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Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Image from 'A Lytell Geste of Robin Hode, with other ancient & modern ballads and songs relating to this celebrated yeoman. To which is prefixed his history and character, grounded upon other documents than those made use of by ... “Mister Ritson.” Edited by J. M. Gutch', 001726444
Author: HOOD, Robin.
Volume: 02
Page: 190
Year: 1847
Place: London
Publisher: Longman, Brown, Green & Longmans
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Image from 'Tracts and other papers, relating principally to the origin, settlement, and progress of the Colonies in North America, from the discovery of the country to the year 1776. Vol. 1-4', 001267232
Author: FORCE, Peter.
Volume: 03
Page: 203
Year: 1836
Place: Washington
Publisher:
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
This is hands down one of my favorite shots that I have ever taken. It’s beautiful, nostalgic, and serene yet—it was also alien. It looks to be a forgotten memory that people can relate to. To look at someone you love in the distance looking back to you, waiting for you to catch up. This is what gives the image heart. The location is what really brings it home though. This moment can never happen again. I do not believe it. But I made it forever frozen. The sun and the clouds were perfectly aligned, and I didn’t even know I would be taking this photo.
I had been sight-seeing with my family in San Francisco and this was the pathway to the Golden Gate Bridge. The tourist attraction was already in view as we walked up the hill and I ran to the top. I looked back to my cousin (who is also my best friend) and was ready to shout at her to “hurry up,” but, I didn’t. I had been so focused on getting to the top that I didn’t notice how beautiful the trees and scenery were around me. I saw my cousin steadily walk up the hill and saw the rays peaking from the trees. There was a patch of sunlight that almost created a beam from above. She was talking straight through it. Immediately, I pulled out my camera and shouted. “WAIT! FREEZE! STOP! DON’T MOVE!” She was very confused, which is why her head is tilted. Once I took the shot, I felt it in my gut that this picture would stand out to all the ones I have taken before. I was so excited to toss it into photoshop and better it.
Honestly, this photo could have stood on its own. But I wanted more. I wanted it to feel nostalgic. That’s why the colors are very much muted. I took away saturation from specific colors. The green grass now looks like moss and the trees are very void of life. I looked at the pathway and then saw how much more the lighting elevated this capture. With it being backlit/lit from above—she looked like she was glowing! Words cannot describe how much I love this photo and this is me attempting to do it. I hope you like it as much as I do.
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Image from 'Historical Collections of the State of New York ... relating to its history and antiquities, with geographical descriptions of every township in the State', 000194809
Author: BARBER, John Warner and HOWE (Henry)
Page: 614
Year: 1846
Place: New-York
Publisher: S. Tuttle
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Image from '[Authorized American edition, with supplement relating chiefly to American topics, and a copious biographical Index, by G. P. Putnam.]', 001625020
Author: HAYDN, Joseph of Carey Street, Lincoln's Inn
Page: 879
Year: 1868
Place: London
Publisher:
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Image from 'Historical Collections of the State of New York ... relating to its history and antiquities, with geographical descriptions of every township in the State', 000194809
Author: BARBER, John Warner and HOWE (Henry)
Page: 406
Year: 1846
Place: New-York
Publisher: S. Tuttle
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
The title relates to the late sixteenth or early seventeenth-century song of lost love, ‘Willow Song’, by an anonymous composer and used, with alterations, by Shakespeare in Othello. Dr Warwick Edwards of Glasgow University has commented on the passage of music at the bottom as follows:
'The source... is probably W. Chappell, Popular Music of the Olden Time, 1855– 9, i, 207–8 (or Woolridge's revision of this, 1893). The extract begins at the upbeat to bar 11 and the words are from the 2nd. stanza. The text has been modified. (“she” for “he”) and “improved” (e.g. “my garland must be” for “must be my garland”).
‘Chappell's source is BM Add MS 15117, f.18 (before 1616), a setting for voice and lute of the famous Willow Song beginning “The poor soul sat sighing”. He has transposed the melody, modified it, and supplied a 19th century harmonization.
Alexander Ballard has suggested (letter to the compiler of 10 July 1975) that the face of the young man is that of Norman Wilkinson ‘of Four Oaks’ (1882–1937), the painter and stage designer, who studied at the Birmingham College of Art from 1900–1902 where he met Maxwell Armfield, with whom he went to Paris in 1902 where they shared a studio. Armfield and Wilkinson were particularly close friends until about 1910. Armfield painted a portrait of Wilkinson in watercolours in Paris in 1904 .
Source: Tate
www.tate.org.uk/art/artworks/armfield-oh-willo-willo-will...
Brasília 28/03/2017 Relator da reforma política na câmara, Vicente Cândido, durante entrevista para agência PT.
Foto: Lula Marques/Agência PT
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J .t tenon OI~Jentra Instrumentation t-aalhy l'-'lrJ to au centres ana Interne tliNor students to be made available for 24 hows. .
1. (lSiution of Placement cells, especially in the Science Schools. il. fmlion of Centre level libraries,improvement of the Central libraryand labo-.
l)ris. .
' · . faliation of the grade conversation table linking grades and equivalent per-.
cJ1cre points. .
·01 ~blms relating to visa for the foreign students to be solved, and ICCAfel-1:-slps are to be equated to the UGC one. .
7tTEOnENDING PLATFORMS .
JBI:P:>oate the forces of Communal and Divisive Politics .
Te ,l.BVP remains the principal enemy of the SFI·AISF platform. Time and .
CIJcl, e51 fascists have exposed their impatience and anger against democratic .
fuHiongmd the ethos of discussion, debate and tolerance.Their consistent sub-.
\~r.i>nJf he functioning of the JNUSU besides their active co-operation with the .
aJrmi:aton is easily the greatest dangerto the campus and itsdemocratic culture. .
Tle.~BPs also an integral part of the Sangh Parivar, headed by the fountain head .
0 ri1hl=a:!ion-the ASS.All across India, their role has been one of terrorising.
rm~ritis, :!tacking and killing dalits, committing atrocities upon women and that of .
54Jprtlg:he interests of ruling elites. The SFI-AISF appeals to the students to .
Sl)(!>ri>Uiptatform in orderto deliver adeath blow to these cohorts of the ASS and .
wg~ renless struggles to overthrow the anti-strudent 8Jp government. .
A)JI; ~jiCt 'Left WingCommunism-The Infantile Disorder .
Thus far, in an their pamphlets and in public meetings they have consist-.
e1yd.sm to target SFI-AISF as their principal enemy. It seems clear form their .
cod:cnh1t they would preler 111e fascists, the ABVP rather than work towards .
st1J'lltnnilg the unity of the democratic and left forces in campus. These narrow .
rr did uY. sectarian approach t:as to be decisively rejected. .
N!.ll: l~leat Oppor11Jnism .
The re-entry of the NSUI in the JNU elections once again signals the arral o qlportunistic IXllitics. Thlir entire attempt to tum the elections into a non-se>us Jffair is part of their old s!Iategy to deflect student attention from the real isres. -1eir initiative is chiefly n:otivated by backroom inner-party wrangling in .
orcr to SECure privilege and pel!rom their parent organisation ·the Congress 1. T~eO:lplrtunists IIIIJsl be soun~defeated. .
REEV\1 REVITALISE AND DEMOCRATISE THE CAMPUS: .
Given the llllure of the:hallenge and the correlation of political forces in thea rn pus, the SFI·AISF platform calls uponthe students of JNU to play the historic roklf !JNing the faseistbrces ada:isive rebuff and thereby preserving the progres-sr,;et~os of the campt.s.The legcq of the JNU students' movement is a powerful aooriCJ IJe one. This~~e of i1s inest hours in challenging the most dangerous forroi f:lscism.The SHAiSF, as a'ofthe spear,pledges to carry forward thetask of rita lising and rehllljl'!l the JNJSU throogh mass mobilisation and democratic paoiJ:a1ion against reJJessive SOCilltrends and imperialist hegemony. .
COUNCILLOR CANDIDATES .
sss .
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JANAKI SRINIVASAN .
KRISHNAKUMAR S. .
MAHESH GOPALAN .
PAHI SAIKIA .
SURYYAPRATIM SARKAR .
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SLL&CS .
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AGHA MD. JAFAR HASNAIN .
BIRPAL SINGH YADAV .
MD. ZAHIDUL HAQUE .
RAVINDER SINGH RANDHAWA .
USHAKUMARI .
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SIS .
GEETA POTSANGBAM .
GINU ZACHARIA OOMMEN .
M. NARASIMHAMURTHY .
PARIMAL MAYA SUDHAKAR .
SIBA SANKAR MOHANTY .
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STUDY AND STRUGGLE .
STUDENTS FEDERATION OF INDIA .
ALL INDIA STUDENTS FEDERATION .
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FOR A PROGRESSIVE ADMISSION POLICY .
FOR A GENDER SENSITIVE CAMPUS .
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FOR A VIBRANT AND MILITANT JNUSU 10 .
FIGHT PRIVATISATJON AND .
COMMUNALISATION .
OF EDUCATION .
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AGAINST THE ANTI-STUDENT BJP GD\/T. .
CENTRAL PANEL .
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President: VIJOO KRISHNAN Vice-President: SYED NASEER HUSSAIN General Secy.: HIMANSH U Joint Secy.: ALBEENA SHAKI L .
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The first accounts relating to Meleto date back to the eleventh century, at which time it was a property of the Benedictine monks. Subsequently it became the property of a certain “Guardellotto”, a member of a local feudal family, whom Frederick I Barbarossa dispossessed of his properties, giving them to the Ricasoli-Firidolfi family.
The family branch of Firidolfi da Meleto originated here. The name “Meleto in Chianti” was first included in the “Libro degli Estimi” (Book of surveying) of the Florentine Guelphs as property of Firidolfi family in 1256.
Its location, set between the Republics of Siena and Florence, ensured that the Castle was the background of many wars between the Guelphs and the Ghibellines, one of which was the second Aragonese invasion of Chianti in 1478 when it was occupied by enemy troops, and during the Medici War, in 1529, when it was besieged by the Senesi militia. For more information, see: www.castellomeleto.it/eng/castle/historical-background.php
Governor signs HB2515 - Relating to crime & SB2776 Relating to public safety
More info located here:
HB2515 www.capitol.hawaii.gov/measure_indiv.aspx?billtype=HB&...
SB2776 www.capitol.hawaii.gov/measure_indiv.aspx?billtype=SB&...
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), date unknown.
The slide shows a photograph of an illustration of Hobart, Tasmania with Mount Wellington in the background.
Inscription Details: Handwritten on image, "Mount Wellington". Handwritten in blue ink on recto, bottom left corner, "O35". Handwritten in blue ink on recto, bottom of plate, "Reb' 12-7-'22".
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235854|PH-1984-1-LS78-3-83|O35
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033359
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Exploring the condractitory relationship between led (processed) and hesian (natural).
The led is heavy, strong, masculine but soft. He is passive and is a push over. He is dominated by the feminine, natural and flexible hesian, who is scratchy, violent and dominant.
The hesian is a violent girlfriend.
The interaction between these two leaves the led beaten and bruised.
When the led rolls over from side to side and makes contact with the hesian he is left with surface damage of varying degrees. In the photo on the left the led is pictured ontop of hesian, but still the hesian is stronger and more dominant.
A few more furnitures and accessory for my Rolleiflex 3.5F (see below for details relate d to the camera) with a couple of old-fashioned carbon-zinc 22.5V batteries from China to test the Rolleiflash and a close-up accessory Rolleinar 1 (1 diopter) in the correct bayonet dimension (RII) suitable for the Rolleiflex 3.5F with Zeiss Planar lens or Schneider-Kreuznach Xenotar 1:3.5 f=75mm.
There are 3 different filter bayonet sizes on the Rolleiflex (RI, RII, and RIII) and one should check that both optical pieces are of the correct same dimension before buying. The Rolleinar 1 permit the focusing of the Rolleiflex between 1m and 0.47m instead of the normal minimum focusing distance of 0.9m. The parallax for Heidosmat viewing lens is corrected with an integrated prism that should correctly positioned with a red dot directed up. The Rolleinar came with its original Rollei Francke & Heidecke branded leather case.
The Rolleiflash type-2 is the original one that came with the camera. It mounts to the viewing lens bayonet and is also of the correct type RII. Rolleiflashes exist also in other bayonet dimension. At now, I just tested the circuity continuation with the battery in place and also with a flash bulb mounted. When pressing the test button a small light flashes on the control window. Next step will to fire a bulb...
March 28, 2025
69004 Lyon
France
About the camera :
I got this stunning Rolleiflex 3.5F from a French artist near Paris, France. The camera came in it original box and leather bag with accessories and a reference book year 1955. The whole kit is in an exceptional state of conservation.
The Rolleiflex 3.5F is the model-3, or "K4F",that Rollei-Werke Franke & Heidecke produced in 50.000 units in Germany from Nov.1960 to Dec. 1964. The Rolleiflex originates from 1928 for the very first model and was produced still in a limited number until the years 2000’s. The 3.5F model 3 was available etheir with a Schneider-Kreuznak Xenotar taking lens or the Call Zeiss Planar 1:3.5 f=75mm as this camera. The Rolleiflex, that was a quality reference for many professional photographers in the 50’s for the medium-format 6X6 camera’s. Many worked both with the Leica M3 (starting from 1954) as small-format 24x36mm camera and the Rolleiflex for other appliances. The Rolleiflex remained one of the most iconic and trusted camera of all the times.
This specific 3.5F is labelled on the right side with nice badge made of enameled brass « T » « Telos » that was the exclusive first French importer of Rollei to France until 1972.
The Rolleiflex 3,5 F model 3 is equipped with the Synchro-Compur central shutter MXV CR00 with cone-wheel differential. The distance scale is only in meters here with automatic DOF indication.
Serial number with ‘3,5F’ prefix on of top name shield.
I detailed the camera and accessories and studied carefully the user manual and the book to before familiar this beauty before waiting for a quiet moment to prepare for a test film. I will not trust the old leather original neck strap to carry this precious machine on the field to avoid the real risk to drop the camera. I ordered a new one from a manufacturer in China.
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
i relate it like i say to my week and things that happen though i dont have a crystal ball i have the album so i got it and opened to the page it was on and grabbed tashie
this is my song RIGHT NOW it speaks volumes to me never a more truer song about me this week than this and i have played keane to the death yet again
so -
"Keane - Crystal Ball"
Who is the man I see
Where I'm supposed to be?
I lost my heart, I buried it too deep
Under the iron sea
Oh, crystal ball, crystal ball
Save us all, tell me life is beautiful
Mirror, mirror on the wall
Lines ever more unclear
Not sure I'm even here
The more I look the more I think that I'm
Starting to disappear
Oh, crystal ball, crystal ball
Save us all, tell me life is beautiful
Mirror, mirror on the wall
Oh, crystal ball, hear my song
I'm fading out, everything I know is wrong
So put me where I belong
I don't know where I am
And I don't really care
I look myself in the eye
There's no-one there
I fall upon the earth
I call upon the air
But all I get is the same old vacant stare
Oh, crystal ball, crystal ball
Save us all, tell me life is beautiful
Mirror, mirror on the wall
Oh, crystal ball, hear my song
I'm fading out, everything I know is wrong
So put me where I belong
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), circa 1880s.
The slide shows a barometer inside a stone structure. Taken at Ben Nevis Observatory, Scotland.
Inscription Details: Handwritten in blue ink on recto, bottom left, "O29". Handwritten in blue ink on recto, right side of plate, " The Original Barometer Ben Nevis Obsty".
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235856|PH-1984-1-LS78-3-85|O29
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033357
Image from 'Historical Collections of the State of New York ... relating to its history and antiquities, with geographical descriptions of every township in the State', 000194809
Author: BARBER, John Warner and HOWE (Henry)
Page: 214
Year: 1846
Place: New-York
Publisher: S. Tuttle
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Relator do Orçamento 2025, senador Angelo Coronel (PSD-BA), concede entrevista.
Foto: Edilson Rodrigues/Agência Senado
I don't like perms. #InspirationalQuotes #GirlQuotes #Quotes #TeenageLife #KeepFighting #LifeQuotes #BeautifulQuotes #RelationshipQuotes #SuccessQuotes #DontGiveUp #QuotesForTeens #PositiveQuotes #TeenQuotes #WomenQuotes #Follow4follow #Apology #imsorry #Love #Forever #LDR #LongDistanceRelationship #S4S #Relateable #Allgirls #Repost #TagMe #followme - _relate.quotess
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Image from 'Thirty-five years in the East. Adventures, discoveries, experiments, and historical sketches, relating to the Punjab and Cashmere', 001725500
Author: Honigberger, John Martin
Page: 175
Year: 1852
Place: London
Publisher:
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Open the page in the British Library's itemViewer (page: 000175)
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...