Rustic Australia
View allAll Photos Tagged Relateable
The Overseas Museum is a Natural History and ethnographic museum in Bremen.
Opened in 1893, heavily damaged during the air raids on Bremen in WWII, reconstruction started in 1946, re-opened in 1949. It's current name is from 1951. It claims to be one of the most visited museums in Germany. The museum features permanent exhibitions relating to Asia, South Pacific/Oceania, Americas and Africa.
© All Rights Reserved - you may not use this image in any form without my prior permission.
Buy this photo on Getty Images : Getty Images
Submitted: 30/05/2018
File was returned for revision on June 1, 2018
Revision Reasons
Legal: Identifiable
This file contains legible information such as names, signatures, license plates, phone numbers, identification numbers, etc. Due to concerns relating to privacy and related property rights, we cannot accept this file into the creative collection unless this information is removed, or a property release is obtained. Please remove these details and resubmit.
Notes
++House numbers
Resubmitted: 01/06/2018
Accepted: 05/06/2018
This is installment number 2 of the Billy Joel collection. It's amazing how Billy captured every day scenarios that anyone can relate to.
This song is dedicated to everyone that is being told what is best for them or that they are doing something wrong.
It's important to have strong convictions and stay true to yourself. While it's great to receive advice from others, ultimately it's up to you to make your own decisions in order to achieve true happiness. Failure to do so can lead to feelings of regret, which can be a burden to bear on your own. It's crucial to follow your dreams and pursue your passions in life, as this is the surest way to live a fulfilling and satisfying life.
----------------------------------------------
Lyrics
Got a call from an old friend we used to be real close
Said he couldn't go on the American way
Closed the shop, sold a house, bought a ticket to the west coast
Now he gives them a stand-up routine in L.A.
I don't need you to worry for me 'cause I'm alright
I don't want you to tell me it's time to come home
I don't care what you say anymore this is my life
Go ahead with your own life leave me alone
I never said you had to offer me a second chance
(I never said you had to)
I never said I was a victim of circumstance
(I never said)
I still belong (still belong)
Don't get me wrong (don't get me wrong)
You can speak your mind but not on my time
They will tell you you can't sleep alone in a strange place
Then they'll tell you you can't sleep with somebody else
Oh, but sooner or later you sleep in your own space
Either way it's okay, you wake up with yourself
I don't need you to worry for me 'cause I'm alright
I don't want you to tell me it's time to come home
I don't care what you say anymore this is my life
Go ahead with your own life leave me alone
I never said you had to offer me a second chance
(I never said you had to)
I never said I was a victim of circumstance
(Gf circumstance)
I still belong (still belong)
Don't get me wrong (don't get me wrong)
You can speak your mind but not on my time
I don't care what you say anymore this is my life
Go ahead with your own life leave me alone
Ambience and ambiance are different spellings of the same word, referring to the special atmosphere or mood of a particular environment. While some dictionaries list ambiance as the standard spelling, ambience is far more common in all main 21st-century varieties of English. It’s worth noting, though, that ambiance tends to take precedence in contexts relating to art and design, but this is by no means a rule, and exceptions abound.
Details Here: danaori.blogspot.com/2019/10/cant-relate.html
Instagram: www.instagram.com/p/B34VJUvpjcv/
I wanted to work with this donut in the snow one more time, but from a different angle. This has the forest across Trout Lake in the background with the reflections touching the frosted area instead of the snow.
As well, the rock and log within the donut are much more prominent making them more crucial to the success of the photo. And finally, although it is a winter shot, there is warmth to be found in the colors of the forest such as the subtle reds.
cos·mic
/ˈkäzmik/
adjective
relating to the universe or cosmos, especially as distinct from the earth.
Cosmic Women of SL group x [high v.] tee collaboration.
cosmic woman tee.
Maitreya | Hourglass | Physique | Standard| Isis | Freya
Get Yours: bit.ly/2X2QBZW
Help us grow our facebook group, Stars! ❤️
Like us: bit.ly/2Ft38QB Join us: bit.ly/2N7klFD
The Caldwell County jail was built in 1908-1909. Designed by architect T. S. Hodges, this castellated brick structure served as the county's jail until 1982. Hodges is also known for the Dr. Eugene Clark Library in Lockhart shown previously in this short series.
The jailer's quarters occupy the ground floor, over a storage area in the basement. The upper floor contain fifteen cells of concrete and steel, with one cell rising from the center of the building. Gallows are said to have been removed from this jail in the 1930s.
Now a museum, the jail also hosts exhibits relating to the history of Caldwell County and the State of Texas. The former jail is not a Texas Historic Landmark.
Lockhart is the seat of Caldwell County, and is located 30 miles (48 km) south of Austin. The estimated population of Lockhart in 2019 was 14,133. Known as the Barbecue Capital of Texas, Lockhart also has played host to many film sets. The 1996 Christopher Guest comedy film Waiting for Guffman and the 1993 drama What's Eating Gilbert Grape were filmed partially in Lockhart, including the historic courthouse and the town square.
The Swiss Way relates the history of Switzerland surrounded by a scenic landscape. The trail was constructed as a joint project of the cantons on the occasion of the 700th anniversary celebrations of the Confederation (1291-1991). It begins on the Rütli Meadow, where the Confederation was founded, and ends in Brunnen in the Swiss Expatriates Square (Platz der Auslandschweizer).
Created for Artistic Manipulation Group:
CHEF dsm8954 calls this challenge “Tag, You’re it” and wants us to use graffiti (plus other elements) to emphasize the contrast between real world and artistically created ingredients. (Read carefully and don't skip the footnotes! Lots of details here to absorb.)
➤ Your image must use a color SOOC* image of a surface, such as a wall, train car, barn, bridge, old box truck, etc.
➤ You must use self-created**, hand-drawn-looking graffiti on this surface (graphic drawings and/or typography).
➤ The subject of the graffiti must relate to LOVE.
➤ Your image must contain at least one non-human creature (bird, ape, giant grasshopper, alien, etc.) that is part of the overall scene, outside of the graffiti. (Cartoon characters are allowed if not copyrighted material.)
➤ No added textures outside of the graffiti.
Could little Ollie the Opossum actually 'fall' for a graffiti princess? No pun intended....
This piece of national architecture of 19th Century relates to south of Polavshchyna and that as of nowadays has disappeared. It was built in 70th of 19th Century.
The house from Revasivka village has never been reconstructed since it had been built. Its window frames were re-made in the mid-50th of 20th Century. The walls are decorated with clay of different color; inside there is a carved cupboard, painted trunk and national pictures in interior.
The house from Revazivka village was discovered in 1976 by an architect Lukianchuk V.D. and restored in the Museum in 1977-1978.
Few words about Revazivka village, as it were never mentioned in modern sources. In the middle of 19th Century, this village was called Novakivka and belonged to Ploshchanska volost of Poltava povit in Poltava hubernia.
It was a village of a proprietor, with 179 souls in 18 yards. Officially, Revazivka is called sloboda. There were 219 inhabitants in 44 homesteads.
Nowadays, the village of Revazivka has joined to Grekopavlivka village. It now relates to Stovbynska village council in Novosanzharskyi district of Poltavska Region.
The house is of two rooms (a home, a mudroom), of combined structure. A two-room house could be met only in poor villages belonging to proprietors. A three-room house was more traditional for Poltava area.
The house is built on piles. Above the windows, piles are covered with shingles. A longitudinal ceiling beam and upper parts of piles have tips on sidewall adjacent to the stove, so forming reasonable overlap of the roof. A lumber lay on tips to support auxiliary beams of the roof. Ceiling comprises ceiling beam and slyzhni. The slyzhni are surfaced by caber, and then covered with clay.
The four-slope roof of the house is low, supported by rafters and covered with cane sheaves, as there were a lot of cane in the waterlog river valley near Revazivka.
Combines, log and framework structure of a national dwelling on south Poltavshchyna was typical of this region, poor in building wood.
Especially interesting was filling of this house’s framework walls: there were twiggen with mullein. This grass grew high near Revazivka, and had strong stems. The local say: “Even shipworms never eat mullein”.
This is a house of two rooms (a home and a mudroom) with framework and log walls. Under the windows, walls are framework: horizontal hlytsi are nailed to vertical piles, with osier between them. Above the windows, planks of three parts are fixed to piles. A longitudinal ceiling beam is fixed thereto and two transverse ones (one in the home, another – in the mudroom). The longitudinal beam and tops of planks have overlaps on sidewall, adjacent to the stove, so forming reasonable overlap of the roof. Inside and outside, the house is clayed and whitewashed, except for back wall, only clayed. The house stays now on concrete basement.
Area – 53.92 square meters (5.15 x 10.47).
Хата з с. Ревазівка, Новосанжарського р-ну, Полтавської обл.
Пам′ятка традиційного народного будівництва XIX століття в південній Полтавщині, яких на даний момент в регіоні не існує. Побудована в 70 – ті роки ХІХ століття.
Хата з с. Ревазівка від її існування не перебудовувалася. У середині 50-х років ХХ століття перероблені віконні рами. Підводка стін кольоровими глинами, різьблений мисник, мальована скриня, народний живопис в інтер’єрі.
Хата с. Ревазівка виявлена в 1976 році архітектором Лук′янчуком В.Д. і реставрована в Музеї у 1977 – 1978 роках.
Коротко про село Ревазівку, оскільки в сучасних джерелах воно не згадується. Поселення Ревазівка в середині XIX століття називалося Новаківка і належало до Площанської волості Полтавського повіту Полтавської губернії.
Було воно поміщицьким селом і проживало там 179 душ у 18 дворах. Старожили розповідають, що Ревазівкою володів пан Ревазов. У 1926 році Ревазівка офіційно зветься слободою, з числом мешканців – 219, які проживали у 44 господарствах.
Зараз село Ревазівка з’єднане з селом Грекопавлівкою і належить до Стовбинської сільради Новосанжарського району Полтавської обл..
Хата дводільна /хата, сіни/, комбінованої конструкції. Дводільні хати траплялися тут тільки в бідних поміщицьких селах. Традиційно на Полтавщині було тридільне житло.
Хата збудована на сохах. На сохи, вище вікон покладено ощіп. Подовжній сволок та верхні вівнця ощіпу мають з покутнього причілку випуски, утворюючи значний винос даху. На випуски укладено брус, на який спираються наріжники даху. Основу хатньої стелі утворюють сволок і слижні. По слижнях укладено щільно жердини, а зверху шар м’ятої глини.
Чотирисхилий дах хати невисокий, на кроквах. Покриття з очерету, техніка – «парки». Очерету біля Ревазівки росло багато на заболоченій річковій долині.
Комбінована зрубно – каркасна конструкція народного житла південної Полтавщини була характерною для цього регіону, бідного на будівельний ліс.
Особливо цікавим було заповнення каркасу стін даної хати с. Ревазівка: стіни були заплетені коров’яком. Коров′як поблизу Ревазівки ріс високий, з міцним стеблом. «Коров′яка і шашель не бере».
Дводільне житло (хата, сіни). Стіни каркасно – зрубні. До вікон стіни каркасні: до вертикальних сох прибито горизонтальні глиці, між якими всторч заплетена лоза. На сохи, вище вікон, покладео ощіп з трьох вінців. В ощіп врубано подовжній сволок та два поперечні (один у хаті і один у сінях). Подовжній сволок та верхні вінця ощіпу мають випуски з покутнього причілку, утворюючи значний винос даху. Хата ззовні і всередині обмащена і побілена крім задньої, порудованої стіни. Хата встановлена на бетонний фундамент.
Площа - 53,92 м2 (5.15 х 10.47).
that relate to my experiences :-)
Alan Siegel
HMM! Climate Change Matters! Resist the Ignorant Orange Clown and his Cabinet of Stooges and Buffoons!!
prunus persica, flowering peach, 'Bonfire', j c raulston arboretum, ncsu, raleigh, north carolina
The house relates to the middle 19th Century; its last owner was Kuryk Mykola Vasylovych. The house comprises of three parts – a house, a mudroom and a small house. Its external walls aren’t covered, only strips are painted around its windows and doors. Such strips are specific for houses from Vyzhytskyj and Putylivskyj districts of Chernivtsi Region. Art painting and strips are very distinct decorations for houses of lowland Bukovyna. The house’s joyful interior is created by grapes depicted on the stove, around windows and on pokut (the sacred place of a traditional home). The most widespread patterns in Korytne village are grapes, arrow-wood leaves, hops and crosses on bases.
The house is built of smereka and poplar wood, its area equals to 58.8 square meters.
Хата із села Коритне Вижницького району Чернівецької області
Датується серединою ХІХ ст. Останній власник - Курик Микола Васильович. Складається із трьох частин - хати, сіней і хатчини. Зовні хата не мащена, тільки підведені смуги коло вікон та дверей. Така підводка характерна тільки для хат з Вижницького та Путильського районів Чернівецької області. Характерною декоративною оздобою для хат підгірської Буковини є розпис і підводка. Святковий інтер’єр у великій хаті створює розпис у виноград на печі, коло вікон на покуті. Найбільш поширений розпис у с.Коритному – «виноград», «калиновий лист», «хмелик» та «хрести на постаменті».
Хата з Буковини. Складена вона з кругляка смереки і тополі в прості замки з торцями. До верхів зрубу торці подовжуються і переходять ніби в кронштейни. Дах чотирисхилий, покритий соломою.
Площа споруди – 58,8 кв.м.
It relates to 18th Century. As of the time of transfer to the museum, the house was the oldest in the village and belonged to Oros family. The house has two premises: house and mudroom. It is one of the most ancient types of house planning in Zakarpattia. Walls of the house are constructed with wide oak cut blocks. Its high four-sloping roof is covered with straw.
This house is the oldest Zakarpattia house in our museum. It displays specific features of national building in valley of Tereblia-river and the middle reaches of Tysa River. The house’s area is 35.4 square meters.
Look at the exterior of the hut:
Характерною ознакою житла лемків (етнографічної групи українського народу), як і бойків, були білий та синій кольори.
Хата із с. Теребля, Тячівського району Закарпатської області
Датується XVIII ст. На час перенесення до музею хата була найстарішою в селі і належала родині Оросів. Хата дводільна: хата, сіни – є одним із давніх варіантів планування житла на Закарпатті. Стіни хати складені з широких дубових колених брусів. Високий чотирисхилий дах вкритий соломою.
Це найстаріша хата Закарпаття в експозиції нашого музею. Вона розкриває особливості народного будівництва у долині ріки Теребля та середньої течії р. Тиси. Площа хати — 35, 4 кв.м.
Still in my garden.
Scam or mistake - you decide! This relates to copyright accusation (libellous) on my original photo 'G'Day' of this same flower on my photostream where someone is trying to claim it as theirs.
This photograph here is also of the same flower, taken as the EXIF data shows - exactly 2 and a half minutes after the first, but from a slightly different angle.
Did the person alleging copyright breach take this one also? If they think someone with a 90% sight loss is an easy touch - that would be a mistake.
I have also added on my photostream a photo of the same flower *G'Day 2* taken just now after the accusation with the same yellow dogwood and rose leaves. In this one the dahlia is looking tired.
You can see the original accusation and my responses on my original photo here.
www.flickr.com/photos/magoo7/52200396930/in/dateposted-pu...
It is a ridiculous claim and can havee no foundation.
CODE: KAAP_MG_1837
Indian Customer please,
Email : kartsandphotography@gmail. com
Print Size : A3+ -10,000 INR , A3- 7500 INR & A4 - 6,000 INR
Overseas Customers - Buy prints @ goo gl/Ut9FSj
YouTube: bit ly/2EoKHKu
PS:
Shot @ Subway in Palakkarai , Trichy , Tamil Nadu , India.
Shot in natural light.
I tried to relate the bicycle in the mural / wall art on the left to the bicycle on the right.
Also a boy in the mural looking at the stairs , to the stairs which is on the right.
A photographer is always the second person in the picture. :)
”الأشياء الحميمة نكتبها ولا نقولها , فالكتابة إعترافٌ صامت”
:D
Sorry, comments that doesn't relate to the photo & copy paste will be deleted.
For a Better Flickr ،، =)
Talking can help you think differently about diabetes. Relating to other people with diabetes could bring positive changes and help you work through daily challenges, like diet and exercising.
If you have pre-diabetes or diabetes, self-testing your blood sugar (blood glucose) can be an important tool in managing your diabetes and preventing complications. I had pre-diabetes last year; talking and asking helped me a lot. For those that never saw a lancet before, here a little info about them.
"Lancets are small needle-like medical supplies. With a lancet, you can make a tiny prick in your skin to obtain a few drops of blood for testing in a diabetic monitor. Lancing devices are used with lancets. Most have a spring action that allows the lancet to move quickly enough to pierce the skin."
Macro Mondays "Medical"
Thank you very much for your kind comments and visit, much appreciated! 💕
The house relates to the middle 19th Century; its last owner was Kuryk Mykola Vasylovych. The house comprises of three parts – a house, a mudroom and a small house. Its external walls aren’t covered, only strips are painted around its windows and doors. Such strips are specific for houses from Vyzhytskyj and Putylivskyj districts of Chernivtsi Region. Art painting and strips are very distinct decorations for houses of lowland Bukovyna. The house’s joyful interior is created by grapes depicted on the stove, around windows and on pokut (the sacred place of a traditional home). The most widespread patterns in Korytne village are grapes, arrow-wood leaves, hops and crosses on bases.
The house is built of smereka and poplar wood, its area equals to 58.8 square meters.
Хата із села Коритне Вижницького району Чернівецької області
Датується серединою ХІХ ст. Останній власник - Курик Микола Васильович. Складається із трьох частин - хати, сіней і хатчини. Зовні хата не мащена, тільки підведені смуги коло вікон та дверей. Така підводка характерна тільки для хат з Вижницького та Путильського районів Чернівецької області. Характерною декоративною оздобою для хат підгірської Буковини є розпис і підводка. Святковий інтер’єр у великій хаті створює розпис у виноград на печі, коло вікон на покуті. Найбільш поширений розпис у с.Коритному – «виноград», «калиновий лист», «хмелик» та «хрести на постаменті».
Хата з Буковини. Складена вона з кругляка смереки і тополі в прості замки з торцями. До верхів зрубу торці подовжуються і переходять ніби в кронштейни. Дах чотирисхилий, покритий соломою.
Площа споруди – 58,8 кв.м.
adjective
1.
of, relating to, a conventional and tedious job
2.
of, reflecting, or exhibiting a lack of willingness to work beyond the required amount of time or with more than minimal effort
What a way to make a livin'....
Now press "L" and get back to work!
As a freelancer I can relate to this image, the struggle to make living using antiquated equipment, the long hours and stressful delays.
I made the image in taxi on the way back from a meeting with a potential client on the banks of the Cairo Nile, we were stuck in the mother of all traffic jams, the driver was tired and stressed, I was, for once content as I had eaten fish and concluded what I thought was a successful meeting. Now I look back, the real success was this image, which is one of my favourites.
.
Check out my website for more of my work;
The Hôtel des Invalides (English: "house of invalids"), commonly called Les Invalides (French pronunciation: [lezɛ̃valid]), is a complex of buildings in the 7th arrondissement of Paris, France, containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building's original purpose. The buildings house the
, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine. The complex also includes the former hospital chapel, now national cathedral of the French military, and the adjacent former Royal Chapel known as the Dôme des Invalides, the tallest church building in Paris at a height of 107 meters. The latter has been converted into a shrine of some of France's leading military figures, most notably the tomb of Napoleon.
I know I say this every time, but I think I’ve found my “I’m in love I’m wearing this every day” skin. Dixie.
From Glam Affair, at Equal10.
You gotta get it, I’m wearing it on Lelutka Raven and hoooollllyyyy weooowww she’s STUNNING.
Equal10 maps.secondlife.com/secondlife/equal10/233/126/89
Glam Affair mainstore maps.secondlife.com/secondlife/Beauty%20Avatar%20couture/...
Did you get the HD Hot Lipstick (for Lelutka EvoX) by Top1Salon from Level yet?
I did.
You definitely should have this in your inventory. Fer sher.
Get your peach to Level
Trying to relate this quote (Prime Minister Boris Johnson on 7/7/22) to the prediction that up to 10 million UK citizens will be pushed into poverty over the coming winter. The position is a quite uncomfortable one. Fuji X-Pro1.
The term "Moot" relates to a meeting place, hence the current name of this Tudor building. Initially the building on Aldeburgh beach was used as a town hall. The building which is believed to date to 1550 would have been a status symbol for the ever more prosperous shipbuilding and trading centre.
Excerpt from www.thetreemuseum.ca/pages/history.php:
The Tree Museum was established in 1997 and is a site set on the pre Cambrian shield amidst the cottage county-side of Muskoka. It is located on Ryde Lake near the town of Gravenhurst, Ontario. The site is undeveloped and includes both waterfront and forest. For the participating artists, this opportunity represents a rare occasion to realize major outdoor artworks in an uncultivated environment.
1998-2019, artists, both National and International, have created unique projects relating to the site of the Tree Museum. These works engage the complex reality of the relationship between man and nature; adoration, reliance, and exploitation. Collectively, the projects explore concepts of identity, memory and territory in respect to nature and natural processes, while underscoring the imbalance that characterizes our current relationship to the environment.
We are also cognisant of our responsibility as conservators of the land where the work is created. Eighty percent of the pathways are temporary and as the work disappears, or is removed, so too is all evidence of its presence. Some of the works are permanent and others are of a transitory nature, with the elements and nature determining their life span. We tread very lightly on the land.
Relatable Post #205
"I don't think I could ever stab someone. I mean, let's be honest. I can barely get the straw through the Cool Fun Juice Pouch!"
Blog: aurora0skye.blogspot.com/2019/07/relatable-post.html
Featured Item:
NEW Junk Food - Cool Fun Juice Pouch!
New for the summer round of SaNaRaE maps.secondlife.com/secondlife/Spring%20Morning/159/135/51
For more items from The Junk Food Store
Store: maps.secondlife.com/secondlife/Nymphai/31/189/21
Marketplace: marketplace.secondlife.com/stores/150026
Follow The Junk Food Store
1
: of, relating to, or suitable for the country : RURAL
rustic rolling farmland
2
a
: made of the rough limbs of trees
rustic furniture
b
: finished by rusticating
a rustic joint in masonry
3
a
: characteristic of or resembling country people
b
: lacking in social graces or polish
4
: appropriate to the country (as in plainness or sturdiness)
heavy rustic boots
sagittal - Relating to or denoting the suture on top of the skull which runs between the parietal bones in a front to back direction.
don't relate to you
I don't relate to you, no
'Cause I'd never treat me this shitty
You made me hate this city
And I don't talk shit about you on the internet
Never told anyone anything bad
'Cause that shit's embarrassing, you were my everything
And all that you did was make me fucking sad
So don't waste the time I don't have
And don't try to make me feel bad
I could talk about every time that you showed up on time
But I'd have an empty line 'cause you never did
Never paid any mind to my mother or friends
So I shut 'em all out for you 'cause I was a kid
Excerpt from www.thetreemuseum.ca/pages/history.php:
The Tree Museum was established in 1997 and is a site set on the pre Cambrian shield amidst the cottage county-side of Muskoka. It is located on Ryde Lake near the town of Gravenhurst, Ontario. The site is undeveloped and includes both waterfront and forest. For the participating artists, this opportunity represents a rare occasion to realize major outdoor artworks in an uncultivated environment.
1998-2019, artists, both National and International, have created unique projects relating to the site of the Tree Museum. These works engage the complex reality of the relationship between man and nature; adoration, reliance, and exploitation. Collectively, the projects explore concepts of identity, memory and territory in respect to nature and natural processes, while underscoring the imbalance that characterizes our current relationship to the environment.
We are also cognisant of our responsibility as conservators of the land where the work is created. Eighty percent of the pathways are temporary and as the work disappears, or is removed, so too is all evidence of its presence. Some of the works are permanent and others are of a transitory nature, with the elements and nature determining their life span. We tread very lightly on the land.
Vincent of Beauvais relates that at this time there was a young cleric at Lyons who had a dream in which he beheld a mountain with a beautiful city standing on the top of it. This city attracted him mightily so that he longed to get there. But between him and the mountain was a river, and in the river he saw twelve men washing their garments. With them was another, different from them, in a shining white robe who was helping them in their task. The cleric asked the stranger who they all were, and He replied that He was Jesus Christ and that those were men doing penance with His aid, and as soon as their robes were clean, they would be able to go on to the city which they all desired, that is, to heaven. Some time later the cleric told his dream to the Bishop of Châlons, who advised him on the strength of it to enter Cîteaux. He accordingly made his way to the woods where the monks were dwelling, and finally found the enclosure of the little monastery. The gate was made of wattles, and there was an iron hammer hanging there for a knocker. When the porter responded to his summons, what was the astonishment of the cleric to recognize him as one of the men in his dream. He also recognized all the other members of the community too, and he was not long in becoming one of them.
-Thomas Merton, OCSO In the Valley of Wormwood Cistercian Blessed and Saints of the Golden Age CISTERCIAN STUDIES SERIES: NUMBER TWO HUNDRED THIRTY-THREE, (Saint Alberic, Second Abbot of Cîteaux, France)
Not really what is required when on the lunge, but its a bit hard when there is no real work area, just a paddock that they relate to as their home.
Stanley just blowing out the cobwebs before he settles into a good rhythm (hopefully)
The story relates that Bishop Aubert (Saint-Aubert) of the city of Avranches, founded a shrine in 708 at Mont-Tombe (former name of Mont Saint-Michel), after three apparitions of the archangel Saint Michael (Saint-Michel in French) . Consecrated in 709, the church has since never ceased to attract visitors and pilgrims from all over the world. The architecture of Mont Saint Michel and its bay make it the most frequented tourist site in Normandy and the second most frequented in France after Paris
♫
I can't relate to desperation
My 'give a fucks' are on vacation
♫ - Espresso - Sabrina Carpenter
🐝･ﾟ ･ﾟ·:｡･ﾟﾟ･ﾟ ･ﾟ·:｡･ﾟﾟ･ ꜱᴘᴏɴꜱᴏʀᴇᴅ･ﾟ ･ﾟ·:｡･ﾟﾟ･ﾟ ･ﾟ·:｡･ﾟﾟ･🍯
Top - Loki - Angie Heart Top - Available @ ACCESS (April)
Skirt - Loki - Valerie Bow Skirt
🐝･ﾟ ･ﾟ·:｡･ﾟﾟ･ﾟ ･ﾟ·:｡･ﾟﾟ･ᴄʀᴇᴅɪᴛꜱ ʜᴇʀᴇ･ﾟ ･ﾟ·:｡･ﾟﾟ･ﾟ ･ﾟ·:｡･ﾟﾟ･🍯
🌵Violetility in collaboration with Violation, the Cactus Chair is a relatable mood (Go Sit on a Cactus) accented with neon. Includes solo and duo Bento animations, static photography poses, and a neon color change HUD to change the cactus neon.
🌵Violetility - Mothman Slippers- Keep cozy with a cryptid companion! The fuzzy and unisex Mothman Slippers are rigged for a variety of bodies with an unrigged version included and a texture change HUD. Rigged for eBody REBORN, Legacy Feminine and Masculine, Maitreya Lara and LaraX, Signature Gianni, Belleza Jake, and Anatomy.
#violetility #secondlife #secondlifedecor #sldecor
Backdrop-
☀️Scafall - Djerva Terrace Villa, inspired by the Mediterranean. 10% off in store with group tag! Enjoy the sun on the rooftop terrace, then escape to the well-insulated shade of the ground floor studio. It has surrounding pavement to seamlessly integrate it into landscaping.
Scafall MarketplaceScafall Main Store Flickr: www.flickr.com/photos/scafall/Facebook: www.facebook.com/scafall/
#Scafall #sldecor #slhomeandgarden
#secondlifedecor
Additional Items Displayed
Reborn Body and Avalon evo x head
Shirt- Riot
Shorts- epoch
Greymouth, NOVA ZELANDA 2023
History House Museum is a collection of photographic and archival records and historical objects relating to Grey District on the West Coast of New Zealand. The museum opened in the former Grey County Council Chambers in 1996, but the building was deemed unsafe in the event of an earthquake and forced to close in 2017. A new home for the collection is being sought
History House Museum was housed in the former Grey County Council Chambers at 27 Gresson Street, Greymouth. The Grey County Council was formed in 1877, and built the Grey County Council Chambers in 1924. In 1989 the building was vacated when the County Council amalgamated with the boroughs of Greymouth and Runanga and the Greymouth Harbour Board to form the Grey District Council.
The project to turn the empty building into a history museum was instigated by former deputy mayor Kevin Brown, Mayor of Grey Ron Hibbs, and Kevin Beams of Grey District Council. Kevin Brown recruited volunteers from the Lions, family, and local community to fit out the building and assemble a collection. The museum opened in 1996, with Brown as manager. When Brown was elected Mayor in 1998, volunteer Bob Naisbitt took over the running of the museum, along with assistant historian Margaret Mort. By 2013 Margaret Mort and Karen Prendergast were running the History House.
Volunteers Jack Flood and George Gardner apply a paint job to the Standard Austin-Western Grader outside History House Museum. The Grey County Council purchased the grader in 1920 for £225.
In February 2017 a seismic assessment of the Grey County Council Chambers found it was at only 10 per cent of the new building standard (NBS), well below the 34 per cent required for a public building; the standards had been revised following the 2010–2011 Christchurch earthquakes. The cost to strengthen the building would be $142,000, and it is in a flood zone. The museum was closed and the archives moved to the Grey District Library. Several options were pursued: eventually incorporating the museum into a "Discovery Centre", disbanding the collection, or moving to another space – the former Dick Smith premises at 130 Mackay Street at a cost of $50,000/year – in conjunction with an iSite visitor centre.
The location of the museum (at the other end of town from the railway station where most tourists arrived) and the lack of signage were blamed for the low visitor numbers: about 6–8 people a day.[3][8] The Greymouth iSite manager Phil Barnett claimed tourists were simply not interested in its collections.
In any event the Protected Objects Act and Public Records Act required the collection to be catalogued before moving, at a cost of over $100,000. One consultant suggested the bulk of the collection was not "of sufficient merit" to be archived. The archives at the museum also needed to be properly stored; the Council Chambers are unsuitable and in a flood zone. There is no regional archive on the West Coast, although Shantytown near Greymouth had offered to host one.
James Tunnicliffe cleaning the gold-mining Kershaw Pump outside History House Museum
After a stocktake of the collection, items relevant to other West Coast districts were sent to the Hokitika Museum and Coaltown Museum. The museum operated from a pop-up space in the former Dick Smith premises, operating Wednesday to Sunday afternoons from 20 December 2017. The space had to close in July 2018 but had 1200 visitors in the first month and 9000 visitors in total, compared to the 1200 visitors a year at its former home.
In September 2018, the Council budgeted $140,000 to strengthen the Gresson Street building, but resolved to move the museum to a new discovery centre combining a library and museum some time in the future. The cost to reopen History House was estimated at $455,000, and just to make the building safe would be $170,000: even strengthened the former Council building would still have problems with climate control, fire safety, and storage. The former manager Kevin Brown took back his extensive photograph collection in protest at the lack of progress in strengthening the building. In 2020 the building was emptied and the collection moved into two climate-controlled shipping containers at a cost of $90,000.
Wikipedia