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Sagrada Família Barcelona, Spain - situation 2017
Construction of the Temple Expiatori de la Sagrada Família began in 1882. The temple is still under construction, with completion expected in 2026. It is perhaps the best known structure of Catalan Modernism, drawing over three million visitors annually. Architect Antoni Gaudi worked on the project until his death in 1926, in full anticipation he would not live to see it finished.
Gaudi was appointed architect in 1883 at 31 years of age, following disagreements between the temple’s promoters and the original architect, Francisco de Paula del Villar y Lozano. He maintained del Villar’s Latin cross plan, typical of Gothic cathedrals, but departed from the Gothic in several significant ways. Most notably, Gaudi developed a system of angled columns and hyperbolical vaults to eliminate the need for flying buttresses. Rather than relying on exterior elements, horizontal loads are transferred through columns on the interior. La Sagrada Familia utilizes three-dimensional forms comprised of ruled surfaces, including hyperboloids, parabolas, helicoids, and conoids. These complex shapes allow for a thinner, finer structure, and are intended to enhance the temple’s acoustics and quality of light. Gaudi used plaster models to develop the design, including a 1:10 scale model of the main nave measuring five meters in height and width by two meters in depth. He also devised a system of strings and weights suspended from a plan of the temple on the ceiling. From this inverted model he derived the necessary angles of the columns, vaults, and arches. This is evident in the slanted columns of the Passion facade, which recall tensile structures but act in compression.
Gaudi embedded religious symbolism in each aspect of La Sagrada Familia, creating a visual representation of Christian beliefs. He designed three iconic facades for the basilica, the Glory, Nativity, and Passion facades, facing south, east, and west, respectively. The sculpting of the Nativity facade recalls smooth, intricate corbelling and was overseen by Gaudi. The Passion Facade is characterized by the work of Josep Maria Subirachs, whose angular sculptures extend the modernist character of the temple. The sculptor Etsuro Sotoo is responsible for the window ornaments and finials, which symbolize the Eucharist. The central nave soars to a height of 45 meters, and is designed to resemble a forest of multi-hued piers in Montjuïc and granite. The piers change in cross section from base to terminus, increasing in number of vertices from polygonal to circular. The slender, bifurcating columns draw the eye upward, where light filters through circular apertures in the vaults. These are finished in Venetian glass tiles of green and gold, articulating the lines of the hyperboloids.
Once completed, La Sagrada Familia will feature eighteen towers. Four bell towers representing the Apostles crown each facade, reaching approximately 100 meters in height. At the north end, a tower representing the Virgin Mary will stand over the apse. The central tower will reach 72 meters in height and symbolize Christ, surrounded by four towers representing the Evangelists. Even as construction continues, older portions are undergoing cleaning and restoration. The temple has relied entirely on private donations since its inception, and has seen many delays due to lack of funding. A particularly significant setback occurred during the Spanish Civil War, when Gaudi’s workshop was destroyed, including much of the documentation he left behind. Subsequent generations of craftsman and architects have relied on the remaining drawings and plaster models to advance the project, adhering to Gaudi’s vision as closely as possible. As a result, the design of the temple is a collaboration spanning centuries. Gaudi himself viewed the project as the collective work of generations. "I will grow old but others will come after me. What must always be conserved is the spirit of the work, but its life has to depend on the generations it is handed down to and with whom it lives and is incarnated."
In recent decades, La Sagrada Familia has adopted contemporary digital design and construction technologies. Architects and craftsmen use Rhinoceros, Cadds5, Catia, and CAM to understand the complex geometries and visualize the building as a whole. Plaster models are still used as a design tool, now generated by a 3-D printer to accelerate the process.
Architect: Antoni Gaudi
Present Chief Architect: Jordi Fauli
Former Chief Architects: Jordi Bonet, Francesc de Paula Quintana i Vidal, Isidre Puig i Boada, Lluís Bonet i Garí, , Francesc de Paula del Villar y Lozano
Deputy Chief Architects: Carles Buxadé, Joan Margarit, Josep Gómez Serrano
Technical Consultants: Universitat Politècnica de Catalunya, Royal Melbourne Institute of Technology
Project Department: Jordi Coll, Andrés de Mesa
Sculptors: Etsuro Sotoo, Josep Maria Subirachs
Stained Glass: Joan Vila-Grau
Area: 4.500 m2
The 44th Annual Jackson Assembly Antiques Show and Sale offered visitors the incredible opportunity to tour this magnificent, yet seldom seen structure.
The largest Grecian style building in the state and one of the oldest mental hospitals in continuous use.
From content.usatoday.net/dist/custom/gci/InsidePage.aspx?cId=...:
It used to be easy to get a close look one of the nation's first mental hospitals -- an asylum erected when it was radical to build a mental hospital that looked normal, recalls the president of the local historic preservation society.
It was one of the nation's first 10 mental hospitals when it opened in 1848 as the Insane Asylum of the State of Louisiana. More recently, it was known as East Louisiana State Hospital.
Now the campus has only one entrance. Visitors must sign in with identification, and are carefully monitored during their stay.
"It's a rare treat for people to come here, especially students of architecture," Woodyear said.
On Nov. 21, 1848, its first residents -- all 85 patients diagnosed as mentally ill at Charity Hospital in New Orleans -- arrived, traveling by steamboat up the Mississippi River to Bayou Sara, then by oxcart to the asylum.
The buckets for how we approach a problem to be solved.
From the Liberating Structures process, at the Midwest OD and Change Learning community meeting
5 most commonly used microstructures: presentations, open discussions, managed discussions, status reports, and brainstorming sessions. But there is so much more!
From Design Elements:
One of the techniques uses the diverge, converge, diverge, etc. format: The 1-2-4-All, designed to generate and sift many ideas from group members in rapid cycles. It is an alternative to brainstorming and status reports.
Find out more: 5 Strategies to Lead-Change Using Liberating Structures
reveln.com/5-strategies-to-lead-change-using-liberating-s...
Details of a parking structure built in 1978.
Architect: Aarne Ervi & co
Ricoh 500 RF
Agfaphoto APX 100
Rodinal 1+50 18:30min, 19°C
5min presoak
Agitation: 30s + 10s/min
Espoo, Finland, 2023
The Tillamook structure in north Milwaukie will carry the light rail tracks from the west side of existing heavy rail tracks to the east side. One half of the structure can be seen under construction on the right side of the photo. The Springwater Corridor Trail bridge can be seen in the upper half of the photo where it crosses the railroad tracks. The SE Tacoma St/Johnson Creek MAX Station is at the top left.
Licensed for all uses by TriMet.
This structure is about two feet tall and was built in front of the bunker mounds. It wasn't clear who built it or what its purpose is.
FIELD: Shimane Japan（Fishing guide service AMATERAS）
ANGLER: Mizuki Kinugawa/Shingo Kinugawa
ROD: PLAISIR ANSWER PA-70 Super Structure
REEL: CERTATE 2004
LINE: PE1+16lb
LURE: VJ16/COREMAN
FISH: Japanese Seabass
This superb and breathtaking exhibition “Iris van Herpen. Sculpting the Senses,” currently on view at the Musée des Arts Décoratifs in Paris, pays tribute to one of the most visionary fashion designers of her generation – and the simple term “fashion” almost seems out of place here as conventional standards of clothing are largely transgressed.
This retrospective is structured around nine themes and identifies the very essence of van Herpen’s work fusing fashion, contemporary art, design and science (and I could add: architecture).
Much more than an exhibition dedicated to Haute Couture, “Iris van Herpen. Sculpting the Senses", invites the visitor on an immersive journey into this singular and hybrid universe, punctuated by the designer's research and experiments.
One simple piece of advice: run for it!!!
COSMIC BLOOM
In her exploration of the cosmos, Iris van Herpen shows her talent for synthesis, combining the latest scientific discoveries with the history of art and science, blending the ancient maps of Andreas Cellarius with images from the James Webb telescope. The cosmos and its mysteries pique her imagination and her creativity. Like a metaphor of her holistic approach, the cosmos incarnates a space in which one can deploy oneself without limit, a symbol of absolute liberty. Colours float and come alive, offering new horizons for a body in levitation. For the designer, to understand the cosmos is to overturn the order of time and space and achieve elevation. The world becomes an all-encompassing entity, greater than the confines of planet Earth. It no longer develops from bottom up or top down, but in all of its dimensions simultaneously, as a multiverse, with no borders except those of the mind and the imagination, the soul and its cosmic journey.
Source: madparis.fr/Iris-van-Herpen-Sculpting-the-Senses
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La superbe et époustouflante exposition « Iris van Herpen. Sculpting the Senses », qui se tient actuellement au Musée des Arts Décoratifs à Paris rend hommage à l’une des créatrices de mode les plus visionnaires de sa génération – et le simple terme « mode » semble presque déplacé tant les normes conventionnelles du vêtement sont ici transgressées.
Cette rétrospective s’articule autour de neuf thématiques et recense l’essence même de son travail fusionnant mode, art contemporain, design et sciences (et je pourrais ajouter : architecture).
Bien plus qu’une exposition dédiée à la Haute Couture, l’exposition « Iris van Herpen. Sculpting the Senses », constitue un voyage immersif dans cet univers singulier et hybride, ponctué par les recherches et les expérimentations de la créatrice.
Un seul conseil : courez-y !!!
VOYAGE COSMIQUE
Iris van Herpen montre, à travers l’exploration du cosmos, combien elle manie l’art de la synthèse, s’inspirant tout autant des dernières découvertes que de l’histoire des arts et des sciences, des cartes anciennes d’Andreas Cellarius que des images du télescope James Webb. Le cosmos et ses mystères entretiennent son imaginaire et avivent sa créativité. Métaphore de son approche holistique, ils incarnent un espace de déploiement sans limites, symbole d’une liberté absolue. Les couleurs flottent, s’animent et offrent de nouveaux horizons pour les corps en lévitation. Appréhender le cosmos, c’est pour elle bouleverser l’ordre des choses et prendre de la hauteur. Le monde devient un tout au-delà de la seule planète Terre. Il ne se développe plus de bas en haut ou de haut en bas mais dans toutes ses dimensions, comme un multivers, sans plus de frontières si ce ne sont celles de l’esprit et de son imaginaire, de l’âme et de ses voyages cosmiques.
Source : madparis.fr/Expo_IrisvanHerpen
This 5-toothed structure, also called a "horn lantern", is the feeding mechanism of a sea urchin used for scraping algae off rocks. It was described and illustrated by the philosopher Aristotle in the 4th century BC. The particular lantern comes from a green sea urchin (Strongylocentrotus droebachiensis).
Hotel Provincial
In a city distinguished internationally for the charm and hospitality of its venerable French Quarter, there exists a secluded, intimate hotel that offers its guests yet another dimension to the Vieux Carre experience. The Hotel Provincial, although conveniently located near all the desirable historic and tourist attractions of downtown New Orleans, also offers its visitors the serenity and unique style reserved for the private, residential section of the French Quarter.
Listed on the National Register of Historic Places, and locally owned by the Dupepe family since 1961, this hotel is valued as an architectural gem, and features modern amenities housed within a compound of meticulously restored historic structures. The beautifully appointed lobby area, lush tropical courtyards and carefully restored outbuildings offer the perfect place for enjoying a relaxing family vacation, planning a social or corporate event, or celebrating a memorable destination wedding.
Discover New Orleans hospitality at its finest at Hotel Provincial—a special place that successfully combines a welcoming family atmosphere with the amenities only an experienced, professional staff can offer.
•Address: 1020-1022 Chartres St.
•Significance Rating: Orange, unrated 20th century construction
•Building Type: Commercial
•Current Style: Modern / Faux Historical
•Square Number: 20
•National Landmark: No
•Primary/Secondary Use: Primary
•Easement: No
•Square: 20
•Lot Number: 22740
Property Info
•Vieux Carré Commission Evaluation: No change: orange. Provincial Motor Hotel (Nolan, Nolan and Nolan, original architects; Donald Zimmer, addition), constructed c. 1963 on the site of a c. 1903 ice house.
oOrange Portion of Building: Main Material: Masonry
Note: partially of Wood; Provincial Motor Hotel
•Dimensions (Dimensions run CCW)
oFrontage: 33' 4" 4'''
oSide 2: 63' 11" 0'''
oSide 3: 3' 2" 1'''
oSide 4: 63' 11" 3'''
oSide 5: 30' 1" 0'''
oSide 6: 127' 10" 6'''
Chain of Title
Last Update: Wednesday, October 1st 1980
•Wednesday, July 8th 1959
oRecord Source: COB
oVolume: 630
oPage: 285
oRecord Type: [sale?]
oAuthority: Brittmar P. Landry (Notary)
oAuthority Date: Not Given
oFrom: French Market Ice Manufacturing Company of New Orleans, Limited
oTo: Provincial Motels, Inc.
•Wednesday, April 29th 1903
oRecord Source: COB
oVolume: 191
oPage: 321
oRecord Type: [sale?]
oAuthority: P. J. Patorno (Notary)
oAuthority Date: Not Given
oFrom: Marie Ursule Soloy
oTo: French Market Ice Manufacturing Company of New Orleans, Limited
oBrief Description: Original Act: 3/75
•Tuesday, January 4th 1887
oRecord Source: COB
oVolume: 126
oPage: 994
oRecord Type: [sale?]
oAuthority: H. Fourcelle (Notary)
oAuthority Date: Not Given
oFrom: Marie Anne Trope
oTo: Marie Ursule Soloy Guilhauma Francingues
•Wednesday, January 1st 1879
oRecord Source: Unknown
oRecord Type: succession
oAuthority Date: Not Given
oFrom: Pierre Noel Canton
oTo: Marie Ann Trope Canton
oBrief Description: Inherited. [No date given.]
•Monday, July 1st 1878
oRecord Source: COB
oVolume: 111
oPage: 581
oCourt#: 9160
oRecord Type: sheriff’s sale
oAuthority: 5th District Court (Court)
oAuthority Date: Not Given
oFrom: Joseph Girod
oTo: Pierre Noel Canton
oBrief Description: From Joseph Giron in the suit of “Pierre Noel Canton vs. Joseph Girod.”
•Monday, July 12th 1852
oRecord Source: COB
oVolume: 58
oPage: 30
oRecord Type: survey
oAuthority: A. Mazureau (Notary)
oAuthority Date: Not Given
oBrief Description: Original Act: 43/167 Survey-sketch by L. Pilie, dated July 2, 1852, annexed to this act.
•Monday, June 28th 1852
oRecord Source: COB
oVolume: 55
oPage: 696
oRecord Type: [sale?]
oAuthority: A. Mazureau (Notary)
oAuthority Date: Not Given
oFrom: Pierre Laurans
oTo: Joseph Girod
oBrief Description: Original Act: 42/555A Pierre Laurans had three children: William Laurans, Mme. Louisa Laurans, wife of Auguste F. A. Garnier, and Mme. Marie Julie Adele Laurans, wife of Alphonse R. J. Martin Lavalle. The latter daughter died, but left two children: Marie J. A. Martin Lavalle, and Pierre Martin Lavalle. The two living children inherited one-third each of their father’s estate and the two grandchildren inherited each one-half of their deceased mother’s one-third. These same heirs were entitled to the same rights, and in the same proportion in the share and interest of their mother and grandmother, Mme. Julie Beauvais Laurans, wife of Pierre Laurans, by virtue of the donation inter vivos made by her to them by an act passed before Philibert L. Turguet and Philippe A. Beaufeu, Paris Notaries, August 31, 1846.
•Friday, January 19th 1838
oRecord Source: Original Act
oVolume: 63
oPage: 32
oRecord Type: partition
oAuthority: Hortence Hortence T. Hershberg (Notary)
oAuthority Date: Friday, January 19th 1838
oAgent/Single Party Act/Other: Jean Roques Marie Adeline Prudhomme Julie Beauvais Pierre Laurans
oBrief Description: Act of Partition between Mme. Julie Beauvais, wife of/and Pierre Laurans, and Mme. Marie Adeline Prudhomme, wife of/and Jean Roques. With the two houses constructed thereon. There has been constructed, according to this act, a party wall fixing the limits of the properties partitioned which had belonged to Pierre Laurans and his wife Julie Beauvais, and to Jean Roques and his wife, Marie Adeline Prudhomme, to whom the whole of the property partitioned in this act had belonged, one undivided half to each husband and wife. By this act Jean Roques and wife become sole owners of the property fronting on Levee Street, and Pierre Laurans and his wife become sole owners of this property fronting on Conde (Chartres) Street. Plan annexed to this act.
•Tuesday, April 5th 1831
oRecord Source: Original Act
oVolume: 14
oPage: 302
oRecord Type: survey
oAuthority: Hortence Hortence T. Hershberg (Notary)
oAuthority Date: Tuesday, April 5th 1831
oBrief Description: Excellent survey-sketch by L. Pilie, dated March 23, 1831, annexed to this act. Includes Lots No. 22739 and 22740-B. Note: Here this lot becomes part of a larger portion of land running the depth of the entire square from Chartres to Decatur streets, comprising present-day Lots NO. 22740, 22740-B, 22739, 22727, 22723, 22724, 22725 and 22726.
•Monday, January 5th 1829
oRecord Source: Original Act
oVolume: 6
oPage: 14
oRecord Type: [sale?]
oAuthority: Hortence Hortence T. Hershberg (Notary)
oAuthority Date: Monday, January 5th 1829
oRelated Lot: a) 22727
oRel. Lot Note: a) (interior lot)
oFrom: Angelique Pauline Carrick; Adeline Segond
oTo: Jean Roques; Pierre Laurans
oBrief Description: A lot of ground, on Levee Street, opposite in one part to the steam water works and the vegetable market, between St. Philip and Ursuline streets, having frontage on one side on Levee Street, and on the other side fronting on Conde (Chartres) Street, measuring F.M. 90' 2" front on Levee Street, keeping this width for a depth of 177' 10" on the line separating it from the lot belonging to l’Eveche, then widening 1' on the same side on the line that separates it from the property of J. Marcos and the Nuns of the Ursuline Convent, and measuring 165' as far as Conde (Chartres) Street, with a front footage on Conde Street measuring 94' 4" and maintaining this width for a depth of 60' on a line separating it from the property of Soniat Dufossat extending as far as the limits of Mr. Gillet’s property, then closing 3' and continuing this way for 282' 4" along the line that separates the property of Soniat Dufossat and that of Gillet as far as Levee Street; said lot of ground has from one street to the other 342' 10" depth on the line bordering that of l’Eveche, Marcos, and the Ursuline Nuns (Ursuline Street side) and 342' 4" on the line bordering the Widow Visosos, Mr. Cyprien Gros, R. Otero, Blineau, the Succession of Gayarre, Gillet, and Soniat Dufossat. With all buildings thereon constructed. Note: Excellent plan of the whole square, showing ownership as of this date and clearly delineating the area and footage of this lot, drawn by Joseph Pilie, dated December 24, 1827, annexed to this act. “The lot and buildings presently sold belong to the vendors in the following manner: To Mme. Angelique Pauline Carrick, wife of Andrew Lockhart, a portion measuring 32' 3" front on Conde Street by 123' in depth, bounded on one side by the property of the Ursuline Nuns and on the other side by the property of the Widow Carrick, as making part of the payment of the lot that had been constituted by her mother Mme. Carrick, has ascribed access on the rights of heritage in the Succession of the late James Carrick, her father, given to her before his death, thus it belongs to the contract of marriage passed between the said Mme. Lockhart and Andrew Lockhart, before Marc Lafitte, Notary, December 22, 1823, in which marriage contract it had been stipulated by the contracting parties, Article 3, that it would be allowed the future wife, with the authority of her future husband, and the said future husband with the consent of the said future wife, to sell and alienate the properties given in the said contract to the future wife to the tile of the dotal settlement, even as all other that will belong to them in the future with all personal responsibility, who accepts the responsibility. To Mme. Widow Carrick the remainder of the lot and buildings presently described and sold belong, as being part of the goods belonging to the Succession of James Carrick, her late husband, which she inherited jointly with her daughter, Mme. Lockhart, and a small portion of 3' 3" front on Chartres Street by 64' of depth, A.M., by means of the acquisition she made from Mme. Rosalie Segund, widow of Pierre Sauve. Mr. James Carrick had become proprietor of the whole of said lot of ground and buildings, with the exception of the 3' previously mentioned, by means of an acquisition which he had made during his lifetime of M. Elias Beauregard.”
•Thursday, September 27th 1827
oRecord Source: Unknown
oRecord Type: [sale?]
oAuthority: Hortence Hortence T. Hershberg (Notary)
oAuthority Date: Not Given
oFrom: Rosalie Segond
oTo: Adelaide Segond
oBrief Description: Refers to the small strip of land measuring 3' 3" × 64'. A lot measuring, A.M., 3' 3" front on Conde (Chartres) Street by 64' of depth, bounded on one side by property of the purchaser and on the other side by property of Joseph Soniat Dufossat. This property belonged to Mme. Sauve, in common with her children, by virtue of the Succession of her husband, Pierre Sauve, who, during his lifetime, acquired it with a larger lot of ground.
•Saturday, August 3rd 1822
oRecord Source: Court
oRecord Type: succession
oAuthority: Probate Court (Court)
oAuthority Date: Not Given
oFrom: Pierre Sauve
oTo: Rosalie Segond Sauve
oBrief Description: Refers to the small strip of land measuring 3' 3" × 64'. Inherited from the Succession of her husband.
•Tuesday, April 20th 1819
oRecord Source: Original Act
oVolume: 17
oPage: 222
oRecord Type: succession; sale
oAuthority: M. de Armas (Notary)
oAuthority Date: Tuesday, April 20th 1819
oFrom: Lancelot Pearson
oTo: Pierre Sauve
oBrief Description: Refers to the small strip of land measuring 3' 3" × 64'.
•Tuesday, May 7th 1811
oRecord Source: Unknown
oRecord Type: [sale?]
oAuthority: Narcisse Broutin (Notary)
oAuthority Date: Not Given
oFrom: Simon Ducournau
oTo: Lancelot Pearson
oBrief Description: Refers to the small strip of land measuring 3' 3" × 64'. Lot forming the corner of St. Philip and Conde streets, the whole of which tract is bounded by the property of M. Launda [sic] on one side and by the property of the Succession of James Carrick on the other, on which lot is a principal house and two small houses of brick between posts, and with other buildings in the courtyard.
•Monday, December 19th 1808
oRecord Source: Original Act
oPage: 524
oRecord Type: [sale?]
oAuthority: Narcisse Broutin (Notary)
oAuthority Date: Monday, December 19th 1808
oFrom: Edmond Forstall; Edouard Forstall
oTo: Simon Ducournau
oBrief Description: Refers to the small strip of land measuring 3' 3" × 64'.
•Monday, December 19th 1808
oRecord Source: Original Act
oPage: 523
oRecord Type: [sale?]
oAuthority: Narcisse Broutin (Notary)
oAuthority Date: Monday, December 19th 1808
oFrom: Jeanne Darby
oTo: Edmond Forstall Edouard Forstall
oBrief Description: Refers to the small strip of land measuring 3' 3" × 64'. A lot of ground at the corner of Conde and St. Philip streets, bounded by properties of Larionda and heirs to James Carrick, with a principal house and two smaller houses constructed of brick between posts, also other buildings in the courtyard.
•Thursday, January 1st 1807
oRecord Source: Unknown
oRecord Type: succession
oAuthority Date: Not Given
oFrom: Jean de la Villebeuvre
oTo: Jeanne Darby de la Villebeuvre
oBrief Description: Refers to the small strip of land measuring 3' 3" × 64'. Inherited from the Succession of her husband.
•Friday, June 27th 1800
oRecord Source: Original Act
oVolume: 37
oPage: 416
oRecord Type: [sale?]
oAuthority: Pierre Pedesclaux (Notary)
oAuthority Date: Friday, June 27th 1800
oFrom: Elias Beauregard
oTo: Santiago Carrick
oBrief Description: “Lot of ground measuring 89' to 90' in front, all the way to the back, bounded on one side by the property of His Majesty, and on the other by the property of the Widow Visoso. The property belongs to Elias Beauregard by means of an inheritance from the Succession of his mother, Dona Magdaline Cartier.”
•Tuesday, January 1st 1799
oRecord Source: Unknown
oRecord Type: succession
oAuthority Date: Not Given
oFrom: Magdalina Cartier
oTo: Elias Beauregard
oBrief Description: Inherited from the Succession of his mother. [No date given.]
•Wednesday, February 22nd 1775
oRecord Source: Unknown
oRecord Type: [sale?]
oAuthority: Juan B. Garic (Notary)
oAuthority Date: Not Given
oAgent/Single Party Act/Other: Antonio Beauregard
oBrief Description: Neighboring reference, related to Lot No. 22741, states that this property, as part of a larger lot, belonged to Antonio Beauregard. Note: A break occurs here in the record. However, the following continues the chain with two more transactions.
•Wednesday, February 22nd 1775
oRecord Source: Original Act
oRecord Type: [sale?]
oAuthority: Juan B. Garic (Notary)
oAuthority Date: Wednesday, February 22nd 1775
oFrom: Theresa Gallard
oTo: Jean de la Villebeuvre
oBrief Description: Refers to the small strip of land measuring 3' 3" × 64'. One house and lot situated at a corner of Chartres and St. Philip, with other buildings, bounded on one side by property of Mrs. Cecilio Odorundo and on the other by that of Antonio Beauregard.
•Wednesday, September 16th 1772
oRecord Source: Original Act
oPage: 258
oRecord Type: sale
oPrice: $104.00<Pesos
oAuthority: Andres Almonester (Notary)
oAuthority Date: Wednesday, September 16th 1772
oFrom: Augustin Macarty
oTo: Henrique Desprez
oBrief Description: A lot situated on Conde (Chartres) Street, measuring 90' front by 150' of depth, bounded by the house owned by Madame Granpre and by lot owned by the King. Mr. Macarty acquired this lot at a public auction held by the creditors of Claudio Joseph Villars of his properties on March 12 of this year, and sells it mortgage free at a price of 104 pesos.
•Thursday, March 12th 1772
oRecord Source: Unknown
oRecord Type: auction sale
oAuthority Date: Not Given
oFrom: Claudio Joseph Villars
oTo: Augustin Macarty
oBrief Description: Public sale held by the creditors of Claudio Joseph Villars.
•Monday, January 1st 1731
oRecord Source: Map
oRecord Type: land grant
oAuthority: Gonichon Map (Map)
oAuthority Date: Not Given
oAgent/Single Party Act/Other: Company of the West/Company of the Indies
oBrief Description: Lot No. 38 granted to the Company.
•Monday, January 1st 1731
oRecord Source: Map
oRecord Type: [land grant and/or sale and/or succession]
oAuthority: Gonichon Map (Map)
oAuthority Date: Not Given
oAgent/Single Party Act/Other: Trudot
oBrief Description: Refers to the small strip of land measuring 3' 3" × 64'. Lot No. 39 granted to Sieur Trudot.
•Thursday, January 1st 1728
oRecord Source: Map
oRecord Type: vacant
oAuthority: Broutin Map (Map)
oAuthority Date: Not Given
oBrief Description: Unassigned.
•Thursday, January 1st 1728
oRecord Source: Map
oRecord Type: [land grant and/or sale and/or succession]
oAuthority: Broutin Map (Map)
oAuthority Date: Not Given
oAgent/Single Party Act/Other: Trudeau
oBrief Description: Refers to the small strip of land measuring 3' 3" × 64'. Lot No. 46 granted to Sieur Trudeau.
•Thursday, January 1st 1722
oRecord Source: Map
oRecord Type: land grant
oAuthority: de la Tour Map (Map)
oAuthority Date: Not Given
oAgent/Single Party Act/Other: La Loire
oBrief Description: Lot No. 4 granted to Sieur La Loire.
•Thursday, January 1st 1722
oRecord Source: Map
oRecord Type: [land grant and/or sale and/or succession]
oAuthority: de la Tour Map (Map)
oAuthority Date: Not Given
oAgent/Single Party Act/Other: Massy Trudeau
oBrief Description: Refers to the small strip of land measuring 3' 3" × 64'. Lot No. 6 granted to Mr. Massy. “I believe they were not held by Mr. Massy, he not having given ___ on the frontage.” Marginal note: “Granted to the Sieur Trudeau in replacement of the No. 00 which was taken to build a warehouse.”
Citations (Specific to this address)
“NOTICE. FELIX, Ladies Hair dresser…Ladies wishing to have their hair dressed at his house, will please apply to his wife to appoint the hour. The price is two dollars. He also informs that he cuts gentlemen’s hair for a dollar at their houses, and 50¢ at his shop…he lives in Mme. Carrick’s house Conde Street opposite Mr. Moreau’s…”
—Source: Louisiana Courier Date: Wednesday, December 11th 1816
“Fire…6:30, November 5…French Market Ice Manufacturing Company, 1024 Chartres Street…damage chiefly to the building and equipment was estimated at $200,000…fire started in the 3rd floor of the building which is about 30 feet in the rear of the street facing a courtyard…explosions of crude oil storage tank and an ammonia tank…the only two modern buildings in the square are the French Market Branch of the Whitney Bank and the La Stella Manufacturing Company, corner of St. Philip and Chartres.”
—Source: Times-Picayune, p. 1, c. 1 Date: Sunday, November 6th 1927
Citric acid is an organic compound with the chemical formula C₆H₈O₇. It occurs naturally in citrus fruits. In biochemistry, it is an intermediate in the citric acid cycle, which occurs in the metabolism of all aerobic organisms.
Credit: www.ebi.ac.uk/chebi/
An old cotton warehouse, waiting to be rebuild. How to maintain a modern city: modern functions in old structures = no waste of space hand volumes wit respect for the past!
CAMERA: Canon NEW F1
LENS: Canon fd lens 50mm f/1,4 S.S.C.
FILM: Color negative cine-film Svema LN-7 ISO 32 38 exp. - negative scanning
FILM DEVELOPMENT: author's manual film development
ECN-2 handmade ki [10min 15sec 30 °C]
FILM SCANNED: OpticFilm Plustek 7400 with SilverFast Software
SHOOTING DATE: 6/2016
DEVELOPER DATE: 09/2016
TECHNIQUE: Multiple Exposure unedited.
NUMBER OF EXPOSURES: 3
NO POST-PROCESSING
OBJECT: MACBA Museu d'Art Contemporani de Barcelona
PLACE: Barcelona, Spain 2016
A collaborative project combining photographs and an original music score.
Photography Derek Eyre
Music Paul Barker
Public School, Chesterton, Ind.
Date: Circa 1910
Source Type: Postcard
Publisher, Printer, Photographer: Crown Post Card Company
Postmark: September 14, 1911, Chesterton, Indiana
Collection: Steven R. Shook
Remark: Looking northwest, the public school in Chesterton was located on the north side of Indiana Avenue between Second Street and Third Street. The brick structure was built during the fall of 1879 at a cost of about $4,000; it was heavily damaged by fire on November 11, 1924, at 8:00 am, but was rebuilt. Today [2025], the Westchester Public Library stands on this particular site.
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The following was published in the September 17, 1884, issue of The Tribune:
Work has been commenced on the spire of the Catholic church of this place. The height of this spire when completed, will be 60 feet and on the top of this a cross 13 feet high made of iron, heavily plated with gold will be placed. When completed the entire height of the spire from the ground, will be 135 feet.
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The following new item appears in the February 15, 1912, issue of The Chesterton Tribune:
Local, Personal, Social
An agitation should be started towards getting the M. E. church site for the public school. The school needs this property badly, and it should be acquired as quickly as possible. The school building cannot be moved, and needs more ground for the children. Get busy and help get sentiment started.
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The following new item appears in the August 22, 1912, issue of The Chesterton Tribune:
M. E. CHURCH.
Work has begun on the church. The trustees have let the contract for the basement to Mr. Ameling. The building will be raised three feet or more and windows put in the new wall to be constructed. Front and rear entrances will be made. A new furnace, either steam or hot air, will be installed. The church will be painted and papered and placed in neat and tasty order. The basement will afford room for half the Sunday School and an excellent place for socials. The Ladies Aid will have a kitchen and dining room.
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The following new item appears in the March 29, 1925, issue of The Chesterton Tribune:
CHESTERTON GRADE SCHOOL CONTRACTS ARE ALL LET
Contracts have been let for the completion of the work of rebuilding the Chesterton grade school, which was wrecked by fire on November 11, last. Algot W. Pearson gets the general contract, his bid being $21,993. If the concrete steps are put in on the west entrance he will receive $196 extra. Charles Nickel has the contract for plumbing, heating, ventilating and heat control $3,598.00, making a total of $5,953.00. Harold Bartels gets the electrical contract for $1575.00. These contracts total $31,707.00. the total cost will be about $39,000, which includes costs heretofore spent. Of this amount the insurance company paid $22,000, leaving about $17,000 as the cost to the taxpayers for the loss. For this the township gets a modern building, up to date. The cost would have been about $7,000 les by for the demands of the state board of accounts for safety and health guards included in the plans. The building will be ready for occupancy next fall at the beginning of the new school year.
Sources:
The Tribune, Chesterton, Porter County, Indiana; September 17, 1884; Volume 1, Number 25, Page 5, Column 2. Column titled "Chesterton Local Items."
The Chesterton Tribune, Chesterton, Porter County, Indiana; February 15, 1912; Volume 28, Number 47, Page 5, Column 6. Column titled "Local, Personal, Social."
The Chesterton Tribune, Chesterton, Porter County, Indiana; August 22, 1912; Volume 29, Number 22, Page 7, Column 3. Column titled "Chesterton Items."
The Chesterton Tribune, Chesterton, Porter County, Indiana; July 22, 1915; Volume 32, Number 18, Page 1, Columns 1-2 and Page 8, Columns 1-4. Column titled "M. E. Church Escapes Destruction. Geo. Gullstrom, Crazed With Liquor, Attempts to Destroy Building by Fire Thursday Night."
The Chesterton Tribune, Chesterton, Porter County, Indiana; November 13, 1924; Volume 41, Number 36, Page 1, Columns 5-6 and Page 7, Column 3. Column titled "Fire Destroys Old School Building."
The Chesterton Tribune, Chesterton, Porter County, Indiana; March 26, 1925; Volume 42, Number 3, Page 1, Column 2. Column titled "Chesterton Grade School Contracts Are All Let."
Copyright 2003. Some rights reserved. The associated text may not be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of Steven R. Shook.
struts were made by wrapping newspaper around dowels. for some struts, the dowel was left inside the rolled up newspaper.
Dancing Rabbit is located in a county that has no building codes, which gives members a great deal of leeway in deciding what to build. They do have an environmental covenant that disallows lumber, except for reclaimed lumber and locally harvested wood. Many structures utilize clay taken right out of the ground, often combined with hay bale construction.
In this particular photo, there's a converted bus dwelling in the foreground (to the left), a single family home in the middle, and a 6 bedroom hay bale building in the background.
www.youtube.com/watch?v=pkfBMlVb5vo
Parallel Pleat Forms Hyperbolic Paraboloid
www.youtube.com/watch?v=kYstleabCA4
Tutorial 5 Hyperbolic Paraboloid.
www.youtube.com/watch?v=L9E8uovbyVo
Hyperbolic-Paraboloid Surface Structure
www.youtube.com/watch?v=pkfBMlVb5vo
Hyperbolic-Paraboloid Doubly-Ruled Surface Structure