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Script-Writing Cleric Paid Tribute at Glendora Dinner
Los Angeles Times
GLENDORA, Oct. 25. — Mayor Earl Comstock tonight paid tribute to Rev. Henry Scott Rubel as community leaders and parish members gathered at a testimonial supper program to celebrate the fifth anniversary of he script-writing cleric's pastorship at Glendora's now famous Grace Church.
When Mr. and Mrs. Rubel came to this town in 1935 this church had been for several months without a minister. The congregation totaled 11 the first two services and there were but four children in the Sunday school class.
Today the parish numbers 189 families and the Sunday-school attracts 95 children. In his spare time during the last five years Mr. Rubel has built up a national reputation as a comic radio writer and composer.
Article from ?
GRACE EPISCOPAL CHURCH
129 North Vista Bonita
Rev. Henry Scott Rubel, Rector
R.H. Benson, Lay Reader
Sermon Subject: “The letter killeth, but the Spirit giveth Life." Today with the threat of war the disaster ministers are warping the literal interpretation of the Bible to act as a prophesy of our times. this has been done during every world crisis. The Bible is misused to prove that God will destroy mankind. God does not destroy—He creates. God builds and man destroys. If anything is willfully destroyed upon this earth you will find that the ignorance, carelessness or malice of mankind is to blame for that destruction. God does not send us to any hell, God tries to save us and we destroy. God tries to help us and we hinder one another. It is only when man becomes God-controlled that he creates, builds, saves, helps and lives. The literal interpretation of the Bible kills—it kills unity among Christians, it kills tolerance and understanding among congregations and nations, but the Spirit of Love, Faith, Hope, Grace, Charity, Wisdom and Temperance—the Spirit of God in this world—gives Life—"and life more abunantly."
Article from ?
Church Vestry to Honor Rev. Rubel Honoring Rev. Henry Scott Rubel on the fifth anniversary of his acceptance of the local pastorate. members of the Vestry of Grace Church will meet tonight at the Parish Hall for a 6:00 o'clock turkey dinner.
A surprise program, in charge of Albert Bernhardt, church choir director, has been arranged. Reservations for the dinner may be made through Stanley McCasulin.
Article from ?
Crowds Praise Comedy Artists
Life in the citrus-growing community of Glendora returned to normal this week after a brief flurry last Thursday and Friday when "Ferdinand Zinz" and his "California Consolidated Mutual Independent Sunshine Cull Corporation" threatened to turn the entire citrus industry upside down.
The near-catastrophe occurred in the presentation of the hilarious musical comedy, "See What I Mean?" which played to capacity audiences in the Glendora Theatre last Thursday afternoon and Thursday and Friday nights.
Albert Bernhardt; as Ferdinand Zinz, brought a host of new ideas regarding citrus culture to Glendora while portraying the featured role in the story written by Henry Scott Rubel and Jean Peyton but reason finally prevailed and it was agreed that the citrus industry was progressing steadily and would survive without the aid of the Zinz Ideas.
Scores of prominent Southland personalities in the stage, screen and radio world turned out for the Performances and enjoyed the story and music which was written by Rev. Rubel, known to the musical world as Hal Raynor.
Specialty numbers. including vocal selections and dancing chorus cts. won recognition for general excellence and the entire cast was lauded for accurate portrayals of difficult roles.
Members of the orchestra which accompanied the cast included Lois Nordblom, Joanne Crew, Carl Nordblom, Paul Brecht, Willard Pierce, Jack Musser and Hal Raynor.
Appearing in the cast were Robert Broadwell, H.C. Warren, Kelly Gamble, Howard Bridegroom, Maryedith Durrell, Rachel Graves Smith, Albert Bernhardt, Jacqueline Scholler, Slauson Vosburg, Lora Spaulding, Hal Raynor, Dorothy Deuel Rubel, George Spelvin and the chorus of Molly Torrey, Billie June Naylor, Barbara McMillan, Angie Lou Blackwell, Jacqueline Scholler, and Phyllis Coe.
The musical comedy was directed by Mrs. Rachel Graves Smith with Henry Scott Rubel as supervising director. The Grace Episcopal, Methodist and Christian Churches shared proceeds from the benefit event.
Zeligz Cryptocurrency Exchange Script comes with our advanced white label system having a state-of-the-art platform customized to suit your requirements. That's not all, our cutting-edge digital asset exchange software coupled with top-of-the-line security features offer stellar performance for worry-free transactions. Our white label exchange solutions are designed to help you save on crucial time and unforeseen costs.
new script font called Herchey. High quality script font with swashes inspired by modern vintage design and baseball logo. Plus OpenType features with Stylistic Alternates, Swashes, Ligatures, Stylistic set, Terminal Form and Ornament that allows you to mix and match pairs of letters to fit your design. This font good for vintage design, t-shirt, logo, labels,badges, posters and etc.
download : crmrkt.com/8NO5k
New font by Ale Paul for www.sudtipos.com
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Get the font MyFonts with a 35% introductory price > www.myfonts.com/fonts/sudtipos/auberge-script/
ABOUT AUBERGE SCRIPT
It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there.
Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds.
Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff.
Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well.
This is one quill script that no large bird had to die for.
A few technical notes
The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on.
Awards
During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.
Take a look of the complet project at on.be.net/15Yq5XY
SUDTIPOS NEWS
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We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
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As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
A pioneer Movie script from years of research/study/work and something ..strange [ some..signs..] ABOUT a boy who fight the British Empire of 56 in Cyprus with..Roses..- == WANTED support/partners to find the right produce/tv channel = LIKE/share/participate = www.facebook.com/dimitrisTheMovie/ = PUSH the shop Now TO support = OR go NOW = i ll give BIG gifts [ seats for the BIGGEST concert, SEATS for the.PREMIERE days..OR...play IN the Movie [ background actor in a BIG historical fight scene ] = LIKE /SHARE/PARTICIPATE = GO to = www.magikdo.info/advertising----support- == AFTER your LIKE in the f page ASK for the FULL presentation Page in the website .
Modern Love
Breaking from our catalog of typefaces to create a new handwritten font family, Modern Love was born out of our desire to see what would happen if we took a step back from the norm. We weren’t looking for the perfection of the many calligraphy techniques, but more of a natural way of writing with the same tools. Our escapist experiment into casual lettering culminated into 4 fonts: Modern Love Regular, Grunge, Rough and Caps.
Modern Love Regular is a hand-painted script, each glyph individually designed with a pointed brush and walnut ink. The aim was to create an effortless hand-drawn feel while keeping the contrast high density.
Playful, yet polished, this font works very well when accentuated with the family’s two distinctive styles: Modern Love Grunge, simulating a washed-out effect, perfect to add a vintage look to your projects; and Modern Love Rough, with its crunchy borders, makes letters visibly rough-around-the edges and gives large letters an unmistakeable pop. All three fonts include a hand-painted set of ornaments, swashes and alternates to limitlessly customize and decorate your texts, accessible through Opentype features.
Modern Love Caps is the fourth font, a handwritten Sans Serif that ties the family together with its simplicity and readability. Designed with a pointed nib and Indian ink, this font boasts a different style that perfectly complements Modern Love Regular, Grunge and Rough.
The result is a fresh font family perfect to create headlines, posters, DIY hand-lettered artwork, books, holiday cards, wrapping paper, invitations, T-shirts, labels, packaging for cosmetics, fashion supplies, food products, artisanal goods, and an endless array of options for your projects. Modern Love…when brush meets passion.
Modern Love Regular, Grunge and Rough contain 800 glyphs
Modern Love Caps contains 309 glyphs
This font is available at Myfonts bit.ly/1NnpXDc
Available at Myfonts
Bordonaro Spur
www.myfonts.com/fonts/calderon-estudio-type-foundry/bordo...
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Bordonaro Script
www.myfonts.com/fonts/calderon-estudio-type-foundry/bordo...
Download these 12 Superb Script & Calligraphy Fonts For Graphic Artists 2017 for your design projects. These fonts ad beauty in your designs and make more professional.
Click here to download
graphicgoogle.com/12-superb-script-calligraphy-fonts-for-...
SUDTIPOS NEWS
--------------------------------------------
We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Three newish scripts for flickr and firefox 6.0.2 All are from Userscripts .org.
I'll add the URL's to each down the bottom if your interested in adding them to your firefox browser.
Photo view count on Flickr Photostream. Circled in Yellow above, it puts all your View Stats on your main page.
New Flickr Discuss Post Notification Up in the top right again circled in Yellow is a nice extension that uses color coded mail icons for the Groups I administer or follow. If any new activity is added to a group it pops out and tells me what group and how many new notifications have been added since you last checked them out. A hover over tells you what group it is if you forget the color, click on one and you go directly to the groups discussion area. The normal flickr mail icon is just below these.
Widescreen, really not displayed here but it utilizes all the space a widescreen monitor has to offer.
Photo View count userscripts.org/scripts/show/79829
New Flickr Discuss Post Notification userscripts.org/scripts/show/76587
Widescreen userscripts.org/scripts/show/73305
O-H .... I-O!
The Ohio State University marching band spells out "Ohio" during a halftime performance.
Get it
www.myfonts.com/fonts/sudtipos/blog-script/
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Technology is making it so that we’re all connected without the need for the physical-presence kind of being connected. That is strange, fascinating, and has a certain magnetism that is very difficult to resist. What’s at stake is no less than the transformation of centuries of human behaviour, and that’s part of the fascination. But while our existence morphs and we rush headlong into our socially minimalist future, we use our present culture to helplessly signal our nostalgia about our past. We know what our future will be missing, and we’re already full of nostalgia about it, but we know that what little we can do about isn’t going to affect the outcome that much.
So, almost in full hindsight now, the DIY implosion of the past few years must have really been a reaction to our technological dis/connection. In typography, the minimalist future is already here, with something as austere as the sans serif having become the preferred expression of progress and fortune, both part of the connected isolation we are undergoing. But when physical interaction must take place, like coffee shops and gin joints, our organic alphabets ride high and mighty. That sense of human heritage — elegance and exuberance in our writing, the use of flaws to charmingly brand our own individualism — keeps turning up in all kinds of places, most unexpected of which is the digital world. The overall message seems to be that we’re still creative, imaginative, and unique. In the digital world, on blogs where we write about our puny music and fashion preferences, we’re just articulating this individualism of ours, this third domain of existence our future seems eager to dismiss.
These were the thoughts behind Blog Script, the second collaboration between Carolina Marando and Alejandro Paul, after their successful stint with the Distillery set of fonts. This typeface comes in two weights, alternates for most letters, and a strong aesthetic rooted in individuality and freedom of spirit. Use it to be alone together, to tell the world that we’re still human, for now.
Can you guess which letter inspired the form of these links?
I finally listed this one of a kind chain in my shop.
I had this one-page story to do and I usually draw a thumbnail and think just on the key sentences and dialogues. But I realized this one would have so much text that I needed the full text in order to see how much space I'd have left for the art.
So first I wrote all the text for the story. After that, I divided it in small blocks that would end up being the captions and balloons (that column on the left).
Then I started laying them down on the page. At first I wanted to do big panels, some "narrative panels" only with text (just like in Casanova), but I decided it would be best for the story if I did lots of small panels, even if a little art just to make it a real comicbook, you know?
I drew some panels there for guidance and now I'm gonna print this and draw on the remaining space.
I really don't do it like this very often, but sometimes you gotta go with what you get.
Typeface created for the design*sponge alphabet contest.
This typeface is influenced by the oh-so-popular copperplate calligraphy, but in my own hand-drawn way.
Get the font with a 50% www.myfonts.com/fonts/calderon-estudio-type-foundry/holli...
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Type Trailer: www.facebook.com/video.php?v=779506662139435/
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Specimen: www.behance.net/Calderonstudio
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