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British History - Magnificent North Entrance - Westminster Abbey, London, England.

The north side of the church is supported by nine buttresses, each of five gradations, with pointed windows between them; the buttresses are connected with the clerestory of the nave by slender arches, and the wall finishes with battlements.

The great door of the northern transept is an arch sprung from four large pillars on either side, with foliated capitals. The wall is of considerable thickness, and on each side of the great door it is formed into two arches by handsome pillars; the lesser entrances to the aisles are four pillars in depth, with ribbed roofs, having figures of angels at the intersections of the ribs. Above the doorways is a colonnade or range of pierced arches. Four massive buttresses secure the front; those at the angles terminate in octagons, and are connected with the upper part of the walls, over the side-aisles, by strong arches. Between the colonnade and the point of the roof is a beautiful "rose window," which was rebuilt in the year 1722. A great part of the north transept was rebuilt in 1828. "Time was," writes Mr. Charles Knight, "when this front had its statues of the twelve apostles at full length, and a vast number of other saints and martyrs, intermixed with intaglios, devices, and abundance of fretwork; and when, on account of its extreme beauty, it was called 'Solomon's Porch;' and now, even injured as it is, the whole forms a rich and beautiful façade."

The north transept became known as Statesmen's Aisle following the burial of Prime Minister William Pitt, Earl of Chatham in 1778. Here also can be found the graves of Charles James Fox, William Gladstone and Lord Palmerston and memorials to Benjamin Disraeli and Sir Robert Peel among others. The stained glass in the north rose window was designed by Sir James Thornhill in 1722, although it was altered in the late 19th century by J.L.Pearson. The three small chapels on the eastern side of this transept contain some fascinating monuments including that by Roubiliac to Lady Elizabeth Nightingale (pictured) which shows a skeletal figure of Death emerging from a cavern to aim his dart at the dying lady.

In the north ambulatory can be found the large memorial to General James Wolfe. The upper Islip chapel was dedicated as the Nurses Memorial chapel in 1950 in memory of UK and Commonwealth nurses who died in the 1939-45 war (this chapel can be viewed on application to the information desk). Many fine Elizabethan monuments can be seen in St John the Baptist's chapel and St Paul's chapel, including the tallest monument in the Abbey (36 feet) to Henry Carey, Lord Hunsdon.

derived from 6685 a small short-range reconnaissance and ground support spaceship

San Francisco, California

Leica M Monochrom - 50mm Summilux

 

Please view on black - Hit "L"

Nikon FE2 - 50mm f/1.2 AI-S - Ilford FP4 Plus - Press "L" for large view

Sunset at Long Jetty. Although there was little cloud, the muted pastel colours were quite striking.

Stop Russian aggression!

Istanbul, Turkey

A view of the supporting system in the Hagia Sophia.

copyright: © varenne. All rights reserved. Please do not use this image, or any images from my photostream, without my permission.

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Imogen at St Pauls Cathedral, London

Solidarity with Ukraine.

Chicago Teachers are on Strike, which is what 94% of the teachers and support staff voted for district wide. I happen to be lucky enough to have worked in this Chicago Public Schools District since 2001 when I became an Occupational Therapist for children with different ability levels. I love my students and I would rather be in school instead of marching outside on the streets. What a lot of people may or may or not know is that according to Illinois State Law, teachers can only strike over pay. So, our new Chicago mayor Lori Lightfoot offered a 4% raise per year (16% over 4 years) in hopes that this would be enough.

 

But, this is not enough. Why? Because us teachers and clinicians are rebels. We don't do this for the money. We do this for the kids. We dare to dream of a world where we don't have to ask for a nurse, a library, and a social worker for all of our schools because in the suburbs, these are all given and more. Why should Chicago students have less? Why should Chicago students suffer with dirty classrooms? Are these good learning conditions? A few years back they tested the water fountains at school for lead and found at least 30% of those tested had lead and so they just stopped testing. And nothing was done about it. Are these good learning conditions? Chicago is plagued by classism and racism that forces many children into unsafe living environments but Lori Lightfoot would rather open up police stations than provide money for schools. Are these good learning conditions when our students come to school with toxic stress syndrome and no social worker is present to help them?

 

The answer in our hearts is no. And there isn't a law in existence that is going to keep Chicago teachers from fighting. I will fight. I will lose my pay. I will march in the cold. But, I will stand up for these children and it is an honor. They need to see this. They need to see their teachers love them and will fight for them to exist in a better world. To breathe. To be loved. To have a high quality of life. That is what the Chicago Teacher's Union Strike is really all about.

  

***All photos are copyrighted. But please, if you or a loved one are in this photo, write to me at kirstiecat@gmail.com with a link to the photo in question and I will send you the high res version for free.**

The letterbox that was attached to this support is in a worse state than the supports are. However the newer one which is attached to the fence above the remnants of its predecessor isn't in a much better state either!!

 

Better viewed large.

 

Thank you for your favourites. :O)

Seen around Fort Hunter Park in Dauphin County, Pennsylvania.

 

forthunter.org/

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Yes, there is a theme here.

The interior of an old building showing a supporting structure of beams and columns designed to shore it up and prevent collapse.

 

I shot this photo to capture the shapes created by the steel work. The interior divided up into new frames and rectangles. I also wished to capture the contrasting textures of the old stone and rusting steel.

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Support it on LEGO IDEAS : ideas.lego.com/projects/2d338638-5679-42b6-b8d7-7c0166bab999

 

Yes it is a functioning telescope, just like 21323 Grand Piano is a functioning piano. Meaning, you can see what's in the sky, but not actual stars, nor the real Moon.

 

So how does it work ? There's a light brick hidden inside the model. It is activated by pressing the lens, and the light passes through a decorated transparent piece (sets like 75810, 10273 or 70917 use this principle), magnifying glasses (I know, the way they are placed on the model is not realistic, but it's for LEGO IDEAS), bounces on a "mirror" (a tile with a shiny sticker), so when you look through the eyepiece, you can see what you could see if you looked through an actual telescope.

 

Since it could be a bit boring to always see the same thing, my entry comes with four different patterns, that were designed by Thi's studs. There's a galaxy, Jupiter with the Galilean moons, the Moon, and the Solis Magna system. Jupiter and the Moon are a reference to Galileo Galilei, who invented the telescope and discovered the existence of satellites orbiting Jupiter. The Solis Magna system is a nod to BIONICLE.

  

The model is made of 231 parts, and you can see it in 3D on Mecabricks : www.mecabricks.com/en/models/oK2w7Rk029k

JBC GP40-2 3030, ex-NS, nee-CR, replaces the two GP20's at this location.

Kingsbury, IN

Photo by John Eagan

London Ambulance Service | Command Support Vehicle 7908 | Mercedes-Benz Sprinter | LX14 ASO out along The Mall during a royal event, London, UK

 

To see a playlist of videos featuring Ambulance vehicles from across the UK, such as London, West Midlands, South Western, Welsh and St.John Ambulance services, responding, click here.

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Film, expired 2008 - Pentax MV

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St John Ambulance's lovely Ford Transit Cycle Support Unit is seen here parked up outside London Ambulance Service Headwaters, London during Trooping the Colour.

13th June 2015

 

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© Copyright IOW 999 Pics - No Unauthorized Use.

A sign of the times. No-one is safe ANYWHERE these days. Still, it was re-assuring to see some sort of armed rapid response unit was to hand.

 

I think the vehicle is an Audi Q7.

 

Bray Air Show 2016 Day 1 - Co. Wicklow - Ireland.

Peterhead harbour is one of the busiest harbours on its stretch of coast and is a major location for the mooring and deployment of servicing vessels that deal with the offshore north-sea oil rigs.

 

The harbour approach is marked by the large lighthouse operated by the Northern Lighthouse Board, which stands within sight of the town, at nearby Buchan Ness. The simple prefabricated tower that stands on the town's South breakwater was built in 1906 and was most likely manufactured by Chance Brothers of Birmingham, in England; a large supplier to the Lighthouse Services.

 

The Lighthouse would originally have looked almost identical to the fully Intact Lighthouse at Dover in the south of England, but has had its original lantern removed at some point, to be replaced by a metal platform with a second railed-gallery, supporting a simple solar powered LED light.

 

The current light flashes twice every 12 seconds, giving a red light visible for 7 nautical miles.

 

The green light on the very similar North Pier, just opposite, is a simple self-contained LED unit mounted on a tall white mast. The top of the mast has two gongs which chime separate notes; this serves as a fog signal for the harbour entrance.

  

General Information

 

Established: 1906

Current Lighthouse Built: 1906

Height: 17 Metres (55.77 Feet)

Operator: Peterhead Port Authority

 

Light Information

Red: 7 Nautical Miles

Part of Sierra Nevada UK Group, this was providing logistical support for the three A-29As on delivery to the Afghan Air Force. Edited from original.

One from the archives, which I'm trying to rationalise!

Wooden roof supports on the porch of St Peter and St Pauls church in Kilmersdom, Somerset.

A series of photos from a walk up and over Coniston Old Man, a hill (or fell) in the English Lake District National Park on a bitterly cold day in late winter 2023.

Be a man, do the right thing

Ongoing small macro project

Multi-span bridges are structures of two or more arches supported on piers. They were constructed throughout the medieval period for the use of pedestrians and packhorse or vehicular traffic, crossing rivers or streams, often replacing or supplementing earlier fords.

 

During the early medieval period timber was used, but from the 12th century stone (and later brick) bridges became more common, with the piers sometimes supported by a timber raft. Most stone or brick bridges were constructed with pointed arches, although semicircular and segmental examples are also known. A common medieval feature is the presence of stone ashlar ribs underneath the arch. The bridge abutments and revetting of the river banks also form part of the bridge. Where medieval bridges have been altered in later centuries, original features are sometimes concealed behind later stonework, including remains of earlier timber bridges. The roadway was often originally cobbled or gravelled. The building and maintenance of bridges was frequently carried out by the church and by guilds, although landowners were also required to maintain bridges. From the mid-13th century the right to collect tolls, known as pontage, was granted to many bridges, usually for repairs; for this purpose many urban bridges had houses or chapels on them, and some were fortified with a defensive gateway. Medieval multi-span bridges must have been numerous throughout England, but most have been rebuilt or replaced and less than 200 examples are now known to survive. As a rare monument type largely unaltered, surviving examples and examples that retain significant medieval and post-medieval fabric are considered to be of national importance.

 

Despite some later alterations and repair work, Aylesford Bridge is a well preserved medieval multi-span bridge. It is a good example of its type and will retain evidence relating to medieval bridge construction and masonry techniques. Deposits buried underneath the bridge will preserve valuable artefactual, ecofactual and environmental evidence, providing information about the human and natural history of the site prior to the construction of the bridge.

History

See Details.

Details

This record was the subject of a minor enhancement on 15 December 2014. The record has been generated from an "old county number" (OCN) scheduling record. These are monuments that were not reviewed under the Monuments Protection Programme and are some of our oldest designation records.

 

The monument includes a medieval multi-span bridge situated over the River Medway at Aylesford.

 

Aylesford Bridge is constructed of Kentish ragstone with seven arches including a central segmental arch and six pointed and double-chamfered outer arches. The bridge is about 4m wide between the centres of the stone-coped parapet. The end arches are partly buried by the river bank. The stone piers have cutwaters on the upstream and downstream sides on rebuilt concrete foundations. On each side are octagonal and triangular canted pedestrian refuges resting on buttresses over the piers. Below the bridge is a barge-bed constructed from large baulks of timber.

 

Aylesford Bridge is thought to have been constructed in about the 14th century, and is situated downstream from the probable site of an earlier ford. A grant of pontage was issued in 1331, although it is possible that this relates to a timber predecessor. In about 1824, the two centre arches were replaced by a single arch of 18m span, removing a pier to allow passage for larger river traffic.

 

Aylesford Bridge is Grade I listed.

For the last few weeks I've been creating tons of photos and then throwing them to the side. Every so often I think that my tastes have not changed necessarily, but have become more specific. I'm not as thrilled anymore with the "same old thing", and the fact that I know what "the same old thing" means in relation to my photos means it's time for a change. I feel creatively more alive than ever as I've been doing a lot of thinking about who I am and what I want to say. I can't wait to push harder and say it!

 

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