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as the river runs down as the river runs through
as it runs through the field with all his companions
this is the scene of the most enchanted
I am a drunken fool, drunk off the love that holds up the moon
Drunk off the love that binds me and you to the most high
準建築人手札網站 Forgemind ArchiMedia.
.
張景堯建築師作品選集 Volume 1「築跡」十年工作精選.
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「築跡」為張景堯建築師回台執業建築從2001到2010十年來的作品選集，期待藉由作品的發表，能將事務所的工作內容和對建築、環境設計有興趣或志向的人分享。有感於國內建築師大多忙於業務，不只無暇整理自己的作品，也疏於彼此的相互交流，無法讓設計的能量滋長，因而決定投入事務所人力，編輯第一本作品集，希望藉由出版的公共平台，讓大家有機會接近我們的工作，並進一步產生更多的對話與交流。.
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本書共有五個章節，從小型的私人住宅到大區域的都市設計共選入約二十幾個作品，以住宅設計為作品的主軸，探討住宅中人與自然的關係所可能衍生的空間原型。非住宅的作品從學校到商業空間都有觸及。在空間與型式上，每個作品的需求與內容各不相同，但其背後的理念是一致的，那就是不斷地追求人與自然在空間上的意涵，簡單而不單調，豐富而不複雜。.
.
本書以中英雙語出版，但不是中文搭配英譯，而是對內容因著語文性質做適切的表述。內容力求簡捷明晰，除了台灣的讀者外，也盼能與國際友人分享我們的工作成果。.
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本書共352頁，精裝B5開本，書名「築跡」，期待在建築的這條道路上能留下些許成果，而以volume 1 第一卷來呈現，更是自勉將來能有第二、第三卷的出版，每一卷的內容能更充實與精進。
So I found this LURKING in my archives and it was by far my favorite shot of the shoot.
I love the sun behind them and slightly covering Kirsty's face.
A very summery photo, showing that we CAN have good days in England.....they just don't come often enough!
View it Large on Black!
First Part of Menu
Avant-garde fine dining? Can this be a reality in the city of Toronto, still relatively green in establishing its place in the highly competitive world of dining. Perhaps it is Chef Claudio Aprile's bold endeavour to introduce a conservative Torontonian palate to the somewhat new movement of Molecular Gastronomy that has all the buzz a-going. I was personally excited in partaking in a local "MG" experience, particularly after a recent trio of gluttonous MG-centered pleasures in Chicago (Avenues, Alinea and Moto). I also knew that my impression of Aprile's nascent work could end up being an unfair comparison to that of Achetz, Bowles or Cantu (who are all still very young), as honing in ones craft takes both effort and time. As the only chef who is currently serving up molecular gastronomic creations, Aprile is our industry standard, a position, I am sure we'll see more competition of in this fair city as the days pass.
Housed in a heritage warehouse building, the aptly named Colborne Lane (as that is the address) hides amongst other new contenders to the city's burgeoning restaurant scene, taking over the space of what used to be Café du Marché. Its physical appearance also challenges the visual senses. Lost are the days of fine dining with white linens and table cloths, Aprile (ex- of Senses) & Harji (of Blowfish and Kultura) take the pretentiousness out but leave the higher prices in. Don't get me wrong, Colborne Lane is still a restaurant that is lit by candlelight, but is also decorated by interestingly shaped light fixtures that appear to come out of an artist's garage. The establishment also leaves out the warmth and romanticism that one typically feels when out consuming a special meal, replacing it instead with a rather dark and cool room filled with mild rock 'n roll/alternative music and decibel breaking chatter.
Not quite a dining experience that caters to most patrons, the do-it-yourself tasting menu creates a situation where you, as the diner, possess the responsibility of making the most appropriate selection of courses. In that sense, one is challenged in how he or she will make or break his or her evening. Does one focus on meat-centrity or attempt to make a fine balance between courses (i.e. can you trust yourself to get enough vegetables with your meal, or order some light and heavier items)? Will one be bombarded with too many flavours from all ends of the spectrum or stay conservative with monochromatic familiarities? Does one try to select options that feature a logical progression in the course of the plates or does one choose on the basis of components of interest alone? And although there is much potential on paper with the items offered, and there is good use of fantastic ingredients, along with the application of nouvelle concepts and interesting dishware, Aprile's kitchen appears to try just a little too hard in winning over tastebuds. Conceptually the chef's work deserves great applause; I seriously appreciated his attention to the visual and textural game, however menu items provide too many tasting options on a single plate and end up overwhelming the diner's senses. Sometimes variety is a good thing. For Colborne Lane, it doesn't always work and can leave one slightly confused.
Additionally, with the advent of tapas sized dishes, one is required to select at least 3-4 plates in order to find satisfaction. So do consider ordering your own dish if an item peeks your interest, because there really isn't enough to go around to share. And although this result in many tastings for any given diner, it also contributed to a hefty final bill due to the increase in trapped white space found on each of the large platters. (A big thank you to KJ of SE and her kind and generous invitation for me to join in on an evening of lovely company).
Service is friendly and respective, and depending on who is serving you, you might also be gifted with silence inducing dry humour that is offered at the most inappropriate of times. (After we had finished our desserts, JL was asked how he enjoyed things and when he hesitated to reply, was hit with the statement that the server would send his insults to the pastry chef – a remark that seemed to stem out of nowhere. Poor JL! I must give kudos to our initial server who was more helpful, quite pleasant and patient with us (rather me, and my camera).) The kitchen does send out plates slowly, so be prepared to wait a little (or a lot) between courses.
Colborne Lane does successfully provide the city with a segue into an interesting and progressive movement in dining. It is a refreshing move from the tried and true establishments of yesteryear, but sometimes it is with ventures like these that can make one appreciate why the tried-and-true remain as such. Whether or not Toronto is receptive of such novel forms of dining is another issue that can only be tested with time.
Compendium Volume 4: Psycho Princess is a collaborative Digital Publication project that draws upon the talents of students from many disciplines across VFS. Led by four teams of Entertainment Business Management students, this installment of Compendium takes a new approach to some familiar fairy tale princesses.
Find out more about What You Will Achieve in one year in the Entertainment Business Management program at VFS.
Honda Jazz i-VTEC (2nd Gen SE Series Pre-Facelift) (2007-14) Engine 1339cc S4 i-VTEC
Registration Number YS 10 WNC
HONDA SET
www.flickr.com/photos/45676495@N05/sets/72157623789458598...
The second generation Honda Jazz (2nd Gen Honda Fit in other markets) was launched at the 2007 Tokyo Motor Show as a Supermini. On a longer wheelbase than the earlier model. it is also wider, but is the same height, though interior height is incresed by 0.3 inches, and the chasis was re-engineered with a far greater ridgidity The cabin features greater interior volume, while boot capacity decreased, with US models slightly longer than in other markets due to the slightly different nose. Multi-mode seating and cargo configurations were retained
On 28 July 2008, Honda UK announced that the second-generation Jazz would be on sale from 17 October 2008, offered with two new engine variants; a 90 PS 1.2-liter i-VTEC petrol and a a 100 PS 1.4-litre i-VTEC petrol engine. mated to a five-speed manual, or five-speed automatic (4WD only) Production of the Jazz for European markets moved from Japan to Honda's UK plant in Swindon on 7 October 2009
Facelifted models and the new hybrid model went on sale on 1 February 2011 with aerodynamic improvements and engine emissions were reduced. The Jazz Sport features a new front bumper cover and grille, black headlight bezels, dark "machined surface" finish alloy wheels, a black monochrome theme interior with chrome accents. The base model receives body-color exterior mirrors (previously black), standard security system, and new wheel covers
Shot at Donington Historic Festival, 6th May 2012 Ref: 84-349
A Tale of Two Consequences: Intended and Unintended Outcomes of the Japan TOPIX Tick Size Changes. Kashyap arxiv.org/abs/1602.00839 #q-fin
December 2013 - Music For The Road - Volume 60 - Isle Of Harris
1. Simon Patterson featuring Lucy Pullin - The One (Original Mix)
2. Andy Moor & Betsie Larkin - Love Again (Andrew Rayel Remix)
3. Bobina with Andrew Rayel - Sacramentum (Andrew Rayel Aether Mix)
4. Delerium featuring Stef Lang - Chrysalis Heart (Stereojackers Vs Mark Loverush Remix)
5. Giuseppe Ottaviani - Feel The Music
6. Giuseppe Ottaviani featuring Linnea Schossow - Stars
7. Max Graham - The Evil ID
8. Max Graham featuring Alana Aldea - Where You Are (John O'Callaghan Remix)
9. Spark7 featuring Ridgewalkers - So Alive (Original Mix)
10. Toby Hedges - Sukha (Original Mix)
11. Andrew Rayel - Zeus (Original Mix)
12. Bjorn Akesson - Sol (Original Mix)
Daguerrotype of Elizabeth ‘Rufa’ Call
About 1865
This image is of Elizabeth Hennell (nee Brabant, later Call), whose nickname was Rufa due to her red hair. Rufa’s father, Dr Brabant employed Mary Ann Evans (George Eliot) to translate Strauss's Das Leben Jesu in 1843. Rufa had begun the translation work but stopped due to the demands of married life. Rufa married Charles Hennel in 1842 and Mary Ann was their bridesmaid. Charles died in 1850 and Rufa married WMW Call in 1857.
From 1841 to 1849 Mary Ann Evans lived with her father in a grand semi-detached house just off the main road in Foleshill, then village near the city of Coventry. While in Coventry Mary Ann became friends with radical intellectuals known as the Rosehill Circle – headed by Cara and Charles Bray.
Mary Ann’s time in Coventry was one of change and personal development. It had a difficult start as she refused to attend church for five months which deeply upset her father – a period known later as the ‘Holy War’. Her growing friendship with the Brays led to Mary Ann being commissioned to translate from the German Strauss’ sensational volume ‘The Life of Jesus, Critically Examined’.
The end of her time in Coventry was overshadowed by her father’s illness and death. This led to the Bray’s taking Mary Ann on a continental tour which began her move from the Midlands to London and the launch of her literary career.
Objects held at the Herbert Art Gallery & Museum are held in three collections: local studies at the Coventry Archives and Research Centre, visual arts and social history. Much of the collection relates to Mary Ann’s relationship with the Rosehill Circle and includes sketches, watercolours, letters and objects such as the piano bought for her by life partner, George Henry Lewes. Find our more at www.theherbert.org and explore our collections further at www.coventrycollections.org.
185/366 Tuesday 3 July 2012 - I made my first low volume block. In the evening I went out to eat with an old school friend. We nattered so much that the evening passed by in a flash. I didn't realise until I got home I'd had a camera in my bag so I could have taken a picture of the cricket bats and other cricket decor in the pub. Next time.
blogged at: isisjem.blogspot.co.uk/2012/07/some-quiet-play.html
The drawing is mounted in Volume II-TER of the John Ryland's copy of "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by A. D. Sertillanges, introduction by M. de Brunoff and the French version of L. J. Lemaistre de Saci. (Sertillanges, Antonin Gilbert 1863-1948; Le Maistre de Sacy, Isaac-Louis, 1613-1684) 2 vols. : illus., plates : 4to. 40 plates, 360 illustrations to text, by James Tissot. Paris: M. de Brunoff & Cie, 1904.
The edition contains 360 mounted colour, b/w, and duo-tone illustrations in the text and 40 plates in three states, sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15 3/4 x 13 ins; image size varies (c 8 1/2 x 5 1/2 ins).
Of the 561 copies printed, the John Rylands Library (Manchester) copy is an "exemplaire unique". As well as the triple set of the large plates in various states, and a series of proofs before letters of the illustrations appearing in the text, it contains a water colour drawing by Tissot ("Joseph presents his father Jacob to Pharaoh"), these original pen and ink sketches for this work, and an autograph letter by him. (John Rylands Library Special Collections R16279)
www.amazon.co.uk/clouddrive/share/kq7jBR4DkA1VIbQ5isRelyH...
準建築人手札網站 Forgemind ArchiMedia.
.
張景堯建築師作品選集 Volume 1「築跡」十年工作精選.
.
「築跡」為張景堯建築師回台執業建築從2001到2010十年來的作品選集，期待藉由作品的發表，能將事務所的工作內容和對建築、環境設計有興趣或志向的人分享。有感於國內建築師大多忙於業務，不只無暇整理自己的作品，也疏於彼此的相互交流，無法讓設計的能量滋長，因而決定投入事務所人力，編輯第一本作品集，希望藉由出版的公共平台，讓大家有機會接近我們的工作，並進一步產生更多的對話與交流。.
.
本書共有五個章節，從小型的私人住宅到大區域的都市設計共選入約二十幾個作品，以住宅設計為作品的主軸，探討住宅中人與自然的關係所可能衍生的空間原型。非住宅的作品從學校到商業空間都有觸及。在空間與型式上，每個作品的需求與內容各不相同，但其背後的理念是一致的，那就是不斷地追求人與自然在空間上的意涵，簡單而不單調，豐富而不複雜。.
.
本書以中英雙語出版，但不是中文搭配英譯，而是對內容因著語文性質做適切的表述。內容力求簡捷明晰，除了台灣的讀者外，也盼能與國際友人分享我們的工作成果。.
.
本書共352頁，精裝B5開本，書名「築跡」，期待在建築的這條道路上能留下些許成果，而以volume 1 第一卷來呈現，更是自勉將來能有第二、第三卷的出版，每一卷的內容能更充實與精進。
I have a few tips of how to make Homemade Volume Powder hair products for thin oily hair that can give your thin and flat hair a lift as well as body for easier styling.
FOR MORE TIPS SUBSCRIBE HERE: goo.gl/8zGwqh
Refer to Link For Injibs Hair Product Range:
www.injibscosmets.com/436374080
This homemade hair powder for volume is a remedy made from ingredients in your kitchen and it is the best hair powder for thin hair. Its a homemade hair volume powder that is harmless without leaving any residues behind.
The homemade volume control is very easy to make in just a few steps that I will explain in this homemade volume hair video.
The homemade hair volumizer is a hair powder for oily hair and a hair powder volume walmart.
In case you are interested in finding out this texture powder for thin hair, go ahead and subscribe to my channel and hit the bell button so that you don't miss out on any of my daily uploads.
1. Baby Ingrid v. 2, 2. Low Volume Baby Quilt, 3. Something to try beige, 4. Baby Chevron, 5. Custom, 6. DSC00759s, 7. fabrics for the next quilt, 8. so few moments for quilting lately...
Created with fd's Flickr Toys
I really love the random strip quilts & like the ones with a bit of color added in as well.
Maitland Heritage Survey Review. Volume 1, Central Maitland.
Photographer: Brian McDonald.
1994
Reference no. 126
This image can be used for study and personal research purposes. Please observe copyright and acknowledge source of all photos. If you wish to reproduce this image for any other purpose you must obtain permission by contacting Maitland City Library
If you have any further information about the image, please contact us or leave a comment in the box below.
Nova ilustração para o segundo volume do zine "Palavras Compostas". Decidi substituir a palavra "Olho-de-gato" por "Orelha-de..." pois não ficou bom (nessa versão fala sobre os "Maid Café (メイド喫茶 / メイドカフェ, Meido kissa / Meido kafe)" ).
Translinguistic Volume 1 ~ Showcases Northern California graffiti and art produced/ documented between 2008 and now. Featuring the work of; Translinguistic, Santacruzandsuch, Alex, Clausen, and others. 68 Pages, high gloss black and white printing. Each order comes with a hand selected sticker/goodie assortment.
$9.00 includes shipping and handling paypal can be send to->
Translingzine@gmail.com
the VOLUME project
September 11–20, 2014, Beirut
Have libraries become obsolete in the digital age? Can we conceive public libraries as something other than a collection of books? When does a library begin and end?
Started as a long-term research project in November 2013, the VOLUME project investigates the potential of libraries as sites for artistic creation and production of knowledge, as well as for the formation of critique and dialogue. For nine days, international and local artists, theorists, curators and librarians will engage the public library as a space and a concept, through a series of performances, ad-hoc interventions, talks, literary writings and installations. Events will take place at 98weeks Project Space, Assabil Libraries, and in public spaces around Beirut.
The multiplicity of interventions composing the VOLUME project mirrors the complexities that the library embodies, both as a physical and theoretical subject. Newly commissioned artworks and a program of talks will be reflecting the many facets of the library as a public space, political agent, vehicle for memory, conceptual entity, cataloguing system, fantasy and knowledge generator. What is a library after all? Something so vivid and yet so elusive. Something physical and yet conceptual. Container and content. A singular encompassing multitude. Potentially infinite and intrinsically unfinished.
The library symbolizes the human ambition to amass and preserve all the knowledge of the world, the utopia of a totality at hand. In its physical manifestation, it displays the modern rationality trying to tame the episteme under categories, inventories or parameters of acceptance. It raises questions related to the accessibility to knowledge and how libraries’ collections reflect political choices. The library feeds the desire to know, but also the desire to forget.
VOLUME’s upcoming session in September will present an occasion to share and discuss with the public these and further issues, in what we hope will be an intensive and thought-provoking series of events and encounters. A live publishing platform called “Vologue” will accompany the project. Two writers/witnesses, Roger Outa and Lina Mounzer, will react to talks, events, and performances. Their accounts will appear daily in printed form and on VOLUME’s website.
All the interventions and their ramifications will eventually coalesce into a single publication — the VOLUME — which will be donated to Beirut’s public libraries. VOLUME is therefore the artists’ measuring device and connector. It is part and whole. It is inside the library. It is the library. It is what the library is missing.
Ad hoc interventions and performances by Mounira Al Solh (LB/NL), Andrew Beccone (US), Pauline Curnier Jardin (FR), Aldis Ellersdóttir Hóff (SE), Per Hüttner (SE/FR), RYBN.ORG (FR), Walid Sadek (LB).
Talk Series with Stefanie Baumann, Antoine Boulad (Assabil Association), Jessica Khazrik & Monica Basbous (Ashkal Alwan Library), Marcell Mars, Maud Stephan (Lebanese National Library).
the VOLUME project is a collaboration between Vision Forum, Assabil Association and 98weeks Research Project and is curated by Sara Giannini together with 98weeks.
Please lower the volume to a comfortable level before you start the video! This clip was recorded from my phone, and the volume will increase as the video plays. Clip was cut-off due to Flickr's old 90-second video limit.
The Annual Fall for Dance Festival hosts DanceTalks, which are free pre-performance panel discussions. On Friday, Oct. 5th, I was able to catch the end of the Lecture/Demonstration with Ka Leo O Laka I Ka Hikina O Ka La before they performed that evening with the world premiere of "Hula Kāne: The Ancient Art of Hawaiian Male Dance." Kumu Kaleo Trinidad is a great speaker who explained himself clearly and succinctly; his hands were constantly moving as visual expression of his spoken words. I love the sound of his voice.
"Kumu Kaleo Trinidad, known as one of the most exciting and visionary kumu hula (master teachers of hula) of a new generation, will discuss his vision, aesthetic and approach to choreographing for hula. The discussion will include demonstrations by members of his award-winning halau."
This is a mele ma'i, a procreative chant, that charges the audience with sensual energy. Usually placed at the end, this chant encourages the audience to go home and have lots of little keiki, or kids :)
準建築人手札網站 Forgemind ArchiMedia.
.
張景堯建築師作品選集 Volume 1「築跡」十年工作精選.
.
「築跡」為張景堯建築師回台執業建築從2001到2010十年來的作品選集，期待藉由作品的發表，能將事務所的工作內容和對建築、環境設計有興趣或志向的人分享。有感於國內建築師大多忙於業務，不只無暇整理自己的作品，也疏於彼此的相互交流，無法讓設計的能量滋長，因而決定投入事務所人力，編輯第一本作品集，希望藉由出版的公共平台，讓大家有機會接近我們的工作，並進一步產生更多的對話與交流。.
.
本書共有五個章節，從小型的私人住宅到大區域的都市設計共選入約二十幾個作品，以住宅設計為作品的主軸，探討住宅中人與自然的關係所可能衍生的空間原型。非住宅的作品從學校到商業空間都有觸及。在空間與型式上，每個作品的需求與內容各不相同，但其背後的理念是一致的，那就是不斷地追求人與自然在空間上的意涵，簡單而不單調，豐富而不複雜。.
.
本書以中英雙語出版，但不是中文搭配英譯，而是對內容因著語文性質做適切的表述。內容力求簡捷明晰，除了台灣的讀者外，也盼能與國際友人分享我們的工作成果。.
.
本書共352頁，精裝B5開本，書名「築跡」，期待在建築的這條道路上能留下些許成果，而以volume 1 第一卷來呈現，更是自勉將來能有第二、第三卷的出版，每一卷的內容能更充實與精進。