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Handmade collage postcard made and sent to me by a Postcrossing member in the United States to thank me for a collage postcard that I sent to her.
Edward Hodges Baily 1788-1867
Maternal Affection
Signed and dated 1837
Baily made many version of this theme over the years, even though the first one of 1823 failed to sell and had to be put in a lottery. The mother and child are shown in the guise of a classical goddess and putto.
London
Marble
Museum no. A.33-1964
Assembly at EDINBURGH, August 17, 1643. Sess. 14.
The General Assembly’s Approbation of the SOLEMN LEAGUE AND COVENANT.
THE Assembly having recommended unto a Committee appointed by them to join with the Committee of the Honourable Convention of Estates, and the Commissioners of the Honourable Houses of the Parliament of England, for bringing the kingdoms to a more near conjunction and union, received from the foresaid Committees the Covenant after mentioned, as the result of their consultations: and having taken the same, as a matter of so publick concernment and so deep importance doth require, unto their gravest consideration, did, with all their hearts, and with the beginnings of the feelings of that joy, which they did find in go great measure upon the renovation of the National Covenant of this kirk and kingdom, All with one voice approve ad embrace the same, as the most powerful mean, by the blessing of GOD, for settling and preserving the true Protestant religion with perfect peace in his Majesty’s dominions, and propagating the same to other nations, and for establishing his majesty’s throne to all ages and generations. And therefore, with their best affections, recommend the same to the Honourable Convention of Estates, that, being examined and approved by them, it may be sent with all diligence to the kingdom of England, that, being received and approven there the same may be, with publick humiliation, and all religious and answerable solemnity, sworn and subscribed by all true professors of the reformed religion, an all his Majesty’s good subjects in both kingdoms.
A. JOHNSTOUN.
___________________________
CHARLES I. Parl. 3. Sess. 1. Act 5.
ACT anent the Ratification of the calling of the Convention, Ratification of the League and Covenant, Articles of Treaty betwixt the Kingdoms of Scotland and England, and remanent Acts of the Convention of Estates, and Committee thereof.
AT EDINBURGH, July 15, 1644.
THE Estates of Parliament, presently convened by virtue of the last act of the last Parliament, holden by his Majesty, and the three Estates, in anno 1641, considering, that the Lords of his Majesty’s Privy Council, and Commissioners for conserving the articles of the treaty, having, according to their interests and trust committed to them by his Majesty and Estates of Parliament, used all means, by supplications, remonstrances, and sending of Commissioners, for securing the peace of this kingdom, and removing the unhappy distractions betwixt his Majesty and his subjects in England, in such a way as might serve most for his Majesty’s honour, and good of both kingdoms; and their humble and dutiful endeavours for so good ends having proven ineffectual, and their offer of mediation and intercession being refused by his Majesty; and thereby finding the weight and difficulty of affairs, and the charge lying on them to be greater than they could bear; did therefore, in the month of May 1643, meet together with the Commissioners for the common burdens, that, by joint advice, some resolution might be taken therein; and in respect of the danger imminent to the true Protestant religion, his Majesty’s honour, and peace of thir kingdoms, by the multitude of Papists and their adherents in arms in England and Ireland, and of many other publick and important affairs, which could not admit delay, and did require the advice of the representative body of the kingdom; appointed and caused indict a meeting of the Convention of Estates (his Majesty having formerly refused their humble desires for a Parliament) to be on the 22d of June following; which diet being frequently kept by the Noblemen, commissioners of shires and burghs, and they finding these dangers against this kirk and state still increasing, resolved, after serious deliberation and advice of the General Assembly, and joint concurrence of the Commissioners authorized by the Parliament of England, that one of the chiefest remedies for preventing of these ad the like dangers, for preservation of religion, and both kingdoms, from ruin and destruction, and for procuring of peace, That both kingdoms should, for these ends, enter into Covenant; which was accordingly drawn up, and cheerfully embraced and allowed.—And at last a treaty was agreed unto by both kingdoms, concerning the said Covenant, and assistance craved from this kingdom b the kingdom of England, in pursuance of the ends expressed therein:--And the Estates being still desirous to use all good means, that, without the effusion of more blood, there may be such a blessed pacification betwixt his Majesty and his subjects, as may tend to the good of religion, his Majesty’s true honour and safety, and happiness of his people, did therefore give commission to John Earl of Loudoun, Lord Chancellor, Lord Maitland, Lord Waristoun, and Mr. Robert Barclay, to repair to England, and endeavour the effectuating of these ends contained in the covenant of treaties, conform to their instructions.—
And the said Estates having taken the proceedings above written to their consideration, do find and declare, That the Lords of council, and conservers of peace, did behave themselves as faithful counsellors, loyal subjects, and good patriots, in tendering their and in calling the Commissioners for the common burdens, and, by joint advice, appointing the late meeting of Convention, wherein they have approven themselves answerable to the duty of their places, and that trust committed to them; and therefore ratifies and approves their whole proceedings therein, and declares the said Convention was lawfully called, and also full and free in itself, consisting of all the members thereof, as any Convention hath been at any time bygone; and ratifies and approves the several acts made by them, or their committee, for enjoining the Covenant.—And also, the said estates of Parliament (but prejudice of the premises, and of the general ratification above mentioned) ratify, approve, and confirm the foresaid mutual League and Covenant, concerning the reformation and defence of religion, the honour and happiness of the King, and the peace a safety of the three kingdoms of Scotland, England, and Ireland; together with the acts of the Kirk an Estate authorizing the same League and Covenant; together also with the foresaid articles of treaty and the Commissioners of both the Houses of Parliament of England, concerning the said Solemn League and Covenant.—And the said Estates ordain the same acts, with the League and Covenant above specified, acts authorizing the same, and the articles of treaty foresaid, to have the full force and strength of perfect laws and acts of Parliament, and to be observed by all his Majesty’s lieges, conform to the tenors thereof respective. Of the which League and Covenant, the tenor follows:
THE SOLEMN LEAGUE AND COVENANT,
for reformation and defence of religion, the honour and happiness of the King, and the peace and safety of the three kingdoms of Scotland, England, and Ireland; agreed upon by Commissioners from the Parliament and Assembly of Divines in England, with Commissioners of the Convention of Estates and General Assembly of the Church of Scotland; approved by the General Assembly of the Church of Scotland, and by both Houses of Parliament, and the Assembly of Divines in England, and taken and subscribed by them anno 1643; and thereafter, by the said authority, taken and subscribed by all ranks in Scotland and England the same year; and ratified by act of the Parliament of Scotland anno 1644. (And again renewed in Scotland, with an acknowledgement of sins and engagements to duties, by all ranks, anno 1648, and by Parliament, 1649; and taken and subscribed by King Charles II., at Spey, June 23, 1650; and at Scoon, January 1, 1651.)
"We, noblemen, barons, knights, gentlemen, citizens, burgesses, ministers of the Gospel, and commons of all sorts, in the kingdoms of Scotland, England, and Ireland, by the providence of GOD living under one king, and being of one reformed religion, having before our eyes the glory of God, and the advancement of the kingdom of our Lord and Saviour JESUS CHRIST, the honour and happiness of the king's majesty and his posterity, and the true public liberty, safety, and peace of the kingdom, wherein every one's private condition is included: and calling to mind the treacherous and bloody plots, conspiracies, attempts, and practices of the enemies of GOD, against the true religion and professors thereof in all places, especially in these three kingdoms, ever since the reformation of religion; and how much their rage, power, and presumption, are of late, and at this time, increased and exercised, whereof the deplorable state of the Church and kingdom of Ireland, the distressed state of the Church and kingdom of England, and the dangerous state of the Church and kingdom of Scotland, are present and public testimonies: we have now at last (after other means of supplication, remonstrance, protestation, and sufferings), for the preservation of ourselves and our religion from utter ruin and destruction, according to the commendable practice of these kingdoms in former times, and the example of GOD'S people in other nations, after mature deliberation, resolved and determined to enter into a Mutual and Solemn League and Covenant, wherein we all subscribe, and each one of us for himself, with our hands lifted up to the Most High GOD, do swear,
"I. That we shall sincerely, really, and constantly, through the grace of GOD, endeavor, in our several places and callings, the preservation of the reformed religion in the Church of Scotland, in doctrine, worship, discipline, and government, against our common enemies; the reformation of religion in the kingdoms of England and Ireland, in doctrine, worship, discipline, and government, according to the Word of GOD, and the example of the best reformed Churches; and shall endeavour to bring the Churches of GOD in the three kingdoms to the nearest conjunction and uniformity in religion, Confession of Faith, Form of Church Government, Directory for Worship and Catechising; that we, and our posterity after us, may, as brethren, live in faith and love, and the Lord may delight to dwell in the midst of us.
"II. That we shall, in like manner, without respect of persons, endeavour the extirpation of Popery, Prelacy (that is, Church government by archbishops, bishops, their chancellors and commissioners, deans, deans and chapters, archdeacons, and all other ecclesiastical officers depending on that hierarchy), superstition, heresy, schism, profaneness, and whatsoever shall be found contrary to sound doctrine and the power of Godliness; lest we partake in other men's sins, and thereby be in danger to receive of their plagues; and that the Lord may be one, and his name one, in the three kingdoms.
"III. We shall, with the same sincerity, reality, and constancy, in our several vocations, endeavour, with our estates and lives, mutually to preserve the rights and privileges of the Parliaments, and the liberties of the kingdoms; and to preserve and defend the king's majesty's person and authority, in the preservation and defence of the true religion and liberties of the kingdoms; that the world may bear witness with our consciences of our loyalty, and that we have no other thoughts or intentions to diminish his majesty's just power and greatness.
"IV. We shall also, with all faithfulness, endeavour the discovery of all such as have been or shall be incendiaries, malignants, or evil instruments, be hindering the reformation of religion, dividing the king from his people, or one of the kingdoms from another, or making any faction or parties among the people, contrary to this League and Covenant; that they may be brought to public trial, and receive condign punishment, as the degree of their offences shall require or deserve, or the supreme judicatories of both kingdoms respectively, or others having power from them for that effect, shall judge convenient.
"V. And whereas the happiness of a blessed peace between these kingdoms, denied in former times to our progenitors, is, by the good providence of GOD, granted unto us, and hath been lately concluded and settled by both Parliaments; we shall, each one of us, according to our place and interest, endeavour that they may remain conjoined in a firm peace and union to all posterity; and that justice may be done upon the willful opposers thereof, in manner expressed in the precedent article.
"VI. We shall also, according to our places and callings, in this common cause of religion, liberty, and peace of the kingdoms, assist and defend all those that enter into this League and Covenant, in the maintaining and pursuing thereof; and shall not suffer ourselves, directly or indirectly, by whatsoever combination, persuasion, or terror, to be divided or withdrawn from this blessed union and conjunction, whether to make defection to the contrary part, or to give ourselves to a detestable indifferency or neutrality in this cause, which so much concerneth the glory of God, the good of the kingdom, and honour of the king; but shall, all the days of our lives, zealously and constantly continue therein against all opposition, and promote the same, according to our power, against all lets and impediments whatsoever; and what we are not able ourselves to suppress or overcome, we shall reveal and make known, that it may be timely prevented or removed: All which we shall do as in the sight of God.
"And, because these kingdoms are guilty of many sins and provocations against GOD, and his Son JESUS CHRIST, as is too manifest by our present distresses and dangers, the fruits thereof; we profess and declare, before GOD and the world, our unfeigned desire to be humbled for our own sins, and for the sins of these kingdoms; especially that we have not, as we ought, valued the inestimable benefit of the Gospel; that we have not laboured for the purity and power thereof; and the we have not endeavoured to receive Christ in our hearts, not to walk worthy of him in our lives; which are the causes of other sins and transgression so much abounding amongst us: and our true and unfeigned purpose, desire, and endeavour, for ourselves, and all others under our power and charge, both in public and private, in all duties we owe to GOD and man, to amend our lives, and each one to go before another in the example of a real reformation; that the Lord may turn away his wrath and heavy indignation, and establish these Churches and kingdoms in truth and peace. And this Covenant we make in the presence of ALMIGHTY GOD, the Searcher of all hearts, with a true intention to perform the same, as we shall answer at that great day, when the secrets of all hearts shall be disclosed; most humbly beseeching the LORD to strengthen us by his HOLY SPIRIT for this end, and to bless our desires and proceedings with such success, as may be deliverance and safety to his people, and encouragement to other Christian Churches, groaning under, or in danger of the yoke of antichristian tyranny, to join in the same or like association and covenant, to the glory of GOD, the enlargement of the kingdom of JESUS CHRIST, and the peace and tranquillity of Christian kingdoms and commonwealths."
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Lately Tessa and Sole are seem a lot closer. Perhaps they are picking up "affection vibes" from the black cat figure.
Just a few shots from around the house. No need to comment.
The Home Affections as pourtrayed by the Poets, collected by Charles Mackay 1866.
With engravings after prominent artists engraved by the Brothers Dalziel.
Published by George Routledge & Sons, London. Blue and gilt embellished cloth binding, 359 pages 23cm x 17.5cm.
Enrico Caruso’s ascendancy coincided with the dawn of the twentieth century, when the world of opera was moving away from the contrived bel canto (“beautiful singing”) style, with its emphasis on artifice and vibrato, to a verismo (“realism”) approach. The warmth and sincerity of his voice—and personality— shone in this more natural style and set the standard for contemporary greats like Luciano Pavarotti, Placido Domingo, and José Carreras. Through his exploitation of the nascent phonograph industry, Caruso is also largely responsible for the sweeping interest in opera of the 1910s and ’20s. And for this, Stanley Jackson wrote in his book Caruso, he may never be rivaled, for later tenors could not hope to find themselves in a similarly fortuitous position and thus would most certainly “find it more difficult to win such universal affection as the bubbly, warm-hearted little Neapolitan whose voice soared and sobbed from the first wheezy phonographs to bring a new magic into countless lives.”
Born in Naples, Italy, in 1873, the third of seven children (early sources erroneously state that he was the 18th of 21), Caruso was raised in squalor. His birthplace, according to Jackson, was a “two-storeyed house, flaky with peeling stucco, [accommodating] several families, who shared a solitary cold-water tap on the landing, and like every other dwelling in that locality it lacked indoor sanitation.” As a boy, Caruso received very little formal education; his only training in a social setting came from his church choir, where he displayed a pure voice and a keen memory for songs. More often than not, however, he skipped choir practice to sing with street minstrels for café patrons.
At the age of ten Caruso began working a variety of menial jobs—mechanic, jute weaver—but his passion for singing often led him back to the streets. Eight years later, an aspiring baritone named Eduardo Missiano heard Caruso singing by a local swimming pool. Impressed, Missiano took Caruso to his voice teacher, Guglielmo Vergine. Vergine on hearing Caruso, compared the tenor’s voice to “the wind whistling through the chimney,” Michael Scott recounted in The Great Caruso. Although he disliked Caruso’s Neapolitan café style, flashy gestures, and unrefined and unrestrained vocalizing, Vergine finally agreed to accept Caruso as his student. But “the lessons ended after three years,” John Kobler wrote in American Heritage, “and Caruso’s formal musical training thereafter remained almost as meager as his scholastic education. He could read a score only with difficulty. He played no musical instrument. He sang largely by ear.”
On March 15, 1895, Caruso made his professional debut in L’Amico Francesco, a now-forgotten opera by an amateur composer. He was not an immediate sensation.
For the Record…
Bom Errico Caruso (adopted more formal Enrico for stage), February 27 (some sources say 25), 1873, in Naples, Italy; died of pneumonia and peritonitis in 1921 in Naples; son of Marcellino (a mechanic) and Anna (Baldini) Caruso; married Dorothy Park Benjamin, 1918; children: Gloria; (with Ada Giachetti) Rodolfo, Enrico Jr. Education: Studied voice with Guglielmo Vergine, 1891-94, and Vincenzo Lombardi, 1896-97.
Worked as laborer, including jobs as mechanic and jute weaver, beginning c. 1883; debuted in L’Amico Francesco at Teatro Nuovo, Naples, 1894; expanded repertoire to include La Traviata, Rigoletto, Aida, and Faust, among others; first sang Canio in I Pagliacci, 1896, and Rodolfo in La Bohème, 1897; debuted in La Bohème at La Scala, Milan, 1899; performed internationally, including appearances in Moscow, Buenos Aries, Monte Carlo, and London, beginning in 1899; made first recordings, 1902; debuted in U.S. at Metropolitan Opera, New York City, 1903. Appeared in silent films My Cousin and A Splendid Romance, 1918; subject of fictional film biography The Great Caruso, 1950.
Awards: Order of the Commendatore of the Crown of Italy; Grand Officer of the French Legion of Honor; Order of the Crown Eagle of Prussia; honorary captain of the New York City Police Department.
His vocal range was limited; he often had to transpose the musical score down a halftone since he had trouble in the upper register, especially hitting high C. But impresarios who heard Caruso recognized his innate gift and cast him in significant productions such as Faust, Rigoletto, and La Traviata. With stage experience and brief training with another vocal teacher, Vincenzo Lombardo, the singer made steady progress, refining the natural beauty of his voice.
“Who Has Sent You to Me? God?”
In 1897, studying for the part of Rodolpho in Giacomo Puccini’s La Bohème, Caruso went to the composer’s villa to secure Puccini’s consent of his interpretation. As told by author Jackson, after Caruso sang a few measures of the first-act aria, “Che gelida manima,” Puccini “swivelled in his chair and murmured in amazement, ’Who has sent you to me? God?’”
Caruso’s instrument was “a voice of the South, full of warmth, charm, and lusciousness,” described a commentator of the era who was quoted in Howard Greenfeld’s book Caruso. But what truly set Caruso apart—from his predecessors, contemporaries, and successors—was his ability to eliminate the space between singer and listener, to intensify “the emotional effects upon his audience,” testified American Heritage contributor Kobler. “His vocalized feelings, variously spiritual, earthy, carnal, seemed to resonate within the hearer’s body. Rosa Ponselle, the American soprano who made her debut opposite Caruso, called it “a voice that loves you.’”
And his timbre was matched by sheer power; at the height of his career, Caruso gave concerts in venues as large as New York City’s Yankee Stadium without microphones and was clearly heard by all. Still, he reached his greatest audience, across both distance and time, through the small, recorded medium of the phonograph. “Few performers deserve . . . recognition more than Caruso,” David Hamilton proclaimed in the New York Times. “[His] records made him the universal model for later generations of tenors, while his reputation played a major role in establishing the phonograph socially and economically.”
Recording Pioneer
Caruso made his first recording on April 11, 1902, in a hotel suite in Milan, Italy. Over the remaining 19 years of his life he made an additional 488 recordings, almost all for the Victor label. He earned more than two million dollars from recording alone, the company almost twice that. But, most important, his recordings brought grand opera to the uninitiated. Millions cried along with his version of Canio’s sobbing “Vesti la giubba,” from/Pagliacci. The development of the American opera audience from a rarefied community at the turn of the century to a diverse populace in modern times can be directly attributed to Caruso’s recordings.
But Caruso’s allure was not solely the result of his singing. “Quick to laughter and to tears, amorous, buffoonish,... speaking a comically fractured English, round and paunchy, Caruso presented an image that appealed enormously to multitudes of ordinary Americans,” Kobler pointed out. Indeed, his offstage behavior was as interesting to the public as that of his onstage personas. He had numerous affairs with women, which often ended in court. He had an 11-year relationship, beginning in 1897, with soprano Ada Giachetti, who had left her husband and son for the much younger tenor. She bore Caruso two sons, then ran off with the family chauffeur. Three years later, Giachetti sued Caruso for attempting to damage her career and for theft of her jewelry. The suit was eventually dismissed.
Offstage Shenanigans
Caruso was not exonerated, however, in what became known as the “Monkey House Case.” On November 16, 1906, Caruso went to the Monkey House in the Central Park Zoo, one of his favorite retreats in his adopted hometown of New York City. There a young woman accused him of pinching her bottom. A policeman on the scene immediately took Caruso—confused and sobbing—to jail. The woman failed to appear at the consequent trial, and police were unable to produce any witnesses other than the arresting officer, who turned out to have been best man at the accuser’s wedding. The judge found Caruso guilty of disorderly conduct and fined him ten dollars. The public, for its part, though initially unsure of Caruso’s innocence, soon returned to its thunderous approval of his performances.
Despite these episodes, Caruso’s life outside the theater was not entirely tumultuous. His marriage to Dorothy Park Benjamin in 1918 was happy and secure. His celebrated earnings allowed him to collect art, stamps, and coins. His clothing and furnishings were luxurious. He ate with gusto. And he was extremely generous. A gifted caricaturist, Caruso often gave drawings away. He would fill his pockets with gold coins and shower stagehands with them at the end of Christmastime productions. He also supported many family members, gave numerous charity concerts, and helped raise millions of dollars for the Allied cause during World War I. This remarkable man even paid his taxes early. “If I wait, something might happen to me, then it would be hard to collect,” Caruso reasoned, as recounted by Kobler. “Now I pay, then if something happen to me the money belongs to the United States, and that is good.”
Caruso’s expansive approach to life, however, rendered his own short. Constant recording and performance demands and the singer’s unchecked appetites took their toll on his health; he died in Naples, in 1921, from pneumonia and peritonitis. He was 48 years old. “Caruso may have been a greater master of comedy than tragedy,” Great Caruso author Scott wrote, “yet there was no levity in his approach to his art, for as each year passed and he became an ever more celebrated singer, his fame—ably demonstrated by frequent new issues of ever improving records—made increasing demands of him. In those last years he rode a tiger.”
Selected discography
Enrico Caruso: 21 Favorite Arias, RCA, 1987.
Enrico Caruso, Pearl, 1988.
Enrico Caruso in Arias, Duets, and Songs, Supraphon, 1988.
Caruso in Opera, Nimbus, 1989.
Caruso in Song, Nimbus, 1990.
The Compíete Caruso, BMG Classics, 1990.
Enrico Caruso in Opera: Early New York Recordings (1904-06), Conifer, 1990.
The Caruso Edition: Volume 1 (1902-1908), Pearl, 1991.
The Caruso Edition: Volume 2 (1908-1912), Pearl, 1991.
The Caruso Edition: Volume 3 (1912-1916), Pearl, 1991.
The Caruso Edition: Volume 4 (1916-1921),, Pearl, 1991.
Caruso in Ensemble, Nimbus, 1992.
Addio Mia Bella Napoli, Replay/Qualiton, 1993.
Sources
Books
Caruso, Enrico, Jr., and Andrew Farkas, Enrico Caruso: My Father and My Family, Amadeus Press, 1990.
Greenfeld, Howard, Caruso, Putnam, 1983.
Jackson, Stanley, Caruso, Stein & Day, 1972.
Scott, Michael, The Great Caruso, Knopf, 1988.
Periodicals
American Heritage, February/March 1984.
Economist, March 9, 1991.
New Republic, August 8, 1988.
New York Times, January 6, 1991.
—Rob Nagel
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#enrico-picciotto, enrico picciotto
This RPPC was never mailed. It has a Velox stamp box. No names or date.
A beautiful photo in every way. Their names are lost but their love is unmistakable.
The affections. They are touched. Deeply. Gratitude overflowing. Let this flower be just but a token of that.
“Affection is responsible for nine-tenths of whatever solid and durable happiness there is in our lives.”
C.S. Lewis
My Friday, 16 June 2023 PHOTO OF THE WEEK 11 X 17 Poster
2023 FRIDAY PHOTO OF THE WEEK at exbphotos2023.blogspot.com/2023/06/friday-16-june-2023-ph...
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48th Capital Pride Festival along Pennsylvania Avenue at 6th Street, NW, Washington DC on Sunday afternoon, 11 June 2023 by Elvert Barnes Photography
DuPont Dance Tent & Beverage Garden
Elvert Barnes WITHOUT APOLOGIES / LGBTQ Public Displays of Affection docu-project at elvertxbarnes.com/withoutapologies
Elvert Barnes 48th Washington DC Gay Pride 2023 docu-project at elvertxbarnes.com/dc-gay-pride-1
Elvert Barnes Gay Pride 2023 docu-project at elvertxbarnes.com/gaypride
Elvert Barnes June 2023 at elvertxbarnes.com/2023
Grey Wolves.
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C Train, NYC
FINALLY!!!! This couple is so cute, the two women were standing-one with her head on the other woman's chest. They had the we just fell in love euphoric daze as they were kissing each other here and there. It made me so happy to see them openly doing what hetero couples do everywhere. Some people were staring but no one had disgusted or shocked faces. I feel that society is so used to seeing gay men being intimate - but we don't see gay women being intimate unless they are fulfilling the hetero male's sexual female-on-female fantasy.