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Alter Bridge + Black Stone Cherry + Theory of a Deadman @ the LG Arena, Birmingham - 22nd November 2011
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Photograph by Sean Larkin for Midlands Rocks
© 2011 www.seanlarkin.co.uk
Photos may not be used anywhere without permission
Altered Landscapes: An Immersive Environment,” presents five unique panoramic cultural landscapes projected on four walls simultaneously. The exhibition, incorporating animation, video, and sound will be on view at Salisbury University’s Electronic Gallery from November 4-28.
The artists’ works in animation, video, and sound examine our relationships to nature, culture, environment, technology and identity:
Marina Zurkow’s “Heroes of the Revolution” uses multi-channel video animation to explore apocalyptic fantasies centering on climate change and its effect on water, ice, humans, and animals.
Jeff Thompson ‘s “Glistening Waves Fill my Mouth” is a video project which uses customized computer programs to assign human vocal sounds to movements of light in a natural landscape.
Multi-media artists Andrew Kaufman and Donna Stack are collaborating on their installation for "Altered Landscapes". Andrew Kaufman uses a variety of media to create experiential and engaging reflections of his personal observations within society. Donna Stack's work deals primarily with ideas of authenticity and duality.
Gerald Habarth uses painting and drawing on a large scale to create animations that overflow boundaries and incorporate fantastic imagery to describe and defy space and time.
Craig Coleman's installations blend photography, electronics, image projection, sound, and various human interactive devices. Using humor and irony, his work seeks the similar in the dissimilar, and tries to extract meaningful metaphors out of throw away items.
Alter Bridge
Support: Black Stone Cherry
06.11.2011
Klokgebouw, Eindhoven
Netherlands
Copyright © Jessica Santiago Lopez
The Roxy Summer Splash organized by Seventeen magazine event last weekend was one crazy party. Loads of girls and hunks parading around their board shorts and bikinis.
Also there was the Seventeen magazine cover girl and guy and not to forget all the local bands that were performing on that night including big names like Altered Frequency, One Buck Short, Frequency Canon, Bittersweet and Pop Shuvit.
It was fun filled event and the crowd was just crazy....
Cardross Seminary Graffiti
One of four buildings in Britain listed in The World Monuments Fund's '100 Most Endangered Sites' for 2008.
Alter Bridge + Black Stone Cherry + Theory of a Deadman @ the LG Arena, Birmingham - 22nd November 2011
---------------
Photograph by Sean Larkin for Midlands Rocks
© 2011 www.seanlarkin.co.uk
Photos may not be used anywhere without permission
IV edición de los Galardones Alter Christus. El Regnum Christi busca hacer presente el Reino de Cristo aquí y ahora, y los sacerdotes lo hacen de una manera muy especial por medio de su ministerio, queremos acompañarlos. La Fundación Alter Christus es la propuesta de la #familiaRC para animar la espiritualidad sacerdotal, y con estos Galardones, quiere poner el valor el trabajo de sacerdotes especialmente en las áreas de atención al clero y a la Vida Consagrada, pastoral familiar, acción social y Nueva Evangelización.
Wanted to put together some different containers for altered art lots. . I have way too many things to ever use.
Alter Bridge live @ Den Atelier, Luxembourg
2011/06/15
These images are copyright protected
Don't use them without my prior written permission
You also might have a look at the concert gallery archive www.concertpics.net.
There might be Galleries of Alter Bridge from other photographers from this or other shows
Alter Bridge
Support: Black Stone Cherry
06.11.2011
Klokgebouw, Eindhoven
Netherlands
Copyright © Jessica Santiago Lopez
View towards Alsterfleet/Kleine Alster with the buildings at Neuer Wall on the left side and the buildings at Alter Wall on the right side, specially illuminated during the event under the motto "Inter/Wall".
project no drugs n no suicide.
consist of many pic that maybe seems violent for some viewer. parental guide is needed. tq
been conducted by me with shuttermonkey n daus
www.flickr.com/photos/shuttermonkeys/
www.flickr.com/photos/thephotoshooter/
model-luc.
wardrobe-luc.
make up, blood n tools - jue n me
2 light
My pictures are copyrighted and as every intellectual property, may not be copied to another computer, transmitted, published, reproduced, stored, manipulated, projected, or altered in any way.
All Rights Reserved.
©farhanjamil 2009
A Norman chapel stands on the steep hillside above Chadlington. On a cold day in March the wind drives snow across the churchyard and rattles resilient patches of snowdrops. How many snows has this simple building seen, how many travellers have sought shelter from a howling storm, having climbed the steep hill from the River Evenlode below. Standing among the yew trees, on the bone-rich ground, the view from the churchyard is ancient, little altered by the passing years. At the end of a narrow lane All Saints has a few cottages for company, it is hard to tell whether these humble buildings are survivors of a larger village or have always stood isolated among the fields. It is easier to imagine the numberless generations of locals summoned here by bells to celebrate the passing ceremonies of Christian calendar.
The exterior of All Saints is austere, a simple two-cell Norman chapel extended to the south in the 15th century with a Georgian east window added during a major early restoration. The church consists of nave, chancel, an east belfry and 19th century south porch although outer and inner doors appear much earlier in date. Step inside and you are confronted by the Middle Ages in all it's symbolic complexity and the belief that the intervention of saints can influence our daily lives. A palimpsest, medieval saints overwritten with later biblical texts cover large areas of the nave walls, giving a faded impression of the elaborate decorative schemes that were common to all our pre-Reformation churches. A round-headed lancet survives in the north wall of the nave. The small 13th century chancel arch of two pointed chamfered orders is off-centre due to the nave being extended to the south. The south wall has two Perpendicular windows, a doorway and a piscina to the east, all of a similar date. A large squint to the south of the chancel arch connects nave and sanctuary. The west wall of the nave has a Tudor window and a blocked Georgian opening which may once have been one main doors of the church. An atmosphere of antiquity is emphasised by the 18th century pulpit, reading desk and box pews which tower over the east end of the nave. Opposite the door is a Norman tub font which has seen over 900 years of service. If you look through the Georgian east window of the chancel the tower of Spelsbury church can be seen in the distance, the chancel was rebuilt in the 18th century re-using a Decorated window in the south wall.
The real rarity of All Saints is the fortunate survival of several passages of medieval decoration preserved from destruction under a layer of whitewash. The earliest decoration surviving surrounds the 13th century round-headed north nave window, red lines mimic the pattern of stonework and small red floral motifs have been added to the window splay.
To the left of the blocked north door is a representation of St Frideswide, an 8th century princess who became a nun, choosing the church over a royal suitor, who was blinded when he attempted to force her into marriage. She became patron saint of Oxford and although her shrine was destroyed in the Reformation she is believed to be buried in Christ Church, Oxford.
To the right of the door is the figure of an archbishop, which might be St Edmund of Abingdon or a rare survival of an image of St Thomas a Becket, a particular target for iconoclasts due to his defiance of royal authority. The image shows the archbishop teaching a child to read.
To the west of the round-headed window is a fragmentary 14th century priest thought to be a depiction of St Leonard, patron saint of Eynsham Abbey, who owned the patronage of Shorthampton.
Over the chancel arch the remains of a Doom have been obscured by a Royal Coat of Arms. The Last Judgement, with the just ascending to heaven while sinners are thrown into the mouth of hell, is a common subject for the chancel arch, after the Reformation every church had to display the Royal Arms.
The squint was inserted in the 15th century to enable those in the widened southern portion of the nave to be able to witness the elevation of the host, during the celebration of the Mass. "The Legend of the Clay Birds" is depicted inside the squint, the Virgin Mary holds the Christ child and St John, although St.John might be holding a Goldfinch. The legend derives from the apocryphal Infancy Gospel of St Thomas which describes the Christ child making clay birds which he then brings to life.
To the right of this is "the Agony in the Garden" but there are two layers of paint which makes the imagery difficult to read.
The left reveal of the easterly south window of the nave has a small mid-15th century figure in an elaborate green dress. This is St Sitha, also known as Zita of Lucca, the patron saint of maids and domestic servants, often depicted holding a set of keys and said to help supplicants in finding items they have lost.
Between this window and the south door is a panel which shows St Loy or the "Legend of St Eligius", patron saint of blacksmiths and metalworkers, depicted shoeing a horse. A 7th century goldsmith famous for the building of churches.
Biblical texts replaced images of saints in the reign of Eward VI who ordered their destruction in 1548. The Creed appears on a large panel over the door and the west wall has a cartouche containing King Solomon's prayer. Also on the west wall is a disembodied wing probably the remains of "George and the Dragon" though possibly the Archangel Michael. There are also many small fragments of wall painting including foliate decoration round the chancel arch.
All in all a wonderful voyage through time. Shorthampton is a few miles from Chipping Norton about 40 minutes from Stratford-upon-Avon
Mixed Media Collage for Collab
11 x 20
Digitally altered copyleft photo from this (http://farm1.static.flickr.com/144/377535862_2adfd18295_m.jpg) photo and one that I took here where I live of a treed horizon, gold leaf, vintage nudes. The copyleft photos are a way to help increase awareness about our global warming problem.
This will be sent to Denver for some collab with DeadlyDaisy
Close up of her head. I cut the head, hooves, and tail off of a rubber horse I had. I glued the head on, drilled a hole for the tail and glued it into the hole and used masking tape to tape the hooves. I then paper mached the around the neck and hooves to make them stronger and blend better.
#Alter Bridge
rockinspain.es/cronicas/alter-bridge-el-dorado-17nov2010-...
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