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Autumn walk in Pompeii
📷: Nikon Z6II, iPhone 16 Pro
💻: Lightroom
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Collaboration: Sheila E Murphy & C Mehrl Bennett Published at williamjamesaustin.com/ and page to bottom to click :Black Box then find C Mehrl Bennett (&collaborators) in the 2007 Spring edition
Jukka Pekka Kervinen sent me an acrylic paintings of his as jpegs to add to... used my same wordart file, but different parts & sizes of it, on this set of four.
Note from "C": This is part of Bob Grumman's "WIND" section (RE: left edge of photo).
JMB had mistaken it as a separate piece in its self. I read this as "WINDOW LEDGE" Wendy Collin Sorin and Michelle, a friend of Dawn&Tom Cassidy, are reflected behind John.
I used a method to create a sepia tone to this photo for Susan Tuttle's Visual Poetry workshop, week 3 part 2.
A few photos for a local handmade jewelry brand. The ideas and execution are mine. The result is very natural and delicate.
a page from 'a portrait of new york by a wanderer there' by edgar oliver. published by oilcan press oilcanpress.org
Part of "Words & Junk" book; available at www.lulu.com/lunabisonteprods and also part of the Desliz S.American project/a project in Cuba. The subject of this piece is Camille Bacos, video-artist extraordinaire, behind the camera during the "Be Blank Consort" at the Mpls.Ctr.for Book Arts last winter.
The poem has one central theme: the Holocaust trains during WWII, in contrast to the current human migrations in Europe.
This poem is based on 'Different Trains', a three-movement piece for string quartet and tape written by Steve Reich in 1988.
Words: Chantal Sap
Kinetic Typography: Klaas Verpoest
watch it at www.vimeo.com/23857082