Script photos on Flickr

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Scripting the dawn.... by Lopamudra Barman

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Fascinating range of peaks as seen in the morning from Ghamsali on trek to Amritganga valley in Garhwal Himalayas, India

The Passage by Gavin Huntsman

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Shot on location at This is Halloween.

"This is Halloween" boasts a family-friendly take on the holiday, with a small trick-or-treating village, a mini golf course, hay ride, 'spooky pirate story' boat ride, corn maze, and more. Perfect for those who aren't up for anything super scary but still want to experience some Halloween feels.

They encourage photography on-sim and rezzing is allowed for this purpose, though some areas have scripts turned off - this may limit your ability to pose yourself via HUDs and so on.

バスにのって by [andika] Linda_Littlebird

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一番ゆきたいところにバスにゆられて行くのもいいだろう。

一冊の本と歯ブラシとハーフカメラにリップ。鉛筆と紙。

３番のりばからのってなんとか営林署前で乗り換え。

一番ゆきたいところにバスにゆられて行くのもいいだろう。

＠FLF

--ANHELO-M40MX-177GA :: bus stop shelter (mix)-NEW

bus stop sign-NEW

D-LAB+LIZAIL-PIPPIP- BIRD 05

d-lab-Squirrel2 W (with Animation script)

pose/andika Bento [bulle de savon]past GG

@C88

Kalopsia - Hilly's Suitcases Chair=NEW

{vespertine} victorian birdcage / wine

Soy. Abandoned Memorys - Umbrellas

LB_ Sunflowers{Rounded-Field}

Enchanted Woods v2 - 3 (trees)

HPMD* Dirt Road - brown

[sYs] MATY dress (Maitreya body) - ocean

tram G0616 hair

Scripting the morning.... by Lopamudra Barman

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Sunrise over Nandadevi East as taken from Gannagar village on trek to Nandadevi East Basecamp in Kumaun Himalayas, India

Recent discovery at Mahabalipuram:- Miniature Shrine in Stepped well by Samjee Thomas Mathew

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In 1990, Archaeological Survey of India discovered a sunken apsidal stepped well along with few sculptures inside it. This stepped well is located immediately to the north of the Shore Temple, its south edge abutting the northern wall of the Shore Temple. On the extreme south of this newly discovered shrine is placed a monolith statue of Varaha (Boar)in its zoomorphic form. This image is carved in round from a single boulder. The statue was found severely damaged, however, with efforts from ASI restorers, we now see this image in its near original glory. The other element of this stepped well is a slender cylindrical shrine constructed partly in rock and partly in stone. Beyond this cylindrical shrine, further northward, is a circular cistern or mini-well. This is cut downwards with a circular rim-like stone placed at the ground level.

ASI report mentions that this well provides potable water though situated near the ocean. Though Rabe accepts these sockets for the capstones of a well, however, he suggests that these might be constructed to hold the ‘pillar of victory’ taken by Narasimhavarman I from Vatapi (Badami) which probably was installed here.

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>Rabe2 tries to explain political reason behind the systematic destruction of this Varaha image. Rabe suggests that this Varaha monolith was severely and systematically butchered when the Chalukya king Vikramaditya I invaded the Pallava kingdom. The rationale behind this destruction was the submissive and prostrated attitude of the Varaha (Boar) Varaha was the dynastic crest of the Chalukyas. This specific posture of Varaha might be taken as a reference to the subjugation of the Chalukyas by the Pallava king Narasimhavarman I. And to take revenge, the Chalukyan army destroyed this Varaha image while marching forward into the Pallava kingdom.

Inscriptions On the Varaha (boar) monolith –

The Varaha sculpture is carved out of the mother rock like the three other animal sculptures in the Five Rathas nearby. It has four birudas (titles) of Rajasimha Pallava, some of his favorites, inscribed upon the base, in Sanskrit in the Pallava Grantha script. The birudas on the side are “Sri RajasimhaH” “Sri RanajayaH” and “Sri BharaH”. The biruda on the rear, under the varaha’s tail, is “Sri Citra KaarmukaH”. Between the legs of the boar on both the and under its tail, leaves of acquatic plants are sculpted. These are similar to those at the base of the Varaha and Gajalakshmi panels in the Varaha Mandapam. These indicate that the boar which represents Vishnu, is diving under water, not merely digging.

However, how to explain the engraved titles of Rajasimha, as the Chalukyan attacked the Pallava kingdom before the reign of Rajasimha. To explain it, Rabe tells that it was most possible that like other monoliths, this Varaha was also executed during the period of Narasimhavarman I(630–668 AD). Therefore, when the Chalukyas attacked the Pallavas, during the reign of Narasimhavarman I and Parameshvaravarman I, this monolith was present in the temple complex. As the Varaha was destroyed before the reign of Rajasimha (695 to 722 AD), it was Rajasimha who restored it and that’s how we find his titles engraved on it. (Above description source Internet). Location - Mada Koil St, Mahabalipuram, Tamil Nadu 603104, India

The fenced path by B. COTTENCEAU

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Script Furie by somanywonders

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KI

Script by A. Yousuf Kurniawan

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Script KI by somanywonders

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BOOK

Longing for spring by Nancy Rose

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Little muscari in a pot on my window and snow on my deck

lovely script texture by ellenvd www.flickr.com/photos/41904174@N06/5987509655/

Script KIC by somanywonders

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(c)GRAFFHEAD

Petite échappée sur le Château by B. COTTENCEAU

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Reflected script by A. Yousuf Kurniawan

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Dortmund City Library

Script by somanywonders

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Kic upn

SCRIPT,KI,UPN by Worlds.. Next ..Legends

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you only live once

Valkyrie Headpiece for TFC by Mecca | Rebelle

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100% Original Mesh

4 metal options

Color change HUD

Resizable script

TP: maps.secondlife.com/secondlife/The%20Fantasy%20Collective...

Scripts 1 by Ashley Brown

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Script Unknown by Johntasaurus

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OLYMPUS DIGITAL CAMERA

strange script by Edinburgh Nette ...

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While I was walking along the coast near Edinburgh one day last month, I came upon a couple of the bays where there were masses of small boulders which had been churned up by the recent high tides, and dumped along the strand line. I guess the average size was about a foot wide by 8 or 9 inches in height and width, but there was a lot variation. There were all colours and shapes, but they seemed to be mainly sedimentary sandstones and mudstones and some conglomerates. Amongst them were many of these - red sandstone with quartz seams running through them. I don't know what was written on them, but they looked to be saying something, to someone, somewhere.

(A geologist contact tells me the 'hieroglyphs' are most probably calcite, not quartz. Thanks Dwight.)

Script Voila KI by somanywonders

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dont know how i got such a good picture

script ki upn by STOMPING IDIOTS TO HELL

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Let's go Shopping! by Judith

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Woman Image by DONT SELL MY ARTWORK AS IS from Pixabay

City, background elements by Julie Mead Designs

Textures by Photomorphis

047/365 Script by Helen Orozco

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Practising

Script KI by . .

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IG testofknowledge

Script Ki Upn by **H@PpY_D@Y$**

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Japanese Cherry Still Life Vintage Card by Irene Steeves

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Script: French Kiss/Savoir Faire Overlay/75% Screen

Textures used: French Kiss/Solstice Collection/Charisma

and Les Textures Collection # 3/Ode

French Kiss/Vintage Collection # 1 Vintage Frames # 02

Topaz Labs Line and Ink filter

Script at Siberia by Thomas Coulombe

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Idling the night away as the rear DPU for the mornings’s westbound 121, CP 7010 is seen resting at Siberia on Eastern Maine Railways mainline. Depending on train length, and if Irving will be running any trains in the morning before 121 departs, we will often shove our 121 across the bridge at Brownville Junction over to Siberia in order to facilitate an easy recrew, as well as not having to pull the train through the yard to depart.

Script Farming by Mike Molnar

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CP 230 leans through a curve approaching Lovekin Siding.

Train: CP 230 with CP 7012 (SD70ACu) and KCSM 4732 (ES44AC).

CP Belleville Subdivision

Newtonville, ON

Scripts 2 by Ashley Brown

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.life has no script. by D. G O A T

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CKEY Poses - Atticus series

m00d

Script by Angelo Gianelo

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File: 20250103_163349

script by somanywonders

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ki

Scripts 7 by Ashley Brown

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SCRIPT KIC UPN by somanywonders

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ART OF THE VOICELESS

Script of Silence by Michael James Gwaltney

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I zoomed in to capture this dune ridge where light and shadow meet in a series of repeating marks that feel less like erosion and more like handwriting. The scalloped shadows falling along the edge of the ridge read as strokes that seem gestural, rhythmic, and deliberate. The contrasting planes of bright sand and deep shade form the page on which they are written. I was drawn to this moment because the desert seemed to be inscribing itself, creating a silent script shaped by wind, gravity, and time instead of by ink and intention. I prefer expressing dunes not as landscapes or grand vistas but as intimate abstractions, inviting slower looking and attention to the subtle language of light.

Scripts 3 by Ashley Brown

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SCRIPT KIC by K a l o p s i a

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SCRIPT by SPEAR1X

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The heavens.

Script KI by somanywonders

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SCRIPT by SPEAR1X

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Scripts 8 by Ashley Brown