to it! / where have you yet seen the same?... ) contains highly symbolic. Rott and under his successors Ernst Haeusserman and Gerhard Klingenberg the classic Burgtheater style and the Burgtheater German for German theaters were finally pointing the way .

In the 1950s and 1960s, the Burgtheater participated (with other well-known theaters in Vienna) on the so-called Brecht boycott.

Gerhard Klingenberg internationalized the Burgtheater, he invited renowned stage directors such as Dieter Dorn, Peter Hall, Luca Ronconi, Giorgio Strehler, Roberto Guicciardini and Otomar Krejča. Klingenberg also enabled the castle debuts of Claus Peymann and Thomas Bernhard (1974 world premiere of The Hunting Party). Bernhard was as a successor of Klingenberg mentioned, but eventually was appointed Achim Benning, whereupon the writer with the text "The theatrical shack on the ring (how I should become the director of the Burgtheater)" answered.

Benning, the first ensemble representative of the Burgtheater which was appointed director, continued Klingenberg's way of Europeanization by other means, brought directors such as Adolf Dresen, Manfred Wekwerth or Thomas Langhoff to Vienna, looked with performances of plays of Vaclav Havel to the then politically separated East and took the the public taste more into consideration.

Directorate Claus Peymann 1986-1999

Under the by short-term Minister of Education Helmut Zilk brought to Vienna Claus Peymann, director from 1986 to 1999, there was further modernization of the programme and staging styles. Moreover Peymann was never at a loss for critical contributions in the public, a hitherto unusual attitude for Burgtheater directors. Therefore, he and his program within sections of the audience met with rejection. The greatest theater scandal in Vienna since 1945 occurred in 1988 concerning the premiere of Thomas Bernhard's Heldenplatz (Place of the Heroes) drama which was fiercly fought by conservative politicians and zealots. The play deals with the Vergangenheitsbewältigung (process of coming to terms with the past) and illuminates the present management in Austria - with attacks on the then ruling Social Democratic Party - critically. Together with Claus Peymann Bernhard after the premiere dared to face on the stage applause and boos.

Bernard, to his home country bound in love-hate relationship, prohibited the performance of his plays in Austria before his death in 1989 by will. Peymann, to Bernhard bound in a difficult friendship (see Bernhard's play Claus Peymann buys a pair of pants and goes eating with me) feared harm for the author's work, should his plays precisely in his homeland not being shown. First, it was through permission of the executor Peter Fabjan - Bernhard's half-brother - after all, possible the already in the schedule of the Burgtheater included productions to continue. Finally, shortly before the tenth anniversary of the death of Bernard it came to the revival of the Bernhard play Before retirement by the first performance director Peymann. The plays by Bernhard are since then continued on the programme of the Burgtheater and they are regularly newly produced.

In 1993, the rehearsal stage of the Castle theater was opened in the arsenal (architect Gustav Peichl). Since 1999, the Burgtheater has the operation form of a limited corporation.

Directorate Klaus Bachler 1999-2009

Peymann was followed in 1999 by Klaus Bachler as director. He is a trained actor, but was mostly as a cultural manager (director of the Vienna Festival) active. Bachler moved the theater as a cultural event in the foreground and he engaged for this purpose directors such as Luc Bondy, Andrea Breth, Peter Zadek and Martin Kušej.

Were among the unusual "events" of the directorate Bachler

* The Theatre of Orgies and Mysteries by Hermann Nitsch with the performance of 122 Action (2005 )

* The recording of the MTV Unplugged concert with Die Toten Hosen for the music channel MTV (2005, under the title available)

* John Irving's reading from his book at the Burgtheater Until I find you (2006)

* The 431 animatographische (animatographical) Expedition by Christoph Schlingensief and a big event of him under the title of Area 7 - Matthew Sadochrist - An expedition by Christoph Schlingensief (2006).

* Daniel Hoevels cut in Schiller's Mary Stuart accidentally his throat (December 2008). Outpatient care is enough.

Jubilee Year 2005

In October 2005, the Burgtheater celebrated the 50th Anniversary of its reopening with a gala evening and the performance of Grillparzer's King Ottokar's Fortune and End, directed by Martin Kušej that had been performed in August 2005 at the Salzburg Festival as a great success. Michael Maertens (in the role of Rudolf of Habsburg) received the Nestroy Theatre Award for Best Actor for his role in this play. Actor Tobias Moretti was awarded in 2006 for this role with the Gertrude Eysoldt Ring.

Furthermore, there were on 16th October 2005 the open day on which the 82-minute film "burg/private. 82 miniatures" of Sepp Dreissinger was shown for the first time. The film contains one-minute film "Stand portraits" of Castle actors and guest actors who, without saying a word, try to present themselves with a as natural as possible facial expression. Klaus Dermutz wrote a work on the history of the Burgtheater. As a motto of this season served a quotation from Lessing's Minna von Barnhelm: "It's so sad to be happy alone."

The Burgtheater on the Mozart Year 2006

Also the Mozart Year 2006 was at the Burgtheater was remembered. As Mozart's Singspiel Die Entführung aus dem Serail in 1782 in the courtyard of Castle Theatre was premiered came in cooperation with the Vienna State Opera on the occasion of the Vienna Festival in May 2006 a new production (directed by Karin Beier) of this opera on stage.

Directorate Matthias Hartmann since 2009

From September 2009 to 2014, Matthias Hartmann was Artistic Director of the Burgtheater. A native of Osnabrück, he directed the stage houses of Bochum and Zurich. With his directors like Alvis Hermanis, Roland Schimmelpfennig, David Bösch, Stefan Bachmann, Stefan Pucher, Michael Thalheimer, came actresses like Dorte Lyssweski, Katharina Lorenz, Sarah Viktoria Frick, Mavie Hoerbiger, Lucas Gregorowicz and Martin Wuttke came permanently to the Burg. Matthias Hartmann himself staged around three premieres per season, about once a year, he staged at the major opera houses. For more internationality and "cross-over", he won the Belgian artist Jan Lauwers and his Need Company as "Artists in Residence" for the Castle, the New York group Nature Theater of Oklahoma show their great episode drama Live and Times of an annual continuation. For the new look - the Burgtheater presents itself without a solid logo with word games around the BURG - the Burgtheater in 2011 was awarded the Cultural Brand of the Year .

Since 2014, Karin Bergmann is the commander in chief.

At Toronto Fire's West Command Training Centre

La sera del dì di festa

Festival day in the square of the city. Palmanova (UD), Italy. K1ii + DFA 24-70

-----------

Palmanova is located in the Friuli-Venezia Giulia region in northeastern Italy, about 70 miles east of Venice. The town is protected by its massive star-shaped fortress walls, a wonderful example of Late Renaissance fortressa design built by designed Vincenzo Scamozzi for the Venetian Republic in 1593, and the entire town and expansive piazza are located within the nine-pointed star walls. The fortifications were included in UNESCO’s World Heritage Site list in 2017.

Between the points of the star, ramparts protrude so that the points could defend each other from attacking forces. A moat surrounded the town with three large, guarded entry gates. The construction of the first circle, with a total circumference of 4 miles, took 30 years. A second phase of construction took place between 1658 and 1690, and the outer line of fortifications were completed between 1806 and 1813 under the Napoleonic domination. The final fortress consists of: 9 ravelins, 9 bastions, 9 lunettes, and 18 cavaliers. Every road was carefully calibrated, and each part of the design plan had a specific purpose. Even the fortifications were built with the outer ramparts looking simply like a forest as the town was approached–essentially hiding it from potential enemies. This effect is still evident today in stark contrast to the very visible hill towns common in most other regions of Italy.

Although Palmanova was praised as one of the most successful Renaissance-planned towns, almost nobody moved there. Venice was forced to pardon criminals, offering them free building lots just to help populate the town. Still today, even though Palmanova is a pristine, well laid out town, to visitors it has a totally different feel than most Italian towns, which evolved gradually, in a hodgepodge manner with varied building styles, sizes, colors and textures. This town definitely looks like it was designed and built almost like a modern development… all the buildings are similar in style, similar height and the streets are laid out in mathematical precision. Obsessive Compulsive Disorder (OCD) types will feel right at home here. lol

"Hello 311, I'd like to report a vicious animal"

Footage of Afghan and ISAF soldiers inside HQ ISAF, Kabul, fighting back against the attack on the US embassy on 13th September 2011. 1. (00:00) SHOWS AFGHAN SOLDIERS OUTSIDE THE PERIMETER OF ISAF HQ, KABUL 2. (00:06) SHOWS ROCKET LANDING OUTSIDE PERIMETER WALL 3. (00:16) SHOWS MACEDONIAN ISAF SOLDIER RUNNING 4. (00:25) SHOWS SMOKE FROM ROCKET 5. (00:31) SHOWS MACEDONIAN ISAF SOLDIER SIGNALLING 6. (00:38) SHOWS FRENCH ISAF SOLDIERS 7. (00:43) SHOWS VARIOUS OF MACEDONIAN AND US ISAF SOLDIERS FIGHTING AGAINST INSURGENTS

Natochannel

Date Taken:09.13.2011

Length:00:03:59

Location:AF

Download Video in broadcast quality: dvidshub.net/r/bknt8q

.

Street Photography, Jungle.

Nikon D300 DX Camera.

Nikkor 17-55 2.8 Lens.

Back Story................

Another fine example of tourists

feeding the monkeys and getting

more then they bargained for !!!

Young lad screamed, dropped the

food and ran for his Mom !

Monkey laughed, grabbed the food

bag and wondered off all happy .. ;-)

Jon&Crew.

In the jungles.

.Please help with your temple dog donations here.

www.gofundme.com/f/help-for-abandoned-thai-temple-dogs

Please,

No Political Statements, Awards,

Invites Large Logos or Copy/Pastes.

© All rights reserved.

.

www.facebook.com/OGNaturfotografie

www.ognaturfotografie.wordpress.com/

Actually it`s just my German Pinscher Tequila playing with her best friend - Chow Chow Franco.

The Empress you may remember was attacked by terrorists and was shown on fire.several years ago now.

Some of the weapons found onboard the Mavi Marmara, used to attack Israeli soldiers

Arc Attack working with a volunteer from the audience during a May 7th performance at the Austin Maker Faire at the Palmer Events Center.

This image is copyrighted and I reserve all rights to it. Please see my website for more information about my images, copyright, licensing, etc.

Artemis is using her hunting skills to attack the ball in this toy, like Ares before her.

The combat-proven F-16 has proven itself as the world’s most capable 4th Generation multi-role fighter, serving as the workhorse of the fighter fleet for 28 customers around the world.

The F-16A, a single-seat model, first flew in December 1976. The first operational F-16A was delivered in January 1979 to the 388th Tactical Fighter Wing at Hill Air Force Base, Utah.

All F-16s delivered since November 1981 have built-in structural and wiring provisions and systems architecture that permit expansion of the multirole flexibility to perform precision strike, night attack, and beyond-visual-range interception missions. This improvement program led to the F-16C and F-16D aircraft, which are the single- and two-place counterparts to the F-16A/B, and incorporate the latest cockpit control and display technology. All active units and many Air National Guard and Air Force Reserve units have converted to the F-16C/D.

U.S. Air Force F-16 multirole fighters were deployed to the Persian Gulf in 1991 in support of Operation Desert Storm; where more sorties were flown than with any other aircraft. These fighters were used to attack airfields, military production facilities, Scud missiles sites and a variety of other targets.

During Operation Allied Force, U.S. Air Force F-16 multirole fighters flew a variety of missions to include; suppression of enemy air defense, offensive counter air, defensive counter air, close air support and forward air controller missions. Mission results were outstanding as these fighters destroyed radar sites, vehicles, tanks, MiGs and buildings.

Since Sept. 11, 2001, the F-16 has been a major component of the combat forces committed to the war on terrorism flying thousands of sorties in support of operations Noble Eagle (Homeland Defense), Enduring Freedom in Afghanistan and Iraqi Freedom.

The F-16s are an integral part of the Pacific Air Forces power projection based at Osan Air Base Korea and Eielson Air Force Base, Alaska.

-- Technical Information (or Nerdy Stuff) --

‧ Camera - Nikon D7200 (handheld)

‧ Lens – Nikkor 18-300mm Zoom

‧ ISO – 1250

‧ Aperture – f/7.1

‧ Exposure – 1/200 second

‧ Focal Length – 18mm

The original RAW file was processed with Adobe Camera Raw and final adjustments were made with Photoshop CS6.

"For I know the plans I have for you,” declares the LORD, “plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11

The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/

Attack Attack!

This World is Ours Tour

Regency Ballroom, San Francisco, CA.

April 19th, 2012.

I interviewed each waitress in the diner. Each one denied that this sign referred to her.

For the first time ever, a pair of robins built a nest in the maple tree. Crows were constantly trying to get into the maple tree, but the robins were vigilant and attacking the crows.

The quickest snapshot for ADED 2010 143/365

Watching the last "Lost" retrospectives and episode... :D

Quick robot mode picture of Masterpiece Optimus Primal.

a rumor about a so-called 'yeti' was seen on the streets of Blüdhaven over the past yew weeks. nightwing decided to investigate further... then one stormy night, a white creature attacked nightwing, it was hard to see him due to the show... but nightwing managed to dodge his attack. will he ever take down the Yeti? Who or What is it?

-part or a larger set i'm currently working on.

White-tailed Prairie Dogs (Cynomys leucurus) jumping to the fore as they play on a Northern Colorado prairie.

photo © Fani Karanikola

the female swan attacking herself she was still there 2 hours later when i came back

Please comment and fave the main photo

Enjoy!

attack

Attack on titan

made by bullsajow

This is just one of the things we need to contend with in rural New Jersey. Trained attack geese! At first they saw me by the fence and formed up into a patrol. Eventually the leader gave the signal and they were on the move. They stopped short and stood around giving me the eye and honking. I took a few more pictures and then they lost interest and went back to managing the 100-200 Canadian geese on the property.