View allAll Photos Tagged VueScan
Nikon FM3A
Nikon 85mm f/1.4 D @ f/2
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Nikon FM3A
Nikon 85mm f/1.4 D @ f/2.8
Nikon MD-12
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/8
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
By the harbor in central Copenhagen I took an evening walk with the trusty M3.
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Leica M3
Voightländer 15
Fuji Velvia 50
Scanned in Vuescan with It8 Target
frames #1 & 3 - Iglise Royal Sainte-Marie in Brussels, Belgium
My first rolls developed at home with the JOBO C-41 Press Kit.
CAMERA: Canon EOS Elan 7ne
LENS: Canon EF 80-200mm 2.8 - L Series
FILM: Ferrania 400 (expired 2005)
DATE: 2/10/2012
DEVELOPMENT: JOBO C-41 Press Kit
SCANNER: HP ScanJet G4050 w/ VueScan
Lisbon - Carmo Archaeological Museum
Kodak TMax 100 film developed in Caffenol-C-L for 66mins at 19'C.
Recepie used: Anhydrous Washing Soda - 8g, Vitamin C powder - 5g, Potassium Bromide - 0.4g, Maxwell House Instant Coffee Powder - 19g, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.
Shot on TMAX 100 in a Hasselblad 500 c/m through a Zeiss 80mm 2.8 CF. Scanned with an Epson V500 Photo using Vuescan.
Interpretations? I'll leave that up to you and the title for now!
Ricoh GR1 + Fujifilm Superia X-tra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
from above five dock, looking towards white bay and rozelle bay, with Sydney CBD in the background. circa 1972
scanned with vuescan, epson 4870 photo.
I purchased a load of transparencies from a secondhand dealers. am working through some of the scanning... plenty of NZ in the 1960's, golf, trips... sad to think the lady who took them isn't connected to them any longer.
agfachrome professional
Scan-090606-0008_1200_72dpi
Happy Birthday, Rich! Not the most techically excellent portrait, but no less amusing for that. Shot on Kodak Ektar 25 in May 1994.
Abu Simbel - Ramses II - Screenshot
Aufnahme im Mai 1985 mit Minolta SRT 303b
heute eingescannt mit meinem neuen Scan-Programm VueScan 8.4.62 vom Kodak - Farbbild (1985)
Hier geht es zum Erfinder des Scanners, der Fax-Technologie und des digital erzeugten Fotosatzes:
>>>>> de.wikipedia.org/wiki/Rudolf_Hell <<<<<
www.heidelberg.com/www/html/de/content/articles/press_lou...
Nikon F5 + 135mm f/2.8 AI-S + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Nikon FM3A
Nikon 85mm f/1.4 D @ f/4
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
On Friday, May 2nd 2014 the Impossible Project had it's Open-Day in the Factory in Enschede. My brother and i decided to attend.
Trainride from Hamburg was a bit long and only getting in for the 10am Tour meant i had to get up at around 2am :)
It was quite amazing to see where those films in my fridge come from and what is involved in making them. Seeing the drums of developerpaste kept reminding me of the Roger Rabbit movie ;)
Shot a roll of film while on the tour. Well... i think there are a few Kodak BW400cn pics in the Olympus AF Mini but that's not ready yet to develop.
Anyway... I hope you enjoy the pics although they are not that great and my chems where really on their last run.
Camera: Minolta X-500
Lens: Minolta 50mm F/1.7
Film: DM Paradies 400 @ 1600 (1-Stop Push)
Developer: Tetenal Colortec C41 Kit
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
Nikon FM3A
Nikon 85mm f/1.4 D
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Ricoh GR1 + Fujifilm Superia X-tra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
frame #12 Halászbástya - (Fisherman's Bastion) - Budapest, Hungary.
CAMERA: Minolta 24 Rapid - c.1965
FILM: Eastman High Contrast Pan Intermediate Film SO-331 (expired 2003)
DATE: 6/23/2012
DEVELOPMENT: Labeauratoire's Caffenol Concoction
15 min. - 24°c
SECOND USAGE!
Developed 2 rolls the previous night and 2 rolls this night. Re-using the same mixture.
SCANNER: HP Scanjet G4050 with VueScan Software
light sepia added in photoshop
Digitized with Negative Lab Pro v2.1.0
Leica M3 | Carl Zeiss Planar T* 50mm f/2 ZM | Ilford HP5 400
Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.0 | Lomography
Ilford DDX
Fragaria vesca Wild strawberry Wilde aardbei
The image quality of Ektar film (the newest version of pro-negative film) is stunning! Great detail, nice colours, and almost grain free!
Advancement comes in small steps, and for me, working in analogue has its charms, sometimes also some frustration....
So I always try to improve my work flow. I made a huge step this weekend by calibrating the light colour of my scanner. Used a piece of "normal" paper to achieve a "neutral" basis. I was really surprised to get a scan without any colour cast at all!!!
Nikon F80 + Sigma 180mm F3,5 MACRO EX DG HSM
Filmdata: Kodak Ektar 100 scanned on Plustek 7400 with Vuescan, colour conversion done with Colorperfect
"Birmingham" "AL"
"Canon 7"
"CV 35/2.5 Color-Skopar"
"Kodak" "TX400"
"Thorntons Two Bath"
"Plustek 8100"
"Vuescan"
"Gimp"
Photos shot with a Pentax ME with a 28mm Travenar on AgfaFoto APX 400 @400 during a pure analog photo tour from Bardowick to Lüneburg on February 12, 2017. This time (semi) stand developed with Adonal (Rodinal) 1+100 for 60 minutes, with 10 inversions on start and one inversion after 30 minutes. Fixed with Adofix 1+9 for 5 Minutes. Scanned with VueScan on a CanoScan 9000f Mark II. Post-processing in Lightroom including sharpening for prints with Nik Sharpener Pro. Self-developed AgfaPhoto APX 400 #2
Last year, late spring 2014., I acquired a beast of a camera - Horizon 202, Russian swing-lens panoramic film camera.
This was the first roll I shot in it, but not the first developed, though.
The camera has fixed focus, fixed lens, below ƒ/8 is not really sharp, but that lens is apparently optimized for smaller apertures - at ƒ/11 and ƒ/16, it is as sharp as it gets. Also, it is not the easiest camera to use - you should keep it as level as possible, the swing-lens design will exaggerate all mis-levelings. This particular roll also shows slight light-leaks and film tension problems, but none of these problems occurred in later rolls, so I assume it was just because the camera wasn't in use for quite some time, or due to sloppy roll loading.
Taken with Horizon 202 camera, on Fuji Neopan 100 film, developed in Fomadon R09 1+50 at 10 min 21°C, fixed with Fomafix at 6 min 23°C. Scanned with Canon CanoScan 8800F and VueScan 9.
Testshot of Kodak Ultramax 400. This film is often reported as rather grainy, hence this is a try with exposure ISO lowered to 320.
This setting was recommended even for the Portra 400, so the logical question was if this film would benefit from such an ISO setting, too. In general it is said that underexposing C41 films increases grain, so a little overexposure might reduce the grain.
Please compare for yourself, this is the fullsize scan from a Coolscan V / Vuescan, not sharpened, only lightly edited on color and gradation.
It should be mentioned that this film was developed by a local lab using Kodak chemistry. In theory C41 is supposed to be a highly standardised process, but possibly one chemistry is more standardised than the other.
Taken using Contax 167MT with 2.8/135mm Yashica ML
Zeiss Ikon S312 Tessar 40mm f/2,8 VueScan CanoScan 2700F Konica Super XG100 Saluzzo Ottobre 2007
Secondo me il Tessar "dipinge" sulla pellicola come fosse sulla tela ciò che il fotografo vede; e non solo, ma restituisce anche le sensazioni e le emozioni provate in quel momento... tanto che quando si rivede la foto sembra di nuovo di essere li (magari si potesse tornare indietro a quel momento: ritornerei a casa e troverei...)
Bleach Bypass with FILM (not digital filters).
I boosted the saturation and got some good reds out of the neon sign...
Eastman Kodak expired Vision2 250D. Shot at 250 with Bessa T and toy M mount body cap pancake lens with fixed focus F/10. There seems to be a sweet spot around 10 to 20 feet with the lens. "pre developed" (still looking for a good term). in PA Rodinal 1:100 for 10 minutes and then cross processed in Kodak Flexicolor C-41 for 3:15 minutes, skip bleach / bypass 2 minute wash, then fixed for 8 minutes continuous agitation in Ilford Hypam rapid fix 1:4.
The raw scan comes up very bronze with some rich earth tone colors, definitely not monochrome. Obviously, the color can be rebalanced in post processing to bring back the original, or better colors. This is fairly easy to do in photoshop and I learned to just let VueScan do it's job and adjust the raw scan image.
The images may be a bit flatter but I find a VERY wide range of saturation to play with when a normal color negative would tip over of blow out. There are some unique "looks" to be had here. The shadows don't bunch up so quickly and it is possible that running it through a B&W developer automatically pushes the film a bit. I usually shoot this film at 125 or so and here it is doing well at 250 for a 20 odd year old roll. My other posts of just bleach bypass have a thinner look and the shadows are lost pretty quick. More to explore.
The sea is melting fast. 10th of April the sea was still mostly covered by ice but everywhere was spots of open water and they were full of swans.
When I returned to the same place on 12th of April, the ice was gone, only a lot of small ice rafts were floating around.
I think that this is my first "Large format wildlife photograph"
I used Adox CHS 100 Art film, developed to N contrast in Pyrocat-HD. I had to choose N because of snow, but that then values of sky fell a bit too low so additional dodging is required. For the values of sky, either Orthopanchromatic film, blue filter or N+1 development would have been best choice.
Pentax 67II
Pentax 105mm f/2.4 SMC @ f/2.4 - 1/750
Handheld
Kodak Tri-X 400
Scan: Plustek 120 + Vuescan
Post: Lightroom
Film: Bought at B&H, Processed at The Lab in Vancouver
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/8
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
In most cases, bronze sculptures in Seattle's public places can stand as principled points of interest because of their size alone. California sculptor Robert Graham's two bronze ballerinas located in the plaza of the 1111 Third Avenue Building, are exceptions. Many sets were created, initially for use as sculptures for private residences. But Graham later began placing them in public settings, as small but energy-packed sculptures able to compete with large downtown buildings.
The two nude tiny dancers standing atop the two eight-foot-high columns, with the very original titles of Dance Columns I & II, are Graham's only sculptures in Seattle's public places.
Nikon FE & Nikon 50mm 1.4 Ai
Hoya Polarizer
Acros 100
HC-110 (Dil. H - 10min)
Plustek 7600i & Vuescan
Actually just a snapshop of the wonderful Messeturm in Frankfurt, Germany, which turned out really nice. Shot with the Canon 300x and the pancake 40mm 2.8 STM on Fujifilm. Scanned raw with Vuescan and processed in The Gimp.
This is singer/songwriter Ryan Burnett, shot just after the sun went down in London
Mamiya 645 Pro TL / 80mm f2.8 / Delta 3200
Scanned with Canon 9000f using Vuescan and Capture One
Ricoh GR1 + Fujifilm Superia X-tra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Nikon FM3A
Nikon 85mm f/1.4 D @ f/2
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Nikon FM3A
Nikon 85mm f/1.4 D @ f/4
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Biene Maja ;-)
With my Canon T90, 85mm 1.2L on Provia100F
Scanned with a Nikon LS5000 and vuescan (Linux)