View allAll Photos Tagged Structure
Haboob consuming the sunset and White Tank Mountains, and the shelf cloud rising above the gust front on which it rides.
I like the structure and the align...
See where this picture was taken.
You can download a high resolution, royalty free version of this picture from here: www.photocase.de/de/photodetail.asp?i=14021. The royalty free version can be used for any private and commercial projects.
Mobile home fire in area 66 of the San Miguel Fire Protection District. With assistance from Heartland and San Diego Fire Department the crew from CAL FIRE/San Miguel were able to keep the fire to the structure of origin. The 2 occupants of the home were away at the time of the fire and were assisted by the Red Cross of San Diego upon their return.
What does the Instant structures Mod (ISM) by MaggiCraft?
official website: instant-structures-mod.com/
With the Instant Structures Mod (short: ISM) you can choose one of 365+ structures and place them with just a few click in your Minecraft world. The structures sizes range between a few 100 blocks and 3,000,000 blocks. Placing larger structures accordingly takes longer. Structures are divided in themes and are easily accessible through a wiki. The structures of the Instant Structures Mod (ISM) are quite detailed, published structures are listed in the sub-side Structures.
Furthermore you can scan (save) your own structures and place them as many times as you like. You can share your saved structures with your friends or even with the entire Minecraft community ISM is available for Minecraft Versions 1.7.10 and 1.8. To install ISM you need Minecraft Forge.
official website: instant-structures-mod.com/
Suppression and Incident activity on the Delta Fire, burning north of Redding, CA along I-5.
USFS crews from Six Rivers NF Engine 323 attack a spot fire that threatened 2 homes near Pollard Flats. (Steve Valentine / leader-Red helmet. Josh Collum, Graceson Boecking (f), Joe Bane and Thomas Vargas). Assisting was Angeles NF Engine 326.
Both structures were saved.
Crews are working night and day shifts to affect suppression along the fire which earlier closed Interstate 5 in Northern California.
Credit: Jim Bartlett Team Rubicon/BLM for USFS
180916-DeltaFire-JWB-232.LR
Wildfire Structure Protection near Shan Creek Road on the Taylor Fire by the Eugene Springfield Fire Department. By removing excess brush and debris, crews may have a chance to decrease potential wildfire damage. Credit: Darren Stebbins 7-27-18
Title : Bagh-e Fin
Other title : Bagh-i Fin; Fin Garden
Date : 1571-1629 (construction) 1797-1834 (reconstruction)
Current location : Kashan, Esfahan, Iran
Description of work : The Bagh-e Fin was developed during the reign of the Safavid ruler Shah Abbas I (1571-1629) on the route to his new capital at Isfahan. Contained within massive enclosure walls and laid out on a series of low terraces, the garden follows a quadripartite chahar bagh scheme divided by the crossing of two watercourses which also line the perimeter of the garden. The crossing is marked by a two-story pavilion, while garden spaces and pathways fill the space. An additional watercourse, running adjacent to the central one, emanates from a small, but elaborately painted, pool house. The paintings date to the reign of the Qajar ruler Fath Ali Shah (1797-1834), who also replaced most of the earlier buildings. The water is delivered by a qanat (underground irrigation canal) and is forced through numerous fountains by gravity. Various hammams (bathhouses), residences, and a museum line the sides. It was declared a national monument in 1935 and has since undergone extensive repairs. (Sources: Hobhouse, Penelope. Gardens of Persia. Kales Press, 2004; Faghih, Nasrine and Amin Sadeghy. "Persian Gardens and Landscapes" Architectural Design 82.3, 2012, pp. 38-51.)
Description of view : View of benches covered with pillows and carpets in the tea room, located among the complex to the west of the Qajar pool house. The area was once restricted to only women.
Work type : Architecture and Landscape
Style of work : Safavid; Qajar
Culture : Iranian (Islamic)
Materials/Techniques : Stone
Brick
Trees
Source : Movahedi-Lankarani, Stephanie Jakle (copyright Stephanie Jakle Movahedi-Lankarani)
Date photographed : June 2009
Resource type : Image
File format : JPEG
Image size : 3000H X 4000W pixels
Permitted uses : This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection : Worldwide Building and Landscape Pictures
Filename : WB2016-0044 Fin.jpg
Record ID : WB2016-0044
Sub collection : gardens
historic sites
garden structures
Copyright holder : Copyright Stephanie Jakle Movahedi-Lankarani
My first tutorial for the good people at Creative Market is now live!
I will walk you through the process of re-creating a poster I call "Structure." We will go through all the steps, from conceptualization to execution.
I used quite a few resources from the Creative Market community along the way. This writeup should give you a glimpse of how versatile they all are.
I hope you'll enjoy the process piece. Until next one, cheers!
texture FREE for non commercial use in your personal artwork...
if you use this texture, please credit me with a link back to this texture...!!!
I would love to see your work, please leave a link or a sample of your work here as a comment, thx...!!!
please do not re-distribute this texture as your own...!!!
Studiolo from the Ducal Palace in Gubbio
•Designer: Designed by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed under the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut base
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Number: 39.153
On view at The Met Fifth Avenue in Gallery 501.
This detail is from a study, (or studiolo), intended for meditation and study. Its walls are carried out in a wood-inlay technique known as intarsia. The latticework doors of the cabinets, shown open or partly closed, indicate the contemporary interest in linear perspective. The cabinets display objects reflecting Duke Federico’s wide-ranging artistic and scientific interests, and the depictions of books recall his extensive library. Emblems of the Montefeltro are also represented. This room may have been designed by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A similar room, in situ, was made for the duke’s palace at Urbino.
Signatures, Inscriptions, and Markings
•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the eternal nurselings of the venerable mother // Men pre-eminent in learning and genius, // How they fall with bared neck before // …… // ………………………………………………knee. // Honored loyalty prevails over justice, and no one // Repents having yielded to his foster mother.”)
Provenance
Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482); Prince Filippo Massimo Lancellotti, Frascati (from 1874); Lancelotti family, Frascati (until 1937; sold to Adolph Loewi, Venice); [Adolph Loewi, Venice (1937-1939; sold to MMA)]
Timeline of Art History
•Essays
oCollecting for the Kunstkammer
oDomestic Art in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.
MetPublications
oVermeer and the Delft School
oPeriod Rooms in The Metropolitan Museum of Art
oPainting Words, Sculpting Language: Creative Writing Activities at The Metropolitan Museum of Art
oOne Met. Many Worlds.
oMusical Instruments: Highlights of The Metropolitan Museum of Art
oThe Metropolitan Museum of Art. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Art Guide (Spanish)
oThe Metropolitan Museum of Art Guide (Russian)
oThe Metropolitan Museum of Art Guide (Portuguese)
oThe Metropolitan Museum of Art Guide (Korean)
oThe Metropolitan Museum of Art Guide (Japanese)
oThe Metropolitan Museum of Art Guide (Italian)
oThe Metropolitan Museum of Art Guide (German)
oThe Metropolitan Museum of Art Guide (French)
oThe Metropolitan Museum of Art Guide (Chinese)
oThe Metropolitan Museum of Art Guide (Arabic)
oThe Metropolitan Museum of Art Guide
oThe Metropolitan Museum of Art Guide
oMasterpieces of The Metropolitan Museum of Art
oMasterpieces of The Metropolitan Museum of Art
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Art Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Art
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Young Knight in a Landscape: Christian Champion and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Project: What Artists See When They Look At Art
oThe Artist Project
oThe Art of Renaissance Europe: A Resource for Educators
oThe Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art
oArt and Love in Renaissance Italy
Ten Mile Bridge, 1867, built by Phillip Locke Adams, a shipwright from Wodonga, Victoria.
It spans the Greater Anabranch of the Darling River,
New South Wales,
Australia.
// Inital position
set background #000
{ x -6 y -6 z -0.5 s 1 1 0.1 z 0.5 color #00AAFF }
mat
// Ground plane
//{ x -0 y -0 z -0.5 s 20 20 0.01 color #000 } box
// make 6x6 blocks
rule mat {
12 * { x 1 hue 10 } 12 * { y 1 hue 10 } split
}
// do a z -0.5 to center cube around zero before doing scale
// - then translate back with z 0.5 at end of operation
// this way all bases line up.
// X-split
rule split w 5 maxdepth 3 > square {
{ z -0.5 s 1/3 1 1.3 x -1 hue 5 z 0.5 } split
{ z -0.5 s 2/3 1 0.7 x 1/4 hue 30 z 0.5 } split
}
// Y-split
rule split w 5 maxdepth 3 > square {
{ z -0.5 s 1 1/3 0.8 y -1 hue 10 z 0.5 } split
{ z -0.5 s 1 2/3 1.2 y 1/4 hue 20 z 0.5 } split
}
// No split
//rule split w 0.2 { square }
rule square {
{ z -0.5 s 0.95 0.95 0.8 z 0.8 } box
onTopBox
}
// 20% height boxes
rule onTopBox { // 50/50 H/W
{ s 0.5 0.5 0.2 z 3 h 25 } box
}
rule onTopBox { // 50/50 H/W + shifted
{ x 0.1 y 0.1 s 0.5 0.5 0.2 z 3 h 25 } box
}
rule onTopBox { // 30/50 H/W - shifted
{ x -0.1 y -0.1 s 0.3 0.5 0.2 z 3 h 25 } box
}
rule onTopBox { // 20/10 H/W + shifted
{ x 0.1 y 0.1 s 0.2 0.1 0.2 z 3 h 25 } box
}
// 50% on top boxes
rule onTopBox { // 10/10 H/W + shifted
{ x 0.1 y 0.1 s 0.1 0.1 0.5 z 1.5 h 25 } box
}
rule onTopBox w 2 { // 50/50 H/W
{ s 0.5 0.5 0.5 z 1.5 h 25 } box
onTopBox2
}
// boxes on top of boxes
// 20 % height
rule onTopBox2 { // 30/30 H/W + shifted
{ x 0.05 y 0.05 s 0.3 0.3 0.2 z 5.5 h 25 } box
}
rule onTopBox2 { // 30/30 H/W - shifted
{ x -0.05 y -0.05 s 0.3 0.3 0.2 z 5.5 h 25 } box
}
// 80% height
rule onTopBox2 { // 10/10 H/W + shifted
{ x 0.05 y 0.05 s 0.1 0.1 0.8 z 1.7 h 25 } box
}
rule onTopBox2 { // 10/10 H/W - shifted
{ x -0.05 y -0.05 s 0.1 0.1 0.8 z 1.7 h 25 } box
}
Allard Residence, Saint Louis, Missouri.
designer: Adrian Luchini
architect of record: Andrew Raimist
Photograph copyright © Andrew Raimist.
Indigo Winter Garden - Jiang TaiBeijing - Chine
HDA : Specialist Design consultants
Client : Swire Properties Ltd. in Joint Venture with Sino-Ocean Land
Architect: Benoy
Date : 2007 - 2012
See more at : www.hda-paris.com/
Ambient Occlusion test using the new internal Structure Synth raytracer. (Rendering time: 68s)
I've started working on a simple built-in raytracer in Structure Synth, both for providing fast previews in the GUI, and for people who are intimidated by the somewhat complex template export.
So far it is pretty standard stuff: a single-threaded, Phong shaded based raytracer which uses the Fast Voxel Traversel method to accelerate ray-primitive intersection tests. As of now it supports reflections, transparency, shadows (the hard and ugly type), and adaptive anti-alias. I've also implemented a simple Ambient Occlusion scheme.
Weybridge, Vermont USA • Twenty structures were included in the U.S. Morgan Horse Farm's application in 1973, for listing this district on the National Register of Historic Places.
• The most significant of these is Joseph Battell's Morgan horse Breeding Barn & Stable. • French Second Empire style. Architect / Builder: Smith & Allen (Clinton Smith & William H. Allen).
• After Battell donated his farm of 435 acres to the U. S. Department of Agriculture, and the University of Vermont in 1907, it became the U.S. Morgan Horse Farm. In 1951 the farm was wholly acquired by the University of Vermont, when it became the UVM Morgan Horse Farm.
☞ On April 11, 1973, the National Park Service added this structure to the National Register of Historic Places (#73000183).
• Many more photos of the grand architecture of Clinton Smith. ∞ See a custom Google Map with geolocations for all these sites.
• More Info: GeoHack: 44°2′40″N 73°11′10″W.
As this view of structures in downtown Pittsburgh suggests this mural dates from well after the construction of the building in 1931.
The original mural was "Pegasus at the Forge of Vulcan" by muralist Glenn Moore Shaw. It was removed, probably when the building was expanded in 1950, together with the original "check" desk and other architectural accoutrements and acquired by Duquesne University for use in Rockwell Hall. (According to author James D. Van Trump in "Life and Architecture in Pittsburgh")
No reference to the original mural or other items in the possession of Duquesne University can be found online. If you know of there present location please contact me.
The original sketch for "Pegasus at the Forge of Vulcan" by Glenn Moore Shaw was included in the 1932 May Show at the Cleveland Museum of Art and remains in the collection of the museum.
Without it we are fucked.Getty don't even fucking bother with an invite for this photo,Infact for that matter any other photo on my stream, I'd rather fucking give it away for free.Money grabbing 800 pound gorilla,penny pinching mother fucker.With your contributor services ticket bullshit that takes six months to get an answer from a so called leader in its field,on a simple question regarding image misuse, just fucking grinds people down and your google images deals that fucking line the pockets of multi billion pound corporations and fuck the little guy for $6 or $12 dollar deals,not to mention the penny stock shite that you have been spewing over the last few months with deals that are lower than a snakes balls :)) portal this ,portal that,0.09c to you young man and be happy with it, fuck that,fucking ram it, Keep the fuck away from my shit,Flickr and yahoo,Dump the dodo, and start licensing the flickr collection for yourself,You would clean up and also probably be able to offer decent returns on a licence for a photo,On that note, The new Flickr outlay looks good don't it!!!