View allAll Photos Tagged VueScan
Homenagem do Municipio de Cascais ao Rei D. Carlos I
Kodak TMax 100 film developed in Caffenol-C-L for 66mins at 19'C.
Recepie used: Anhydrous Washing Soda - 8g, Vitamin C powder - 5g, Potassium Bromide - 0.4g, Maxwell House Instant Coffee Powder - 19g, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.
I shot this in downtown Columbus while on a photo walk a couple weeks ago. This group (model, makeup artist, art director, and photographer (L to R)) was doing a photo shoot. At first everybody seemed to ignore me, but after a while the art director gave me the evil eye (Is she thinking "Die you gravy sucking pig?"). It turned out that I had gone on another photo walk with the photographer, and he remembered me. We had a nice chat, and he said I could shoot as much as I wanted, so I switched to digital and shot a few more photos before moving along.
CanonQL17; IlfordHP5; Kodak HC-110; CanoScan FS27120; VueScan; Adobe Lightroom 5.7
Photo shot around St. Michaelis Lüneburg in January with a Pentax ME and a 28mm Travenar on AgfaFoto APX 400. Self-developed with Adonal 1:50 for 21 Minutes and fixed with Adofix 1:9 for 4 Minutes in a Paterson Tank. Scanned with VueScan on a CanoScan 9000f Mark II. Unfortunately developed a bit too long for scanning...
Contax G2 Rangefinder
Zeiss Planar T* 2/45
Kodak Tri-X @ 320
Scan from negative film,
Reflecta RPS7200, VueScan
Self Developed, Spur Acurol-N (1+200)
Shot in camera with double exposure technique
© Thomas Seidl Photography 2014
Homepage: thomasseidl-photography.smugmug.com
Facebook: www.facebook.com/pages/Thomas-Seidl/157771240957091
shot with canon demi C sd 50mm 2.8 lens 2.8@1/30 kodak profoto XL 100
scanned on nikon coolscan III ls-30 via vuescan with analog gain 0.2
PS editing: levels
This is my last Prague pic I will upload. Trip was great but everything has its time...
EOS 300x; 40mm 2.8 STM, Kodak 200-8 ColorPlus; Coolscan; Vuescan; Gimp.
Zeiss Ikon Voigtlander Vitessa 500 L + Voigtlander Color-Lanthar 42mm f/2.8 + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Nikon FM3A
Nikon 28mm f/2.8 AIS @ f/5.6
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Nikon FM3A
Nikon 85mm f/1.4 D
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Assuan
mit Feluken auf dem Nil und dem Mausoleum des Agha Khan
egiptoviaje.es/mausoleo-de-agha-khan-en-egipto/
Aufnahme im Mai 1985 mit Minolta SRT 303b
heute eingescannt mit VueScan 8.4.62 vom Kodak - Farbbild
Calasetta, CI, Sardegna. Appena prima dell'alba.
Camera: Mamiya RB-67 Pro
Lens: Mamiya 90mm f/3.8 Sekor-C
Film: Foma Fomapan 100
Developer: Kodak HC-110, dil. B
Scanner: Epson V700 + Vuescan
Software: Adobe Lightroom 3.4.1
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/8
Fujifilm Superia 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Test Hypercat 1+200 con Parte B Potassio Carbonato
Kentmere 100
Pentax MX
Scansione diretta da negativo (VueScan)
Cornering tree casting its shadow away from a vineyard. That part of a vineyard was abandoned a few years ago and is rapidly decaying - expected from vines more than a century old. Mid-September 2015.
Taken with panoramic swing-lens Horizon 202 camera, and its MC2.8/28mm lens, on Fujichrome Provia 100F RDPIII slide film.
Scanned with Plustek OpticFilm 8100, with VueScan x64 9.5. Scanned to two scans, stitched with AutoPano.
Contax G2 Carl Zeiss Biogon 2,8/28 Kodak BW400CN VueScan CanoScan 2700F Luglio 2011
Ulivi, Araucarie e tanto altro... questo sito é spettacolare!
Canonet QL-17 G-III
tri-x 400 EI 3200
rodinal(5ml) xtol (200ml) in 1 L stand for 2 hours at 20'C
scanned 2x with vuescan
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/4
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Nikon F5 + 135mm f/2.8 AI-S + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Film Stock: Kodak Advantix Ultra Zoom (APS)
Scanned as 64bit RAW TIF file using Canon Canoscan FS4000US and Vuescan software.
Processed as TIF file using Vuescan software.
Edited (auto levels, HDR Toning (default setting) and cropping) using Adobe CS5 Photoshop
Converted to JPG file using Adobe CS5 Photoshop
Metadata edited using Exif Pilot software
The Sturgis Dam and powerhouse reflecting in the St. Joseph River.
This photo was taken using a Horseman VH-R field camera with a 90mm lens on Kodak Portra 160NC. A Sekonic spot meter was used to average several locations through the polariser. The raw negative scan was in Vuescan and this was color processed using ColorNeg default settings.
Nikon FM3A
Nikon 85mm f/1.4 D @ f/2
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/5.6
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Ricoh GR1 + Fujifilm Superia X-tra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Bleach Bypass with FILM (not digital filters).
Another acceptible edit.
Eastman Kodak expired Vision2 250D. Shot at 250 with Bessa T and toy M mount body cap pancake lens with fixed focus F/10. There seems to be a sweet spot around 10 to 20 feet with the lens. "pre developed" (still looking for a good term). in PA Rodinal 1:100 for 10 minutes and then cross processed in Kodak Flexicolor C-41 for 3:15 minutes, skip bleach / bypass 2 minute wash, then fixed for 8 minutes continuous agitation in Ilford Hypam rapid fix 1:4.
The raw scan comes up very bronze with some rich earth tone colors, definitely not monochrome. Obviously, the color can be rebalanced in post processing to bring back the original, or better colors. This is fairly easy to do in photoshop and I learned to just let VueScan do it's job and adjust the raw scan image.
The images may be a bit flatter but I find a VERY wide range of saturation to play with when a normal color negative would tip over of blow out. There are some unique "looks" to be had here. The shadows don't bunch up so quickly and it is possible that running it through a B&W developer automatically pushes the film a bit. I usually shoot this film at 125 or so and here it is doing well at 250 for a 20 odd year old roll. My other posts of just bleach bypass have a thinner look and the shadows are lost pretty quick. More to explore.
Nikon FM3A
Nikon 85mm f/1.4 D @ f/2
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Nikon FM3A
Nikon 85mm f/1.4 D @ f/2
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: ColorPerfect + Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/5.6
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Body: Canon T-90
Lens: Canon nFD 50mm f/1.4
Film: Kodak Ektachrome E100VS (expired 09/2008)
Developed: HEMA (Fuji Steenbergen)
Scanned with: Pacific Image PrimeFilmXA and Vuescan 9
Edit: Colorperfect and slight reduction of blue tint.
Nikon FM3A
Nikon 105mm f/2.5 ais @ f/4
Fujifilm Superia 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Nikon FM3A
Nikon 85mm f/1.4 D @ f/2
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Shot box speed, despite being 23 years expired and having an unknown storage history.
Physical slides are very dark, and even with a high exposure setting in VueScan they were each pulled up another 1.5 to 2 stops in processing.
Color balance for mids and highs lead to significant magenta hue in shadows which was corrected for in some but not all of these.
Cinestill Cs6 3-bath kit with D9 DynamicChrome first dev (1+2 dilution, 11min)
Nikon FM3A
Nikon 105mm f/2.5 ais @ f/4
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
First pictures from this vintage (1965 approx) Minolta SLR
Minolta SR-7 | Fujicolor C200 film | Tamron 90mm f/2.5 SP Macro [52BB]
Nikon FM3A
Nikon 85mm f/1.4 D
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Ricoh GR1 + Fujifilm Superia X-tra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Nikon FM3A
Nikon 85mm f/1.4 D @ f/5.6
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: ColorPerfect + Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Some expired films are almost indistinguishable from fresh, but this one most definitely isn't that film, it degraded pretty badly. Nonetheless, I quite like the colour palette, grain and sharp details. October 2017.
Taken with Pentax MZ-S camera and smc Pentax-FA 28mm F2.8 AL lens on expired Kodak Elite Chrome 400 slide film. 28mm, 1/350, ƒ/4, ISO 400. Scanned with Plustek OpticFilm 8100 scanner via VueScan 9.5.
Busy traffic in Zagreb, summer 2014. Playing with my then-new toys, and borrowed lens.
Taken with Nikon F801 camera, and Nikkor AF 24mm F2.8 wide-angle lens, on Polaroid Color 100 135-format film. Scanned with Canon CanoScan 8800F using VueScan 9.2.
Coffee Blur
Kodak TMax 100 film developed in Caffenol-C-L for 70mins at 18'C.
Recepie used: Anhydrous Washing Soda - 1.5 Tblsp, Vitamin C powder - 0.75 Tblsp. Bromide - 0.125 Tsp, Maxwell House Instant Coffee Powder - 4 Tblsp, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.
Nikon FM3A
Nikon 85mm f/1.4 D @ f/2
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab