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This moment is profoundly significant. It indicates the love and concern Jesus has for His mother, ensuring that she will be taken care of after His death. Additionally, this act has been seen as establishing a spiritual family among Jesus’ followers. Mary is often viewed as a mother figure to the Christian community, with this moment underscoring her role not just as the mother of Jesus but also as a mother to all believers. It highlights themes of love, care, and responsibility that transcend biological relationships, pointing to the broader community of faith.
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@nikkiserenityartist
#goodfriday #StabatMater, #SacredSorrow, #MourningMadonna, #DivineMotherhood, #SpiritualArt, #Pieta, #MaterDolorosa, #SorrowfulBeauty, #SacredTears, #CelestialMourning, #EternalVigil, #ArtisticFaith, #ClassicalSacred, #MaryAtTheCross, #HeavenlyGrief, #LamentationArt
#ConceptualPhotoArt, #ArtisticExpression, #CreativePhotography, #VisualNarratives, #EmotiveImagery, #ThoughtProvoking, #ContemporaryPhotoArt, #EmotionalDepth, #VisualPoetry, #ArtisticVision, #PhotoArtistry, #ConceptualCreativity, #ModernArtPhotography,
📷: Nikon Z6ii, Olympus OM-D E-M1 II, Ricoh GRiiiX
💻: Lightroom
Explore my work at:
#photonetmagazine #igers_greece_ #neamagazine #noicemag #ignant #contemporaryphotography #
#subjectivelyobjective #lensculture #phroommagazine #modernvisual #visualpoetry #createexplore #artofvisuals #in_greece
#nikon #ricoh #olympus #omsystem #birds
#photonetmagazine #igers_greece_ #neamagazine #noicemag #ignant #contemporaryphotography #somewheremagazine #subjectivelyobjective #lensculture #phroommagazine #modernvisual #visualpoetry #createexplore #artofvisuals
#fuji #fujifilm #x100 #x100vi #fujispain #35mm #gaudi #spain #sagradafamilia #barcelona
Every shot is a small poem without words. Here, I capture fleeting moments that speak louder than any language.
🌿 See more of my work on Instagram: @loud_purple
Not usually such a fan of purples and lavenders..don't know what have gotten into me lately!..Perhaps a midlife crisis...or my mind is turning to mush from too much photoshop and flickr..and my attempts to find frames for an upcoming art show.
81. entitled (visual poem; 1st published 2 april 1998)
–C33 (www.flickr.com/photos/48593922@N04/7260263122)
–A52 (www.flickr.com/photos/48593922@N04/7254966260)
–B41 (www.flickr.com/photos/48593922@N04/7259901222)
–C52, reduced (www.flickr.com/photos/48593922@N04/7260270046)
81. "if," (visual poem; 1st published 25 april 1998)
–A5o (www.flickr.com/photos/48593922@N04/7598347666)
–C34 (www.flickr.com/photos/48593922@N04/8381032411)
82. "THE BREATH YOU SAVE" (concrete poem; 1st published 25 april 1998)
–A5o (www.flickr.com/photos/48593922@N04/7598347666)
–C34 (www.flickr.com/photos/48593922@N04/8381032411)
83. "DUST AND OTHER PARTICULATES" (visual poem; 1st published may 1998)
–C35 (www.flickr.com/photos/48593922@N04/7254963178)
84. "My name is Peggy Lefler" (filmed interview by Brian Nash; 1st published 1998)
–B37, excerpts (www.flickr.com/photos/48593922@N04/7493195292)
–B4o, printed text only, excerpts (www.flickr.com/photos/48593922@N04/7892550050)
–B45, excerpts (www.flickr.com/photos/48593922@N04/7493194802)
–B45 (www.flickr.com/photos/48593922@N04/7493194802)
85. "word" (concrete poem;1st published september 1998)
–C36 (www.flickr.com/photos/48593922@N04/8140727636)
86. "yp" (visual poem; 1st published may 1999)
–C37 (www.flickr.com/photos/48593922@N04/7260247276)
–C38 (www.flickr.com/photos/48593922@N04/7518985078)
87. Pages from a Visual History Present Tense (concrete poem; 1st published summer 1999)
–C38 (www.flickr.com/photos/48593922@N04/7518985078)
88. "in|different" (concrete poem; 1st published 6 november 1999)
–A51 (www.flickr.com/photos/48593922@N04/7208220350)
–C39 (www.flickr.com/photos/48593922@N04/7260263740)
89. "differences" (concrete poem; not the same as G5 but a variation therefrom; 1st published 6 november 1999)
–A51 (www.flickr.com/photos/48593922@N04/7208220350)
–C39 (www.flickr.com/photos/48593922@N04/7260263740)
9o. CP Toronto – Elder Mills, Gio.Sampogna riding a flatcar (scene C1), 27jul96 (photograph; 1st published 15 march 1999)
9oa. colour (1st published january 2o14)
(see www.flickr.com/photos/48593922@N04/11831682674)
9ob. b&w with lettering over by jwcurry
This phrase is the opening line of the Stabat Mater, a 13th-century Christian hymn portraying the Virgin Mary’s suffering during Jesus Christ’s crucifixion. This line, rich in imagery and emotion, introduces the theme of the hymn: the profound sorrow and suffering of the Virgin Mary as she witnesses the crucifixion of her son, Jesus Christ.
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@nikkiserenityartist
#goodfriday #StabatMater, #SacredSorrow, #MourningMadonna, #DivineMotherhood, #SpiritualArt, #Pieta, #MaterDolorosa, #SorrowfulBeauty, #SacredTears, #CelestialMourning, #EternalVigil, #ArtisticFaith, #ClassicalSacred, #MaryAtTheCross, #HeavenlyGrief, #LamentationArt
#ConceptualPhotoArt, #ArtisticExpression, #CreativePhotography, #VisualNarratives, #EmotiveImagery, #ThoughtProvoking, #ContemporaryPhotoArt, #EmotionalDepth, #VisualPoetry, #ArtisticVision, #PhotoArtistry, #ConceptualCreativity, #ModernArtPhotography,
📷: Nikon Z6ii, Olympus OM-D E-M1 II, Ricoh GRiiiX
💻: Lightroom
Explore my work at:
#photonetmagazine #igers_greece_ #neamagazine #noicemag #ignant #contemporaryphotography #
#subjectivelyobjective #lensculture #phroommagazine #modernvisual #visualpoetry #createexplore #artofvisuals #in_greece
#nikon #ricoh #olympus #omsystem #birds
Inside the castle
📷: Fuji X100VI
💻: Lightroom
Explore my stills at:
#photonetmagazine #igers_greece_ #neamagazine #noicemag #ignant #contemporaryphotography #subjectivelyobjective #lensculture #phroommagazine #modernvisual #visualpoetry #createexplore #artofvisuals
#fuji #fujifilm #x100 #x100vi #fujispain #35mm #light #spain #montjuic #barcelona #castle
নীল দিগন্তে ওই ফুলের আগুন লাগল,
বসন্তে সৌরভের শিখা জাগল ।।
আকাশের লাগে ধাঁধা
রবির আলো ওই কি বাঁধা ।
বুঝি ধরার কাছে আপনাকে সে মাগল,
শর্ষেক্ষেতে ফুল হয়ে তাই জাগল ।।
Week One Project One
Susan Tuttle's Visual Poetry Class
Vintage/Retro Technique 1
Clucker captured in Anderson Valley, CA.
Rather than tone down the greens, I enhanced them a bit, and also enhanced the red a little to make the paint and rust stand out more.
Also used Retro Technique 3 - Rounded Corners
There is a story behind every page.
For more about this page visit:
as by "Wharton Hood".
[Victoria], Fingerprinting Inkoperated, [31] july 1991. 55 copies issued as Finger Mail 7.
5-3/4 x 3-15/16, light blue manila card postcard printed blue rubberstamp & fingerprint verso only with white xerographic bond laminate recto printed 4-colour process photocopy.
See USA poet/artist Dan Waber screen his still & animated visual poetry images.
Dan Waber is a Kingston, Pennsylvania visual poet, publisher, and multimedia artist whose work appears on college-level hypermedia syllabi around the world. He has pieces in the Electronic Literature Collection, Vol. 1, the textbook The Art of English, and is a featured guest at vispo.com. He is also the publisher of the "this is visual poetry" series of full-color chapbooks, and a series of visual poetry posters. He writes a regular column on visual poetry for the e-issues of Rattle magazine, and will be talking about poetry off the page at the AWP conference in Chicago in February, and at the University of Arizona in May. He is passionate about what he does and loves to share his enthusiasm with others. The hub of the online portion of his activities is logolalia.com.
Seating begins at 7:30pm
Presentation at 8:00pm
Admission for this special event is free.
More info: ABSERIES.ORG
Thomas Lowe Taylor, B.B.Grimm, John M Bennett, C Mehrl Bennett - The centerpiece is digital image of a construction I made back in the late 80's.
📷: Nikon Z6ii, Olympus OM-D E-M1 II, Ricoh GRiiiX
💻: Lightroom
Explore my work at:
#photonetmagazine #igers_greece_ #neamagazine #noicemag #ignant #contemporaryphotography #
#subjectivelyobjective #lensculture #phroommagazine #modernvisual #visualpoetry #createexplore #artofvisuals #in_greece
#nikon #ricoh #olympus #omsystem #birds
by jwcurry.
one-off test stencilprint made for an exhibition of extralinear poetry curated by bill bissett & Hart Broudy for the Secret Handshake Gallery in Toronto this fall
She opens herself to the air as if it has something to say.
Color sharpens here—cool surroundings answering the heat in her skin, a quiet contrast that makes her glow feel intentional. Her head tilts back, hair caught mid-motion, and the moment stretches between breath taken and breath released. Nothing about her posture asks for permission; it simply follows the path of feeling.
This is not display.
It is response.
The light climbs her body and gathers at her throat and jaw, where awareness turns skyward. She does not chase the warmth; she lets it come to her, knowing it always does. What radiates here is vitality—alive, alert, uncontained.
A sun does not always rest.
Sometimes it rises through her.