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Visualizing Dreams....
“To visualize is to see what is not there, what is not real -- a dream . To visualize is, in fact, to make visual lies . Visual lies, however, have a way of coming true.”
Many thanks to everyone for your views, faves and supportive comments. These are always very much appreciated.
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How are you enjoying this beautiful weather? Now that it’s finally warm, we took a trip to the nearby wood preserve to relax and capture some shots. It’s the perfect time for infrared photography! If you’re interested in learning the ins and outs of this technique, let’s get in touch. Enjoy the sunshine!
Bay area shortest path tree, rooted at Embarcadero Station. Only BART and Caltrain are taken into account. Red is transit. Black is walking.
Testing out performance when doing gradient strokes on the lines. So far, so good. Now I need to add some colors with consistent meaning. And make it prettier.
Ok, here's the updated version of yesterday's image. I looked at the trees and their reflections and immediately thought of the waveforms (or graphs) of sound waves. I thought to myself... I wonder what those trees/reflections sound like! I cannot conceive an easy way to interpret this image into a sound wave, but if anyone has any ideas, I'd happily hear them.
I know that with a representation like this, that would only correspond to a unique rhythm and pattern of loudness, but I still thought the concept was pretty cool, and could be applied to a singular (low?) frequency with interesting results.
It's really just a re-cropping of yesterday's image with some reprocessing... so this is still in Mount Rainier National Park, along a small section of the Pacific Crest Trail.
This is a photo of an image on the computer monitor of a visualization from the Milkdrop software program associated with Winamp.
Analog Photography of 2011 with virtual framing/ Fotografía analógica del 2011 con enmarcado virtual.
This is my playground too. The viewfinder eyepiece makes me capable to visualize before i hit the shutter.
This beautiful place was at hard reach. after crossing so many hills, riding over no roads path, scratching through wild grass; we reached here in sun headed afternoon just to release bounded imaginations and embrace the beautiful nature.
Singarpur, Banswara, Rajasthan, India
With kindness and appreciation to someone's inner child. I hope someday you will paint your dreams.
. . .
✽
I tried to visualize what this lock was being used for way back when it was new and shiny and not long forgotten on this dirty old windowsill in the old log cabin from the early 1800s that was recently moved to our local museum.
"I understand it's a long road to peace, he said, but I'm still hoping to get a ride part way because I'm so out of shape from the 90's."
~Story People
Most times when I come upon a scene, I visualized it as a painting rather than a ultra in focused photograph. I would rather leave out minute details that can make an image feel more documentarian in style. By visually softening the details, I can expand the visual story leaving more for the imagination allowing the viewer to draw their own interpretation of what they see much in the way a painting can do for a viewer of the work. It is also a great way to create the visual feel and mood I want for the image.
I am always experimenting with new in camera methods of creating painting-like images. This was one method I tried while photographing a bright daytime lake scene in Chongqing, China. I applied a VERY thin coating of clear mineral oil to the front lens element while minimizing the streaks that might form during the application process. Getting the right thickness (or thinness if you will) is important to avoid loss of optical quality while not being too thick that the oil would simply run to the bottom of the lens when positioned horizontally. The effect resulted in an image that was true to my visualized painting image of the scene. Creative image-making boundaries expanded.
This visualization journeys into the famous star-forming region of the Orion Nebula based on an image from the Hubble Space Telescope. This exhilarating trip begins by flying through a layer of gas above the nebula, called the "veil." The descent to the gaseous surface provides an overview of the structure of the region as the winds and radiation from the central cluster have carved out a long "valley" in the cloud. The massive bright stars are responsible for heating the gas to temperatures at which it glows.
To view the 360° video go to: facebook.com/NASASHubble
Credits: Frank Summers, Greg Bacon, Zolt Levay, Lisa Frattare, Massimo Robberto (STScI)
Acknowledgment: Robert Gendler. Music: "Blizzard (PON I)", Kai Engel, CC BY-NC
NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.
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Went and revisited the beach at Willunga with the remains, which this time were in the water due to the tides...a time to do an exposure with the Lee big stopper. Thanks for stopping by and enjoy your Monday;)
In the foreground "footer" James R Barker has just pulled into the CSX ore dock and swung out their boom to start unloading. Built in 1976 with a length of 1,004 feet (hence the thousand "footer" nickname for Lake Boats this size) the Barker has a 63,300 ton capacity. In comparison the classic Lake Boat Philip R Clarke looks considerably smaller. Commissioned in 1952 and 767 feet long it is hardly small but its 25,300 ton capacity is less than half that of the Barker. Aside from the length difference the Barker is also a much wider ship with a 105 foot beam vs. the Clarke's 70 foot beam. On the bright side, after being in long term layup for years there's word that the Clarke is fitting out and should join the active fleet in the next month or so which would be a very welcome addition to the handful of remaining "classic boats" still in service. Toledo, OH 7/4/2022
Visualization is THE most important step towards manifestation. The more of us who visualize this pandemic coming to an end and what the world will be like after ~ a positive and loving place reminiscent of the 60's ~ All We Are Saying, Is GIve Peace a Chance...
Copyright © 2017 Elizabeth Root Blackmer. All rights reserved.
This is a photographic interpretation of a mirrored installation at the Museum of Fine Arts, Boston titled Endlessly Repeating Twentieth Century Modernism by Josiah McElheny. The installation can be viewed from myriad perspectives.
Gamla Staden, Norrköping, Östergötland, Sverige
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B+W Cir-Pol
Tonemapped
Art Journal layout encouraging me to visualize things changing in my life and making those changes happen.
I was astounded by Bill Rankin's map of Chicago's racial and ethnic divides and wanted to see what other cities looked like mapped the same way. To match his map, Red is White, Blue is Black, Green is Asian, Orange is Hispanic, Gray is Other, and each dot is 25 people. Data from Census 2000. Base map © OpenStreetMap, CC-BY-SA