View allAll Photos Tagged Visualization
To watch the entire video : www.youtube.com/PausaManzothaBEEF
Never Get Out Of Bed Before Noon.
contains footage from:
Robocop -
Crash(1996) -
Insidious -
Clash Of The Titans(1981) -
Rampart -
Cube -
Do The Right Thing -
GodKiller -
Ghosts Of Mars -
Domovoid's ArtWork : www.myspace.com/domovoid / www.youtube.com/domovoid -
Contains audio from:
Anthrax = finale -
Dälek = Classical Homicide(edited by thaBEEF) -
Atari Teenage Riot = raver bashing -
Downset = Anger -
WolfVision Visualizer presentation, and collaboration solutions are used in universities, businesses, and other organizations worldwide. www.wolfvision.com
Part of a 5 house visualization project for ARCHIPOD.
Furniture models in this image are part of the model supplied in the latest 3dallusions - Charette#15 - Quinta House
Transit (Orange) is bus, Bart, car; walking in green. These data (like all data) are imperfect. Data collection via Moves (now owned by Facebook); data visualization via Halftone's Move-O-Scope: move-o-scope.halftone.co
Ascent Penthouse
Client: Mr Dung - IAM Architecture
---
@ Long Nguyen & Thu Nguyen
Architecture - Interior Design & 3D Visualization
0979 962 864, Ho Chi Minh City
advlongnguyen@gmail.com
Photo of a Man on Sunset Drive: 1914, 2008
by: Richard Blanco
And so it began: the earth torn, split open
by a dirt road cutting through palmettos
and wild tamarind trees defending the land
against the sun. Beside the road, a shack
leaning into the wind, on the wooden porch,
crates of avocados and limes, white chickens
pecking at the floor boards, and a man
under the shadow of his straw hat, staring
into the camera in 1914. He doesn't know
within a lifetime the unclaimed land behind
him will be cleared of scrub and sawgrass,
the soil will be turned, made to give back
what the farmers wish, their lonely houses
will stand acres apart from one another,
jailed behind the boughs of their orchards.
He'll never buy sugar at the general store,
mail love letters at the post office, or take
a train at the depot of the town that will rise
out of hundred-million years of coral rock
on promises of paradise. He'll never ride
a Model-T puttering down the dirt road
that will be paved over, stretch farther and
farther west into the horizon, reaching for
the setting sun after which it will be named.
He can't even begin to imagine the shadows
of buildings rising taller than the palm trees,
the street lights glowing like counterfeit stars
dotting the sky above the road, the thousands
who will take the road everyday, who'll also
call this place home less than a hundred years
after the photograph of him hanging today
in City Hall as testament. He'll never meet
me, the engineer hired to transform the road
again, bring back tree shadows and birdsongs,
build another promise of another paradise
meant to last another forever. He'll never see
me, the poet standing before him, trying
to read his mind across time, wondering if
he was thinking what I'm today, both of us
looking down the road that will stretch on
for years after I too disappear into a photo.
1534 vehicles, during October 2009 in Lisbon, leaving route trails and condensed in one single day.
Rapid arteries are drawn with greenish and cooler colors, while the sluggish ones are reddish and hotter. Nevertheless, traffic intensity is mapped in the thickness and brightness of the arteries.
Schapiro attempts to visualize her creative development through the imagery of theater and dance, media which have direct and indirect allusions to ideas about performance and masquerading as part of the process of constructing oneself and constructing gender.
Schapiro, Miriam. Rondo: An Artist Book. San Francisco, CA: Bedford Arts, 1989.
See MCAD Library's catalog record for this book. <a intranet.mcad.edu/library
Dr. Ann McCaughan, a professor in Human Development Counseling, listens as students in her Multicultural Counseling course take turns explaining how photographs they took illustrate the concept of privilege. Dr. McCaughan used the photo assignment as a way for students to develop insight into their own experiences as individuals in society.
Fresh House | Visualization Project
Project : L.A Apartment
Co-op with the company in Norway
Visualized by Fresh House
I visited the Texas Advanced Computing Center, home of the Ranger super-computing cluster. It's currently the 8th most powerful in the world. This was the smaller of two high resolution viz walls used to display everything from brain cell structures to hurricanes and galaxies. Serious hardware.
Uploaded with Darkslide.
Frontop supplies 3d rendering, architectural renderings, architectural visualization, architectural walkthrough, 3d walkthrough services.
City Building
Conceptual Planning for Hainan Wan Ning North New City
Finished by 3dmax, vray & ps
made by frontop
Network visualisations of Ars Electronica, done by the Ludwig Boltzmann Institute for Media.Art.Research.
Personas is a component of the Metropath(ologies) exhibit, currently on display at the MIT Museum by the Sociable Media Group from the MIT Media Lab.
"Personas demonstrates the computer's uncanny insights and its inadvertent errors, such as the mischaracterizations caused by the inability to separate data from multiple owners of the same name."
After processing fifteen pages of results for the name "Ryan Ozawa," here is the Personas visualization of the my personal profile. While there is at least one other Ryan Ozawa out there, I'd guess that 95 percent of the data used is related to me. View large.
How to visualize memory usage on Linux
If you would like to use this photo, be sure to place a proper attribution linking to xmodulo.com
Jeffrey M. Drazen, Editor-in-Chief, New England Journal of Medicine, USA, Juliana Chan, Professor of Medicine and Therapeutics, Chinese University of Hong Kong, Hong Kong SAR, David Cook, Chief Clinical and Operating Officer, Jiahui Health, People’s Republic of China capture during the Session: "Visualizing Disease" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
WolfVision Visualizer presentation, and collaboration solutions are used in universities, businesses, and other organizations worldwide. www.wolfvision.com
Visualizing Cyber Preparedness
This set of design compositions visualizes the cyber preparedness of the G-20 nations across multiple datapoints.
Intended to be a companion to an Index prepared by the Economist Intelligence Unit, they chose to modify the design before integrating it into their site.
AM I PAYING TO BE PROMOTED?
No. You are paying for the seminars, and while I strongly encourage everyone to be present for the seminars, it is not required. You may show up for the second half only. But, again, I strongly encourage everyone to be present for the seminars. It helps us with organization, expresses to the instructors that you are interested in learning, and fosters a team oriented environment.
WHAT ARE THE STANDARDS FOR BEING PROMOTED?
Under the Capital flag you must demonstrate the 3 Ts: time on the mat, toughness and technique. Visualize a triangle, where technique is on top. On the bottom are time and toughness. Those who are very tough might have the time requirement reduced (but not below the minimum). Those with a great deal of time might have the toughness requirement reduced. Also, other variables may be taken into consideration. For example, one of our newest members is beginning his Jiu-Jitsu journey at 70 years young! Modifications will be made to ensure his journey is both challenge and rewarding!
WHAT ARE THE TIME REQUIREMENTS?
A blue belt takes an average of 1.5 years. A purple belt takes an average of 5 years. A brown belt takes an average of 7 years. A black belt takes an average of 10+ years. Most of the practitioners who tested for black belt had between 12 and 17 years of experience, and the pass rate was about 50%.
WHO MAKES THE DECISION FOR ADVANCEMENT?
Three instructors, including at least one black belt, must approve any promotion.
WHY DOES THE FORMAT KEEP CHANGING?
It’s been consistent for the last two years. However, we do expect that slight changes will be made as time goes on. We always seek feedback from students, peers and our instructors to make things better. The current format is: seminars (optional), sparring, promotions, gauntlet (optional), and group picture.
ETIQUETTE
At promotions events every practitioner should wear a laundered Capital branded white training kimono. This is the equivalent of wearing formal attire for a special occasion, like a wedding. Also, it is extremely impolite to ask an instructor about being promoted.
WHAT DOES THE NAVY BLUE BAR MEAN?
Royce Gracie and the Valente Brothers wanted to honor Helio Gracie’s life and legacy by wearing the navy blue belt that Helio wore. Going forward they are asking representatives to wear the navy bar (excluding white belts and new black belts). For more information about Grandmaster Helio Gracie’s decision to wear the navy belt visit: graciekentucky.blogspot.com/2010/06/why-did-grandmaster-h...
DO YOU HAVE ANY SUGGESTIONS FOR PUTTING A NAVY BAR ON MY BELT?
The easiest thing to do is purchase athletic tape: www.amazon.com/s/ref=nb_sb_noss_2?url=search-alias%3Daps&...
I BELIEVE YOU MADE AN ERROR REGARDING MEMBER X, BY PROMOTING/NOT PROMOTING HIM….
Think about a Jiu-Jitsu competition. Is it possible, from time to time, for the referee to make an error? Of course! It is also possible for the decision makers at our semiannual gatherings to make errors. However, as practitioners progress, more scrutiny is applied to their rank, and ultimately 40 - 60 black belts will test them. At that time practitioners must demonstrate the complete stand-up self-defense curriculum, striking, clinching, grappling and philosophy (the 753 Code).
I caution those who dwell on the rank progress of others, especially as it compares to their own. Instead I encourage you to apply your vigilance to your own journey in the gentile art.
DO I NEED TO BE AT THE PROMOTIONS EVENT?
To be promoted to the next color belt, yes. Technically, to be promoted with stripes on the purple and brown belt, also yes. However, we needed to honor time constraints at Saturday's event, and stripes for deserving practitioners will be awarded this week and in January.
IS THE GAUNTLET HAZING?
What is the difference between a healthy ritual and hazing? What in fact is hazing? According to Wikipedia: "Hazing is the practice of rituals and other activities involving harassment, abuse or humiliation used as a way of initiating a person into a group.” Does the gauntlet qualify?
Couldn’t we define the gauntlet as a rite of passage? Google defines a rite of passage as, "a ceremony or event marking an important stage in someone's life, especially birth, puberty, marriage, and death.” While I don’t know of any peer reviewed research articles, the overwhelming consensus is that there are tremendous psychological benefits to being included in a rite of passage.
There’s also acknowledging that our ritual is far less dangerous than the activities which led to it. Whether it’s the rigorous exercise, intense sparring rounds, competitions or the black belt test. In fact, Professor Pedro Valente noted that we are training to be effective in a proven fighting system. To take a hit is not only to be initiated, it's an essential component of our training.
I am not familiar with many of the reasons why people haze, and personally, I have never been involved in a hazing ritual. The gauntlet is our rite of passage; a tradition handed down to us by our elders. I am opposed to taking away or intensifying the gauntlet tradition. Our tradition is about the student, and I don’t believe that practitioners at Capital MMA experience some perverse pleasure in seeing people suffer. Rather, we are celebrating with the newly inducted.
I believe that the gauntlet tradition should only be carried on in the presence of the black belt instructors, exclusively at our semiannual promotions events. Also, it is our charge as black belts to educate junior members of our tradition, and how we conduct ourselves during the rite of passage. Injury, abuse and humiliation are never our objectives.
Finally, this tradition is, and always will be, optional. However, our requirements for being promoted are not. The rigor, intensity, and sacrifice experienced by senior practitioners is significant.
Different sets of materials which were available to students during the workshop. Each group of students used 3 different sets, the numbers are marked on the description sheets visible on the photos of the physical visualizations.
Toute aide pour une identification précise serait appréciée.
Any help for identification will be much appreciated.
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WolfVision Visualizer presentation, and collaboration solutions are used in universities, businesses, and other organizations worldwide. www.wolfvision.com
A map of the area around Seattle. Intersections are color-coded according to the number of outbound streets. Blue for 4, and red for 3. I made this map in search of streetgrid "rifts" - lines along which two different street grids clash. Instead, at this scale, the map acts to highlight a kind of street grid layout popular with Victorians - a well-connected grid. Most strikingly the map lifts out the nuclei of small towns long ago swallowed by suburbia.