View allAll Photos Tagged VueScan
our friend gail, la peliroja. brief stop en route to Oaxaca as we travelled to - well somewhere very south to rescue their car that had broken down. may have been Salina Cruz, may have been further south, I forget. it was an excellent road trip.
the shadow turbo had a coozed auto; they'd hitch-hiked back to mexico city with a pack each and a toolbox. we travelled down and stayed overnight in a motel, worked on the car next day. dropped the auto out in 39 degree heat, 100% humidity, with only hand tools, a jack, and a length of wood we found. found all the parts we needed in a local auto parts store; seals, JB Weld (for the bell housing), and gaskets. Amazing given the town had less than 40,000 people and the car was foreign. We also added a whole bunch of quarts of ATF. We whacked it back together and in to the car in less than a day. followed therafter by a legendary road trip back to DF. good memories.
I don't know where this was, looks like the Carretera (pay highway) was pretty new at that point.
Scanned from my original print on Konica paper, using vuescan and Epson V700. Probably shot on my OM1.
June 1995_Mexico__A2_GTi
Ricoh GR1 + Fujifilm Superia X-tra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
"Birmingham" "AL"
"Canon 7"
"CV 35/2.5 Color-Skopar"
"Kodak" "TX400"
"Thorntons Two Bath"
"Plustek 8100"
"Vuescan"
"Gimp"
Testscan for a Kodak Ektar 100.
Scan with Coolscan V / Vuescan, scan methods were locked exposure and locked film base color.
Adjustments were minor tonal corrections (nothing on individual colours), downsizing. No (!) sharpening applied.
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/11
Fujifilm Superia 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Dragonoš village and its church, in the middle of the mountain range between Samobor, Žumberak and Jastrebarsko. Taken sometime in the summer of 1999, on a trek with my parents and brother, from Žitnica mountain lodge, some 3 km away. It was quite an interesting walk, I still remember it vividly, almost 20 years later.
Taken with Canon Prima Super 115 point'n'shoot compact film camera, on Kodak Gold 200 film. Scanned with Plustek OpticFilm 8100 film scanner using VueScan 9.5.
Image taken on Fujifilm Superia X-TRA 400 developed by The Darkroom UK Ltd, scanned using Plustek 8100 and Vuescan and finalised in ON1 RAW 2021
Nikon F5 + 135mm f/2.8 AI-S + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Dogo Onsen, Shikoku, Japan
Mamiya 645 Pro TL
Mamiya Sekor 80mm F1.9
Fujifilm NEOPAN ACROS 100
Nikon Super Coolscan 9000 ED
Vuescan
Bleach Bypass with FILM (not digital filters).
Good example of shadows coming through pretty well...
Eastman Kodak expired Vision2 250D. Shot at 250 with Bessa T and toy M mount body cap pancake lens with fixed focus F/10. There seems to be a sweet spot around 10 to 20 feet with the lens. "pre developed" (still looking for a good term). in PA Rodinal 1:100 for 10 minutes and then cross processed in Kodak Flexicolor C-41 for 3:15 minutes, skip bleach / bypass 2 minute wash, then fixed for 8 minutes continuous agitation in Ilford Hypam rapid fix 1:4.
The raw scan comes up very bronze with some rich earth tone colors, definitely not monochrome. Obviously, the color can be rebalanced in post processing to bring back the original, or better colors. This is fairly easy to do in photoshop and I learned to just let VueScan do it's job and adjust the raw scan image.
The images may be a bit flatter but I find a VERY wide range of saturation to play with when a normal color negative would tip over of blow out. There are some unique "looks" to be had here. The shadows don't bunch up so quickly and it is possible that running it through a B&W developer automatically pushes the film a bit. I usually shoot this film at 125 or so and here it is doing well at 250 for a 20 odd year old roll. My other posts of just bleach bypass have a thinner look and the shadows are lost pretty quick. More to explore.
On Friday, May 2nd 2014 the Impossible Project had it's Open-Day in the Factory in Enschede. My brother and i decided to attend.
Trainride from Hamburg was a bit long and only getting in for the 10am Tour meant i had to get up at around 2am :)
It was quite amazing to see where those films in my fridge come from and what is involved in making them. Seeing the drums of developerpaste kept reminding me of the Roger Rabbit movie ;)
Shot a roll of film while on the tour. Well... i think there are a few Kodak BW400cn pics in the Olympus AF Mini but that's not ready yet to develop.
Anyway... I hope you enjoy the pics although they are not that great and my chems where really on their last run.
Camera: Minolta X-500
Lens: Minolta 50mm F/1.7
Film: DM Paradies 400 @ 1600 (1-Stop Push)
Developer: Tetenal Colortec C41 Kit
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
I didn't get much time in Macau and it was crazily humid and hazy. Strange atmosphere too, which I later found out was due to a big gang shootout in a street the day before. No wonder there was hardly anyone about...
Ilford HP 5 developed in Kodak D-76 for 7.5 mins, distilled water stop bath, & TF-5 rapid fixer. Scanned with my Epson V600 film scanner & Vuescan software.
Shot a couple of weeks ago at Cedars of Lebanon State Park. Minolta Maxxum 7000, AF50/1.7.
An Ending...
Atmosphere from VSCC Loton Park Hillclimb - 2016
Camera // Yashica Mat
Film // Kodak Portra 160
Developer // Tetenal C-41
Scan // Epson V850 (Vuescan and ColourPerfect)
Film Stock: Kodak Advantix Ultra Zoom (APS)
Scanned as 64bit RAW TIF file using Canon Canoscan FS4000US and Vuescan software.
Processed as TIF file using Vuescan software.
Edited (auto levels, HDR Toning (default setting) and cropping) using Adobe CS5 Photoshop
Converted to JPG file using Adobe CS5 Photoshop
Metadata edited using Exif Pilot software
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/11
Fujifilm Superia 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Nikon F5 + 135mm f/2.8 AI-S + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Shot with the EF 40mm STM on the Canon EOS 300x. Fuji Superia overexposed about 1.5 stops. Scanned with Vuescan on a Nikon LS-40. Processed in the Gimp. Heavily cropped...
Nikon FM3A
Nikon 85mm f/1.4 D @ f/5.6
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: ColorPerfect + Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Vom Spaziergang über'n Feld
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selber entwickelt
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(
Prakica LTL 3
Pentacon MC 1.8/50
Fuji Superia x-tra 400
Tetenal Colortec
Epson Perfection V600
Vuescan
Gimp
)
"Heart of Dixie Railroad Museum"
"Calera" "AL"
"Nikon F100"
"35/2 AF-D"
"Arista Premium 400" "expired"
"Pyrocat-HD" "1+1+100"
"Plustek 8100"
"Vuescan"
"Darktable"
Lymington
Kodak TMax 100 film developed in Caffenol-C-L for 70mins at 18'C.
Recepie used: Anhydrous Washing Soda - 1.5 Tblsp, Vitamin C powder - 0.75 Tblsp. Bromide - 0.125 Tsp, Maxwell House Instant Coffee Powder - 4 Tblsp, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.
Photos shot with a Pentax ME with a 28mm Travenar on AgfaFoto APX 400 @400 during a pure analog photo tour from Bardowick to Lüneburg on February 12, 2017. This time (semi) stand developed with Adonal (Rodinal) 1+100 for 60 minutes, with 10 inversions on start and one inversion after 30 minutes. Fixed with Adofix 1+9 for 5 Minutes. Scanned with VueScan on a CanoScan 9000f Mark II. Post-processing in Lightroom including sharpening for prints with Nik Sharpener Pro. Self-developed AgfaPhoto APX 400 #2
Camera // Yashica Mat
Film // Kodak Portra 160
Developer // Tetenal C-41
Scan // Epson V850 (Vuescan and ColourPerfect)
at least that's what my print is captioned. I recall seeing this on the way back from the VW dealers, having picked up my A2 GTi 16v from service. that old golf sounded and looked like it was about to fall apart; the suspension hangers were barely there. I grabbed my camera while at a light, and shot out of my driver's side window. a quick grab shot. these days you use your iPhone, back then it was switch on, meter, focus, set exposure, wind on, shoot. all manual, and mechanical.
I can almost picture the scene, but forget which part of the Periferico.
Scanned from my original print on Konica paper, using vuescan and Epson v700. Probably shot on my OM1.
June 1995_MexicoDF_A1_Golf
Isola Bella, Lago Maggiore, Stresa (VB), Italia
18/08/2010
Camera: Wista 45DX cherry wood
Lens: Schneider Symmar-S 135mm f/5.6
Filter: Kood Red (equiv. Wratten 25)
Film: Foma Fomapan 100 Classic (4x5") rated 100 ASA
Exposure: 1/8s at f/22
Developer: Kodak HC-110, dil. H (1+63)
Development: 24°C, t= 6m 30s; 30 sec. cont. agit. then 3 tilts every minute; n+0
Fixer: Agfa Ag-Fix
Scanner: HP scanjet G4050
Software (scanner): Vuescan 8.6.53
RAW developer: BibblePro 5.1g
On Friday, May 2nd 2014 the Impossible Project had it's Open-Day in the Factory in Enschede. My brother and i decided to attend.
Trainride from Hamburg was a bit long and only getting in for the 10am Tour meant i had to get up at around 2am :)
It was quite amazing to see where those films in my fridge come from and what is involved in making them. Seeing the drums of developerpaste kept reminding me of the Roger Rabbit movie ;)
Shot a roll of film while on the tour. Well... i think there are a few Kodak BW400cn pics in the Olympus AF Mini but that's not ready yet to develop.
Anyway... I hope you enjoy the pics although they are not that great and my chems where really on their last run.
Camera: Minolta X-500
Lens: Minolta 50mm F/1.7
Film: DM Paradies 400 @ 1600 (1-Stop Push)
Developer: Tetenal Colortec C41 Kit
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
Finally found a store that does film processig in a good quality at a reasonable price, and even ships via mail. Maybe one day I'll get out my old development stuff and start doing it myself again...
Bronica SQ-Ai / Zenzanon-S 150mm f3.5
Kodak Portra 160 (120)
Scanmaker i900 / Vuescan
Just another Prague pic. Same setup: EOS 300x, 40mm STM, Kodak 200, Coolscan, Vuescan and Gimp. Cropped quite a bit...
First test scans straight out of a Canon FS4000US using Vuescan, 2000dpi, Superia 400, Nikon FE, 50mm 1.4
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/5.6
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Film Stock: Kodak Advantix Ultra Zoom (APS)
Scanned as 64bit RAW TIF file using Canon Canoscan FS4000US and Vuescan software.
Processed as TIF file using Vuescan software.
Edited (auto levels, HDR Toning (default setting) and cropping) using Adobe CS5 Photoshop
Converted to JPG file using Adobe CS5 Photoshop
Metadata edited using Exif Pilot software
trip to the canadian prairies in the early 90s with a friend of mine.. July 24, 1990. on k25 slide film
A Vodafone shop near the Avenue of the Sphinxes in Karnak.
Rolleiflex Automat K4/50
Kodak Portra 160
Canon CanoScan 8800F + Vuescan
A test shot with the new Adox Silvermax 100 film taken at the Pittock Mansion in Portland, Oregon. This shot really shows off what it's capable of, as this is a straight scan, no digital processing. The fact that there is no real loss of highlights on a bright sunny day, coupled with the amount of shadow detail is amazing.
Leica M6 TTL, Leica 50mm Summicron f/2 (current version), Adox Silvermax 100 B&W film, Adox Silvermax Developer, Nikon Coolscan IV ED, VueScan 9.0.44