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from the book:

CHAMA SAGRADA

(verso)

upped the saturation & contrast to jazz up the flower....

The poem has one central theme: the Holocaust trains during WWII, in contrast to the current human migrations in Europe.

This poem is based on 'Different Trains', a three-movement piece for string quartet and tape written by Steve Reich in 1988.

 

Words: Chantal Sap

Kinetic Typography: Klaas Verpoest

 

watch it at www.vimeo.com/23857082

..or little "L" l l l l

My digital manipulation, my title, added to collaboration of John M Bennett and Sheila E Murphy

My daughter's work in PolychromeText the other day

Autumn walk in Pompeii

 

📷: Nikon Z6II, iPhone 16 Pro

💻: Lightroom

 

Explore my work at:

www.antonisdeligiannis.com

 

#photonetmagazine #igers_greece_ #neamagazine #noicemag #ignant #contemporaryphotography #somewheremagazine #subjectivelyobjective #lensculture #phroommagazine #modernvisual #visualpoetry #createexplore #artofvisuals #in_greece

 

#apple #iphone #iphone16pro #lightroom #nikon #volcano #walk #ancient #pompeii #italy

Fluxus Poetry by Litsa Spathi - 'Balla balla Trilogy" -

Collaboration: Sheila E Murphy & C Mehrl Bennett Published at williamjamesaustin.com/ and page to bottom to click :Black Box then find C Mehrl Bennett (&collaborators) in the 2007 Spring edition

My daughter's work in PolychromeText the other day

My daughter's work in PolychromeText the other day

Fluxus Poetry by Litsa Spathi - "Tientallen_gewonden"

Jukka Pekka Kervinen sent me an acrylic paintings of his as jpegs to add to... used my same wordart file, but different parts & sizes of it, on this set of four.

My daughter's work in PolychromeText the other day

My daughter's work in PolychromeText the other day

W. Mark Sutherland - Time Signatures

August 28 — September 25, 2012

Visual Arts Centre, Clarington, Canada

Time Signatures for György Ligeti (2006)

Size: variable

Materials: 100 digital metronomes

Photo by Jean Michel Komarnicki

 

Photo of print hung outside door of Harriet Bart's studio. I've added the names of the author/artist near his/her vispo.

Note from "C": This is part of Bob Grumman's "WIND" section (RE: left edge of photo).

JMB had mistaken it as a separate piece in its self. I read this as "WINDOW LEDGE" Wendy Collin Sorin and Michelle, a friend of Dawn&Tom Cassidy, are reflected behind John.

Visual Poetry W3/P2

Before the textures.

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