View allAll Photos Tagged Repousse
Visit www.ilmaestroacquafresca.com/ to learn more about taking a course in Chasing and Repousse, and to find dates for where around the world courses will be held.
JOAN BUSQUETS
JOSEP PEY (drawing of the angels and paintings on the organ shutters)
Oratory
1905
Walnut, marquetry using various types of wood, marble, stained glass, metal, repoussé iron and tempera decoration
405 x 469 x 311 cm
Museu Nacional d'Art de Catalunya ₪ Museo Nacional de Arte de Cataluña, Barcelona
P1140074
Visit www.ilmaestroacquafresca.com/ to learn more about taking a course in Chasing and Repousse, and to find dates for where around the world courses will be held.
Eastern repousse bound, one of a kind, long stitch book
Copper, hand lettered and mixed media over printed photo montages of original collages
5-3/8" long x 3-3/8" wide x 1-5/8" high
© 2011, V. Lansford $3800.
The text is William Butler Yeats' politically charged poem, The Second Coming. I used Photoshop to create a continuous digital montage of mixed media collages that I've created over the past 4 years and printed them on Arches watercolor paper. I used various paints and pastels to enhance the printed images and lettered the poem with Japanese text inks over the top. The calligraphic hand for much of the poem is Carolingian. The hand for both the Eastern repousse letters on the cover, as well as key words of the poem, is a cursive-like Carolinian variation designed by Reggie Ezell.
Lady of Life and Death brooch was inspired by my trip to Mexico and the devotion and amusement of Mexicans for the Virgin Mary of Guadalupe and La Catrina (a symbol of death during the celebration of Dia de los Muertos/Day of the Dead).
Chased and repoussed coppper, powder coated copper,
spray paint, plexiglass, hand drawing of Catrina.
Chasing and repousse tools
Visit www.ilmaestroacquafresca.com/ to learn more about taking a course in Chasing and Repousse, and to find dates for where around the world courses will be held.
Copper Bowl 1 & 2
Copper
4-3/4 x 4-3/4 x 3 inches & 4-1/2 x 4-1/2 x 3 inches
Instructor- Raising and Shaping Metal Vessels
Raised Copper Bowls with chasing and repousse
Visit www.ilmaestroacquafresca.com/ to learn more about taking a course in Chasing and Repousse, and to find dates for where around the world courses will be held.
200 à 300 manifestants se sont rassemblés devant le siège de Total à La Défense le 08/03/2010, alors que se tenait le Comité Central d'Entreprise qui doit décider du sort de la raffinerie des Flandres. La décision du groupe de fermer le site et d'y installer, en partenariat avec EDF, un terminal méthanier, ne satisfait absolument pas les salariés et syndicats, qui dénoncent une manoeuvre. Très en colère, plusieurs dizaines de manifestants ont réussi à entrer dans le bâtiment en brisant les vitres avant d'être repoussés par les forces de l'ordre à coups de matraque et de gaz lacrymogène.
200 to 300 demonstrators gathered in front of the headquarters of French company Total in La Défense on March 8, 2010, while a meeting was taking place to decide the future of the Flandres refining plant. The company's decision to close down the site and install, in partnership with EDF, a methane terminal, didn't satisfy the employees nor the unions, who discard the move. Very angry, some protestors managed to break inside the building, smashing the windows, before being pushed back by the riot police with tear gas and sticks.
Merci de lire les explications en début d'album et de parcourir les photos par ordre chronologique / Please read the explanation at the beginning of the set and view the pictures in chronological order.
Part of TOTAL: la colère des Flandres
Liberty Enlightening the World (French: La liberté éclairant le monde), known more commonly as the Statue of Liberty (Statue de la Liberté), was presented to the United States by the people of France in 1886. It stands at Liberty Island (part of New York but physically on the New Jersey side of the New York Harbor) as a welcome to all visitors, immigrants, and returning Americans. The copper patina-clad statue, dedicated on October 28, 1886, commemorates the centennial of the United States and is a gesture of friendship from France to the U.S. Frédéric Auguste Bartholdi sculpted the statue and obtained a U.S. patent useful for raising construction funds through the sale of miniatures. Alexandre Gustave Eiffel (designer of the Eiffel Tower) engineered the internal structure. Eugène Viollet-le-Duc was responsible for the choice of copper in the statue's construction and adoption of the repoussé technique.
The statue is of a robed woman holding a lit flame, and is made of a sheeting of pure copper, hung on a framework of steel (originally puddled iron) with the exception of the flame of the torch, which is coated in gold leaf (originally made of stained glass and lit from the inside.) It stands atop a rectangular stonework pedestal with a foundation in the shape of an irregular eleven-pointed star. The statue is 151 ft (46 m) tall, but with the pedestal and foundation, it is 305 ft (93 m) tall.
Worldwide, the Statue of Liberty is one of the most recognizable icons of the United States, and, more generally, represents liberty and escape from oppression. The Statue of Liberty was, from 1886 until the jet age, often one of the first glimpses of the United States for millions of immigrants after ocean voyages from Europe. Visually, the Statue of Liberty appears to draw inspiration from il Sancarlone or the Colossus of Rhodes.
The statue is a central part of Statue of Liberty National Monument, administered by the National Park Service.
Visit www.ilmaestroacquafresca.com/ to learn more about taking a course in Chasing and Repousse, and to find dates for where around the world courses will be held.
Take a ride alongside the 2016 Bartlett Cup sailing log canoe races that took place on Sunday, September 18, 2016.
The Edward L. Bartlett Cup, a silver repousse’ punch bowl, was originally presented to the commodore of the Baltimore Yacht Club in 1905. When donated to the Chesapeake Bay Maritime Museum, it was re-purposed as a perpetual trophy for a museum-sponsored log canoe race, typically the last race of the log canoe season on the Miles River.
CBMM has sponsored this race, which is supported on the river by the Miles River Yacht Club’s Sail Committee, since 1972.
See results of this year's race at www.regattanetwork.com/event/12026#_newsroom+results and learn more at www.cbmm.org
Object Name: Goa stone and container
Date: late 17th–early 18th century
Geography: India, Goa
Culture: Islamic
Medium: Container: gold; pierced, repoussé, with cast legs and finials Goa stone: compound of organic and inorganic materials
Goa stones, named for the place where they were manufactured by Jesuits in the late seventeenth century, were manmade versions of bezoars (gallstones from ruminants). Both types were used for their medicinal and talismanic powers. These treasured objects were encased in elaborate containers made of gold and silver and often exported to Europe. Surviving examples are recorded in European treasuries, including one made for the duke of Alba in the late sixteenth century (Kunsthistorisches Museum, Vienna). The stone was usually a compound of organic and inorganic materials, including bezoar, shell, amber, musk, resin, and crushed precious gems, which would be scraped and ingested with tea or water.
The egg-shaped gold container enclosing this stone consists of hemispherical halves, each covered with a layer of pierced, chased, and chiseled gold foliate openwork. An arabesque surface pattern is overlaid with an ogival trellis containing a variety of beasts, some highly Europeanized, including unicorns and griffins. The source of these images is likely to have come to Goa through the Portuguese and may also reflect a particular European patron. (This example was brought to England in the eighteenth century by a British officer in the East India Company.)
The Getty Villa - Los Angeles, CA
Top Left - Pomegranate vase
Circa 725-700 BC
Shaped like a pomegranate, this vessel has a spherical body decorated with horizontal bands of geometic patterns. A short stem with a flat top at one end is pierced horizontally for suspension. In Greek art, the pomegranate symbolized life and rebirth, and many similar vases have been found in graves.
The geometric patterns on this cup are characteristic of a new artistic style that emerged in Greece between 900 B.C. and 700 B.C., accordingly known as the Geometric period. Appearing first in Athens, this style quickly spread throughout the Greek world. Rows of meanders, chevrons, triangles, and checkerboard designs often covered the entire surface of decorated vases.
Middle Left - Late Geometric Cup
Circa 730 BC
The surface of this skyphos (a two-handled cup for drinking wine) is covered with geometric and linear designs. Panels filled with zigzags and hatched lines cover the entire exterior of the vessel. Around the interior, deer accompanied by birds graze against a background of similar patterns. The animals, painted in silhouette, are arranged in a single band circling the interior of the vessel.
While the geometric designs are typical of Greek vases in the Geometric period (about 900-700 B.C.), the interior figural decoration on this vessel foreshadows the flood of Near Eastern influence that would characterize Greek art in the 600s B.C. Both the animal motif and its application as a decorative band are rooted in the art of the eastern Mediterranean coast. The shallow profile of the cup and its interior animal frieze resemble Phoenician repoussé bronze bowls, which were being imported into Greece at this time. The specific motif of the grazing deer was also extremely popular in Levantine ivory sculpture in the 700s B.C.
Lower Left - Attic Geometric Trefoil Oinochoe
Circa 75-725 BC
Painted with rows of meanders, diamonds, ovals, and zigzags, this long-necked oinochoe (pitcher) has a trefoil (three-spouted) mouth, a feature that remained popular on Greek wine jugs for centuries. Raised decorative elements called mastoi (breasts) ornament the shoulders of the vase.
The geometric patterns on this vase are characteristic of a new artistic style that emerged in Greece between 900 B.C. and 700 B.C., accordingly known as the Geometric period. Appearing first in Athens, this style quickly spread throughout the Greek world. Rows of meanders, chevrons, triangles, and checkerboard designs often covered the entire surface of decorated vases. Elaborate vessels such as this one were typically placed in graves, perhaps after use at the funerary meal that was held before burial. It may have been used to pour wine for ceremonial offerings or dining.
Right -
This listing is for a beautiful French or British silver plate vase with high relief repousse design. The design features clusters of grapes, vines and leafs.
Quite stunning, would look really striking as a centerpiece during the holidays or at a wedding.
The vase is silver plate and has a bit of wear and some scratches. This vase has a good weight to it, not easily knocked over.
Measures: 13 ½” high by 5” across the top and 5” across the base
Visit our online store to purchase!
Visit www.ilmaestroacquafresca.com/ to learn more about taking a course in Chasing and Repousse, and to find dates for where around the world courses will be held.
Gold repousse pectoral with fanged feline head in sun burst and humanoid figures. Tolita-Tumaco, 600 BC - 400 AD, Ecuador, Esmeraldas Province, Isla de la Tola. From the University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia, Pennsylvania, USA.
Special Exhibit, Golden Kingdoms: Luxury and Legacy in the Ancient Americas. Metropolitan Museum of Art, New York, New York, USA. Copyright 2018, James A. Ferguson.
Ancient Art Week! aseantoo submitted to medievalpoc: Unknown Greek or Middle Eastern smiths Cauldron fittings in the shapes of griffins and sirens Greece (c. 700 BCE) Delphi Archaeological Museum Regardless of how xenophobic Greek politicians may be, their museums seem pretty willing to acknowledge their cultural debt to other civilisations. In this case, the museum label says: Relations with the East In the late 8th century BC, together with offerings from all over Greece, the first imports from the East began arriving at Delphi, brought by Greek seafarers from the Asian hinterland via Greek trading posts and settlements in northern Syria (Al Mina, Tyre) and the intermediate islands of Crete, Cyprus and Rhodes. In the following century, the Sanctuary of Apollo was inundated with magnificent items of metalwork, featuring new techniques and strange decorative motifs, which came either from the countries of the Near East – as represented by the ancient cultures of the Assyrians, Hittites and Uratians (Armenia) – or were imitations of eastern prototypes. Foremost among the eastern offerings was the new type of cauldron, which was set on a separate tripod stand of cast rods, its rim decorated with bull-heads or protomes of mythical creatures, griffins and sirens (so named because of their likeness to the winged figures described in the adventures of Odysseus). A number of finds – including shields with repoussé decoration and square stands of vessels with figures in openwork, similar to artefacts found in Crete and Cyprus, or the lion’s paw with Cypriot inscription – reveal the relations with the two islands, crossroads of Greek and Eastern cultures… Other finds from Phrygia, as well as areas into which the Phoenicians had expanded, complete the picture of the relations existing between Delphi and the Eastern World, as reflected by the inscriptions and literary testimonies referring to the fabulous gifts and honours bestowed on the Sanctuary of Apollo by eastern potentates such as Egyptian pharaoh Ahmose II (Amasis), King Midas of Phrygia and King Gyges of Lydia.
Repousse gilded silver rhyton with horned griffin. Persian, 4th Century BC. Special Exhibit on Animal Shaped Vessels from the Ancient World, Feasting with Gods, Heroes and Kings. Harvard Art Museum. Cambridge, Massachusetts, USA. Copyright 2018, James A. Glazier.
Visit www.ilmaestroacquafresca.com/ to learn more about taking a course in Chasing and Repousse, and to find dates for where around the world courses will be held.
Visit www.ilmaestroacquafresca.com/ to learn more about taking a course in Chasing and Repousse, and to find dates for where around the world courses will be held.
The butterfly is symbolic in cultures around the world. Universally it is the symbolic meaning of transformation and change. An Irish blessing about the butterfly
"May the wings of the butterfly kiss the sun
And find your shoulder to light on,
To bring you luck, happiness and riches
Today, tomorrow and beyond."
The gorgeous butterfly pendant has been repousse in an aged white finish. I have set it on a brass hand antiqued snake chain. A creamy glass pearl wrapped in a tuscany bead cap is set on the necklace by the clasp.
Necklace comes packaged in a silver tin, ready for gift giving.
Length: 19 inches
Butterfly: 35mm x 20mm
Clasp: Lobster Claw
Gold sheetwork repousse disk of warriors fighting. Maya, 800 AD - 1100 AD. Sacred Cenote, Chichen Itza, Yucatan, Mexico. From the Peabody Museum of Archaeology and Ethnology, Cambridge, Massachusetts, USA. Special Exhibit, Golden Kingdoms: Luxury and Legacy in the Ancient Americas. Metropolitan Museum of Art, New York, New York, USA. Copyright 2018, James A. Glazier.
A close-up portrait reveals a person with long, dark hair, smooth fair skin, and expressive eyes framed by defined lashes. They wear a black top and a delicate necklace adorned with sparkling stones. The composition is minimalistic, with a soft gradient background and a hint of metallic structure, enhancing the subject’s elegance. The image appears digitally refined, emphasizing symmetry and texture, evoking themes of modern beauty, digital identity, and quiet introspection.
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Owner:Phạm Nhật Minh
Contact email:phamnhatminh.anti-piracy@outlook.com
Address:67a Pho Duc Chinh Street, Truc Bach Ward, Ba Dinh District, Hanoi, Vietnam
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This image belongs exclusively to Phạm Nhật Minh and is safeguarded by international copyright law. Any unauthorized use—including copying, distribution, or modification—is strictly prohibited and will expose infringers to civil and criminal liability.
For licensing opportunities, permissions, or official correspondence, please contact: phamnhatminh.anti-piracy@outlook.com
Gold repousse arm band with low-relief double-headed crocodiles and birds. Cocle, 700 AD - 900 AD. Grave 5, Trench I, Sitio Conte, Panama. From the Peabody Museum of Archaeology and Ethnology, Cambridge, Massachusetts, USA. Special Exhibit, Golden Kingdoms: Luxury and Legacy in the Ancient Americas. Metropolitan Museum of Art, New York, New York, USA. Copyright 2018, James A. Glazier.
Visit www.ilmaestroacquafresca.com/ to learn more about taking a course in Chasing and Repousse, and to find dates for where around the world courses will be held.
Silver 'teacup" with repousse design of chariot race by winged Cupids and winged Nike in a circus with score-keeping device and panther monument turning marker. Roman silver tableware from Pompeii. Roman Imperial, 1st Century AD. Museo Archeologico Nazionale di Napoli. Napoli, Campania, Italy. Copyright 2016, James A. Glazier.
Chasing and repousse tools
Visit www.ilmaestroacquafresca.com/ to learn more about taking a course in Chasing and Repousse, and to find dates for where around the world courses will be held.
Chasing and repousse tools
Visit www.ilmaestroacquafresca.com/ to learn more about taking a course in Chasing and Repousse, and to find dates for where around the world courses will be held.
Amphora with horned lion chimera handles and repousse reliefs of lotus and palmettes. bull protome and repousse floral designs. Persian, Achaemenid, 480 BC, Gilded silver. Found in a woman's tomb at Kurakova Mogila, Duvanli, Bulgaria. From the National Archaeologucal Institute with Museum, Sofia, Bulgaria. Special Exhibit, Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes and Kings. Harvard Art Museum. Cambridge, Massachusetts, USA. Copyright 2018, James A. Glazier.
Take a ride alongside the 2016 Bartlett Cup sailing log canoe races that took place on Sunday, September 18, 2016.
The Edward L. Bartlett Cup, a silver repousse’ punch bowl, was originally presented to the commodore of the Baltimore Yacht Club in 1905. When donated to the Chesapeake Bay Maritime Museum, it was re-purposed as a perpetual trophy for a museum-sponsored log canoe race, typically the last race of the log canoe season on the Miles River.
CBMM has sponsored this race, which is supported on the river by the Miles River Yacht Club’s Sail Committee, since 1972.
See results of this year's race at www.regattanetwork.com/event/12026#_newsroom+results and learn more at www.cbmm.org
Our Lady of Guadalupe shrine made of copper. Repousse work enhanced with acid resist tarnish, etc. Dimensional shrine inset adds to the depth of this small piece. This was taught at a workshop(s) about 5 years ago. I'll post a larger picture when I find the original file.
Visit www.ilmaestroacquafresca.com/ to learn more about taking a course in Chasing and Repousse, and to find dates for where around the world courses will be held.
I teach art literacy at my son's school. One month of art lit each year is dedicated to creating a class auction project. I planned and executed the project. Each student made a tile, and every tile is a different plant of the northwest. This was a very time consuming project on my end, as I had to build the mirror from scratch, antique the tiles, attach them, and do the finish work. I estimate that I put in 60 hours of labor. 24 kids spent an hour making their tiles. The mirror contains approximately $100 worth in materials, and brought in $1100 at our school auction.
Visit www.ilmaestroacquafresca.com/ to learn more about taking a course in Chasing and Repousse, and to find dates for where around the world courses will be held.
Visit www.ilmaestroacquafresca.com/ to learn more about taking a course in Chasing and Repousse, and to find dates for where around the world courses will be held.
God the Father (between 1416 and 1425) by Beltramino de Zuttis da Rho, repoussé copper, gilded and silvered.
Donatello: Sculpting the Renaissance
Victoria and Albert Museum
330_P1020459E
I teach art literacy at my son's school. One month of art lit each year is dedicated to creating a class auction project. I planned and executed the project. Each student made a tile, and every tile is a different plant of the northwest. This was a very time consuming project on my end, as I had to build the mirror from scratch, antique the tiles, attach them, and do the finish work. I estimate that I put in 60 hours of labor. 24 kids spent an hour making their tiles. The mirror contains approximately $100 worth in materials, and brought in $1100 at our school auction.