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My very sweet friend has a birthday this week. I have been working on this table set for her. It includes: low volume placemats made during the low volume QAL, crocheted hot pads, and napkins.
Tutorials for both the hot pads and napkins can be found on sew take a hikes blog sewtakeahike.typepad.com/sewtakeahike/
"Ghost Hunt 7". Open the door. Author: Ono FuYumi
After the incident of Noto. Line that was attached to the return journey to Tokyo. It would travel to a campsite of the dam lake astray. Confused SPR dissolution declaration of sudden "consisting" 'My people. "Suddenly, decided to stay in bungalows lakeside. I microcomputer to there, survey request of elementary school that became closed down. The school ghost would come out, ?? that terrible trap had been planted. The last volume of the mystery of all is revealed. The truth of the startle!?
This is one of those 3D images that just appears as chaos in 2D, yet comes alive with incredible depth and volume when viewing in 3D. This is set up as a cross-view image, other view types below!
To “cross-view” a 3D image, you need to cross your eyes. Make sure the image is taking up 25% or less of your field of view, then cross your eyes just enough so that they overlap. The goal is to see three images, and focus in on the middle one. This should pop into clear focus with a level of depth and detail that will make you say wow. :)
If you have a 3D viewer like a VR headset (think Google Cardboard) or a stereoscope, here is a “side-by-side” or “parallel” view that works perfectly with this equipment: donkom.ca/stereo/DKP_3289-parallel.jpg
If you have a pair of those dorky red/blue anaglyph glasses kicking around, you can use them to see this version in 3D: donkom.ca/stereo/DKP_3289-anaglyph.jpg
Have a 3D TV that you never use the 3D features of? Throw this file on a USB drive and view it on your TV, most of them have built-in software to show it to you in 3D automatically: donkom.ca/stereo/DKP_3289-3DTV.mpo
Okay, so here we are, staring at an orchid flower covered in frost. How? By placing this flower above a heated dog bowl, just a centimeter above the water’s surface, on the coldest night so far this winter. You can buy dog bowls that keep the water temperature in the bowl just above the freezing point with a low-power heating element underneath. The water evaporates and cools, ready to form frost on any nearby surface.
The orchid flower can’t survive the cold, but it freezes solid before it can show any signs of its death. Thaw it out and it wilts instantly! They also become incredibly fragile and will shatter if handled too harshly – I destroyed two before I realized how gentle I needed to be.
The heated dog bowl is a novel idea, but I know it heats up the water a little too much. If the temperature could be regulated to keep things just below the freezing point, the kind of frost being generated would be less feather-like and more like clamshells with pristinely defined angles and growth ridges. This is the kind of frost I have been trying to grow for a few years, and haven’t found the proper “recipe” yet. The experimentation continues in this area!
Moving such a fragile object, now covered in frost, was only a partial success. Some of the frost crystals fell off instantly when trying to move the subject into a photographically useful position, something I thing cannot be avoided 100%, but in the future I’ll try clamping it in place with a “Plamp” rather than the more utilitarian “third hand tool”, where the metal base froze to the surrounding ice and snow.
Lessons learned and this image is a stepping stone towards something hopefully even better – but a mini success that I feel is very much worth sharing. :)
If you’d like to know more about the science of snowflakes with an exhaustive and comprehensive tutorial on how to photograph and edit these little gems – applicable to extreme macro photography in general - check out my book Sky Crystals:
Hardcover: www.skycrystals.ca/book/
eBook: www.skycrystals.ca/ebook/
Other things you might be interested in:
2018 Macro Photography Workshop Schedule: www.donkom.ca/workshops/
2018 Ice Crystals Coin from the Royal Canadian Mint featuring my snowflakes: www.mint.ca/store/coins/coin-prod3040427
“The Snowflake” print, taking 2500 hours to create: skycrystals.ca/product/poster-proof/
Photo Geek Weekly, my new podcast: www.photogeekweekly.com/
This is my attempt at the low volume blocks I've been seeing around flickr... Not sure I've got the hang of it yet. I do think these will make a gorgeous quilt!!! Maybe I'll throw in a simple pink strip here and there...
Second Part of Menu
Avant-garde fine dining? Can this be a reality in the city of Toronto, still relatively green in establishing its place in the highly competitive world of dining. Perhaps it is Chef Claudio Aprile's bold endeavour to introduce a conservative Torontonian palate to the somewhat new movement of Molecular Gastronomy that has all the buzz a-going. I was personally excited in partaking in a local "MG" experience, particularly after a recent trio of gluttonous MG-centered pleasures in Chicago (Avenues, Alinea and Moto). I also knew that my impression of Aprile's nascent work could end up being an unfair comparison to that of Achetz, Bowles or Cantu (who are all still very young), as honing in ones craft takes both effort and time. As the only chef who is currently serving up molecular gastronomic creations, Aprile is our industry standard, a position, I am sure we'll see more competition of in this fair city as the days pass.
Housed in a heritage warehouse building, the aptly named Colborne Lane (as that is the address) hides amongst other new contenders to the city's burgeoning restaurant scene, taking over the space of what used to be Café du Marché. Its physical appearance also challenges the visual senses. Lost are the days of fine dining with white linens and table cloths, Aprile (ex- of Senses) & Harji (of Blowfish and Kultura) take the pretentiousness out but leave the higher prices in. Don't get me wrong, Colborne Lane is still a restaurant that is lit by candlelight, but is also decorated by interestingly shaped light fixtures that appear to come out of an artist's garage. The establishment also leaves out the warmth and romanticism that one typically feels when out consuming a special meal, replacing it instead with a rather dark and cool room filled with mild rock 'n roll/alternative music and decibel breaking chatter.
Not quite a dining experience that caters to most patrons, the do-it-yourself tasting menu creates a situation where you, as the diner, possess the responsibility of making the most appropriate selection of courses. In that sense, one is challenged in how he or she will make or break his or her evening. Does one focus on meat-centrity or attempt to make a fine balance between courses (i.e. can you trust yourself to get enough vegetables with your meal, or order some light and heavier items)? Will one be bombarded with too many flavours from all ends of the spectrum or stay conservative with monochromatic familiarities? Does one try to select options that feature a logical progression in the course of the plates or does one choose on the basis of components of interest alone? And although there is much potential on paper with the items offered, and there is good use of fantastic ingredients, along with the application of nouvelle concepts and interesting dishware, Aprile's kitchen appears to try just a little too hard in winning over tastebuds. Conceptually the chef's work deserves great applause; I seriously appreciated his attention to the visual and textural game, however menu items provide too many tasting options on a single plate and end up overwhelming the diner's senses. Sometimes variety is a good thing. For Colborne Lane, it doesn't always work and can leave one slightly confused.
Additionally, with the advent of tapas sized dishes, one is required to select at least 3-4 plates in order to find satisfaction. So do consider ordering your own dish if an item peeks your interest, because there really isn't enough to go around to share. And although this result in many tastings for any given diner, it also contributed to a hefty final bill due to the increase in trapped white space found on each of the large platters. (A big thank you to KJ of SE and her kind and generous invitation for me to join in on an evening of lovely company).
Service is friendly and respective, and depending on who is serving you, you might also be gifted with silence inducing dry humour that is offered at the most inappropriate of times. (After we had finished our desserts, JL was asked how he enjoyed things and when he hesitated to reply, was hit with the statement that the server would send his insults to the pastry chef – a remark that seemed to stem out of nowhere. Poor JL! I must give kudos to our initial server who was more helpful, quite pleasant and patient with us (rather me, and my camera).) The kitchen does send out plates slowly, so be prepared to wait a little (or a lot) between courses.
Colborne Lane does successfully provide the city with a segue into an interesting and progressive movement in dining. It is a refreshing move from the tried and true establishments of yesteryear, but sometimes it is with ventures like these that can make one appreciate why the tried-and-true remain as such. Whether or not Toronto is receptive of such novel forms of dining is another issue that can only be tested with time.
張景堯建築師作品選集 Volume 1「築跡」十年工作精選
「築跡」為張景堯建築師回台執業建築從2001到2010十年來的作品選集，期待藉由作品的發表，能將事務所的工作內容和對建築、環境設計有興趣或志向的人分享。有感於國內建築師大多忙於業務，不只無暇整理自己的作品，也疏於彼此的相互交流，無法讓設計的能量滋長，因而決定投入事務所人力，編輯第一本作品集，希望藉由出版的公共平台，讓大家有機會接近我們的工作，並進一步產生更多的對話與交流。
本書共有五個章節，從小型的私人住宅到大區域的都市設計共選入約二十幾個作品，以住宅設計為作品的主軸，探討住宅中人與自然的關係所可能衍生的空間原型。非住宅的作品從學校到商業空間都有觸及。在空間與型式上，每個作品的需求與內容各不相同，但其背後的理念是一致的，那就是不斷地追求人與自然在空間上的意涵，簡單而不單調，豐富而不複雜。
本書以中英雙語出版，但不是中文搭配英譯，而是對內容因著語文性質做適切的表述。內容力求簡捷明晰，除了台灣的讀者外，也盼能與國際友人分享我們的工作成果。
本書共352頁，精裝B5開本，書名「築跡」，期待在建築的這條道路上能留下些許成果，而以volume 1 第一卷來呈現，更是自勉將來能有第二、第三卷的出版，每一卷的內容能更充實與精進。
A view of all our clients having lunch at our recent Digital workshop with Alan Rutherford ex CEO Digitas Worldwide and former Head of Global Media at Unilever ...
張景堯建築師作品選集 Volume 1「築跡」十年工作精選
「築跡」為張景堯建築師回台執業建築從2001到2010十年來的作品選集，期待藉由作品的發表，能將事務所的工作內容和對建築、環境設計有興趣或志向的人分享。有感於國內建築師大多忙於業務，不只無暇整理自己的作品，也疏於彼此的相互交流，無法讓設計的能量滋長，因而決定投入事務所人力，編輯第一本作品集，希望藉由出版的公共平台，讓大家有機會接近我們的工作，並進一步產生更多的對話與交流。
本書共有五個章節，從小型的私人住宅到大區域的都市設計共選入約二十幾個作品，以住宅設計為作品的主軸，探討住宅中人與自然的關係所可能衍生的空間原型。非住宅的作品從學校到商業空間都有觸及。在空間與型式上，每個作品的需求與內容各不相同，但其背後的理念是一致的，那就是不斷地追求人與自然在空間上的意涵，簡單而不單調，豐富而不複雜。
本書以中英雙語出版，但不是中文搭配英譯，而是對內容因著語文性質做適切的表述。內容力求簡捷明晰，除了台灣的讀者外，也盼能與國際友人分享我們的工作成果。
本書共352頁，精裝B5開本，書名「築跡」，期待在建築的這條道路上能留下些許成果，而以volume 1 第一卷來呈現，更是自勉將來能有第二、第三卷的出版，每一卷的內容能更充實與精進。
Vintage 1941 First Edition copy by Laura Lee Burroughs, mother of the famous and infamous Beat Generation novelist, William Burroughs. Booklet is a Coca-Cola promotional product and features eight pages of Coca-Cola.
Voici quelques photos de Bonnie, fraichement custo. Je lui ai mis des Animal Eyes orange irisés ainsi que la wig courte de Marilyn (Papin). J'avais peur de lui retirer ses boucles rousses... ça la change complétement mais je l'adore comme ça! ;) Je trouve que ce nouveau look colle plus à son style ;)
J'espère qu'elle vous plait comme ça! ^^
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Séance inspirée par Nana, que je relis en ce moment ;)
"Dis Nana,
Tant qu'on garde espoir
Il y a toujours un lendemain
C'est toi qui me l'as appris
Mais la pluie de ce jour là
Continue de tremper mes joues encore aujourd'hui
Il pleuvait si fort ce jour là... "
Blousy shirt and blousy skirt for work.
Shirt: Talbots via Ebay
Skirt: Old Navy
Shoes: Rue 21
Belt: The Limited
準建築人手札網站 Forgemind ArchiMedia.
.
張景堯建築師作品選集 Volume 1「築跡」十年工作精選.
.
「築跡」為張景堯建築師回台執業建築從2001到2010十年來的作品選集，期待藉由作品的發表，能將事務所的工作內容和對建築、環境設計有興趣或志向的人分享。有感於國內建築師大多忙於業務，不只無暇整理自己的作品，也疏於彼此的相互交流，無法讓設計的能量滋長，因而決定投入事務所人力，編輯第一本作品集，希望藉由出版的公共平台，讓大家有機會接近我們的工作，並進一步產生更多的對話與交流。.
.
本書共有五個章節，從小型的私人住宅到大區域的都市設計共選入約二十幾個作品，以住宅設計為作品的主軸，探討住宅中人與自然的關係所可能衍生的空間原型。非住宅的作品從學校到商業空間都有觸及。在空間與型式上，每個作品的需求與內容各不相同，但其背後的理念是一致的，那就是不斷地追求人與自然在空間上的意涵，簡單而不單調，豐富而不複雜。.
.
本書以中英雙語出版，但不是中文搭配英譯，而是對內容因著語文性質做適切的表述。內容力求簡捷明晰，除了台灣的讀者外，也盼能與國際友人分享我們的工作成果。.
.
本書共352頁，精裝B5開本，書名「築跡」，期待在建築的這條道路上能留下些許成果，而以volume 1 第一卷來呈現，更是自勉將來能有第二、第三卷的出版，每一卷的內容能更充實與精進。
張景堯建築師作品選集 Volume 1「築跡」十年工作精選
「築跡」為張景堯建築師回台執業建築從2001到2010十年來的作品選集，期待藉由作品的發表，能將事務所的工作內容和對建築、環境設計有興趣或志向的人分享。有感於國內建築師大多忙於業務，不只無暇整理自己的作品，也疏於彼此的相互交流，無法讓設計的能量滋長，因而決定投入事務所人力，編輯第一本作品集，希望藉由出版的公共平台，讓大家有機會接近我們的工作，並進一步產生更多的對話與交流。
本書共有五個章節，從小型的私人住宅到大區域的都市設計共選入約二十幾個作品，以住宅設計為作品的主軸，探討住宅中人與自然的關係所可能衍生的空間原型。非住宅的作品從學校到商業空間都有觸及。在空間與型式上，每個作品的需求與內容各不相同，但其背後的理念是一致的，那就是不斷地追求人與自然在空間上的意涵，簡單而不單調，豐富而不複雜。
本書以中英雙語出版，但不是中文搭配英譯，而是對內容因著語文性質做適切的表述。內容力求簡捷明晰，除了台灣的讀者外，也盼能與國際友人分享我們的工作成果。
本書共352頁，精裝B5開本，書名「築跡」，期待在建築的這條道路上能留下些許成果，而以volume 1 第一卷來呈現，更是自勉將來能有第二、第三卷的出版，每一卷的內容能更充實與精進。
張景堯建築師作品選集 Volume 1「築跡」十年工作精選
「築跡」為張景堯建築師回台執業建築從2001到2010十年來的作品選集，期待藉由作品的發表，能將事務所的工作內容和對建築、環境設計有興趣或志向的人分享。有感於國內建築師大多忙於業務，不只無暇整理自己的作品，也疏於彼此的相互交流，無法讓設計的能量滋長，因而決定投入事務所人力，編輯第一本作品集，希望藉由出版的公共平台，讓大家有機會接近我們的工作，並進一步產生更多的對話與交流。
本書共有五個章節，從小型的私人住宅到大區域的都市設計共選入約二十幾個作品，以住宅設計為作品的主軸，探討住宅中人與自然的關係所可能衍生的空間原型。非住宅的作品從學校到商業空間都有觸及。在空間與型式上，每個作品的需求與內容各不相同，但其背後的理念是一致的，那就是不斷地追求人與自然在空間上的意涵，簡單而不單調，豐富而不複雜。
本書以中英雙語出版，但不是中文搭配英譯，而是對內容因著語文性質做適切的表述。內容力求簡捷明晰，除了台灣的讀者外，也盼能與國際友人分享我們的工作成果。
本書共352頁，精裝B5開本，書名「築跡」，期待在建築的這條道路上能留下些許成果，而以volume 1 第一卷來呈現，更是自勉將來能有第二、第三卷的出版，每一卷的內容能更充實與精進。
The most noisy insects I know.
Actually, the cicadas in Israel are quiet as a stalking cat near the ones I heard in the jungles of Thailand. When I walked in these jungles, I thought someone's cuting trees with a damn chainsaw. Spooky.
Magnificent little creatures.
as the river runs down as the river runs through
as it runs through the field with all his companions
this is the scene of the most enchanted
I am a drunken fool, drunk off the love that holds up the moon
Drunk off the love that binds me and you to the most high
Translinguistic Volume 1 ~ Showcases Northern California graffiti and art produced/ documented between 2008 and now. Featuring the work of; Translinguistic, Santacruzandsuch, Alex, Clausen, and others. 68 Pages, high gloss black and white printing. Each order comes with a hand selected sticker/goodie assortment.
$9.00 includes shipping and handling paypal can be send to->
Translingzine@gmail.com
準建築人手札網站 Forgemind ArchiMedia.
.
張景堯建築師作品選集 Volume 1「築跡」十年工作精選.
.
「築跡」為張景堯建築師回台執業建築從2001到2010十年來的作品選集，期待藉由作品的發表，能將事務所的工作內容和對建築、環境設計有興趣或志向的人分享。有感於國內建築師大多忙於業務，不只無暇整理自己的作品，也疏於彼此的相互交流，無法讓設計的能量滋長，因而決定投入事務所人力，編輯第一本作品集，希望藉由出版的公共平台，讓大家有機會接近我們的工作，並進一步產生更多的對話與交流。.
.
本書共有五個章節，從小型的私人住宅到大區域的都市設計共選入約二十幾個作品，以住宅設計為作品的主軸，探討住宅中人與自然的關係所可能衍生的空間原型。非住宅的作品從學校到商業空間都有觸及。在空間與型式上，每個作品的需求與內容各不相同，但其背後的理念是一致的，那就是不斷地追求人與自然在空間上的意涵，簡單而不單調，豐富而不複雜。.
.
本書以中英雙語出版，但不是中文搭配英譯，而是對內容因著語文性質做適切的表述。內容力求簡捷明晰，除了台灣的讀者外，也盼能與國際友人分享我們的工作成果。.
.
本書共352頁，精裝B5開本，書名「築跡」，期待在建築的這條道路上能留下些許成果，而以volume 1 第一卷來呈現，更是自勉將來能有第二、第三卷的出版，每一卷的內容能更充實與精進。