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Col. Donald L. Walker, deputy commander for the U.S. Army Corps of Engineers South Atlantic Division (SAD), meets with officials from the U.S. Fish and Wildlife Service at the Savannah National Wildlife Refuge to discuss the operation of the freshwater control structures built by the Corps in 2011. Photo by George Jumara.
Title: Dumbarton Oaks Gardens: Orangery
Other title: Dumbarton Oaks Gardens (Washington, D.C.)
Creator: Farrand, Beatrix, 1872-1959
Creator role: Landscape Architect
Date: 1805 (constructed)
Current location: Washington, District of Columbia, United States
Description of work: The Dumbarton Oaks Gardens were designed by the noted landscape gardener Beatrix Farrand, in cooperation with her clients Mr. and Mrs. Robert Woods Bliss, who purchased the property in 1920. The formal gardens occupy 10 acres. The major work was completed between 1921 and 1941, although changes, notably the addition of the Pebble Garden and redesign of the Ellipse, continued to be made by Mrs. Bliss, working with Ruth Havey. Endowments were established expressly for the purpose of maintaining the gardens and for supporting a program of research in landscape architecture.
Description of view: Looking through the open french doors out towards the garden. Intricate patterning of the orangery floor in foreground.
Work type: Architecture and Landscape
Culture: American
Materials/Techniques: Glass
Source: DeTuerk, James (copyright James DeTuerk)
Resource type: Image
File format: JPEG, TIFF archived offline
Image size: 2159H X 1392W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2007-0253 Dumbarton.jpg
Record ID: WB2007-0253
Sub collection: garden structures
gardens
Copyight holder: Copyright James DeTuerk
Once in position it wasn’t long before the windows, lower panels and doors were removed, revealing parts of the basic structure.
In contrast to the clean strong lines of the roofline of the Opera House, the interior supports for the broad window area looking out on the Harbor are bare, industrial metal criss-crossed with bars.
Initially, this structure was one of Raton's Safeway Stores. The east side serves the municipal offices. The southwest part serves the Police Department and the Municipal Court.
What does the Instant structures Mod (ISM) by MaggiCraft?
official website: instant-structures-mod.com/
With the Instant Structures Mod (short: ISM) you can choose one of 365+ structures and place them with just a few click in your Minecraft world. The structures sizes range between a few 100 blocks and 3,000,000 blocks. Placing larger structures accordingly takes longer. Structures are divided in themes and are easily accessible through a wiki. The structures of the Instant Structures Mod (ISM) are quite detailed, published structures are listed in the sub-side Structures.
Furthermore you can scan (save) your own structures and place them as many times as you like. You can share your saved structures with your friends or even with the entire Minecraft community ISM is available for Minecraft Versions 1.7.10 and 1.8. To install ISM you need Minecraft Forge.
official website: instant-structures-mod.com/
Another Structure Synth creation based on this very short script - there are different wing tip extensions included:
// Write EisenScript code here...
set background #111
{ color white b 0.7} ship
rule ship{
6 * {rz 60 } 10 * { s 0.9 1.1 1.09}a2half // body 1
6 * {rz 60 } 10 * { s 0.9 1.1 1.09}a3half // body 2
2 * {rz 180 } 10 * { s 0.8 1.4 1.04 }a2half // long straight wing
2 * {rz 180 } 10 * { s 0.8 1.4 1.04}a3half // long straigt wing 2
// 2 extra bubbles
1 * { rz 0 y 4 } 10 * { s 0.8 1.1 1.04 }a2half // right
1 * {rz 180 y -4 } 10 * { s 0.8 1.1 1.04}a3half // right
1 * {rz 180 y 4 } 10 * { s 0.8 1.1 1.04}a3half
1 * { rz 0 y -4 } 10 * { s 0.8 1.1 1.04 }a2half
// wing extensions 1
//2 * {rz 180} 1 * {y 12 z 2 rz 40 } 10 * { s 0.8 0.9 1.05 }a2half
//2 * {rz 180} 1 * {y 12 z 2 rz -40 } 10 * { s 0.8 0.9 1.05 }a3half
// wing extensions 2
//1 * {y 25 z 2 rz 40 } 10 * { s 0.8 0.9 1.08 }a2half
//1 * {y 25 z 2 rz 220 } 10 * { s 0.8 0.9 1.08 }a3half
//1 * {y -25 z 2 rz -40 } 10 * { s 0.8 0.9 1.08 }a2half
//1 * {y -25 z 2 rz -220 } 10 * { s 0.8 0.9 1.08 }a3half
// wing extensions 3
1 * {y 25 z 2 rz 0 } 10 * { s 0.8 1.1 1.06 }a2half
1 * {y 25 z 2 rz 180 } 10 * { s 0.8 1.1 1.06 }a3half
1 * {y -25 z 2 rz 0 } 10 * { s 0.8 1.1 1.06 }a2half
1 * {y -25 z 2 rz -180 } 10 * { s 0.8 1.1 1.06 }a3half
}
rule Part{
{ s 1.75 0.1 2 y 4 }box
}
rule a2half md 16 {
{ ry -5.5 rx -20 s 1.15 1.1 1.1}Part
{ ry -11.25 x 1.7 } a2half
}
rule a3half md 16 {
{ ry 5.5 rx -20 s 1.15 1.1 1.1}Part
{ ry 11.25 x -1.7 } a3half
}
Let me know if you are interested in other scripts - I can post some more.
Rendered directly in Structure Synth.
9-23-2016
Structure Fire
SouthMeade Dr
Thanksgiving FD, Archer Lodge FD, Wilson's Mills FD, JCEMS, Fire Marshal
9-23-2016
Structure Fire
SouthMeade Dr
Thanksgiving FD, Archer Lodge FD, Wilson's Mills FD, JCEMS, Fire Marshal
Due to the lack of supporting partition walls, the carriage roof has sagged in the middle over the years. To remove this distortion the structure is carefully being encouraged back into position using a series of clamps and braces. These can be seen fixed horizontally and diagonally inside the carriage.
Palladium coting
8x10 contact printing on platinotyp 100% cotton paper
contrast was controled by using firric oxalate oxadizer.
under uv light. time exposure 2 hours. developed in potasium oxalate heated at 110 F.
August 27-November 7, 2010
Knoxville Museum of Art
"Shifting Structures" is a site-specific project conceived by Brooklyn-based artist Jane South, who has become known internationally for her elaborate sculptural drawings. Using little more than a scalpel and colored inks, she transforms fragile folded paper into structures that appear industrially reinforced.
The exhibition consists of a single, monumental work made up of hundreds of individual drawing components that are re-configured according to the specifics of the KMA’s gallery. South is interested in responding to the unique architectural features of the space as a challenge to construct the work in unexpected ways. In two previous locations, the work assumed a shadowy, solid form, and in another location it appeared bright and open, and even allowed viewers to wander inside. Each is made up of a complex network of sculptural drawings resembling cages, boxed grids, latticed arches, and horizontal ladders—some suspended from tiny paper hooks. All her surfaces are defined in some way with colored marks, outlines and crosshatchings. During the latter stages of the installation, museum audiences will be able to watch South assemble her monumental drawing in the gallery.