View allAll Photos Tagged VueScan
trip to the canadian prairies in the early 90s with a friend of mine.. July 24, 1990. on k25 slide film
A Vodafone shop near the Avenue of the Sphinxes in Karnak.
Rolleiflex Automat K4/50
Kodak Portra 160
Canon CanoScan 8800F + Vuescan
A test shot with the new Adox Silvermax 100 film taken at the Pittock Mansion in Portland, Oregon. This shot really shows off what it's capable of, as this is a straight scan, no digital processing. The fact that there is no real loss of highlights on a bright sunny day, coupled with the amount of shadow detail is amazing.
Leica M6 TTL, Leica 50mm Summicron f/2 (current version), Adox Silvermax 100 B&W film, Adox Silvermax Developer, Nikon Coolscan IV ED, VueScan 9.0.44
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/2.8
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Visited gardens near my town, it's a beautiful place for people to relax and enjoy nature. Lot's to be seen including art, statues etc.
Nikon F90x
Kiron 28-210mm 1:3.8-5.6
Kodak Color ultra asa 400
Nikon Coolscan IV
Vuescan
"Birmingham" "AL"
"Olympus XA"
"Zuiko 35/2.8"
"Arista Premium 400" "expired" "AP400"
"Thorntons Two Bath"
"Plustek 8100"
"Vuescan"
"Gimp"
Shot in Groningen NL. Day was grey and cold. Contax ST with Zeiss 50mm f1.7. Scanned with Vuescan and Nikon LS-40. Finalized in Gimp.
Hasselblad SWC Ilford HP5+ 400ASA Microphen 1+1
Self-scanned with Nikon LS9000 + vuescan(linux) + darktable (linux)
Shot at a beautiful day in February 2016. Groningen NL. Used the Contax ST with a 50mm f1.7 Zeiss.
Like always, scanned with Vuescan and my Nikon Scanner. Processed with The Gimp.
Nikon F5 + 135mm f/2.8 AI-S + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Taken with a Leica M7, 35 Summicron, Fuji Provia 100F. May 2019.
Scanned with a Nikon LS5000, vuescan (linux) and processed with darktable(linux)
Bleach Bypass with FILM (not digital filters).
Olain but I boosted the saturation to get a strong red/orange wall color.
Eastman Kodak expired Vision2 250D. Shot at 250 with Bessa T and toy M mount body cap pancake lens with fixed focus F/10. There seems to be a sweet spot around 10 to 20 feet with the lens. "pre developed" (still looking for a good term). in PA Rodinal 1:100 for 10 minutes and then cross processed in Kodak Flexicolor C-41 for 3:15 minutes, skip bleach / bypass 2 minute wash, then fixed for 8 minutes continuous agitation in Ilford Hypam rapid fix 1:4.
The raw scan comes up very bronze with some rich earth tone colors, definitely not monochrome. Obviously, the color can be rebalanced in post processing to bring back the original, or better colors. This is fairly easy to do in photoshop and I learned to just let VueScan do it's job and adjust the raw scan image.
The images may be a bit flatter but I find a VERY wide range of saturation to play with when a normal color negative would tip over of blow out. There are some unique "looks" to be had here. The shadows don't bunch up so quickly and it is possible that running it through a B&W developer automatically pushes the film a bit. I usually shoot this film at 125 or so and here it is doing well at 250 for a 20 odd year old roll. My other posts of just bleach bypass have a thinner look and the shadows are lost pretty quick. More to explore.
Camera: Mamiya RB67 Pro-S
Lens(s): Mamiya Sekor C 180mm f/4,5 90mm f3,8
Film: Ilford FP4
Dev:D76 stock
Scan: Nikon supercoolscan 9000ED, Vuescan softwear
I'm reminded that there are only 108 shopping days to go this year, so here is a Christmassy one from 1990. Steve looks to be doing something even more fascinating than his shirt: I suspect Pictionary. Shot on Fuji Reala.
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/8
Triple exposure
Fujifilm Superia 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
"Lunch Walk"
"Birmingham" "AL"
"Canon 7"
"CV 35/2.5 Color-Skopar"
"Arista Premium 400" "expired"
"Rodinal" "Stand Development" "1+100"
"Plustek 8100"
"Vuescan"
"Gimp"
Dog of Flowers. Canon 300x with 24-85mm. Kodak ColorPlus 200. Scanned with Vuescan and Nikon Coolscan.
In environment of Mac, in the case of 1200dpi (140 million pixels), it takes approximately three minutes at scan time of EPSON Scan. However, it was 85 seconds in VueScan.
Pentax 645N • Pentax FA 645 150mm f:2.8 ED
Pentax 645 Auto Extension Tube-A
Agfachrome RSX II 50 expired film
Scanned with Epson Perfection V500 with VueScan 9.2 at 3200dpi and Betterscanning MF Film Holder
Jardin d'altitude du Haut-Chitelet • Vosges • France
Lymington - Bus Blur
Kodak TMax 100 film developed in Caffenol-C-L for 70mins at 18'C.
Recepie used: Anhydrous Washing Soda - 1.5 Tblsp, Vitamin C powder - 0.75 Tblsp. Bromide - 0.125 Tsp, Maxwell House Instant Coffee Powder - 4 Tblsp, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.
Here in America, Washington Irving’s story, “The Legend of Sleepy Hollow,” is a big Halloween favourite - but it is somewhat similar to Robert Burn’s tale of “Tam O’Shanter”, written about a decade or so before.
Tam O’ Shanter, by Scotland’s bard, was a poem that detailed the adventures of a drunk. On his way home, Tam hallucinates and - taking a shortcut home across a graveyard on Halloween - sees creatures of the night, including dancing skeletons, even Satan himself. Tam’s ride home was a lonely one, in the forbidding Ayrshire countryside in Scotland, on his mare. The poem even involves a chase in which Tam barely escapes from a legion of pursuing witches. Seems eerily familiar with The Legend of Sleepy Hollow, doesn’t it?
Before and after its publication, however, The Legend of Sleepy Hollow, which follows a tradition of folk tales and poems involving a supernatural wild chase, (including Robert Burns’ Tam O’ Shanter and the legend of The Wild Hunt) acquired something of a life of its own, and many writers of this era would weave successful plot lines from other works into their own.
Leica M3 & pre-asph 50mm Summilux V2
Sekonic L308-S
Ilford HP5+ (@250)
HC-110 (dil. H - 1:63 10min)
Plustek 7600i & Vuescan
On Friday, May 2nd 2014 the Impossible Project had it's Open-Day in the Factory in Enschede. My brother and i decided to attend.
Trainride from Hamburg was a bit long and only getting in for the 10am Tour meant i had to get up at around 2am :)
It was quite amazing to see where those films in my fridge come from and what is involved in making them. Seeing the drums of developerpaste kept reminding me of the Roger Rabbit movie ;)
Shot a roll of film while on the tour. Well... i think there are a few Kodak BW400cn pics in the Olympus AF Mini but that's not ready yet to develop.
Anyway... I hope you enjoy the pics although they are not that great and my chems where really on their last run.
Camera: Minolta X-500
Lens: Minolta 50mm F/1.7
Film: DM Paradies 400 @ 1600 (1-Stop Push)
Developer: Tetenal Colortec C41 Kit
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
Nikon FM3A
Nikon 50mm f/1.8 D @ f/2.8
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Ilford XP2 Super in PaRodinal 1+25
Kiev 88 - Volna 3B - 645 back
Ilford XP2 Super C41 film @ iso 400
PaRodinal 1+25 18'00"
Epson V500 -Vuescan
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/4
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Kamifurano, Hokkaido. Pine trees cannot grow up on those wet surface.
Canon AV-1, NFD 28mm F2.8, Kodak Technicalpan, exposed as ISO40,developed with H&W control ( phenidone 2X ) 27 Deg.C. 10 minutes, scanned with Plustek OpticFilm8100 + VueScan, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/53119784533/sizes/ up to 10000 × 6756 piixels compatible. Learn DIY development and upgrade to film !
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/5.6
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/5.6
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Taken while walking the Highline in NYC.
Brooks/Plaubel Veriwide 100
Ilford Delta 400 / HC110
Vuescan / Photoshop / Colorperfect
Pentacon Six TL
Mir-26B, f3.5 / 45mm
Kodak Ektar 100
DIY kitchen dev and DIY scan/digitalization
Processed with Vuescan
"Mamiya m645"
"55/2.8 C"
"Fuji Acros 100 (expired)"
"Rodinal 1+100 Stand Development"
"Epson V600"
"Heart of Dixie Railroad Museum"
"Calera" "AL"
"Vuescan"
"Darktable"
a fairly typical street scene in DF, with an over-loaded DINA truck and bochos. I may have been out in Edo. de Mexico, near Interlomas, when I shot this at the wheel. I forget.
Scanned from my original print on Konica paper, using vuescan and Epson V700. shot on my OM1.
June 1995_road scene mexico DF
Warm, sunny weather, cool breeze, clean sea - what's more to ask for a vacation? Here, a rough coast near Muline and island Iž in the distance, Ugljan island, Croatia. Late August 2018.
Taken with Pentax MX camera and smc Pentax-M 35mm F2.8 lens, on Agfa Vista Plus 200 film. Box speed, 200 ASA, 1/250 exposure, ƒ/8, through linear polarizer.
Scanned with Plustek OpticFilm 8100 film scanner via VueScan 9.
This was one of the last two photos on a roll, I wanted to squeeze another shot and ended overlapping them both. I'll never learn not to do that...
Nikon FM3A
Nikon 85mm f/1.4 D @ f/2
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
A few more pictures from the trip to the Impossible Project Open-Day Factory Tour in Enschede, Netherlands.
These are from afterwards when we had a stupid amount of time (AND non-lovely weather) until the train home was scheduled to leave.
We strolled through Enschede a few hours and then took a train across the border to Gronau and walked around there a bit more. Also ate Pizza ;P
Camera: Minolta X-500
Lens: Minolta Rokkor 50mm F/1.7
Film: DM Paradies 400 @ ISO1600
Developer: Tetenal Colortec C41 Kit (after that batch this kit got 'retired')
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan