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File name: 08_02_002792
Box label: Public buildings: M-Z
Title: Post Office Building. "Steam" and "Electricity" being removed, Sept. 27, 1929
Alternative title:
Creator/Contributor:
Date issued:
Date created: 1929-09-27
Physical description: 1 photographic print ; 7 1/2 x 9 1/2 in.
Genre: Photographic prints
Subjects: Buildings; Sculpture
Notes: Title and date from item, from additional material accompanying item, or from information provided by the Boston Public Library.
Provenance:
Statement of responsibility:
Location: Boston Public Library, Print Department
Rights: Rights status not evaluated.
Using parts diagrams from Chris Sherlock's Retinarescue.com as a guide, removed two screws and bottom plate assembly. Spring motor is actually in the bottom plate (under large gear on left).
My reliable method for sticky hair failed (water + salt)... Barbie is awfully sticky hair, I have no idea what wash this glue...
Any hint?
HAZZARD RANGE HERALD
Hazzard Range county Sheriff's Office SERGEANT Ron Bayerd and Reserve DEPUTY AUSTIN SPORTISBURG Remove two sawhorses across Rattlesnake rd " in the north part of the county " at the junction with NM state rd 308 .This and many roads are reopening with the Mist Mt Fire at 129 ,996 Acres and 75 % contain burning mostly west . Many rd are still closed off in the Hazzard Range National Forest areas of smoke can be seen from Hazzard Range County along with some parts of Clay county and Apache county New Mexico.
The United Nations Population Fund, UNFPA in South Sudan has urged the government to remove barriers that hinder the progress of 10-year-old girls.
At the launch of the State of the Worldâs Population on October 31st 2016, guests heard that 10 is a decisive age, with some girls in some communities being victim to early and forced marriages, teenage pregnancies or HIV/AIDS. UNFPA also warned that the health, rights and opportunities of girls in South Sudan, was in some cases being undermined.
This yearâs State of World Population report, states that of the 125 million 10-year-olds today, 60 million are girls who are systematically disadvantaged at the global level as they move through adolescence into adulthood.
Dr. Wilfred Ochan, UNFPAâs Deputy Country representative, said the 2016 state of the World Population report is the first analysis of the relationship between supporting and investing in the health and well-being of girls as they approach puberty.
The report explains that practices that harm girls and violate their human rights--starting at age 10--prevents them from realizing their full potential as adults and hinders their contribution to the economic and social progress of their communities and nations.
Photo: UNMISS/ Isaac Billy
Copyright © John G. Lidstone, all rights reserved.
It is an offence under law if you remove my copyright marking, or post this image anywhere else without my express written permission.
1887/1908
1892 - Confectionery & Restaurant, Millinery & Photo. 2nd
1897 - Dry Goods, Photo Gallery 2nd
1904 - Confectionery, Photo 2nd
1908 - Rear Removed - Jewelry
1913 - Jewelry
1919 - Jewelry, Photo 2nd
1930-1948 - Store
Hans Porst Hapo 66E
The Rangefinder Dial consists of several parts.
Last thing to remove is this washer.
The Ghost & Phantom 2, modified with lots of extra details including a new roof and underside. The Phantom is changed a bit too, instructions are all here...
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rebrickable.com/users/ron_mcphatty/
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Almost all the modifications to The Ghost are external so you’ll only need to remove some panels and a handful of pieces before modding can begin. The 596 extra parts (mod both the Ghost and Phantom 2, plus a stand) are all common and will cost around £45, adding plenty of detail to the top and a lot more underneath.
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Making clear modification instructions for this set was a challenge, I tried something a little different so they start with the complete set and detail which sections to remove, then which of those to disassemble and which to keep. Disassembly is simple and will take 10-15 mins, then the mods around an hour. There's also options (in a ZIP file on the Rebrickable page) to mod just the Phantom 2, or just the Ghost, and also to bild just the Phantom 1.
Crucifixion. Originally a triple window in St Peter’s Cathedral, removed when St Peter’s was enlarged, later installed at Holy Trinity. Created by William Wailes, Son & Strang of Newcastle-on-Tyne, erected in memory of James Farrell, first Dean of Adelaide, and his wife Grace Montgomery Farrell.
“The Cathedral of St. Peter's . . . The Farrell window is on the right side of the chancel, and bears the following inscription :— ‘In memoriam James Farrell, M.A., T.C.D., first Dean of Adelaide, obit. MDCCCLXII., and Grace Montgomery, his wife’. The Subject — ‘The Crucifixion’ -— is worked out in the most beautiful colors.” [Advertiser 29 Jan 1876]
“At present in the chancel of the cathedral there are two memorial windows — the one placed in memory of the late Bishop Short, the other in memory of the late Dean Farrell. The new design for that end of the cathedral takes the form of an apse, in which there will be three windows. The intention was to place the two existing memorial windows one at each side of a new central window. . . Owing to the improvement in the art of staining glass . . . the central window would be so greatly superior to those between which it would be placed that the harmonious effect of the whole would, be destroyed, and it would seem hardly an honour to the memory of Bishop Short and Dean Farrell that they should be represented by windows which would appear so inferior. . . Mr. Barr Smith again generously came to the rescue, and offered to give new glass for all three windows, stipulating in the most emphatic terms that the two side windows were to be memorials to the late Bishop Short and Dean Farrell, and should bear the same inscriptions as at present. . . The existing windows will, of course, be carefully preserved and given to other churches as memorials of the late Bishop and Dean.” [Register 1 Dec 1900]
“One of the illuminated windows erected in St. Peter's cathedral to perpetuate the memory of the late Bishop Short is to be presented to St Bartholomew's church. . . The other is to be presented to Trinity church. [Register 17 Nov 1900]
“The authorities offered the Bishop Short window to St. Bartholomew's, and it was accepted gladly. The Dean Farrell window is still in the possession of the Cathedral authorities. Holy Trinity Church, on North terrace, or St. Peter's College Chapel would be suitable places for it, as both have associations with the late Dean Farrell.” [Register 25 Aug 1911]
Church foundation stone 26 Jan 1838 by Governor Hindmarsh, opened Aug 1838.Building closed 1 Dec 1844, walls & tower having cracked dangerously and congregation moved to St John’s, Halifax St, re-opened 10 Aug 1845. Named as pro-cathedral with arrival of Bishop Short 1847, consecrated Jul 1848. New schoolroom opened Sep 1887. Worship in schoolroom while church enlarged & renovated 1888-89, architect Edward John Woods, walls raised 4-5 feet, tower also raised, new stone darker than original limestone from quarry behind Government House.
In 1837 Rev Charles Howard, the colonial chaplain, held first services under a sail. A wooden prefabricated church sent out by the Church Society proved to be too flimsy and parts were later used for a schoolroom. Services were held in a wooden court house in Gilles Arcade off Currie St until the stone church was built on North Terrace.
The church registers were inscribed “Trinity” and under the foundation stone was placed a lead plate inscribed “The foundation stone of Trinity Church was laid . . .” The earliest newspaper reference to “Holy Trinity” occurs in Oct 1849 but both names continued to be used for many years.
Butterfly Gate ATC
This ATC was created using 4 separate stamp designs by Lost Coast Designs, using the masking technique.
This process allows you to create overlapping images where you stamp the items closest to the foreground first and then mask off each successive image before stamping the next image until you reach your furthest background image last.
(I stamped a masks for the mannequin, wings and gateway using Eclipse Masking Tape and trimmed them close to stamped edges)
To create this ATC; I first stamped the diamond corseted mannequin from the Mannequins Set.
Once the ink had dried on the mannequin I masked it off and then stamped the wings. The wings were then masked off and the gateway was stamped next. After the gateway was masked off I stamped the script background.
I removed the masks and colored the ATC with a combination of pastel pencils, decorative chalk and markers.
All stamps by Lost Coast Designs – masking medium was Eclipse Masking Tape - stamping ink was Versafine in Onyx Black
Lost Coast designs stamps used: Mannequins Set – Wings Set – ATC Shrines – Word Backgrounds for ATC’s Set 1
Along with screws you can see some black gooey stuff that helps to hold in the driver. I just left it there, & removed the driver to get to the crossover...
LOS ANGELES—Volunteers from the U.S. Army Corps of Engineers Los Angeles District joined forces with hundreds of community volunteers along the Los Angeles River adjacent to Balboa Park in the Sepulveda Basin for the Friends of the Los Angeles River’s 25th La Gran Limpieza: The Great Los Angeles River Clean Up April 26.
The event was the kick-off of three Saturdays of planned volunteer clean ups, organized by FoLAR.
“It’s an excellent demonstration today of the partnership between non-governmental organizations, city government, and the federal government that are in place,” said Col. Kimberly Colloton, commander and district engineer of the Los Angeles District. “[This synergy is] what we can do together that far outnumbers what we each can do alone.”
“This river isn’t just about our future, it’s about where we came from,” said Los Angeles Mayor Eric Garcetti, who welcomed volunteers. “As you return to it [Los Angeles River] and clean those roots today, we also write a new chapter for what Los Angeles can and will be.”
Garcetti and Colloton joined more than 400 hundred volunteers from various community organizations as they removed plastic bags and debris from trees and river banks.
In addition to removing more than five truckloads of trash and shopping carts from the river, volunteers sorted and weighed about 90 pounds of plastic, aluminum cans, glass bottles, card board boxes and cigarette butts.
“It’s so great to have everybody out here today,” said the District’s Chief of Planning Division Joesphine Axt. “We got people from construction, planning, kids, stakeholders, the mayor and even my daughter together to have the opportunity to share love and concern about the river and wanting to see its improvement and actually to get something tangibly done.”
FoLAR will host two additional Saturday river cleanups: May 3 at Glendale Narrows sites and May 10 at lower river sites. Activities start at 9 am. See www.folar.org/cleanup for more information.
Photos by Ara Howrani.
If you are in a photo and want the photo removed from public usage, please let us know: info@alliedmedia.org
You are welcome to download and use these photos if you:
- use the photos for promoting the AMC or sharing stories of things that happened at the AMC
- place text adjacent to the photo saying that it was taken at the 16th annual Allied Media Conference
- place text adjacent to the photo saying that is was taken by Ara Howrani
If you are interested in using these photos for reasons outside of any of the conditions stated above, please ask ara@howranistudios.com
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Amanda Bynes plastic surgery was a nose job, which she had to relieve her of her insecurities, as she was born with slight webbing between her eyes and had that removed.
Some of you may have noticed that, unfortunately, owing to the fact that a certain person who sells truck photos on eBay commercially has been lifting my images from this album and selling them I have had to remove 2300 photos that didn't have a watermark. I have now run around 1700 through Lightroom and added a watermark with the intention of bulk uploading them again. Rather than watermark the existing (hidden) files in Flickr one at a time it will be easier to do it this way. I definitely won’t be adding individual tags with the make and model of each vehicle I will just add generic transport tags. Each photo is named after the vehicle and reg in any case. For anyone new to these images there is a chapter and verse explanation below. It is staggering how many times I get asked questions that a quick scan would answer or just as likely I can’t possibly answer – I didn’t take them, but, just to clarify-I do own the copyright- and I do pursue copyright theft.
This is a collection of scanned prints from a collection of photographs taken by the late Jim Taylor A number of years ago I was offered a large number of photographs taken by Jim Taylor, a transport photographer based in Huddersfield. The collection, 30,000 prints, 20,000 negatives – and copyright! – had been offered to me and one of the national transport magazines previously by a friend of Jim's, on behalf of Jim's wife. I initially turned them down, already having over 30,000 of my own prints filed away and taking space up. Several months later the prints were still for sale – at what was, apparently, the going rate. It was a lot of money and I deliberated for quite a while before deciding to buy them. I did however buy them directly from Jim’s wife and she delivered them personally – just to quash the occasional rumour from people who can’t mind their own business. Although some prints were sold elsewhere, particularly the popular big fleet stuff, I should have the negatives, unfortunately they came to me in a random mix, 1200 to a box, without any sort of indexing and as such it would be impossible to match negatives to prints, or, to even find a print of any particular vehicle. I have only ever looked at a handful myself unless I am scanning them. The prints are generally in excellent condition and I initially stored them in a bedroom without ever looking at any of them. In 2006 I built an extension and they had to be well protected from dust and moved a few times. Ultimately my former 6x7 box room office has become their (and my own work’s) permanent home.
I hope to avoid posting images that Jim had not taken his self, however should I inadvertently infringe another photographers copyright, please inform me by email and I will resolve the issue immediately. There are copyright issues with some of the photographs that were sold to me. A Flickr member from Scotland drew my attention to some of his own work amongst the first uploads of Jim’s work. I had a quick look through some of the 30 boxes of prints and decided that for the time being the safest thing for me to do was withdraw the majority of the earlier uploaded scans and deal with the problem – which I did. whilst the vast majority of the prints are Jims, there is a problem defining copyright of some of them, this is something that the seller did not make clear at the time. I am reasonably confident that I have since been successful in identifying Jims own work. His early work consists of many thousands of lustre 6x4 prints which are difficult to scan well, later work is almost entirely 7x5 glossy, much easier to scan. Not all of the prints are pin sharp but I can generally print successfully to A4 from a scan.
You may notice photographs being duplicated in this Album, unfortunately there are multiple copies of many prints (for swapping) and as I have to have a system of archiving and backing up I can only guess - using memory - if I have scanned a print before. The bigger fleets have so many similar vehicles and registration numbers that it is impossible to get it right all of the time. It is easier to scan and process a print than check my files - on three different PC’s - for duplicates. There has not been, nor will there ever be, any intention to knowingly breach anyone else's copyright. I have presented the Jim Taylor collection as exactly that-The Jim Taylor Collection- his work not mine, my own work is quite obviously mine.
Unfortunately, many truck spotters have swapped and traded their work without copyright marking it as theirs. These people never anticipated the ease with which images would be shared online in the future. I would guess that having swapped and traded photos for many years that it is almost impossible to control their future use. Anyone wanting to control the future use of their work would have been well advised to copyright mark their work (as many did) and would be well advised not to post them on photo sharing sites without a watermark as the whole point of these sites is to share the image, it is very easy for those that wish, to lift any image, despite security settings, indeed, Flickr itself, warns you that this is the case. It was this abuse and theft of my material that led me to watermark all of my later uploads. I may yet withdraw non-watermarked photos, I haven’t decided yet. (I did in the end)
To anyone reading the above it will be quite obvious that I can’t provide information regarding specific photos or potential future uploads – I didn’t take them! There are many vehicles that were well known to me as Jim only lived down the road from me (although I didn’t know him), however scanning, titling, tagging and uploading is laborious and time consuming enough, I do however provide a fair amount of information with my own transport (and other) photos. I am aware that there are requests from other Flickr users that are unanswered, I stumble across them months or years after they were posted, this isn’t deliberate. Some weekends one or two “enthusiasts” can add many hundreds of photos as favourites, this pushes requests that are in the comments section ten or twenty pages out of sight and I miss them. I also have notifications switched off, I receive around 50 emails a day through work and I don’t want even more from Flickr. Other requests, like many other things, I just plain forget – no excuses! Uploads of Jim’s photos will be infrequent as it is a boring pastime and I would much rather work on my own output.
Product Name: Camping Tent For Advertising
Product No: GN050
Size: 10mL x 6mW x 4mH
Pack: 165×80×80
Weight: 160kg
Material: 0.6mm PVC(Tube） 0.45mm PVCTarpaulin
Cert: CE,EN14960,EN71
Feature: High Tear Strength, Fade Proof, Flame Retardant M2/B1, Anti-Mildew Treatment, Excellent UV-Resistance
Not just fit and finish, Pango make a second blower tube and hide it if not use. We make the two tubes on different of the bouncer so that could fit the power location. Looking down the road you will find you need a second inflation tube. We want to make sure clients could use the bouncer convenient.
Stronger Baffles
Baffles that are secured by a 840 denier material that provides the MAXIMUM strength of the internal baffling of every inflatables. This material upgrade is unmatched by anyone else in the industry. This material is key to the overall durability of the products we sell.
D Ring Expose
Take a close look at the construction of the "d" rings in the products we sell. A tether system is only as strong as its weakest link. Tether points on the inflatable are extremely durable. The "d" ring tethering System have been laboratory-tested and certified by Professional Engineers for use on all giant slides and all other types of inflatables.
Vinyl（PVCTarpaulin） Expose
At Pango Inflatable, the only products we sell are constructed from the finest coated vinyl. Unlike other vinyl producers, the Coated Vinyl are Lead-Free in addition to meeting the EN71 test by SGS. Lead-Free vinyl are a standard that has been that way since day one. Exposure to lead is dangerous to children. The products Pango Inflatable sell are safe from the effects of lead. As for durability, the materials are a weft inserted substrate, which makes any possible rips virtually impossible.
No Wax Surfaces
We provide removable sliding surfaces for every slides we made, While other only provide the normal vinyl, Inflatable vinyl is not naturally slippery, therefore, waxing has become a normal preparation for getting a slide ready for use. The removable sliding surface found the on the products we sell is a high polished urethane coating, which in turn reduces the need to wax.
Zipper with Flaps
Unlike others, Pango Inflatable sells products that are easy to use. For example, the deflation zipper utilizes a Velcro flap that covers the zipper, thus, less air is lost and zippers are not exposed to abrasion or mischief.
Blower Tube Strap
While most manufacturers tie their blower inflation tubes to the blower system, however, the products Pango Inflatable sells, utilizes a universal sleeve with a cinching Velcro strap. One- handed operation keeps the tube securely attached to the blower system.
Liquid Laminator
DWe do the Digital Printing in our factory, unlike most factory here in China, they do the printing outside and could not control the delivery time and the quality. igitally printed graphics are one thing, keeping those beautiful images durable as well scratch and fade resistant is quite another. Every digital image used within an inflatable sold by Pango Inflatable is clear-coated with a special liquid laminate that is vulcanized to the vinyl surface.
Finger-Safe Netting
Most bouncer manufacturers use 1" or 2" netting. A child bouncing can easily catch their fingers in that size of netting, thus serious injuries can happen. Only the Pango Inflatable could provide netting that even a small child's finger cannot penetrate. Yet, the netting is still transparent enough to allow for easy viewing.
Removable Covers
Virtually every area that your customers step, slide or climb upon is on a replaceable & easily removable vinyl cover. From climbing stairs, to entrance tunnel sleeves to sliding surfaces, Pango Inflatable only sells products that are designed for high-volume traffic.
Safety Door on Bouncers
Worried about children possibly falling out of a bouncer? Don't be. We got 3 points of reinforcement on the entrance of the bouncer which make the entrance very strong. Also we add the step outside the entrance following the AU and USA standards of jumping castle.
On-Staff Engineering and Designing
We do reinforce stitching at the fixion of D-ring. Four stitching line will share the tension of the bouncer. This made the D-ring last much longer and stronger. Other factory use other design of the fixion, but will not good for the tension sharing. Could find the differnce in the attached photos.
Cushion Designs
We do cushion between the wall and the base. When the kids bounce on the bouncer this parts bear most of the pressure, so this new design will make this parts much more strong and safety, while other factory only stitch to the base.
Contact Site:http://www.pangoinflatable.com/
Since I started making my own household products, I had to learn to remove labels from recycled containers. Here is what I learned : paper labels are glued onto the containers with either oil or water based glue.
Water based are easy -just soak it in the water and it comes off quite easily -sometimes with some rubbing.
Oil based ones are a bit trickier -you will have to use cloth with some oil on it and rub it for 5 to 10 minutes(better do something fun while doing it -can be boring). Of course, you could soak them in oil, but that requires lots of oil...
The third kind is paint on the container, like a laundry bottles or cleaner bottles is the worst, because you have to either sand it off(I didn't do it, because it can leave small scratches, that would gather dirt) or use nasty thing like acetone. I won't do that type much, but I needed bottles for laundry soap, so I did those.
There is one more kind of labels -they come out very easily just by carefully pealing them off -not sure, if their glue is water or oil based, but I like those the most-so try that first and see -it might just come off without any fuss.
Image available for purchase from www.ballaratheritage.com.au
Victorian Heritage Register information
Statement of Significance
What is significant?
The Tower Hill State Game Reserve is an area of approximately 6.2 sq km, 3 km inland from the coast between Warrnambool and Port Fairy managed by Parks Victoria since 1997. The Reserve consists of a volcanic crater of nested maar type bounded by the encircling crater rim that forms a highly visible landmark in the surrounding plain. The crater, filled by a lake and series of islands, themselves volcanic cones, was formed at least 30,000 years ago when a hot rising basaltic magma came into contact with the subterranean water table. The violent explosion that followed created the funnel-shaped crater (later filled by a lake) and the islands. Artefacts found in the volcanic ash layers show that Aboriginal people were living in the area at the time of the eruption. The Warrnambool area was a rich source of foods for the Koroitgundidj people, whose descendants retain special links with this country.
The first confirmed European sighting of Tower Hill crater was by French explorers sailing with Captain Baudin aboard the Geographe in 1802 who named the crater 'Peak of Reconnaissance'. Throughout the 19th century sailors used Tower Hill as a landmark for entering the harbours of Port Fairy (Belfast) and Warrnambool. The name Tower Hill came into common usage in the 1840s. The crater formation, noted by early European settlers for the beauty of its vegetation was memorialised in the landscape painting of Eugene von Guerard in 1855.
By the late 1850s substantial amounts of forest had been cleared in and around the crater. In 1866 when the crater and inner rim were temporarily reserved for public recreation, the Acclimatisation Society of Victoria was appointed the Committee of Management (1866-1869). The Society had formed in 1861 with the aim of introducing exotic plants and animals to suitable parts of the colony and accordingly introduced goats, pheasants and rabbits to Tower Hill. In 1873 the area was permanently reserved for public purposes and in 1892 in an attempt to halt the environmental damage to the crater Tower Hill Reserve became the first National Park to be declared in Victoria. It remained under the control of Koroit Council which permitted clearing of native vegetation, grazing and the quarrying of scoria to continue. By the 1930s the landscape was bare and little wildlife remained.
In the mid-20th century lobbying by the local community concerned about environmental degradation at Tower Hill along with general recognition of the declining numbers of game birds in Victoria led to the crater being declared a State Game Reserve in 1961, one of a number established across the State at this time as wildlife refuges. The contained nature of the crater site meant it could be readily adapted to a scientifically designed habitat management program.
In 1962 Robin Boyd was commissioned to design a Natural History Centre on the main island at Tower Hill, completed in 1969. This early example of an interpretive centre was to provide the public with information about the restoration of the Tower Hill environment and the wildlife and habitats of the State's Reserves and to be a centre of study for wildlife management. Boyd, a hero of the conservation movement, designed a simple stone circular structure with sloping roof mirroring the volcanic island hilltops, sitting in harmony with the landscape. The circular glazed pavilion is a timber construction with a cill height stone skirt and wide eaves. At the centre of the open internal space is a central hollow stone column which supports the roof and is crowned by a skylight reminiscent of the core of the volcano that gave rise to the landscape. Laminated timber rafters, arranged radially, span from the hollow stone core to the outer ring of window and project to form deep eaves.
As early as 1958 local community groups established experimental plots of native trees at Tower Hill. Following designation as a State Game Reserve serious efforts began to replicate the original vegetation using von Guerard's (1855) painting as a guide to replanting using botanists to identify the plant species. By 1981 school children,, naturalists and other volunteers had planted 250 000 trees and shrubs at Tower Hill and removed non-native species and weeds and feral animals. Native animal species including koalas, wombats, emus and echidnas have also been successfully reintroduced to Tower Hill through reinstatement of habitat. The replanting program was the first of its kind in Victoria and provided a model for the national Landcare movement, established in Victoria in the 1980s.
How is it significant?
Tower Hill State Game Reserve is of aesthetic, historic, scientific, social and architectural significance to the State of Victoria
Why is it significant?
Tower Hill State Game Reserve is of aesthetic significance, being an inspirational landscape, recognised for the beauty and uniqueness of its geological form and natural vegetation from first European exploration and settlement of the region.
Tower Hill State Game Reserve is a cultural landscape of historical significance in reflecting more than a century of changing attitudes to landscape in its evolving status and the character of its environment.
Tower Hill State Game Reserve is of historical significance as an iconic and inspirational landscape, noted for its geological form and the beauty of its natural vegetation from first European exploration and settlement of the region, memorialised in Eugene von Guerard's 1855 painting of Tower Hill crater and island. It was this iconic beauty that environmentalists sought to reinstate through their replanting of native vegetation, the species having initially been identified initially from the detail of von Guerard's painting.
Tower Hill State Game Reserve is of historical significance as the earliest and an outstanding example of community programs to reinstate native vegetation and re-create native habitat on cleared and degraded land. Skills developed in the course of this work, and subsequently applied in other parts of the country include an understanding of the importance of using species indigenous to the local area, requirements for re-introduction of native fauna, and awareness of the need for re-establishment of understorey species.
Tower Hill State Game Reserve is of social significance for the ongoing role of the local community and community groups in the reinstatement of natural habitats in the Reserve.
Tower Hill State Game Reserve is of scientific (geological) significance as an example of a nested maar, a specific type of volcanic crater that formed at least 30 000 years ago when hot rising basaltic magma came into contact with the subterranean water table resulting in a series of phreatic explosions that created the funnel-shaped crater (later filled by a lake) coupled with late stage scoria cone development of the islands seen today.
Strobist info: Main: White Lightning x800 through a 4'X5' softbox with front diffusion panel removed f/18 camera right backlight/fill provided by sun behind model f/16. Strobe triggered with Pocket Wizard Flex unit
The abalone is removed from the shell to show the two blister pearls.
Photo shot in New Zealand at the Eyris Blue Pearl farm and pearl processing plant by Jeremy Shepherd of PearlParadise.com.
The Roman Emperor decides to remove the murex purple from the dress code, so only the emperor would wear the royal purple in public.
Size: 16 x 20 inches
paintings for sale: www.shawnshawn.co
Newsletter: www.shawnshawn.co/contact.html
Code: MM12191
Closeup of the back of her head, where you can see the remnants of the T-tabs that were used to tack her head to the backing.
Classic Wedding Rapunzel has been removed from the backing, and has been laid flat face down to remove the rest of the packaging restraints.
The tape holding the box together has been cut all around the back edges of the box. The clear plastic front of the box has been removed from the cardboard backing. The packaging is simplified compared to other Disney Store Classic 12'', in that there is no large plastic spacer behind her back and head, that keep hear head and arms in place for shipping and display. Instead, there is one small spacer for her right arm. Her left arm is held in place by a rubber band, wires are around her waist and ankles, and her head is tacked directly to the backing by T-tabs.
Classic Disney Princess Rapunzel Wedding Doll -- 12''
First Look
Personal photos of the newly released Classic Rapunzel Wedding Doll. She has short brown hair and is wearing her wedding bride outfit, just as in the movie Tangled Ever After (2012), in which she weds Flynn Rider. I just purchased two of them (10/1/2012), as they were on sale for 2 for $20 (list price is $14.50). I will post photographs of the doll boxed, during the deboxing, and finally fully deboxed, both alone and with other comparable dolls.
The Classic Rapunzel Wedding doll was released online by the US Disney Store on 9/17/2012. She was available in a few Disney Stores about two weeks earlier.
Product description from the US Disney Store website:
Classic Disney Princess Rapunzel Wedding Doll -- 12''
Item No. 6070040900210P
Our Price: $14.50
With her short brown hair, Rapunzel is set for happily ever romance with this ''Special Wedding Edition!'' Rapunzel Doll. Her signature long blonde locks have gone and the new look Disney Princess is set for her big day wearing a glamorous wedding gown.
Product Details
•Deluxe wedding gown features satin with filigree design, coordinating underskirt, puff sleeves, gold brocade trim, tiara and veil
•Poseable arms and legs
•Combines with our Tangled Classic Flynn Rider Doll and Tangled Classic Mother Gothel Doll, each sold separately
•Coordinates with Rapunzel Classic Doll Collection Accessory Set
•Part of the Disney Princess Classic Doll Collection
•Plastic/polyester
•12'' H
•Ages 3+
•Imported
WARNING: CHOKING HAZARD - Small parts. Not for children under 3 years.
Although it has taken me a while to find it, the bluebell wood at Clumber Park is one of the most beautiful that I have seen. Prior to this shot, I watched the weather forecast very closely so that I could carry out the shoot in bright but overcast conditions. This meant that I did not have to try and balance harsh highlights and dark shadows that would have been present in sunny conditions. I also shot this into the light source so that subtle backlighting from the diffused sun gave more vibrance to the vegetation. In addition to this, I used a polariser to remove potentially distracting reflections and a 0.3 SE ND filter to balance the slightly brighter greens with the darker blues. Furthermore, I shot with my 75-300mm lens at the longer end in order to compress the perspective and bring the colours together more coherently. The blurring of the swaying branches through strong wind movement does not concern me, as this creates a more ethereal effect and contrasts favourably with the sturdy sharpness of the trunks.
I was given an old IBM Model M keyboard, which was manufactured in 1994.
The Keyboard is excellent and has mechanical buckling springs keys. Which gives it a great feel and tactical feedback.
This keyboard is considered by some, the pinnacle of PC keyboards.
I Love this keyboard...
In this photo i've removed the "F Keys".
The team removing their kit after conducting first aid drills in the pool at the US Army Special Forces Underwater Operations School, Key West, Florida.
Ex ARRCADE TRIDENT is a Personal Development Training (PDT) diving exercise being held in Key West, Florida, USA, during the period 02-17 May 14. The aim of the exercise is to engage team members in arduous, challenging and demanding sub aqua diving in a variety of sites and environments.
(NATO photo/WO2 Ian Houlding GBR Army)
These are a series of photographs I took of a friend who does magic shows. These were intended as promotional pictures for fliers, posters, etc. In this show, he does a whole series of magic tricks with a blindfold on, hence the bandage/newspaper combo. I had three lamps set up and a black backdrop. Not bad for a photoshoot set up in my kitchen!