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5 things you didn't know about Bundesliga

A look back at the weekend in the Bundesliga, with Bayern Munich suffering a rare loss against Hertha Bertlin.

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H. 8 1/2 in. (21.6 cm); W. 9 in. (22.9 cm); D. 10 3/8 in. (26.4 cm); Wt. 3 lb. 2 oz. (1422 g)

 

medium: Steel, gold, brass

 

Metropolitan Museum of Art, New York, NY 04.3.204 1904

Rogers Fund, 1904

www.metmuseum.org/art/collection/search/25374

Not all witches were women; men also performed magic. Unlike the destructive and sexualized stereotypes of female witches, male magicians were likened to the philosophers, alchemists, or heroic scientists of the Renaissance. In Goltzius's print, which was so popular it was reprinted as late as the 19th century, the central male figure is Demogorgon, the omnipotent father of all gods. Although Demogorgon was feared as the "Demon-gorgon," a terror who could unleash his primordial power, Goltzius portrays the god as a wizened and magical force who uses his power to give form to the world.

Netherlands, 16th century

 

chiaroscuro woodcut

Overall: 34.9 x 26.2 cm (13 3/4 x 10 5/16 in.)

 

Gift of The Print Club of Cleveland

clevelandart.org/art/1952.204

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August 22, 2013 at 05:11AM

Ren Renfa's horse images are elegant in appearance and vigorous in spirit. His work attracted not only Chinese scholars but also the Mongols at the imperial court. Inspired by the contemporary scholarly interest in restoring a sense of antiquity in art—an artistic direction led by Zhao Mengfu that exerted a great impact in the Yuan art scene—Ren Renfa, like Zhao Mengfu, modeled his depictions of horses after the Song master Li Gonglin. Another key style component that Ren introduced to this genre was a revival of the Tang classical tradition. The refined color treatment of the horses as seen here was derived from the Tang master Han Gan.

China, Yuan dynasty (1271-1368)

 

handscroll, ink and color on silk

Painting: 28.5 x 137.5 cm (11 1/4 x 54 1/8 in.); Overall: 29.2 x 556.4 cm (11 1/2 x 219 1/16 in.)

 

Did you know...

Only the elegant first horse with a white blaze is accompanied by two grooms, as if its lightning speed required extra supervision.

 

Leonard C. Hanna, Jr. Fund

clevelandart.org/art/1960.181

Celadons, spoons, seals, and bronze mirrors were the most common burial objects in tombs during the Goryeo period (918-1392). Once used to contain oil treatment for hair, this little celadon bottle was one of the standard goods that furnished elites' tombs.

Korea, Goryeo dynasty (918–1392)

 

painted celadon (Mishima ware)

Outer diameter: 7.9 cm (3 1/8 in.); Overall: 5 cm (1 15/16 in.)

 

Did you know...

This bottle was used to contain oil treatment for hair.

 

Gift of John L. Severance

clevelandart.org/art/1928.160

Palestine, 19th century

 

embroidery; silk on linen

Average: 36.2 x 35.6 cm (14 1/4 x 14 in.)

 

Gift of Marion A. Parsons

clevelandart.org/art/1937.582

This figure of the Buddha is characterized by a round face and thick, heavy eyebrows that join the nose to form a king of 'T.' Acquired in Lopburi, it was very likely made there.

 

This image is interesting in large part becasue of the light it appears to shed on the development of the walking Buddha. Originally attached to a backplate or frame, it might have been part of an altarpiece in which lesser images flank a central one. The walking Budha seems to be exemplifying a posture rather than illustrating a particular episode in the Buddha's life.

Thai

 

H: 8 9/16 × W: 2 1/2 × D: 1 3/16 in. (21.7 × 6.3 × 3 cm)

medium: cast bronze

culture: Thai

 

Walters Art Museum, 1992, by bequest.

art.thewalters.org/detail/1607

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A priest and two attendants perform ceremonies for the deceased. Originally, there probably existed (to the left) certain offerings. It is an exact copy of a scene in the Temple of Deir el Bahari made some seven centuries earlier where the figures are reversed.

Egypt, Late period (715–332 BCE), Dynasties 25–26

 

limestone

Overall: 36.2 x 48.2 cm (14 1/4 x 19 in.)

 

Gift of the Hanna Fund

clevelandart.org/art/1951.286

William Forbes

baptized 1799, active New York, 1826–63

Overall: 5 9/16 x 5 9/16 x 3 9/16 in. (14.1 x 14.1 x 9 cm); 10 oz. 16 dwt. (336.3 g)

Base: Diam. 3 1/16 in. (7.8 cm)

 

medium: Silver

 

Metropolitan Museum of Art, New York, NY 1981.22.3 1981

Gift of Guerdon Holden Nelson, Cyril Irwin Nelson, Nicholas Macy Nelson and Michael Underhill Nelson, in devoted memory of their grandmother, Elinor Irwin Holden, and their mother, Elise Macy Nelson, 1981

www.metmuseum.org/art/collection/search/2722

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