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“I think we need to redefine failure. If we can flip the script and see these first efforts not as failure, nor as needing anything that looks like success, then we stop giving our brains the chance to confirm our bias that says we can’t do this and to reinforce the voices that say we can. We give ourselves small wins.”
~Ch. 10, The Problem With Muses; Notes on Everyday Creativity
David duChemin, 2020
Still blooming, even in today's rain and lack of sunlight. (But we do need the rain.)
Approximately 1.5 inches across/ 3.81 cm across
Fascinating range of peaks as seen in the morning from Ghamsali on trek to Amritganga valley in Garhwal Himalayas, India
日差しはとっくに夏のそれで
太陽を追いかける向日葵の視線の先を見上げる。
日焼け止めクリームよりわたしはアイスクリーム。
photo taken at the d-lab
地上のどこかのがけっぷちに小さな向日葵畑をつくったんだよ(*˘︶˘*).｡.:*♡ そこに たまさんとこの美しい建物を
そうそう
今d-labの地上を太宰さんと土木工事やら庭づくり
--ANHELO-T02OD-176GA :: tres en dehors (Olivedrab)fatpack
-NEW
tomoto, sleeveless haoriF 2017S 04-NEW
tomoto, yukata2016 tsukinohana white
LB_ Sunflowers{Rounded-Field}
d-lab-Squirrel2 W (with Animation script)
HPMD* Bush-d (Garden Tree04/brown)
pose.andika/riso posepack
In 1990, Archaeological Survey of India discovered a sunken apsidal stepped well along with few sculptures inside it. This stepped well is located immediately to the north of the Shore Temple, its south edge abutting the northern wall of the Shore Temple. On the extreme south of this newly discovered shrine is placed a monolith statue of Varaha (Boar)in its zoomorphic form. This image is carved in round from a single boulder. The statue was found severely damaged, however, with efforts from ASI restorers, we now see this image in its near original glory. The other element of this stepped well is a slender cylindrical shrine constructed partly in rock and partly in stone. Beyond this cylindrical shrine, further northward, is a circular cistern or mini-well. This is cut downwards with a circular rim-like stone placed at the ground level.
ASI report mentions that this well provides potable water though situated near the ocean. Though Rabe accepts these sockets for the capstones of a well, however, he suggests that these might be constructed to hold the ‘pillar of victory’ taken by Narasimhavarman I from Vatapi (Badami) which probably was installed here.
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>Rabe2 tries to explain political reason behind the systematic destruction of this Varaha image. Rabe suggests that this Varaha monolith was severely and systematically butchered when the Chalukya king Vikramaditya I invaded the Pallava kingdom. The rationale behind this destruction was the submissive and prostrated attitude of the Varaha (Boar) Varaha was the dynastic crest of the Chalukyas. This specific posture of Varaha might be taken as a reference to the subjugation of the Chalukyas by the Pallava king Narasimhavarman I. And to take revenge, the Chalukyan army destroyed this Varaha image while marching forward into the Pallava kingdom.
Inscriptions On the Varaha (boar) monolith –
The Varaha sculpture is carved out of the mother rock like the three other animal sculptures in the Five Rathas nearby. It has four birudas (titles) of Rajasimha Pallava, some of his favorites, inscribed upon the base, in Sanskrit in the Pallava Grantha script. The birudas on the side are “Sri RajasimhaH” “Sri RanajayaH” and “Sri BharaH”. The biruda on the rear, under the varaha’s tail, is “Sri Citra KaarmukaH”. Between the legs of the boar on both the and under its tail, leaves of acquatic plants are sculpted. These are similar to those at the base of the Varaha and Gajalakshmi panels in the Varaha Mandapam. These indicate that the boar which represents Vishnu, is diving under water, not merely digging.
However, how to explain the engraved titles of Rajasimha, as the Chalukyan attacked the Pallava kingdom before the reign of Rajasimha. To explain it, Rabe tells that it was most possible that like other monoliths, this Varaha was also executed during the period of Narasimhavarman I(630–668 AD). Therefore, when the Chalukyas attacked the Pallavas, during the reign of Narasimhavarman I and Parameshvaravarman I, this monolith was present in the temple complex. As the Varaha was destroyed before the reign of Rajasimha (695 to 722 AD), it was Rajasimha who restored it and that’s how we find his titles engraved on it. (Above description source Internet). Location - Mada Koil St, Mahabalipuram, Tamil Nadu 603104, India
Little muscari in a pot on my window and snow on my deck
lovely script texture by ellenvd www.flickr.com/photos/41904174@N06/5987509655/
BeSpoke Deep Sea Siren Head (incl. skin applier, head, teeth, ears, eyes, & crown, animations, static poses - 2 colors) now @ The Fantasy Faire 2024 @ Thunnus Bay @ maps.secondlife.com/secondlife/Thunnus%20Bay/215/91/10
Riptide Mermaid Tail (for Ebody Reborn) by {Aii & Ego) w/ scripts
Webbed Hands: {Aii & Ego}
Riptide Applier HUD + Glimmer: ((Krature)) now @ The Fantasy Faire 2024 @ Plankbarrow Harbor @ maps.secondlife.com/.../Plankbarrow.../46/104/62
ANTAYA Scale Bra
Insectum Underwings: -FAS-
Deco Face (gold): Nefekalum
Dynasty Duat Nose Ring: Fallen Gods
Eden Necklace: RealEvil
Otter Adult Animesh (Companion): [Rezz Room]
POSE: MER-3 by Lush Poses
SIM: Lost Unicorn @ maps.secondlife.com/secondlife/Lost%20Unicorn/74/226/22
100% Original Mesh
4 metal options
Color change HUD
Resizable script
TP: maps.secondlife.com/secondlife/The%20Fantasy%20Collective...
Exclusive at eBENTO June Round
Original Mesh 100%
Script is runinng The Peanut No.9 Collar Version
Copy/Modify/No Trans
This week's theme for Mosaic Montage Monday was Script. I was looking for something that said Merry Christmas, but all I got was MC Courtyard! Script is getting harder to find these days. HMMM!
WEARING
[BONDI] IBIZA GLASSES
Frame Specular Materials On/Off
Unrigged With Resize Script
Lens Opacity Control
Parts Available, Frame, Metal & Lens
Can be purchased at [THE WAREHOUSE] EVENT
FEATURING
[UNIQUE POSES] CASUAL DAYS POSE SET
▼ Strike A Pose with our NEW release for the PG Section
◦ Casual Days ◦
The set includes 6 Bento poses for men + 1 Exclusive and Props: Sunglasses (FATPACK ONLY)
✔ Copy
✔ Modify
✖ Transfer
EXCLUSIVE NEW Release for the ZOCO Weekend Sale in the mainstore!
Can be purchased at [UNIQUE POSES] NEW MAINSTORE
Unrigged Mesh (need to adjust a bit to fit your body if needed)
3 Rares/9 Commons
no modify/nocopy/transfer
resizer script
69/play
in moments when i think there's a right way or a wrong way, i try to pause. i try to step back, breathe, and open my heart and mind. because there are many beautiful ways to see the world. and sometimes i need to flip the script.
ps: what i love about a puddle flip are the bits of blur that occur within the scene--just like life.
[2:52, flip the script]
CP 246's power is giving all it has as they struggle to keep their 12,000 ton train rolling... kudos to CP for these sharp looking locomotives..
The Euclid Crown comes in two versions, one is with legacy materials that comes with a HUD, other one is PBR. The PBR version's base materials are uploaded in white, so you can tint the whole thing to your hearts desire.
I modeled the crown based on the shape of the Lelutka heads, so most likely it will fit your head, if not, click on the thing cause it has a resize script inside.
Available at a reduced price for this week's 99L Sale!
Find them here:
I`m really happy to be in the Cosmopolitan 9th Anniversary round.
Are you ready for a funny drive?
Here you have a nice collection of covered 4x4 cars with 2 rares and 6 commons.
You can drive and travel with 1 passenger in these cars that also can be resizable by script.
Opening May 3
I loved the way the treasured the old typewriter machine.....
Taken inside a Cologne restaurant in Germany
I zoomed in to capture this dune ridge where light and shadow meet in a series of repeating marks that feel less like erosion and more like handwriting. The scalloped shadows falling along the edge of the ridge read as strokes that seem gestural, rhythmic, and deliberate. The contrasting planes of bright sand and deep shade form the page on which they are written. I was drawn to this moment because the desert seemed to be inscribing itself, creating a silent script shaped by wind, gravity, and time instead of by ink and intention. I prefer expressing dunes not as landscapes or grand vistas but as intimate abstractions, inviting slower looking and attention to the subtle language of light.