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Neanche a me le amicizie della signora Cancellieri piacciono. Così come non mi piacciono quelle di chi riceve troppi sostegni dall'establishment. Ma ciò che sopratutto mi allarma è quest’aria mefitica (esalazione nociva per tutti) piena di veleni, dove si intravedono strani spionaggi e macchine del fango. Si aggiunga che quasi tutto il sistema informativo è nelle mani di pochi miliardari che non nascondono i loro disegni politici. Dove si vuole arrivare? Si intravvede il ritorno del più vecchio e usurato modo di fare politica.
Neither do I. friendships Lady Chancellors like. Just as I do not like those who receive too much support by the establishment. But above all, what alarms me is this air pestilential (noxious exhalation for all) full of poisons, where one can see strange espionage and machines of the mud. He added that most of the information system is in the hands of a few billionaires who do not hide their political designs. Where we want to go? We can see the return of the older and worn way of doing politics.
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Cimitero del Verano - Roma -> cimitero comunale monumentale Campo Verano
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Nostra Signora, located just outside the village of Tergu, is (together with this gate, where i´m standing) the last remaining building of a former monastery. The monastery is gone - and now this is the parish church of Tergu.
The construction of Nostra Signora is attributed to Marianus I, who was the "Giudice" (judge/king) of Torres from 1065 to 1082. Workers from Pisa and the Lombardy built it. The church was consecrated in 1117 and in 1122 it dependent on the famous abbey of Montecassino, founded by Saint Benedict.
The façade´s upper part crumbled down during the centuries, so in the 12 century this church was even more impressing.
Nostra Signora del Golpe liberaci dal male
Quanti peccati abbiamo da farci perdonare
Io che non credo a niente io che non so pregare
Ti prego di non farci più aspettare
Più aspettare
Nostra Signora del Golpe liberaci il cammino
Da queste anime nere uomini del destino
E quando i commedianti saranno andati a casa
Candele accese e fiori alla tua chiesa
Che festa di bandiere
E di parole nuove
Che festa di bandiere sotto il sole
Cantare e camminare
Nell’aria che si muove
Cantare e camminare sotto il sole
Sotto il sole
Nostra Signora del Golpe noi siamo ancora vivi
Abbiamo una bandiera con i buoni ed i cattivi
Non siamo più cileni asiatici africani
Noi siamo solamente esseri umani
Che festa di bandiere
E di canzoni nuove
Che festa di bandiere sotto il sole
Cantare e camminare
Nell’ aria che si muove
Cantare e camminare sotto il sole
Sotto il sole
Vento di tramontana quando ritornerai
Ancora la campana suonerai
E tutti i miei fratelli ritorneranno miei
Anche se non ritorneranno mai
Nostra Signora del Golpe liberaci dal male
Quanti peccati abbiamo da farci perdonare
Io che non credo a niente io che non so pregare
Ti prego di non farci più aspettare
Che festa di bandiere
E di canzoni nuove
Che festa di bandiere sotto il sole
Cantare e camminare
Nell’ aria che si muove
Cantare e camminare sotto il sole…sotto il sole
Soundtrack, Edoardo De Angelis, “Nostra Signora del Golpe"
(further information and pictures you can see by clicking on the link at the end of page!)
Schottenstift
Schottenstift Exterior - © Schottenstift
In the heart of Vienna lies the abbey of Our Lady to the Scots, the habitat of Benedictine monks who know themselves addressed by this sentence from the book of Psalms in person.
By the aim of the search for God and by the concrete form of life the monks are associated with the many Benedictine monks and Benedictine nuns all over the world. In addition, they know themselves in solidarity with all people of good will, like them, seeking true life.
Schottenstift - © Schottenstift
Following the Benedictine rules, the monastery but provides also very specific services. In the spirit of Benedictine hospitality the Schottenstift offers »monastery for a limited time", in the as a bed and breakfast run Benediktushaus guests from all over the world are welcome. The pastoral and spiritual care are just as much part of everyday life of the members of the Convention as the teaching in the traditional Scots high school and youth work in the basement. In the spirited Scots parish a lively cultural activity can unfold.
History of the Schottenstift
Duke Henry II Jasomirgott made Vienna the residence of Babenbergerreiches (Kingdom of the Babenberg). To emphasize the importance of the new capital, he convened in 1155 iroschottische (Irish-Scottish) monks from the St. Jakob monastery in Regensburg to Vienna. The new foundation in the first place should be a place of prayer, but then also a place where pilgrims and guests could find admission, a refuge for asylum seekers (the name "Freyung" still today reminds of that) and a center of cultural life.
Scots Church - © S. Gaube, Citype Scots Church - © S. Gaube, Citype
In the years from 1160 to 1200 outside the former city limits arose a mighty Romanesque church, which was a lot bigger than today's church, and the eastern part of the Roman church reached about 25 meters beyond the east wall of the present house of worship. In 1200, the church and convent were consecrated by the Bishop of Passau Wolfger von Ellenbrechtskirchen. Already in 1276 much of this troublesome erected complex fell victim to a fire. Earthquakes in the years 1348 and 1443 again left traces of destruction. In the mid-15th Century thus arose a new monastery.
Scots Church - © S. Gaube, Citype
In 1418 the era of Irish-Scottish monks ended, since in the course of the Melker Reform they were encouraged also to integrate locals into their ranks because junior staff more and more became sparse. The Iroschotten but prefered to return to their mother abbey in Regensburg. The name "Scots" but remained to this day.
Schottenstift Deed - © Schottenstift
Deed of Foundation
The fundamental redesign of Scots Abbey falls in the 17th and 18th Century. 1648, the present church was completed, in the following decades the monastery complex was changed from its very foundations.
Decisive role in these buildings had Abbot Carl Fetzer (1705-1750). Today's "Schottenhof (Court)" under abbot Andreas Wenzel (1807-1831) by the architect Josef Kornhäusel was classicist redesigned. The intensive study of science and close ties to the in 1365 founded University of Vienna resulted yet in the times of irish-scottish monks in the emergence of a first library. Although from those roots today almost nothing remains, the number of medieval manuscripts and incunabula in the following centuries grew. In this regard, wrote Albert P. Huebl (1867-1931) all currently valid printed catalogs. During the reorganization of the monastery, a new library hall was built under Abbot Andreas Wenzel for printed books, whose current division Vincent P. Knauer (1828-1894) had created. Under his leadership, a handwritten nominal catalog of books was created in 1883.
In 1807 on the request of the emperor it came to the foundation of the "Schottengymnasium" which took up the old school tradition of the house on the Freyung and should it continue. The prestigious school has become a main area of work of the monks. Concerning the building structure, the two world wars the Schottenstift on the whole has survived intact, for the Convention itself they entailed great damage, be it the economic troubles after the first world war or the great human bloodletting in the years 1939 to 1945. Numerous brothers fell in the war or did not return, the gates of the school remained closed from 1938 to 1945. The Second Vatican Council for the Scots Abbey, too, entailed the profound reflection upon the peculiarities of the monastic life and the tasks, which a Benedictine community in the world of today should and can shoulder.
The museum in Schottenstift
Schottenstift - © Schottenstift
Important art dating back several centuries
The Vienna Schottenstift on Freyung is among the most important Benedictine monasteries in Austria. Yet in the 15th Century, the Abbey of the Scots developed into a center of the Vienna spiritual and city life. Not coincidentally shows the Scots masters altar the first topographically correct view of the city of Vienna. The reign of Barockabtes (Baroque abbot) Carl Fetzer (1705-1750) was an economic and cultural heyday. The 1826-1832 by Josef Kornhäusel designed Prelature now houses the "Museum in the Abbey of the Scots". In addition to an extensive collection of paintings, furniture, tapestries, vestments and liturgical utensils and vestments, it shows an impressive documentation of the monastery history.
Schottenstift - © Schottenstift
Scots Champion - © Schottenstift Scots Masters - © Schottenstift
The high altar of the original Gothic collegiate church was removed about 1640. Today, the altar of the "Wiener Scots Master (Schottenmeister)", originating from 1469 to 1480, is a masterpiece of late Gothic painting in Austria and the center of the museum in Schottenstift. History, development process, workshop operations, among others, illustrates an informative documentary, which complement the successor works to Flemish painting of the 17th Century by Josse de Momper the Younger and David Vinckboons.
In Schottenstift the Interested visitor finds in addition to major religious paintings (among others by Peter Paul Rubens, Jan Cossiers and Giovanni Battista Pittoni), portrait and landscape painting of the 17th and 18th Century (eg by Johann Christian Brand, Christian Seybold, Christoph Paudiss and Simon de Vos) and Vienna Biedermeier painting by Johann Baptist Drechsler, Johann Knapp, Thomas Ender and Johann Peter Krafft. Works of the Dutch and Austrian still life painting of the 17th and 18th Century complement the valuable private collection. The large-sized former Baroque high altar painting by Joachim von Sandrart »The heavenly glory" (1671) in Prälatensaal is, like the lecture hall with works of Austrian baroque painters, as Peter Paul Strudel and Tobias Pock, integrated into the museum complex.
Model~ Rissa Friller
Hyper Culture Blacklace Collection ~ Signora
Photographer~ LovelyMiwako7399 Menna
Italian postcard. Novella Film. Rizzoli 1934 - XXII, Milano. Enrico Benfer and isa Miranda in La signora di tutti (Max Ophüls, 1934).
Handsome Italian-German actor Enrico Benfer (1905–1996) a.k.a. Federico or Friedrich Benfer worked in Germany and as well as in Italy and other European countries. He often co-starred with his later wife, Jenny Jugo.
Isa Miranda (1905–1982) was the only international film star produced by the Italian fascist cinema. In Hollywood she was billed as the ‘Italian Marlene Dietrich’, and played femme fatale roles. Later she became one of the most significant European film actresses during the 1940s and early 1950s.
For more postcards, a bio and clips check out our blog European Film Star Postcards Already over 3 million views! Or follow us at Tumblr or Pinterest.
Nostra Signora di Cabu Abbas is a single nave Romanesque church, about 500m west of the Nuraghe Santu Antine (seen in the backdrop left to the wall of the sacristy). Erected within the 12th/13th century the church was once in the center of a village, that meanwhile completely vanished.
Il reverendo Wiley mi sconsigliò di divorziare
per il bene dei figli,
e il giudice Somers fece lo stesso con lui.
Tirammo avanti fino alla fine del sentiero.
Ma due figli davano ragione a lui,
e due davano ragione a me.
E i due che tenevano per lui accusavano me,
e i due che tenevano per me accusavano lui,
e in ogni caso soffrivano.
E tutti erano tormentati dalla colpa d'aver giudicato,
e con l'animo angosciato perché non potevano ammirare
ugualmente lui e me.
Un giardiniere sa che le piante cresciute in cantina
o sotto una pietra sono contorte e gialle e stentate.
E nessuna madre farebbe succhiare al suo bimbo
latte malato dal seno.
Ma giudici e predicatori consigliano di allevare le anime
dove non c'è sole, ma soltanto penombra,
non calore, ma solo umido e freddo -
giudici e predicatori!
(Edgar Lee Masters, "Antologia di Spoon River" , "La signora Bliss)
----------------------------
Reverend Wiley advised me not to divorce him
For the sake of the children,
And Judge Somers advised him the same.
So we stuck to the end of the path.
But two of the children thought he was right,
And two of the children thought I was right.
And the two who sided with him blamed me,
And the two who sided with me blamed him,
And they grieved for the one they sided with.
And all were torn with the guilt of judging,
And tortured in soul because they could not admire
Equally him and me.
Now every gardener knows that plants grown in cellars
Or under stones are twisted and yellow and weak.
And no mother would let her baby suck
Diseased milk from her breast.
Yet preachers and judges advise the raising of souls
Where there is no sunlight, but only twilight,
No warmth, but only dampness and cold--
Preachers and judges!
MAKER: MEAZZA E MASCIADRI
MODEL: LA SIGNORA CAFFETTIERA
SIZE: APX 10.75 INCHES TALL
CONDITION: O.K. CONDITION SCRUFFY AND OXIDIZED ON THE INSIDE. ALL PARTS INCLUDED BUT NOT TESTED.
MADE BETWEEN THE 1950'S AND THE 1960'S THIS IS A CLASSIC VINTAGE ITALIAN ESPRESSO MAKER IN A LARGER STOVE TOP SIZE. I'VE DECIDED TO SELL THIS ENTIRE COLLECTION. FOR THE COLLECTOR, A COFFEE SHOP, RESTAURANT, ETC. THIS WOULD BE A STUNNING COLLECTION. THERE ARE APX 50 PIECES. IF YOUR INTERESTED, SEND ME AN E-MAIL, MAKE ME AN OFFER.
The crib of Sanctuary Nostra Signora del Monte (Our Lady of the Mountain) - Genoa, Italy.
This beautiful crib is composed of figures of the 18th -19th centuries. The statues are attributed to the Maragliano school.
The hills rising above Verona as the sun sets, with the Santuario nostra Signora di Lourdes atop the hill, as seen from the terrace of Castel San Pietro.
The Santuario nostra Signora di Lourdes (Santuario della Madonna di Lourdes) is a Christian shrine based in an old Austrian fort in the hills above Verona.
The shrine was originally in the centre of Verona, but was damaged during bombing in the Second World War and relocated to its present site – built in 1838.
During the Second World War, the fortress was used as a prison for Allied soldiers and the Jewish population of the area.
Italian postcard. by Rizzoli, Milano, 1934-XII. Photo: Novella-Film. Publicity still for La signora di tutti/Everybody's Woman (Max Ophüls, 1934) with Isa Miranda and Memo Benassi.
Isa Miranda (1905–1982) was the only international film star produced by the Italian fascist cinema. In Hollywood she was billed as the ‘Italian Marlene Dietrich’, and played femme fatale roles. Later she became one of the most significant European film actresses during the 1940s and early 1950s.
For more postcards, a bio and clips check out our blog European Film Star Postcards Already over 3 million views! Or follow us at Tumblr or Pinterest.
Mrs Lester was a neighbour in London, living alone with her memories but always cheerful and ready to tell me stories of her life. This portrait shows her in her sitting room.
The crib of Sanctuary Nostra Signora del Monte (Our Lady of the Mountain) - Genoa, Italy.
This beautiful crib is composed of figures of the 18th -19th centuries. The statues are attributed to the Maragliano school.
Copyright © 2007 Carlo Natale. All Rights Reserved
You can see my most interesting photo's on flickr here
Costruita tra il XII e il XIII secolo in stile romanico-pisano, con conci di calcare bianco all’esterno e trachite all’interno. La facciata presenta un semplice portale e un timpano, ornato da archetti trilobati con al centro una scultura antropomorfa, considerata una divinità precristiana.