View allAll Photos Tagged Volume
A promotional mail out piece we have designed for clients both existing and new. Printed on Naturalis by GF Smith by Generation Press.
group of many graffiti pieces from around the city of toronto by #Oreks #Polo #Zeroser #Alpher #Blame #Evil #Ablok #Code26 etc
shadows create sounds (by picking up radio frequencies according to the size of the shadow)...
Frequency And Volume : Relational Architecture 9.
An interesting installation by Rafael Lozano-Hemmer (2003).
Kallang Old Airport.
Singapore Biennale 2011
Until may 15. 2011.
les ombres font des sons (en captant des fréquences radio en fonction de la taille de l'ombre projetée)...
Frequency And Volume : Relational Architecture 9
Une intéressante installation par Rafael Lozano-Hemmer (2003)
Old Kallang Airport
Singapore Biennale 2011
Jusqu'au 15 mai 2011.
Nikon D60. Nikkor 50mm. 1600 iso.
No alteration, no crop.
Photo by e-chan © 2011 All rights reserved - Downloading and using without permission is illegal.
I may add or subtract, but this is my starting point. I have some textured solids which I may also use with these.
準建築人手札網站 Forgemind ArchiMedia.
.
張景堯建築師作品選集 Volume 1「築跡」十年工作精選.
.
「築跡」為張景堯建築師回台執業建築從2001到2010十年來的作品選集，期待藉由作品的發表，能將事務所的工作內容和對建築、環境設計有興趣或志向的人分享。有感於國內建築師大多忙於業務，不只無暇整理自己的作品，也疏於彼此的相互交流，無法讓設計的能量滋長，因而決定投入事務所人力，編輯第一本作品集，希望藉由出版的公共平台，讓大家有機會接近我們的工作，並進一步產生更多的對話與交流。.
.
本書共有五個章節，從小型的私人住宅到大區域的都市設計共選入約二十幾個作品，以住宅設計為作品的主軸，探討住宅中人與自然的關係所可能衍生的空間原型。非住宅的作品從學校到商業空間都有觸及。在空間與型式上，每個作品的需求與內容各不相同，但其背後的理念是一致的，那就是不斷地追求人與自然在空間上的意涵，簡單而不單調，豐富而不複雜。.
.
本書以中英雙語出版，但不是中文搭配英譯，而是對內容因著語文性質做適切的表述。內容力求簡捷明晰，除了台灣的讀者外，也盼能與國際友人分享我們的工作成果。.
.
本書共352頁，精裝B5開本，書名「築跡」，期待在建築的這條道路上能留下些許成果，而以volume 1 第一卷來呈現，更是自勉將來能有第二、第三卷的出版，每一卷的內容能更充實與精進。
The Gary's Den storm water drain had many features. Part of this was the Iron roofing section, which was slowly decaying away!
This is my attempt at the low volume blocks I've been seeing around flickr... Not sure I've got the hang of it yet. I do think these will make a gorgeous quilt!!! Maybe I'll throw in a simple pink strip here and there...
Aaaaand not so pure & untouched, lol...
But yeah, since I got Vol II last year... aside from a few of my matte shadows I've barely used my old eyeshadows (*wince* sorry MAC). So now, all I need are a few Make Up For Ever matte shadows, a few Illamasquas... and then I'll be INVINCIBLE! *evil laugh & lightning strikes in the background*
Ah who am I kidding.... it'll never be enough. I'm pathetically addicted... -_-
Compendium Volume 4: Psycho Princess is a collaborative Digital Publication project that draws upon the talents of students from many disciplines across VFS. Led by four teams of Entertainment Business Management students, this installment of Compendium takes a new approach to some familiar fairy tale princesses.
Find out more about What You Will Achieve in one year in the Entertainment Business Management program at VFS.
By Edward Hodges Baily - Cathedral Church of St. Nicholas, Newcastle upon Tyne
www.historyofparliamentonline.org/volume/1790-1820/member...
www.historicalportraits.com/Gallery.asp?Page=Item&Ite...
Margaret Bewicke was the daughter of the theologian Robert Spearman of Old Acres, County of Durham, and married in 1781 Calverly Bewicke of Close Hall, in Northumberland. Calverley Bewicke (1755-1815) commanded the Durham Militia for many years, and was MP for Winchelsea from 1806-1815. Margaret Bewicke was an advocate of enlightened education, and in 1814 built a school on her estate at Heddon where local children were educated for free. The Bewicke’s sold Close Hall, which still stands, in 1953.
en.wikipedia.org/wiki/Close_House,_Northumberland
MONUMENTS IN BEWICKE'S PORCH.
The burying-place of the Bewicke family is in the porch on the south of the nave, formerly St. Margaret's chantry. It was, in 1819, decorated with an elegant monument to the memory of Colonel Bewicke, and which was executed by Mr. Bailey, A. R. A. It is of white marble. On a pedestal, to which there is an ascent by steps, is a full length of the colonel, in a sitting posture (a capital likeness), supported by a female, whose hand he grasps. A figure of Hope stands in front, pointing to an angel above, holding a scroll, inscribed, "Blessed are they that mourn, for they shall be comforted." The upper part of the monument consists of a fine pointed arch, crowned with a pinnacled pediment. The whole displays great delicacy, and richness of detail. A part of this monument was exhibited in the Royal Academy, Somerset House, London, in May, 1819. The following critique is copied from The Examiner Newspaper of that date:—"Mr. Bailey has beautifully executed a monument to the memory of Col. Bewicke, from a graceful design of the late classical sculptor, Mr. Theed. It is of a female, sunk on the shoulder, and holding the hand of her husband, who is looking up as if, in a 'silent soft address,' he was invoking a blessing upon the disconsolate mourner. The performance touches the heart to its centre. It has much of the rhetoric of actual life, when the bitterness of parting in death occurs between friends, the soul's anguish rejects all wonted enjoyments, the garden of the world appears as a gloomy wilderness, and the days of peace to be departed." All this praise is justly bestowed; but certainly the angel might, with great propriety, have been omitted. It is in very bad taste, and injures the effect of the whole. Every one must regret that this fine monument should be covered and disfigured with a black veil of soot, imbibed by the moisture to which it is exposed.
INSCRIPTION:—
"Sacred to the memory of Calverly Bewicke, Esqr. of Close House, in the County of Northumberland. He served the office of High Sheriff for that County in 1782; Commanded the Durham Militia for many years as Lieut. Colonel; And at the time of his death, Represented the Borough of Winchelsea, for which He had been returned in three successive Parliaments. He was born the 26th of June 1755, and Died the 24th of October 1815. Margaret Bewicke his widow, Daughter of Robert Spearman Esqr. of Old Acres, in the County of Durham, raised this Monument as a tribute to his virtues, and a memorial of her affection."
Near this monument is another, inscribed,—
"H. S. E. Vir moribus integer, Fide Christianus, Robertus Bewicke de Close-House in Agro Northumbriae Eques Auratus; Qui Provinciam publicam, Favore Regio insignitam, et sibi, et Patriae honorifice administravit; Qui Domesticae Officiis vitae tam aequo benignoque animo satisfecit, ut omibus esset in vita carus, post mortem desideratus, Uxori autem desideratisimus, Quae Marmor hoc, parvulum quoddam amoris sui Pignus, Pie et maerenter P. C. Filiis duobus, Filiabusque septem Superstitibus, Ob. 3° Die Septembris A. D. 1771. Ætatis 44."
In this porch is also a tomb-stone, on which we read this:—
"Hic Sepulcta Iacet Corpus Guilimi Bewicke, filij Roberti Bewicke Armigeri primogeniti Qui cum Elizabetha Henrici Maddisoni Armigeri Filia Matrimonia Coniunctus, Binos filios filiasq, tres ex illa Suscepit: Et Post quam ad tricesimum octavum ætatis suæ annum pervenisset animum suum 22 die Februarii religiose expiravit anno Domini 1636."
The English inscription upon another runs thus:—
¶"Heere lieth Buried the Bodies of Robert Bewick Marchant Aduenturer & lwise Maior of this Towne & also high Sheriff of the County of Northumb. & Ellenor his Wife he Depted this life the 15th Day of March. 1641 She depted this life the 1 day of June 1661. Iane Bewicke the Wife of Thomas Bewicke Esqr. She Depted this life the 9th of August 1682 Thomas Bewicke Esq Depted this life ye 7th of November 1690. Robert Bewicke, Esqr. Departed this life ye 9th of Ianuary 170¾."
張景堯建築師作品選集 Volume 1「築跡」十年工作精選
「築跡」為張景堯建築師回台執業建築從2001到2010十年來的作品選集，期待藉由作品的發表，能將事務所的工作內容和對建築、環境設計有興趣或志向的人分享。有感於國內建築師大多忙於業務，不只無暇整理自己的作品，也疏於彼此的相互交流，無法讓設計的能量滋長，因而決定投入事務所人力，編輯第一本作品集，希望藉由出版的公共平台，讓大家有機會接近我們的工作，並進一步產生更多的對話與交流。
本書共有五個章節，從小型的私人住宅到大區域的都市設計共選入約二十幾個作品，以住宅設計為作品的主軸，探討住宅中人與自然的關係所可能衍生的空間原型。非住宅的作品從學校到商業空間都有觸及。在空間與型式上，每個作品的需求與內容各不相同，但其背後的理念是一致的，那就是不斷地追求人與自然在空間上的意涵，簡單而不單調，豐富而不複雜。
本書以中英雙語出版，但不是中文搭配英譯，而是對內容因著語文性質做適切的表述。內容力求簡捷明晰，除了台灣的讀者外，也盼能與國際友人分享我們的工作成果。
本書共352頁，精裝B5開本，書名「築跡」，期待在建築的這條道路上能留下些許成果，而以volume 1 第一卷來呈現，更是自勉將來能有第二、第三卷的出版，每一卷的內容能更充實與精進。
Voici quelques photos de Bonnie, fraichement custo. Je lui ai mis des Animal Eyes orange irisés ainsi que la wig courte de Marilyn (Papin). J'avais peur de lui retirer ses boucles rousses... ça la change complétement mais je l'adore comme ça! ;) Je trouve que ce nouveau look colle plus à son style ;)
J'espère qu'elle vous plait comme ça! ^^
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Séance inspirée par Nana, que je relis en ce moment ;)
"Dis Nana,
Tant qu'on garde espoir
Il y a toujours un lendemain
C'est toi qui me l'as appris
Mais la pluie de ce jour là
Continue de tremper mes joues encore aujourd'hui
Il pleuvait si fort ce jour là... "
Compendium Volume 4: Psycho Princess is a collaborative Digital Publication project that draws upon the talents of students from many disciplines across VFS. Led by four teams of Entertainment Business Management students, this installment of Compendium takes a new approach to some familiar fairy tale princesses.
Find out more about What You Will Achieve in one year in the Entertainment Business Management program at VFS.
Nigel Calder (editor) - The World in 1984: Volume 2
The Complete New Scientist Series, 1965
Cover Artist: Denis Neale
Series 334, Department of Executive Administration, Records and Elections Division, Recorder, volume 4, King County Archives.
張景堯建築師作品選集 Volume 1「築跡」十年工作精選
「築跡」為張景堯建築師回台執業建築從2001到2010十年來的作品選集，期待藉由作品的發表，能將事務所的工作內容和對建築、環境設計有興趣或志向的人分享。有感於國內建築師大多忙於業務，不只無暇整理自己的作品，也疏於彼此的相互交流，無法讓設計的能量滋長，因而決定投入事務所人力，編輯第一本作品集，希望藉由出版的公共平台，讓大家有機會接近我們的工作，並進一步產生更多的對話與交流。
本書共有五個章節，從小型的私人住宅到大區域的都市設計共選入約二十幾個作品，以住宅設計為作品的主軸，探討住宅中人與自然的關係所可能衍生的空間原型。非住宅的作品從學校到商業空間都有觸及。在空間與型式上，每個作品的需求與內容各不相同，但其背後的理念是一致的，那就是不斷地追求人與自然在空間上的意涵，簡單而不單調，豐富而不複雜。
本書以中英雙語出版，但不是中文搭配英譯，而是對內容因著語文性質做適切的表述。內容力求簡捷明晰，除了台灣的讀者外，也盼能與國際友人分享我們的工作成果。
本書共352頁，精裝B5開本，書名「築跡」，期待在建築的這條道路上能留下些許成果，而以volume 1 第一卷來呈現，更是自勉將來能有第二、第三卷的出版，每一卷的內容能更充實與精進。
POGO - Through The Wild Blue Wonder - The Complete Syndicated Comic Strips Volume 1 - by Walt Kelly - 1949-1950 - Pogo Possum one blue book cover spine 11/16/2011 newspaper comicstrip cartoon characters opossum tree swamp mushrooms mushroom Okefenokee swamps
From Bonham's catalogue:
Sold for £22,425 inc. premium
Footnotes
Founded by engineer Bob Jankel in 1971, Panther West Winds Limited rose to public prominence by hand building expensive, high-quality, retro-styled luxury sports cars using modern components. The firm's first volume-selling car - the Vauxhall Magnum-based Lima, which was sold through the Vauxhall dealer network - appeared in 1976 but before then the formula combining modern engineering and performance with bygone era styling had been established by the J72. Built between 1972 and 1980, the latter was Panther's first production model and owed its inspiration to the SS100 Jaguar of the late 1930s. Such was the superb quality of its construction that the J72 won the Silver Medal for coachwork at the 1973 London Motor Show, beating the likes of Rolls-Royce. Running gear was mainly Jaguar, there being a choice of XK six-cylinder or V12 engines, with automatic transmission the norm on later models. By the time production ceased just 300 J72s had been made, though the model was re-launched as the Brooklands after Panther's takeover by Jindo Industries, of Korea.
This particular J72 has been owned by the current vendor from new (his name is recorded within the engine bay) and has covered fewer than 7,000 miles to date. Chassis number 'J202/R' is equipped with the 4.2-litre version of the Jaguar XK six and four-speed manual/overdrive transmission, while other noteworthy features include aluminium coachwork, factory hardtop, chromed wire wheels, walnut veneer dashboard and leather seats, the latter recently refurbished to 'as new' condition. The car also comes with hood, hood frame and tonneau cover, all of which have been in storage for many years.
'6666 LV' has not been used on the public highway since 2001 but has been exercised regularly on the vendor's 1.5 miles of private road. Embodying all the style of a post-Vintage thoroughbred yet easier to drive and maintain, this craftsman built British sports car is offered with Swansea V5 document and all its original Panther invoices, correspondence and brochure. The vehicle is expected to posses a fresh MoT certificate at time of sale.
Lot heading
One owner, 6,574 miles from new
1975 Panther J72 Roadster
Registration no. 6666 LV
Chassis no. S202/R
Engine no. 7S-94571-S
The most noisy insects I know.
Actually, the cicadas in Israel are quiet as a stalking cat near the ones I heard in the jungles of Thailand. When I walked in these jungles, I thought someone's cuting trees with a damn chainsaw. Spooky.
Magnificent little creatures.
My very sweet friend has a birthday this week. I have been working on this table set for her. It includes: low volume placemats made during the low volume QAL, crocheted hot pads, and napkins.
Tutorials for both the hot pads and napkins can be found on sew take a hikes blog sewtakeahike.typepad.com/sewtakeahike/
as the river runs down as the river runs through
as it runs through the field with all his companions
this is the scene of the most enchanted
I am a drunken fool, drunk off the love that holds up the moon
Drunk off the love that binds me and you to the most high
準建築人手札網站 Forgemind ArchiMedia.
.
張景堯建築師作品選集 Volume 1「築跡」十年工作精選.
.
「築跡」為張景堯建築師回台執業建築從2001到2010十年來的作品選集，期待藉由作品的發表，能將事務所的工作內容和對建築、環境設計有興趣或志向的人分享。有感於國內建築師大多忙於業務，不只無暇整理自己的作品，也疏於彼此的相互交流，無法讓設計的能量滋長，因而決定投入事務所人力，編輯第一本作品集，希望藉由出版的公共平台，讓大家有機會接近我們的工作，並進一步產生更多的對話與交流。.
.
本書共有五個章節，從小型的私人住宅到大區域的都市設計共選入約二十幾個作品，以住宅設計為作品的主軸，探討住宅中人與自然的關係所可能衍生的空間原型。非住宅的作品從學校到商業空間都有觸及。在空間與型式上，每個作品的需求與內容各不相同，但其背後的理念是一致的，那就是不斷地追求人與自然在空間上的意涵，簡單而不單調，豐富而不複雜。.
.
本書以中英雙語出版，但不是中文搭配英譯，而是對內容因著語文性質做適切的表述。內容力求簡捷明晰，除了台灣的讀者外，也盼能與國際友人分享我們的工作成果。.
.
本書共352頁，精裝B5開本，書名「築跡」，期待在建築的這條道路上能留下些許成果，而以volume 1 第一卷來呈現，更是自勉將來能有第二、第三卷的出版，每一卷的內容能更充實與精進。
For Sale - 1965 Fender Jaguar - Matching Headstock
Candy Apple Red with Matching Headstock - Guitar is all original.
Neck stamped March 1965
Pearl Dot Inlays
Floating Tremelo
Pre-CBS L-Series
Fender Case (May not be original)
SPECIFICATIONS:
GENERAL
Model Name: Jaguar
Color: Candy Apple Red
Year: 1965
BODY
Body Material: Alder
Body Shape: Jaguar®
NECK
Neck Material: Maple
Neck Shape: "C" Shape
Scale Length: 24" (610 mm)
Fingerboard: Rosewood
Fingerboard Radius: 7.25" (184.1 mm)
Number of Frets: 22
Fret Size: Vintage-Style
String Nut: Synthetic Bone
Nut Width: 1.650" (42 mm)
Position Inlays: Silver Dot
Truss Rods: Vintage-Style Heel Adjust
Truss Rod Nut: Vintage-Style Slotted
Neck Plate: 4-Bolt
ELECTRONICS
Bridge Pickup: '65 Single-Coil Jaguar
Neck Pickup: '65 Single-Coil Jaguar
Controls: Lead Circuit Controls (Slide Switch Down): Volume (Neck), Volume (Bridge), Master Tone; Rhythm Circuit Controls (Slide Switch Up): Two Thumbwheel Controls for Neck Pickup Volume and Tone
Pickup Switching: Neck Pickup On/Off Slide Switch, Bridge Pickup On/Off Slide Switch, Normal/Low Cut Slide Switch
Pickup Configuration: SS
HARDWARE
Bridge: 6-Saddle Vintage-Style Adjustable with String Muff and “Floating” Tremolo Tailpiece
Hardware Finish: Nickel/Chrome
Tuning Machines: Kluson Deluxe
Pickguard: 3-Ply White/Black/White
Control Knobs: Black Plastic
WEIGHT
8.4lbs (3.8kg)
This guitar is available for purchase. Asking price is $5,000.
NOTE: Will not ship outside the United States.
Interested parties can contact me by clicking on this link to email me.
So I found this LURKING in my archives and it was by far my favorite shot of the shoot.
I love the sun behind them and slightly covering Kirsty's face.
A very summery photo, showing that we CAN have good days in England.....they just don't come often enough!
View it Large on Black!
First Part of Menu
Avant-garde fine dining? Can this be a reality in the city of Toronto, still relatively green in establishing its place in the highly competitive world of dining. Perhaps it is Chef Claudio Aprile's bold endeavour to introduce a conservative Torontonian palate to the somewhat new movement of Molecular Gastronomy that has all the buzz a-going. I was personally excited in partaking in a local "MG" experience, particularly after a recent trio of gluttonous MG-centered pleasures in Chicago (Avenues, Alinea and Moto). I also knew that my impression of Aprile's nascent work could end up being an unfair comparison to that of Achetz, Bowles or Cantu (who are all still very young), as honing in ones craft takes both effort and time. As the only chef who is currently serving up molecular gastronomic creations, Aprile is our industry standard, a position, I am sure we'll see more competition of in this fair city as the days pass.
Housed in a heritage warehouse building, the aptly named Colborne Lane (as that is the address) hides amongst other new contenders to the city's burgeoning restaurant scene, taking over the space of what used to be Café du Marché. Its physical appearance also challenges the visual senses. Lost are the days of fine dining with white linens and table cloths, Aprile (ex- of Senses) & Harji (of Blowfish and Kultura) take the pretentiousness out but leave the higher prices in. Don't get me wrong, Colborne Lane is still a restaurant that is lit by candlelight, but is also decorated by interestingly shaped light fixtures that appear to come out of an artist's garage. The establishment also leaves out the warmth and romanticism that one typically feels when out consuming a special meal, replacing it instead with a rather dark and cool room filled with mild rock 'n roll/alternative music and decibel breaking chatter.
Not quite a dining experience that caters to most patrons, the do-it-yourself tasting menu creates a situation where you, as the diner, possess the responsibility of making the most appropriate selection of courses. In that sense, one is challenged in how he or she will make or break his or her evening. Does one focus on meat-centrity or attempt to make a fine balance between courses (i.e. can you trust yourself to get enough vegetables with your meal, or order some light and heavier items)? Will one be bombarded with too many flavours from all ends of the spectrum or stay conservative with monochromatic familiarities? Does one try to select options that feature a logical progression in the course of the plates or does one choose on the basis of components of interest alone? And although there is much potential on paper with the items offered, and there is good use of fantastic ingredients, along with the application of nouvelle concepts and interesting dishware, Aprile's kitchen appears to try just a little too hard in winning over tastebuds. Conceptually the chef's work deserves great applause; I seriously appreciated his attention to the visual and textural game, however menu items provide too many tasting options on a single plate and end up overwhelming the diner's senses. Sometimes variety is a good thing. For Colborne Lane, it doesn't always work and can leave one slightly confused.
Additionally, with the advent of tapas sized dishes, one is required to select at least 3-4 plates in order to find satisfaction. So do consider ordering your own dish if an item peeks your interest, because there really isn't enough to go around to share. And although this result in many tastings for any given diner, it also contributed to a hefty final bill due to the increase in trapped white space found on each of the large platters. (A big thank you to KJ of SE and her kind and generous invitation for me to join in on an evening of lovely company).
Service is friendly and respective, and depending on who is serving you, you might also be gifted with silence inducing dry humour that is offered at the most inappropriate of times. (After we had finished our desserts, JL was asked how he enjoyed things and when he hesitated to reply, was hit with the statement that the server would send his insults to the pastry chef – a remark that seemed to stem out of nowhere. Poor JL! I must give kudos to our initial server who was more helpful, quite pleasant and patient with us (rather me, and my camera).) The kitchen does send out plates slowly, so be prepared to wait a little (or a lot) between courses.
Colborne Lane does successfully provide the city with a segue into an interesting and progressive movement in dining. It is a refreshing move from the tried and true establishments of yesteryear, but sometimes it is with ventures like these that can make one appreciate why the tried-and-true remain as such. Whether or not Toronto is receptive of such novel forms of dining is another issue that can only be tested with time.