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Manong Antonio Mingay answered yes for the 2nd question.
Notice their improvised chairs, a can of biscuits and a plastic container.
Oscar winning film editor Steven Mirrione answered audience questions at the October 4, 2011 screening of "The Ides of March." The screening was held at the Aero Theater in Santa Monica by the KCET Cinema Series. It was hosted by movie critic Pete Hammond.
For more on 'The Ides of March' and other films in this screening series, visit www.kcet.org/socal/cinema_series/
Question: While driving back to Vegas from Hoover Dam and off in the distance is a thunder storm with periodic lightning, how many pix do you have to take before you capture lightning?
Students present their research and answer questions from guests of the 2016 Spring Student Research Symposium on Friday, April 8.
Rojo & Garabato asked kiin to interview each other for the next issue. You can read the interview and see some of our artwork on page 48 - 58.
thanks Rojo & Garabato!!
Rojo & Garabato Magazine is an online magazine about art, design, illustration, photography.
The second issue is about mixtapes.
Issue #2 Contributors: Andrew Jones, James Kauffman, Ana Himes, Charlotte Collis, Malize Evans, Óscar Marín, Young Bird Lover, Matteo Cocci, Kirsten Carina Geisser & Ines Christine Geisser.
Shot on the Nikon D90 at Ravensbourne College of Design and Communication.
These photographs are behind the scenes stills featuring the wonderful and hard working crew behind Shahin Badar's "Andheri Raat" music video.
Continuing this week's theme of magazine covers.
This is stuff that I sell on eBay. I think that book and magazine covers have some interest and there are a number of Flickr groups for them.
Canon Canoscan LiDE 25, a really basic USB-powered scanner.
several people have asked whether i created the leaded glass in my doors.
yes! ..this is a photo taken just after installation two years ago
Interview with the israeli naive painter Raphael perez in his Solo exhibition " color Intoxication" on QU Art museum Suzhou China
question: As an Israeli artist, how does Israeli culture influence your art?
Answer: I was born in Jerusalem and lived there until my twenties - in the paintings of the city of Jerusalem, the capital city of Israel, there are motifs of religious Jews praying, synagogues, and paintings that depict "Jerusalem as the centre of the three religions" Judaism, Christianity and Islam, with the important religious sites for each religion - The Western Wall - for the Jews, the Church of the Sepulchre for the Christians, Al Aqsa Mosque for the Muslims, it is admittedly a conflicted city and full of conflicts, but in the paintings I try to bring a kind of optimistic view of the future of connection between Jews and Arabs.
I have lived in Tel Aviv since 1995 and the liberal, secular city is reflected through the paintings bathed in light and without clouds, Israel is a Mediterranean country with a stretch of coast that borders the desert and there are almost no clouds during the year so there is an expression of clean Israeli light, strong sun almost all year round, Tel Aviv It is a city only 114 years old, it was only founded in 1909, so most of the tall buildings depicted in it are skyscrapers from the last thirty years and the low buildings are from the 1920s to the 1950s, when there was construction in the German Bauhaus style, and Tel Aviv is defined by UNESCO as the "White City" where there are The largest concentration in the world of 4000 Bauhaus buildings, (Shanghai and China also have quite a few Bauhaus buildings) Tel Aviv also has the oriental style of architecture that also combines oriental motifs and arches that also exists in a small part of the iconic buildings in Tel Aviv when the architectural idea of this style was a combination of East and West Through the colourfulness of the urban landscape and the unique Israeli light, I want to bring something from the warm, optimistic Israeli temperament and character.
Israel is ranked 4-6 in the global happiness index, despite the complex security struggle that Israel has been in since its foundation, the Israeli public is warm, energetic, direct, a bit brash, and daring and this can also be seen in the vitality of raising children and a family - Israel is the country with the most children per family in the developed countries... (3.7 per family) and this has even increased in recent years... Israelis put the couple and the family at the centre, therefore there is a motif of couples and families with children, I want to express in this congestion the fact that Israel is a dense, intense, young country, a happy and vibrant start-up nation.
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question: Can you discuss your artistic process, from concept to creation? What are your inspirations?
Answer: I worked for 15 years with children and was influenced by their naive and spontaneous creativity.
In the working process of the naive urban paintings, I first do research on each and every city that I paint and discover the iconic low and tall buildings from old times to contemporary modern times, choose buildings with a special shape, or buildings that have meaning for the country and the city, rebuild the city with the painter in the centre who stands with a canvas and paints the urban landscape in front of him, usually there are two gardeners with girls holding the flag of the country I am painting, and couples of men and women kissing or families with children, I plan the cities with boulevards of flowers, low bushes, boulevards of trees, after them, I put low buildings and icons, behind them the tops of big trees and behind them towers and skyscrapers, in the sky in some of the paintings I put balloons, kites or if it's at night then stars, or fireworks and lanterns to emphasize the light and shadow... I use acrylic paints on canvas, there are also series of paintings with bright colours, and I like the use of contrasting colours, mainly red on top of the green lawns and the buildings in warm colours of red, orange, yellow, pink against the background of the green trees and the blue sky, very bright colours that bring in a lot of light, optimism, joy.
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question: What do you hope people take away from your art?
Answer: In the paintings of the urban landscape, I want everyone to see, identify, and connect with the history and experience of the physical place where they live, that they see the development of their country through the costumes, the ancient iconic buildings, with the contemporary skyscrapers.
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question: The works in this exhibition are on canvas, board, and paper, what materials do you prefer to work with and why?
Answer: I like to work with a variety of materials and techniques... and to express my various skills. The large naive paintings are only in acrylic colours on canvas, in the past I painted realistic paintings of couples and flowers, and they were in oil colours on canvas. There is a large series of artist's books where I work with acrylic paints, ink, markers, pencils, pens,
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question: Is there an artwork in this exhibition that you feel particularly connected to? Can you share the story behind it? Or is there a particular story you would like to share with the audience?
Answer: My favourite painting in the exhibition is the painting of the city of Suzhou with the water canals and the bonsai trees, in this painting and others I created about cities in China I did research work before, first on the traditional Chinese costumes, the traditional folk temples, Buddhist, Taoist and Confucian temples, Chinese means of transportation Antiquities such as carriages, rickshaws, ships decorated with dragons, ancient Chinese statues, trees that are characteristic of China such as the bonsai, I really liked the water canals that give a feeling of Venice of the Far East, with the special lanterns, the old city of Suzhou is like a beautiful and magical village inside A rich urban landscape, in the centre of the painting I put the famous temple of the city and behind you can see the business centre with the skyscrapers and the famous skyline of the city, I have a desire to combine old with new that brings the glorious tradition of the Chinese people with innovation, progress, and the skyscrapers that make the China to the most influential empire and country in the world ... in the coming decades ...
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question: Can you tell us about your initial thoughts and ideas for the creation of landscape series? Regarding the painting “Raphael Perez after Reuven Rubin”, could you please share your inspiration and the story behind the creation?
Answer: The painter Reuven Rubin, born in 1893, is one of the most famous painters in Israel, he belongs to a group of several artists called the "national Israeli artists" who painted the landscapes of Israel before its establishment in the twenties and thirties of the last century, paintings in a naive, romantic style, the reality was the opposite, these were days of difficulties Huge economic hardships, poverty, days before the establishment of the state, riots and violence by Arabs against Jews, and in Europe the extermination of a third of the Jewish people in the world, the murder of 6 million Jews, only a few of whom escaped and survived the inferno of the Holocaust.. The Jewish community in Israel was small and faced many challenges and had to transmit optimism to herself, to survive the difficult times, through painting the artists tried to paint an idealization and a shared life between Jews and Arabs, a conflict that exists to this day, and I also have a huge series of naive paintings that deal with the idealization of a shared life.
In the tribute painting to Reuven Rubin, on the right side, you see the Muslim community with traditional clothing, a shepherd, olive trees, Arab villages, and donkeys as their main means of transportation, on the left side of the painting you see the kibbutzniks, the beginning of modern, developed agriculture, belief in Hebrew work and the Jewish labourer who paved roads and build his country... I dedicated five paintings from the tribute series to the five national Israeli artists including Reuven Rubin, Nahum Gutman, Moshe Castel, Israel Peladi, and Yohanan Simon, these artists are the most precious in Israeli art because of the naive and optimistic vision they transmitted in their works, I dedicated a painting to each artist Only one in which I included between 30-50 of his famous works and of course built it with the optimistic colours and symmetrical compositions that are characteristic of me...
These painters are the source of inspiration and I feel obliged to continue their artistic path in the special language I developed...
FIELD STAFF : 福井氏
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Veiled Answers_BLPP, 7/2/13, 2:12 PM, 16C, 3672x4344 (1261+1671), 100%, Better Push 6, 1/25 s, R53.2, G31.8, B51.2
CaptainJenna Gravois contemplated the question for a long moment, the silence only being broken when the bartender placed the second milkshake on the counter. The glass rang as it hit the metal, bringing the tanned blonde back to reality a bit, "Well, I was kind of with someone when I first met Nix, but the love just wasn't there with the other gal anymore. We had a lot of problems, and I guess I never really knew how bad it was until I finally felt something again. I ... don't know how else to explain it, sweetpea. I just knew from the moment I met her. I looked at her and felt butterflies in my stomach. I still do everytime I see her. When she looks at me, I just know she loves me. When we touch each other I can feel the electricity between us. When she speaks, every other sound in the world dulls into silence and the only thing I even want to hear is that sweet melodic sound that passes her lips."
She looked at Auryn with an almost blank expression on her face, though the emotion was there if you looked hard enough, "When do you know? Honey, you just do. You'll have two things telling you it's right. You're mind will tell you the same thing as your heart. I'm absolutely convinced that there is someone out there for each and every one of us. It takes time, patience, and a busload of hope and faith." She smiled warmly, "I can tell you this though, sweetie, it is so worth the wait. I never thought in my wildest fantasies that I would ever meet someone so beautiful. I don't just mean on the outside, although she is a goddess in her own right. She has a beautiful soul." Jenna stopped her little tyrade of joyous thoughts for a moment, "How do you know?" she shook her head, "I don't really know, hon, you just do.
by Conception de Tuem
Staged at Pai Tiatrist Hall Margao 26.7.16, 5th repeat show at 7.30pm
More pics, videos, attack on artiste etc visit here
joegoauk-tiatr.blogspot.in/2016/07/tiatr-answer-by-concep...
or
Gathering Before ANSWER Coalition U. S. HANDS OFF VENEZUELA Rally at Lafayette Park, NW, Washington DC on Saturday morning, 16 March 2019 by Elvert Barnes Photography
BRIAN BECKER, National Coordinator, ANSWER Coalition
www.facebook.com/brian.becker.14224
Follow Saturday, 16 March 2019 ANSWER Coalition U. S. HANDS OFF VENEZUELA NATIONAL MARCH ON WASHINGTON at www.facebook.com/events/242059076711261/
Elvert Barnes Saturday, 16 March 2019 ANSWER Coalition U. S. HANDS OFF VENEZUELA / Washington DC docu-project at elvertbarnes.com/16March2019
I couldn't resist uploading this photo for our theme "The answer" :-)
I am not a brand fanboy but of course I do like Nikon as I shoot with it. I also like their "I AM" campaign and how they showed off with it at Photokina.
Chancellor Randy Woodson (left) laughs as new athletics director Boo Corrigan answers a question during a press conference in Reynolds Coliseum.
Jessica Howard
Safety Technician
Duke University Health System
Occupational & Environmental Safety Office (OESO)
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Durham, NC 27710
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