View allAll Photos Tagged Visualization
Fresh House | Visualization Project
Project : L.A Apartment
Co-op with the company in Norway
Visualized by Fresh House
Edited European Space Agency image of the density of stars from data from the Gaia Mission.
Image source: www.esa.int/spaceinimages/Images/2018/08/Star_density_map
Original caption: The second data release of ESA’s Gaia mission, made in April, has marked a turning point in the study of our Galactic home, the Milky Way. With an unprecedented catalogue of 3D positions and 2D motions of more than a billion stars, plus additional information on smaller subsets of stars and other celestial sources, Gaia has provided astronomers with an astonishing resource to explore the distribution and composition of the Galaxy and to investigate its past and future evolution.
The majority of stars in the Milky Way are located in the Galactic disc, which has a flattened shape characterised by a pattern of spiral arms similar to that observed in spiral galaxies beyond our own. However, it is particularly challenging to reconstruct the distribution of stars in the disc, and especially the design of the Milky Way’s arms, because of our position within the disc itself.
This is where Gaia’s measurements can make the difference.
This image shows a 3D map obtained by focusing on one particular type of object: OB stars, the hottest, brightest and most massive stars in our Galaxy. Because these stars have relatively short lives – up to a few tens of million years – they are mostly found close to their formation sites in the Galactic disc. As such, they can be used to trace the overall distribution of young stars, star formation sites, and the Galaxy’s spiral arms.
The map, based on 400 000 of this type of star within less than 10 000 light-years from the Sun, was created by Kevin Jardine, a software developer and amateur astronomer with an interest in mapping the Milky Way using a variety of astronomical data.
It is centred on the Sun and shows the Galactic disc as if we were looking at it face-on from a vantage point outside the Galaxy.
To deal with the massive number of stars in the Gaia catalogue, Kevin made use of so-called density isosurfaces, a technique that is routinely used in many practical applications, for example to visualise the tissue of organs of bones in CT scans of the human body. In this technique, the 3D distribution of individual points is represented in terms of one or more smooth surfaces that delimit regions with a different density of points.
Here, regions of the Galactic disc are shown with different colours depending on the density of ionising stars recorded by Gaia; these are the hottest among OB stars, shining with ultraviolet radiation that knocks electrons off hydrogen atoms to give them their ionized state.
The regions with the highest density of these stars are displayed in pink/purple shades, regions with intermediate density in violet/light blue, and low-density regions in dark blue. Additional information from other astronomical surveys was also used to map concentrations of interstellar dust, shown in green, while known clouds of ionised gas are depicted as red spheres.
The appearance of ‘spokes’ is a combination of dust clouds blocking the view to stars behind them and a stretching effect of the distribution of stars along the line of sight.
An interactive version of this map is also available as part of Gaia Sky, a real-time, 3D astronomy visualisation software that was developed in the framework of the Gaia mission at the Astronomisches Rechen-Institut, University of Heidelberg, Germany.
Further details including annotated version of the map: Mapping and visualising Gaia DR2
Id 397431
WolfVision Visualizer presentation, and collaboration solutions are used in universities, businesses, and other organizations worldwide. www.wolfvision.com
Jeffrey M. Drazen, Editor-in-Chief, New England Journal of Medicine, USA, Juliana Chan, Professor of Medicine and Therapeutics, Chinese University of Hong Kong, Hong Kong SAR, David Cook, Chief Clinical and Operating Officer, Jiahui Health, People’s Republic of China capture during the Session: "Visualizing Disease" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
Ascent Penthouse
Client: Mr Dung - IAM Architecture
---
@ Long Nguyen & Thu Nguyen
Architecture - Interior Design & 3D Visualization
0979 962 864, Ho Chi Minh City
advlongnguyen@gmail.com
This is an example of the processing done by my music visualizer for iTunes on the Mac
more at www.fraktus.com/exo/exo_flickr.php
Or download it at fraktus.com/exo/eXo_12.dmg
The picture processed is downloaded automaticaly from the Flickr web site and is not mine, so it's a collective piece of art :-)
This script has a diffusion effect, a texture cube with Flickr and an object generated by the shape synthesizer.
How to visualize memory usage on Linux
If you would like to use this photo, be sure to place a proper attribution linking to xmodulo.com
~ 100 words
day 7::365::01/07/11
My friend told me today that when she finds herself worrying about something she imagines Gods hands lowering a big basket where she places whatever she is worrying about into. Once in the basket she thinks oh ya that one's gone now. See once you hand over your worries to God they are gone and you can't worry about it anymore. She says some of her friends put lids on their baskets but her, she leaves it open and has put just about everything in it.
This assignment, led by Brian Lucid at the Massachusetts College of Art and Design, involves the design and production of a printed diagram that clearly and understandably conveys the organization and structure of a complex musical composition.
Ascent Penthouse
Client: Mr Dung - IAM Architecture
---
@ Long Nguyen & Thu Nguyen
Architecture - Interior Design & 3D Visualization
0979 962 864, Ho Chi Minh City
advlongnguyen@gmail.com
Photo of a Man on Sunset Drive: 1914, 2008
by: Richard Blanco
And so it began: the earth torn, split open
by a dirt road cutting through palmettos
and wild tamarind trees defending the land
against the sun. Beside the road, a shack
leaning into the wind, on the wooden porch,
crates of avocados and limes, white chickens
pecking at the floor boards, and a man
under the shadow of his straw hat, staring
into the camera in 1914. He doesn't know
within a lifetime the unclaimed land behind
him will be cleared of scrub and sawgrass,
the soil will be turned, made to give back
what the farmers wish, their lonely houses
will stand acres apart from one another,
jailed behind the boughs of their orchards.
He'll never buy sugar at the general store,
mail love letters at the post office, or take
a train at the depot of the town that will rise
out of hundred-million years of coral rock
on promises of paradise. He'll never ride
a Model-T puttering down the dirt road
that will be paved over, stretch farther and
farther west into the horizon, reaching for
the setting sun after which it will be named.
He can't even begin to imagine the shadows
of buildings rising taller than the palm trees,
the street lights glowing like counterfeit stars
dotting the sky above the road, the thousands
who will take the road everyday, who'll also
call this place home less than a hundred years
after the photograph of him hanging today
in City Hall as testament. He'll never meet
me, the engineer hired to transform the road
again, bring back tree shadows and birdsongs,
build another promise of another paradise
meant to last another forever. He'll never see
me, the poet standing before him, trying
to read his mind across time, wondering if
he was thinking what I'm today, both of us
looking down the road that will stretch on
for years after I too disappear into a photo.
Visualization of "I am watching you", "precize", or even the term "visualization" itself.
Copyright: like recommendation of the flickr-visualization-group:
Free of charge for company internal presentations if you cite the author and the group.
Euro 5,-- for 1 slide at company-external presentations:
www.heisss.at/pay/copyright.htm
For details see the group recommendations at:
Example of new twitter visualization tool that shows connections between twitter messages, twitterers and key words.
Personas is a component of the Metropath(ologies) exhibit, currently on display at the MIT Museum by the Sociable Media Group from the MIT Media Lab.
"Personas demonstrates the computer's uncanny insights and its inadvertent errors, such as the mischaracterizations caused by the inability to separate data from multiple owners of the same name."
After processing fifteen pages of results for the name "Ryan Ozawa," here is the Personas visualization of the my personal profile. While there is at least one other Ryan Ozawa out there, I'd guess that 95 percent of the data used is related to me. View large.
Dr. Ann McCaughan, a professor in Human Development Counseling, listens as students in her Multicultural Counseling course take turns explaining how photographs they took illustrate the concept of privilege. Dr. McCaughan used the photo assignment as a way for students to develop insight into their own experiences as individuals in society.
A leasiure stroll down memory lane, laced with data.
Client work:
www.womansday.com/Content/Family-Lifestyle/Evolution-of-t...
the Pithora paintings :http://www.indianexpress.com/res/web/pIe/ie/daily/19981124/32851064.html
`Babo Pithoro' is a ritual painting style of the Rathwas that springs from their faith in the village witch doctor's powers to heal all grievances. ``The witch doctor, or lakahara, is held in highest esteem by the Rathwas who seek his consultation for any ill that befalls a family. It is he who visualizes the Babo Pithoro and directs the family to organise the ritual to bade away the evil by invoking the gods,'' said Ghosalkar.
The five-day ceremony is extensive and expensive, sometimes costing the family as much as Rs 30,000. While the preparation starts 15 days in advance with the family going door-to-door with invitations, the first 24 hours are devoted to the painting, inside the host's house followed by the ind, a ceremony invoking the gods by carving sculptures of 11 teak wood pillars. Alongside, is song, dance, food, locally brewed wines, tadi and mahura and merry-making.
A small group of painters chitaras are assigned the job of completing the painting within 24 hours under the supervision of the lakhara who decides on the figures to be painted, their position and the colours to be used. An offering of a slain chicken and wine is first made to the deity (Gamdev) at the makund, the holiest site in the village. The work starts from the wall on the left side of the house with the figure of the evil bhootdev followed by sequential paintings of ancestors, warriors, horses, the sun and moon and traditional Pithora figurines. No shade of black is used in the paintings, as it is considered inauspicious by the tribals.
``The paintings depict the socio-economic conditions of the Rathwa life and emphasise their strong belief in religion. While the styles vary with every Bhil group, they hold a deep social relevance,
While revelry fills the air for the five-day period, Ghosalkar said this was also a time when murders were frequent in the community. ``The Rathwas are hot-headed people, with the Rathwa populated tribal areas recording 800 murders in a year, most following petty quarrels over crops or land,''
en.wikipedia.org/wiki/Pithora_(painting)
Pithora is a ritualistic painting done on the walls by the Rathwa and Bhilala tribes who live in central Madhya Pradesh. Pithora paintings are executed on three inner walls of their houses. These paintings have significance in their lives and executing the Pithora paintings in their homes brings peace, prosperity and happiness. There is never an attempt to imitate nature: a horse or a bull, which might be a vision of a god, impresses him with only one central quality.
Pithora paintings are more of a ritual than an art form. These rituals are performed either to thank God or for a wish or a boon to be granted. The Bhadwa or the head priest of the tribe is summoned and the problems are narrated. These problems can vary from dying cattle, to unwell children in the family. The concerned person is given a solution and is asked, by the Bhadwa, to perform the ritual and the painting. The presence of Pithora Baba is considered as a solution to all the problems. A Pithora is always located at the threshold, or the Osari, outside the first front wall or inside on the walls of the first room as one enters a house. The painting usually floods the entire wall with figures. Three walls are prepared for the painting, the front wall and the two on either side of it. The front or central wall is very large, twice the size of each of the sidewalls. These walls are treated with two layers of cow dung paste and one layer of white chalk powder. Unmarried girls bring in these materials. This procedure is called Lipna. The main wall of the verandah that divides it from the kitchen is considered sacred to the Pithoro. The wall paintings related to the legends of creation and Pithoro, are done on this wall. The two sidewalls of the veranda are also painted with figures of minor deities, ghosts and ancestors.
Viva apartments visualizations created for Adele Bates' interior design project in Brighton.
Software used: 3ds Max, Corona and Photoshop
Fresh House | Visualization Project
Project : L.A Apartment
Co-op with the company in Norway
Visualized by Fresh House
Visualize o ambiente Garagem e Lounge das Recordações em 360 aqui
@favarojr
Dri Filgueiras
Rosangela Succi
Glaucia Ferreira
From: www.connectedaction.net
Connections among the Twitter users who follow @Amy_Harmon when queried on August 15, 2011, scaled by numbers of followers (with outliers thresholded). Connections created when users reply, mention or follow one another.
See: twitter.com/#!/amy_harmon
Layout using the "Group Layout" composed of tiled bounded regions. Clusters calculated by the Clauset-Newman-Moore algorithm are also encoded by color.
A larger version of the image is here:
Betweenness Centrality is defined here: en.wikipedia.org/wiki/Centrality#Betweenness_centrality
Clauset-Newman-Moore algorithm is defined here: pre.aps.org/abstract/PRE/v70/i6/e066111
Top most between users:
@amy_harmon
@nytimes
@nickkristof
@billgates
@rebeccaskloot
@shitmydadsays
@stevesilberman
@matthewherper
@markoff
@brainpicker
Graph Metric: Value
Graph Type: Directed
Vertices: 1161
Unique Edges: 11153
Edges With Duplicates: 14584
Total Edges: 25737
Self-Loops: 0
Connected Components: 1
Single-Vertex Connected Components: 0
Maximum Vertices in a Connected Component: 1161
Maximum Edges in a Connected Component: 25737
Maximum Geodesic Distance (Diameter): 2
Average Geodesic Distance: 1.974447
Graph Density: 0.013690635
NodeXL Version: 1.0.1.174
More NodeXL network visualizations are here: www.flickr.com/photos/marc_smith/sets/72157622437066929/
NodeXL is free and open and available from www.codeplex.com/nodexl
NodeXL is developed by the Social Media Research Foundation (www.smrfoundation.org) - which is dedicated to open tools, open data, and open scholarship.
The book, Analyzing social media networks with NodeXL: Insights from a connected world, is available from Morgan Kaufmann and from Amazon.
Marc Smith on Twitter.
WolfVision Visualizer presentation, and collaboration solutions are used in universities, businesses, and other organizations worldwide. www.wolfvision.com
Black and white photomicrograph in dark field illumination to reveal mu opioid receptor distribution in a horizontal brain section from the rat. White areas show intricate pattern of opioid receptor distribution in well-defined brain areas including the olfactory bulb, cerebral cortex, hippocampus, striatum, thalamus, and tectum. Receptors are marked by [³H]naloxone binding and subsequent and autoradiographic visualization in emulsion-coated brain sections.
National Institute on Drug Abuse, National Institutes of Health/ Photo: Miles Herkenham, NIH/NIMH
Network visualisations of Ars Electronica, done by the Ludwig Boltzmann Institute for Media.Art.Research.
Visualization Center C (Sweden) is a research and science center in Norrköping, conducting a unique mix of leading visualization research and public outreach activities. The center hosts a digital science center for public visits and events including media labs, interactive exhibitions and an immersive 3D fulldome theatre. The center’s production department creates public experiences based on real scientific data.
credit: NVAB
WolfVision Visualizer presentation, and collaboration solutions are used in universities, businesses, and other organizations worldwide. www.wolfvision.com