Rustic Australia
View allAll Photos Tagged Relateable
Relating to things that influence your mind in a way you do not notice. Not recognized or understood by the conscious mind, but still having influence on it
As the darkness gets darker, the light shines brighter Ish 60:1-3
2 Corinthians 10:5
Casting down arguments and every high thing that exalts itself against the knowledge of God, bringing every thought into captivity to the obedience of Christ,
Most assuredly, I say to you, unless a grain of wheat falls into the ground and dies, it remains alone; but if it dies, it produces much grain. 25 He who loves his life will lose it, and he who hates his life in this world will keep it for eternal life. John 12:24,25
Keep thy heart with all diligence;
for out of it are the issues of life. Proverbs 4;23
Put on the whole armor of God Ephesians 6:10-18
Psalm 34
James 4:6
But He gives more grace. Therefore He says:
“God resists the proud,
But gives grace to the humble.”
This is installment number 2 of the Billy Joel collection. It's amazing how Billy captured every day scenarios that anyone can relate to.
This song is dedicated to everyone that is being told what is best for them or that they are doing something wrong.
It's important to have strong convictions and stay true to yourself. While it's great to receive advice from others, ultimately it's up to you to make your own decisions in order to achieve true happiness. Failure to do so can lead to feelings of regret, which can be a burden to bear on your own. It's crucial to follow your dreams and pursue your passions in life, as this is the surest way to live a fulfilling and satisfying life.
----------------------------------------------
Lyrics
Got a call from an old friend we used to be real close
Said he couldn't go on the American way
Closed the shop, sold a house, bought a ticket to the west coast
Now he gives them a stand-up routine in L.A.
I don't need you to worry for me 'cause I'm alright
I don't want you to tell me it's time to come home
I don't care what you say anymore this is my life
Go ahead with your own life leave me alone
I never said you had to offer me a second chance
(I never said you had to)
I never said I was a victim of circumstance
(I never said)
I still belong (still belong)
Don't get me wrong (don't get me wrong)
You can speak your mind but not on my time
They will tell you you can't sleep alone in a strange place
Then they'll tell you you can't sleep with somebody else
Oh, but sooner or later you sleep in your own space
Either way it's okay, you wake up with yourself
I don't need you to worry for me 'cause I'm alright
I don't want you to tell me it's time to come home
I don't care what you say anymore this is my life
Go ahead with your own life leave me alone
I never said you had to offer me a second chance
(I never said you had to)
I never said I was a victim of circumstance
(Gf circumstance)
I still belong (still belong)
Don't get me wrong (don't get me wrong)
You can speak your mind but not on my time
I don't care what you say anymore this is my life
Go ahead with your own life leave me alone
“Don't Just
Don't just learn, experience.
Don't just read, absorb.
Don't just change, transform.
Don't just relate, advocate.
Don't just promise, prove.
Don't just criticize, encourage.
Don't just think, ponder.
Don't just take, give.
Don't just see, feel.
Don’t just dream, do.
Don't just hear, listen.
Don't just talk, act.
Don't just tell, show.
Don't just exist, live.”
Poem ― Roy T. Bennett
For the 😄 HaPpY CrAzY Tuesday 😄 theme 'Negative Space'
The second part, or, left panel of the diptych relating the ancient Greek myth of Persephone and her descent into Hades for half of the year, which results, according to the story, in the occurrence of Fall and Winter on the surface of the world.
Here Persephone, unseen in the image but directly connected when the two images are seen side by side, is greeted as she descends into Hades.
I had been wanting, at the time these images were taken to take the "pano-sabotage" technique into the realm of faces. These mannequins gave me the raw material to do that.
Click on Image to Enlarge !
© Richard S Warner ( Visionheart ) - 2015. All Rights Reserved. This image is not for use in any form without explicit, express, written permission.
A poorly named morph - uncommon though - of the locally migratory Grey-Bellied cuckoo. Hepatic meaning relating to the liver (like Hepatitis), but here it is used to denote the liver-red color of the bird!
This is a brood parasitic cuckoo that appears during the rainy season and early winters. The bird is quite easily heard due its distinctive call. It lays its eggs in other birds nests like those of Bulbuls and Tailorbirds.
Y'day we witnessed a very interesting feeding frenzy of over 15-20 species of birds in a small 25 sq meter area in the countryside. It was at an intersection of 3 roads - single lane - on a forest road. 100's of moths were coming out of the ground and all the birds were in a frenzy to grab them for breakfast! We were too close (in fact in the middle of it by accident) and hence couldn't get many shots!. This shot was taken during the hunt when this bird landed close to us and grabbed a mouthful of moths before flying away.
Thanks in advance for your views and feedback Much appreciated.
I had to do something to portray what it feels like to be in isolation. I know it's somewhat eerie :) Two more days and we will be free to leave the house again. I think most of you can relate to this feeling, after having lived through a pandemic and being in lockdown off and on over the past couple of years.
We are both getting better slowly.
My husband is always a willing subject :)
Random
All rights reserved by © Attirance
Sorry comments that doesn't relate to the photo & copy paste will be deleted.
comment dont just views .
The design of this special 300-meter-long work of art relates to the themes of work and recreation. The fence is constructed in such a way that it depicts undulating water. The beginning and end of the steel fence are marked by abstract cyclists, cast from aluminum. They follow the cycle path and depict the theme of recreation.
The design is by Tijmen Smit.
Het ontwerp van dit bijzondere 300 meter lange kunstwerk slaat op de thema’s werk en recreatie. Het hekwerk is zo geconstrueerd dat het golvend water uitbeeldt. Het begin en einde van het stalen hekwerk worden gemarkeerd door abstracte fietsers, gegoten uit aluminium. Ze volgen het fietspad en beelden het thema recreatie uit.
Het ontwerp is van Tijmen Smit.
Thanks for all the nice comments, it is much appreciated
Please don't use this image on websites, blogs or other media without my explicit written permission.copyright all rights reserved.
Regards, Bram van Broekhoven (BraCom)
Details Here: danaori.blogspot.com/2019/10/cant-relate.html
Instagram: www.instagram.com/p/B34VJUvpjcv/
Suzanne Vega is one of my favorite singers. This song Luka was so impressive that I couldn't get it out of my head after I heard it for the first time. Last year I read Dennis Lehane's The Kenzie-Gennaro novels. I couldn't help relate the song to the main characters' stories, Patrick Kenzie's childhood and Angela Gennaro's marriage. Dark, sad... Like the tears on the lotus flower's petals...
Suzanne Vega - Luka
www.youtube.com/watch?v=VZt7J0iaUD0
下雨天，雨滴的聲音... 這個時候適合聽小幸運
田馥甄 Hebe Tien 《小幸運》
www.youtube.com/watch?v=GCgvpwLNvtY
for Monochrome Bokeh Thursday, HMBT
7DWF Thursday: b&w/ sepia/ selective colors
Hair: Doux - Tislianna
Outfit: Blueberry - Can't Relate (full outfit)
Photo taken at Friendship Gardens.
maps.secondlife.com/secondlife/Strugatsky/36/236/53
Oh, why can't I be what you need?
A new improved version of me
But I'm nothing so good, no, I'm nothing...
Just bones, a lonely ghost burning down songs
Of violence, of love, and of sorrow
I beg for just one more tomorrow!
Where you hold me down, fold me in
Deep deep deep in the heart of your sins
I'd break in two over you
I'd break in two and each piece of me dies
And only you can give the breath of life!
But you don't see me, you don't
Here I'm pinned between darkness and light
Bleached and blinded by these nights
Where I'm tossing and tortured till dawn
By you, visions of you, then you're gone
The shock bleeds the red from my face
When I hear someone's taken my place
How could love be so thoughtless, so cruel?
When all, all that I did was for you...
I'd break in two over you
I'd break in two and each piece of me dies
And only you can give the breath of life!
But you don't see me, you don't
I'd break in two over you
I'd break in two and each piece of me dies
And only you can give the breath of life!
But you don't see me, you don't
I'd break in two over you
I'd break in two over you
Over you
I'd break in two
I would break in two for you
Now you see me
Now you don't
Now you need me
Now you don't
I wanted to work with this donut in the snow one more time, but from a different angle. This has the forest across Trout Lake in the background with the reflections touching the frosted area instead of the snow.
As well, the rock and log within the donut are much more prominent making them more crucial to the success of the photo. And finally, although it is a winter shot, there is warmth to be found in the colors of the forest such as the subtle reds.
The "Boardwalk" crosses the rough ground, over White hill on the "Wicklow Way". This is the highest point on the entire trail and stands at 630 metres as it winds its way between the mountains.
The "Way" travels for a total distance of 131 km [81miles] and was the brainchild of J.B. Malone an avid walker who first dreamed up the idea in 1966. He wrote a series of letters to one of the national papers and the sharp sighted and astute editor asked him to write a few articles on hill walking, which he did with much success. In 1977, the government asked him to research and plot the route which he did to wonderful acclaim. He wrote a number of books and lectured extensively appearing regularly on tv here and also abroad. He is internationally know by walkers world wide but always appeared slightly ill at ease in public as he didnt want fame, just the wild places where he could "lose" himself.I think most of us could relate to that as there definitely is a slight madness to us who like this type of thing, and thats meant as a compliment! The places in this modern World where you can loose yourself are few and far between now!
He died in 1989 and a monument was erected at Barr Rock quite close to here. Its just a big granite rock that he was well known to sit upon and take in the views. There is just a plain brass plaque to his memory. This quiet unassuming man would have loved the simplicity of it.
The Wicklow way was the first trail ever opened in Ireland as is now part of the European Walking Route E8 that stretches from the Atlantic coast, here in Co. Cork to Istanbul in Turkey.
I like the harsh landscape here in Winter, but the sky and the green of the Sitka Spruce seen here in Ballinastoe Woods bring a nice softness to it.
So if your ever this way, you could do a lot worse than "lose" yourself up here for a few hours and let it all pass over you!
I do hope you will like my pic and the ramblings!
Have a "wild" weekend! I will!!!!!
Pat.
en.wikipedia.org/wiki/Wicklow_Way
My photos are also on Flickriver. Click on link below:
The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures. The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
HFF and have a great weekend!
I am always losing my reading glasses so I can relate to someone leaving this pair behind.
I'm posting this image to my Flickr gallery with a story... It was taken by my daughter. Its one of her first images. She is on the autism spectrum and has always struggled to express herself in ways that other people can relate to. This image she made fills me with a whole wave of emotion. I took her with me for a walk at a park one day and gave her a point and shoot camera to use since I was carrying mine. It was completely un-coached, just a girl on a walk with her dad at a large park in Seattle. Shortly after that we moved and I packed the camera away. Just the other day I found it in a box, the SD card still in it... So I downloaded them. The images she brought home are so expressive and amazing it takes my breath away. I'm just sharing this one image because it gives me hope. And, I hope it speaks to you as well. You are not alone. God bless.
The struggle of my life created empathy - I could relate to pain, being abandoned, having people not love me.
Oprah Winfrey
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cos·mic
/ˈkäzmik/
adjective
relating to the universe or cosmos, especially as distinct from the earth.
Cosmic Women of SL group x [high v.] tee collaboration.
cosmic woman tee.
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The Swiss Way relates the history of Switzerland surrounded by a scenic landscape. The trail was constructed as a joint project of the cantons on the occasion of the 700th anniversary celebrations of the Confederation (1291-1991). It begins on the Rütli Meadow, where the Confederation was founded, and ends in Brunnen in the Swiss Expatriates Square (Platz der Auslandschweizer).
This piece of national architecture of 19th Century relates to south of Polavshchyna and that as of nowadays has disappeared. It was built in 70th of 19th Century.
The house from Revasivka village has never been reconstructed since it had been built. Its window frames were re-made in the mid-50th of 20th Century. The walls are decorated with clay of different color; inside there is a carved cupboard, painted trunk and national pictures in interior.
The house from Revazivka village was discovered in 1976 by an architect Lukianchuk V.D. and restored in the Museum in 1977-1978.
Few words about Revazivka village, as it were never mentioned in modern sources. In the middle of 19th Century, this village was called Novakivka and belonged to Ploshchanska volost of Poltava povit in Poltava hubernia.
It was a village of a proprietor, with 179 souls in 18 yards. Officially, Revazivka is called sloboda. There were 219 inhabitants in 44 homesteads.
Nowadays, the village of Revazivka has joined to Grekopavlivka village. It now relates to Stovbynska village council in Novosanzharskyi district of Poltavska Region.
The house is of two rooms (a home, a mudroom), of combined structure. A two-room house could be met only in poor villages belonging to proprietors. A three-room house was more traditional for Poltava area.
The house is built on piles. Above the windows, piles are covered with shingles. A longitudinal ceiling beam and upper parts of piles have tips on sidewall adjacent to the stove, so forming reasonable overlap of the roof. A lumber lay on tips to support auxiliary beams of the roof. Ceiling comprises ceiling beam and slyzhni. The slyzhni are surfaced by caber, and then covered with clay.
The four-slope roof of the house is low, supported by rafters and covered with cane sheaves, as there were a lot of cane in the waterlog river valley near Revazivka.
Combines, log and framework structure of a national dwelling on south Poltavshchyna was typical of this region, poor in building wood.
Especially interesting was filling of this house’s framework walls: there were twiggen with mullein. This grass grew high near Revazivka, and had strong stems. The local say: “Even shipworms never eat mullein”.
This is a house of two rooms (a home and a mudroom) with framework and log walls. Under the windows, walls are framework: horizontal hlytsi are nailed to vertical piles, with osier between them. Above the windows, planks of three parts are fixed to piles. A longitudinal ceiling beam is fixed thereto and two transverse ones (one in the home, another – in the mudroom). The longitudinal beam and tops of planks have overlaps on sidewall, adjacent to the stove, so forming reasonable overlap of the roof. Inside and outside, the house is clayed and whitewashed, except for back wall, only clayed. The house stays now on concrete basement.
Area – 53.92 square meters (5.15 x 10.47).
Хата з с. Ревазівка, Новосанжарського р-ну, Полтавської обл.
Пам′ятка традиційного народного будівництва XIX століття в південній Полтавщині, яких на даний момент в регіоні не існує. Побудована в 70 – ті роки ХІХ століття.
Хата з с. Ревазівка від її існування не перебудовувалася. У середині 50-х років ХХ століття перероблені віконні рами. Підводка стін кольоровими глинами, різьблений мисник, мальована скриня, народний живопис в інтер’єрі.
Хата с. Ревазівка виявлена в 1976 році архітектором Лук′янчуком В.Д. і реставрована в Музеї у 1977 – 1978 роках.
Коротко про село Ревазівку, оскільки в сучасних джерелах воно не згадується. Поселення Ревазівка в середині XIX століття називалося Новаківка і належало до Площанської волості Полтавського повіту Полтавської губернії.
Було воно поміщицьким селом і проживало там 179 душ у 18 дворах. Старожили розповідають, що Ревазівкою володів пан Ревазов. У 1926 році Ревазівка офіційно зветься слободою, з числом мешканців – 219, які проживали у 44 господарствах.
Зараз село Ревазівка з’єднане з селом Грекопавлівкою і належить до Стовбинської сільради Новосанжарського району Полтавської обл..
Хата дводільна /хата, сіни/, комбінованої конструкції. Дводільні хати траплялися тут тільки в бідних поміщицьких селах. Традиційно на Полтавщині було тридільне житло.
Хата збудована на сохах. На сохи, вище вікон покладено ощіп. Подовжній сволок та верхні вівнця ощіпу мають з покутнього причілку випуски, утворюючи значний винос даху. На випуски укладено брус, на який спираються наріжники даху. Основу хатньої стелі утворюють сволок і слижні. По слижнях укладено щільно жердини, а зверху шар м’ятої глини.
Чотирисхилий дах хати невисокий, на кроквах. Покриття з очерету, техніка – «парки». Очерету біля Ревазівки росло багато на заболоченій річковій долині.
Комбінована зрубно – каркасна конструкція народного житла південної Полтавщини була характерною для цього регіону, бідного на будівельний ліс.
Особливо цікавим було заповнення каркасу стін даної хати с. Ревазівка: стіни були заплетені коров’яком. Коров′як поблизу Ревазівки ріс високий, з міцним стеблом. «Коров′яка і шашель не бере».
Дводільне житло (хата, сіни). Стіни каркасно – зрубні. До вікон стіни каркасні: до вертикальних сох прибито горизонтальні глиці, між якими всторч заплетена лоза. На сохи, вище вікон, покладео ощіп з трьох вінців. В ощіп врубано подовжній сволок та два поперечні (один у хаті і один у сінях). Подовжній сволок та верхні вінця ощіпу мають випуски з покутнього причілку, утворюючи значний винос даху. Хата ззовні і всередині обмащена і побілена крім задньої, порудованої стіни. Хата встановлена на бетонний фундамент.
Площа - 53,92 м2 (5.15 х 10.47).
www.londonchicinsl.com/post/they-can-t-relate
Hair: TO0418 - Wings [Anthem event - May round]
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Heels: Winx heels (Yellow) - Doua [2Much event - May round]
Backdrop: Escape - Foxcity
The house relates to the middle 19th Century; its last owner was Kuryk Mykola Vasylovych. The house comprises of three parts – a house, a mudroom and a small house. Its external walls aren’t covered, only strips are painted around its windows and doors. Such strips are specific for houses from Vyzhytskyj and Putylivskyj districts of Chernivtsi Region. Art painting and strips are very distinct decorations for houses of lowland Bukovyna. The house’s joyful interior is created by grapes depicted on the stove, around windows and on pokut (the sacred place of a traditional home). The most widespread patterns in Korytne village are grapes, arrow-wood leaves, hops and crosses on bases.
The house is built of smereka and poplar wood, its area equals to 58.8 square meters.
Хата із села Коритне Вижницького району Чернівецької області
Датується серединою ХІХ ст. Останній власник - Курик Микола Васильович. Складається із трьох частин - хати, сіней і хатчини. Зовні хата не мащена, тільки підведені смуги коло вікон та дверей. Така підводка характерна тільки для хат з Вижницького та Путильського районів Чернівецької області. Характерною декоративною оздобою для хат підгірської Буковини є розпис і підводка. Святковий інтер’єр у великій хаті створює розпис у виноград на печі, коло вікон на покуті. Найбільш поширений розпис у с.Коритному – «виноград», «калиновий лист», «хмелик» та «хрести на постаменті».
Хата з Буковини. Складена вона з кругляка смереки і тополі в прості замки з торцями. До верхів зрубу торці подовжуються і переходять ніби в кронштейни. Дах чотирисхилий, покритий соломою.
Площа споруди – 58,8 кв.м.
Blueberry Totally Relatable Set (top;shorts and flip flops with waifu option) TSS maps.secondlife.com/secondlife/Lenox%20and%20Blueberry/25...
It relates to 18th Century. As of the time of transfer to the museum, the house was the oldest in the village and belonged to Oros family. The house has two premises: house and mudroom. It is one of the most ancient types of house planning in Zakarpattia. Walls of the house are constructed with wide oak cut blocks. Its high four-sloping roof is covered with straw.
This house is the oldest Zakarpattia house in our museum. It displays specific features of national building in valley of Tereblia-river and the middle reaches of Tysa River. The house’s area is 35.4 square meters.
Look at the exterior of the hut:
Характерною ознакою житла лемків (етнографічної групи українського народу), як і бойків, були білий та синій кольори.
Хата із с. Теребля, Тячівського району Закарпатської області
Датується XVIII ст. На час перенесення до музею хата була найстарішою в селі і належала родині Оросів. Хата дводільна: хата, сіни – є одним із давніх варіантів планування житла на Закарпатті. Стіни хати складені з широких дубових колених брусів. Високий чотирисхилий дах вкритий соломою.
Це найстаріша хата Закарпаття в експозиції нашого музею. Вона розкриває особливості народного будівництва у долині ріки Теребля та середньої течії р. Тиси. Площа хати — 35, 4 кв.м.
English
In this Christmas period i will send only images of earthquake victims countries of central Italy .
The image relate to the period before earthquake .
This is one way to remember them and to be near him .
Italiano
In questo periodo di feste Natalizie manderò solo immagini dei paesi terremotati del Centro Italia . Le immagini si riferiscono al periodo prima del sisma.
Questo è un modo per ricordarli e essergli vicini .
CODE: KAAP_MG_1837
Indian Customer please,
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Shot @ Subway in Palakkarai , Trichy , Tamil Nadu , India.
Shot in natural light.
I tried to relate the bicycle in the mural / wall art on the left to the bicycle on the right.
Also a boy in the mural looking at the stairs , to the stairs which is on the right.
A photographer is always the second person in the picture. :)
"Chains"
With her wine-stained lips, yeah, she nothing but trouble
Cold to the touch but she's warm as a devil
I gave her my heart but she wanted my soul
She takes 'til I break and I can't get more
You got me in chains, you got me in chains for your love
But I wouldn't change, no, I wouldn't change this love
You got me in chains, you got me in chains for your love
But I wouldn't change, no, I wouldn't change this love
Tryna break the chains but the chains only break me
(Hey-ey-ey-ey, hey-ey-ey-ey, hey-ey-ey-ey, hey-ey-ey-ey)
Tryna break the chains but the chains only break me
Alone in the night 'til she knocks on my door
Oh no, wasted again but I can't say no (no)
Baby tell me why, why you do, do me wrong
Baby tell me why, why you do, do me wrong
Gave you my heart but you took my soul
You got me in chains, you got me in chains for your love
But I wouldn't change, no, I wouldn't change this love
You got me in chains, you got me in chains for your love
But I wouldn't change, no, I wouldn't change this love
Tryna break the chains but the chains only break me
(Hey-ey-ey-ey, hey-ey-ey-ey, hey-ey-ey-ey, hey-ey-ey-ey)
Tryna break the chains but the chains only break me
Picture taken at: Picture was taken at: Perfect Damage, Aftershock (73, 203, 22) - Adult
I am adding this a little late into the posting but time was taken from me unexpectedly earlier… I wished to relate what spoke to me when I came across these beauties. When I walked upon the scene I saw the flowers first ..then the chains that held them all together. The correlation for me was the beauty in the softness of the petals the flourishing while being held close by the strength of the chains. No restrictions but more like loving boundaries, shelter, guidelines yet freedom to grow to express….someone loving you enough to say .. This is where I need you .. I wish you close. They also, spoke to me of a deep relationship, a trust that some can never understand, a bond that transcends. Smiles … that is just me.. The beauty is in the eye of the beholder ..we all know that!!!
The house relates to the middle 19th Century; its last owner was Kuryk Mykola Vasylovych. The house comprises of three parts – a house, a mudroom and a small house. Its external walls aren’t covered, only strips are painted around its windows and doors. Such strips are specific for houses from Vyzhytskyj and Putylivskyj districts of Chernivtsi Region. Art painting and strips are very distinct decorations for houses of lowland Bukovyna. The house’s joyful interior is created by grapes depicted on the stove, around windows and on pokut (the sacred place of a traditional home). The most widespread patterns in Korytne village are grapes, arrow-wood leaves, hops and crosses on bases.
The house is built of smereka and poplar wood, its area equals to 58.8 square meters.
Хата із села Коритне Вижницького району Чернівецької області
Датується серединою ХІХ ст. Останній власник - Курик Микола Васильович. Складається із трьох частин - хати, сіней і хатчини. Зовні хата не мащена, тільки підведені смуги коло вікон та дверей. Така підводка характерна тільки для хат з Вижницького та Путильського районів Чернівецької області. Характерною декоративною оздобою для хат підгірської Буковини є розпис і підводка. Святковий інтер’єр у великій хаті створює розпис у виноград на печі, коло вікон на покуті. Найбільш поширений розпис у с.Коритному – «виноград», «калиновий лист», «хмелик» та «хрести на постаменті».
Хата з Буковини. Складена вона з кругляка смереки і тополі в прості замки з торцями. До верхів зрубу торці подовжуються і переходять ніби в кронштейни. Дах чотирисхилий, покритий соломою.
Площа споруди – 58,8 кв.м.
Some people can subconsciously prevent you from becoming your best self.
Everything you do in this life- where you go, what you say, what you do and who you do it with is the result of your thoughts.
A big reason people fight is because people identify with their thoughts. When we were growing up, most of us believed that thoughts come from the inside. We thought that they were innately a part of us and that we *are* our thoughts. We started building our whole identities around our own little internal monologues.
And the bigger the idea, the more of your identity it represents. This is why politics and religion are such hotly debated topics, because they're such big ideas. If I say your political idea is a bad idea, and you base your identity on that idea, then effectively what you're hearing is that I'm calling you a bad person. You think that I'm attacking you, not the idea.
Something that might be even more common is that people just straight up attack the individual as a proxy for attacking that person's idea.
Somewhere along the way, a few people started realizing they had it all wrong.
In practice, a much better way to think about it is that the universe has an infinite number of streams of thoughts, so to speak, that our brains can kind of tap into like different radio stations. With this analogy, we no longer have to view ourselves as a series of thoughts but rather as an empty vessel by which thoughts pass through. Now we're like the DJ of a radio station, not the individual song. The self is merely an observer. It was this distinction that sparked one of the most famous philosophical debates of all time, which is, I think therefore I am versus I *do* therefore I am.
Spolier alert, you should pick the latter.
In this analogy, the self is determined by our ability to pick and choose different ideas from different streams of thoughts and combine them to form new ideas. Sort of like picking ingredients to make a sandwich.
This is different from the first paradigm, in which we would just take everything from the same stream and hope that the sandwich turns out good anyways.
Therapists know that this works, that's why when people come in complaining about depression, they're told to use the term "negative intrusive thoughts".
The idea is actually pretty simple. If you don't take ownership of the idea and instead you assign a label to it, then you can categorize it as something that life just happened to send your way but something that you're also allowed to throw away. You don't have to hold on to it because it's not actually a part of you. It's just a shitty song on the radio station.
So how does this all relate to other people holding you back?
To be continued..
Credited to Austin Ambrozi on TikTok
As a freelancer I can relate to this image, the struggle to make living using antiquated equipment, the long hours and stressful delays.
I made the image in taxi on the way back from a meeting with a potential client on the banks of the Cairo Nile, we were stuck in the mother of all traffic jams, the driver was tired and stressed, I was, for once content as I had eaten fish and concluded what I thought was a successful meeting. Now I look back, the real success was this image, which is one of my favourites.
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Check out my website for more of my work;
Monastery at Arkadi, Crete. Monk reflecting on prayers
The Holy Monastery of Arkadi in Rethymnon Crete: Arkadi is a place of special historical interest, known for the events that took place during the revolution of 1866. The monastery is built on the edge of the high plateau. This is one of the most important monuments of Crete and an interesting pole of attraction for visitors.
Located 23km southeast from Rethymno and 500m above the sea level, the initial fortressing part of the monastery was built in the 12th century, by an Arkadian monk as it is believed. Another myth says that the monastery was named after the Byzantine emperor Arcadius. The most important part of the Monastery of Arkadi is a church dedicated to Metamorphosis of Savior and Agios Konstantinos and Agia Eleni.
The monastery is quite large and its high walls relate to a fortress. This holy place has been well-known from the events of November 1866, when Crete had rebelled against the Turks, dominating the island for the past 200 years. When the Turkish soldiers violated the monastery after many hours of siege, the besiegers with a monk as leader put on fire a room filled with gunpowder. The explosion, which killed all the people inside the monastery and most of the Turkish soldiers, was a desperate act of the besiegers to remain free and not fall in the hands of their enemies.
This act symbolizes the Cretan liberation and makes the Monastery of Arkadi one of the most famous monasteries in Crete. There are few monks who still live there taking care of the church and the surrounding buildings. Inside the monastery, you will find a small souvenir shop with handmade items and great copies of Byzantine icons.
Excerpt from the Signpost:
The origins of this huge rock, known locally as “Paddy’s Stone”, have many variations. One colourful version relates how Paddy Walker was sitting on the front step of his hotel one evening when the sky was lit by the trail of a falling meteor. Paddy thought it landed in the vicinity of Stoney Island and set out the next day with a wagon and team of horses to retrieve it. He proudly placed his “meteor” in this west yard for his family to appreciate.
With its conglomerate of rock fragments that has the appearance of a huge plum pudding, it is commonly called “pudding stone”. It is not, in fact, uncommon along the shores north of Kincardine and you will see another sitting in Victoria Park.
In 1999 Jack Ross, a retired Canadian government geologist examined Paddy’s Stone and you can read his determination by visiting the Walker Family exhibit inside.
** I did not see the exhibit, so I still don't know what this stone actually is.**
the exit sign also relates to life and i cant help but to include this great song with words that relate to anyone, any religion, everyone, every religion. and if it doesn't, it should.
i think its from the Adi Granth where Baba Farids poems were included. that is what i love about Sikhism, it is written by many saints from several religions. so much for one dominant religion over others! the Sikhs honor all religions that relate to God.
the MUSIC: Farid Baba
Trying to relate this quote (Prime Minister Boris Johnson on 7/7/22) to the prediction that up to 10 million UK citizens will be pushed into poverty over the coming winter. The position is a quite uncomfortable one. Fuji X-Pro1.
Relatable Post #205
"I don't think I could ever stab someone. I mean, let's be honest. I can barely get the straw through the Cool Fun Juice Pouch!"
Blog: aurora0skye.blogspot.com/2019/07/relatable-post.html
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{Limerence} Janis hair with Earmuffs RARE @ The Gacha Garden
{anc} little garden / garden wall 26Li RARE
{anc} little garden / ribbon cage chair 6Li (beige)
{anc} antique fence (2) {shabby white} 1Li
Taken at Ippos Colletive
Love SL photography and looking for like minded artists or places to shoot? Come visit the Ippos Collective: 4 Picturesque SIMS to visit and/or settle. Come for the magic....stay for the friends. <3
1
: of, relating to, or suitable for the country : RURAL
rustic rolling farmland
2
a
: made of the rough limbs of trees
rustic furniture
b
: finished by rusticating
a rustic joint in masonry
3
a
: characteristic of or resembling country people
b
: lacking in social graces or polish
4
: appropriate to the country (as in plainness or sturdiness)
heavy rustic boots
Click on the photo to enjoy it large size.
Kinetic Photograph made with one single long exposure shot, printed straight out of camera.
If you’d like to read more details about how the shot is made see below. And for more of my kinetic photographs here’s my set, "Drawing with Light"
www.flickr.com/photos/motorpsiclist/albums/72157652166665058
Copyright © by John Russell – All Rights Reserved
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Kinetic: Relating to, caused by, or producing motion.
These are called “Kinetic” photographs because there is motion, energy, and movement involved, specifically my and the camera’s movements.
I choose a light source and/or subject, set my camera for a long exposure (typically around 4 seconds), focus on my subject and push the shutter button. When the shutter opens I move the camera around with my hands...large, sweeping, dramatic movements. And then I will literally throw the camera several feet up into the air, most times imparting a spinning or whirling motion to it as I hurl it upward. I may throw the camera several times and also utilize hand-held motion several times in one photo. None of these are Photoshopped, layered, or a composite photo...what you see occurs in one shot, one take.
Aren’t I afraid that I will drop and break my camera? For regular followers of my photostream and this series you will know that I have already done so. This little camera has been dropped many times, and broken once when dropped on concrete outside. It still functions...not so well for regular photographs, but superbly for more kinetic work.