View allAll Photos Tagged VisualPoetry
This is a necklace made from vintage velvet,strings, beads and a glass orb the has the text."Inhabit another world" inside.
It is attached it to crocheted silk ribbon to tie it on. I displayed it on a collage card I made from a Piddix image and old paper ephemera. By Laurie Dorrell
📷: Fuji X100VI
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Around the burned chapel
📷: DJI Mavic Air 2
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📷: DJI Mavic Air 2
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A stunning portrait that channels old-world beauty with a modern soul. Her soft curls, luminous skin, and effortlessly poised gaze are framed by an ornate ivory gown and rich draped fabric — a visual harmony of heritage, elegance, and quiet strength.
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🎨 Designing Beyond Boundaries | ＃ByMenesDesigns
🔗 Link in bio / Direct link: bit.ly/3FYJ6iN
Alt text:
Portrait of a woman with curly hair, glowing skin, and soft makeup wearing a vintage-style ivory gown, standing confidently against a dark elegant backdrop, radiating timeless grace and strength.
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“Suspension holds the fleeting air,
two fragile notes beyond compare.
A silent thread, a fleeting sign,
balance of souls on a fragile line.”
📷: Nikon Z6ii with Meike 85mm f/1.8 II Pro and Raynox DCR-250
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monsters & flowers: collage by aaron howard.
the wonders & horrors of flowers & monsters:
monsters & flowers traverse nineteenth century papers & more contemporary elements in the realm of books broken.
L’image cueillie
du bout de l’appareil photo,
parcourt un chemin d’alchimie,
au sein de mon cerveau.
Cela commence avant la prise,
une intuition prémonitoire me dit,
qu’en moi au plus profond de mes os,
cette image trouvera une connexion qui luit,
pour qu’un nouvel état, celui de photographie, soit de mise.
Au moment crucial le bruit du déclencheur est très beau,
parfois pour que tout change, une seconde suffit,
c’est là ou les choix se font, que les risques se prennent,
que l’on touche du doigt l’éphémère, de son existence même.
Là tout est encore en germes,
et paradoxalement déjà tracé,
pour que les vingt et un grammes d’âme soient comptés,
j’aime sentir la mystérieuse présence de je ne sais quel esprit,
qu’évoque la fumée de ces faux nuages jetés au ciel comme des gemmes.
People and more people
📷: Fuji X100VI
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Two photos;
That of a ancient portrait, about a man of power,
and that of an atomizer in functioning.
Both are stacked with the aim of strengthening
the anxiety effect of character's eyes.
The buzzard of the atomizer is voluntarily placed in the image.
A way of evoking an invisible, but latent threat.
The very imperious lower part of the face and the almost contemptuous mouth,
are weakened by the fog of water,
and our man at the same time less resistant.
What I had not foreseen and which finally becomes the dominant element,
it is that the water would change in beard!
This lad there had a sacred adaptability...
Deux photographies ;
Celle d’un Ancien portrait, d'un homme de pouvoir,
et celle d’un brumisateur en fonctionnement.
Les deux sont superposés dans le but de renforcer l'effet
d'inquiétude des yeux du personnage.
La buse du brumisateur est volontairement placée dans l'image.
Une manière d'évoquer une menace invisible, mais latente.
Le bas du visage très dominateur et la bouche presque méprisante,
s'en trouvent affaiblis par le brouillard d'eau,
et notre homme dans le même temps moins résistant.
Ce que je n'avais pas prévu et qui finalement devient l'élément dominant,
c'est que l'eau se changerait en barbe!
Ce gars là avait une sacrée faculté d'adaptation...
📷: Nikon Z6ii, Olympus OM-D E-M1 II, Ricoh GRiiiX
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Time to relax…?!
📷: iPhone 16 Pro
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Project 365 - day 206
Today I finished reading the book Visual Poetry by Chris Orwig. Very inspirational and highly recommended!
I will use some of the assignments for future photos of the 365 project
📷: Nikon Z6ii with Meike 85mm f/1.8 II Pro and Raynox DCR-250
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"It is not inevitable that the knowledge of difference be reduced to the complementarity of male and female-a parallel to the split between subject and object, good and bad, doer and done-to..." -Jessica Benjamin, *The Bonds of Love: Psychoanalysis, Feminism, and the Problem of Domination*
People and more people
📷: Fuji X100VI
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The Abysmal Legacy Of Metropolis (1988)
WORKSCENE Gallery, Toronto, Canada, INAUGURAL GROUP SHOW (1990)
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📷: Nikon Z6ii with Nikon NIKKOR Z 50mm f/1.8 S
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People and more people
📷: Fuji X100VI
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Autumn walk in Pompeii
📷: Nikon Z6II, iPhone 16 Pro
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📷: Nikon Z6ii, Olympus OM-D E-M1 II, Ricoh GRiiiX
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