View allAll Photos Tagged VisualPoetry

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monsters & flowers: collage by aaron howard.

 

the wonders & horrors of flowers & monsters:

 

monsters & flowers traverse nineteenth century papers & more contemporary elements in the realm of books broken.

  

oilcanpress.com/

 

L’image cueillie

du bout de l’appareil photo,

parcourt un chemin d’alchimie,

au sein de mon cerveau.

 

Cela commence avant la prise,

une intuition prémonitoire me dit,

qu’en moi au plus profond de mes os,

cette image trouvera une connexion qui luit,

pour qu’un nouvel état, celui de photographie, soit de mise.

 

Au moment crucial le bruit du déclencheur est très beau,

parfois pour que tout change, une seconde suffit,

c’est là ou les choix se font, que les risques se prennent,

que l’on touche du doigt l’éphémère, de son existence même.

 

Là tout est encore en germes,

et paradoxalement déjà tracé,

pour que les vingt et un grammes d’âme soient comptés,

j’aime sentir la mystérieuse présence de je ne sais quel esprit,

qu’évoque la fumée de ces faux nuages jetés au ciel comme des gemmes.

   

People and more people

 

📷: Fuji X100VI

💻: Lightroom

 

Explore my stills at:

www.antonisdeligiannis.com

 

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Two photos;

That of a ancient portrait, about a man of power,

and that of an atomizer in functioning.

 

Both are stacked with the aim of strengthening

the anxiety effect of character's eyes.

The buzzard of the atomizer is voluntarily placed in the image.

 

A way of evoking an invisible, but latent threat.

The very imperious lower part of the face and the almost contemptuous mouth,

are weakened by the fog of water,

and our man at the same time less resistant.

 

What I had not foreseen and which finally becomes the dominant element,

it is that the water would change in beard!

This lad there had a sacred adaptability...

   

Deux photographies ;

Celle d’un Ancien portrait, d'un homme de pouvoir,

et celle d’un brumisateur en fonctionnement.

Les deux sont superposés dans le but de renforcer l'effet

d'inquiétude des yeux du personnage.

La buse du brumisateur est volontairement placée dans l'image.

 

Une manière d'évoquer une menace invisible, mais latente.

Le bas du visage très dominateur et la bouche presque méprisante,

s'en trouvent affaiblis par le brouillard d'eau,

et notre homme dans le même temps moins résistant.

 

Ce que je n'avais pas prévu et qui finalement devient l'élément dominant,

c'est que l'eau se changerait en barbe!

Ce gars là avait une sacrée faculté d'adaptation...

 

📷: Nikon Z6ii, Olympus OM-D E-M1 II, Ricoh GRiiiX

💻: Lightroom

 

Explore my work at:

www.antonisdeligiannis.com

 

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Time to relax…?!

 

📷: iPhone 16 Pro

💻: Lightroom

 

Explore my work at:

www.antonisdeligiannis.com

 

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Project 365 - day 206

 

Today I finished reading the book Visual Poetry by Chris Orwig. Very inspirational and highly recommended!

I will use some of the assignments for future photos of the 365 project

📷: Nikon Z6ii with Meike 85mm f/1.8 II Pro and Raynox DCR-250

💻: Lightroom

 

Explore my work at:

www.antonisdeligiannis.com

 

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"It is not inevitable that the knowledge of difference be reduced to the complementarity of male and female-a parallel to the split between subject and object, good and bad, doer and done-to..." -Jessica Benjamin, *The Bonds of Love: Psychoanalysis, Feminism, and the Problem of Domination*

People and more people

 

📷: Fuji X100VI

💻: Lightroom

 

Explore my stills at:

www.antonisdeligiannis.com

 

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Amazing what you can find in the garden! This is a shot of some plants around the house.

#animals #minimal #lines #flamingo #sky

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The Abysmal Legacy Of Metropolis (1988)

WORKSCENE Gallery, Toronto, Canada, INAUGURAL GROUP SHOW (1990)

 

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Visual version of one of my recent poems, "Perfunctory".

  

📷: Nikon Z6ii with Nikon NIKKOR Z 50mm f/1.8 S

 

💻: Lightroom

 

Explore my work at:

www.antonisdeligiannis.com

 

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People and more people

 

📷: Fuji X100VI

💻: Lightroom

 

Explore my stills at:

www.antonisdeligiannis.com

 

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Autumn walk in Pompeii

 

📷: Nikon Z6II, iPhone 16 Pro

💻: Lightroom

 

Explore my work at:

www.antonisdeligiannis.com

 

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Only two

 

📷: DJI Mavic Air 2

💻: Lightroom

 

Explore my work at:

www.antonisdeligiannis.com

 

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📷: Nikon Z6ii, Olympus OM-D E-M1 II, Ricoh GRiiiX

💻: Lightroom

 

Explore my work at:

www.antonisdeligiannis.com

 

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Week 3 Project 2-Sepia Technique (with texture)

I brought home this cutting of a gorgeous plant, called a Bleeding Heart, from my aunt Anna Mae's garden in Florida.

Collaboration: Sheila E Murphy, John M Bennett, C Mehrl Bennett

Symposium on Voice, Maggie Nicols, W. Mark Sutherland, Rob Wallace

Guelph Music Centre, Guelph Canada, 2014, photo by Chris Tonelli

 

Garden photography

 

📷: Fuji X100VI

💻: SOOC

Recipe: Last Summer Roll

 

Explore my stills at:

www.antonisdeligiannis.com

 

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Around the burned chapel

 

📷: DJI Mavic Air 2

💻: Lightroom

 

Explore my work at:

www.antonisdeligiannis.com

 

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This is a breathtaking sunset scene at a beach, with a flock of birds soaring through the sky. The golden hues of the setting sun contrast beautifully with the silhouettes of the birds, creating a dramatic and peaceful atmosphere. In the background, there is an amusement park ride, likely the iconic Parachute Jump at Coney Island, along with a pier extending into the ocean. The beach is darkened in the foreground, emphasizing the glowing horizon. The image captures a perfect blend of nature and urban life, evoking feelings of freedom, serenity, and nostalgia.

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