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The Tillamook structure in north Milwaukie will carry the light rail tracks from the west side of existing heavy rail tracks to the east side. One half of the structure can be seen under construction on the right side of the photo. The Springwater Corridor Trail bridge can be seen in the upper half of the photo where it crosses the railroad tracks. The SE Tacoma St/Johnson Creek MAX Station is at the top left.
Licensed for all uses by TriMet.
At 8:49AM on January 2, 2022 the Los Angeles City Fire Department responded to a reported structure fire in the 7400 block of N Atherton Lane in West Hills.
34 firefighters located and extinguished an attic fire in 29 minutes with no injuries reported.. Crews prevented the fire from extending down into the 2nd floor and conducted salvage operations to provide protection for the contents of the rooms.
© Photo by Leo Kaufman
LAFD Incident 010222-10451
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This structure is about two feet tall and was built in front of the bunker mounds. It wasn't clear who built it or what its purpose is.
La cosiddetta torre pendente di Pisa (chiamata semplicemente torre pendente o torre di Pisa) è il campanile della Cattedrale di Santa Maria Assunta, nella celeberrima Piazza dei Miracoli di cui è il monumento più famoso per via della caratteristica pendenza.
Si tratta di un campanile a sé stante alto circa 56 metri, costruito nell'arco di due secoli, tra il dodicesimo e il quattordicesimo. Pesante 14.453 tonnellate, vi predomina la linea curva, con giri di arcate cieche e sei piani di loggette. La sua pendenza è dovuta ad un cedimento del terreno verificatosi già nelle prime fasi della costruzione.
L'inclinazione dell'edificio attualmente misura 5° rispetto all'asse verticale. La torre di Pisa rimane in equilibrio perché la verticale che passa per il suo baricentro cade all'interno della base di appoggio.
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A torre pendente de Pisa (em italiano Torre pendente di Pisa), ou simplesmente, Torre de Pisa, é um campanário (campanile ou campanário autônomo) da catedral da cidade italiana de Pisa. Está situada atrás da catedral, e é a terceira mais antiga estrutura na praça da Catedral de Pisa (Campo dei Miracoli), depois da catedral e do baptistério.
Embora destinada a ficar na vertical, a torre começou a inclinar-se para Sudeste, logo após o inÃcio da construção, em 1173, devido a uma fundação mal construÃda e a um solo de fundação mal compactado, que permitiu à fundação ficar com assentamentos diferenciais. A torre atualmente se inclina para o sudoeste.
A altura do solo ao topo da torre é de 55,86 metros no lado mais baixo e de 56,70 metros na parte mais alta. A espessura das paredes na base mede 4,09 metros e 2,48 metros no topo. Seu peso é estimado em 14 500 toneladas . A torre tem 296 ou 294 degraus: o sétimo andar da face Norte das escadas tem dois degraus a menos. Antes do trabalho de restauração realizado entre 1990 e 2001, a torre estava inclinada com um ângulo de 5.5 graus,[1][2][3] estando agora a torre inclinada em cerca de 3.99 graus.[4] Isto significa que o topo da torre está a uma distância de 3.9m de onde ela estaria, se a torre estivesse perfeitamente na vertical
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The Leaning Tower of Pisa (Italian: Torre pendente di Pisa) or simply the Tower of Pisa (La Torre di Pisa) is the campanile, or freestanding bell tower, of the cathedral of the Italian city of Pisa. It is situated behind the Cathedral and is the third oldest structure in Pisa's Cathedral Square (Piazza del Duomo) after the Cathedral and the Baptistry.
Although intended to stand vertically, the tower began leaning to the southeast soon after the onset of construction in 1173 due to a poorly laid foundation and loose substrate that has allowed the foundation to shift direction.
The height of the tower is 55.86 m (183.27 ft) from the ground on the low side and 56.70 m (186.02 ft) on the high side. The width of the walls at the base is 4.09 m (13.42 ft) and at the top 2.48 m (8.14 ft). Its weight is estimated at 14,500 metric tons (16,000 short tons). The tower has 296 or 294 steps; the seventh floor has two fewer steps on the north-facing staircase. Prior to restoration work performed between 1990 and 2001, the tower leaned at an angle of 5.5 degrees,[1][2][3] but the tower now leans at about 3.99 degrees.[4] This means that the top of the tower is 3.9 metres (12 ft 10 in) from where it would stand if the tower were perfectly vertical
This structure was built in 1872 on the Pocahontas town square. It was replaced as the county's capitol in 1940, when the county's current courthouse was constructed to its southwest. It has since housed city offices, the local public library, and other offices.
The two-story Italianate Victorian brick structure features brick quoined corners, a low hipped roof with small central gables on each elevation, and a square cupola with a flared roof. It was placed on the National Register of Historic Places in 1973.
At 1:06PM on April 16, 2023 the Los Angeles City Fire Department responded to the 20100 block of W Gilmore St for a reported structure fire.
Firefighters arrived to find heavy fire showing from an attached carport which extended into the back of a single family dwelling.
44 firefighters extinguished the fire in 28 minutes and defended to two adjacent residences from damage.
© Photo by Greg Doyle
LAFD Incident 041623-0833
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Launch of the European Open Science Cloud (EOSC) Governance Structure on 23 November 2018. Copyright BMBWF/Joseph Krpelan
Built in 1870, this Richardsonian Romanesque-style former psychiatric hospital was designed by Henry Hobson Richardson to serve the population of the rapidly growing urban areas in Western New York with more advanced mental health treatment. Sitting among a large park-like campus designed by Frederick Law Olmsted and Calvert Vaux, the rusticated Medina red sandstone and brick structures of the hospital are laid out primarily according to the Kirkbride plan. The the largest commission by footprint and square footage designed by Richardson during his storied and significant career, being one of the earliest examples of his signature Richardsonian Romanesque style, which mixes rusticated stone with Romanesque architecture to create romantic picturesque compositions reminiscent of Medieval castles and churches in Europe.
The campus was expanded over time with the construction of additional wings in red brick on either side of the original Medina sandstone buildings, which consists of the central five wings, the three brick wings at the eastern end of the complex having been removed in the 1970s to make way for a modern psychiatric facility, despite the complex’s historic and architectural significance having been recognized during the 1960s. Additional buildings not in the kirkbride formation were scattered around the grounds, including a greenhouse behind the main building, several smaller service and utility buildings, and buildings that were constructed to provide additional wards to house patients during the early 20th Century, as well as buildings meant to house staff.
When the hospital was in operation, patients were segregated by sex, with male patients being housed in the eastern pavilions, and female patients being housed in the western pavilions. The building was utilized as a psychiatric hospital known as the Buffalo State Asylum until the 1970s, when changing methods of treating psychiatric illness were developed, leading to the building becoming obsolete and newer facilities being built on the grounds. The central wing of the complex, however, remained in use as administrative offices for the still-operating psychiatric treatment facilities on the property until 1994.
The building went through a period of significant and prolonged deterioration and uncertainty between the 1970s and 2008, with the unsecured facility becoming vandalized, decayed, and unsafe. However, in 2008, in the wake of a successful lawsuit filed by the Preservation Coalition of Erie County, the State of New York was forced to commit $100 million in order to rehabilitate the structure. Between the spring of 2008 and the fall of 2012, the complex was stabilized, and in 2013, the South Lawn was converted from parking lots back into the original, verdant green space it was meant to be. In 2017, the first phase of the building's adaptive reuse and rehabilitation was completed, which transformed the central three pavilions into the Hotel Henry and Conference Center, with the Buffalo Architecture Center also opening in the renovated structure. The plans for the complex were to convert the remaining intact but vacant pavilions into additional space for the Hotel Henry Urban Resort Conference Center, which would have been spectacular once it transformed and revitalized the amazing historic structure. However, due to restrictions and economic effects relating to the recent pandemic, Hotel Henry became insolvent and closed in 2021.
The complex consisted of a central wing with two tall towers that housed administrative facilities, flanked by five pavilions on each side, which progressively stair-step north from the central pavilion, a key feature of the Kirkbride plan, with a total of 11 structures in the complex, with three brick pavilions having been removed from the east side of the complex. The central wing features two towers with steeply-pitched copper-clad roofs, turrets at the corners, shed dormers, and corbeling, hipped dormers of varying sizes, with recessed panels and windows of varying sizes helping tie it back to its medieval aesthetic inspiration. The wing also features wall dormers, windows with arched transoms and stone trim, gabled roofs, and two-story arced connecting corridors that link it to the pavilions next to it on either side, features that are shared with the other medina sandstone buildings in the Richardson-designed portion of the complex. The front of the central wing features a porch with arched openings supported by columns with ornate capitals, tile mosaics on the faces of the vaults and blind arches on the porch, and a central doorway with an arched transom. The rear facade has been slightly modified with the installation of a curtain wall where an addition had been connected to the building in the mid-20th Century, which was added to serve as a primary and fully accessible entrance to the hotel that formerly operated in the building, with a large metal canopy having been added to this side of the building in 2021-22. To either side of the main wing are a total of four medina sandstone wings that formerly housed patient wards, which are largely identical and feature hipped and gabled roofs, wall dormers, windows with stone trim and arched transoms, arced two-story connecting corridor structures, and chain link-enclosed steel and concrete porches on the unrestored outer wings, which were once present on all of the wards, but were removed on the wards that were restored.
To the north and west of the sandstone structure are a series of red brick wings and buildings in various states of deterioration, with the two western wings being similar in appearance to the medina sandstone wings, but one floor shorter, blocky four-story red brick wings with low-slope roofs to the rear of the outermost sandstone wings, and two one-story service buildings behind the middle wings that flank the central wing, which feature hipped roofs, and differ a lot in materiality and details. At the very end of the western wings is a wing that is turned 90 degrees from the wing it is attached to and is roughly H-shaped, being only one story in height, featuring a gabled roof, a wooden porch with doric columns at the northwest corner, and a one-story bay window in the middle of the north facade. These wings are in much worse condition than the sandstone portions of the complex.
The complex was listed on the National Register of Historic Places in 1973, and was named a National Historic Landmark in 1986. The complex’s future is presently uncertain, with a large section of copper missing from the north side of the roof of the east tower on the central wing, many of the wings still languishing in abandonment and severe disrepair, and no longer having an anchoring business to preserve and reuse the buildings.
Photographed during Cyce Tour in Austrian Alps, Summer 1986.
Contax 139 Quartz and Carl Zeiss Planar 1,7/50 T*.
The 35mm negative was scanned with a Fujifilm X-T4 and Laowa 65mm f/2.8 macro lens, converted to positive using FilmLab software and edited in Lightroom 9.
Dancing Rabbit is located in a county that has no building codes, which gives members a great deal of leeway in deciding what to build. They do have an environmental covenant that disallows lumber, except for reclaimed lumber and locally harvested wood. Many structures utilize clay taken right out of the ground, often combined with hay bale construction.
In this particular photo, there's a converted bus dwelling in the foreground (to the left), a single family home in the middle, and a 6 bedroom hay bale building in the background.
At 9:20PM, on July 4, 2020, the Los Angeles City Fire Department responded to a reported structure fire in the 8600 block of N Wilbur Ave in Northridge. Firefighters arrived to find a two-story apartment building with heavy fire showing on the 2nd floor.
Crews immediately initiated simultaneous evacuation and fire attack operations with four different critical actions needed; evacuate the structure, knock down the tree fire to stop the spread of dangerous embers, extinguish the structure fire and defend the second half of the complex from the encroaching flames.
The burning palm trees, known fire hazards due to the dead fronds which stay attached to the tree, released embers which carried onto the second building and started a fire on the roof. Firefighters were vigilant and quickly doused it with water to prevent the fire from taking root.
81 firefighters, under the command of Assistant Chief John Drake, battled for 43 minutes before declaring a knockdown. The two building complex suffered extensive damage in one building (8 units) while the dedicated efforts of all those involved defended the second building (8 units) from damage.
Firefighter/paramedics evaluated five patients and transported three for smoke related respiratory difficulties. Approximately 50 residents were displaced and Red Cross Los Angeles responded to provide them immediate assistance as needed.
LAFD Arson and Counter-Terrorism Section conducted an investigation and determined the cause of the fire was due to the use of illegal fireworks igniting the tree fire which extended into the structure.
Photo Use Permitted via Creative Commons - Credit: LAFD Photo | Cody Weireter
LAFD Incident: 070420-1678
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An old cotton warehouse, waiting to be rebuild. How to maintain a modern city: modern functions in old structures = no waste of space hand volumes wit respect for the past!
struts were made by wrapping newspaper around dowels. for some struts, the dowel was left inside the rolled up newspaper.
First conceptional approach with the topic structure close-ups.
Shot with Nikon D5100.
ISO 1000
105 mm
f/5.6
1/320 sec
Editing in PS Lightroom 5.
This amazing glass couture piece Structures of Self was recently modeled by one of the collaborating artists during the new Beakerhead festival of science, art and engineering. The idea to collaborate on an a photoshoot that paired the alien/bug like garment with the 40 foot RayGun Gothic Rocketship during the setting sun, made for some pretty creative images
Structures of Self:
lead artist: Farlee Mowat
artist: Lana Collier
Raygun Gothic Rocketship:
Sean Orlando
Nathaniel Taylor
David Shulman
Dancing Rabbit is located in a county that has no building codes, which gives members a great deal of leeway in deciding what to build. They do have an environmental covenant that disallows lumber, except for reclaimed lumber and locally harvested wood. Many structures utilize clay taken right out of the ground, often combined with hay bale construction.
This picture shows an individual's "summer cottage" made of reclaimed lumber.