View allAll Photos Tagged Repousse

At Artfest this year, Beckah Krahula taught basic to intermediate repousse to create milagros from pewter and tin foil. These milagros were then mounted on a small (4" x 4") box.

 

I was getting the hang of it pretty quickly, but clearly need more practice. I want to use these as embellishments for artist's books and such.

 

It was really good to see Beckah and John again.

The fetus is copper and was created using chasing and repousse techniques. It has a liver of sulfur patina. The detail of the fetus is best seen in the larger sizes. $349

King is Chains' brother. I see this as a big gold belt, over spotted fur. You know, like the king on a deck of cards?

Showing glass mounts and white metal plating (silver, with small amounts of copper and other metals), with raised (repousse) decoration.

 

Image source – East Riding of Yorkshire Council / Museum of London Archaeology

Find out more about East Riding Museum collections at –

www.eastriding.gov.uk/culture/museums/collections/main.php

Copyright ERYC / MOLA. We are happy for you to share this digital image within the spirit of Creative Commons with Attribution, Non commercial, Share Alike. Please cite ‘East Riding Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please contact us at museums.th@eastriding.gov.uk

 

POUR EN FINIR AVEC LA MONARCHIE SYLDAVE La mort de Muskar XII en a attristé plus d'un, mais certains commencent à être fatigués de n'entendre parler que de cela depuis quelque temps. On parle éternellement de la succession du roi Muskar, de toutes les théories concernant celui qui serait en droit d'hériter de la couronne, de tout ce qui entoure le testament, des avocats, des cérémonies à venir dont la date est sans cesse repoussée à cause d'édits des tribunaux et des objections juridiques de magistrats, de membres du gouvernement, des grands électeurs et de membres éloignés de la famille royale, sans compter l'ingérence de gouvernements étrangers, etc... Plus d'un souhaitent maintenant qu'on force quelqu'un à s'asseoir sur ''la foutue chaise'' (le trône), pour qu'on puisse passer à autre chose!

 

Visit www.ilmaestroacquafresca.com/ to learn more about taking a course in Chasing and Repousse, and to find dates for where around the world courses will be held.

Thanks Scott for sharing your cigarette case photo!!!

Huiles cuticules : Soin hydratant/apaisant pour cuticules.

 

Conseil: Appliquée en massage, l'huile réhydrate les cuticules et la peau asséchées par le Cleaner, et maltraitées durant le modelage.

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Cuticule émollient : Sert à ramollir les cuticules avant de les repousser avec un repousse cuticules (dossier "divers" de ce site) pour avoir une plus grande surface pour mettre votre gel. Il ne faut en effet, en aucun cas, mettre du gel sur des cuticules, sans quoi votre gel se décollera rapidement !!

 

Une bonne quantité du produit est appliquée sur chaque cuticule après une attente de quelques instants, les cuticules sont repoussées en douceur et les envies sont éliminées de la plaque ongulaire.

 

“O.B.R.” is a project showing three corset pieces, each of them being inspired by a different historical building such as the legendary Sagrada Familia, the outstanding Notre-Dame de Paris or the brilliant Zwinger palace in Dresden.

Many people could ask me why I did this project? What I was thinking while making the plans? Or What is the meaning behind it? Well… First of all, I did this project as a personal initiative and in order to remind the generations that are about to come about the beauty of some of the most important monuments. Why I want to do it is because these are not just plain old buildings that were built up for a certain use like residencies for the royal families or places of worship, they were works of art and are a proof of what a simple human being is capable of in its continuous race of pushing boundaries. This is what young and future generations should be taught about, and not just the people in the art field.

While I was making the plans for this particular project I was thinking about how can I mix jewellery design with fashion and architecture. Mixing the first two would be simple, both being related to one another, but the problem is how can I blend these two with something so stiff and precise like architecture? Well… the answer is quite simple, but the outcome is spectacular. First, I remembered about the Victorian era which was famous for the exaggerate etiquette rules and for the various type of corsets that women had to wear day by day. These undergarments were re-shaping the body in order to have a real thin silhouette and if we think this way, the architecture is based on a similar concept, because what buildings do?! They reshape the landscape, and this is what corsets were doing too, but in a more complex way. So I took the idea of re-shaping clothes and I chose a more rigid material (metal -what we have used to make jewelleries from since the very beginning), than I “re-shaped” the idea of traditional corsets transforming it into a piece of garment that looks more like a jewel and has the same accuracy as an architectural building.

This project purpose is to bring back some of the beautiful details from the past and combine them with the modern ideas of what art should look like or mean, using old and new techniques (plique-a-jour, lost wax technique, chasing and repousse, filigree, inlays and cameo carving, stone settings, porcelain techniques, 3-D printing and so on) in order to create an unique set of artworks and, in the same time, a legacy that the following generations can look up to and learn something from it.

 

Colombian Archaeology

Jewelry of Colombia

People of Colombia

Religion of Colombia

Museums of Colombia

Gold Repousse Deathmask of Human Face

Yotoco, Malagana

200BC-1300AD

Museo del Oro

Bogota

Cundanimarca

Colombia

en) Detail of carved, chiselled and nielloed silver cup, with the arms of the Zawisza family by Anonymous from Kapyl, 1709, Private collection of Maria Zawiszyna in Warsaw in 1856 (current whereabouts unknown).

 

fr) Détail de coupe en argent repoussé, ciselé et niellé, aux armes de la famille Zawisza par anonyme de Kapyl, 1709, collection privée de Maria Zawiszyna à Varsovie en 1856 (localisation actuelle inconnue).

 

pl) Fragment trybowanej, cyzelowanej i niellowanej srebrnej czarki, z herbami Zawiszów, warsztat w Kopylu, 1709, prywatna kolekcja Marii Zawiszyny w Warszawie w 1856 roku (obecne miejsce przechowywania nieznane).

 

See also: artinpoland.weebly.com

 

© ML, all rights reserved

Les plumes de vol de nos amis sont repoussées, ici le mâle

Stone, marble, brass and enamel monument to Joseph Peacocke, archbishop of Dublin and bishop of Glendalough and Kildare, who died in 1915. The monument was designed in 1919 by RC Orpen, who was the cathedral architect from 1910 to around 1937. The mitred crest within a seal at the top of the brass plaque is repoussé and champlevé enamel, and it was crafted by Oswald Reeves.

Next Tools to make a little pot belly for my bird on the copper sheet.

Chasing and Repousse Class at Tacoma Metal Arts taught by Sarah Gascoigne.

Gold repousse bracelet. Irish. Early 2nd Millenium BC. Bronze Age. National Museum. Dublin, Ireland. Copyright 2014, James A. Glazier.

en) Carved, chiselled and nielloed silver cup, with the arms of the Zawisza family by Anonymous from Kapyl, 1709, Private collection of Maria Zawiszyna in Warsaw in 1856 (current whereabouts unknown).

 

fr) Coupe en argent repoussé, ciselé et niellé, aux armes de la famille Zawisza par anonyme de Kapyl, 1709, collection privée de Maria Zawiszyna à Varsovie en 1856 (localisation actuelle inconnue).

 

pl) Trybowana, cyzelowana i niellowana srebrna czarka, z herbami Zawiszów, warsztat w Kopylu, 1709, prywatna kolekcja Marii Zawiszyny w Warszawie w 1856 roku (obecne miejsce przechowywania nieznane).

 

See also: artinpoland.weebly.com

 

© ML, all rights reserved

A 6 inch diameter sterling and copper angelfish. Hand chased, with galvanic etching and hand engraving.

Elle a lieu du 9 mai 1929 au 21 juin 1930 et est un des événements les plus importants du XXe siècle pour la ville de Séville. L'inauguration, prévue à l'origine pour le 1er avril 1911, est plusieurs fois repoussée pour des raisons politico-économiques, notamment à cause de la dictature de Miguel Primo de Rivera et de la Première Guerre mondiale.

 

Séville, en 1929, est un des deux sites de l'Exposition Générale d'Espagne de 1929. L'autre site est Barcelone, qui propose une exposition industrielle

 

Exposición Iberoamericana de Sevilla, inaugurada el 9 de mayo de 1929 y clausurada el 21 de junio de 1930, fue la primera Exposición Internacional para dar muestra del hermanamiento entre los dos países de la Península Ibérica con América; España e Hispanoamérica y Estados Unidos y Portugal con Brasil y Macao. El segundo evento de estas características fue la Exposición Universal de 1992, también celebrada en Sevilla, ciudad que tuvo el monopolio del comercio con América en el Siglo de Oro Español. La exposición coincidió en el tiempo con la Exposición Internacional de Barcelona de 1929.

The Statue of Liberty (officially named Liberty Enlightening the World and sometimes referred to as Lady Liberty) is a monument symbolizing the United States. The statue is placed on Liberty Island, near New York City Harbor. The statue commemorates the signing of the United States Declaration of Independence. It was given to the United States by the people of France in 1886, to represent the friendship between the two countries established during the American Revolution. It represents a woman wearing a stola, a crown and sandals, trampling a broken chain, and with a torch in her raised right hand and a tabula ansata, or tablet where the date of the Declaration of Independence JULY IV MDCCLXXVI (1776) is written, in her left hand. The statue is on Liberty Island in New York Harbor, and it welcomes visitors, immigrants, and returning Americans travelling by ship. The Statue of Liberty is based on the Greek god Libertas, also known as Eleuthera, the Goddess of Liberty, and was given a temple on the Aventine Hill in c. 238 BC. Frédéric Auguste Bartholdi sculpted the statue and he obtained a U.S. patent for the structure. Maurice Koechlin, who was chief engineer of Gustave Eiffel's engineering company and designer of the Eiffel Tower, designed the internal structure. The pedestal was designed by the architect Richard Morris Hunt. Eugène Viollet-le-Duc chose copper in the construction of the statue, and for the adoption of the repoussé construction technique, where a malleable metal is hammered on the reverse side. The statue is made of a covering of pure copper, left to weather to a natural blue green patina. It has a framework of steel (originally puddled iron). The exception is the flame of the torch, which is coated in gold leaf (originally made of copper and later altered to hold glass panes). It is on a rectangular stonework pedestal. The foundation is an old star fort in the shape of an irregular eleven-pointed star. The statue is 151 ft (46 m) tall, but with the pedestal and foundation, it is 305 ft (93 m) tall. The Statue of Liberty is one of the most recognizable symbols in the world. For many years it was one of the first glances of the United States for millions of immigrants and visitors after ocean voyages from around the world. The statue is the central part of the Statue of Liberty National Monument, administered by the National Park Service. The National Monument also includes Ellis Island. Frédéric Auguste Bartholdi died on October 4th, 1904. There are several metal plaques on or near the Statue of Liberty. A plaque on the copper just under the figure's feet declares that it is a colossal statue representing Liberty, designed by Bartholdi, and built by the Paris firm of Gaget, Gauthier et Cie (Cie is the French abbreviation analogous to Co.). Another plaque declares the statue to be a gift from the people of the Republic of France that honors "the Alliance of the two Nations in achieving the Independence of the United States of America and attests their abiding friendship." The New York committee made a plaque that commemorates the fundraising done to build the pedestal. The Freemasons put another plaque on the cornerstone. In 1903, a bronze tablet that bears the text of "The New Colossus" and commemorates Emma Lazarus was presented by friends of the poet. Until the 1986 renovation, it was mounted inside the pedestal; today it resides in the Statue of Liberty Museum in the base. It is accompanied by a tablet given by the Emma Lazarus Commemorative Committee in 1977, celebrating the poet's life. A group of five statues is at the western end of the island. They honor people involved in building the Statue of Liberty. The statues stand for two Americans—Pulitzer and Lazarus—and three Frenchmen—Bartholdi, Laboulaye, and Eiffel. The five statues were designed by Maryland sculptor Phillip Ratner. In 1984, the Statue of Liberty was designated a UNESCO World Heritage Site. The UNESCO "Statement of Significance" describes the statue as a "masterpiece of the human spirit" that "endures as a highly potent symbol—inspiring contemplation, debate and protest—of ideals such as liberty, peace, human rights, abolition of slavery, democracy and opportunity."

repousse copper disks and textured sterling post earrings. nice large disks ( 35mm) total earring length is 2"

Victorian Chunky Gold filled Chain Necklace - stamped patterns unusual rings, Circa 1900

Panel 3 portrays an entrepreneurial newsboy and two pioneering African-American businessmen: Richard H. Boyd, who founded the National Baptist Publishing Board in 1896, and James C. Napier, who started the One Cent Savings Bank in 1904.

"Brooch in the Form of a Six-Pointed Star" According to the Cleveland museum of art. this is a small 7.7 cm (3 1/16 in.) Gold with repoussé and filigree decoration; copper backplate. It is in a shape of a hexagram with an animal like figure engraved on the front. This piece is from the late 700s-early 800s Frankish, early Carolingian, late 8th century - early 9th century. It was Severance and Greta Millikin Purchase Fund 2009.344

. It is located at 106A Migration Period & Coptic at the Cleveland museum of art and it is in the public domain and can be found on the museums website.

 

www.clevelandart.org/art/2009.344

   

The 'Crown of the Andes' is considered one of the most important surviving examples of goldsmith work from colonial Spanish America..."

The "Crown of the Andes" was made to adorn a sacred image the Virgin of the Immaculate Conception venerated in Popayán cathedral, in the former Spanish viceroyalty of New Granada (now Colombia). An attribute of Mary's divine queenship, the gold crown is encircled by scrolls of acanthus leaves set with emeralds in blossom-shaped clusters that symbolize the Virgin's purity. The diadem, made in the mid-seventeenth century, is surmounted by four imperial arches made a little more than a century later. Pear-shaped emerald pendants are suspended beneath them and they are topped by a cross-bearing orb that signifies Christ's dominion over the world. The crown is encrusted with nearly 450 emeralds, the largest one being a twenty-four-carat gemstone known as the "Atahualpa emerald."

 

Although the practice was controversial, it was common throughout the Catholic world to bestow lavish gifts, including jewels and sumptuous garments, on sculptures of the Virgin Mary. Such gifts, which exalted the Virgin and increased the splendor of her worship, were frequently offered by devotees who sought her intercession or wished to give thanks for it. In Popayán, the cult of the Virgin of the Immaculate Conception was promoted by a confraternity of believers who oversaw the care and ritual presentation of her image, which was crowned and carried in public procession on certain Marian feast days. The treasury safeguarded by the confraternity included not only this magnificent gold and emerald crown, but also a simpler gilt silver one, as well as jeweled rings, bracelets, earrings, silver chains, and strands of pearls.

 

The "Crown of the Andes" is considered one of the most important surviving examples of goldsmith work from colonial Spanish America. Notable for its rarity, richness, and exquisite craftsmanship, the crown represents the most distinctive artistic achievement of a locale whose wealth derived from the mining of gold and emeralds.

Chasing and Repousse techniques being learned in the blacksmithing workshop.

Repousse gilded silver rhyton with horned griffin. Persian, 4th Century BC. Special Exhibit on Animal Shaped Vessels from the Ancient World, Feasting with Gods, Heroes and Kings. Harvard Art Museum. Cambridge, Massachusetts, USA. Copyright 2018, James A. Glazier.

booth display photo of two pieces of copper repousse' and a mixed-media collage piece

Elle a lieu du 9 mai 1929 au 21 juin 1930 et est un des événements les plus importants du XXe siècle pour la ville de Séville. L'inauguration, prévue à l'origine pour le 1er avril 1911, est plusieurs fois repoussée pour des raisons politico-économiques, notamment à cause de la dictature de Miguel Primo de Rivera et de la Première Guerre mondiale.

 

Séville, en 1929, est un des deux sites de l'Exposition Générale d'Espagne de 1929. L'autre site est Barcelone, qui propose une exposition industrielle

 

Exposición Iberoamericana de Sevilla, inaugurada el 9 de mayo de 1929 y clausurada el 21 de junio de 1930, fue la primera Exposición Internacional para dar muestra del hermanamiento entre los dos países de la Península Ibérica con América; España e Hispanoamérica y Estados Unidos y Portugal con Brasil y Macao. El segundo evento de estas características fue la Exposición Universal de 1992, también celebrada en Sevilla, ciudad que tuvo el monopolio del comercio con América en el Siglo de Oro Español. La exposición coincidió en el tiempo con la Exposición Internacional de Barcelona de 1929.

The buste-reliquaire de saint Denys honors the first bishop and martyr of Paris. Designed by Jean-Alexandre Chertier and inspired by the 13th-century reliquary from the Abbey of Saint-Denis, it revives medieval craftsmanship by applying repoussé silver leaf to a wooden core and embellishing it with decorative cabochons, following a vision directed by Eugène Viollet-le-Duc.

 

The Trésor de Notre-Dame de Paris is a historic treasury housing some of the cathedral’s most sacred and valuable liturgical objects. Originally established in the Middle Ages and enriched over centuries by royal and ecclesiastical patronage, the treasury was reorganized in the 19th century by architect Eugène Viollet-le-Duc during his major restoration of the cathedral. It includes reliquaries, sacred vessels, vestments, and manuscripts.

 

Cathédrale Notre-Dame de Paris (Cathedral of Our Lady of Paris), a landmark Gothic cathedral on the Île de la Cité, begun in 1163 under Bishop Maurice de Sully and largely completed by the mid-13th century. Renowned for its pioneering use of flying buttresses, intricate stained glass (including the iconic rose windows), and sculptural decoration, Notre Dame has served as both a diocesan cathedral and as a royal church bearing witness to coronations, canonizations and revolutions. A famed 19th-century restoration led by Eugène Viollet-le-Duc added a flèche, or spire that was ultimately destroyed during a 2019 fire.

necklace

silver, epoxy, chiffon

repousse, fabricated

The quite incredible workmanship in the Tennyson Vase.

Visit www.ilmaestroacquafresca.com/ to learn more about taking a course in Chasing and Repousse, and to find dates for where around the world courses will be held.

This copper statue was completed in 1985 by Raymond Kaskey, and is based upon the city seal of Portland. It is made of hammered copper (similar to the Statue of Liberty), and is over 34 feet tall. It is the second-largest copper repousse statue in the US after the Statue of Liberty.

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