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A little reminder. One inlet and one exhaust valve from RPE 504 X, aka "Rupert", the 1981/2 BMW 323i mk1 that I owned for about a year. Foolishly bought from a shady trader in London who lied to me about all sorts of stuff. I drove it home from London safely enough, went out from home for a play with my new toy later on, and the first time I went over 4500rpm the cambelt snapped, as a result of having been soaked in engine oil from from a leaking seal for ages... valves argued with pistons, etc...
So I kept one bent inlet and one bent exhaust valve, and mounted them on a small piece of oak, and had a small brass plaque engraved...
Don't just look - THINK!
A lesson I will not readily forget.
“Good transit plans include buses and a mix of above- and below-ground rail,” says Olivia. (Photo by Dean Goodwin)
Thank YOU Heavenly Father
for all the blessings
Maraming Salamat
Sa inyong lahat
Who prayed for me
To GOD be the Glory!
ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2020. Prof. Arch. Sergei Tchoban (a cura di), L'impronta del futuro. Il destino della città di Piranesi. Istituto Centrale per la Grafica, Roma (15 ott. 2020 – 31 genn. 2021), [Testa Italiano / Text English] & DOM publishers / Facebook (27/10/2020). S.v., Istituto centrale per la grafica. Roma & Il Messaggero (14/10/2020). wp.me/pbMWvy-M6
www.flickr.com/photos/imperial_fora_of_rome/50539563822
1). ROMA - L’IMPRONTA DEL FUTURO. IL DESTINO DELLA CITTÀ DI PIRANESI. Mostra-studio di Sergei Tchoban, Istituto centrale per la grafica. Roma, Palazzo della Calcografia. 15 ottobre 2020 – 31 gennaio 2021. [Testa Italian / Text English].
Astratto - Sergej Tchoban è un architetto russo-tedesco che lavora in varie città dell’Europa e della Russia. Membro dell’Associazione degli Architetti Tedeschi e membro onorario dell’Accademia Russa delle Arti, ha curato nel 2010 e nel 2012 il Padiglione Russo alla Biennale di Venezia di Architettura ricevendo la Menzione Speciale per la prima volta riconosciuta alla Russia. Nel 2018 gli è stato conferito l’European Architecture Prize. Nel 2009 ha fondato la Tchoban Foundation – Museum for Architectural Drawing, che conserva una collezione di disegni e acquerelli architettonici dal XVIII secolo fino alla metà del secolo XIX. Essendo nato a San Pietroburgo e avendone assorbito completamente l’armonia delle proporzioni e delle forme, Tchoban ha sempre cercato di individuare quali siano le leggi che regolano lo sviluppo delle città come San Pietroburgo e a quei grandi modelli su cui questa fu improntata. È possibile conservarne oggi la singolarità, perseguire tale obiettivo nel percorso di sviluppo dell’architettura contemporanea?
Sono queste le questioni fondamentali che la mostra si propone di indagare partendo da Piranesi, capace di cogliere lo sviluppo della città europea come un fenomeno variegato, ricco di contraddizioni interne e ciononostante armonico. L’esposizione si apre con alcuni disegni realizzati dall’autore nel corso di vari anni che indagano il fenomeno della città europea tradizionale e dei suoi principali elementi architettonico-urbanistici.
Le rappresentazioni della città dell’infanzia – San Pietroburgo – e della maggior parte delle città europee “canoniche” (Roma, Venezia, Praga e altre) si alternano a monumenti dell’architettura del XX secolo, simili a singole sculture isolate. E anche forme dinamiche si alternano a fantasie architettoniche, con l’aiuto delle quali Sergei Tchoban si affaccia sul futuro. In principio l’autore integra volumi marcatamente futuristici nel panorama delle strade della città europea. Successivamente trasferisce tali elementi nella realtà romana del XVIII secolo, ricostruita sui motivi della serie Vedute di Roma di Giovanni Battista Piranesi. Quattro di queste fantasie sono stampe originali delle incisioni di Piranesi, al cui interno gli elementi dell’architettura del futuro vengono integrati con l’ausilio della tecnica dell’incisione ad acquaforte (eseguita dall’architetto Ioann Zelenin su idea e schizzi di Sergei Tchoban).
Un’opera d’arte “profanata” o un’impronta del futuro? Ecco, forse è proprio questa la domanda principale a cui questa mostra cerca di dare risposta. Simulando con l’ausilio di grafica e incisione la distruzione di un monumento (l’originale dell’incisione di Piranesi) e dell’ambiente urbano, Sergei Tchoban solleva la seguente questione: distruggiamo l’armonia o ne creiamo un modello completamente nuovo? È questo il vero lascito di Piranesi: l’invito a un dialogo sincero sulla condizione delle stratificazioni delle parti costitutive della città europea, come eredità collettiva fondamentale e al tempo stesso spazio per uno sviluppo futuro.
Con il supporto di: VELKO Group
ENGLISH = Prof. Arch. Sergei Tchoban, Imprint of the Future. Destiny of Piranesi's City. Istituto centrale per la grafica. Roma, Palazzo della Calcografia. 15 October 2020 – 31 January 2021 (27/10/2020).
Abstract - The Istituto centrale per la grafica in Rome and the Museum for Architectural Drawing in Berlin present an exhibition by the architect and draughtsman Sergei Tchoban. A native of St Petersburg who has organically absorbed the harmony of this city’s proportionality and similitude, Sergei Tchoban has always striven to understand the laws which govern the development of cities like St Petersburg and the great prototypes in whose image it was created. Is it possible to preserve these cities’ outstanding quality? And is it possible to pursue this quality today, at the current stage of development of architecture? These are the central questions posed in the present exhibition, which marks the 300th anniversary of the birth of Giovanni Battista Piranesi (1720 – 1778). One of the greatest artists of his time, Piranesi succeeded in capturing the development of the European city as a phenomenon which, despite many layers and internal contradictions, is nevertheless harmonious. Until the principle of contrast, as a predictable consequence of technological progress, became a key vector in the aesthetics of architecture during the 20th century, the image of the European city was relatively homogeneous and, as a result, coherent – which is possibly the reason why we a priori perceive historical cities created earlier than the 20th century as harmonious ensembles and, in their best manifestations, as masterpieces. With the start of the 20th century and architecture’s acquisition of fundamentally new capabilities in creating building forms and surfaces, the process of introducing new strata into the urban setting became especially dramatic. But does this process really imply destruction of a masterpiece? This is the main question as far as the present exhibition (and almost every European city today) is concerned. It is a question which Sergei Tchoban sets out to analyze and answer – extremely expressively and polemically – with the help of architectural drawings.
www.flickr.com/photos/imperial_fora_of_rome/50538694338
PDF = Press Release. IMPRINT OF THE FUTURE. DESTINY OF PIRANESI`S CITY Exhibition and research by Sergei Tchoban. Istituto Centrale per la Grafica, Via della Stamperia 6 00187 Rom (10/2020).
Foto / fonte / source:
--- Istituto centrale per la grafica. Roma, Palazzo della Calcografia. 15 ottobre 2020 – 31 gennaio 2021 (27/10/2020).
www.grafica.beniculturali.it/tutti-gli-archivi/eventi/imp...
Nota: informazioni sul Prof. Arch. Sergei Tchoban ricerca e nuovo libro per gentile concessione di Dr. Carsten Schneider, TCHOBAN VOSS / ARCHITEKTEN. Berlin (sett. & ott. 2020). tchobanvoss.de/
www.flickr.com/photos/imperial_fora_of_rome/50538694413
2). ROME / BERLIN - Prof. Arch. Sergei Tchoban, Imprint of the Future. Destiny of Piranesi's City / L'impronta del futuro. Il destino della città di Piranesi. Texts by Anna Martovitskaya. DOM publishers: Berlin (Oct. 2020): 1-168 pages, 135 pictures & Italian / English.
Imprint of the Future. Destiny of Piranesi's City / L'impronta del futuro. Il destino della città di Piranesi. Exhibition catalogue and research by Sergei Tchoban. Texts by Anna Martovitskaya, 285 × 285 mm, 168 pages, 135 pictures, Hardcover. ISBN 978-3-86922-607-1 (English/Italian edition) € 48.00.
www.flickr.com/photos/imperial_fora_of_rome/50538694373
This book is a catalog of the exhibition by the architect and draughtsman Sergei Tchoban, which is scheduled for October 2020-January 2021 at The Istituto Centrale per la Grafica in Rome. However, the book goes far beyond the format of describing the artworks presented at the exhibition. It is a research aimed at studying trends in the urban development of a contemporary European city.
A native of St Petersburg who has organically absorbed the harmony of this city’s proportionality and similitude, Sergei Tchoban has always striven to understand the laws which govern the development of cities like St Petersburg and the great prototypes in whose image it was created. Is it possible to preserve these cities’ outstanding quality? And is it possible to pursue this quality today, at the current stage of development of architecture? These are the central questions posed in the exhibition and the book, which marks the 300th anniversary of the birth of Giovanni Battista Piranesi (1720–1778). One of the greatest artists of his time, Piranesi succeeded in capturing the development of the European city as a phenomenon which, despite many layers and internal contradictions, is nevertheless harmonious.
In analyzing the development of the language of architecture that is characteristic of our time, Sergei Tchoban integrates individual emphatically futuristic volumes into the panoramas of streets in the European city. Subsequently, he transcribes these elements into 18th-century Roman situations recreated on the basis of motifs taken from Giovanni Battista Piranesi’s Vedute di Roma. Four of these fantasies are original prints of etchings by Piranesi into which elements of an architecture of the future have been inserted using the medium of etching (executed by the architect Ioann Zelenin on the basis of ideas and sketches by Sergei Tchoban). This insertion of futuristic buildings into situations taken from, and then etchings by, Piranesi is a vivid demonstration of how contemporary architecture behaves and is perceived in the body of the European city, a city based on the harmony of similitude. Ruined masterpiece or imprint of the future? This is probably the principal question for this research. Using graphic art and etching to stage the destruction of a monument (the original of a Piranesi etching), Sergei Tchoban initiates a discussion about whether this kind of integration is merely an act of vandalism – or a way of transforming a reproduction print (many European cities created by the mighty force of the harmony of similitude are indeed very similar to one another) into an original that exists as a unique copy. Are we destroying harmony or creating a fundamentally new type of harmony? Sergei Tchoban is sure that this painful transformation of the European city has been happening for at least 100 years and that society must finally work out how to relate to this process. Essentially, it is this that is Piranesi’s true legacy: a call to an honest conversation regarding the condition of the layers and parts that constitute the European city as a highly important piece of our heritage and at the same time a space for future development.
www.flickr.com/photos/imperial_fora_of_rome/50538694378
Foto / fonte / source:
--- DOM publishers: Berlin (Oct. 2020).
dom-publishers.com/products/imprint-of-the-future-destiny...
Note: information on Prof. Arch. Sergei Tchoban's research and new book courtesy of Dr. Carsten Schneider, TCHOBAN VOSS / ARCHITEKTEN Berlin (Sept. & Oct. 2020). tchobanvoss.de/
Also see:
--- ROME / BERLIN - Prof. Arch. Sergei Tchoban, Imprint of the Future. Destiny of Piranesi's City / L'impronta del futuro. Il destino della città di Piranesi. Texts by Anna Martovitskaya. DOM publishers: Berlin (Oct. 2020): 1-168 pages, 135 pictures & Italian / English; in:
DOM publishers / Facebook (27/10/2020). www.facebook.com/dom.publishers/posts/3608729955856507
S.v.,
www.flickr.com/photos/imperial_fora_of_rome/50482443797
--- ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2020. “Il mondo fantastico di Giambattista Piranesi tra capolavori ritrovati e la Roma del ‘700 in 3D. Roma – Istituto centrale per la Grafica” (15/10/2020 – 31/01/2021). Laura Larcan / Il Messaggero (14/10/2020) & Istituto centrale per la grafica / FACEBOOK & You-Tube (10/2020). wp.me/pbMWvy-Ja
The pinch roller plate is removed by undoing the 2 shouldered screws. These go into nylon-locked nuts fixed to the main chassis, and have to be adjusted when the machine is reassembled to allow the plate to slide freely
The mains input plug and fuseholder are fitted. The earth pin of the former is wired to a solder tag bolted to the panel, the live pin is wired to the fuseholder.
NRC introduces the new question-and-answer video series that offers information about issues of high public interest, general areas of NRC activities and some plain old science education. The inaugural video, “Three Minutes with ACRS,” is a conversation with the ACRS Executive Director Ed Hackett. For more information go to the blog post at public-blog.nrc-gateway.gov/ .
Visit the Nuclear Regulatory Commission's website at www.nrc.gov/.
To comment on this photo go to public-blog.nrc-gateway.gov/2012/04/01/nrc-moves-its-publ....
Photo Usage Guidelines: www.flickr.com/people/nrcgov/
Privacy Policy: www.nrc.gov/site-help/privacy.html.
ROD: PLAISIR ANSWER PA-B80SOPMOD
REEL: SALTIGA BJ 200SHL
LINE: PE#4+Shockleader40lb
LURE: LUCKY13
LURE: A.C.minniw
LURE: SHINE GLIDER
Ticket gate pass
Rs.100
26th Ju;y 2016
Conception de Tuem
More details here
joegoauk-tiatr.blogspot.in/2016/07/tiatr-answer-by-concep...
“Att night I being somewhat sad, resorted to Ashton towne Heath, and there pourd out a prayr to god...”
[Diary of Roger Lowe, 1 March 1663]
Sometimes considered Lancashire's answer to those other great diarists of the period, Samuel Pepys and John Evelyn, Roger Lowe was an apprentice shopkeeper in Ashton in Makerfield during the reign of Charles II. The great events of the age are seldom mentioned in his diary, though Roger seems to have been much affected by the expulsion of Nonconformist clergy following the monarchy's restoration. There is a good deal of local colour and, although we get little sense of what Ashton actually looked like at this time, familiar locations crop up frequently as the diarist goes about his daily business. The Heath was a place Roger would come to for spiritual comfort when the stresses of running the shop, unrequited love and/or demands placed on him by friends and neighbours became hard to bear. The last published edition (Picks, 1994) is now sadly out of print but a number of American universities have made the full text of an earlier US edition available online: catalog.hathitrust.org/Record/000112672. The original is at Wigan Archives, ref. DDZ/A58.
The head plate for the message deck is then removed, after removing the left-hand tape guide. This exposes the sliding plate that carries the message pinch roller spindle.
The clothing on the Bitty Buttons dolls is fully removable. They have funny leg joints. The body is very floppy, like a rag doll should be, despite being plastic. You can't make them stand.
行政長官施政報告答問會
行政长官施政报告答问会
The Chief Executive's Question and Answer Session on the Policy Address (2017.01.19)
The concerned citizen, holding the book warning of the dangers of communism, is apparently answering the questions of a reporter. We don't really think much about communism anymore, but in the 1970s the world was a bit different.
This is a photograph from the Tullamore Harriers AC "Quinlan Cup" Half Marathon which was held on Saturday 29th August 2015 in Tullamore, Co. Offaly, Ireland at 12:00. This is the third year of the event. The race is organised and promoted by Tullamore Harriers AC. The race starts on the Charleville Road just outside the entrance to Tullamore Harriers. The race proceeds south along the R421 and onto the N52 before taking a route onto local back roads. The race then completes a large rural road route before it joins to the R421 again and the final 1.5 miles are the same as the first mile of the race. The runners enter Tullamore stadium and complete one lap of the tartan track before the finish line. The course is challenging in places with some undulations along the route. But overall it is fair course. 2013 seen the first year of the event as the club commemorated the 60th Anniversary of the formation of Tullamore Harriers AC which today is one of Ireland's best known athletics clubs.
The race was perfectly organised. The weather was good for racing but there was a very strong headwind for the first 6 miles of the race which made the conditions difficult. The weather was dry and warm except for the torrential downpour at around 1:45pm which cleared the whole finish area of spectators and runners. There were stewarts all along the route, 3 drink stations with bottled water, superb facilities, and great after-race refreshments. The stewards along the route provided great encouragement to all of the runners. Tullamore Harriers and the local community really worked together to make this is a wonderful event. There was also a relay option where teams of two can run approximately 10.5km each. In total almost 700 participants took part. This was higher than the 568 participants who completed the race which is almost 150 more than the 2013 event.
We have a large set of photographs from today's race at the start and the finish until the 2-00 finish time. They are available on Flickr at www.flickr.com/photos/peterm7/albums/72157655560294853
Timing and event management was provided by Precision Timing. Results are available on their website at www.precisiontiming.net/result.aspx?v=2855
Our photographs from the 2014 Half Marathon on Flickr. www.flickr.com/photos/peterm7/sets/72157646587496250/
Our photographs from the 2013 Half Marathon on Flickr: www.flickr.com/photos/peterm7/sets/72157635307620452/
Half Marathon Route on MapMyRun: www.mapmyrun.com/ie/tullamore-l/half-marathon-tullamore-r...
2014 Race Results are available from PRECISION TIMING: www.precisiontiming.net/result.aspx?v=2136
2013 Race Results are available from PRECISION TIMING: www.precisiontiming.net/result.aspx?v=1448
Tullamore Harriers on Facebook: www.facebook.com/tullamore.harriers?fref=ts
As mentioned above this race half marathon started in 2013 and celebrated the 60th Anniversary (a Diamond Anniversary) of the foundation of Tullamore Harriers AC. The club was formed in the town in November 1953. However, it was almost 1979 before facilities close to what we see today open in the present day site. Over 50 provincial and national athletics meetings are held at Tullamore Harriers every year. The facilities available combined with it's central geographical location joining routes from North, South, East, and West make it a very attractive venue. The half marathon today firmly brings competitive national road racing back to "The Harriers". The Quinlan Cup which will be awarded to the winning club team. For more than 40 years the Harriers Quinlan Cup was the most prestigious event on the road racing calendar. Having started as a cross-country race back in 1957, it became a road race in 1967 and remained so until 2000 when the race was last held. During its reign as a blue-ribband event the Quinlan Cup was won by the likes of John Treacy and Eamonn Coughlan.
Today, the facilities at Tullamore Harriers are the envy of many athletics clubs in Ireland. The facilities provided by Tullamore make it one of the premier venues for local and national level athletics in Ireland. There is an Olympic standard tartan track, a fully equipped gym, changing facilities, press and media facilities, meeting room spaces, etc. The club also provides a social center and niteclub which makes "The Harriers" a very well known on the local social scene. Esssentially, the town of Tullamore would be a different place if it weren't for the presence of Tullamore Harriers AC.
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
What happens when a very talented designer answers the phone? A very pleasant and helpful conversation of course.
The Province is hosting a virtual public information session to provide an update and answer questions about Canada-U.S. negotiations on the Columbia River Treaty.
Learn more:
Image credit, Danyel Fisher, Microsoft Research Community Technologies Group, courtesy of Marc Smith, Netscan project, Microsoft Research. One of three graphs of Usenet usage that reveals Answer people: these are people who answer people who dont answer people, or what Malcom Gladwell would call Mavens.
The song game:
1. Put your Ipod or MP3 player on shuffle
2, For each question -press the FFW button
3, You must write down the answer, no matter how silly it sounds
4. Tag 10 or more of your friends who might play along and the person who tagged you.
5. Optional- feel free to add questions
#1 Best describes my personality?
ON ANY OTHER DAY - THE POLICE
#2 What do I like in a guy?
TGIF - LE TIGRE
#3 Whats my life purpose?
DRIVER 8 - REM
#4 Whats my motto?
EVENFLOW - PEARLJAM
#5 What do my friends think of me?
78% H20 - ANI DIFRANCO
#6 What do I think about often?
SHOO-SHOO BABY - THE ANDREW SISTERS
#7 What is 2 + 2?
MARLENE ON THE WALL - SUZANNE VEGA
#8 What do I think of my best friends?
HAS ANYONE EVER WRITTEN ANYTHING FOR YOU - STEVIE NICKS
#9 What do I think of the person I like?
FALL ON ME - REM
#10 What is my life story?
WANT MORE - BOB MARLEY & THE WAILERS
#11 What do I want to be when I grow up?
CAULK DUST TORTURE - PHISH
#12 What do I think of when I see my Lover?
NIGHT DRIVING - THROWING MUSES
#13 What do my parents think of me?
MAGIC BUS - THE WHO
#14 What will I dance to at your wedding
HEJ (I DO) - OVER THE RHINE
#15 What will they play at my funeral?
I'M FREE - THE WHO
#16 Whats my hobby or interest?
DIE ON A ROPE - THE DISTILLERS
#17 What about friends?
TOLEDO (INSTRUMENTAL) - OVER THE RHINE
#18 Whats the worst thing that could happen?
HELLO - BABES IN TOY LAND
#19 How will I die?
HAIL SANTA - PRIMUS
#20 Whats one thing I regret?
RIDING WITH MARY - X
#21 What makes me laugh?
HEAVEN HELP - LENNY KRAVITZ
#22 What makes me cry?
HEAT - HAMELL ON TRIAL
#23 Will I get Married?
BLUE ORCHID - THE WHITE STRIPES
#24 What scares me?
PARTICLE MAN - THEY MIGHT BE GIANTS
#25 Does Anyone Like Me?
TROUBLE - COLD PLAY
#26 If you could go back in time- what would you change?
PAR FOR THE CORSE - AIMEE MANN
#27 What hurts you right now?
GOT MY OWN THING NOW - SQUIRREL NUT ZIPPERS
#28 Whats your personal biggest accomplishment?
TELL ALL THE PEOPLE - THE DOORS
#29 Whats your favorite song to make love to?
GOODY TWO SHOES - ADAM ANT
#30 The last birthday gift you got was what?
NO! - THEY MIGHT BE GIANTS
I TAG :
joy of the mundane
dawnsrays
zannah reed
minniemunkie
jk5854
lima~beans (who will be going through lima-jo stream.)
walks across
These family photographs were taken by Nicholson Museum curator William J Woodhouse in Australia, primarily in Sydney and the Blue Mountains.
Can you help us catalogue the Woodhouse photographic archive? Contribute by adding tags and answering the following questions in the comments below:
•What do you see? Write a brief description for this image.
•Where was this photograph taken?
•Can you find the geo co-ordinates (latitude and longitude) of this exact place? Let us know by linking to the google maps or add the co-ordinates in your comment.
•Do you know what year this photograph was taken?
About the archive:
The Nicholson Museum holds over 1800 glass-plate negatives taken by Woodhouse while in Greece in 1890s and early 1900s. A small portion of the archive also includes photographs of his family in the Blue Mountains, NSW, Australia. The collection documents important archaeological sites, significant landscapes of the Greek mainland, contemporary buildings and the people he met along the way. His archive is a rich resource capturing many sites pre-archaeological excavation and before modern industrial development. Some of the photographs were published by Woodhouse in his book 'Aetolia: its geography, topography, and antiquities' published in 1897. His desire to capture Greece on 'film', was simply put in his introduction: "History only attains its full value by borrowing actuality from geography and topography". The archive shows his love not only for the sites but also for the people and spirit of Greece.
About the project:
We are asking you to contribute to our documentation of this collection and assist us with the identification of the hundreds of different monuments and places in Greece. The title of each photograph will include the museum registration number (NM2007.##.##) and may already include a place name where museum staff or Woodhouse himself have titled the image.
All of our flikr contributors will be acknowledged when the collection is published through our online collections at the completion of the project.
15.75 x 15.75 inches mixed techniques on canvas
40 x 40 centimetri, tecnica mista su tela.
for infos and/or orders, please contact
mindagainstsoul AT gmail DOT com
per info e/o ordini contattare
mindagainstsoul AT gmail PUNTO com
NO MORE AVAILABLE
NON PIù DISPONIBILE
FIELD TESTER : Mr.KINUGAWA
ROD: PLAISIR ANSWER PA-B80 SOPMOD
REEL: SALTIGA BJ 200SHL
LINE: PE4 + Shockleader 40lb
LURE: DEPRIVE/DUO×COREMAN
The Scarborough LRT would have been ready next year had Mr. Ford not delayed it. (Photo by Dean Goodwin)
Having looked at some sample photos of Pentax 645 Digital, I thought medium format film cameras still have some advantages and decided to get this. Trial shots are coming soon if the things go well.
50 Questions as answered by Rafferty :0
1: What are you wearing?
My fave dungarees, my deelyboppers and a Wubba chicken..
2: Something about you that nobody ever knew?
Not telling!!
3:Biggest phobia's?
Being dressed up CUTE *Bleugh*
4: How tall are you?
28.5 cm's with my shoes on..
5: Ever been in love?
Only once..it didn't end well (Poor Fanimal) *Sniffles*
But on the bright side..we all ate free and fresh Pepperami's for a while.. :- ) *Looks shifty*
6: Any tattoos that you want?
No but I like the idea of giving a tattoo or two to the Kenners *Looks around for a biro*
7: Any piercings that you want?
I'd like a nose stud but my human says NO!
8: Makeouts or cuddling?
I prefer stakeouts then bundling..but if I have to give someone a hug then it's going to be Pumpkin..
9: Shoe size?
Licca.
10: Favourite bands?
Nirvana,the Wurzels..
11: Something you miss?
My Goldie glasses..my stupid human stored them badly and they got trashed *Mumbles bad words under breath*
And also Pootle my Hollywood sister..who is coming back home again very soon..I have missed her lots!
12: Favourite song?
Combine Harvester - The Wurzels.
13: How old are you?
Ageless :-)
14: Zodiac sign?
I dont know..the human cant remember my birthday *Sniffles*
15: Hair Color?
Liquorice black.
16: Favourite Quote?
Cartman: "NO KITTY, THESE ARE MY CHEESY PUFFS!!"
17: Favourite singer?
ME.In the shower..Pumpkin has a migraine all day when I sing.. :D
18: Favourite colour?
Devil Red!
19: Loud music or soft?
Loud and proud!
20: Where do you go when you're sad?
To the dolly shelf where I look at my special crown that my Human brought me back from The Tower Of London until I'm all cheered up..
21: How long does it take you to shower?
Not long..I am very small.
22: How long does it take you to get ready in the morning?
Well I shake my hair a bit and change eyechips..so about 10 seconds or so..
23: Ever been in a physical fight?
Oh yes..but we wont talk about that..they never found a body 'kay?
24: Turn on?
Sparkly eyechips,a nice firm Licca body,a smooth well crafted pullring...
25: Turn off?
Mouldy old Kenners,sickly sweet Lati's *Bleugh*
26: The reason I joined Flickr?
So my Human could take lots of pics of ME!!!! Me,me,me,me,me!
27: Fears?
Well Goldies are very brave..but sometimes I have nightmares about melting and my eyemech not working..hairbrushes make me shudder too..
28: Last thing that made you cry?
I never cry!But if I am sad I switch my eyechips over to pink..
29: Last time you cried?
Dude this question is non applicable..
30: Meaning behind your url:
I dont have one..what is an url anyway?I thought Urls were like royal peeps *Looks puzzled*
31: Last book you read?
The secret life of Bears (And omg,they are filthy beasts!)
32: Last song you listened to?
Combine Harvester - The Wurzels.
*One day I shall travel in a combine Harvester..it is my dream*
33: Last show you watched?
Southpark..and I have a secret crush on Cartman *Blushes*
34: Last person you talked to?
My Human..she tried to get me to brush my hair for this pic (so NOT happening..I hate hairbrushes!!)
35: The relationship between you and the person you last texted?
I am not allowed my own mobile phone.Or my own paypal account for that matter *Sulks*
36: Favourite food?
Monster Munch! *Yum..drools a little*
37: Place you want to visit?
The seaside.If the Human doesn't take me on holiday with her next year there is going to be BIG trouble..oh and I want to have tea and cakes with Edna my Goldie penpal..
38: Last place you were?
Well on the dolly shelf duh..but last week I went tree climbing in the garden..
39: Do you have a crush?
Cartman from Southpark..I like a man who appreciates his cheesy puffs..
40: Last time you kissed someone?
Bleugh,ugh! *Looks a bit nauseated*
41: Last time you were insulted and what was it?
No-one insults me..or at least they're not daft enough to insult me to my face..Mwhahaha..
42: What colour underwear are you wearing?
None!I hate wearing knickers..let the gentle breeze be my friend..
43: What colour shirt are you wearing?
Red and white..
44: Are you tired?
No,I always have ollops of energy...my Human says I am HYPERACTIVE!
45: Wearing any bracelets?
Not today..I do have one but I have to "share" it,Hmmph..
46: Last sport you played?
I had a nice game of "Lets push someone off the dolly shelf" last week..
47:Last song you sang?
Well I'll let you guess..hint..it may have been about a combine Harvester..
48: Last prank call you remember doing?
Sadly my fingers are too small to use the phone :(
49: Last time you hung out with anyone?
Today on the dolly shelf with my BL sister and BFF Pumpkin..
50: Do you consider yourself to be approachable?
*Creases up laughing*
HELL NO!
Approach at your own risk..
Okies..I tag any BL's that want to play...
Photos from February 18, 2017 Public Square. What does equity look like? Why citizenship? As our nation enters a new political era, this question is more urgent than ever. Born from the YBCA 100 Summit, the bi-annual Public Square gathers our community’s collective imagination around big questions. In this case: What does equity look like? Why citizenship? For several months, this question has been deeply investigated by a cohort of YBCA Fellows. On February 18th, their answers to this question were revealed and offered up for community response. Equity Fellows: Shalini Agrawal, Kristy Alfieri Higares, Trisha Barua, A’darius Bell, Alex Bledsoe, Katherin Canton, Fay Darmawi, Ugo Edu, Saideh Eftekhari, Hunter Franks, Noah Frigault, Malcolm Gin, Juan Carlos Ibarra, Niema Jordan, Mansi Kakkar, Joan Tarika Lewis, Eli Marienthal, Hoi-Fei Mok, Rebecca Novick, Fran Osborne, Mariah Rankine-Landers, Candace Roberts, Jennifer Tacheff, Lauren Marie Taylor, Justin Warren, Marvin K. White, Chelsea Wills; Citizenship Fellows: Luiza Berthoud, Lukas Brekke-Miesner, Yueqi Chen, Roberta D’alois, Amelia Evans, Maria Faini, Cristiana Giordano, Rufaro Gwarada, Chris Hamamoto, Chris Hambrick, Sabereh Kashi, Paul Loper, Candi Martinez-Carthen, E. “Oscar” Maynard, Marlena Mendoza, David Moren, Takeshi Moro, Lex Non Scripta, Rebecca Ora, Katina Papson-Rigby, Devon Sampson, Dorothy Santos, Suzanne Schmidt, Jonel Seon, Sameena Sitabkhan, Emma Tramposch, Shamsher Virk, Miriam Wolodarski See more at ybca.org/whats-on/public-square. Event photography by Tommy Lau, tommylau.net
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The World Interviews David Beckham on Yahoo!
International icon David Beckham takes part in the ultimate global interview for Yahoo!, hosted by Gabby Logan, answering questions from his fans in 19 countries around the world.
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