View allAll Photos Tagged Script
Get it
www.myfonts.com/fonts/sudtipos/blog-script/
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Technology is making it so that we’re all connected without the need for the physical-presence kind of being connected. That is strange, fascinating, and has a certain magnetism that is very difficult to resist. What’s at stake is no less than the transformation of centuries of human behaviour, and that’s part of the fascination. But while our existence morphs and we rush headlong into our socially minimalist future, we use our present culture to helplessly signal our nostalgia about our past. We know what our future will be missing, and we’re already full of nostalgia about it, but we know that what little we can do about isn’t going to affect the outcome that much.
So, almost in full hindsight now, the DIY implosion of the past few years must have really been a reaction to our technological dis/connection. In typography, the minimalist future is already here, with something as austere as the sans serif having become the preferred expression of progress and fortune, both part of the connected isolation we are undergoing. But when physical interaction must take place, like coffee shops and gin joints, our organic alphabets ride high and mighty. That sense of human heritage — elegance and exuberance in our writing, the use of flaws to charmingly brand our own individualism — keeps turning up in all kinds of places, most unexpected of which is the digital world. The overall message seems to be that we’re still creative, imaginative, and unique. In the digital world, on blogs where we write about our puny music and fashion preferences, we’re just articulating this individualism of ours, this third domain of existence our future seems eager to dismiss.
These were the thoughts behind Blog Script, the second collaboration between Carolina Marando and Alejandro Paul, after their successful stint with the Distillery set of fonts. This typeface comes in two weights, alternates for most letters, and a strong aesthetic rooted in individuality and freedom of spirit. Use it to be alone together, to tell the world that we’re still human, for now.
Can you guess which letter inspired the form of these links?
I finally listed this one of a kind chain in my shop.
This frock was created using my Ballerinas on French Script.
www.spoonflower.com/designs/473106
Judy Ginns creates beautiful little girl creations in Queensland, Australia. This one was made with my fabric printed on Cotton Voile. The fabric that she used is my Little Ballerinas on French Script, on Spoonflower Fabrics.
Judy has just opened up her shop on etsy called ChasingMini
I had this one-page story to do and I usually draw a thumbnail and think just on the key sentences and dialogues. But I realized this one would have so much text that I needed the full text in order to see how much space I'd have left for the art.
So first I wrote all the text for the story. After that, I divided it in small blocks that would end up being the captions and balloons (that column on the left).
Then I started laying them down on the page. At first I wanted to do big panels, some "narrative panels" only with text (just like in Casanova), but I decided it would be best for the story if I did lots of small panels, even if a little art just to make it a real comicbook, you know?
I drew some panels there for guidance and now I'm gonna print this and draw on the remaining space.
I really don't do it like this very often, but sometimes you gotta go with what you get.
The Weinstein Co.'s "The Road” is a trip through time starring Viggo Mortensen, Kodi Smit-McPhee, Robert Duvall and Charlize Theron.
"The Road" Takes Fresh Approach to Post-Apocalyptic Genre: Ever since God flooded out the entire human race in the early pages of Genesis, literature has abounded with stories of the apocalypse. For generation after generation, from The Book of Revelations to The Stand, we have obsessed over the end of the world, how it will come to pass, and what, if anything, we can do to stop it. Now that humankind has reached a point where the End could conceivably happen in an afternoon, our glimpses into this theoretical future are all the more intriguing. And they've never been more important.
The Road, directed by John Hillcoat (The Proposition) and based on the novel by Cormac McCarthy (No Country For Old Men), is a dark, poignant story of a father and son journeying through a post-apocalyptic wasteland, withstanding harsh weather, malnutrition, and under the constant threat of marauders, thieves and cannibals. Their goal is simple: to carry on.
Those looking to sink their teeth into mindless disaster-porn (not that there's anything wrong with that) can get their fix elsewhere. The Road is a smaller, more penetrating film that draws strength from its intimacy and its ability to do so much with so little.
Viggo Mortensen gives an emotional tour de force as the embattled father; look for him on the red carpet come March. I thought Kodi Smit-McPhee was impressive and genuine as the son, and takes on the task of being in literally every scene with rare fearlessness. Charlize Theron, Robert Duvall and Guy Pearce give small but highly memorable performances, Duvall in particular, whose portrayal of a withered old man journeying all alone will haunt you.
I received draft versions of this script in order to work on an aspect of pre-production of the film for The Weinstein Company. My highlight marks are on it exactly as I made them at that time. I have correspondence between me and the director and numerous staff and film personnel to corroborate my fact-checking about the production, update their bios, etc. I was hired to provide a service to the film before there was any footage to be seen. They sent me copies of the Final Shooting script and these were used for me to make notations in order to interview the actors and the producers.
Copies of this script are for sale elsewhere on the web. If any of my Flickr buddies is interested in obtaining one of mine, please contact me: noemedia@pacbell.net
Stone tile drink coasters featuring vintage medical illustrations and antique handwritten script. The perfect gift for a medical professional or student! Please see my profile for my online shop address...
Get it
www.myfonts.com/fonts/sudtipos/merengue-script/
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Merengue Script is the second typeface designed by Panco, once again together with Ale Paul, who supervised the whole development. In this opportunity, the process of shape research and the systematization of signs led him to dive into new waters. The objective was to generate a system of signs in which the construction of such was not directly bound to traditional calligraphy, nor to texts typography. Instead, the point was to create signs inspired in “Brush pen” calligraphy but with their main features drawn or literally illustrated. The result was a font with personality, authenticity and uncommon formal aspects that make Merengue Script an interesting, highly attractive and rather unusual font.
From the very beginning, the search was based on creating a font with weight and good presence in big formats, but, at the same time, efficient for brief texts of small formats. The aim was to make it usable mainly in candy, sweets and chocolate packaging.
The predominance of round shapes, harmonious modulations and funny and friendly-looking visual rhythms spark a special effect in the usage of Merengue Script. Texts are enhanced with an interesting visual charm, capable of transforming a very simple text into a virtual illustration that semantically reinforces the messages in a simple way, without putting legibility at risk.
With a basic set of stylistic alternatives full of frills and flounces for initials, ornamental and final letters, plus a set of disconnected signs, Merengue Script offers a wide and versatile range of options for graphic designers in the process of packaging design.
James Danger Harvey, the skin gallery Tattoo, 5739 Auburn blvd Sacramento CA 95841, black and grey, tattoo, script, 916-247-3538, lettering, back piece, back tattoo, notorious
Do they still bind them in leather?
Change of Habit
Chautauque
Wild in the Country
Fun in Acapulco
It Happened at the Worlds Fair
Kissin' Cousins
Girl Happy
Roustabout
Today I began work on "Titanic the Movie the Play" with my partners in crime Greg and Dan. Nine hours plus of work and we have a storyboard, which is great. Show is in March at Bris Powerhouse. I used the app Enlight to try tilt shifting on the title.
Can you decipher this script?
The answers are hidden in the notes – but try first!
Kurrentschrift on the covers of the Värnimöki trilogy by Dietrich Kärrner (Nachbarschaftsverlag Artur Mahraun, Berlin 1938-9)
I haven’t read these pre-WWII science fiction novels, but what Franz Rottensteiner wrote about it doesn’t exactly spark my interest (beyond the cover design):
In this weird Nordic space opera trilogy, the mythic-nordic body of thought was in full and bizarre bloom.
James Danger Harvey, the skin gallery Tattoo, 5739 Auburn blvd Sacramento CA 95841, black and grey, tattoo, script, 916-247-3538, Reynolds
Taken during Saturday's Make-A-Strip panel with the Penny Arcade guys. Jerry (Tycho) opened it up with typing out the pre-written script on the projected screen of the laptop they were using. The rest of the panel comprised of Mike (Gabe) drawing the actual panels - with frequent comical interruptions, such as when he drew Gabe as a centaur or a Cthuhlu-like monster - and Jerry (and sometimes Mike) answering Q&A questions. Jerry sang, too!
Cortana is a scripting language to automate the Metasploit Framework.
Read more about Cortana: www.fastandeasyhacking.com/download/cortana/cortana_tutor...
Code used from Ryan Baxendale: github.com/rsmudge/cortana-scripts/blob/master/login_auto...
Are you interested in swapping emblems and scripts? Don`t hesitate to contact me from all around the world.
This is an illuminated and illustrated copy of Anvār-i Suhaylī (The lights of Canopus), dating to the thirteenth century AH / nineteenth CE. It is a Persian version of Kalīlah wa-Dimnah (The fables of Bīdpāy). It was completed on 26 Jumādá I 1264 AH / 1847 CE by Mīrzā Raḥīm. The text is written in nastaʿliq script in black and red ink, revealing the influence of shikastah script. There are 123 paintings illustrating the text. The Qajar binding is original to the manuscript.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
Burmese is written with burmese script, an alphasyllabary composed by rounded characters.
Le birman s'écrit à l'aide d'un script particulier, tout en rondeur et particulièrement élégant.
Il s'agit d'un alphasyllabaire. Les caractères romains sont aujourd'hui encore très peu présents en Birmanie.
Snapshot from the movie set of Creative Commons film project 'Autsch!'
Watch the movie: vimeo.com/leonardore/autsch
Official Website: das-tut-weh.net