View allAll Photos Tagged VueScan
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/5.6
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Finishing at Creston (It’s a good spot, but not one that you’d want to spend all day at) I got some lunch and headed back east. I was picking up some scanner chatter about a westbound, I couldn’t make out the details but it was enough to pull off. As it turned out I had two westbounds headed my way; the first was a rather conventional merchandise train:
La Fox IL
C&NW w/b merchandise
CNW **** SD40-2
CR **** GP40
CNW **** GP38-2
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/4
Fujifilm Superia 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
"Sloss Furnace"
"Birmingham" "AL"
"Nikon F100"
"35/2 AF-D"
"Arista Premium 400" "expired"
"Pyrocat-HD" "1+1+100"
"Plustek 8100"
"Vuescan"
"Darktable"
Film Stock: Kodak Advantix Ultra Zoom (APS)
Scanned as 64bit RAW TIF file using Canon Canoscan FS4000US and Vuescan software.
Processed as TIF file using Vuescan software.
Edited (auto levels, HDR Toning (default setting) and cropping) using Adobe CS5 Photoshop
Converted to JPG file using Adobe CS5 Photoshop
Metadata edited using Exif Pilot software
Moscow. Muzeon Arts Park.
Photo by: Yury Yakovenko
Model: Andrew Barkhatov (Birthday boy)
Camera: Moskva-4 type 1 (1956)
Lens: Industar-23 110mm ƒ4.5 (№5620010)
Film: Fomapan 400 Action (exp. 05.2008)
Photo taken: 04/05/2017
Scanner: Epson Perfection 4490 Photo (+VueScan)
Scanned copy of the original negative, without any processing. In the mode «as is»
Oslo 2016
Kodak TMax 100 film developed in Caffenol-C-L for 48mins at 23.5'C.
Recepie used: Anhydrous Washing Soda - 8.5g, Vitamin C powder - 5g, Potassium Bromide - 0.4g, Maxwell House Instant Coffee Powder - 19g, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.
Atmosphere from VSCC Loton Park Hillclimb - 2016
Salmson Special
Camera // Yashica Mat
Film // Kodak Portra 160
Developer // Tetenal C-41
Scan // Epson V850 (Vuescan and ColourPerfect)
Nice place to live. Canon EOS 33v and EF 24-85mm. Kodak Portra. Scanned with a Nikon Coolscan and Vuescan. Final processing in the Gimp.
On Friday, May 2nd 2014 the Impossible Project had it's Open-Day in the Factory in Enschede. My brother and i decided to attend.
Trainride from Hamburg was a bit long and only getting in for the 10am Tour meant i had to get up at around 2am :)
It was quite amazing to see where those films in my fridge come from and what is involved in making them. Seeing the drums of developerpaste kept reminding me of the Roger Rabbit movie ;)
Shot a roll of film while on the tour. Well... i think there are a few Kodak BW400cn pics in the Olympus AF Mini but that's not ready yet to develop.
Anyway... I hope you enjoy the pics although they are not that great and my chems where really on their last run.
Camera: Minolta X-500
Lens: Minolta 50mm F/1.7
Film: DM Paradies 400 @ 1600 (1-Stop Push)
Developer: Tetenal Colortec C41 Kit
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
Leicaflex SL (circa. 1972) with 35mm Elmarit R (circa. 1984)
Ilford FP4 black and white film
Nikon 9000 scanner (Vuescan)
Nikon FM3A
Nikon 85mm f/1.4 D @ f/4
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: ColorPerfect + Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Atmosphere from VSCC Loton Park Hillclimb - 2016
GN Special - Peaceful paddock
Camera // Yashica Mat
Film // Kodak Portra 160
Developer // Tetenal C-41
Scan // Epson V850 (Vuescan and ColourPerfect)
Oslo 2016
Kodak TMax 100 film developed in Caffenol-C-L for 48mins at 23.5'C.
Recepie used: Anhydrous Washing Soda - 8.5g, Vitamin C powder - 5g, Potassium Bromide - 0.4g, Maxwell House Instant Coffee Powder - 19g, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/8
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Isola Bella, Lago Maggiore, Stresa (VB), Italia
18/08/2010
Camera: Wista 45DX cherry wood
Lens: Schneider Symmar-S 135mm f/5.6
Filter: Kood Red (equiv. Wratten 25)
Film: Foma Fomapan 100 Classic (4x5") rated 100 ASA
Exposure: 1/8s at f/22
Developer: Kodak HC-110, dil. H (1+63)
Development: 24°C, t= 6m 30s; 30 sec. cont. agit. then 3 tilts every minute; n+0
Fixer: Agfa Ag-Fix
Scanner: HP scanjet G4050
Software (scanner): Vuescan 8.6.53
RAW developer: BibblePro 5.2.0-RC1
Photos shot with a Olympus XA2 with a D-Zuiko 35mm f3.5 on AgfaFoto APX 400 @400 during a pure analog photo tour from Bardowick to Lüneburg on February 12, 2017. Stand developed with Adonal (Rodinal) 1+100 for 75 minutes. Fixed with Adofix 1+9 for 5 Minutes. Scanned with VueScan on a CanoScan 9000f Mark II. Post-processing in Lightroom including sharpening for prints with Nik Sharpener Pro. Self-developed AgfaPhoto APX 400 #3
Rolleiflex Automat K4/50
Ilford Delta 100 @ 50 ASA (expired 05/2010)
Rodinal 1+50, 9 min. @ 21°C
Canon CanoScan 8800F + Vuescan
Development details on FilmDev
Parco d'Arte Bum Bum Gà, Montevarchi (Italy)
Nikon FM3A
Nikon 85mm f/1.4 D @ f/2
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
These were decent shots but my scanner software sucked so I got Vuescan and I could finally accurately see how these turned out.
Spring flowers and a lot of bokeh. Here, some smaller yellow flowers bordering a meadow not far from my parent's house. May 2018.
Expired slide film, not the best medium to work with.
Taken with Nikon F801s film camera and Nikkor AF-D 50mm F1.8 lens, on expired Kodak Elite Chrome 100 film. 1/4000 shutter, wide-open at ƒ/1.8, ISO 100.
Scanned with Plustek OpticFilm 8100 scanner using VueScan 9.5.
Dunham Massey
Camera // Yashica Mat
Film // Kodak Portra 400
Developer // Tetenal C-41
Scan // Epson V850 (Vuescan and ColourPerfect)
View over the wine into the valley in La Rioja. Canon 300x with a 24-85mm. Shot on Kodak ColorPlus 200. Scanned with a Nikon scanner with the help of Vuescan.
Oslo 2016
Kodak TMax 100 film developed in Caffenol-C-L for 48mins at 23.5'C.
Recepie used: Anhydrous Washing Soda - 8.5g, Vitamin C powder - 5g, Potassium Bromide - 0.4g, Maxwell House Instant Coffee Powder - 19g, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.
Nikon F2
105mm f/2.5 AI-S
Kodak Portra 160
f/8 @ 1/30s
No filters
Home dev - Cinestill C41 kit
Home scan - Nikon Coolscan IV
VueScan & RawTherapee
---------------
I'm certain that this shot has been done to death, as I'm not exactly the first person to visit this part of the world. The car park was almost full at 5:45am! I'll take it as good practice until I get better at planning (and fitter for long hikes!)
Quite a subdued shot. I was hoping for more from the sunrise, but I don't think the clouds were high enough for that. I also don't think Portra is the right film for this sort of thing either, but I'll take what I can get. I have a some Velvia 50 in the fridge but I'm scared of it. Once I'm more confident I'll give it a go.
if you look closely you can see a few early morning walkers using the footpath. It shows scale quite well I think.
For reference the furthest peak is Lose Hill, and is approximately 2km away as the crow flies.
Nikon FM3A
Nikon 85mm f/1.4 D @ f/8
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: ColorPerfect + Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/11
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Taken on the hike from Locarno to the church of Modanna del Sasso. ::..
Yashika-mat 124G / Kodak Ektar 100
Lab developed
Vuescan / photoshop / colorperfect
Shot box speed, despite being 23 years expired and having an unknown storage history.
Physical slides are very dark, and even with a high exposure setting in VueScan they were each pulled up another 1.5 to 2 stops in processing.
Color balance for mids and highs lead to significant magenta hue in shadows which was corrected for in some but not all of these.
Cinestill Cs6 3-bath kit with D9 DynamicChrome first dev (1+2 dilution, 11min)
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/8
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
A test shot with the new Adox Silvermax 100 film taken at the Pittock Mansion in Portland, Oregon. This shot really shows off what it's capable of, as this is a straight scan, no digital processing. The fact that there is no real loss of highlights on a bright sunny day, coupled with the amount of shadow detail is amazing.
Leica M6 TTL, Leica 50mm Summicron f/2 (current version), Adox Silvermax 100 B&W film, Adox Silvermax Developer, Nikon Coolscan IV ED, VueScan 9.0.44
Nikon FM3A
Nikon 85mm f/1.4 D @ f/5.6
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Nikon FM, 50mm F1.8 Nikkor, grocery store film, I think made by Farina of Italy, expired, scanned at home on Dimage Scan Dual IV with Vuescan software
Kodak Retina III, Hema 400, developed in the fujilab, scanned with my Epson Photo and Vuescan.
The darn Retina's lightmeter is actually working(!) an amazing fact after 48 years.
This camera is incredibly handy and can be used with gloves.
There is no Photoshop on this picture (neither on the rest of this series), the "texture" is the dirt on the train's dark windows.
With less than month till closure of Oxley 2B shed near Wolverhampton repairs are still being carried out.
On February 18th 1967 Black Five No. 45186 is in the lifting shop and is having attention to the cylinders.
45186 was a regular Oxley loco till closure of that shed and saw out its days at Crewe South 5B for a few more months.
Withdrawn in September 1967 it was cut up at Arnott & Young West of Scotland Shipbreaking Co. Troon in March 1968.
The site of Oxley shed is now used for the storage and maintenance of the Pendelino (sic) express trains for the Euston services.
Taken with an old Kodak Brownie Twin 20 Camera.
Kodak 120 Black and White film.
The resulting negative was a difficult one to print in the old ‘wet’ darkroom with the exposure correct for the foreground but the inside of the shed very underexposed.
I had better luck with digital technology.
The negative was scanned with an Epson 4490 using Vuescan® (I never use bundled scanner software). I experimented with the Vuescan® settings eventually deciding on B&W negative, Kodak TMax 400 D76 Cl.40 in the colour tab.
The resulting 16 bit raw file was saved as a Photoshop dng file.
From this I processed the file to expose correctly for the foreground which further washed out the shadow detail inside the shed and saved the file in psd format.
The dng file was processed for a second time and exposed for the shadow areas to bring out as much detail as was available inside the shed. This second psd file completely blew out the highlight detail.
The two files were then layered together and using layer masks the correct detail from each file was revealed.
Once merged the image required a further few hours to clean followed by further exposure correction using levels layers set to different blending modes.
The result a better print than I had seen in over 40 years.
Oslo 2016
Kodak TMax 100 film developed in Caffenol-C-L for 48mins at 23.5'C.
Recepie used: Anhydrous Washing Soda - 8.5g, Vitamin C powder - 5g, Potassium Bromide - 0.4g, Maxwell House Instant Coffee Powder - 19g, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.