Relateable photos on Flickr

Motorcade in a street, possibly during the American Fleet visit to Sydney, 1925 by Australian National Maritime Museum on The Commons

3 1

This image possibly relates to the United States Navy visit to Sydney on 23 July 1925. This image was possibly taken on Hickson Road in Walsh Bay and the banner on the car reads: 'Welcome...Australia's...Commonwealth Band...'

The fleet departed for New Zealand on 6 August. The fleet included USS CALIFORNIA (V), USS COLORADO (III), USS TENNESSEE (III), USS MARYLAND (III), USS WEST VIRGINIA (II), USS NEW MEXICO (I), USS MISSISSIPPI (III) and USS IDAHO (IV).

This photo is part of the Australian National Maritime Museum’s Samuel J. Hood Studio collection. Sam Hood (1872-1953) was a Sydney photographer with a passion for ships. His 60-year career spanned the romantic age of sail and two world wars. The photos in the collection were taken mainly in Sydney and Newcastle during the first half of the 20th century.

The ANMM undertakes research and accepts public comments that enhance the information we hold about images in our collection. This record has been updated accordingly.

Photographer: Samuel J. Hood Studio Collection

Object no. 00034728

Bill Signings for HB980, SB4 and “Click It or Ticket” Campaign Launch by Governor Neil Abercrombie

House Bill 980, relating to “Highway Safety” (aka Distracted Driving Bill) – This measure is effective July 1, 2013. While all counties have some form of a distracted driving ordinance in place, this measure establishes a state law that creates consistent requirements across all counties for the use of mobile electronic devices while driving and will simplify enforcement. Crash data from the DOT shows that during 2007, 32 percent (2,871 of the 8,770 collisions) were attributed to inattention to driving.

Senate Bill 4, relating to “Motor Vehicles” (aka Universal Seatbelt Bill) – This measure requires all front seat and back seat occupants to buckle up, effective immediately. Adults and children must use their seat belts and child restraints at all times. Unrestrained back seat passengers were more than three times as likely to have injuries that were fatal or required hospitalization compared to restrained back seat passengers, based on DOH’s analysis of Emergency Medical Services (EMS) records. Additionally, among back seat passengers who were treated for injuries by EMS, average medical charges were nearly tripled among those who did not use seat belts ($11,043), compared to restrained passengers ($3,817).

The bill signings were done in conjunction with the DOT’s launch of the annual “Click It or Ticket” enforcement campaign, held in partnership between the state and counties with federal funding. During the national Click It or Ticket mobilization from May 20 to June 2 and throughout the year, police statewide will be continuing strict enforcement of the state seat belt and child passenger restraint laws.

Sweet Magnolia Leaves by John Russell

5 9

Kinetic: Relating to, caused by, or producing motion.

These are called “Kinetic” photographs because there is motion, energy, and movement involved, specifically my and the camera’s movements.

Most of these are shot outdoors where I have the room to literally spin and throw my little camera several feet up into the air, with some throws going as high as 15 feet or more!

None of these are Photoshopped, layered, or a composite photo...what you see occurs in one shot, one take.

Aren’t I afraid that I will drop and break my camera? For regular followers of my photostream and this series you will know that I have already done so. This little camera has been dropped many times, and broken once when dropped on concrete outside. It still functions...not so well for regular photographs, but superbly for more kinetic work.

Albeit supremely risky this is one of my favorite ways to produce abstract photographs.

If you'd like to see more please check out my set, "Vertigo:"

www.flickr.com/photos/motorpsiclist/sets/72157630591282642/

.

To read more about Kinetic Photography click the Wikipedia link below:

en.wikipedia.org/wiki/Kinetic_photography

.

My photographs and videos and any derivative works are my private property and are copyright © by me, John Russell (aka “Zoom Lens”) and ALL my rights, including my exclusive rights, are reserved. ANY use without my permission in writing is forbidden by law.

Departure of Kangaroos football team by AWATEA by Australian National Maritime Museum on The Commons

4 3

This image relates to the departure of the Kangaroos rugby team onboard AWATEA, July 1937. The photo was taken at Sydney Cricket Ground before the team left for the Australia Rugby League Tour 1937-1938. Pictured from left to right, back row: I. Ward, B. Williams, E.Collins, J.Gibb, C. Hazleton, A. Norval, D. Mclean, P. Farrall. Second row: P. Griffiths, R. Mckinnon, G. Maclennan, l. Heidke, S. Pearce, F. Curran, H. Robison, H. Pierce, R. Stehr. Third row: l. Dawson, G. Whittle, J. Reardon, R. Savage ( joint manager), W. Prigg (captain), H. Sunderland (joint manager), E. Lewis, P. Nolan, J. Beaton. Infront: P. Gilbert, R. Thompson, B. Norman, P. Williams.

The Australian National Maritime Museum undertakes research and accepts public comments that enhance the information we hold about images in our collection. If you can identify a person, vessel or landmark, write the details in the Comments box below.

Thank you for helping caption this important historical image.

Photographer: Samuel J Hood

Object number 00022598

Bill Signings for HB980, SB4 and “Click It or Ticket” Campaign Launch by Governor Neil Abercrombie

House Bill 980, relating to “Highway Safety” (aka Distracted Driving Bill) – This measure is effective July 1, 2013. While all counties have some form of a distracted driving ordinance in place, this measure establishes a state law that creates consistent requirements across all counties for the use of mobile electronic devices while driving and will simplify enforcement. Crash data from the DOT shows that during 2007, 32 percent (2,871 of the 8,770 collisions) were attributed to inattention to driving.

Senate Bill 4, relating to “Motor Vehicles” (aka Universal Seatbelt Bill) – This measure requires all front seat and back seat occupants to buckle up, effective immediately. Adults and children must use their seat belts and child restraints at all times. Unrestrained back seat passengers were more than three times as likely to have injuries that were fatal or required hospitalization compared to restrained back seat passengers, based on DOH’s analysis of Emergency Medical Services (EMS) records. Additionally, among back seat passengers who were treated for injuries by EMS, average medical charges were nearly tripled among those who did not use seat belts ($11,043), compared to restrained passengers ($3,817).

The bill signings were done in conjunction with the DOT’s launch of the annual “Click It or Ticket” enforcement campaign, held in partnership between the state and counties with federal funding. During the national Click It or Ticket mobilization from May 20 to June 2 and throughout the year, police statewide will be continuing strict enforcement of the state seat belt and child passenger restraint laws.

c670 long thin garden plan (with notes) by Alan

3

(Numbers on this photo relate to numbered notes in the text below)

A friend has a long thin garden behind his terraced home. The garden is 16 feet by 50 feet. He wants an area for an 8 feet by 6 feet shed and he would prefer this to be screened from view.

I've come up with this basic design and given him lots of options for how the design can be modified to either give a grass less garden / make it feel more/less informal and ways to reduce the cost of achieving it.

Many of the terraces in my area have gardens twice as long as this one. For those with children who like to play football etc half the garden could be attractive and well planted and the other half basically plain grass where the children can play.

There are numbers on the photo which correspond to the numbers below:_I hope you find the information useful

1. This area is for a shed and general storage. It is screened from the rest of the garden by a fence(no 4) which can be screened by climbing plants

2 Entrance area to the hidden shed/storage area

3 A mirror is positioned on the rear border of the garden. It reflects the garden and makes it appear as though the garden continues much further. The mirror if large enough could be surrounded by an arch structure.

4. This is a screen of some sort to hide the shed/storage area. It could be a brick,stone,concrete wall or a wooden fence. Climbers growing against it will soften the lines.

5.The S shaped path breaks up the lines of the long thin garden. The surface can be grass,gravel,bark,paving.brick-weave depending on your desires/budget The path allows wide and thin borders to each side which can be left as simple borders or circles can be added as in the photo above. Bigger borders give much more room for interesting layered planting

6 and 7 these circular areas are optional. They offer a wide range of possibilities. They could be grass with a brick border around them or one could be a pond . the other could be a sitting area the surface being slabbed,gravelled,decking or brick-weave paving

8. In the photo the path leads to a patio but it could lead straight to a house door.

I wanted to attach links to other relevant photos/information about gardening in this section but Flickr have stopped that facility too so I've put them in the first comment below this section.

Copy of last will and testament of Charles Bird relating to Ellen. Nee Bird, Amos, her sister Elizabeth inheritance, USA, Devon, Kent, England 1937 by North West Kent Family History Society

Copy of last will and testament of Charles Bird relating to Ellen. Nee Bird, Amos, her sister Elizabeth inheritance, USA, Devon, Kent ,England 1937

Copy of last will and testament of Charles Bird 26 January 1937 Rochester, NY naming his wife Lele Best Bird also names sister Ellen Amos of Dawlish, England who was to receive $10,000.

Charles Bird born circa 1864, North Molton, Devon was the son of William Bird and Mary Jane Thorne. His sister Ellen Winifred Bird was born 28th August 1864, North Molton, Devon She married Albert Alfred Amos a Draper, born 1866, Plumstead.

This was the beginning of an attempt lasting almost 30 years, first involving Ellen’s husband Albert A Amos and then his son Maurice Giles Amos who was born 1892 to obtain the inheritance due to Ellen.

Maurice Giles Amos first married Winifred Bickley in 1924 at Topsham. She died 28th October 1932 at Topsham. He then married Marjorie Quested, born 1900, Cheriton, Kent, the daughter of Charles Robert Quested and Alice Morton in 1933 at Folkestone, Kent

2-story farm house by Rita

1 5

This home is across the road and was owned by a hard-working farming family. He had a special love for horses and she for her vegetable garden. They passed away a few years ago. The house belongs to the family now.

ANSH

Something relating to my neighbor

Kinetic by Laura Slattery

3

"relating to the motion of material bodies and the forces and energy associated therewith"

A creative outing with my photo club - Inland Empire Photo Club - where we played with light and motion and long exposures to create kinetic art. It was a wonderful, creative evening.

Superintendent's narrative report for Carlsbad Caverns National Park, 06/1932 - 06/1932 by U.S. National Archives

1 1

Original Caption: This report includes a photograph of Superintendent Boles with Amelia Earhart Putnam who visited Carlsbad Caverns.

From:: Series: Correspondence and Other Records Relating to National Parks, Monuments, and Recreational Areas, compiled 1927 - 1953

Created By:: Department of the Interior. National Park Service. Region III. Carlsbad Caverns National Park. (08/07/1937 - 06/1962)

Production Date: 06/1932 - 06/1932

Persistent URL: arcweb.archives.gov/arc/action/ExternalIdSearch?id=293450

Repository: NARA's Rocky Mountain Region (Denver)

For information about ordering reproductions of photographs held by the Still Picture Unit, visit: www.archives.gov/research/order/still-pictures.html

Reproductions may be ordered via an independent vendor. NARA maintains a list of vendors at www.archives.gov/research/order/vendors-photos-maps-dc.html

Access Restrictions: Unrestricted

Use Restrictions: Unrestricted

DSC_9054 by LBJ Library

Luci Baines Johnson relates a story about her father, President Lyndon Baines Johnson.

In honor of Black History Month and The LBJ School of Public Affairs' 2017 Barbara Jordan Forum Week, the LBJ Presidential Library held a screening and discussion of the new 60-minute film, Get in the Way: The Journey of John Lewis, on Tuesday, February 21, 2017.

Get in the Way is the first documentary biography about U.S. Rep. John Lewis, D-Georgia, the civil rights hero and respected legislator whose unwavering fight for justice spans the past 50 years. The discussion panelists were Kathleen Dowdey, director of the film; Nelson Linder, president of the NAACP's Austin chapter; and Dr. Tasha Philpot, associate professor of government at the University of Texas at Austin and a scholar of black congressional history. The discussion was moderated by Paul Stekler, professor at the LBJ School of Public Affairs and chair of the Department of Radio and Television Film in UT’s Moody College of Communication.

LBJ Library photo by Jay Godwin

02/21/2017

Ojala Relator Junio by COMUNICAN2 SEVILLA

KHS_P_448_ (66) by Keighley and District Local History Society

The Nord fjord, and Grodas and the Horningdalvann, Norway, 1953. Page from a photo album belonging to Dora and Arnold Whitehead.

Husband and wife Arnold and Dora Whitehead lived on Cranleigh Mount, Exley Head, from 1939, when they had their house built, until age and ill-health finally forced Dora out over sixty years later. Arnold was a metal pattern maker, spending his working life at Keighley engineering firm Slingsby’s, and Dora worked there during the Second World War. They were both keen cyclists, regularly cycling around Yorkshire, the UK and Europe, including countries like Norway, Switzerland, Austria, Ireland and Italy. Together with friend Donald Lee, they started one of the Keighley cycling clubs. The pair never owned a car. Arnold was also a keen photographer, using their cycling trips as opportunities to practice his hobby. He had his own development studio in their home and developed a technique for colouring some of his photographs. The couple continued to cycle into their sixties. They had no children. Arnold died in the 1980s. Dora grew up in Manningham before marrying Arnold, and died in a residential home in Holmfirth at the age of 101 on 14th February 2015.

The album was loaned to Keighley and District Local History Society by Gillian Gill after an appeal was put out by the History Society for photographs relating to local cyclists and cycling clubs as part of a project relating to Keighley Transport Festival. Gillian and her husband David were friends and neighbours of the Whiteheads. The album was scanned and uploaded in March 2020.

Suffocating... by Jennifer Quan

3

I relate to this feeling a lot. Sometimes I feel trapped and I can't find my way out.. everyone is blocking me and has a way of disagreeing with everything I do and I can never do what I want. I've suffocated through this my whole life and I never thought I could come out of it. But I've learned that sometimes you have to do things for yourself and block those kind of people out to help you achieve your goals..not theirs.

Bill Signings for HB980, SB4 and “Click It or Ticket” Campaign Launch by Governor Neil Abercrombie

House Bill 980, relating to “Highway Safety” (aka Distracted Driving Bill) – This measure is effective July 1, 2013. While all counties have some form of a distracted driving ordinance in place, this measure establishes a state law that creates consistent requirements across all counties for the use of mobile electronic devices while driving and will simplify enforcement. Crash data from the DOT shows that during 2007, 32 percent (2,871 of the 8,770 collisions) were attributed to inattention to driving.

Senate Bill 4, relating to “Motor Vehicles” (aka Universal Seatbelt Bill) – This measure requires all front seat and back seat occupants to buckle up, effective immediately. Adults and children must use their seat belts and child restraints at all times. Unrestrained back seat passengers were more than three times as likely to have injuries that were fatal or required hospitalization compared to restrained back seat passengers, based on DOH’s analysis of Emergency Medical Services (EMS) records. Additionally, among back seat passengers who were treated for injuries by EMS, average medical charges were nearly tripled among those who did not use seat belts ($11,043), compared to restrained passengers ($3,817).

The bill signings were done in conjunction with the DOT’s launch of the annual “Click It or Ticket” enforcement campaign, held in partnership between the state and counties with federal funding. During the national Click It or Ticket mobilization from May 20 to June 2 and throughout the year, police statewide will be continuing strict enforcement of the state seat belt and child passenger restraint laws.

Uralla 2 (1926 - 1928) by Chris Borough

1

There were two ships named "Uralla" operating on the North Coast of NSW. The description below relates to vessel I have called Uralla 2 that was built at Grangemouth, Scotland in 1926 and distinguishes her from another ship, that I have called Uralla 1 (1908 - 1912), was built by Denis Sullivan at Coopernook and also operated along the coast of NSW. Uralla 1 was renamed Tilba after she was sold to the South Coast Steam Navigation Co. and was wrecked at Wreck Bay, near Jervis Bay in 1912.

Uralla 2 is a typical example of the small coastal ships that were owned and operated by the North Coast Steam Navigation Company along the northern rivers of New South Wales, which helped to play a major part towards the development of the Northern New South Wales region.

In 1928, only two years after her construction, an enormous sea struck her amidships, destroying her steering gear. Anchors were dropped, but they could not hold her and she ran ashore on Stockton Beach, around 12 miles north-east of Newcastle, NSW on June 14th, 1928. While the crew were able to wade ashore at low tide, attempts to refloat her failed and she was eventually sold. The new owners managed to refloat her briefly, but could not prevent her drifting ashore again, where she eventually broke up.

Captain F. P. O'Beirne, was in charge of the Uralla 2, which was beached at Stockton in June 1928. Captain O'Beirne received a handsome gold watch and chain from the North Coast Steamship Company, bearing the following inscription: "Presented to Captain F. P. O'Beirne from the directors of the North Coast Steamship Navigation Company, Ltd., as an appreciation of his seamanship in saving all hands aboard the S.S. Uralla. Beached 14th June, 1928, at Stockton."

Captain O'Beirne had been a master on the North Coast for 47 years.

The design of the Uralla 2 is distinctive, especially its very tall funnel (40 feet), which is capped with a Navy-type cowl. The unique height given to this funnel was arguably to give it effective natural draught for steaming qualities. Along with the funnel, was the steamer's stern of buff counter design (that somewhat resembled a cruiser stern) and the amount of space for general cargo (including refrigerated space for North Coast dairy produce), which was unusual for a ship of its small size.

References

Anon. "New Steamer. The Uralla arrives after a long voyage." Sydney Morning Herald 25 May 1926

Anon. "Uralla Ashore", Sydney Morning Herald (June 1928)

Hickey, T., "Ships of Yesteryear", Power Boat & Yachting (May, 1969) pp.52-53

Richards, M., "North Coast Run: Men and Ships of the New South Wales North Coast" (Killara, 1977) pp.113-119

The Grangemouth Dockyard Co Ltd was established in 1885 by William Miller and Samuel Pophouse Jackson. The company started with a shipbuilding yard in Grangemouth, Falkirk and in 1888 acquired two yards in Alloa, Clackmannanshire and Ardrossan, North Ayrshire. In 1900 a yard was acquired in Greenock, Inverclyde and the company renamed itself the Grangemouth and Greenock Dockyard Company.

Along with the production of the 'Uralla' were also three sister ships known as the 'Uki', 'Urana' and 'Tyalgum'. As with the 'Uralla', the other ships also had a neat appearance with a black hull, red boot topping, buff masts and eye catching bridge structures with wheelhouses of varnished teak. And, like the 'Uralla', the fates of these vessels were also, almost entirely, short-lived. The 'Urana' was wrecked near the Old Bar in the Taree District during 1937; the 'Tyalgum' was wrecked at the Tweed Bar in September 1939, while the 'Uki' survived and served as a Naval Patrol vessel during World War II, before finally being sold and hulked at Brisbane in 1960. Of these models, the National Maritime Museum also has the 'Uki' and 'Tyalgum' in its collection.

History Notes

The TSS 'Uralla' was the North Coast Steam Navigation Company's cargo steamer, which served bar harbours and rivers in New South Wales from 1926-1928. The steamer was officially launched on December 18, 1925 and commenced sea trials on February 6, 1926 on the Burnt Island mile. It was registered in Sydney in July, 1926.

The vessel left Grangemouth on February 12, 1926 but was forced to put into Gibraltar on March 1 for repairs. After a stay of two days she continued the voyage to Sydney, via Port Said, Colombo, and Singapore. When coming down the Queensland coast the little craft ran into the recent cyclone, and at one time stood by the steamer Wonganella. On Monday, May 17 the seas were so great that oil bags had to be brought into use to pre- vent the great waves breaking over the vessel, and causing damage. The vessel came through the storm remarkably well, and, after a call at Moreton Bay, completed her long voyage yesterday. The voyage from Thursday Island to Sydney occupied 30 days.

The Uralla 2 had a short use-life. In mid-June 1928, she was steaming south to Sydney (from the Richmond River) with a cargo of timber when fierce weather intervened. The steamer managed to reach as far as Barrenjoey, before the master, Captain O'Beirne, decided to turn back towards Newcastle. Even though the turn was made successfully in the grip of a heavy gale, the steamer shipped a heavy sea as she steamed north off Norah Head, spelling disaster. This was only 4 miles from the location where the 'White Bay' sunk (killing all its crew) only a few days earlier.

The sea unshipped one of the lifeboats, which crashed on top of the steam steering gear, putting it out of action. The anchors were let go, but the ship drifted and the cables parted. The captain decided to manoeuvre the ship with the twin screws and make a run for Stockton Beach, where she became stranded. The 17 crew on board (F.P. O'Beirne, master; Simon Simonsen, chief officer; Roy T. Steel, chief engineer; J. Laycock, second engineer; Gus Carlson; Harry Tomes; W.E. Hill; Peter McEntee; William Erickson; Emo Neemelson; William Pry, seaman; J. Halliday; Matt Woodbury; Thomas Crocker, fireman; Jack Jones, donkeyman; Alec McLeod, cook and Henry P. Ingham, steward) were all safely rescued.

Several unsuccessful attempts were made at trying to free the Uralla 2, prompting the decision to auction the £28,000 vessel at the rooms of F.R. Strange Ltd. The successful bidder, Mr E. S. Budrodeen, bought the steamer for only £1600 and after doing so, was then faced with trying to salvage the steamer himself. Budrodeen managed to get the steamer afloat, but without a tug to tow the 'Uralla' clear of the beach and breakers, meant she ended up drifting back to her original position. It was here that she slowly settled in the sand and finally disintegrated.

Location of wreck www.flickr.com/map?&fLat=-32.7929&fLon=151.9752&a...

Exeter Mural - With LOST (TV series) hidden objects by chris tirello

This mural appears quite normal at first glance but upon closer examination the artist has hidden some small things within that relate to the TV series LOST that just had it's series finale this week. This mural was painted in 2006 by Colleen Mitchell-Veyna and is located on the North wall of the TF Tire Co in Exeter, CA

視察元朗垃圾收集及鼠患監察設施 Visit to refuse collection and rodent surveillance facilities in Yuen Long (2021.04.26) by 立法會 Legislative Council

立法會改善環境衞生及市容事宜小組委員會視察元朗垃圾收集及鼠患監察設施

立法会改善环境卫生及市容事宜小组委员会视察元朗垃圾收集及鼠患监察设施

LegCo Subcommittee on Issues Relating to the Improvement of Environmental Hygiene and Cityscape visits refuse collection and rodent surveillance facilities in Yuen Long (2021.04.26)

Pitts S1 Pair + Pitts S2S Duo-Duxford Oct 2010 by Feggy Art

The description and specifications relate to the Pitts Special as this is an identical aircraft to the S1 and S2S.

The Pitts Special is a light aerobatic biplane designed by Curtis Pitts. It has accumulated many competition wins since its first flight in 1944. The Pitts Special dominated world aerobatic competition in the 1960s and 1970s and, even today, remains a potent competition aircraft and is a favourite for many an aerobatic pilot.

General characteristics

•Crew: Two

•Length: 18 ft 9 in (5.71 m)

•Wingspan: 20 ft 0 in (6.10 m)

•Height: 6 ft 7⅓ in (2.02 m)

•Wing area: 125 ft² (11.6 m²)

•Empty weight: 1,150 lb (521 kg)

•Max takeoff weight: 1,625 lb (737 kg)

•Powerplant: 1× Textron Lycoming AEIO-540-D4A5 flat-six air cooled piston engine, 260 hp (194 kW)

Performance

•Never exceed speed: 182 knots (210 mph, 338 km/h)

•Cruise speed: 152 knots (175 mph, 282 km/h) (max cruise)

•Stall speed: 52 knots (60 mph, 97 km/h)

•Range: 277 NM (319 mi, 513 km)

•Service ceiling: 21,000 ft (6,400 m)

•Rate of climb: 2,700 ft/min (13.7 m/s)

•Wing loading: 13.0 lb/ft² (63.6 kg/m²)

•Power/mass: 0.16 hp/lb (0.26 kW/kg)

Text and specifications based on Wikipedia article under the Creative Commons License for non-profit use.

Bangor RFC V Dundalk RFC Irish Junior Cup Final 31st January 2015 melee by John Mooney

Dundalk overwhelm Bangor in All Ireland Final

by Roger Corbett

Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.

Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.

The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.

Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.

Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.

The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.

By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.

As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.

From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.

As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.

From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.

Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.

Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan

Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson

Bangor scores: D Charles (1T)

Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie

Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.

Bangor Scorers: David Charles 1 try.

In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.

Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.

Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.

Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.

Spilled Margarita Survivor by Jazz Guy

I’ll relate to y’all, my beautiful readers, a simple tale of an ordinary average Central Texas Trumpet Case Bear. It was 95 degrees F (35 C) out of doors. Little Texas Aggie Trumpet Case Bear was about to go into heat exhaustion (symptom before heat stroke).

Alamo Basement Fightin’ Texas Aggie Ring whispered to me, “We need to get frozen Margaritas into the little bear immediately before he goes into a coma and dies. Have you looked at the price of black market bears lately?” I pulled out the large container for the Ninja and fired it up.

After about quatro or cinco Margaritas necesitas, Little Texas Aggie Osa (bear) was starting to feel much, much better. At this point, there was a spilt Margarita. It’s not important who spilt the Margarita, but it did totally soak Little Texas Aggie Bear.

I for one, am not about to allow a trumpet case bear who smells of tequila and is all sticky, near my 1947 Rudy Mück jazz trumpet. I had two options — Take him out to the woods and shoot him or — give him a bath in the kitchen sink.

Bears know how to swim. In fact, they love water. In some states, they will come into your backyard and take the waters in your swimming pool or jacuzzi. There are videos on YouTube.

I sanitized the sink and prepared a nice, warm bubble bath for Little Texas Aggie Bear. He hesitantly lowered himself into the sink. He let out a “bear sigh” of pleasure. When I took out the camera, Little Texas Aggie Bear started to cry. “What’s wrong?” asked Alamo Basement Aggie Ring.

“It’s the bubble bath.” sobbed the little bear. “If anyone in the Trumpet Case Bear Union sees those photos, I’ll loose my certification and be forced to become the worst sort of bear ever — a tuba/Sousaphone case bear.”

I assured the little bear that no one would ever see any of these photos and think that he’s some sort of “Barbie Dream House” bear. This seemed to put him at ease and please him.

After I rinsed him a couple of times, Aggie Ring and I realized we had a very, very wet bear to deal with. “If you don’t get him dry soon. He’ll start to smell like wet dog!” said Aggie Ring.

My first thought was, “Well… the ceiling fan will get him dry! I’ll just hang him up by the neck to it.” Sadly, when I turned on the fan, Aggie Bear went flying across the room and onto the hard floor like a child who wasn’t strapped in properly in a Disney World wild ride.

[More to follow]

Shadow (psychology)...merging with the shadow as typically bad, viewing it as the process of the suppressed id overwriting ego.. dissolution of the persona and the launch of the individuation process by Hughes Songe

3

In analytical psychology, the shadow (also known as ego-dystonic complex, repressed id, shadow aspect, or shadow archetype) is an unconscious aspect of the personality that does not correspond with the ego ideal, leading the ego to resist and project the shadow, creating conflict with it. The shadow may be personified as archetypes which relate to the collective unconscious, such as the trickster.[1][2][3][4][5]

Overview

Main articles: Defence mechanism and Anxiety

For broader coverage of this topic, see Introjection, Identification (psychology), and Guilt–shame–fear spectrum of cultures.

See also: Dark triad and Otto F. Kernberg

The shadow can be thought of as the blind spot of the psyche.[6] The repression of one's id, while maladaptive, prevents shadow integration, the union of id and ego.[7][8] While they are regarded as differing on their theories of the function of repression of id in civilization, Sigmund Freud and Carl Jung coalesced at Platonism, wherein id rejects the nomos.[clarification needed][9] Persona is contrasted against the shadow.[10] Jung regarded the shadow as unconscious – id and biography – suppressed under the superego's ego-ideal, the way the superego wants to be.[11] The shadow is projected onto one's social environment as cognitive distortions.[12] However, the shadow can also be regarded as "roughly equivalent to the whole of the Freudian unconscious",[13] and Jung himself asserted that "the result of the Freudian method of elucidation is a minute elaboration of man's shadow side unexampled in any previous age".[14]: 63

Contrary to a Freudian definition of shadow, the idea can include everything outside the light of consciousness and may be positive or negative.[citation needed] Because a subject can repress awareness or conceal self-threatening aspects of the self, consensus of the idea of the shadow that it is a negative function in the self, despite the extent of the repression failing to prohibit these aspects.[15] There are positive aspects that can remain hidden in one's shadow – especially in people with low self-esteem, anxieties, and false beliefs – with these aspects being brought to the conscious mind and exercised through analysis and therapy.[16] It may be considered the subject's identification with id, superseded in early childhood, though it can also be influenced by early to late childhood.[17][18]

Jung wrote that if awareness of the projection of the shadow remains repressed, "the projection-making factor (the Shadow archetype) then has a free hand and can realize its object – if it has one – or bring about some other situation characteristic of its power", lending the idea autonomous qualities which can have consequences on the id and the ego.[19] These projections insulate and delude individuals in society by acting as a symbolically deployed barrier between the ego and the ego-less Real.

Collective shadow

Main article: Psychopomp

For broader coverage of this topic, see Systems psychology, Mephistopheles, and Daimon.

See also: Scapegoat, Collective trauma, and Odin

The collective unconscious, a concept that states that all of humanity shares some unconscious ideals, forms a projective identification with uncertainty and feelings of helplessness along with other negative feelings. This projection frequently identifies with the figure of the Devil as the "fourth" aspect of the Pauline-Christian trinity, functioning as its grounding myth.[24] This idea can be seen in other mythologies, for instance, the ancient-Egyptian-devil Set "represents overwhelming affects".[25] The collective shadow is ancestral and is carried by the collective experience of the human race (i.e., in-group and out-group: dehumanization; e.g., hate crime).[26][27]

Appearance

Main article: Daimon

For broader coverage of this topic, see Masking (personality) and Censorship (psychoanalysis).

Further reading

Abrams, Jeremiah. 1995. The Shadow in America. Nataraj.

Abrams, Jeremiah, and Connie Zweig. 1991. Meeting the Shadow: The Hidden Power of the Dark Side of Human Nature. Tarcher. ISBN 0-87477-618-X

Arena, Leonardo Vittorio. 2013. The Shadows of the Masters. ebook.

Bly, Robert. 1988. A Little Book on the Human Shadow, edited by William Booth. San Francisco: Harper and Row. ISBN 0-06-254847-6

Campbell, Joseph, ed. 1971. The Portable Jung, translated by R. F. C. Hull. New York: Penguin Books.

Johnson, Robert A. 1993. Owning Your Own Shadow: Understanding the Dark Side of the Psyche. Harper San Francisco, 128 pp. ISBN 0-06-250754-0.

– – 1989. Inner Work: Using Dreams and Creative Imagination for Personal Growth and Integration. Harper San Francisco, 241 pp. ISBN 0-06-250431-2.

Massi, Danielle. 2022. Shadow Work: Face Hidden Fears, Heal Trauma, Awaken Your Dream Life. New York: Sterling Ethos.

Neumann, Erich. 1990. Depth Psychology and a New Ethic (reprint ed.). Shambhala. ISBN 0-87773-571-9.

Zweig, Connie, and Steve Wolf. 1997. “Romancing the Shadow.” Ballantine.

– – “Meeting the Shadow of Spirituality.”

References

Beebe, John (2004). "Understanding consciousness through the theory of psychological types". In Cambray, Joseph; Carter, Linda (eds.). Analytical Psychology: Contemporary Perspectives in Jungian Analysis. Advancing Theory in Therapy. Routledge. p. 110. ISBN 978-1-58391-999-6. Opposing Personality [...] Senex/Witch [...] Trickster [...] Demonic Personality [...] EGO-DYSTONIC COMPLEXES Shadow.

Solomon, Hester McFarland (2004). "The ethical attitude in analytic training and practice". In Cambray, Joseph; Carter, Linda (eds.). Analytical Psychology: Contemporary Perspectives in Jungian Analysis. Advancing Theory in Therapy. Routledge. p. 251. ISBN 978-1-58391-999-6. The shadow, that portion of the self that the ego designates as bad and projects as unwanted, carries what is treacherous and subversive – what is unethical and immoral – within the self and hides it, relegating its contents to unconscious areas within the psyche where it can be lived out in projection, using and abusing the other as a vehicle for the bad aspects of the self.

Jung, Carl (1971). "Aion: Phenomenology of the Self (The Ego, the Shadow, the Syzygy: Anima/Animus)". In Campbell, Joseph (ed.). The Portable Jung. Penguin Books. pp. 145, 146. ISBN 978-0-14-015070-4. The shadow is the moral problem that challenges the whole ego-personality [...] To become conscious of it involves recognizing the dark aspects of the personality as present and real. [...] dark characteristics[...]the inferiorities constituting the shadow[...]have an emotional nature, a kind of autonomy, and accordingly an obsessive or, better, a possessive quality. [...] These resistances are usually bound up with projections, which are not recognized as such, and their recognition is a moral achievement beyond the ordinary.

Hillman, James (1977). Re-Visioning Psychology. Harper. p. 128. ISBN 978-0-06-090563-7. Archetypal psychology envisions the fundamental ideas of the psyche to be expressed of persons – Hero, Nymph, Mother, Senex, Child, Trickster, Amazon, Puer and many other specific prototypes bearing the names and stories of the Gods. These are the root metaphors.

Avens, Roberts (1977). "The Image of the Devil in C. G. Jung's Psychology". Journal of Religion and Health. 16 (3): 196–222. doi:10.1007/BF01533320. JSTOR 27505406. PMID 24318090. S2CID 13610615. Retrieved 2022-06-25. The shadow symbolizes our 'other side,' the unrecognizable and disowned, animal-like personality rejected by the ego. [...] [T]he trickster, in Jung's psychology, is the collective shadow figure par excellence.

Brown, Rebecca; Stobart, Karen (2008). Understanding Boundaries and Containment in Clinical Practice. The Society of Analytical Psychology Monograph Series. Karnac Books. p. 7. ISBN 978-1-85575-393-8. Those parts of our psyches that are hidden and that we find difficult to face, Jung called 'the shadow'.

Avens, Roberts (1977). "The Image of the Devil in C. G. Jung's Psychology". Journal of Religion and Health. 16 (3): 196–222. doi:10.1007/BF01533320. JSTOR 27505406. PMID 24318090. S2CID 13610615. Retrieved 2022-06-25. [M]odern civilization provides inadequate opportunities for the shadow archetype to become individuated because in childhood our animal instincts are usually punished by parents. This leads to repression: the shadow returns to the unconscious layer of the personality, where it remains in a primitive, undifferentiated state.

Le Guin, Ursula K. (1975). "The Child and the Shadow". The Quarterly Journal of the Library of Congress. 32 (2): 139–148. JSTOR 29781619. Retrieved 2022-06-25. The shadow is all that gets suppressed in the process of becoming a decent, civilized adult. [... it's] man's thwarted selfishness, his unadmitted desires, the swearwords he never spoke, the murders he didn't commit. The shadow is the dark side of his soul, the unadmitted, the inadmissible.

Demos, Raphael (1955). "Jung's Thought and Influence". The Review of Metaphysics. 9 (1): 71–89. JSTOR 20123485. Retrieved 2022-06-25. As for the 'shadow' side of human nature (on which there is no difference of opinion between Freud and Jung) we may remind ourselves of Plato's phrase that 'in all of us, even those that are the most respectable, there is a lawless, wildbeast nature which appears in sleep' [...] (Republic 571-2)

Demos, Raphael (1955). "Jung's Thought and Influence". The Review of Metaphysics. 9 (1): 71–89. JSTOR 20123485. Retrieved 2022-06-25. [T]he polarity of opposites[...]persona-shadow[.])

Humphrey, Caroline (2015). "Shadows Along the Spiritual Pathway". Journal of Religion and Health. 54 (6): 2376–2388. doi:10.1007/s10943-015-0037-2. JSTOR 24735970. PMID 25794547. S2CID 11733262. Retrieved 2022-06-25. Jung construed [...] the personal shadow, [as] a biological and biographical shadow unique to each person, consisting of whatever innate instincts and transpersonal potentials we have suppressed in the course of adapting to society, along with archaic and traumatic memories [of the unconscious]. [...] The personal shadow is rooted in the shadow of our social group, which has moulded our ego-ideal and world view[.]

Spivack, Charlotte K. (1965). "The Journey to Hell: Satan, the Shadow, and the Self". The Centennial Review. 9 (4): 420–437. JSTOR 23737939. Retrieved 2022-06-25. The major activity of the shadow is what Jung calls projection. [...] cast[ing] forth its ruling [negative] emotions [...] into other people ('people don't like me') or [...] considers [everything] a hostile, malevolent environment ('the world is against me').

Anthony Stevens, On Jung (London 1990) p. 43

Jung, C. G. 1993. The Practice of Psychotherapy. London.

Jung, C.G. 1938. "Psychology and Religion". In Psychology and Religion: West and East, Collected Works of C.G. Jung 11. p. 131

Young-Eisendrath, P. and T. Dawson. 1997. The Cambridge Companion to Jung. Cambridge University Press. p. 319.

Jung, C.G. 1952. "Answer to Job." In Psychology and Religion: West and East, Collected Works of C.G. Jung 11. p. 12.

Fordham, Michael (January 1965). "The Importance of Analysing Childhood for Assimilation of the Shadow". Journal of Analytical Psychology. 10 (1): 33–47. doi:10.1111/j.1465-5922.1965.00033.x. ISSN 0021-8774. PMID 14253371.

Jung, C.G. 1951. "Phenomenology of the Self." In The Portable Jung. p. 147.

Avens, Roberts (1977). "The Image of the Devil in C. G. Jung's Psychology". Journal of Religion and Health. 16 (3): 196–222. doi:10.1007/BF01533320. JSTOR 27505406. PMID 24318090. S2CID 13610615. Retrieved 2022-06-25. [A]s superstition holds, a man without shadow is the devil himself. [...] The devil[...]can be regarded as God's dissatisfaction with himself, a projection of his own doubt [...] The devil here is a psychopomp[.]

Humphrey, Caroline (2015). "Shadows Along the Spiritual Pathway". Journal of Religion and Health. 54 (6): 2376–2388. doi:10.1007/s10943-015-0037-2. JSTOR 24735970. PMID 25794547. S2CID 11733262. Retrieved 2022-06-25. So it is originally a darkness of obscurity and mystery, rather than a darkness of degeneracy, disease or 'evil'. [...] a byproduct of our tendency to repress impulses which are anathema to our ego-ideals[.]

Clark, Margaret (2005). Understanding the Self-Ego Relationship in Clinical Practice: Towards Individuation. Routledge. p. 8. ISBN 978-0-367-10552-5. Jung often uses language we usually associate with God to think about the collective unconscious.

Schwartz-Salant, Nathan (2018) [1989]. The Borderline Personality: Vision and Healing. Chiron Publications. p. 92. ISBN 978-1-63051-515-7. Jungian theory commonly fills the place of the 'fourth' with the archetypal feminine but also includes evil as a fourth element.

[20][21][22][23]

Schwartz-Salant, Nathan (2018) [1989]. The Borderline Personality: Vision and Healing. Chiron Publications. p. 21. ISBN 978-1-63051-515-7. In Egyptian myth the devil Set, who is the enemy of the forces of order, represents overwhelming affects, including terrifying abandonment depression and dismemberment.

Humphrey, Caroline (2015). "Shadows Along the Spiritual Pathway". Journal of Religion and Health. 54 (6): 2376–2388. doi:10.1007/s10943-015-0037-2. JSTOR 24735970. PMID 25794547. S2CID 11733262. Retrieved 2022-06-25. Jung construed [...] the collective shadow, an ancestral shadow which [has been] accrued in the course of history in respect of each collectivity [...] both particularistic social groups and the human species as a whole.

Le Guin, Ursula K. (1975). "The Child and the Shadow". The Quarterly Journal of the Library of Congress. 32 (2): 139–148. JSTOR 29781619. Retrieved 2022-06-25. The shadow is projected outward, onto others. There's nothing wrong with me – it's them.

Le Guin, Ursula K. (1975). "The Child and the Shadow". The Quarterly Journal of the Library of Congress. 32 (2): 139–148. JSTOR 29781619. Retrieved 2022-06-25. The shadow stands on the threshold between the conscious and unconscious mind, and we meet it in our dreams, as sister, brother, friend, beast, monster, enemy, guide.

Derrida, Jacques; Domingo, Willis; Hulbert, James; Ron, Moshe; L., M.-R. (1999). "The Purveyor of Truth". Yale French Studies (96): 124–197. doi:10.2307/3040722. JSTOR 3040722. Retrieved 2022-08-22. The dreamer is the only one to see himself naked. And in contemplating his nakedness, he is alone. This, Freud says, is 'a suggestive point.' [...] the other [dream] people should be staring and laughing or becoming angry, but they are not.

von Franz, Marie-Louise. [1964] 1978. "The Process of Individuation." In Man and his Symbols, edited by C. G. Jung. London: Picador. ISBN 0-330-25321-2.

Fordham, Michael. 1978. Jungian Psychotherapy. Avon. p. 5.

Jung, C.G. The Structure and Dynamics of the Psyche. p. 148.

Humphrey, Caroline (2015). "Shadows Along the Spiritual Pathway". Journal of Religion and Health. 54 (6): 2376–2388. doi:10.1007/s10943-015-0037-2. JSTOR 24735970. PMID 25794547. S2CID 11733262. Retrieved 2022-06-25. Learning to [day]dream [...] is advisable for the serious practitioner of shadow work, and Jung developed the technique of active imagination to this end. If we carve out a regular space – time for silence and solitude, we may discern the murmurings of another voice within us or the spontaneous formation of an image in our mind [...] afterwards we need to record our experiences to render the memorable by writing a message, drawing an image, performing a dance sequence or vocalising a melody (cf. Hannah 1991; Rowan 2005, pp. 125-147)

Falzeder, Ernst (2012). "Freud and Jung, Freudians and Jungians". Jung Journal: Culture & Psyche. 6 (3): 24–43. doi:10.1525/jung.2012.6.3.24. JSTOR 10.1525/jung.2012.6.3.24. S2CID 144239928. Retrieved 2022-06-28. Apart from using dreams, Jung's method of soliciting emanations and manifestations of the unconscious was that of 'active imagination,' a method that produces a kind of waking vision or phantasy, which he then subjected to what he called 'amplification,' consisting essentially in finding 'parallels' to those images in 'collective' imaginations, such as myths, religious systems and practices, visions, alchemy, yoga[.]

Clark, Margaret (2005). Understanding the Self-Ego Relationship in Clinical Practice: Towards Individuation. The Society of Analytical Psychology Monograph Series. Routledge. p. 93. ISBN 978-0-367-10552-5. Active imagination is a technique that promotes dialogue between the ego and the self. The ego is deliberately set aside temporarily, and images from the unconscious arise and develop; the ego watches the story unfold as in a theatre, noting plot, characters, setting, dialogue. [...] If the patient is on their own [doing solo-work], it is obviously important that their ego is able to cope with whatever images and affects the self produces [...] the practitioner of active imagination can be overwhelmed by the emerging unconscious material[.] [...] Art therapy and drama therapy are based on the theory of active imagination; images can also be formulated in pottery, or poetry.

Marlan, Stanton. The Black Sun: The Alchemy and Art of Darkness. pp. 23–25. Jung refers to the descent into darkness as nekyia. In Psychology and Alchemy, Jung uses this Greek word to designate a ' 'journey to Hades,' a descent into the land of the dead.' [...] The nekyia ultimately leads to the fading of the ego's light and a death[.]

Jacobi, J. 1946. The Psychology of C. G. Jung. London. p. 102.

Homans, Peter. 1979. Jung in Context. London. p. 102.

C. G. Jung, Mysterium Coniunctionis (London 1963)

Jung, C. G. 1953. Two Essays on Analytical Psychology. London. p. 277.

Jung, C.G. The Archetypes and the Collective Unconscious (London 1996).

Jung, C. G. 1954. "Psychology of the Transference." In Practice of Psychotherapy, Collected Works 16. London. p. 219.

Stevens, Jung p. 50

Jung, C. G. 1944. Psychology of the Unconscious. London. pp. 181–82.

Jung "Psychology"[full citation needed] pp. 238–39

Bly, Robert, and Marion Woodman. 1999. The Maiden King. Dorset.

Jung, C. G. Symbols of Transformation (London 1956) pp. 357, 375

"Definition of ASSIMILATE". www.merriam-webster.com. 2023-10-16. Retrieved 2023-10-23.

Schwartz-Salant, Nathan (2018) [1989]. The Borderline Personality: Vision and Healing. Chiron Publications. pp. 93, 121. ISBN 978-1-63051-515-7. Only with a conscious integration of the shadow can the positive numinosum actualize. [...] The experience of our [human limiations via] embodied size is essential for the numinosum to gain actuality; without this knowledge of our limitations, and hence, an awareness of our humanity, contact with the numinosum leads to an inflated state. [...] ego [...] inflation[.]

Jung, "Psychology"[full citation needed] pp. 260, 266, and 269

Jung, C. G. Aion: Researches into the Phenomenology of the Self. (London 1959) p. 22

Kaufman, Carolyn. "Three-Dimensional Villains: Finding Your Character's Shadow." Archetype Writing: The Writer's Guide to Psychology.

Jung, C. G. Memories, Dreams, Reflections (London 1983) p. 262

Hart, David L. 1977. "The classical Jungian school." In The Cambridge Companion to Jung, edited by P. Young-Eisendrath and T. Dawson. Cambridge: Cambridge University Press. p. 92

Stevens, On Jung p. 235

Gómez Moreno, Marta; Hewitt Hughes, Elena Carolina (July 2016). "An analysis of Stevenson's novel based on Jung's theory of the Shadow archetype in The strange case of Dr. Jekyll and Mr. Hyde". Alpha (Osorno) (42): 51–76. doi:10.4067/S0718-22012016000100005. ISSN 0718-2201.

Bailey, Edgar C. (1980-01-10). "Shadows in Earthsea: Le Guin's Use of a Jungian Archetype". Extrapolation. 21 (3).

Stark, Tanja (22 June 2015). Crashing Out with Sylvian: David Bowie, Carl Jung and the Unconscious" in Deveroux, E., M.Power and A. Dillane (eds.) David Bowie: Critical Perspectives. Routledge Press. pp. 82–110. Retrieved 4 December 2016.

"'Persona' Bends But Doesn't Totally Break Jungian Psychology". Inverse. 2016-10-27. Retrieved 2023-11-08.

Gailloreto, Coleman (2020-04-10). "The Jungian Psychology Concepts Which Acted As Inspiration For The Persona Franchise". ScreenRant. Retrieved 2023-11-08.

External links

Discussion of the Shadow for Individuals and Groups

vte

Carl Jung

Authority control databases: National Edit this at Wikidata

United StatesIsrael

Categories: Jungian archetypesAnalytical psychologyPsychedelic drug researchPsychological theoriesCarl JungCounterparts

en.wikipedia.org/wiki/Shadow_(psychology)

I can relate. by Jabiz Raisdana

Pain by Emily Estrella

2 5

This relates to my concentration idea, because this was while my mom was in labor (labor isn't the pushing part fyi). During this specific time she was in a lot of pain, but she was trying to rest to get ready to start pushing and to welcome the baby into this world.

Material relating to the 1958 British Empire and Commonwealth Games. by Cadbury Research Library

Track and Field archives

The National Athletics Archive is held at the Cadbury Research Library, University of Birmingham, and comprises an extensive volume of archival materials. These papers primarily relate to the history and development of athletics in the United Kingdom throughout the 1800s and 1900s. In addition to organisational collections, such as the papers of the Amateur Athletics Association, the National Athletics Archive includes various discrete collections of individual athletes. These include papers relating to Sydney Wooderson MBE, 1914-2006. Wooderson was an English athlete who was dubbed ‘The Mighty Atom’. His athletics career peaked in the 1930s and 1940s and he set the world mile record of 04:06:40 at London’s Motspur Park on 28 August 1937. This record stood for nearly five years.

The collection also includes ephemeral and grey literature relating to various athletics clubs, meetings and events. Papers relating to major athletics championships include material generated during the 1958 British Empire and Commonwealth Games held in Cardiff. These Games introduced the ‘Queen’s Baton Relay’ which has been conducted as a prelude to every British Empire and Commonwealth Games since.

Programmes and manuscript results compiled by the athlete and coach, Dennis Cullum, 1913-1985.

Reference: ATH/DC/2/1

relator de lujo by Boca Fan

Finnish by Dan Hill

1

Relates to this post at City of Sound.

Quadrant Range from Ring Road South at the University of Birmingham - panoramic by Elliott Brown

1 1

Quadrant Range from Ring Road South at the University of Birmingham.

This direction on a sunny November afternoon from the path towards the Lapworth Museum of Geology (wasn't going there this time).

As usual had to find my way into the Chancellors Court, that meant heading round to the right and eventually up close to the Bramall Music Building.

This is the listing below for the main buildings of the Quadrant Range.

Grade II* listed building

Great Hall and Quadrant Range

Listing Text

UNIVERSITY ROAD

1.

5104

Edgbaston B15

Great Hall and

Quadrant Range

formerly listed as

Birmingham University

(Main Buildings)

SP 08 SW 11/4 21.1.70

II*

2.

1900-1909 by Sir Aston Webb and Ingress Bell, the D plan group main university

building of which only part were completed to the original design. The Great

Hall opposite the tower is the central axial building, to its front is a square

entrance hall with a giant round arched mullioned window, above an ornate

frieze over the loggia doorways, flanked by tapering square corner turrets

(to rear as well) which are topped by small ribbed domes. Over the hall rises

a low octagonal drum supporting a large ribbed dome and a miniature lantern.

Red brick and stone and buff terracotta dressings, but the conception is more

Byzantine than Renaissance. Behind the domed and galleried entrance hall with

ornate Renaissance grotesque relief carving, lies the Great Hall itself, a

vast tunnel vaulted space with cross vaulted

2 storey side galleries. Rich grotesque carving. Lavish stained glass by

T R Spence. The centrepiece of the hall has 2 storey quadrant links forming

the wing pavilions, 2 to the west but only one completed to the east. These

relate on a smaller 2 storey scale to the Great Hall being square on plan and

with similar ribbed domes but with round corner turrets, wings extending

behind. Flat lintelled window ranges on ground floor and large frescoed

friezes by Anning Bell below the parapets on the first floor level. The link

ranges have segmental arched windows. Modern part to east not of special interest.

Listing NGR: SP0472283539

This text is from the original listing, and may not necessarily reflect the current setting of the building.

Panoramic made of stitching two photos together and cropping.

Audiência Pública - Ciclo Completo da Polícia by Paulo Lopes

Audiência pública realizada na Assembleia Legislativa de SP, para debate do ciclo completo da polícia, englobando policiais federais, civis e militares.

Bill Signings for HB980, SB4 and “Click It or Ticket” Campaign Launch by Governor Neil Abercrombie

House Bill 980, relating to “Highway Safety” (aka Distracted Driving Bill) – This measure is effective July 1, 2013. While all counties have some form of a distracted driving ordinance in place, this measure establishes a state law that creates consistent requirements across all counties for the use of mobile electronic devices while driving and will simplify enforcement. Crash data from the DOT shows that during 2007, 32 percent (2,871 of the 8,770 collisions) were attributed to inattention to driving.

Senate Bill 4, relating to “Motor Vehicles” (aka Universal Seatbelt Bill) – This measure requires all front seat and back seat occupants to buckle up, effective immediately. Adults and children must use their seat belts and child restraints at all times. Unrestrained back seat passengers were more than three times as likely to have injuries that were fatal or required hospitalization compared to restrained back seat passengers, based on DOH’s analysis of Emergency Medical Services (EMS) records. Additionally, among back seat passengers who were treated for injuries by EMS, average medical charges were nearly tripled among those who did not use seat belts ($11,043), compared to restrained passengers ($3,817).

The bill signings were done in conjunction with the DOT’s launch of the annual “Click It or Ticket” enforcement campaign, held in partnership between the state and counties with federal funding. During the national Click It or Ticket mobilization from May 20 to June 2 and throughout the year, police statewide will be continuing strict enforcement of the state seat belt and child passenger restraint laws.

01 by stevewilliams7

I am sure that most people will relate to that ‘Monday Morning Feeling’. The dreaded realization upon waking that it is NOT Saturday or Sunday. It’s not even any other weekday. It’s Monday. The day when you long for that extra half-hour in bed more than on any other day of the week. The day when, due to some meteorological quirk of nature, the weather, more often than not, is depressing. The day when you question your career choice!

I was certainly no different. As an Art teacher for nearly 35 years, I would make my way up the school drive wondering whether some mutated virus may just possibly have incapacitated only the disruptive pupils in the school. In the Winter there was always the possibility that the heating system had broken down and the pupils would be sent home, or the pipes had burst over the weekend. The reality for a Monday was that staff absence would be heavier than normal and, if one had a non-contact period (can’t call them ‘free’ periods any more), looking at the daily ‘cover’ list would see one’s name down to take class 9Z for ‘Life Skills’ or something similar because Miss Binge had a ‘migraine’ or Mr. Skiver had developed the ‘workshy virus’.

By mid-morning break, of course, usually, one’s mood had returned to normal and life really didn’t seem that bad. In order to militate against the likelihood of a mass-suicide pact in the staffroom on a Monday morning, I began to produce a ‘Picture of the Week’ with a caption beneath, for the ‘Cover Noticeboard’. These raised a smile and I was sometimes asked for a copy. I have begun to upload them here for the benefit of anyone who has a similar sense of humour to myself! I will upload the first few and then add to them on a weekly basis.

Feel free to add your own caption.