View allAll Photos Tagged VueScan
Camera // Yashica Mat
Film // Kodak Portra 160
Developer // Tetenal C-41
Scan // Epson V850 (Vuescan and ColourPerfect)
at least that's what my print is captioned. I recall seeing this on the way back from the VW dealers, having picked up my A2 GTi 16v from service. that old golf sounded and looked like it was about to fall apart; the suspension hangers were barely there. I grabbed my camera while at a light, and shot out of my driver's side window. a quick grab shot. these days you use your iPhone, back then it was switch on, meter, focus, set exposure, wind on, shoot. all manual, and mechanical.
I can almost picture the scene, but forget which part of the Periferico.
Scanned from my original print on Konica paper, using vuescan and Epson v700. Probably shot on my OM1.
June 1995_MexicoDF_A1_Golf
Isola Bella, Lago Maggiore, Stresa (VB), Italia
18/08/2010
Camera: Wista 45DX cherry wood
Lens: Schneider Symmar-S 135mm f/5.6
Filter: Kood Red (equiv. Wratten 25)
Film: Foma Fomapan 100 Classic (4x5") rated 100 ASA
Exposure: 1/8s at f/22
Developer: Kodak HC-110, dil. H (1+63)
Development: 24°C, t= 6m 30s; 30 sec. cont. agit. then 3 tilts every minute; n+0
Fixer: Agfa Ag-Fix
Scanner: HP scanjet G4050
Software (scanner): Vuescan 8.6.53
RAW developer: BibblePro 5.1g
On Friday, May 2nd 2014 the Impossible Project had it's Open-Day in the Factory in Enschede. My brother and i decided to attend.
Trainride from Hamburg was a bit long and only getting in for the 10am Tour meant i had to get up at around 2am :)
It was quite amazing to see where those films in my fridge come from and what is involved in making them. Seeing the drums of developerpaste kept reminding me of the Roger Rabbit movie ;)
Shot a roll of film while on the tour. Well... i think there are a few Kodak BW400cn pics in the Olympus AF Mini but that's not ready yet to develop.
Anyway... I hope you enjoy the pics although they are not that great and my chems where really on their last run.
Camera: Minolta X-500
Lens: Minolta 50mm F/1.7
Film: DM Paradies 400 @ 1600 (1-Stop Push)
Developer: Tetenal Colortec C41 Kit
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
Finally found a store that does film processig in a good quality at a reasonable price, and even ships via mail. Maybe one day I'll get out my old development stuff and start doing it myself again...
Bronica SQ-Ai / Zenzanon-S 150mm f3.5
Kodak Portra 160 (120)
Scanmaker i900 / Vuescan
Just another Prague pic. Same setup: EOS 300x, 40mm STM, Kodak 200, Coolscan, Vuescan and Gimp. Cropped quite a bit...
First test scans straight out of a Canon FS4000US using Vuescan, 2000dpi, Superia 400, Nikon FE, 50mm 1.4
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/5.6
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
trip to the canadian prairies in the early 90s with a friend of mine.. July 24, 1990. on k25 slide film
A Vodafone shop near the Avenue of the Sphinxes in Karnak.
Rolleiflex Automat K4/50
Kodak Portra 160
Canon CanoScan 8800F + Vuescan
A test shot with the new Adox Silvermax 100 film taken at the Pittock Mansion in Portland, Oregon. This shot really shows off what it's capable of, as this is a straight scan, no digital processing. The fact that there is no real loss of highlights on a bright sunny day, coupled with the amount of shadow detail is amazing.
Leica M6 TTL, Leica 50mm Summicron f/2 (current version), Adox Silvermax 100 B&W film, Adox Silvermax Developer, Nikon Coolscan IV ED, VueScan 9.0.44
Visited gardens near my town, it's a beautiful place for people to relax and enjoy nature. Lot's to be seen including art, statues etc.
Nikon F90x
Kiron 28-210mm 1:3.8-5.6
Kodak Color ultra asa 400
Nikon Coolscan IV
Vuescan
Shot in Groningen NL. Day was grey and cold. Contax ST with Zeiss 50mm f1.7. Scanned with Vuescan and Nikon LS-40. Finalized in Gimp.
Hasselblad SWC Ilford HP5+ 400ASA Microphen 1+1
Self-scanned with Nikon LS9000 + vuescan(linux) + darktable (linux)
Shot at a beautiful day in February 2016. Groningen NL. Used the Contax ST with a 50mm f1.7 Zeiss.
Like always, scanned with Vuescan and my Nikon Scanner. Processed with The Gimp.
Taken with a Leica M7, 35 Summicron, Fuji Provia 100F. May 2019.
Scanned with a Nikon LS5000, vuescan (linux) and processed with darktable(linux)
Bleach Bypass with FILM (not digital filters).
Olain but I boosted the saturation to get a strong red/orange wall color.
Eastman Kodak expired Vision2 250D. Shot at 250 with Bessa T and toy M mount body cap pancake lens with fixed focus F/10. There seems to be a sweet spot around 10 to 20 feet with the lens. "pre developed" (still looking for a good term). in PA Rodinal 1:100 for 10 minutes and then cross processed in Kodak Flexicolor C-41 for 3:15 minutes, skip bleach / bypass 2 minute wash, then fixed for 8 minutes continuous agitation in Ilford Hypam rapid fix 1:4.
The raw scan comes up very bronze with some rich earth tone colors, definitely not monochrome. Obviously, the color can be rebalanced in post processing to bring back the original, or better colors. This is fairly easy to do in photoshop and I learned to just let VueScan do it's job and adjust the raw scan image.
The images may be a bit flatter but I find a VERY wide range of saturation to play with when a normal color negative would tip over of blow out. There are some unique "looks" to be had here. The shadows don't bunch up so quickly and it is possible that running it through a B&W developer automatically pushes the film a bit. I usually shoot this film at 125 or so and here it is doing well at 250 for a 20 odd year old roll. My other posts of just bleach bypass have a thinner look and the shadows are lost pretty quick. More to explore.
Camera: Mamiya RB67 Pro-S
Lens(s): Mamiya Sekor C 180mm f/4,5 90mm f3,8
Film: Ilford FP4
Dev:D76 stock
Scan: Nikon supercoolscan 9000ED, Vuescan softwear
I'm reminded that there are only 108 shopping days to go this year, so here is a Christmassy one from 1990. Steve looks to be doing something even more fascinating than his shirt: I suspect Pictionary. Shot on Fuji Reala.
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/8
Triple exposure
Fujifilm Superia 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
"Lunch Walk"
"Birmingham" "AL"
"Canon 7"
"CV 35/2.5 Color-Skopar"
"Arista Premium 400" "expired"
"Rodinal" "Stand Development" "1+100"
"Plustek 8100"
"Vuescan"
"Gimp"
Dog of Flowers. Canon 300x with 24-85mm. Kodak ColorPlus 200. Scanned with Vuescan and Nikon Coolscan.
In environment of Mac, in the case of 1200dpi (140 million pixels), it takes approximately three minutes at scan time of EPSON Scan. However, it was 85 seconds in VueScan.
Lymington - Bus Blur
Kodak TMax 100 film developed in Caffenol-C-L for 70mins at 18'C.
Recepie used: Anhydrous Washing Soda - 1.5 Tblsp, Vitamin C powder - 0.75 Tblsp. Bromide - 0.125 Tsp, Maxwell House Instant Coffee Powder - 4 Tblsp, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.
Final frame for the night from the evening scanning workflow development. I loved Kodachrome, but it is really a bitch to scan. So far VueScan raw DNG has produced the best data for me to manipulate in Lightroom. More later. Time to sleep.
Here in America, Washington Irving’s story, “The Legend of Sleepy Hollow,” is a big Halloween favourite - but it is somewhat similar to Robert Burn’s tale of “Tam O’Shanter”, written about a decade or so before.
Tam O’ Shanter, by Scotland’s bard, was a poem that detailed the adventures of a drunk. On his way home, Tam hallucinates and - taking a shortcut home across a graveyard on Halloween - sees creatures of the night, including dancing skeletons, even Satan himself. Tam’s ride home was a lonely one, in the forbidding Ayrshire countryside in Scotland, on his mare. The poem even involves a chase in which Tam barely escapes from a legion of pursuing witches. Seems eerily familiar with The Legend of Sleepy Hollow, doesn’t it?
Before and after its publication, however, The Legend of Sleepy Hollow, which follows a tradition of folk tales and poems involving a supernatural wild chase, (including Robert Burns’ Tam O’ Shanter and the legend of The Wild Hunt) acquired something of a life of its own, and many writers of this era would weave successful plot lines from other works into their own.
Leica M3 & pre-asph 50mm Summilux V2
Sekonic L308-S
Ilford HP5+ (@250)
HC-110 (dil. H - 1:63 10min)
Plustek 7600i & Vuescan
On Friday, May 2nd 2014 the Impossible Project had it's Open-Day in the Factory in Enschede. My brother and i decided to attend.
Trainride from Hamburg was a bit long and only getting in for the 10am Tour meant i had to get up at around 2am :)
It was quite amazing to see where those films in my fridge come from and what is involved in making them. Seeing the drums of developerpaste kept reminding me of the Roger Rabbit movie ;)
Shot a roll of film while on the tour. Well... i think there are a few Kodak BW400cn pics in the Olympus AF Mini but that's not ready yet to develop.
Anyway... I hope you enjoy the pics although they are not that great and my chems where really on their last run.
Camera: Minolta X-500
Lens: Minolta 50mm F/1.7
Film: DM Paradies 400 @ 1600 (1-Stop Push)
Developer: Tetenal Colortec C41 Kit
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
Ilford XP2 Super in PaRodinal 1+25
Kiev 88 - Volna 3B - 645 back
Ilford XP2 Super C41 film @ iso 400
PaRodinal 1+25 18'00"
Epson V500 -Vuescan
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/4
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Kamifurano, Hokkaido. Pine trees cannot grow up on those wet surface.
Canon AV-1, NFD 28mm F2.8, Kodak Technicalpan, exposed as ISO40,developed with H&W control ( phenidone 2X ) 27 Deg.C. 10 minutes, scanned with Plustek OpticFilm8100 + VueScan, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/53119784533/sizes/ up to 10000 × 6756 piixels compatible. Learn DIY development and upgrade to film !
Nikon FM3A
Nikon 105mm f/2.5 ais @ f/8 + Nikon TC-201
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Converted to black and white.
Cabo da Roca - Most Westerly Point of Mainland Europe
Kodak TMax 100 film developed in Caffenol-C-L for 66mins at 19'C.
Recepie used: Anhydrous Washing Soda - 8g, Vitamin C powder - 5g, Potassium Bromide - 0.4g, Maxwell House Instant Coffee Powder - 19g, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/5.6
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab