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Fjórði og síðasti dagurinn í göngufríi á Austfjörðum hófst í útjaðri Djúpavogs, við gengum 12km hring eftir strandlengjunni kringum ysta hluta Búlandsness. Austfjarðaþokan alræmda lagðist inn yfir nesið um miðjan morgun en hopaði fljótlega fyrir sólinni.
Day 4/4 of a hiking trip in Eastfjords of Iceland. This day we did an amazing 12km coastal walk in Búlandsnes near Djúpivogur village.
Just walk inside and get the soda you please.
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Sheetz interior. Mansfield, PA. January 2014.
At age 5+ this english boy is having a confident stroll in a Dalls park the morning after he arrived from London.
Let us walk in the white snow
In a soundless space;
With footsteps quiet and slow,
At a tranquil pace,
Under veils of white lace...
We shall walk through the still town
In a windless peace;
We shall step upon white down,
Upon silver fleece,
Upon softer than these...
(Elinor Morton Wylie)
...taken on the Große Mantelgasse in the Altstadt...
Heidelberg, Germany...
Last fall in Central Park in NY. I loved those colours everywhere and wanted to capture them.
Processing:
3 xp HDR image, with one of the exposures layer-blended to make all those moving people look normal again lol
I also added some blur to give a more hazy atmosphere to this overcast early fall day last year.
A photo walk In Lyon, France, on June 10, 2023 with my Minolta XD5 (years 1979-1984),
The Minolta XD5 body was equipped with a Minolta MD (III) 1:2 f=85mm lens with a protective Hoya 49mm UV HMC Expert Slim filter or a generic 49mm yellow filter as indicated bellow.
The camera was loaded with an Ilford FP4+. panchromatic film exposed for 125 ISO the camera light meter in the manual mode privileging the shadow zones.
Quai des Célestins, June 10, 2023
69002 Lyon
France
After exposures (I made 39 exposures) the film was processed using Adox Adonal developer (equivalent to Agfa Rodinal) at dilution 1+25, 20°c for 9min. The film was then digitalized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were then processed without intermediate files in LR and edited to the final jpeg pictures.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivio Y76 color pictures.
About the camera :
Minolta XD5 was manufactured in Japan and released in 1979, two years after the XD7 (XD11 in certain markets). The Minolta XD series was resized to the "gold dimensions" of the Barnack Leica (approx. 13x3x5 cm) as Olympus did for its OM1 several years before. Minolta XD5 is very closed to the XD7 body with only a few features suppressed. It has the same electronic shutter made of vertical metal blades and was the first SLR offering a double automatism with aperture priority (A) or shutter priority (S) when coupled to a new series of Minolta MD lenses. XD bodies served has basis for the Leica R4 to R7 SLR's and was developed consequently with Leitz. XD camera were more expensive than Minolta X-700 and X-500 famous SLR's and co-existed to the Minolta catalog from 1981 to 1984.
I found this XD5 from my local photography shop in March 2023 with its likely original normal lens : a Minolta MD (III) 1:2 f=50mm.
About the 85mm lens:
I purchased brand-new this Minolta lens MD (III) 1:2 f=85mm in 1984 a part of my original 1984 Minolta X-500 kit that included too a MD 1:2.8 f=20mm and a MD 1:2.8 f=35mm. When not used, the kit was carefully stored in an aluminium case and the lenses kept their original Minolta shade hood. For the 85mm, the cylindrical hood is made of metal.
a february walk around centennial park in nashville.
nadinoo tie front blouse
thrifted high waist polka dot trousers
vintage bass saddle shoes via etsy
american apparel white ankle socks
Camera: Nikon F2 Photomic
Finder: Photomic A (DP-11)
Lens: Ai AF Nikkor 85mm f/1.4D
Film: New Seagull 400
Developing: CineStill Film Df96 w/ Paterson SS4 Universal Tank
Digitalizing: Nikon D800E w/ Nikkor 60mm f/2.8G
Warner Bros Studio Tour London: The Making of Harry Potter
Warner Bros Studio, Aerodrome Way, Leavesden, Watford, Herts, WD25 7LS
A great day out for every fan of the boy wizard.
The Making of Harry Potter studio tour, covering 150,000 square foot, on two soundstages opened on the 31st March 2012, with stars galore at the red carpet launch at the Leavesden Studios where all eight movies were produced.
The home for many film productions, including several James Bond features, before a relatively new production company arrived there to make a film about a young boy who on his 11th birthday discovers he is a wizard.
Over the next ten years, the cast and crew of over 4,000 in total used more and more of the studios as the popularity of the books and films grew. The three young stars lived, grew up, went to school and turned into adults there on those stages.
Your tour begins in the foyer, with a flying Ford Anglia hanging from the ceiling and the walls adorned with huge photos of the cast, along with a few props.
Passing by the set of the cupboard under the stairs, you enter a room with a number of vertical TV screens showing Potter movie posters from around the world, followed by a short video sequence showing the rise of Harry’s popularity, the production teams discovery of the stories and the enormous worldwide success of the books and films.
Moving into the cinema, a short film introduced by Daniel Radcliffe, Emma Watson and Rupert Grint, talking about their experiences growing up on a film set for ten years, with clips from all eight films. The film ends with them standing in front of the main doors to the Great Hall and they walk in through the doors and invite you to follow them.
The screen at this point slowly rises to reveal the actual main doors to the Great Hall, surrounded with stone statues and carvings. What a wizard way to start the tour.
Walking through into the Great Hall we are told that we were now walking on the actual stone floor used in the films and seeing the actual tables where the actors ate their feasts. Dummies down each side of the hall wear the actual costumes used in the films. At the far end of the hall is the teachers’ table area, with more amazing costumes worn by Professors Dumbledore, Snape, McGonagall, Moody, Trelawney and Flitwick, as well as Hagrid and Filch too.
Leaving the Great Hall you enter the first of two vast sound stages. This includes sets for the Gryffindor Common Room and Dormitory, Dumbledore’s Office, Potions Classroom, Hagrid’s Hut, Burrow’s Kitchen and parts of the Ministry of Magic, also Umbridge’s gaudy pink, feline office. Each filled to the brim with props and costumes.
Props can be seen everywhere, with a massive cage in the centre, chock-a-block with goblets, chandeliers, wands and armour. A huge glass case contains the wands of 24 of the major characters – less than 1 percent of the total number of wands made for the films. The ornate doors to a Gringott’s vault and to the Chamber of Secrets are seen after passing a wall dedicated to the paintings produced to decorate the walls of Hogwarts.
Below the giant swinging pendulum of the Hogwarts castle clock there are several huge touch screens containing an interactive Marauders Map.
There are sections of the soundstage dedicated to various movie-making crafts. The hair and makeup section, costumes section, animal department, graphic design and production.
The final section in this first soundstage is dedicated to the Special Effects department with three huge video screens showing all the tricks and techniques, including greenscreen footage and CGI. Props attached to their motion rigs, include the Gringott’s Vault Cart and Mad-Eye Moody’s Recumbent Broomstick.
In separate room you can have a go on a broomstick or drive the Ford Anglia yourself, using the greenscreen technology.
The Backlot about half way round the tour is an open air section between the two soundstages where refreshments are available, including Butterbeer the popular wizarding beverage.
Also featured on the backlot are the Knight Bus, another Ford Anglia, Hagrid’s motorbike/sidecar, the Riddle family tombstone, a section of the rickety wooden Hogwarts Bridge, Potter’s burnt out cottage from Godric’s Hollow and Number 4 Privet Drive.
Entering the second soundstage you pass some of the giant chess pieces from the first movie. A number of video screens here progressively show what it was like to work in the creature shop, cleverly leading you from one screen to the next, past models of Fawkes, a snapping Monster Book of Monsters and a giant animatronic head of Hagrid. The next room has the life size (i.e., ENORMOUS!) model of Aragog the spider and one of three animatronic Buckbeak models.
Walking around the corner (WOW) you are transported into another world entirely. The dark lighting and cobbled street can only mean one thing – you have entered Diagon Alley. The shops using the original sets have been rebuilt– Flourish & Blotts, Eeylops Owl Emporium, Potage’s Cauldron Shop and of course Ollivander’s Wand Shop, each and every one them is crammed full of detail. At the other end of the street is Weasleys’ Wizard Wheezes, with the bright orange shopfront standing out from the crowd of blackness and featuring a moving model of one of the red-haired twins doffing his hat.
At the end of Diagon Alley you move onto the Art and Design department with walls covered with architectural drawings and detailed plans, accurate down to the millimetre, for many of the props and sets already seen. A draftsman’s table serves as a projection screen for another video about the work of the art department.
Moving on, up the ascending path are walls full of concept paintings and artwork, also intricate cardboard models of Hogsmead and the Hogwarts.
You are only looking at a model of the model though, as entering the next room, there, spread over at least 15 square metres is the most amazing, complex and elaborate model built to a 1:24 scale. It has a bigger footprint than the average house.
The last part of the tour is a fitting tribute to the crew and cast of the most popular film franchise of all time. A much tidier recreation of the interior of Ollivander’s Wand shop, with over 4,000 wand boxes lining its shelves – one for every single person who worked on the films.
Exit through the Gift Shop.
SEIU 721 City of Riverside members with assistance from the Riverside Police Officers’ Association and the Riverside City Firefighters’ Association, reached out to City management with the idea to commemorate Labor Day in a creative and educational way - by holding a job shadowing event where city council members and management participated in a Walk in Our Shoes, on Wednesday, Sept. 9, 2015. Video by tracy lee silveria/seiu721
"The imposing entry is paneled in bird’s-eye maple, handwrought spindles and Tiffany glass sliding doors. A formal dining room is staged with Haviland china and faux replicas of the Curry family’s original solid-gold Tiffany flatware. An 1853 Chickering piano, reputedly most recently of Henry James’s Newport home, sits in the music room."
I shot this video with my iPhone 13 mini, and edited it on my PC in Kdenlive. The song in the video is my own original creation. Footage shot in Cambridge, MA.
- Josh
♫ Mariachi Serenade (A walk in the clouds - Un Paseo por las nubes) ❥
www.youtube.com/watch?v=UkrfP0G5rIg
The VineYard
❤ BLOG: Credits & Slurls & More ❥
As soon as Leif conquered sea sickness, the minuscule bows of the 'Swan', Peter an Thomas's ship, scraped against Lenfel sands. Leif hadn't the slightest idea of where they were, but Peter and Thomas had at least commandeered the Swan into a small town, where they went directly to a storehouse on the dock. The merchant there was an amicable, fat man who was past his prime, but his door was guarded by two soldiers. Leif surveyed the room as he walked in, and determined that the men must have been in service of the local lord and had been hired by the merchant. Four more similarly-uniformed men guarded Leif's barrels outside. Leif was struck at once by the soft, organized feeling of the village. It looked much like villages all over Loreos. Peter and Thomas had convinced him on the voyage that Lenfald was a horrible place of savages and death, and they treated it as such. They constantly shot down the amicable merchant and belittled him, his men, and his village; even though he could have all three of their heads on a plate with the snap of his fingers. Leif realized something important that day. He was far less Loreesi than Peter and Thomas. He was, of course, born in Loreos; his father was a Loreesi merchant; and he would soon be the father of a Loreesi child, but he didn't identify as a Loreesi as much as his companions. He looked on, aghast, as Peter and Thomas chided the poor merchant, declining reasonable prices and raising their offer higher and higher as the merchant shot Leif sorry glances, as if he was used to this treatment. Eventually, a price was agreed, and Leif took his newfound fortune to the Swan and sailed away with Thomas and Peter feeling more Loreesi then ever.
Thanks for viewing, questions and criticism welcome!
a february walk around centennial park in nashville.
nadinoo tie front blouse
thrifted high waist polka dot trousers
vintage bass saddle shoes via etsy
american apparel white ankle socks
»Walk in the Clouds«
Pico do Arieiro | Madeira | Portugal
This photo was taken on the Pico do Arieiro at 1,818 m high (5965 feet), is Madeira island's third highest peak. We were there three times, once we were lucky enough and it was more to see than the fog :)
I never felt so close to the heaven. Hope you like it!
© Chantal Lichtenberg | Bonsai Fotografie
Sharing is welcome