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3rd ANNUAL OUTDOOR MOVIE NIGHT IN YALETOWN ON THE 40'x20' BIG SCREEN FEATURING BACK TO THE FUTURE!
Brought to you by the Yaletown Business Improvement Association & the
Roundhouse Community Centre in partnership with James Schouw & Associates & Earls Restaurants.
A special thank you to our community partner: Vancouver Park Board
Let’s raise money to fight cancer. All proceeds from Outdoor Movie
Night in Yaletown go to the Canadian Cancer Society.
photos by Ron Sombilon Gallery & PacBlue Printing
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SUDTIPOS NEWS
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We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
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As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Every script I get acquires the obligatory coffee stain at some point during the rehearsal process. It is inevitable. This script was taking a while though. I kept waiting...when is the coffee stain going to happen? Usually this stain is a circle or some kind of amorphous blob that I can outline and make a monster face out of or something. Waiting....waiting....waiting... No stain. I started thinking it was some kind of sign that the play was going to suck or something.
Then it happened. I accidentally spilled an ENTIRE CUP OF COFFEE all over my script. He hee. I had to put it in the oven to dry it off.
There's something really beautiful about a well worn script. Doesn't it look like I just pumped every ounce of life I could possibly get out of it? It just looks spent. Gracious, I love that.
new script font called Herchey. High quality script font with swashes inspired by modern vintage design and baseball logo. Plus OpenType features with Stylistic Alternates, Swashes, Ligatures, Stylistic set, Terminal Form and Ornament that allows you to mix and match pairs of letters to fit your design. This font good for vintage design, t-shirt, logo, labels,badges, posters and etc.
download : crmrkt.com/8NO5k
Available at Myfonts
Bordonaro Spur
www.myfonts.com/fonts/calderon-estudio-type-foundry/bordo...
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Bordonaro Script
www.myfonts.com/fonts/calderon-estudio-type-foundry/bordo...
SUDTIPOS NEWS
--------------------------------------------
We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Yellow Bellied Slider (Trachemys scripta script), 2/3/2023, The Landings brackish lagoon # 15, Skidaway Island, Savannah, Ga
LEGAL DISCLAIMER: I Do Not Condone Any Acts Of Vandalism Nor Do I Participate In Such Criminal Activity. I Am Simply An Observant and Take Photos Of This Graffiti You Have Come Across. ALSO I Will Not Condone Any Usage Of My Photos To Support Any Legal Matter Involving These Acts Of Vandalism Therefore YOU ARE NOT WELCOME TO VIEW OR TAKE THIS MATERIAL For ANY Purpose...
SUDTIPOS NEWS
--------------------------------------------
We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Get it
www.myfonts.com/fonts/sudtipos/blog-script/
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Technology is making it so that we’re all connected without the need for the physical-presence kind of being connected. That is strange, fascinating, and has a certain magnetism that is very difficult to resist. What’s at stake is no less than the transformation of centuries of human behaviour, and that’s part of the fascination. But while our existence morphs and we rush headlong into our socially minimalist future, we use our present culture to helplessly signal our nostalgia about our past. We know what our future will be missing, and we’re already full of nostalgia about it, but we know that what little we can do about isn’t going to affect the outcome that much.
So, almost in full hindsight now, the DIY implosion of the past few years must have really been a reaction to our technological dis/connection. In typography, the minimalist future is already here, with something as austere as the sans serif having become the preferred expression of progress and fortune, both part of the connected isolation we are undergoing. But when physical interaction must take place, like coffee shops and gin joints, our organic alphabets ride high and mighty. That sense of human heritage — elegance and exuberance in our writing, the use of flaws to charmingly brand our own individualism — keeps turning up in all kinds of places, most unexpected of which is the digital world. The overall message seems to be that we’re still creative, imaginative, and unique. In the digital world, on blogs where we write about our puny music and fashion preferences, we’re just articulating this individualism of ours, this third domain of existence our future seems eager to dismiss.
These were the thoughts behind Blog Script, the second collaboration between Carolina Marando and Alejandro Paul, after their successful stint with the Distillery set of fonts. This typeface comes in two weights, alternates for most letters, and a strong aesthetic rooted in individuality and freedom of spirit. Use it to be alone together, to tell the world that we’re still human, for now.
O-H .... I-O!
The Ohio State University marching band spells out "Ohio" during a halftime performance.
Can you decipher this script?
The answers are hidden in the notes – but try first!
Kurrentschrift on the covers of the Värnimöki trilogy by Dietrich Kärrner (Nachbarschaftsverlag Artur Mahraun, Berlin 1938-9)
I haven’t read these pre-WWII science fiction novels, but what Franz Rottensteiner wrote about it doesn’t exactly spark my interest (beyond the cover design):
In this weird Nordic space opera trilogy, the mythic-nordic body of thought was in full and bizarre bloom.
Mural in a viaduct under the B_Line embankment along Hubbard Street in Chicago, Illinois. I'm not a fan of "Street Script" but I do like the El Train motif in the background. Mural by Will Greve aka @KnowTrespassing.
I had this one-page story to do and I usually draw a thumbnail and think just on the key sentences and dialogues. But I realized this one would have so much text that I needed the full text in order to see how much space I'd have left for the art.
So first I wrote all the text for the story. After that, I divided it in small blocks that would end up being the captions and balloons (that column on the left).
Then I started laying them down on the page. At first I wanted to do big panels, some "narrative panels" only with text (just like in Casanova), but I decided it would be best for the story if I did lots of small panels, even if a little art just to make it a real comicbook, you know?
I drew some panels there for guidance and now I'm gonna print this and draw on the remaining space.
I really don't do it like this very often, but sometimes you gotta go with what you get.
I got a letter from 12 year calligraphy phenom Janie Lin. The envelope was done in Spencerian script, and the enclosed letter in perfect cursive. What does not quite come across in this photo is the shiny silver ink she used here!
This frock was created using my Ballerinas on French Script.
www.spoonflower.com/designs/473106
Judy Ginns creates beautiful little girl creations in Queensland, Australia. This one was made with my fabric printed on Cotton Voile. The fabric that she used is my Little Ballerinas on French Script, on Spoonflower Fabrics.
Judy has just opened up her shop on etsy called ChasingMini