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Sign alongside a turnstile at Meadow Lane, home to Birstall United Football Club, who celebrated in 2021 their 60th anniversary.

Captured before a 3-0 victory, in the First Division of the United Counties League, over Leicester area neighbours Kirby Muxloe.

Three up at half-time, Birstall, during the second period, saw a penalty saved, struck the inside of a post three times and were denied in a one-on-one. Kirby Muxloe squandered three very good chances in the last 10 minutes.

Match statistics

Birstall United versus Kirby Muxloe

United Counties League, Division One (7.45pm kick-off)

Admission: £5. Programme: 16 pages (included with admission). Attendance: 102. Birstall United 3 Kirby Muxloe 0 (half-time 3-0). Scoring sequence: 1-0 (6mins, Paul Pallett, penalty); 2-0 (23mins, Corey Bucalossi); 3-0 (39mins, Dre Articolo).

Value by Lauren Kelly

Values by Laura Dumitru

We don`t value the same things.

value mall by AЯMEN

value mall

VALUE by CTAEX

value by coronado.magaly

VALUE by CTAEX

Success by jaywillis1

2 1

Strive not to be a success, but rather to be of value. #success #value #determination #motivation

Value for money by Revted94

Stirling Road, Larbert, Stirlingshire

August 2018

Values Education Programme, Ramakrishna Math, Gourhati by Belur Math, Howrah

Ramakrishna Math, Gourhati

value / gets / avol by feck_aRt_post

OLYMPUS DIGITAL CAMERA P6181281

12-03-CLASS-VALUE-1 by Anne Watkins

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Interesting value for money by James Cridland

Too right, it was interesting. A round of three beers cost me £18.

Value by quiet-silence

DSC_0099 by anson7e

value by Jose Mizrahi

Value by dirk diggler

Value Study by Michael Coyne

Mickey Rooney in Out West with the Hardys (1938) by Truus, Bob & Jan too!

British postcard in the Colourgraph Series, London, no. C 327. Photo: Metro Goldwyn Mayer. Mickey Rooney in Out West with the Hardys (George B. Seitz, 1938).

American film actor Mickey Rooney (1920-2014) had one of the longest careers in cinematic history. As a child, he first appeared on film in 1926, and he made his last appearance in 2014. As a teenager, Rooney was a superstar playing Andy Hardy in a series of 15 films in the 1930s and 1940s that epitomised American family values. With Judy Garland, he became a successful song-and-dance team. Rooney's breakthrough role as a dramatic actor came in Boys Town (1938) opposite Spencer Tracy as Father Flanagan. The popularity of his films made Rooney the biggest box-office draw in 1939, 1940 and 1941.

Mickey Rooney was born Joe Yule Jr. in 1920 in Brooklyn, New York. He was the son of Scottish-born vaudevillian/actor Joe Yule and Missouri-born Nell Ruth (née Carter) Pankey. Mickey first took the stage in his parents' vaudeville act at 17 months old, wearing a specially tailored tuxedo. His parents divorced in 1923, when Mickey was three years old. In 1925, Mickey came to Hollywood to audition as one of Hal Roach's Rascals for the Our Gang series, but Mickey's mother declined over a salary dispute. Mickey then made his first film appearance in the short silent comedy Not to Be Trusted (Tom Buckingham, 1926), when he was four years old. He played the character Mickey McGuire for the first time in the bubbly comedy Orchids and Ermine (Alfred Santell, 1927) with Colleen Moore. The following year, he played the lead in the first Mickey McGuire short film, Mickey's Circus (Albert Herman, 1927). It was in this popular film series that he took the stage name Mickey Rooney. Rooney reached new heights with A Family Affair (George B. Seitz, 1937) with Lionel Barrymore, the film that introduced the country to Andy Hardy, the popular all-American teenager. This beloved character appeared in nearly 20 films and helped make Rooney the top box office star in 1939, 1940 and 1941. Rooney also proved himself an excellent dramatic actor as a delinquent in Boys Town (Norman Taurog, 1938), starring Spencer Tracy as Father Edward Flanagan, an advocate of child rights. In 1938, Rooney was awarded a Juvenile Academy Award. Teaming up with Judy Garland, Rooney also appeared in a string of musicals, including Babes in Arms (Busby Berkeley, 1939) the first teenager to be nominated for an Oscar for Best Actor in a leading role, Strike Up the Band (Busby Berkeley, 1940), Babes on Broadway (Busby Berkeley, 1941), and Girl Crazy (Norman Taurog, Busby Berkeley, 1943). He and Garland immediately became best of friends. He also appeared with Elizabeth Taylor in National Velvet (Clarence Brown, 1944). During World War II, Mickey Rooney served 21 months in the U.S. Army, five of them with the Third Army of Gen. George S. Patton. He attained the rank of sergeant and won a Bronze Star, among other decorations. Rooney helped to entertain the troops and worked on the American Armed Forces Network. He returned to Hollywood and starred in Love Laughs at Andy Hardy (Willis Goldbeck, 1946), did a remake of the James Cagney film The Crowd Roars (Howard Hawks, 1932) called Killer McCoy (Roy Rowland, 1947) and portrayed composer Lorenz Hart in the musical Words and Music (Norman Taurog, 1948).

Mickey Rooney appeared in Andy Hardy Comes Home (Howard W. Koch, 1958), together with his son Teddy Rooney portraying Andy Hardy Jr. Andy Hardy, now a grown man with a wife and children, returns to his hometown on a business trip and finds himself getting mixed up in local politics. In the late 1950s and early 1960s, Rooney did a nightclub comedy act with comic Joey Forman. He also appeared in Breakfast at Tiffany's (Blake Edwards, 1961), starring Audrey Hepburn and George Peppard. Rooney played Hepburn's Japanese neighbour, Mr. Yunioshi. A sign of the times, Rooney played the part for comic relief, which he later regretted, feeling the role was offensive. He once again showed his incredible range in the dramatic role of a boxing trainer with Anthony Quinn and Jackie Gleason in Requiem for a Heavyweight (Ralph Nelson, 1962). He followed it up with the comedy It's a Mad Mad Mad Mad World (Stanley Kramer, 1963), starring Spencer Tracey. Rooney regularly worked in European productions, such as the Italian comedy L'arcidiavolo (Errore Scola, 1966) with Vittorio Gassman, British crime comedy Pulp (Mike Hodges, 1972) with Michael Caine, and the Spanish thriller Juego sucio en Panamá/Ace of Hearts (Tulio Demicheli, 1975). In the late 1960s and 1970s, Rooney showed audiences and critics alike why he was one of Hollywood's most enduring stars. He gave an impressive performance in Francis Ford Coppola's The Black Stallion (Carroll Ballard, 1979), which brought him an Academy Award nomination as Best Actor in a Supporting Role. He also turned to the stage in 1979 in 'Sugar Babies' with Ann Miller, and was nominated for a Tony Award. During that time, he also portrayed the Wizard in 'The Wonderful Wizard of Oz' with Eartha Kitt at New York's Madison Square Garden, which also had a successful run nationally. Rooney appeared in four television series: The Mickey Rooney Show (1954-1955), the sitcom Mickey (1964) with Sammee Tong, One of the Boys (1982) with Dana Carvey and Nathan Lane, and The Adventures of Black Stallion (1990-1993). In 1981, Rooney won an Emmy Award for his portrayal of a mentally challenged man in Bill (Anthony Page, 1981). The critical acclaim continued to flow for the veteran performer, with Rooney receiving an honorary Academy Award. Later, he also appeared in such films as Erik the Viking (Terry Jones, 1989) with Tim Robbins, Night at the Museum (Shawn Levy, 2006) with Ben Stiller and The Muppets (James Bobin, 2011) with Amy Adams. Rooney's personal life, including his frequent trips to the altar, has proved to be just as epic as his on-screen performances. His first wife was one of the most beautiful women in Hollywood, actress Ava Gardner, but his final marriage to Jan Rooney was longer than all his other seven wives combined. In 2012, when he permanently and legally separated from his eighth wife, Rooney chose to permanently reside with his stepson Mark Rooney and Mark's wife Charlene Rooney. They moved to the Hollywood Hills for him. After his death, his eight surviving children said in a statement that they were barred from seeing Rooney during his final years. Mickey Rooney passed away in 2014 in North Hollywood, Los Angeles. The 93-year-old had at least three future projects that he was going to perform in. His acting career had lasted for 89 years, and Rooney's 339 film credits span ten consecutive decades: 1920s-2010s. He is interred at Hollywood Forever Cemetery in Los Angeles, CA.

Sources: Wikipedia and IMDb.

And, please check out our blog European Film Star Postcards.

Value City Furniture by Chris

8 4

Vineland NJ. Vacant store. Great light...

Values Voter Bus Tour 004 by IowaPolitics.com

VALUE by i closed wolski's

FORGOTTEN...VALUE... by salem alwuhaib

5 29

Very Old machine it is one of the effects of the English colonization of Egypt

Are currently in one of the old houses whos owned by one of the very poor Egyptians in a very very poor area.

The most IMPORTANT ISSUE is that no one knows its there and no one knows the value of this ...ARCHEOLOGICAL...MACHINE...

...UNTIL NOW !!!

...IMAGINE THAT ...?!?!?!

Value by quiet-silence

Baby Quilt for Kaia by HShafer

6 3

A baby quilt for a friend inspired by the Warm Cool Quilt Along from In Color Order. Fabrics are from all over the place - mostly pulled from my stash. Finished size is 40x40. I'm very happy with how it finished up and I have enough blocks to do another one!

Addressing long-term drought by Nestlé

Farmer Anton Roets measures irrigation at Goue Akker Farm, which supplies milk to the Nestlé factory in Mossel Bay, South Africa.

Value by kayla.briana

Photo class work

Value by BURQUENO

6 1

Value scale by Ujwala Prabhu

The Value of Flash by Steve Crane

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I don't think the flash is contributing anything to whatever she's shooting.

(Multiple values) by Combat Camera / Caméra de combat

Members of the embarked Air Detachment onboard HMC FREDERICTON prepare the CH-148 Cyclone helicopter to be traversed to the flight deck to conduct maintenance ground run during Operation REASSURANCE on 26 February 2023 in the Mediterranean Sea.

Please credit: Cpl Noé Marchon, Canadian Armed Forces Photo

Des membres du détachement aérien embarqué à bord du NCSM FREDERICTON préparent l’hélicoptère CH-148 Cyclone pour le transférer sur le pont d’envol en vue d'effectuer les travaux de maintenance au sol au cours de l’opération REASSURANCE, le 26 février 2023, dans la Méditerranée.

Photo : Cpl Noé Marchon, Forces armées canadiennes

Value by Dan Rawe

Value @ Bridgetown 3/22/14

Bringing local stakeholders together by Nestlé

A World Economic Forum‑Water Resources Group meeting in Mongolia, co‑hosted by the Office of the President of Mongolia and the Water Resources Group in June 2011

Lushpix Value by francesca ♫

6 14

Quando l'inverno muore lentamente nella primavera,

nelle sere di quei bei giorni limpidi, lieti, senza vento,

su cui si tengono spalancate per le prime volte le finestre

e si portano sulle terrazze i vasi dei fiori,

le città offrono uno spettacolo gentile e pieno d'allegrezza e di poesia.

A passeggiare per le vie si sente, di tratto in tratto, sul viso,

un'ondata d'aria tiepida, odorosa.

Di che? di quali fiori? di quali erbe? Chi lo sa!

( Edmondo De Amicis )

Grocery Outlet & JoAnn Fabrics Hanover, PA by Coolcat4333

Grocery Outlet & Jo-Ann Fabrics Hanover, PA. Former Value City Department Store and Amelia's Grocery Outlet.

Wien, 1. Bezirk (the art of very historic buildings of Vienna), Museum für Angewandte Kunst (Musée d'art appliqué, Museo de arte aplicado, Museo di arte applicata, Museum of applied art) - Stubenring/Weißkirchnerstraße (MAK DESIGN LAB) by Alfred Lex

1 2

Koloman Moser (1868-1918)

Secretaire for Berta Waerndorfer

Vienna, 1903

Execution: Wiener Werkstätte

Macassar ebony, veneered; marquetry of Madagascar ebony, box wood, and mahogany; ivory and tortoiseshell inlay; brass

Koloman Moser (1868-1918)

Schreibschrank für Berta Waerndorfer

Wien, 1903

Ausführung: Wiener Werkstätte

Makassar-Ebenholz, furniert; Marketerie aus Madagaskar-Ebenholz, Buchsbaum- und Mahagoniholz; Einlagen aus Elfenbein und Schildplatt; Messing

H 2305/1975, Ankauf von purchased from Nora Hodges-Waerndorfer; New York

The history of the Austrian Museum of Applied Art/Contemporary Art

1863 / After many years of efforts by Rudolf Eitelberger decides emperor Franz Joseph I on 7 March on the initiative of his uncle archduke Rainer, following the model of the in 1852 founded South Kensington Museum (now the Victoria and Albert Museum, London) the establishment of the "k.u.k. Austrian Museum for Art and Industry" and appoints Rudolf von Eitelberger, the first professor of art history at the University of Vienna director. The museum should be serving as a specimen collection for artists, industrialists, and public and as a training and education center for designers and craftsmen.

1864/ on 12th of May, opened the museum - provisionally in premises of the ball house next to the Vienna Hofburg, the architect Heinrich von Ferstel for museum purposes had adapted. First exhibited objects are loans and donations from the imperial collections, monasteries, private property and from the k.u.k. Polytechnic in Vienna. Reproductions, masters and plaster casts are standing value-neutral next originals.

1865-1897 / The Museum of Art and Industry publishes the journal Communications of Imperial (k.u.k.) Austrian Museum for Art and Industry .

1866 / Due to the lack of space in the ballroom the erection of an own museum building is accelerated. A first project of Rudolf von Eitelberger and Heinrich von Ferstel provides the integration of the museum in the project of imperial museums in front of the Hofburg Imperial Forum. Only after the failure of this project, the site of the former Exerzierfelds (parade ground) of the defense barracks before Stubentor the museum here is assigned, next to the newly created city park at the still being under development Rind Road.

1867 / Theoretical and practical training are combined with the establishment of the School of Applied Arts. This will initially be housed in the old gun factory, Währinger street 11-13/Schwarzspanier street 17, Vienna 9.

1868 / With the construction of the building at Stubenring is started as soon as it is approved by emperor Franz Joseph I. the second draft of Heinrich Ferstel.

1871 / The opening of the building at Stubering takes place after three years of construction, 15 November. Designed according to plans by Heinrich von Ferstel in the Renaissance style, it is the first built museum building at the Ring. Objects from now on could be placed permanently and arranged according to main materials. / / The School of Arts and Crafts (Kunstgewerbeschule) moves into the house at Stubenring. / / Opening of Austrian arts and crafts exhibition.

1873 / Vienna World Exhibition. / / The Museum of Art and Industry and the Vienna School of Arts and Crafts are exhibiting together at Stubenring. / / Rudolf von Eitelberger organizes in the framework of the World Exhibition the worldwide first international art scientific congress in Vienna, thus emphasizing the orientation of the Museum on teaching and research. / / During the World Exhibition major purchases for the museum from funds of the Ministry are made, eg 60 pages of Indo-Persian Journal Mughal manuscript Hamzanama.

1877 / decision on the establishment of taxes for the award of Hoftiteln (court titels). With the collected amounts the local art industry can be promoted. / / The new building of the School of Arts and Crafts, adjoining the museum, Stubenring 3, also designed by Heinrich von Ferstel, is opened.

1878 / participation of the Museum of Art and Industry as well as of the School of Arts and Crafts at the Paris World Exhibition.

1884 / founding of the Vienna Arts and Crafts Association with seat in the museum. Many well-known companies and workshops (led by J. & L. Lobmeyr), personalities and professors of the School of Arts and Crafts join the Arts and Crafts Association. Undertaking of this association is to further develop all creative and executive powers the arts and craft since the 1860s has obtained. For this reason are organized various times changing, open to the public exhibitions at the Imperial Austrian Museum for Art and Industry. The exhibits can also be purchased. These new, generously carried out exhibitions give the club the necessary national and international resonance.

1885 / After the death of Rudolf von Eitelberger, Jacob von Falke, his longtime deputy, is appointed manager. Falke plans all collection areas al well as publications to develop newly and systematically. With his popular publications he influences significantly the interior design style of the historicism in Vienna.

1888 / The Empress Maria Theresa exhibition revives the contemporary discussion with the high Baroque in the history of art and in applied arts in particular.

1895 / end of directorate of Jacob von Falke. Bruno Bucher, longtime curator of the Museum of metal, ceramic and glass, and since 1885 deputy director, is appointed director.

1896 / The Vienna Congress exhibition launches the confrontation with the Empire and Biedermeier style, the sources of inspiration of Viennese Modernism.

1897 / end of the directorate of Bruno Bucher. Arthur von Scala, director of the Imperial Oriental Museum in Vienna since its founding in 1875 (renamed Imperial Austrian Trade Museum 1887), takes over the management of the Museum of Art and Industry. / / Scala wins Otto Wagner, Felician of Myrbach, Koloman Moser, Josef Hoffmann and Alfred Roller to work at the museum and School of Arts and Crafts. / / The style of the Secession is crucial for the Arts and Crafts School. Scala propagates the example of the Arts and Crafts Movement and makes appropriate acquisitions for the museum's collection.

1898 / Due to differences between Scala and the Arts and Crafts Association, which sees its influence on the Museum wane, archduke Rainer puts down his function as protector. / / New statutes are written.

1898-1921 / The Museum magazine Art and Crafts replaces the Mittheilungen (Communications) and soon gaines international reputation.

1900 / The administration of Museum and Arts and Crafts School is disconnected.

1904 / The Exhibition of Old Vienna porcelain, the to this day most comprehensive presentation on this topic, brings with the by the Museum in 1867 definitely taken over estate of the "k.u.k. Aerarial Porcelain Manufactory" (Vienna Porcelain Manufactory) important pieces of collectors from all parts of the Habsburg monarchy together.

1907 / The Museum of Art and Industry takes over the majority of the inventories of the Imperial Austrian Trade Museum, including the by Arthur von Scala founded Asia collection and the extensive East Asian collection of Heinrich von Siebold .

1908 / Integration of the Museum of Art and Industry in the Imperial and Royal Ministry of Public Works.

1909 / separation of Museum and Arts and Crafts School, the latter remains subordinated to the Ministry of Culture and Education. / / After three years of construction, the according to plans of Ludwig Baumann extension building of the museum (now Weiskirchnerstraße 3, Wien 1) is opened. The museum thereby receives rooms for special and permanent exhibitions. / / Arthur von Scala retires, Eduard Leisching follows him as director. / / Revision of the statutes.

1909 / Archduke Carl exhibition. For the centenary of the Battle of Aspern. / / The Biedermeier style is discussed in exhibitions and art and arts and crafts.

1914 / Exhibition of works by the Austrian Art Industry from 1850 to 1914, a competitive exhibition that highlights, among other things, the role model of the museum for arts and crafts in the fifty years of its existence.

1919 / After the founding of the First Republic it comes to assignments of former imperial possession to the museum, for example, of oriental carpets that are shown in an exhibition in 1920. The Museum now has one of the finest collections of oriental carpets worldwide.

1920 / As part of the reform of museums of the First Republic, the collection areas are delimited. The Antiquities Collection of the Museum of Art and Industry is given away to the Museum of Art History.

1922 / The exhibition of glasses of classicism, the Empire and Biedermeier time offers with precious objects from the museum and private collections an overview of the art of glassmaking from the former Austro-Hungarian Empire. / / Biedermeier glass serves as a model for contemporary glass production and designs, such as of Josef Hoffmann.

1922 / affiliation of the museal inventory of the royal table and silver collection to the museum. Until the institutional separation the former imperial household and table decoration is co-managed by the Museum of Art and Industry and is inventoried for the first time by Richard Ernst.

1925 / After the end of the directorate of Eduard Leisching, Hermann Trenkwald is appointed director.

1926 / The exhibition Gothic in Austria gives a first comprehensive overview of the Austrian panel painting and of arts and crafts of the 12th to 16th Century.

1927 / August Schestag succeeds Hermann Trenkwald as director.

1930 / The Werkbund (artists' organization) Exhibition Vienna, a first comprehensive presentation of the Austrian Werkbund, takes place on the occasion of the meeting of the Deutscher (German) Werkbund in Austria, it is organized by Josef Hoffmann in collaboration with Oskar Strnad, Josef Frank, Ernst Lichtblau and Clemens Holzmeister.

1931 / August Schestag concludes his directorate.

1932 / Richard Ernst is new director.

1936 and 1940 / In exchange with the Kunsthistorisches Museum (Museum of Art History), the museum at Stubenring gives away part of the sculptures and takes over arts and crafts inventories of the collection Albert Figdor and the Kunsthistorisches Museum.

1937 / The Collection of the Museum of Art and Industry is newly set up by Richard Ernst according to periods. / / Oskar Kokoschka exhibition on the 50th birthday of the artist.

1938 / After the "Anschluss" (annexation) of Austria by Nazi Germany, the museum is renamed into "National Museum of Arts and Crafts in Vienna".

1939-1945 / The museums are taking over numerous confiscated private collections. The collection of the "State Museum of Arts and Crafts in Vienna" in this way also is enlarged.

1945 / Partial destruction of the museum building by impact of war. / / War losses on collection objects, even in the places of rescue of objects.

1946 / The return of the outsourced objects of art begins. A portion of the during the Nazi time expropriated objects is returned in the following years.

1947 / The "State Museum of Arts and Crafts in Vienna" is renamed into "Austrian Museum of Applied Arts".

1948 / The "Cathedral and Metropolitan Church of St. Stephen" organizes the exhibition The St. Stephen's Cathedral in the Museum of Applied Arts. History, monuments, reconstruction.

1949 / The Museum is reopened after repair of the war damages.

1950 / As last exhibition under director Richard Ernst takes place Great art from Austria's monasteries (Middle Ages).

1951 / Ignaz Schlosser is appointed manager.

1952 / The exhibition Social home decor, designed by Franz Schuster, makes the development of social housing in Vienna again the topic of the Museum of Applied Arts.

1955 / The comprehensive archive of the Wiener Werkstätte (workshop) is acquired.

1955-1985 / The Museum publishes the periodical ancient and modern art .

1956 / Exhibition New Form from Denmark, modern design from Scandinavia becomes topic of the museum and model.

1957 / On the occasion of the exhibition Venini Murano glass, the first presentation of Venini glass in Austria, there are significant purchases and donations for the collection of glass.

1958 / End of the directorate of Ignaz Schlosser

1959 / Viktor Griesmaier is appointed as new director.

1960 / Exhibition Artistic creation and mass production of Gustavsberg, Sweden. Role model of Swedish design for the Austrian art and crafts.

1963 / For the first time in Europe, in the context of a comprehensive exhibition art treasures from Iran are shown.

1964 / The exhibition Vienna around 1900 (organised by the Cultural Department of the City of Vienna) presents for the frist time after the Second World War, inter alia, arts and crafts of Art Nouveau. / / It is started with the systematic work off of the archive of the Wiener Werkstätte. / / On the occasion of the founding anniversary offers the exhibition 100 years Austrian Museum of Applied Arts using examples of historicism insights into the collection.

1965 / The Geymüllerschlössel (small castle) is as a branch of the Museum angegliedert (annexed). Simultaneously with the building came the important collection of Franz Sobek - old Viennese clocks, made between 1760 and the second half of the 19th Century - and furniture from the years 1800 to 1840 in the possession of the MAK.

1966 / In the exhibition Selection 66 selected items of modern Austrian interior designers (male and female ones) are brought together.

1967 / The Exhibition The Wiener Werkstätte. Modern Arts and Crafts from 1903 to 1932 is founding the boom that continues until today of Austria's most important design project in the 20th Century.

1968 / To Viktor Griesmaier follows Wilhelm Mrazek as director.

1969 / The exhibition Sitting 69 shows at the international modernism oriented positions of Austrian designers, inter alia by Hans Hollein.

1974 / For the first time outside of China Archaeological Finds of the People's Republic of China are shown in a traveling exhibition in the so-called Western world.

1979 / Gerhart Egger is appointed director.

1980 / The exhibition New Living. Viennese interior design 1918-1938 provides the first comprehensive presentation of the spatial art in Vienna during the interwar period.

1981 / Herbert Fux follows Gerhart Egger as director.

1984 / Ludwig Neustift is appointed interim director. / / Exhibition Achille Castiglioni: designer. First exhibition of the Italian designer in Austria

1986 / Peter Noever is appointed director and starts with the building up of the collection contemporary art.

1987 / Josef Hoffmann. Ornament between hope and crime is the first comprehensive exhibition on the work of the architect and designer.

1989-1993 / General renovation of the old buildings and construction of a two-storey underground storeroom and a connecting tract. A generous deposit for the collection and additional exhibit spaces arise.

1989 / Exhibition Carlo Scarpa. The other city, the first comprehensive exhibition on the work of the architect outside Italy.

1990 / exhibition Hidden impressions. Japonisme in Vienna 1870-1930, first exhibition on the theme of the Japanese influence on the Viennese Modernism.

1991 / exhibition Donald Judd Architecture, first major presentation of the artist in Austria.

1992 / Magdalena Jetelová domestication of a pyramid (installation in the MAK portico).

1993 / The permanent collection is newly put up, interventions of internationally recognized artists (Barbara Bloom, Eichinger oder Knechtl, Günther Förg, GANGART, Franz Graf, Jenny Holzer, Donald Judd, Peter Noever, Manfred Wakolbinger and Heimo Zobernig) update the prospects, in the sense of "Tradition and Experiment". The halls on Stubenring accommodate furthermore the study collection and the temporary exhibitions of contemporary artists reserved gallery. The building in the Weiskirchner street is dedicated to changing exhibitions. / / The opening exhibition Vito Acconci. The City Inside Us shows a room installation by New York artist.

1994 / The Gefechtsturm (defence tower) Arenbergpark becomes branch of the MAK. / / Start of the cooperation MAK/MUAR - Schusev State Museum of Architecture Moscow. / / Ilya Kabakov: The Red Wagon (installation on MAK terrace plateau).

1995 / The MAK founds the branch of MAK Center for Art and Architecture in Los Angeles, in the Schindler House and at the Mackey Apartments, MAK Artists and Architects-in-Residence Program starts in October 1995. / / Exhibition Sergei Bugaev Africa: Krimania.

1996 / For the exhibition Philip Johnson: Turning Point designs the American doyen of architectural designing the sculpture "Viennese Trio", which is located since 1998 at the Franz-Josefs-Kai/Schottenring.

1998 / The for the exhibition James Turrell. The other Horizon designed Skyspace today stands in the garden of MAK Expositur Geymüllerschlössel. / / Overcoming the utility. Dagobert Peche and the Wiener Werkstätte, the first comprehensive biography of the work of the designer of Wiener Werkstätte after the Second World War.

1999 / Due to the Restitution Act and the Provenance Research from now on numerous during the Nazi time confiscated objects are returned.

2000 / Outsourcing of Federal Museums, transformation of the museum into a "scientific institution under public law". / / The exhibition Art and Industry. The beginnings of the Austrian Museum of Applied Arts in Vienna is dealing with the founding history of the house and the collection.

2001 / In the course of the exhibition Franz West: No Mercy, for which the sculptor and installation artist developed his hitherto most extensive work, the "Four lemurs heads" are placed at the bridge Stubenbrücke, located next to the MAK. / / Dennis Hopper: A System of Moments.

2001-2002 / The CAT Project - Contemporary Art Tower after New York, Los Angeles, Moscow and Berlin is presented in Vienna.

2002 / Exhibition Nodes. symmetrical-asymmetrical. The historical Oriental Carpets of the MAK presents the extensive rug collection.

2003 / Exhibition Zaha Hadid. Architecture. / / For the anniversary of the artist workshop, takes place the exhibition The Price of Beauty. 100 years Wiener Werkstätte. / / Richard Artschwager: The Hydraulic Door Check. Sculpture, painting, drawing.

2004 / James Turrell's MAKlite is since November 2004 permanently on the facade of the building installed. / / Exhibition Peter Eisenmann. Barefoot on White-Hot Walls, large-scaled architectural installation on the work of the influential American architect and theorist.

2005 / Atelier Van Lieshout: The Disciplinator / / The exhibition Ukiyo-e Reloaded presents for the first time the collection of Japanese woodblock prints of the MAK on a large scale.

2006 / Since the beginning of the year, the birthplace of Josef Hoffmann in Brtnice of the Moravian Gallery in Brno and the MAK Vienna as a joint branch is run and presents annually special exhibitions. / / The exhibition The Price of Beauty. The Wiener Werkstätte and the Stoclet House brings the objects of the Wiener Werkstätte to Brussels. / / Exhibition Jenny Holzer: XX.

2007/2008 / Exhibition Coop Himmelb(l)au. Beyond the Blue, is the hitherto largest and most comprehensive museal presentation of the global team of architects.

2008 / The 1936 according to plans of Rudolph M. Schindler built Fitzpatrick-Leland House, a generous gift from Russ Leland to the MAK Center LA, becomes with the aid of a promotion that granted the Bureau of Educational and Cultural Affairs of the U.S. Department the MAK Center, center of the MAK UFI project - MAK Urban Future Initiative. / / Julian Opie: Recent Works / / The exhibition Recollecting. Looting and Restitution examines the status of efforts to restitute expropriated objects from Jewish property from museums in Vienna.

2009 / The permanent exhibition Josef Hoffmann: Inspiration is in the Josef Hoffmann Museum, Brtnice opened. / / Exhibition Anish Kapoor. Shooting into the Corner / / The museum sees itself as a promoter of Cultural Interchange and discusses in the exhibition Global:lab Art as a message. Asia and Europe 1500-1700 the intercultural as well as the intercontinental cultural exchange based on objects from the MAK and from international collections.

2011 / After Peter Noever's resignation, Martina Kandeler-Fritsch takes over temporarily the management. / /

Since 1 September Christoph Thun-Hohenstein is director of the MAK and declares "change through applied art" as the new theme of the museum.

2012 / With future-oriented examples of mobility, health, education, communication, work and leisure, shows the exhibition MADE4YOU. Designing for Change, the new commitment to positive change in our society through applied art. // Exhibition series MAK DESIGN SALON opens the MAK branch Geymüllerschlössel for contemporary design positions.

2012/2013 / opening of the newly designed MAK Collection Vienna 1900. Design / Decorative Arts from 1890 to 1938 in two stages as a prelude to the gradual transformation of the permanent collection under director Christoph Thun-Hohenstein

2013 / SIGNS, CAUGHT IN WONDER. Looking for Istanbul today shows a unique, current snapshot of contemporary art production in the context of Istanbul. // The potential of East Asian countries as catalysts for a socially and ecologically oriented, visionary architecture explores the architecture exhibition EASTERN PROMISES. Contemporary Architecture and production of space in East Asia. // With a focus on the field of furniture design NOMADIC FURNITURE 3.0. examines new living without bounds? the between subculture and mainstream to locate "do-it-yourself" (DIY) movement for the first time in a historical context.

2014 / Anniversary year 150 years MAK // opening of the permanent exhibition of the MAK Asia. China - Japan - Korea // Opening of the MAK permanent exhibition rugs // As central anniversary project opens the dynamic MAK DESIGN LABORATORY (redesign of the MAK Study Collection) exactly on the 150th anniversary of the museum on May 12, 2014 // Other major projects for the anniversary: ROLE MODELS. MAK 150 years: from arts and crafts to design // // HOLLEIN WAYS OF MODERN AGE. Josef Hoffmann, Adolf Loos and the consequences.

www.mak.at/das_mak/geschichte

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Tesco tissues by Mark Hillary

Tissue box

Value grid by Karen McBroom

Data Value Hub by Una McGoey

Data Value Hub

“How can Artificial Intelligence enable growth for SMEs”? Looking forward to hearing presentation on this topic for local SME's. datavaluehub.com/about-us/

value by adrianacamargo4

Nestlé Healthy Kids Programme, Peru: Crecer Bien by Nestlé

Two of the 31 000 schoolchildren in Peru who are learning about healthy eating in an enjoyable way through Nestlé’s “Crecer Bien” programme. Crecer Bien is a Nutritional Education Programme at Public Schools that contributes to reducing

malnutrition levels through an educational strategy that introduces nutritional and hygiene habits as pivots in children’s education.

This image is taken from United States Naval Medical Bulletin Vol. 13, Nos. 1-4, 1919 by Medical Heritage Library, Inc.

Go to the Book with image in the Internet Archive

Title: United States Naval Medical Bulletin Vol. 13, Nos. 1-4, 1919

Creator: U.S. Navy. Bureau of Medicine and Surgery

Publisher:

Sponsor:

Contributor:

Date: 1919

Language: eng

Table of Contents

Number 1

PREFACE vii

FRONTISPIECE:

Thomas Henry Huxley.

SPECIAL ARTICLES:

Heart sounds and their value.

By Lieutenant Commander H. A. Hare, Med. Corps, U. S. N. R. F. . 1

Eliminating the epileptic from the navy.

By Lieutenant L. E. Bisch, Med. Corps, U. S. N. R. F 6

The use of serum in lobar pneumonia.

By Lieutenant E. W. Gould, Med. Corps, U. S. N. R. F., and Lieutenant

M. Shaweker, Med. Corps, U. S. N 16

Diagnosis and treatment of pneumonia and empyema.

By Commander F. A. Asserson, Med. Corps., U. S. N., and Lieutenant W.

L. Rathbun, Med. Corps, U. S. N. R. F 26

Development of specific serum therapy in pneumonia.

By Lieutenant W. R. Redden, Med. Corps, U. S. N 36

Flatfoot.

By Lieutenant Commander L. R. G. Crandon, Med. Corps, U. S.N. R. F 43

Treatment of flat feet.

By Lieutenant (J. G.) S. B. Burk, Med. Corps, U. S. N. R. F 46

Ear protection.

By Commander G. B. Trible and Lieutenant S. S. Watkins, Med.

Corps, U. S. N 48

HISTORICAL.

Thomas Henry Huxley (1825-1895).

By Lieutenant Commander F. J. B. Cordeiro, Med. Corps, U. S.N., Ret 61

EDITORIAL.

Accuracy. —Military titles and military behavior. —Shell shock. 71

SUGGESTED DEVICES:

Typhoid prophylaxis cards.

By Lieutenant Commander R. B. Henry, Med. Corps, U. S. N 77

A SURGICAL DRESSING TRAY FOR SHIPS.

By Lieutenant M. J. Price. Med. Corps, U. S. N 78

A USEFUL FLYTRAP.

By Lieutenant H. V. Hughens, Med. Corps, U. S. N 80

Scale for measuring flatfoot.

By Lieutenant (J. G.) B. Dunham, Med. Corps, U. S. N R. F 82

CLINICAL NOTES:

A CASE OF STATUS LYMPHATICUS

By Lieutenant E. L. Rice, Med. Corps, U. S. N 85

Some practical and theoretical considerations.

By Lieutenant Commander J. J. A. McMullin, Med. Corps, U. S. N. 87

Pain in right hypochondrium and pernicious anemia.

By Lieutenant Commander H. M. Stenhouse, Med. Corps, U. S. N.. 89

Perforating wound of intestine and mesentery.

By Lieutenant G. G. Ross, Med. Corps, U. S. N. R. F 93

Treatment of scarlet fever.

By Lieutenant Commander W. C. Newton, Med. Corps, U. S. N. R. F. 94

Illustrative cases of atypical acute abdominal conditions.

By Lieutenant Commander G. D. Hale and Lieutenant J. C. Adams, Med.

Corps, U. S. N 95

Varieties of hypersusceptibility.

By Lieutenant L. K. McCafferty, Med. Corps, U. S. N 98

Varix simulating inguinal hernia.

By Lieutenant E. J. Cummings, Med. Corps, U. S.N 103

Appendicitis and ruptured meso-appendix artery.

By Lieutenant F. H. Bowman, Med. Corps, U. S. N 104

Unusual wound contamination.

By Lieutenant E. A. Stephens, Med. Corps, U. S. N 105

Subluxation of vertebra by muscular action.

By Commander I. S. K. Reeves and Lieutenant M. K. Miller, Med. Corps,

U.S.N 107

Fracture of the skull.

By Lieutenant Commander R. I. Longabaugh, Med. Corps, U. S. N.. 108

Report of case of stenosis of Wharton's duct.

By Lieutenant J. A. Halpin, Med. Corps, U. S. N 108

PROGRESS IN MEDICAL SCIENCES:

General medicine. —Status lymphaticus. —Epidemic of intestinal infection.

—New pathology of syphilis 111

Mental and nervous diseases. —Temperament and psychosis. War neuroses.

—Traumatic and emotional psychosis. —War neuroses. —Instinct distortion 117

Surgery. —Fascial transplants. —Chloralose as a general anesthetic 131

Military, legal and industrial. —Treatment of mustard-gas poisoning.

—Conference on medico-military administration. —Illegitimacy in Norway.

—Prevention of blindness.- —Aniline poisoning. —Immigration

statistics. —Preservation of fruit.—Economic and financial assistance given

by the United States 133

REPORTS:

SURGICAL EXPERIENCES AT THE FRONT.

By Lieutenant G. G.Ross, Med. Corps, U. S.N. R. F 145

Details of transport service.

By Lieutenant Commander R. I. Longabaugh, Med. Corps, U. S. N.. 149

Plan of a regimental field hospital.

By Lieutenant Commander C. B. Camerer, Med. Corps, U. S. N 156

The preparation of blood stain at the U. S. Naval Medical School.

By Lieutenant Commander G. F. Clark, Med. Corps, and Chief Pharmacist's

Mate L. F. Shabek, U. S. N 157

Preparation of identification tags.

By Lieutenant Commander R. H. Laning, Med. Corps, U. S. N 157

A death following salvarsan.

By Lieutenant R. C. Christiansen, Med. Corps, U. S. N 158

Sanitary report on the Island of Corfu.

By Lieutenant Commander H. Shaw, Med. Corps, U. S. N 163

The march and the shoe.

By Lieutenant Commander W. L. Mann, Med. Corps, U. S. N 164

Tuberculin test in young adults.

By Lieutenant E. Moody, Med. Corps, U. S. N. R. F., and Lieutenant C.

F. Carter, Med. Corps, U. S. N 165

Bed screens in barracks.

By Commander P. S. Rossiter, Med. Corps, U. S. N 167

Influenza on a naval transport.

By Lieutenant W. F. McAnally, Med. Corps, U. S. N 168

The treatment of chancroids and the prevention of buboes.

By Lieutenant G. W. Millett, Med. Corps, U. S. N 170

Record of the navy recruiting station, Pittsburgh, Pa.

By Lieutenant C. C. Ammerman, Med. Corps, U. S. N. R. F 171

Strength of the navy 172

BOOK NOTICES 173

NOTICE TO SERVICE CONTRIBUTORS 175

Number 2

PREFACE v

SPECIAL ARTICLES:

The pathology of pneumonia accompanying influenza.

By Lieutenants (J. G.) E. W. Goodpasture and F. L. Burnett, Medical

Corps, U. S. N. R. F 177

Mental examination of recruits.

By Lieutenant L. E. Bisch, Medical Corps, U. S. N. R. F 198

Treatment of military offenders.

By Lieutenant Commander A. L. Jacoby, Medical Corps, U. S. N. R. F..

229

Extraction of metallic foreign bodies.

By E. Robin, Medecin I ere Classe 237

New methods in amputations and prosthesis of the lower limbs.

By Lieutenant Commander R. G. LeConte, Medical Corps, U.S.N. R.F.. 244

Education and sanitation aboard ship.

By Commander W. S. Pugh, Medical Corps, U. S. N 254

HISTORICAL:

Jean Dominique Larrey 267

Extract from a surgical memoire by Baron Larrey.

Translated by Captain G. A. Lung, Medical Corps, U. S. N 275

EDITORIAL:

The lesson of job's war horse 283

SUGGESTED DEVICES:

Sanitary drinking fountain.

By Lieutenant Commander D. S. Hillis, Medical Corps, U. S. N. R. F. .

287

Clinical charts in health records.

By lieutenant (J. G.) J. J. Cancelmo, Medical Corps, U. S. N. R. F. .

287

System of clinical records.

By Captain W. B. Grove, Medical Corps, U. S. N., and Lieutenant G. B.

Crow, Medical Corps, U. S. N. R. F... 288

A DRESSING FOR WOUNDS.

By Lieutenant Commander C. W. C. Bunker, Medical Corps, U. S. N. 291

CLINICAL NOTES:

Abdominal wounds from hand grenade.

By Lieutenant J. M. Emmett, Medical Corps, U. S. N 293

Fracture of spine of tibia.

By Lieutenant Commander G. G. Ross, Medical Corps, U.S.N. R.F... 294

Fracture of pelvis.

By Lieutenant Commander G. G. Ross, Medical Corps, U. S. N . R. F . . .

295

Chronic rheumatism cured by appendectomy.

By Lieutenant R. H. Michels, Medical Corps, U. S. N. R. F 296

A CASE OF MYELOID LEUKEMIA.

By Lieutenant E. R. Ryan, Medical Corps, U. S. N 297

Pericardiotomy.

By Lieutenant Commander L. R. G. Crandon, Medical Corps, U. S. N.R. F

299

A CASE OF KERATOSIS PLANTARIS.

By Lieutenant J. M. Perret, Medical Corps, U.S.N 300

Influenza with unusual complications.

By Lieutenant (J. G.) F. G. Folken, Medical Corps, U. S. N. R. F.. 301

PROGRESS IN MEDICAL SCIENCES:

General medicine. —Diagnosis, treatment and prophylaxis of malaria in Brioni

— Epidemic lethargic encephalitis— Encephalitis lethargica — Syphilitic

aortitis —The pathology of the streptococcal pneumonias of Army camps— The

venereal problem and the war—The cocaine habit.

Surgery. —Sterilization of wounds by electro-ions — Abscess of thyroid following

septico-pyemia from otitis —Acute perforations of the abdominal viscera— The

use of paraffin for drainage in surgery — Surgical technic in orthopedic

surgery 307-320

Pathology, bacteriology, and animal parasitology. —Laboratory diagnosis—Detection

of spirochetes— Gonococcus infections 321

Eye, ear, nose and throat. —Tests for malingering in defective hearing

— Ocular anaphylaxis 334

NOTES AND COMMENTS:

The third resuscitation commission. — Lecture course at Great Lakes,

Ill.—A department of physical training —The Germans and the scientific workers

of Lille—Physical education — Transportation of sick and wounded — Traumatic

rupture of the spleen—Officer-material school at Princeton — Wanted, a

diagnosis 337

REPORTS:

Hospital administration.

By Captain G. A. Lung, Medical Corps, U. S. N 347

Removal of wounded from U. S. S. "Northern Pacific."

By Commander E. H. H. Old, Medical Corps, U. S. N 349

On board a torpedoed transport.

By Lieutenant Commander E. E. Curtis, Medical Corps, U.S.N 351

Influenza at the U. S. Naval Hospital, Washington, D. C.

By Rear Admiral R. M. Kennedy, Medical Corps, U. S. N 355

Notes on post-influenzal pneumonia.

By Lieutenant (J. G.) A. M. Burgess, Medical Corps, U. S. N. R. F., and

Phar. Mate E. J. Staff, U. S. N. R. F 356

Diphtheria at the U. S. Naval Academy.

By Lieutenant J. E. Houghton, Medical Corps, U. S. N., and Lieutenant

(J. G.) D. G. Richey, Medical Corps, U. S. N. R. F 359

Influenza at Pensacola.

By Lieutenants J. M. Perret, and C. M. Shaar, Medical Corps, TJ. S. N .

. 365

Training school for nurses in Haiti.

By Chief Nurse L. D. Jordan, U. S. N 378

Observation of candidates for the listener's school.

By Lieutenant F. B. Galbraith, Medical Corps, U. S. N 380

BOOK NOTICES 391

UNITED STATES NAVAL MEDICAL SCHOOL LABORATORIES.

Additions to pathological collections 393

NOTICE TO SERVICE CONTRIBUTORS 394

Number 3

PREFACE VII

SPECIAL ARTICLES :

Preventive medicine at training camps and stations.

By Captain C. E. Riggs, Medical Corps, U. S. N 395

With marines in France.

By Lieutenant F. E. Locy, Medical Corps, U. S. N 417

Bone grafts.

By Lieutenant Commander E. M. Foote, Medical Corps, U. S. N. R. F 433

Internal derangements or knee joints.

By Lieutenant ( J. G.) C. F. Painter, Medical Corps, U. S. N. R. F 442

Clinical manifestations of tropical sprue.

By Lieutenant Commander E. J. Wood, Medical Corps, U. S. N.R. F 449

Isolation and cultivation of Pfeiffer's bacillus.

By Lieutenant DeW. G. Rlchey, Medical Corps, U. S. N. R. F 453

Nervous element in aviation.

By Lieutenant G. U. Pillmore, Medical Corps, U. S. N 458

Administration of the U. S. Hospital Ship Solace.

By Commander E. E. H. Old, Medical Corps, U. S. N 478

HISTORICAL :

Devices and uniforms of the Navy Medical Corps 505

EDITORIAL :

The reform of funerals —The apotheosis of dungarees 515

IN MEMORIAM :

Henry G. Beyer.

By Lieutenant (T.) P. J. Waldner, Medical Corps, U. S. N 521

Washington Berry Grove.

By Lieutenant Commander L. M. Schmidt, Medical Corps, U. S. N_ 522

SUGGESTED DEVICES :

Improvised mess tables.

By Captain H. C. Curl, Medical Corps, U. S. N 1 525

Apparatus for submersion cases.

By Captain G. F. Freeman, Medical Corps, U. S. N 525

Recording dental operations.

By Lieutenant W. F. Murdy, Dental Corps, U. S. N 527

CLINICAL NOTES :

Rupture of the esophagus.

By Lieutenant Commander L. Sheldon, Medical Corps, U. S. N 529

Anthrax cured by vaccine.

By Lieutenant (J. G.) J. K. Leasure, Medical Corps, U. S. N. R. F 581

Foreign body in antrum.

By Lieutenant J. B. Greene, Medical Corps, U. S. N. R. F 534

Traumatic rupture of kidney.

By Lieutenant Commander P. H. Bowman. Medical Corps, U. S. N., and

Lieutenant Commander H. D. Meeker, Medical Corps, U. S. N. R. F 536

Thrombosis of popliteal vein.

By Lieutenant C. A. Frink, Medical Corps, U. S. N. R. F 538

Alopecia Universalis.

By Captain A. R. Alfred, Medical Corps, U. S. N 539

Operations for rupture of kidney and spleen.

By Lieutenant C. O. Tanner, Medical Corps, U. S. N 539

Traumatic aneurism : Five cases.

By Lieutenant Commander F. H. Bowman, Medical Corps, U. S. N. and

Lieutenant Commander H. D. Meeker, Medical Corps, U. S. N. R. F 541

A DEATH FROM SALVARSAN.

By Lieutenant E. F. Crofutt, Medical Corps, U. S. N. R. F 543

Perforation of Meckel's diverticulum.

By Lieutenant W. F. Pearce, Medical Corps, U. S. N 546

Syphiloma of cererrum.

By Lieutenants A. W. Hoaglund and P. F. Prioleau, Medical Corps, U. S.

N 547

Extra-genital chancre.

By Lieutenant Commander C. B. Camerer and Lieutenant J. R. Poppen,

Medical Corps, U. S. N 551

Chancre of the thumb.

By Lieutenant (J. G.) L. Herman, Medical Corps, U. S. N. R. F. 553

Typhoid fever with severe complications.

By Lieutenant F. N. Martin, Medical Corps, U. S. N. R. F 554

Cholangitis following influenza.

By Lieutenant R. S. Reeves, Medical Corps, U. S. N. R. F 557

Diphtheria complicating fractured mandible.

By Lieutenant (J. G.) J. B. Goodall, Dental Corps, U. S. N. R. F. 559

PROGRESS IN MEDICAL SCIENCES :

General medicine. —Tests of physical efficiency — Malaria as a military

problem —Anthelmintics as tested on earthworms —New treatment of bichloride

poisoning —Corpeus luteum and vomiting of pregnancy 561

Surgery. —Post-operative parotitis —The empyema problem — Skin disinfection

by picric acid — Reconstructive surgery of the hand and forearm 573

Pathology, bacteriology, and animal parasitology. — Bacteriology of

tuberculous kidneys — Hermann-Perutz reaction — Experiments with virus of

grippe 578

Eye, ear, nose, and throat.— Perineural anesthesia for surgery of maxillary

sinus —Intraocular pressure and tonometry 5S2

NOTES AND COMMENTS :

Transmission of venereal disease may constitute assault — Interdepartmental

Social Hygiene Board— Sir Charles Wyndham —Harvard surgical unit— Retail

druggists and quack remedies — School of Hygiene, Johns Hopkins University —

Legal decision re vaccination —American merchant marine —Meningococci in blood

—Radium conservation —Andre Chantemesse 585

REPORTS :

The U. S. hospital ship "Comfort."

By Captain A. W. Dunbar, Medical Corps, U. S. N. 591

Voyage of the U. S. S. "Leviathan."

By Commander F. A. Asserson, Medical Corps, U. S. N 602

Ship life in Constantinople.

By Lieutenant Commander E. P. Huff, Medical Corps, U. S. N 605

A record ship.

By Lieutenant Commander A. E. Lee, Medical Corps, U. S. N 609

U. S. Naval Air Station, Pauillac, France.

By Lieutenant Commander H. A. Garrison, Medical Corps, U. S. N 611

U. S. Naval Air Station, Rockaway Beach, L. I.

By Lieutenant ( J. G. ) A. A. Shadday, Medical Corps, U. S. N. R. F 616

Increase of weight under service conditions.

By Lieutenant H. Halstead and Lieutenant (J. G.) E. A. Mallon, Medical

Corps, U. S. N. R. F 620

Poisoning by trinitrotoluol.

By Lieutenant (J. G.) A. Saska, Medical Corps, U. S. N. R. F 624

The marine shoe.

By Lieutenant Commander W. L. Mann, Medical Corps, U. S. N__ 625

X-RAY WORK AT A NAVAL HOSPITAL.

By Lieutenant C. H. Jennings, Medical Corps, U. S. N. R. F 628

Dental work at the navy yard, New York.

By Lieutenant Commander R. Barber, Dental Corps, U. S. N 631

Dental work at the navy yard, Mare Island, Cal.

By Lieutenant Commander J. L. Brown, Dental Corps, U. S. N 632

BOOK NOTICES 633

NOTICE TO SERVICE CONTRIBUTORS 635

Number 4

PREFACE .. vii

SPECIAL ARTICLES :

Report on the influenza epidemic.

By the Staff of the U. S. Naval Hospital, Philadelphia 837

Infectious and contagious diseases. Virgin Islands, 1918.

By Lieutenant E. Peterson, Medical Corps, U. S. N 682

Naval ambulance trains in Great Britain.

By Captain P. L. Pleadwell, Medical Corps, U. S. N 706

Bone surgery.

By Lieutenant Commander A. L. Clifton, Medical Corps, U. S. N__ 718

An epidemic of mumps.

By Lieutenant Commander R. B. H. Gradwohl, Medical Corps, U. S. N. R. F.

; Lieutenant C. F. Carter, Medical Corns, U. S. N. ; Lieutenant W. S. Barcus

and Lieutenant (J. G.) H. L. Fougerousse, Medical Corps, U. S. N. R. F. 723

Constitutional inferiority in the Navy.

By Lieutenant T. A. Ratliff, Medical Corps, U. S. N. R. F 728

Acute early appendicitis.

By Lieutenant Commander H. E. Jenkins. Medical Corps, U. S. N., and

Lieutenant L. A. Will, Medical Corps, U. S. N. R. F 733

Extra-genital chancres.

By Lieutenant .T. M. Perret, Medical Corps. U. S. N. R. F 736

Incubation and choice of antigens in the Wassermann reaction.

By Lieutenant E. D. Hitchcock, Medical Corps, U. S. N. R. F 740

HISTORICAL:

The practice of medicine in Europe during the Middle Ages 747

EDITORIAL : Intangible damage—The "Attitude of the Bureau"

775

IN MEMORIAM :

Abraham Jacobi (1830-1919) 781

SUGGESTED DEVICES :

The construction of animal cages.

By Lieutenant Commander G. F. Clark, Medical Corps, U. S. N 783

A ROTARY TOOTHBRUSH.

By Lieutenant Commander H. E. Harvey, Dental Corps, U. S. N_ 783

Equipment of battle dressing station storerooms.

By Commander W. S. Pugh, Medical Corps, U. S..N 786

CLINICAL NOTES :

Poisoning by bay rum containing wood alcohol.

By Lieutenant N. S. Betts, Medical Corps, U. S. N. R. F 791

Arsenic poisoning following the use of novarsenobenzol.

By Lieutenant C. M. Burchflel, Medical Corps, U. S. N 795

Death following arsphenamine. Page.

By Lieutenant A. Goetsch, Medical Corps, U. S. N 797

High temperature in influenza.

By Lieutenant (J. G.) P. M. Williams, Medical Corps, U. S. N. R. F 799

Voiding of a bullet from the bladder.

By Lieutenant Commander F. H. Bowman, Medical Corps, U. S. N . 799

Depressed fracture of frontal bone.

By Lieutenant A. W. Hoagland, Medical Corps. U. S. N 800

Colon ptosis.

By Lieutenant G. U. Plllmore, Medical Corps, U. S. N 801

Ideal tonsil operation.

By Lieutenant Commander A. H. Robnett, Medical Corps,

U. S. N 06

PROGRESS IN MEDICAL SCIENCES :

General medicine. — Bacillus botulinus poisoning 800

Surgery.—Pathological possibilities of neglected gallstone disease 811

Hygiene and sanitation. — Historical Inquiry into the efficacy of lime

juice for the prevention and cure of scurvy —The ship's water supply 813

Pathology, bacteriology, and animal parasitology. — Vaccine treatment

of filarial lymphangitis in British Guiana —Blood destroying substance in

ascarls lumbrlcoldes 817

Chemistry and pharmacy. —New titration method for the determination of

uric acid in urine — Modifications of Benedict's and Folin's quantitative sugar

methods—Food ingestion and energy transformations with special reference to the

stimulating effect of nutrients —Nutritive factors In animal tissues 819

Eye, ear, nose, and throat. —Methylene blue in purulent discharge from

the eye socket—Prophylactic use of pitultrin in nose and throat operations

under general and local anesthesia —Colloidal manganese in gonorrheal

ophthalmia —Hemorrhage following the removal of the tonsils and its treatment

821

NOTES AND COMMENTS:

The devastation of France— Peking Medical School —Vaccination in California

— Internal decoration of hospitals —Interallied conference on medical aspects

of aviation —U. S. Interdepartmental Social Hygiene Board—War Risk Insurance

Bureau —Boy Scouts — Legal control of motion pictures — Influenza statistics,

Great Lakes,

111— Sixth Division, Bureau of Navigation 823

REPORTS :

Naval railway battery in France.

By Lieutenant Commander C. S. Stephenson, Medical Corps, U. S. Navy 831

Submarine Division Five.

By Lieutenant Commander E. W. Brown, Medical Corps, U. S. N. 846

Preparation of antihuman amboceptor.

By Lieutenant Commander G. F. Clark, Medical Corps, U. S. N., and Chief

Pharmacist's Mate A. J. Mouton, U. S. N 853

Psychiatric work among recruits.

By Lieutenant F. L. McDaniel, Medical Corps, U. S. N 854

Bacteriological experiments with acriflavine.

By Lieutenant H. B. LaFavre. Medical Corps, U. S. N 858

Acriflavine In The Treatment Of Gonorrhea.

By Lieutenant C. M. Burchflel, Medical Corps. U. S. N 869

The army bedside x-ray unit.

By Lieutenant H. R. Coleman, Medical Corps, U. S. N 866

Hospital service in Haiti.

By Lieutenant Commander H. F. Lawrence, Medical Corps, U. S. N 869

Organization of the U. S. naval hospital, Charleston, S. C.

By Commander W. M. Garton and Lieutenant Commander G. W. Calver,

Medical Corps, U. S. N 876

BOOK NOTICES 897

NOTICE TO SERVICE CONTRIBUTORS 901

INDEX 903

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Wien, 1, Bezirk (the art of very historic buildings in the core of downtown Vienna), el Burgtheater (Teatro imperial de la corte) - Josef-Meinrad-Platz/Universitätsring/Löwelstraße by Alfred Lex

On March 12, 1938 - one month before the referendum on the "Homecoming to the Reich" - the German emigrant and guest director Carl Ebert enters the Vienna Burgtheater. The porter already raises his arm to the Hitler salute. The first Jewish actors are already on leave. Ebert rehearses Shakespeare's Julius Caesar: "The leading Nazi among the soloists visited me on the decoration rehearsal and assured me that he vouched for a humane treatment of the> poor Jews etc.< at the Burgtheater." It is the heroic actor Carl Hennings, since 1933 member of the NSDAP and the SA banned in Austria. He plays the conspirator Cassius in the production.

For Alfred Eduard Frauenfeld, formerly NSDAP Gauleiter of Vienna, begins at the same time a special propaganda campaign. He should win artists who say yes to the "Anschluss" of Austria. Frauenfeld writes to celebrities and evaluates their answers according to their propaganda value. The poets Karl Heinrich Waggerl, Josef Weinheber and Richard Billinger are in the list "Poets profess to return to the Reich". Not the most well-known, but the most loyal yes-man is the Styrian dialect poet Hans Kloepfer. He writes a Styrian mountain farmer salutation: "He writes himself Hitler, and he loves us so much, / as far in the whole world / we do not find a more dear man."

On March 11, 1938, the popular actor Paul Hörbiger welcomes guests in his Berlin house: the comedian Theo Lingen, the operetta film star Willi Forst and the director E. W. Emo, who four years later turn the film Vienna 1910 - a transfiguration of the anti-Semitic Viennese mayor Karl Lueger as a Hitler precursor. It's going to be a dramatic evening. Hörbiger in his memoirs I've played for you: "toward evening we heard about the banned Austrian station the speech of the resigning Chancellor, Kurt von Schuschnigg... hours later, Hitler's German troops illegally marched into Austria. "Hörbiger is wrong in one point: listening to foreign broadcasters is only forbidden later.

Truth and legend often mingle when it comes to memories of the Nazi era. This also applies to the arts and culture: after 1945, many Austrian poets, actors and musicians have presented themselves as anti-fascists and resisters. Others were convicted as Nazi collaborators - burdened by witnesses who had themselves cooperated with the Nazis. Because today important documents are no longer visible, it is easy to transfigure your own biography in retrospect. One thing is clear, however, given the existing documents: a large part of the Viennese art scene has euphorically applauded the Anschluss.

The musician line-up includes Ferdinand Großmann, director of the Vienna Boys' Choir. Similarly, the General Music Director Karl Böhm, who had conducted the Meistersinger in 1937 at the beginning of the Nuremberg NSDAP Reichsparteitag: "Whoever does not approve of this Führer's action with a one hundred percent YES, does not deserve to bear the honorary name of a German!"

As a follow-up advocate, Frauenfeld also lists the arch-comedian Paul Hörbiger ("agreeing to vote 'yes' for me is a clear and distinct matter'), his brother Attila and Attila's wife Paula Wessely. While, for example, Rudolf Forster (in the film Vienna 1910 in the role of Mayor Lueger) completely ignores the Nazi period in his memoirs, Hörbiger constantly presents himself as a Nazi opponent. However, Hörbiger's memories of the Nazi years and Goebbels' simultaneous diary entries are scarce to reconcile. The Minister on 13 November 1935 on a celebration in the presence of Hitler: "The leader is all cheerful. And everyone stays until 6 o'clock in the morning. Hörbiger and Ullrich sing to the accordion. A great activity. "Hörbiger, on the other hand, wants to have teased Goebbels several times. For example, at the banquet after the Burgtheater premiere of Romeo and Juliet on November 30, 1940. Hörbiger: "It was the last time I met Goebbels." Goebbels, on March 15, 1942, wrote in a diary: "I'm going to visit the Burgtheater and watch a performance of (Ferdinand) Raimund the millionaire farmer with Hörbiger in the title role. "The Minister enthuses about Hörbiger's art of playing and continues:" After the performance I sit with the actors, especially with Hörbiger, Martha Rohs and a young one actress Nicoletti together. We talk a lot about theater and art issues. The Viennese actors are relatively well aligned politically. «

Am 12. März 1938 – einen Monat vor der Volksabstimmung über die »Heimkehr ins Reich« – betritt der deutsche Emigrant und Gastregisseur Carl Ebert das Wiener Burgtheater. Der Portier hebt bereits den Arm zum Hitlergruß. Die ersten jüdischen Schauspieler sind schon beurlaubt. Ebert probt Shakespeares Julius Cäsar : »Der führende Nazi unter den Solisten besuchte mich auf der Dekorationsprobe und versicherte mir, daß er für eine humane Behandlung der ›armen Juden etc.‹ am Burgtheater sich verbürge.« Es ist der Heldendarsteller Carl Hennings, seit 1933 Mitglied der in Österreich verbotenen NSDAP und der SA. Er spielt in der Inszenierung den Verschwörer Cassius.

Für Alfred Eduard Frauenfeld, ehemals NSDAP-Gauleiter von Wien, beginnt zur selben Zeit ein spezieller Propagandaeinsatz. Er soll Künstler gewinnen, die zum »Anschluss« Österreichs Ja sagen. Frauenfeld schreibt Prominente an und bewertet deren Antworten nach ihrem Propagandawert. In der Liste »Dichter bekennen sich zur Heimkehr ins Reich« stehen die Poeten Karl Heinrich Waggerl, Josef Weinheber und Richard Billinger. Nicht der bekannteste, aber der treuherzigste Jasager ist der steirische Mundartdichter Hans Kloepfer. Er verfasst einen Steirischen Bergbauerngruß : »Schreibm tuat er sie Hitler, / und uns so guat gsinnt, / wia ma weit in der Welt / net an liabern wo findt.«

Am 11. März 1938 begrüßt der Volksschauspieler Paul Hörbiger in seinem Berliner Haus Gäste: den Komiker Theo Lingen, den Operettenfilmstar Willi Forst und den Regisseur E. W. Emo, der vier Jahre später den Film Wien 1910 drehen wird – eine Verklärung des antisemitischen Wiener Bürgermeisters Karl Lueger als Hitler-Vorläufer. Es wird ein dramatischer Abend. Hörbiger in seinen Erinnerungen Ich hab für euch gespielt : »Gegen Abend hörten wir über den verbotenen österreichischen Sender die Rede des demissionierenden Bundeskanzler Dr. Kurt von Schuschnigg. … Stunden später marschierten Hitlers deutsche Truppen widerrechtlich in Österreich ein.« Nur in einem Punkt irrt Hörbiger: Das Hören ausländischer Sender wird erst später verboten.

Wahrheit und Legende vermischen sich oft, wenn es um Erinnerungen an die NS-Zeit geht. Das gilt auch für den Kunst- und Kulturbetrieb: Nach 1945 haben sich viele österreichische Dichter, Schauspieler und Musiker als Antifaschisten und Widerständler dargestellt. Andere wurden als NS-Kollaborateure verurteilt – belastet von Zeugen, die selbst mit den Nazis kooperiert hatten. Weil heute wichtige Dokumente nicht mehr einsehbar sind, fällt es leicht, die eigene Biografie im Nachhinein zu verklären. Eines ist aber angesichts der vorhandenen Dokumente klar: Ein großer Teil der Wiener Kunstszene hat den »Anschluss« euphorisch bejubelt.

In der Musiker-Aufstellung ist Ferdinand Großmann aufgeführt, Leiter der Wiener Sängerknaben. Ebenso der Generalmusikdirektor Karl Böhm, der 1937 zum Auftakt des Nürnberger NSDAP-Reichsparteitags die Meistersinger dirigiert hatte: »Wer dieser Tat des Führers nicht mit einem hundertprozentigen JA zustimmt, verdient nicht, den Ehrennamen Deutscher zu tragen!«

Als »Anschluss«-Befürworter führt Frauenfeld weiters den Erzkomödianten Paul Hörbiger (»ist für mich mit ›JA‹ zu stimmen eine klare und deutliche Angelegenheit«), dessen Bruder Attila sowie Attilas Ehefrau Paula Wessely. Während zum Beispiel Rudolf Forster (im Film Wien 1910 in der Rolle des Bürgermeisters Lueger) in seinen Memoiren die NS-Zeit komplett verschweigt, stellt sich Hörbiger permanent als Nazigegner dar. Hörbigers Erinnerungen an die NS-Jahre und Goebbels’ zeitgleiche Tagebucheinträge sind jedoch kaum in Einklang zu bringen. Der Minister am 13. November 1935 über eine Feier in Anwesenheit Hitlers: »Der Führer ist ganz aufgeräumt. Und alle bleiben bis 6 Uhr morgens. Hörbiger und die Ullrich singen zum Schifferklavier. Ein toller Betrieb.« Hörbiger hingegen will mehrfach gegen Goebbels gestichelt haben. So beim Festessen nach der Burgtheater-Premiere von Romeo und Julia am 30. November 1940. Hörbiger: »Es war das letzte Mal, daß ich mit Goebbels zusammengetroffen bin.« Goebbels dagegen am 15. März 1942 im Tagebuch: »Ich besuche abends das Burgtheater und sehe mir eine Aufführung des Reimundschen Bauer und Millionär mit Hörbiger in der Titelrolle an.« Der Minister schwärmt von Hörbigers Spielkunst und fährt fort: »Nach der Vorstellung sitze ich noch mit den Darstellern, vor allem mit Hörbiger, Martha Rohs und einer jungen Schauspielerin Nicoletti zusammen. Wir sprechen viel über Theater- und Kunstfragen. Die Wiener Darsteller sind verhältnismäßig gut politisch ausgerichtet.«

www.zeit.de/2007/11/OE-3_Reich/seite-3

Playing Place Value Bingo by Mel Mel (VeganButterfly)

Rose took this one! ^.^

St Nicholas, Linton, Kent by Jelltex

These are from May 2014, on the way back from our first visit to Marden Meadow.

Linton sits on the edge of the downs, looking down on The Weald, right by the main road into Maidstone. It is an attractive village, but the main road means there is always traffic, and half of it struggling up the long and steep hill.

I took these exterior shots, then failed to post them.

So here they are.

-------------------------------------------

LINTON HILL

TQ 75 SE LINTON

(East Side)

3/139 Church of St. Nicholas

23.5.67

GV II*

Parish church. C14 and C15. Alterations and additions of 1860 by

R.C. Hussey in a C15 style. Ragstone, with plain tile roof. Nave,

south aisle, south porch, chancel, south chancel chapel, north chancel

chapel. Nave and south aisle extended to west and north aisle and north-

west tower added in 1860. Nave: Probably C14, extended in 1860. West

End: small blocks of evenly-coursed stone. Chamfered stone plinth.

One buttress. C19 four-light window and pointed-arched doorway with

squared hoodmould and brattished canopy. South aisle: C14, extended to

west in 1860. Re-faced in 1860 with small blocks of evenly-coursed stone.

Chamfered stone plinth. Gabled. Three C19 three-light windows; one to

west and 2 flanking porch. South porch: C19, with stonework and plinth

similar to nave. Carved bargeboards. Moulded outer and plain-chamfered

inner doorway. South chancel chapel: later C14. Roughly coursed stone

on un-dressed plinth. Two C19 windows, one blocked 2-light to south,

one 3-light to east in a C15 style. Chancel: C14, re-faced, and

probably extended, in C19. Diagonal north-east and south-east buttresses.

2-light C19 windows to north and south.

Moulded pointed-arched south doorway. Vestry: C19. Low, and at right-

angles to chancel. North chancel chapel: C15 or early C16. Roughly

coursed galleted stone, with high moulded stone plinth. Gabled. C19

east window of 3 stepped lights and similar north window. North aisle:

1860. Chamfered stone plinth. Gabled. Two 3-light north windows.

North-west tower: 1860. Three stages, on moulded stone plinth, with

moulded off-sets between stages. Clasping buttresses. Recessed stone

spire. Two 2-light windows to each face of belfry. Small rectangular

north light to second stage and trefoil-headed lights to north and west

of bottom stage. Pointed-arched north doorway. West clock. South face

abuts nave. Interior: Structure: 3-bay south arcade to nave of doubly

plain-chamfered pointed arches; 2 east bays C14, west bay C19 in a C14

style. Columns with scroll-moulded capitals. 2-bay north arcade to nave

in a C14 style. Tower protrudes into north-west end bay. Tall pointed-

arched C15 chancel arch, with continuous outer moulding, and inner moulding

springing on each side from concave-sided semi-octagonal shaft with

moulded capital and base. Later C14 doubly plain-chamfered pointed arch

between chancel and south chapel, springing from attached semi-octagonal

columns with moulded capitals and bases. Pointed doubly plain-chamfered

arch dying into wall between south chapel and south aisle. 4-centred

doubly hollow-chamfered C15 or early C16 arch between chancel and north

chapel, inner order springing from attached semi-octagonal columns with

moulded capitals and high moulded bases. C19 arch between north chapel

and north aisle. Chamfered medieval rere-arch to blocked south window

of south chapel. Roof: Medieval crown-post roof to nave, with 3 moulded

octagonal crown-posts and ribbed C19 boarding under rafters. 2

medieval moulded octagonal crown-posts to south chapel. C19 boarded

wagon roof to chancel. Fittings: moulded cinquefoil-

headed niche with splayed reveals, to east wall of chancel. Small pointed-

arched plain-chamfered piscina adjacent to niche. Traceried wooden screen

with moulded, brattished cornice between chancel and south chapel.

Intricately-carved wooden screen under chancel arch, with vaulted wooden

canopy, enriched cornice and parapet, erected 1949. Monuments: hanging

monument on north wall of north aisle, to Sir Anthony Mayne, d.1627, and

2 wives. Alabaster, with convex corniced plinth. Three-quarter-length

figures between 4 Corinthian columns, with entablature arched over

centre. Achievements of Sir Anthony under arch, and heraldic shield

over each wife above entablature. Seated mourner (Faithful Gardener?)

above arch. Monuments within north chancel chapel: standing monument

against north wall, to Sir Anthony Mayne, d.1615, and wife. Alabaster.

Rectangular chest bearing inscription, surmounted by kneeling figures,

flanked by Corinthian columns bearing entablature with convex cornice.

Achievements above cornice. Vestiges of family tree carved and painted

on back panel. Gothic monument against north wall, to Galfridus Mann,

d.1756. Designed by Richard Bentley 1758: erected at expense of Horace

Walpole. Chest tomb on plain base, chest with trefoils in relief and with

plain central inscription in Latin. Above, a marble urn under crocketed

arch, soffit of arch panelled with quatrefoils. Tablet on north wall to

Eleanor Mann, d.1751. Rectangular, with foliated base plate. Inscribed

panel flanked by cupid terms. Moulded cornice, with flaming urn to each

end, surmounted by grey marble obelisk with white marble dragon rising

from urn. Tablet on south wall to Maria Isabella Mann, d.1823. Signed

E.H. Baily. Inscription on rectangular plinth beneath elderly mourner

seated in relief against gadrooned urn, with draped tapering back plate.

White marble tablet on south wall to Julia, Countess Cornwallis, d.1847,

by Baily. White marble on black ground, flanked by draped semi-octagonal

pilasters with moulded capitals linked by arch in relief. Tablet on west

wall to Edward Mann, d.1775. White marble on brown ground. Base-plate

with achievements. Oval inscription panel with moulded cornice surmounted

by urn against obelisk. Tablet on east wall to Charles James Mann,

d.1835 aged 22, and sister Jemima Isabella Wykeham Martin, d.1836, by

Baily. Rectangular consoled inscription panel surmounted by segmental-

headed white marble tablet on black marble base-plate, with 2 large

draped urns in relief. Free-standing white marble monument in north-

east corner, to the same Charles James Mann, signed by Baily. Young

man lying upon Grecian couch. Free-standing marble monument in south-

west corner, to Laura, Countess Cornwallis, d.1840, by Baily. Woman,

book in hand, turning on couch. (J. Newman, B.O.E. series, West Kent

and the Weald, 1980).

Listing NGR: TQ7538950165

britishlistedbuildings.co.uk/101250235-church-of-st-nicho...

------------------------------------------

LINTON.

SOUTHWARD from Loose, on the opposite side of Cocks heath, lies the parish of Linton, antiently written LYLLYNGTON, and in Latin, Lilintuna, which probably took its name from the old English word, lytlan, signifying little or small, and stane, a stone, the upper part of this parish abounding with the quarry stone.

THIS PARISH lies adjoining to Cocks-heath, upon the ridge of quarry hills, the summit of which is the northern boundary of the weald of Kent, consequently almost the whole of it is within that district, only a small part of the heath being beyond it. Cocks-heath is a beautiful, and for this inclosed part of the country, an extensive plain, being about three miles in length, and in some places more than a mile in width. It is esteemed a most healthy spot, and being well watered, is generally preferred, as a situation for large encampments, it being equally commodious for the troops to march from it, on an emergency, either into the county of Sussex, or into Essex. In 1778 there were fifteen thousand men encamped on it, which did not occupy more than two thirds of the whole extent of it. Over this heath the high road from Maidstone goes through this parish and village into the Weald. The village is situated about half a mile from the heath, on the declivity of the hill, having the church and place-house on the east side of it, the prospect from which southward over the Weald, like the other situations on these hills, is very beautiful, and of great extent. The air is very healthy, the soil on the hill a loam, with the quarry stone close beneath, and below the hill a stiff strong clay, in a very miry country, and thick hedgerows interspersed with quantities of spreading oaks. About a mile below the hill the road crosses the river at Style-bridge.

ON COCKS-HEATH there grows THE PLANT, called Lunaria, or small moonwort.

The greatest part of this parish is within the bounds of the manor of East Farleigh, though the manor of Loose extends over some small part of it. The free holders of the former holding their lands in free socage tenure.

This place is not mentioned in Domesday, being most probably included in the description there given of the manor of East Farleigh.

LINTON-PLACE, antiently called Capell's-court, is the only place of consequence in this parish. It took its name originally from the family of Capell, who were proprietaries of it. They were usually called according to the custom of the time at Capell, and in Latin, De Capella, their principal residence being at Capell'scourt, in Ivechurch, in Romney-marsh, though they had large estates in several other parishes in this county. (fn. 1) One of them, John de Capella, in the reign of king Henry III. held lands in Boxley, as appears by the charter of inspeximus granted by that king to the abbey there.

Richard de Capell, his successor, died in the 15th year of king Richard II. in whose descendants this place remained till the reign of king Henry VI. when it was alienated by one of them to Richard Baysden, from which name in the reign of queen Elizabeth, it was sold to Sir Anthony Maney, of Biddenden, whose ancestors had resided there many generations. He removed his seat hither, and at his death was buried in this church, as was his son Walter Maney, esq. whose son, John Maney, was a person of great loyalty to king Charles I. in his troubles, in consideration of which he was first knighted, and afterwards created a baronet. After which he suffered much for his attachment to the king, having his estate plundered and sequestered. He bore for his arms, Party per pale, argent and sable; three chevronels between as many cinquefoils counterchanged. He passed away this seat and estate in the reign of king Charles II. to Sir Francis Withens, one of the justices of the king's bench, whose only daugh ter and heir Catherine, in 1710 carried it in marriage to Sir Thomas Twysden, bart. of East Peckham, and he died in 1712, leaving by her two daughters his coheirs. On his death his widow became intitled to this estate, and soon afterwards again carried it in marriage to brigadier-general George Jocelyn, who was a younger son of Sir Robert Jocelyn, bart. of Hertfordshire, and died in 1727; leaving by lady Twysden, three sons. The family of Jocelyn bore for their arms, Azure, a wreath, argent and sable, with four hawks bells towards the corners of the escutcheon, or. He alienated it to Robert Mann, esq. who built a small but elegant seat here, partly on the scite of the old mansion of Capell'scourt, which he pulled down, and resided in it till his death, in 1751. By his will he devised Linton place, with the parsonage and the advowson of the vicarage of Linton, among his other estates in this county, to his eldest son Edward Louisa, in tail male, with divers remainders over. He resided here and died unmarried in 1775, on which, by the above entail, it came to his next brother, Sir Horatio Mann, K. B. and baronet, envoy extraordinary at Florence, where he died in 1786, and his body being next year brought over to England, was interred in this church. In his lifetime he made over this seat, with his other estates in this parish, to his nephew Sir Horace Mann, who succeeded him likewise in the title of baronet, and he is the present possessor of it, and at times resides here.

THERE were formerly some lands in this parish which belonged to a family named Welldish, who had a chapel in this church called Welldish's chapel. Their arms were, as appears by their seals to some antient deeds, Argent, three talbots passant azure on a chief, or, a fox passant gules, which coat they bore, as is reported by tradition, to perpetuate the memory of one of their ancestors having been huntsman to William the Conqueror. After this estate had been many generations in this family, the greatest part of it was alienated to Walter Maney, esq. whose son, Sir John Maney, bart. of Linton, sold it, with the rest of his estate in this parish, in the reign of king Charles II. to Sir Francis Withins, since which it has passed in like manner as Linton-place, above-mentioned, to the Mann's, and is now in the possession of Sir Horace Mann, bart.

CHARITIES.

One of the family of MANEY, owners of Capell's-court, built and endowed an alms-house here for four poor families. Robert Mann, esq. of Linton-place, in 1749, rebuilt it, and encreased the original stipends of 13s. 4d. to each family to 20s.

LINTON is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Sutton.

The church, which is dedicated to St. Nicholas, is a small building with a spire steeple, situated on the east side of the village. The patronage of it was part of the antient possessions of the crown, and remained so till it was given to the college or hospital for poor travellers, in the west borough at Maidstone, founded by archbishop Boniface in the reign of Henry III. (fn. 2) Archbishop Walter Reynolds, about 1314, appropriated it to the use and support of the above hospital.

¶In the 19th year of king Richard II. archbishop Courtney, on his making the parish church of Maidstone collegiate, with the king's licence, gave and assigned among other estates, the advowson and patronage of this church of Lyllyngton, to that hospital appropriated, and of the king's patronage, held of the king in capite, to the master and chaplains of the abovementioned new collegiate church of Maidstone, to hold in free, pure, and perpetual alms for ever, for its better maintenance, to which appropriation Adam Mottrum, archdeacon of Canterbury, gave his assent. The collegiate church of Maidstone was dissolved by the act of the 1st year of king Edward VI. anno 1546, and was surrendered into the king's hands accordingly.

In the 8th year of king Richard II. this church was valued at 106s. 8d. per annum. In the year 1640, the vicarage of it was valued at thirty pounds per annum. In the year 1751, the clear yearly certified value of it was 61l. 7s. 8d. yearly income.

This vicarage is valued in the king's books at 7l. 13s. 4d. and the yearly tenths at 15s. 4d. The parsonage, as well as the advowson of the vicarage, were held by grant from the crown in the reign of queen Elizabeth, by Alexander Grygsby, gent. in which name they continued in 1640. In 1681, Francis Martin, gent. held them. About the year 1710, they were held by Wallace, and afterwards by Oliver, who died possessed of them in 1728; soon after which they were purchased by Robert Mann, esq. of Lintonplace. Since which they have passed in like manner as that seat to Sir Horace Mann, bart. the present owner of them.

www.british-history.ac.uk/survey-kent/vol4/pp365-371

Big Self-Portrait, 1967-68 by Jonathan Lurie

Chuck Close (b. 1940) acrylic on canvas at the Walker Art Center in Minneapolis. Written near the painting: Supporting artists early in their careers is one of the core values that guide Walker's staff as they build a permanent collection. In many cases, these early acquisitions also lead to long-term relationships between artist and institution. Chuck Close's association with the Walker began in this fashion and is now in its fifth decade. In autumn 1967, Walker director Martin Friedman and curator Christopher Finch made a trip to New York City. Finch was interested in the work of a 28-year-old painter named Chuck Close, and wanted to take Friedman to the artist's SoHo studio. Although Close's résumé was very short-he had had at that time only one solo exhibition, at the University of Massachusetts, Amherst, and he did not yet have a New York gallery-Friedman was intrigued by the young man's work. "I particularly liked the large self-portrait," he wrote Close after the visit. "As I understand it, we have a reserve on it, for the Art Center, at a price of $1,300." The artist was elated. Big Self-Portrait was the first painting he had ever sold. Close often jokes that it was a year before the sale of Big Self-Portrait was finalized and he received his check. But he consistently credits Friedman with launching his career, and think of the Walker as a rare kind of institution: an "artists' museum" whose staff is deeply committed not only to art but also to the people who make it.

Value quilt by Fabienne Chabrolin

Bloggué ici : Le fil à malice

An ornate choir stand and the apse beyond by Justin Kern

Check out a new post on thegoldensieve.com

The mission and a word about post content.

I have long had my eye on the weathered facade of Mission San Carlos Borroméo del río Carmelo, popularly known as the Carmel Mission. I have family that lives nearby and have heard about it's historical and aesthetic value in the past. I had a few days in Monterey for work recently and sneaked away to get a few images, stopping for nearly an hour at the mission. In the past, I've posted a single image per day. For a while this was fun, but then I found out that an image per day had a number of unintended consequences. Whenever I was taking photographs, knowing that I was going to post a one per day, I began to think about how many times I needed to come up with something worthy of the blog. Sometimes this meant posting a series of photographs that were very similar or separating photographs that belonged together. Though grabbing 365 interesting images per year isn't very difficult - this accounting exercise is extremely stifling to one's creativity - yet it is impossible to understand how limiting it is until you free yourself from this constraint. Some of my readers undoubtedly shoot for a blog or project that requires one image per day. I wonder, do you ever head out with your camera and in the midst of naturally reacting to what you see - say to yourself, "I need a few more," even when you've grabbed your best images? Do you photograph things you don't value or love, just to get images? Maybe I'm alone here, but I doubt it. Today's post features many images, as will most future posts, so I hope you enjoy (and can wait out posts that are spaced more liberally)!

Ancient history by our standards.

The Mission proper, that is a Christian congregation run by its founder, Father Junípero Serra was first established in Monterey in 1770. Serra, with permission of the Viceroy of New Spain, Carlos Francisco de Croix, marqués de Croix, then moved the Mission to what is now the city of Carmel-by-the-Sea in 1771 because of a power struggle with the military enclave. Depending on the source (either the official Mission website or the various historical brevia available online) this struggle is framed either as a desire to control the direction of New Spanish colonialism or as a battle over the mistreatment of the natives by the governor and his soldiers. The mission Serra founded in Monterey eventually became the Cathedral of San Carlos Borromeo, a.k.a. the Royal Presidio Chapel and still stands as a National Historical Landmark in Monterey. The edifice you see in the photographs below was built by later mission leaders in what is now Carmel-by-the-Sea, the neophytes being served from a smaller, make-shift structure during the first decades of its existence. Typically, I take one or two record shots of information that is available at the site while photographing so that I can retain the information on dates and places that I sometimes have trouble remembering properly. This time I found precious little information in the Basilica and instead had to find as much out online as I could. Interestingly, there is no readily available information online about the interesting statues, curios and relics that are located throughout this beautifully restored mission. Much of what I learned after the fact was about the history of what some call the most beautifully preserved of the California mission chain.

Here is a link to the Wikipedia article on the mission, which contains some information about Father Junípero Serra and his efforts related to this mission, but is woefully short on a number of accounts. I am not a religious person by any stretch of imagination. In fact, I find myself securely camped in the opposite extreme, but this is not the place or the time for a discussion about God or faith, etc. Instead, I am interested in the mission as it relates to human history and the early history of California. Furthermore, I have an interest in how we connect to the narrative thread of historical places like the mission and how I can use my camera to capture moments of beauty within these places.

The story of the Camel Mission is but one fascinating chapter in the story of the Spanish colonization of Mexico and the Americas. At the time, these missions and the nearby Presidios (military outposts) represented the first formal European establishments focused on colonizing the west coast. The Viceroys sent explorers, soldiers and members of the Franciscan Order to bring "civilization" (and it's attendant religious trappings) to the native Americans. Within this post I will refrain from considering what benefits, if any, were brought to the native peoples by the introduction of the mission chain into Alta California. New Spain was an empire whose lifespan is still longer than the American timeline, with aristocratic titles originating in the 16th century. The trail of European devastation through native populations begins at about the same time and includes names of these original dignitaries - Cortés and Pizarro. Although Christians may feel differently, it isn't clear to me that Serra and the mission movement brought anything to the Indians besides an acceleration of destructive European influence. Yet, some readers will note that waves of devastation had damaged native populations throughout the Americas both before and after the arrival of Europeans, and that by all accounts the Father Serra was a truly dedicated missionary and cared deeply about fulfilling his oaths and tending his flock. The magnitude of devastation both natural, domestically made and of European origin are topics I do not pretend to fully comprehend. How the mission system fits into the tragic backdrop of these events is something I think is best left to the historians. Serra, true to his word, worked until death building the mission and died with nothing more than a cot, his habit and a few other daily trappings - having worked continually to do what he thought was best for the native members of his congregation. There was, and still is, a chain of 21 missions extending from San Diego to Sonoma, north of San Francisco, and the Mission San Carlos Borroméo del río Carmelo is widely accepted as one of the most faithfully restored/preserved.

A large step backward in time.

I love visiting places like the mission because they represent such a strong counterpoint to much of the tourist-trap culture in which an out-of-towner like myself might normally find himself. There is a reason you'll never see a photograph of Disneyworld on this blog. Some places, though commercially successful and valuable for one reason (or person) or another, for me possess no aesthetic or cultural value and will simply not see the business end of my camera. I think all people make this mental calculation when photographing and each person's calculation will be different from his peers. Here at the mission, outside of the labyrinthian giftshop, I find myself standing in a square flanked by a museum and the stately, aging facade of the capilla of the Mission San Carlos Borroméo del río Carmelo. The rose window, Moorish bell-tower dome and roughly hewn door are your first clues that stepping inside is stepping back over 200 years in time.

The chapel is no stranger to a camera, but whenever I am in a place like this I am very careful not to disturb the atmosphere of the place or my fellow visitors. I extend my tripod legs outside the building and, if I am taking bracketed images for HDR, wait between taking images so that I don't create a continual noise of my shutter clacking open and closed.

Just inside the wooden doors the soft white light of Monterey marine-layer-noon drops to zero and the chapel is lit by a single hanging lamp, votive candles and a few recessed windows. A large stoup of holy water is held within an ancient iron basin atop a carved wooden pedestal placed upon an ornate and plush rug. A long center aisle extends beyond the stoup, through the pews to the apse.

The walls are adorned with various oil paintings of religious and historical personages and events. Just past the first set of pews is the entrance to the burial chapel to the left and an image of the Sacred Heart of Jesus to the right. The air is cool and calm and I was nearly alone here in the nave.

The burial chapel has no external light and is instead lit by a single set of votives and the hanging lamp. I could not find any information on the figure of Our Lady of Bethlehem within glass frame above the altar, but did discover that the previous Pope, John Paul II had visited the mission in September of 1987 and designated it a Minor Basilica. As I took these images, I waited for many other visitors to percolate through the burial chamber. Many of these folks would stop and take a photograph of the plaque you see on the floor commemorating the papal visit. I found this to be a particularly interesting vignette of the sieving capacity of memory. Within the hallowed grounds of this mission there are layers of memory and narrative history to which we connect in different ways. Perhaps more than any other pope I can name, the previous Catholic leader was truly an example of a fascinating individual who used his political influence for good, yet I do not connect to his story as strongly as I do to the historical thread of the California missions. Then again, I'm not a Catholic.

Through the central aisle, up to the altar and then to the left is a claustrophobic and darkened alcove with a small altar and votive. I found this corner of the mission the most interesting to photograph. Here the room is lit by a small gas lamp and a round votive stand, the light flickering and revealing the carefully painted walls and ceilings. The air is richly perfumed by the hanging thurible above the votives. A mirror and door provide all the frames a photographer could possibly need and I played a bit with my position relative to the door to frame both the door to the sacristy and the relic containing the fragments of the Fray Serra's original coffin. Here we go beyond the literal narratives within the mission and invent our own stories. A penitent or devout missionary shuffles through these halls, observing his duties and escaping the damp cold of a coastal winter. A modern pilgrim stops to say a prayer and light a votive, sharing the same footsteps as his invisible predecessor. Recreating the mood and memory of places like this little alcove by an act as simple as taking a photograph is my favorite pastime.

The beautified Serra is interred just before the altar along with several other figures who feature prominently within the history of the Carmel Mission.

Dairy value chain by Nestlé

A farmer delivers milk to a Nestlé collection centre close to our factory in Shuangcheng, China.

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