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** Today is Father's Day in my part of the world **
One of my fondest memories of my Father was watching him sit on the swing in the front yard of our house. He stays there for a really long time, listening to Abba's songs. His work takes him away for many months. And when he's home I often saw him do this. Back then I thought he must be bored being in the house as he's so used to traveling and being so busy. Later on I realized he wasn't bored. He was relaxing. Savoring the moment. Listening to the songs he loved.
And so I chose this song, as the title say, I thank the music for making him smile and for giving me this memory of him.
Happy Father's Day to all my friends who are fathers. Thank you for all the things you do 💓
Everything I included in the photo relates to the memories of my Father. And are special to me.
Abba - Thank You For The Music
This is installment number 2 of the Billy Joel collection. It's amazing how Billy captured every day scenarios that anyone can relate to.
This song is dedicated to everyone that is being told what is best for them or that they are doing something wrong.
It's important to have strong convictions and stay true to yourself. While it's great to receive advice from others, ultimately it's up to you to make your own decisions in order to achieve true happiness. Failure to do so can lead to feelings of regret, which can be a burden to bear on your own. It's crucial to follow your dreams and pursue your passions in life, as this is the surest way to live a fulfilling and satisfying life.
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Lyrics
Got a call from an old friend we used to be real close
Said he couldn't go on the American way
Closed the shop, sold a house, bought a ticket to the west coast
Now he gives them a stand-up routine in L.A.
I don't need you to worry for me 'cause I'm alright
I don't want you to tell me it's time to come home
I don't care what you say anymore this is my life
Go ahead with your own life leave me alone
I never said you had to offer me a second chance
(I never said you had to)
I never said I was a victim of circumstance
(I never said)
I still belong (still belong)
Don't get me wrong (don't get me wrong)
You can speak your mind but not on my time
They will tell you you can't sleep alone in a strange place
Then they'll tell you you can't sleep with somebody else
Oh, but sooner or later you sleep in your own space
Either way it's okay, you wake up with yourself
I don't need you to worry for me 'cause I'm alright
I don't want you to tell me it's time to come home
I don't care what you say anymore this is my life
Go ahead with your own life leave me alone
I never said you had to offer me a second chance
(I never said you had to)
I never said I was a victim of circumstance
(Gf circumstance)
I still belong (still belong)
Don't get me wrong (don't get me wrong)
You can speak your mind but not on my time
I don't care what you say anymore this is my life
Go ahead with your own life leave me alone
“Don't Just
Don't just learn, experience.
Don't just read, absorb.
Don't just change, transform.
Don't just relate, advocate.
Don't just promise, prove.
Don't just criticize, encourage.
Don't just think, ponder.
Don't just take, give.
Don't just see, feel.
Don’t just dream, do.
Don't just hear, listen.
Don't just talk, act.
Don't just tell, show.
Don't just exist, live.”
Poem ― Roy T. Bennett
For the 😄 HaPpY CrAzY Tuesday 😄 theme 'Negative Space'
I had to do something to portray what it feels like to be in isolation. I know it's somewhat eerie :) Two more days and we will be free to leave the house again. I think most of you can relate to this feeling, after having lived through a pandemic and being in lockdown off and on over the past couple of years.
We are both getting better slowly.
My husband is always a willing subject :)
They will relate your photograph to their memories. That interplay is where a picture becomes alive and grows into something :-)
Jason Fulford
prunus, mexican plum, j c raulston arboretum, ncsu, raleigh, north carolina
The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures. The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
I'm posting this image to my Flickr gallery with a story... It was taken by my daughter. Its one of her first images. She is on the autism spectrum and has always struggled to express herself in ways that other people can relate to. This image she made fills me with a whole wave of emotion. I took her with me for a walk at a park one day and gave her a point and shoot camera to use since I was carrying mine. It was completely un-coached, just a girl on a walk with her dad at a large park in Seattle. Shortly after that we moved and I packed the camera away. Just the other day I found it in a box, the SD card still in it... So I downloaded them. The images she brought home are so expressive and amazing it takes my breath away. I'm just sharing this one image because it gives me hope. And, I hope it speaks to you as well. You are not alone. God bless.
Dedicated to one of our closest friends Dalis and her dog who meant a lot to her and we are extremely elated to do this for her as i relate to the feeling she had for her true companion
~~~~~~~~~~~~~♥ParisWears♥~~~~~~~~~~~~~
LeLUTKA Head - Lily 3.1
Maitreya Mesh Body - Lara V5.3
Lamb. Jimi
:: MOMOCHUU :: Rolly Fur Jacket
:: MOMOCHUU :: Rolly Top
Blueberry - Cant Relate Fishnet Stockings
Caboodle - Skelly Briefs
(Yummy) Alexis Necklace & Body Chain
[Fetch] Rizzo Glasses
~~~~~~~~~~~~~♥~~~~~~~~~~~~~
cos·mic
/ˈkäzmik/
adjective
relating to the universe or cosmos, especially as distinct from the earth.
Cosmic Women of SL group x [high v.] tee collaboration.
cosmic woman tee.
Maitreya | Hourglass | Physique | Standard| Isis | Freya
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The Caldwell County jail was built in 1908-1909. Designed by architect T. S. Hodges, this castellated brick structure served as the county's jail until 1982. Hodges is also known for the Dr. Eugene Clark Library in Lockhart shown previously in this short series.
The jailer's quarters occupy the ground floor, over a storage area in the basement. The upper floor contain fifteen cells of concrete and steel, with one cell rising from the center of the building. Gallows are said to have been removed from this jail in the 1930s.
Now a museum, the jail also hosts exhibits relating to the history of Caldwell County and the State of Texas. The former jail is not a Texas Historic Landmark.
Lockhart is the seat of Caldwell County, and is located 30 miles (48 km) south of Austin. The estimated population of Lockhart in 2019 was 14,133. Known as the Barbecue Capital of Texas, Lockhart also has played host to many film sets. The 1996 Christopher Guest comedy film Waiting for Guffman and the 1993 drama What's Eating Gilbert Grape were filmed partially in Lockhart, including the historic courthouse and the town square.
The Swiss Way relates the history of Switzerland surrounded by a scenic landscape. The trail was constructed as a joint project of the cantons on the occasion of the 700th anniversary celebrations of the Confederation (1291-1991). It begins on the Rütli Meadow, where the Confederation was founded, and ends in Brunnen in the Swiss Expatriates Square (Platz der Auslandschweizer).
This piece of national architecture of 19th Century relates to south of Polavshchyna and that as of nowadays has disappeared. It was built in 70th of 19th Century.
The house from Revasivka village has never been reconstructed since it had been built. Its window frames were re-made in the mid-50th of 20th Century. The walls are decorated with clay of different color; inside there is a carved cupboard, painted trunk and national pictures in interior.
The house from Revazivka village was discovered in 1976 by an architect Lukianchuk V.D. and restored in the Museum in 1977-1978.
Few words about Revazivka village, as it were never mentioned in modern sources. In the middle of 19th Century, this village was called Novakivka and belonged to Ploshchanska volost of Poltava povit in Poltava hubernia.
It was a village of a proprietor, with 179 souls in 18 yards. Officially, Revazivka is called sloboda. There were 219 inhabitants in 44 homesteads.
Nowadays, the village of Revazivka has joined to Grekopavlivka village. It now relates to Stovbynska village council in Novosanzharskyi district of Poltavska Region.
The house is of two rooms (a home, a mudroom), of combined structure. A two-room house could be met only in poor villages belonging to proprietors. A three-room house was more traditional for Poltava area.
The house is built on piles. Above the windows, piles are covered with shingles. A longitudinal ceiling beam and upper parts of piles have tips on sidewall adjacent to the stove, so forming reasonable overlap of the roof. A lumber lay on tips to support auxiliary beams of the roof. Ceiling comprises ceiling beam and slyzhni. The slyzhni are surfaced by caber, and then covered with clay.
The four-slope roof of the house is low, supported by rafters and covered with cane sheaves, as there were a lot of cane in the waterlog river valley near Revazivka.
Combines, log and framework structure of a national dwelling on south Poltavshchyna was typical of this region, poor in building wood.
Especially interesting was filling of this house’s framework walls: there were twiggen with mullein. This grass grew high near Revazivka, and had strong stems. The local say: “Even shipworms never eat mullein”.
This is a house of two rooms (a home and a mudroom) with framework and log walls. Under the windows, walls are framework: horizontal hlytsi are nailed to vertical piles, with osier between them. Above the windows, planks of three parts are fixed to piles. A longitudinal ceiling beam is fixed thereto and two transverse ones (one in the home, another – in the mudroom). The longitudinal beam and tops of planks have overlaps on sidewall, adjacent to the stove, so forming reasonable overlap of the roof. Inside and outside, the house is clayed and whitewashed, except for back wall, only clayed. The house stays now on concrete basement.
Area – 53.92 square meters (5.15 x 10.47).
Хата з с. Ревазівка, Новосанжарського р-ну, Полтавської обл.
Пам′ятка традиційного народного будівництва XIX століття в південній Полтавщині, яких на даний момент в регіоні не існує. Побудована в 70 – ті роки ХІХ століття.
Хата з с. Ревазівка від її існування не перебудовувалася. У середині 50-х років ХХ століття перероблені віконні рами. Підводка стін кольоровими глинами, різьблений мисник, мальована скриня, народний живопис в інтер’єрі.
Хата с. Ревазівка виявлена в 1976 році архітектором Лук′янчуком В.Д. і реставрована в Музеї у 1977 – 1978 роках.
Коротко про село Ревазівку, оскільки в сучасних джерелах воно не згадується. Поселення Ревазівка в середині XIX століття називалося Новаківка і належало до Площанської волості Полтавського повіту Полтавської губернії.
Було воно поміщицьким селом і проживало там 179 душ у 18 дворах. Старожили розповідають, що Ревазівкою володів пан Ревазов. У 1926 році Ревазівка офіційно зветься слободою, з числом мешканців – 219, які проживали у 44 господарствах.
Зараз село Ревазівка з’єднане з селом Грекопавлівкою і належить до Стовбинської сільради Новосанжарського району Полтавської обл..
Хата дводільна /хата, сіни/, комбінованої конструкції. Дводільні хати траплялися тут тільки в бідних поміщицьких селах. Традиційно на Полтавщині було тридільне житло.
Хата збудована на сохах. На сохи, вище вікон покладено ощіп. Подовжній сволок та верхні вівнця ощіпу мають з покутнього причілку випуски, утворюючи значний винос даху. На випуски укладено брус, на який спираються наріжники даху. Основу хатньої стелі утворюють сволок і слижні. По слижнях укладено щільно жердини, а зверху шар м’ятої глини.
Чотирисхилий дах хати невисокий, на кроквах. Покриття з очерету, техніка – «парки». Очерету біля Ревазівки росло багато на заболоченій річковій долині.
Комбінована зрубно – каркасна конструкція народного житла південної Полтавщини була характерною для цього регіону, бідного на будівельний ліс.
Особливо цікавим було заповнення каркасу стін даної хати с. Ревазівка: стіни були заплетені коров’яком. Коров′як поблизу Ревазівки ріс високий, з міцним стеблом. «Коров′яка і шашель не бере».
Дводільне житло (хата, сіни). Стіни каркасно – зрубні. До вікон стіни каркасні: до вертикальних сох прибито горизонтальні глиці, між якими всторч заплетена лоза. На сохи, вище вікон, покладео ощіп з трьох вінців. В ощіп врубано подовжній сволок та два поперечні (один у хаті і один у сінях). Подовжній сволок та верхні вінця ощіпу мають випуски з покутнього причілку, утворюючи значний винос даху. Хата ззовні і всередині обмащена і побілена крім задньої, порудованої стіни. Хата встановлена на бетонний фундамент.
Площа - 53,92 м2 (5.15 х 10.47).
that relate to my experiences :-)
Alan Siegel
HMM! Climate Change Matters! Resist the Ignorant Orange Clown and his Cabinet of Stooges and Buffoons!!
prunus persica, flowering peach, 'Bonfire', j c raulston arboretum, ncsu, raleigh, north carolina
The house relates to the middle 19th Century; its last owner was Kuryk Mykola Vasylovych. The house comprises of three parts – a house, a mudroom and a small house. Its external walls aren’t covered, only strips are painted around its windows and doors. Such strips are specific for houses from Vyzhytskyj and Putylivskyj districts of Chernivtsi Region. Art painting and strips are very distinct decorations for houses of lowland Bukovyna. The house’s joyful interior is created by grapes depicted on the stove, around windows and on pokut (the sacred place of a traditional home). The most widespread patterns in Korytne village are grapes, arrow-wood leaves, hops and crosses on bases.
The house is built of smereka and poplar wood, its area equals to 58.8 square meters.
Хата із села Коритне Вижницького району Чернівецької області
Датується серединою ХІХ ст. Останній власник - Курик Микола Васильович. Складається із трьох частин - хати, сіней і хатчини. Зовні хата не мащена, тільки підведені смуги коло вікон та дверей. Така підводка характерна тільки для хат з Вижницького та Путильського районів Чернівецької області. Характерною декоративною оздобою для хат підгірської Буковини є розпис і підводка. Святковий інтер’єр у великій хаті створює розпис у виноград на печі, коло вікон на покуті. Найбільш поширений розпис у с.Коритному – «виноград», «калиновий лист», «хмелик» та «хрести на постаменті».
Хата з Буковини. Складена вона з кругляка смереки і тополі в прості замки з торцями. До верхів зрубу торці подовжуються і переходять ніби в кронштейни. Дах чотирисхилий, покритий соломою.
Площа споруди – 58,8 кв.м.
It relates to 18th Century. As of the time of transfer to the museum, the house was the oldest in the village and belonged to Oros family. The house has two premises: house and mudroom. It is one of the most ancient types of house planning in Zakarpattia. Walls of the house are constructed with wide oak cut blocks. Its high four-sloping roof is covered with straw.
This house is the oldest Zakarpattia house in our museum. It displays specific features of national building in valley of Tereblia-river and the middle reaches of Tysa River. The house’s area is 35.4 square meters.
Look at the exterior of the hut:
Характерною ознакою житла лемків (етнографічної групи українського народу), як і бойків, були білий та синій кольори.
Хата із с. Теребля, Тячівського району Закарпатської області
Датується XVIII ст. На час перенесення до музею хата була найстарішою в селі і належала родині Оросів. Хата дводільна: хата, сіни – є одним із давніх варіантів планування житла на Закарпатті. Стіни хати складені з широких дубових колених брусів. Високий чотирисхилий дах вкритий соломою.
Це найстаріша хата Закарпаття в експозиції нашого музею. Вона розкриває особливості народного будівництва у долині ріки Теребля та середньої течії р. Тиси. Площа хати — 35, 4 кв.м.
Taken by the Marine Lake, sunny but bitterly cold. The references on the beakers seem to relate to two of the mountain sections of the Tour de France (?)
It's not like I chose this
I was not given a choice
In a room full of stories
Mine is just another voice
How does she do it?
Without making any sound?
I cry after hours
And scream when no one is around
Here comes a battle
Here's another uphill climb
So strap on some courage
You should be well prepared this time
Just because I'm still standing
Just because I have survived
Doesn't mean I don't get scared
Or wanna give up every time
Cause I don't feel like being strong today
I wanna fall apart sometimes
I wanna break
Next time they ask I'll tell the truth and I'll say
That I'm not ok
That I'm not ok
I don't feel like carrying all this weight
Or being broken around those who can't relate
Next time they ask I'll tell the truth and I'll say
That I'm not ok
That I'm not...
God gives his toughest
Battles to his strongest ones
Built out of courage
In the image of his only son
And I am a soldier
I can take the whole world on
So watch as I fight this
And give your praise once I have won..................
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Shot @ Subway in Palakkarai , Trichy , Tamil Nadu , India.
Shot in natural light.
I tried to relate the bicycle in the mural / wall art on the left to the bicycle on the right.
Also a boy in the mural looking at the stairs , to the stairs which is on the right.
A photographer is always the second person in the picture. :)
The Head: GENUS Project – Genus Head – Baby Face
The Body: -Belleza- Freya Full
The Skin: Bold & Beauty :: Ashley (Genus App) – Sand.
The Hair: no.match_ ~ NO_ROOM ~ Pack of BLACKS @ MOM
The Ears: ^^Swallow^^ Crossover Elf Ears @ Kustom9
The Piercings: -SU!- Face Piercing Set 01
The Shirt: Blueberry – Can’t Relate – Tops Alone
The Leggings (with shoes): Blueberry – Dynamite – Leggings On Steroids
The Pose: Amitie Resolutions GACHA 01
l'abbaye est un ensemble monumental exceptionnel pour son architecture et son histoire relatée depuis ses origines par deux chroniques du XIIIe siècle et du XVIIe siècle. C’est dans la première moitié du XIIe siècle que le chapelain Lambert, aussi appelé « le bienheureux » (l’histoire veut que dans sa jeunesse, il se soit livré à la chasse et tué un dragon qui ravageait le pays) décide de réunir quelques prêtres pour se consacrer à la vie régulière et fonde la première abbaye de style roman. La congrégation ne cesse de s’enrichir et à la fin du XIIe siècle, l’abbé Junius engage la construction d’une seconde abbaye. Les vestiges primitifs ne sont plus visibles aujourd’hui, détruits pour terminer l’implantation de la nouvelle église et des bâtiments conventuels. Deux campagnes de construction se distinguent : la première témoigne de l’héritage roman au niveau des supports, des décors et de sculptures dans le transept, la chapelle et le chœur. La seconde est l’expression du gothique de l’ouest dit « Plantagenêt ». Suite à la guerre de Cent Ans, au XVe siècle, les deux travées occidentales de la nef et la façade furent reconstruites dans le style gothique flamboyant (XVe – XVIe). Vendus comme bien national après la Révolution, les vestiges de l’abbaye sont exploités comme carrière jusqu’à leur classement au titre des Monuments historiques en 1904.
Ganesha or Ganesh, also known as Ganapati and Vinayaka, is one of the best-known and most worshipped deities in the Hindu pantheon. His image is found throughout India, Nepal, Sri Lanka, Thailand, Bali (Indonesia) and Bangladesh and in countries with large ethnic Indian populations including Fiji, Mauritius and Trinidad and Tobago. Hindu denominations worship him regardless of affiliations.Devotion to Ganesha is widely diffused and extends to Jains and Buddhists.
Although he is known by many attributes, Ganesha's elephant head makes him easy to identify.Ganesha is widely revered as the remover of obstacles, the patron of arts and sciences and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked as patron of letters and learning during writing sessions. Several texts relate mythological anecdotes associated with his birth and exploits.
Ganesha likely emerged as a deity as early as the 1st century CE,but most certainly by the 4th and 5th centuries CE, during the Gupta period, although he inherited traits from Vedic and pre-Vedic precursors. Hindu mythology identifies him as the restored son of Parvati and Shiva of the Shaivism tradition, but he is a pan-Hindu god found in its various traditions. In the Ganapatya tradition of Hinduism, Ganesha is the supreme deity. The principal texts on Ganesha include the Ganesha Purana, the Mudgala Purana, and the Ganapati Atharvashirsa. Brahma Purana and Brahmanda Purana are other two Puranic genre encyclopaedic texts that deal with Ganesha.
वक्रतुण्ड महाकाय सूर्यकोटि समप्रभ।
निर्विघ्नं कुरु मे देव सर्वकार्येषु सर्वदा॥
We are participating in this weekend’s Wanderlust with the Daisy Field. Wanderlust Weekend is July 4th and 5th. The Daisy Field will be set to 50L, this weekend only.
Wanderlust Weekend is a weekly sales event that celebrates items that relate to all things magical, fairytale, fantasy, adventure, royal, whimsical, etc. Each store has an item out for 50Ls or less. Use their automatically updated HUD to teleport and shop at each store.
Add texture and depth to your land with the Daisy Field. The Daisy Field are large patches of brilliant white daisies on dark green foliage that are highly detailed. Step your landscaping up a notch by creating patches under trees, in open fields or along borders. These 100% mesh flowers have copy and modify permissions and the land impact grows as the item is stretched.
Click on the photo to enjoy it large size.
Kinetic Photograph made with one single long exposure shot, printed straight out of camera.
If you’d like to read more details about how the shot is made see below. And for more of my kinetic photographs here’s my set, "Drawing with Light"
www.flickr.com/photos/motorpsiclist/albums/72157652166665058
Copyright © by John Russell – All Rights Reserved
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Kinetic: Relating to, caused by, or producing motion.
These are called “Kinetic” photographs because there is motion, energy, and movement involved, specifically my and the camera’s movements.
I choose a light source and/or subject, set my camera for a long exposure (typically around 4 seconds), focus on my subject and push the shutter button. When the shutter opens I move the camera around with my hands...large, sweeping, dramatic movements. And then I will literally throw the camera several feet up into the air, most times imparting a spinning or whirling motion to it as I hurl it upward. I may throw the camera several times and also utilize hand-held motion several times in one photo. None of these are Photoshopped, layered, or a composite photo...what you see occurs in one shot, one take.
Aren’t I afraid that I will drop and break my camera? For regular followers of my photostream and this series you will know that I have already done so. This little camera has been dropped many times, and broken once when dropped on concrete outside. It still functions...not so well for regular photographs, but superbly for more kinetic work.
Talking can help you think differently about diabetes. Relating to other people with diabetes could bring positive changes and help you work through daily challenges, like diet and exercising.
If you have pre-diabetes or diabetes, self-testing your blood sugar (blood glucose) can be an important tool in managing your diabetes and preventing complications. I had pre-diabetes last year; talking and asking helped me a lot. For those that never saw a lancet before, here a little info about them.
"Lancets are small needle-like medical supplies. With a lancet, you can make a tiny prick in your skin to obtain a few drops of blood for testing in a diabetic monitor. Lancing devices are used with lancets. Most have a spring action that allows the lancet to move quickly enough to pierce the skin."
Macro Mondays "Medical"
Thank you very much for your kind comments and visit, much appreciated! 💕
The house relates to the middle 19th Century; its last owner was Kuryk Mykola Vasylovych. The house comprises of three parts – a house, a mudroom and a small house. Its external walls aren’t covered, only strips are painted around its windows and doors. Such strips are specific for houses from Vyzhytskyj and Putylivskyj districts of Chernivtsi Region. Art painting and strips are very distinct decorations for houses of lowland Bukovyna. The house’s joyful interior is created by grapes depicted on the stove, around windows and on pokut (the sacred place of a traditional home). The most widespread patterns in Korytne village are grapes, arrow-wood leaves, hops and crosses on bases.
The house is built of smereka and poplar wood, its area equals to 58.8 square meters.
Хата із села Коритне Вижницького району Чернівецької області
Датується серединою ХІХ ст. Останній власник - Курик Микола Васильович. Складається із трьох частин - хати, сіней і хатчини. Зовні хата не мащена, тільки підведені смуги коло вікон та дверей. Така підводка характерна тільки для хат з Вижницького та Путильського районів Чернівецької області. Характерною декоративною оздобою для хат підгірської Буковини є розпис і підводка. Святковий інтер’єр у великій хаті створює розпис у виноград на печі, коло вікон на покуті. Найбільш поширений розпис у с.Коритному – «виноград», «калиновий лист», «хмелик» та «хрести на постаменті».
Хата з Буковини. Складена вона з кругляка смереки і тополі в прості замки з торцями. До верхів зрубу торці подовжуються і переходять ніби в кронштейни. Дах чотирисхилий, покритий соломою.
Площа споруди – 58,8 кв.м.
Those who have decided to go, let go. Maybe once, they were happy by your side. But time flows, those who left, they were not happy anymore. Maybe you changed, because it felt right to you. Maybe they changed, because it felt right to them. Open your hands, to reach out for the treasures that life may reveal. When you say you are fighting for love, this is what it means sometimes. If it's only you who is still holding on, you are not protecting an old love. You are living in a memory which outside of your head doesn't exist anymore. And in this loneliness, you keep yourself from anything else.
THANK YOU SO MUCH!! I am happy that my picture reached your heart 💗 and I hope my message could help uniting all of us who can relate.
adjective
1.
of, relating to, a conventional and tedious job
2.
of, reflecting, or exhibiting a lack of willingness to work beyond the required amount of time or with more than minimal effort
What a way to make a livin'....
Now press "L" and get back to work!
As a freelancer I can relate to this image, the struggle to make living using antiquated equipment, the long hours and stressful delays.
I made the image in taxi on the way back from a meeting with a potential client on the banks of the Cairo Nile, we were stuck in the mother of all traffic jams, the driver was tired and stressed, I was, for once content as I had eaten fish and concluded what I thought was a successful meeting. Now I look back, the real success was this image, which is one of my favourites.
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Check out my website for more of my work;
L'autunno caldo è un periodo della storia d'Italia segnato da lotte sindacali operaie che si sviluppò a partire dall'autunno del 1969 in Italia.
Da questo movimento sociale è nato lo
"Statuto dei lavoratori".
La grande mobilitazione operaia, che fece seguito alla contestazione giovanile del Sessantotto, si collegò alla scadenza triennale dei contratti collettivi di lavoro, in particolar modo quelli relativi alla categoria dei metalmeccanici. In questo periodo le rivendicazioni salariali spontanee nelle grandi fabbriche si associarono alle agitazioni studentesche che reclamavano la tutela ed il riconoscimento del diritto allo studio in Italia per tutte le classi sociali
the hot autumn
The hot autumn is a period in the history of Italy marked by workers' union struggles that developed from the autumn of 1969 in Italy.
From this social movement was born the
"Statute of workers".
The great mobilization of workers, which followed the youth protest in 1968, was linked to the three-year expiry of the collective labor agreements, especially those relating to the metalworkers category. In this period, spontaneous wage claims in large factories were associated with student unrest that demanded the protection and recognition of the right to education in Italy for all social classes.
Many thanks dear friends for your views, faves and supportive comments. These are always very much appreciated.
you can see the new works in
All Rights Reserved Worldwide In Perpetuity.
- No Unauthorized Use. Absolutely no permission is granted in any form, fashion or way, digital or otherwiseb, to use my images on blogs, personal or professional websites or any other media form without my direct written permission.
This includes Pinterest, FaceBook,Tumblr, Reddit or other websites where one's images are circulated without the photographer's knowledge or permission.
If you recognize yourself in a photo of this gallery, you certainly weren't what I was photographing, if you don't want it to be published let me know and the photo, perhaps, will be removed.
P. Paccagnella. [ph.p.ph.©] TdS Pd Italy
Monastery at Arkadi, Crete. Monk reflecting on prayers
The Holy Monastery of Arkadi in Rethymnon Crete: Arkadi is a place of special historical interest, known for the events that took place during the revolution of 1866. The monastery is built on the edge of the high plateau. This is one of the most important monuments of Crete and an interesting pole of attraction for visitors.
Located 23km southeast from Rethymno and 500m above the sea level, the initial fortressing part of the monastery was built in the 12th century, by an Arkadian monk as it is believed. Another myth says that the monastery was named after the Byzantine emperor Arcadius. The most important part of the Monastery of Arkadi is a church dedicated to Metamorphosis of Savior and Agios Konstantinos and Agia Eleni.
The monastery is quite large and its high walls relate to a fortress. This holy place has been well-known from the events of November 1866, when Crete had rebelled against the Turks, dominating the island for the past 200 years. When the Turkish soldiers violated the monastery after many hours of siege, the besiegers with a monk as leader put on fire a room filled with gunpowder. The explosion, which killed all the people inside the monastery and most of the Turkish soldiers, was a desperate act of the besiegers to remain free and not fall in the hands of their enemies.
This act symbolizes the Cretan liberation and makes the Monastery of Arkadi one of the most famous monasteries in Crete. There are few monks who still live there taking care of the church and the surrounding buildings. Inside the monastery, you will find a small souvenir shop with handmade items and great copies of Byzantine icons.
CHEF dsm8954 calls this challenge “Tag, You’re it” and wants us to use graffiti (plus other elements) to emphasize the contrast between real world and artistically created ingredients. (Read carefully and don't skip the footnotes! Lots of details here to absorb.)
➤ Your image must use a color SOOC* image of a surface, such as a wall, train car, barn, bridge, old box truck, etc.
➤ You must use self-created**, hand-drawn-looking graffiti on this surface (graphic drawings and/or typography).
➤ The subject of the graffiti must relate to LOVE.
➤ Your image must contain at least one non-human creature (bird, ape, giant grasshopper, alien, etc.) that is part of the overall scene, outside of the graffiti. (Cartoon characters are allowed if not copyrighted material.)
➤ No added textures outside of the graffiti.
www.youtube.com/watch?v=PXzuDXZwZtI
Pardon Me
Song by Incubus
Pardon me while I burst
Pardon me while I burst
A decade ago, I never thought I would be
At 23, on the verge of spontaneous combustion, woe is me!
But I guess that it comes with the territory
An ominous landscape of never-ending calamity
I need you to hear, I need you to see
That I have had all I can take
And exploding seems like a definite possibility to me
So pardon me while I burst into flames
I've had enough of the world and its people's mindless games
So pardon me while I burn and rise above the flame
Pardon me, pardon me, I'll never be the same
Not two days ago, I was having a look in a book
And I saw a picture of a guy fried up above his knee
I said I can relate, 'cause lately, I've been thinking of combustication
As a welcome vacation from the burdens of the planet Earth
Like gravity, hypocrisy, and the perils of being in 3D
But thinking so much differently, and
Pardon me while I burst into flames
I've had enough of the world and its people's mindless games
So pardon me while I burn and rise above the flame
Pardon me, pardon me, I'll never be the same
Never be the same, yeah
Pardon me while I burst into flames
Pardon me, pardon me, pardon me
So pardon me while I burst into flames
I've had enough of the world and its people's mindless games
So pardon me while I burn and rise above the flame
Pardon me, pardon me, I'll never be the same
Pardon me, I'll never be the same, yeah
" Volcan de type maar, le lac artificiel est niché pour partie dans un vaste cratère d’explosion dont on devine les bords. Possibilité d'en faire le tour à pied (1,5 km). Lac de pêche. Base nautique et baignade surveillée en juillet et août.
Le village de Saint Martial qui se reflète dans les eaux du lac forme un balcon en croissance perché au flanc Ouest de la dépression.
L’histoire du lac est relatée par Paul Camus (1927).
D’après les documents, c’est probablement entre 1688 et 1738 que s’ouvrit vers le Moulinou un exutoire naturel, qui provoqua la vidange du lac. Son emplacement fut alors occupé par un marais sur lequel la culture gagna peu à peu. En 1974 la construction d’un barrage au-dessus du Moulinou, conduisit à la création du lac artificiel actuel destiné à diversifier les potentialités touristiques du village.
Article : Ardèche Tourisme
the exit sign also relates to life and i cant help but to include this great song with words that relate to anyone, any religion, everyone, every religion. and if it doesn't, it should.
i think its from the Adi Granth where Baba Farids poems were included. that is what i love about Sikhism, it is written by many saints from several religions. so much for one dominant religion over others! the Sikhs honor all religions that relate to God.
the MUSIC: Farid Baba
Trying to relate this quote (Prime Minister Boris Johnson on 7/7/22) to the prediction that up to 10 million UK citizens will be pushed into poverty over the coming winter. The position is a quite uncomfortable one. Fuji X-Pro1.
Bucolic is defined as: 1. relating to the pleasant aspects of the countryside and country life. 2. a pastoral poem. I think both descriptions apply to this shot.
Excerpt from www.thetreemuseum.ca/pages/history.php:
The Tree Museum was established in 1997 and is a site set on the pre Cambrian shield amidst the cottage county-side of Muskoka. It is located on Ryde Lake near the town of Gravenhurst, Ontario. The site is undeveloped and includes both waterfront and forest. For the participating artists, this opportunity represents a rare occasion to realize major outdoor artworks in an uncultivated environment.
1998-2019, artists, both National and International, have created unique projects relating to the site of the Tree Museum. These works engage the complex reality of the relationship between man and nature; adoration, reliance, and exploitation. Collectively, the projects explore concepts of identity, memory and territory in respect to nature and natural processes, while underscoring the imbalance that characterizes our current relationship to the environment.
We are also cognisant of our responsibility as conservators of the land where the work is created. Eighty percent of the pathways are temporary and as the work disappears, or is removed, so too is all evidence of its presence. Some of the works are permanent and others are of a transitory nature, with the elements and nature determining their life span. We tread very lightly on the land.
Relatable Post #205
"I don't think I could ever stab someone. I mean, let's be honest. I can barely get the straw through the Cool Fun Juice Pouch!"
Blog: aurora0skye.blogspot.com/2019/07/relatable-post.html
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