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This is installment number 2 of the Billy Joel collection. It's amazing how Billy captured every day scenarios that anyone can relate to.

 

This song is dedicated to everyone that is being told what is best for them or that they are doing something wrong.

 

It's important to have strong convictions and stay true to yourself. While it's great to receive advice from others, ultimately it's up to you to make your own decisions in order to achieve true happiness. Failure to do so can lead to feelings of regret, which can be a burden to bear on your own. It's crucial to follow your dreams and pursue your passions in life, as this is the surest way to live a fulfilling and satisfying life.

 

♫♫Tunes♫♫

 

Photo taken at The Dealership

 

----------------------------------------------

Lyrics

 

Got a call from an old friend we used to be real close

Said he couldn't go on the American way

Closed the shop, sold a house, bought a ticket to the west coast

Now he gives them a stand-up routine in L.A.

 

I don't need you to worry for me 'cause I'm alright

I don't want you to tell me it's time to come home

I don't care what you say anymore this is my life

Go ahead with your own life leave me alone

 

I never said you had to offer me a second chance

(I never said you had to)

I never said I was a victim of circumstance

(I never said)

 

I still belong (still belong)

Don't get me wrong (don't get me wrong)

You can speak your mind but not on my time

 

They will tell you you can't sleep alone in a strange place

Then they'll tell you you can't sleep with somebody else

Oh, but sooner or later you sleep in your own space

Either way it's okay, you wake up with yourself

 

I don't need you to worry for me 'cause I'm alright

I don't want you to tell me it's time to come home

I don't care what you say anymore this is my life

Go ahead with your own life leave me alone

 

I never said you had to offer me a second chance

(I never said you had to)

I never said I was a victim of circumstance

(Gf circumstance)

 

I still belong (still belong)

Don't get me wrong (don't get me wrong)

You can speak your mind but not on my time

 

I don't care what you say anymore this is my life

Go ahead with your own life leave me alone

Wicked is always relatable.

The Mists of Avalon is a 1983 historical fantasy novel by American writer Marion Zimmer Bradley, in which the author relates the Arthurian legends from the perspective of the female characters. The book follows the trajectory of Morgaine (Morgan le Fay), a priestess fighting to save her Celtic religion in a country where Christianity threatens to destroy the pagan way of life. The epic is focused on the lives of Morgaine, Gwenhwyfar (Guinevere), Viviane, Morgause, Igraine and other women of the Arthurian legend.

 

www.youtube.com/watch?v=W9uT39TsChc

 

Created for the Magnificent Manipulated Masterpieces

132nd MMM "**BOOK TITLES**" Challenge

Let's all think back on what brought us here

This is my grasp on what is real

Don't tell me how I feel

With all that's passed I can't relate

With myself from day to day

why does everything seem so far away

to me

 

There's no turning back from here

I've got to get away from everyone who's left

Everyone who's left

I'll tell the saddest story

Of how we made it through this past year

(Past year, past year...)

I'll tell the saddest story

Of how we made it through this past year

(Past year, past year...)

They said we'd walk away

You'll never make it if you can't speak for yourself

they said we'd fade away

 

We've all been down this path before

You're trapped in this town

And it wears you down

When we leave today then maybe you'll understand

This constant struggle isn't always in the palm of my hand

Head: Genus Head Strong Face W001

 

Hair: Stealthic - Mayhem

 

Cardigan: Blueberry - Can't Relate - Cardigans

 

Pants: Addams // Piper Leather Pants //

 

Shoes: :::FurtaCor:::Spookizilla2020 ::Sneakers

 

maps.secondlife.com/secondlife/Cosa%20Nostra/237/121/24

 

Christmas Bells

 

[Official Video] Carol of the Bells - Pentatonix

 

It's Beginning to Look a Lot Like Christmas (Official Audio)

My Name is...

This does not relate to the DANA above. The weirdest thing of all is the fact that I do not like my name in upper case or even a Capitol at the beginning of my name and have signed my name in lower case since 1972 (dana marostega). emails were made for me.

 

Smile on Saturday

While piffling through my archives, I found this series of images that I took four years ago on the coast of North Devon. I was disappointed at the time with my shots, so I never gave them a second thought. But seeing this one again, reminded me of the rather difficult muddy slog that we made down to this spot and the equally messy climb back up. When we finally reached the top of the hill in the pouring rain, we were only feet away from where we parked the car. Yet we took the opposite direction down a muddy path getting more soaked with every step. We finally realized about a half a mile down, that we were headed in the opposite direction. I think that we must have laughed the whole walk back at our stupidity. Funny now, when I think about this photo outing, getting lost was the fun part and what I remembered best. I think that most of us can relate to what keeps sending us through the mud, rain, freezing cold and other climate indignities is the experience itself. Sometimes, the images are just secondary.

Hair: Doux - Tislianna

Outfit: Blueberry - Can't Relate (full outfit)

Photo taken at Friendship Gardens.

maps.secondlife.com/secondlife/Strugatsky/36/236/53

  

Oh, why can't I be what you need?

A new improved version of me

But I'm nothing so good, no, I'm nothing...

Just bones, a lonely ghost burning down songs

Of violence, of love, and of sorrow

I beg for just one more tomorrow!

Where you hold me down, fold me in

Deep deep deep in the heart of your sins

I'd break in two over you

I'd break in two and each piece of me dies

And only you can give the breath of life!

But you don't see me, you don't

Here I'm pinned between darkness and light

Bleached and blinded by these nights

Where I'm tossing and tortured till dawn

By you, visions of you, then you're gone

The shock bleeds the red from my face

When I hear someone's taken my place

How could love be so thoughtless, so cruel?

When all, all that I did was for you...

I'd break in two over you

I'd break in two and each piece of me dies

And only you can give the breath of life!

But you don't see me, you don't

I'd break in two over you

I'd break in two and each piece of me dies

And only you can give the breath of life!

But you don't see me, you don't

I'd break in two over you

I'd break in two over you

Over you

I'd break in two

I would break in two for you

Now you see me

Now you don't

Now you need me

Now you don't

cos·mic

/ˈkäzmik/

adjective

relating to the universe or cosmos, especially as distinct from the earth.

 

Cosmic Women of SL group x [high v.] tee collaboration.

 

cosmic woman tee.

Maitreya | Hourglass | Physique | Standard| Isis | Freya

Get Yours: bit.ly/2X2QBZW

 

Help us grow our facebook group, Stars! ❤️

Like us: bit.ly/2Ft38QB Join us: bit.ly/2N7klFD

Managed a quick trip to the beach in order to see if California is OPEN yet. Most coastal access remains closed, with all parking areas blocked.

 

But I found this Guy racing around a rest stop, and managed to get a shot before he raced off.

 

For a generation of viewers, the familiar “beep, beep” of Warner Brothers’ cartoon Roadrunner was the background sound of Saturday mornings.

 

(Although commonly quoted as "meep meep", Warner Brothers, the current owner of all trademarks relating to the duo, lists "beep, beep" as the Road Runner's sound, along with "meep, meep." )

 

Despite the cartoon character’s perennial victories over Wile E. Coyote, real-life coyotes present a real danger to Roadrunners; Coyotes can reach a top speed of 43 miles an hour—more than twice as fast as roadrunners.

 

Roadrunner can outrace a human, kill a rattlesnake, and thrive in the harsh landscapes of the Desert Southwest. Roadrunners reach two feet from sturdy bill to white tail tip, with a bushy blue-black crest and mottled plumage that blends well with dusty shrubs. As they run, they hold their lean frames nearly parallel to the ground and rudder with their long tails.

 

Roadrunners have evolved a range of adaptations to deal with the extremes of desert living. Like seabirds, they secrete a solution of highly concentrated salt through a gland just in front of each eye, which uses less water than excreting it via their kidneys and urinary tract. Moisture-rich prey including mammals and reptiles supply them otherwise-scarce water in their diet. Both chicks and adults flutter the un-feathered area beneath the chin (gular fluttering) to dissipate heat.

 

Roadrunners eat poisonous prey, including venomous lizards and scorpions, with no ill effect, although they’re careful to swallow horned lizards head-first with the horns pointed away from vital organs. Roadrunners can also kill and eat rattlesnakes, often in tandem with another roadrunner: as one distracts the snake by jumping and flapping, the other sneaks up and pins its head, then bashes the snake against a rock. If it’s is too long to swallow all at once, a roadrunner will walk around with a length of snake still protruding from its bill, swallowing it a little at a time as the snake digests.

 

Based on banding records, the oldest roadrunner was at least 7 years old.

 

- The Cornell Lab of Ornithology

 

(600 mm, 1/2000 @ f/9.0, ISO 1000)

The Swiss Way relates the history of Switzerland surrounded by a scenic landscape. The trail was constructed as a joint project of the cantons on the occasion of the 700th anniversary celebrations of the Confederation (1291-1991). It begins on the Rütli Meadow, where the Confederation was founded, and ends in Brunnen in the Swiss Expatriates Square (Platz der Auslandschweizer).

 

This piece of national architecture of 19th Century relates to south of Polavshchyna and that as of nowadays has disappeared. It was built in 70th of 19th Century.

The house from Revasivka village has never been reconstructed since it had been built. Its window frames were re-made in the mid-50th of 20th Century. The walls are decorated with clay of different color; inside there is a carved cupboard, painted trunk and national pictures in interior.

The house from Revazivka village was discovered in 1976 by an architect Lukianchuk V.D. and restored in the Museum in 1977-1978.

Few words about Revazivka village, as it were never mentioned in modern sources. In the middle of 19th Century, this village was called Novakivka and belonged to Ploshchanska volost of Poltava povit in Poltava hubernia.

It was a village of a proprietor, with 179 souls in 18 yards. Officially, Revazivka is called sloboda. There were 219 inhabitants in 44 homesteads.

Nowadays, the village of Revazivka has joined to Grekopavlivka village. It now relates to Stovbynska village council in Novosanzharskyi district of Poltavska Region.

The house is of two rooms (a home, a mudroom), of combined structure. A two-room house could be met only in poor villages belonging to proprietors. A three-room house was more traditional for Poltava area.

The house is built on piles. Above the windows, piles are covered with shingles. A longitudinal ceiling beam and upper parts of piles have tips on sidewall adjacent to the stove, so forming reasonable overlap of the roof. A lumber lay on tips to support auxiliary beams of the roof. Ceiling comprises ceiling beam and slyzhni. The slyzhni are surfaced by caber, and then covered with clay.

The four-slope roof of the house is low, supported by rafters and covered with cane sheaves, as there were a lot of cane in the waterlog river valley near Revazivka.

Combines, log and framework structure of a national dwelling on south Poltavshchyna was typical of this region, poor in building wood.

Especially interesting was filling of this house’s framework walls: there were twiggen with mullein. This grass grew high near Revazivka, and had strong stems. The local say: “Even shipworms never eat mullein”.

This is a house of two rooms (a home and a mudroom) with framework and log walls. Under the windows, walls are framework: horizontal hlytsi are nailed to vertical piles, with osier between them. Above the windows, planks of three parts are fixed to piles. A longitudinal ceiling beam is fixed thereto and two transverse ones (one in the home, another – in the mudroom). The longitudinal beam and tops of planks have overlaps on sidewall, adjacent to the stove, so forming reasonable overlap of the roof. Inside and outside, the house is clayed and whitewashed, except for back wall, only clayed. The house stays now on concrete basement.

Area – 53.92 square meters (5.15 x 10.47).

 

Хата з с. Ревазівка, Новосанжарського р-ну, Полтавської обл.

 

Пам′ятка традиційного народного будівництва XIX століття в південній Полтавщині, яких на даний момент в регіоні не існує. Побудована в 70 – ті роки ХІХ століття.

Хата з с. Ревазівка від її існування не перебудовувалася. У середині 50-х років ХХ століття перероблені віконні рами. Підводка стін кольоровими глинами, різьблений мисник, мальована скриня, народний живопис в інтер’єрі.

Хата с. Ревазівка виявлена в 1976 році архітектором Лук′янчуком В.Д. і реставрована в Музеї у 1977 – 1978 роках.

Коротко про село Ревазівку, оскільки в сучасних джерелах воно не згадується. Поселення Ревазівка в середині XIX століття називалося Новаківка і належало до Площанської волості Полтавського повіту Полтавської губернії.

Було воно поміщицьким селом і проживало там 179 душ у 18 дворах. Старожили розповідають, що Ревазівкою володів пан Ревазов. У 1926 році Ревазівка офіційно зветься слободою, з числом мешканців – 219, які проживали у 44 господарствах.

Зараз село Ревазівка з’єднане з селом Грекопавлівкою і належить до Стовбинської сільради Новосанжарського району Полтавської обл..

Хата дводільна /хата, сіни/, комбінованої конструкції. Дводільні хати траплялися тут тільки в бідних поміщицьких селах. Традиційно на Полтавщині було тридільне житло.

Хата збудована на сохах. На сохи, вище вікон покладено ощіп. Подовжній сволок та верхні вівнця ощіпу мають з покутнього причілку випуски, утворюючи значний винос даху. На випуски укладено брус, на який спираються наріжники даху. Основу хатньої стелі утворюють сволок і слижні. По слижнях укладено щільно жердини, а зверху шар м’ятої глини.

Чотирисхилий дах хати невисокий, на кроквах. Покриття з очерету, техніка – «парки». Очерету біля Ревазівки росло багато на заболоченій річковій долині.

Комбінована зрубно – каркасна конструкція народного житла південної Полтавщини була характерною для цього регіону, бідного на будівельний ліс.

Особливо цікавим було заповнення каркасу стін даної хати с. Ревазівка: стіни були заплетені коров’яком. Коров′як поблизу Ревазівки ріс високий, з міцним стеблом. «Коров′яка і шашель не бере».

Дводільне житло (хата, сіни). Стіни каркасно – зрубні. До вікон стіни каркасні: до вертикальних сох прибито горизонтальні глиці, між якими всторч заплетена лоза. На сохи, вище вікон, покладео ощіп з трьох вінців. В ощіп врубано подовжній сволок та два поперечні (один у хаті і один у сінях). Подовжній сволок та верхні вінця ощіпу мають випуски з покутнього причілку, утворюючи значний винос даху. Хата ззовні і всередині обмащена і побілена крім задньої, порудованої стіни. Хата встановлена на бетонний фундамент.

Площа - 53,92 м2 (5.15 х 10.47).

 

that relate to my experiences :-)

Alan Siegel

 

HMM! Climate Change Matters! Resist the Ignorant Orange Clown and his Cabinet of Stooges and Buffoons!!

 

prunus persica, flowering peach, 'Bonfire', j c raulston arboretum, ncsu, raleigh, north carolina

Getting lost in your thoughts, thinking of the possibilities!

 

~Details~

 

◈ CandyDoll - Cozy Dress Black

◈ Ichigo* - Love Tag Glasses

◈ Blueberry - Sammy Boots

◈ Blueberry - Can't Relate - Stockings

◈ Lamb - Lark - Dark Blonde

◈ .:villena:. - Fishnet

◈ .:E.A:.Studio - Necklaces VooDoo

◈ {Sakura} Allure Collar - Babygirl

◈ BackBone - Patio Sofa - Adult - Dark

  

Entropy is a physical property of one system that relates to its degree of disorder. It is a concept I came across when at university, and I confess I had much trouble grasping it. The second principle of thermodynamics -- which Einstein considered to be the first law of all sciences -- states, in very simple terms, that unless you do something (some work is produced) systems will always get more and more disorganised.

 

I now see it everywhere....

 

en.wikipedia.org/wiki/Entropy

 

==================

 

Leica M10-M, Summilux 1.4/50 Asph., Affinity Photo, EI 250 ISO, 1/180s, F/5.6

the vlog relating to this image is live on youtube bit.ly/33gJrIv

The house relates to the middle 19th Century; its last owner was Kuryk Mykola Vasylovych. The house comprises of three parts – a house, a mudroom and a small house. Its external walls aren’t covered, only strips are painted around its windows and doors. Such strips are specific for houses from Vyzhytskyj and Putylivskyj districts of Chernivtsi Region. Art painting and strips are very distinct decorations for houses of lowland Bukovyna. The house’s joyful interior is created by grapes depicted on the stove, around windows and on pokut (the sacred place of a traditional home). The most widespread patterns in Korytne village are grapes, arrow-wood leaves, hops and crosses on bases.

The house is built of smereka and poplar wood, its area equals to 58.8 square meters.

 

Хата із села Коритне Вижницького району Чернівецької області

 

Датується серединою ХІХ ст. Останній власник - Курик Микола Васильович. Складається із трьох частин - хати, сіней і хатчини. Зовні хата не мащена, тільки підведені смуги коло вікон та дверей. Така підводка характерна тільки для хат з Вижницького та Путильського районів Чернівецької області. Характерною декоративною оздобою для хат підгірської Буковини є розпис і підводка. Святковий інтер’єр у великій хаті створює розпис у виноград на печі, коло вікон на покуті. Найбільш поширений розпис у с.Коритному – «виноград», «калиновий лист», «хмелик» та «хрести на постаменті».

Хата з Буковини. Складена вона з кругляка смереки і тополі в прості замки з торцями. До верхів зрубу торці подовжуються і переходять ніби в кронштейни. Дах чотирисхилий, покритий соломою.

Площа споруди – 58,8 кв.м.

Still in my garden.

 

Scam or mistake - you decide! This relates to copyright accusation (libellous) on my original photo 'G'Day' of this same flower on my photostream where someone is trying to claim it as theirs.

 

This photograph here is also of the same flower, taken as the EXIF data shows - exactly 2 and a half minutes after the first, but from a slightly different angle.

 

Did the person alleging copyright breach take this one also? If they think someone with a 90% sight loss is an easy touch - that would be a mistake.

 

I have also added on my photostream a photo of the same flower *G'Day 2* taken just now after the accusation with the same yellow dogwood and rose leaves. In this one the dahlia is looking tired.

 

You can see the original accusation and my responses on my original photo here.

 

www.flickr.com/photos/magoo7/52200396930/in/dateposted-pu...

 

It is a ridiculous claim and can havee no foundation.

  

Top: Frank Sweater - Addams

Shorts: Can't Relate - Blueberry

Socks: Launa - friday

Hair: Intrepid - Stealthic

It relates to 18th Century. As of the time of transfer to the museum, the house was the oldest in the village and belonged to Oros family. The house has two premises: house and mudroom. It is one of the most ancient types of house planning in Zakarpattia. Walls of the house are constructed with wide oak cut blocks. Its high four-sloping roof is covered with straw.

This house is the oldest Zakarpattia house in our museum. It displays specific features of national building in valley of Tereblia-river and the middle reaches of Tysa River. The house’s area is 35.4 square meters.

 

Look at the exterior of the hut:

flic.kr/p/2qt2L8U

 

Характерною ознакою житла лемків (етнографічної групи українського народу), як і бойків, були білий та синій кольори.

 

Хата із с. Теребля, Тячівського району Закарпатської області

 

Датується XVIII ст. На час перенесення до музею хата була найстарішою в селі і належала родині Оросів. Хата дводільна: хата, сіни – є одним із давніх варіантів планування житла на Закарпатті. Стіни хати складені з широких дубових колених брусів. Високий чотирисхилий дах вкритий соломою.

Це найстаріша хата Закарпаття в експозиції нашого музею. Вона розкриває особливості народного будівництва у долині ріки Теребля та середньої течії р. Тиси. Площа хати — 35, 4 кв.м.

adj.: of grey skies and winter days; filled with heavy clouds or fog; relating to winter or cold, sunless weather

Hams at the Easter market on Staromestske Namesti in Prague

 

Something attracted me to this setting. Certain things relate to certain other things. Where's the real pig here?

CODE: KAAP_MG_1837

 

Indian Customer please,

 

Email : kartsandphotography@gmail. com

 

Print Size : A3+ -10,000 INR , A3- 7500 INR & A4 - 6,000 INR

 

Overseas Customers - Buy prints @ goo gl/Ut9FSj

 

YouTube: bit ly/2EoKHKu

 

PS:

Shot @ Subway in Palakkarai , Trichy , Tamil Nadu , India.

Shot in natural light.

 

I tried to relate the bicycle in the mural / wall art on the left to the bicycle on the right.

Also a boy in the mural looking at the stairs , to the stairs which is on the right.

A photographer is always the second person in the picture. :)

 

l'abbaye est un ensemble monumental exceptionnel pour son architecture et son histoire relatée depuis ses origines par deux chroniques du XIIIe siècle et du XVIIe siècle. C’est dans la première moitié du XIIe siècle que le chapelain Lambert, aussi appelé « le bienheureux » (l’histoire veut que dans sa jeunesse, il se soit livré à la chasse et tué un dragon qui ravageait le pays) décide de réunir quelques prêtres pour se consacrer à la vie régulière et fonde la première abbaye de style roman. La congrégation ne cesse de s’enrichir et à la fin du XIIe siècle, l’abbé Junius engage la construction d’une seconde abbaye. Les vestiges primitifs ne sont plus visibles aujourd’hui, détruits pour terminer l’implantation de la nouvelle église et des bâtiments conventuels. Deux campagnes de construction se distinguent : la première témoigne de l’héritage roman au niveau des supports, des décors et de sculptures dans le transept, la chapelle et le chœur. La seconde est l’expression du gothique de l’ouest dit « Plantagenêt ». Suite à la guerre de Cent Ans, au XVe siècle, les deux travées occidentales de la nef et la façade furent reconstruites dans le style gothique flamboyant (XVe – XVIe). Vendus comme bien national après la Révolution, les vestiges de l’abbaye sont exploités comme carrière jusqu’à leur classement au titre des Monuments historiques en 1904.

  

The idea of a national garden in Singapore started in 1822 when Sir Stamford Raffles, the founder of modern Singapore and a keen naturalist, developed the first ‘Botanical and Experimental Garden’ at Fort Canning. It was only in 1859 that the Gardens at its present site was founded and laid out in the English Landscape Movement’s style by an Agri-Horticultural society.

The Gardens has been inscribed as a UNESCO World Heritage Site in 2015.

 

Submitted: 26/08/2016

Rejected: 27/09/2016

 

Rejection Reasons

Content: Production Quality

Subject choice is good but the production value of the execution and overall image quality is not high enough to be competitive. This may relate to various elements, including setting, background detail, styling details, model choice, quality of light, retouching, general attention to detail.

The Rhaetian Alps poppy is an early coloniser of scree slopes. I never saw it grow at the edge of scree where more plants are established. This poppy has long and flexible tap roots that anchor the plant in the hostile unstable scree environment. The Rhaetian Alps are a mountain range of the Eastern Alps. The name relates to a Roman province and the Rhaetian people.

I can't relate to desperation

My "give a fucks" are on vacation

And I got this one boy and he won't stop calling

When they act this way, I know I got 'em

 

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тнαηк уσυ тσ му ѕρσηѕσяѕ ♡ Shop the Look!

  

Erin is Wearing

✿FOI - HOSHI Set✿

✰ Find this at Kustom 9

FOI Mainstore

 

Want to know about something not listed? Message me! ♡

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✿-ꜱᴘᴇᴄɪᴀʟ ꜱʜᴏᴜᴛᴏᴜᴛꜱ-✿

Erin's Beach Bag is

Geek Beach Bloom

The house relates to the middle 19th Century; its last owner was Kuryk Mykola Vasylovych. The house comprises of three parts – a house, a mudroom and a small house. Its external walls aren’t covered, only strips are painted around its windows and doors. Such strips are specific for houses from Vyzhytskyj and Putylivskyj districts of Chernivtsi Region. Art painting and strips are very distinct decorations for houses of lowland Bukovyna. The house’s joyful interior is created by grapes depicted on the stove, around windows and on pokut (the sacred place of a traditional home). The most widespread patterns in Korytne village are grapes, arrow-wood leaves, hops and crosses on bases.

The house is built of smereka and poplar wood, its area equals to 58.8 square meters.

 

Хата із села Коритне Вижницького району Чернівецької області

 

Датується серединою ХІХ ст. Останній власник - Курик Микола Васильович. Складається із трьох частин - хати, сіней і хатчини. Зовні хата не мащена, тільки підведені смуги коло вікон та дверей. Така підводка характерна тільки для хат з Вижницького та Путильського районів Чернівецької області. Характерною декоративною оздобою для хат підгірської Буковини є розпис і підводка. Святковий інтер’єр у великій хаті створює розпис у виноград на печі, коло вікон на покуті. Найбільш поширений розпис у с.Коритному – «виноград», «калиновий лист», «хмелик» та «хрести на постаменті».

Хата з Буковини. Складена вона з кругляка смереки і тополі в прості замки з торцями. До верхів зрубу торці подовжуються і переходять ніби в кронштейни. Дах чотирисхилий, покритий соломою.

Площа споруди – 58,8 кв.м.

As a freelancer I can relate to this image, the struggle to make living using antiquated equipment, the long hours and stressful delays.

I made the image in taxi on the way back from a meeting with a potential client on the banks of the Cairo Nile, we were stuck in the mother of all traffic jams, the driver was tired and stressed, I was, for once content as I had eaten fish and concluded what I thought was a successful meeting. Now I look back, the real success was this image, which is one of my favourites.

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Check out my website for more of my work;

wreford.photoshelter.com/about

 

I know I say this every time, but I think I’ve found my “I’m in love I’m wearing this every day” skin. Dixie.

From Glam Affair, at Equal10.

You gotta get it, I’m wearing it on Lelutka Raven and hoooollllyyyy weooowww she’s STUNNING.

Equal10 maps.secondlife.com/secondlife/equal10/233/126/89

Glam Affair mainstore maps.secondlife.com/secondlife/Beauty%20Avatar%20couture/...

 

Did you get the HD Hot Lipstick (for Lelutka EvoX) by Top1Salon from Level yet?

 

I did.

 

You definitely should have this in your inventory. Fer sher.

 

Get your peach to Level

maps.secondlife.com/secondlife/LEVEL/142/173/6

The horror on this kid's face is incredibly relatable.

 

**All photos are copyrighted**

Trying to relate this quote (Prime Minister Boris Johnson on 7/7/22) to the prediction that up to 10 million UK citizens will be pushed into poverty over the coming winter. The position is a quite uncomfortable one. Fuji X-Pro1.

Thinking back to where I was ablout a year ago ... on my way to Jackson and the Tetons.

 

I don't generally shoot too many landscapes, but I find it hard to resist when the waters are so still and the skies are so clear and the reflections of the amazing landscape and environment are simply begging to be photographed. I'm sure that many of you can relate to giving in and capturing an image or two. Especially helpful during this period of rain, rain, rain.

 

I've learned to totally appreciate the moisture in Colorado ... I just wonder and wish ... why can't it be snow!!! LOL

 

Hope that everyone had a fabulous weekend.

© 2018 Debbie Tubridy / TNWA Photography

www.tnwaphotography.com

 

...::: NIve - Till you say i go :::...

 

Till you say i go

 

Say whatever’s on your mind

I’ll never let your heart just sink

Drown in colors that aren’t blue

 

And say, whatever makes you cry

I’ll never let your tears make a river

I’ll just linger by your side

 

When the night just feels too long

When the night just feels so cold

I will stay, wait a million years

I will stay, till you say I go

 

Dance under these shining stars

I’ll sing you a song, a lullaby

Gently whisper in your ears

And come let me guide you home

Wandering love just hold my hand

I will walk with you till the end

 

When the night just feels too long

I’ll stay till you say I go

484s last day with Abellio and still managed to make it relate to the H28, wow. 8053 is pictured on the stand at Lewisham Station awaiting its next trip back to Camberwell Green

don't relate to you

I don't relate to you, no

'Cause I'd never treat me this shitty

You made me hate this city

And I don't talk shit about you on the internet

Never told anyone anything bad

'Cause that shit's embarrassing, you were my everything

And all that you did was make me fucking sad

So don't waste the time I don't have

And don't try to make me feel bad

I could talk about every time that you showed up on time

But I'd have an empty line 'cause you never did

Never paid any mind to my mother or friends

So I shut 'em all out for you 'cause I was a kid

Fuji X-Pro1 plus Helios 44M-7 at F8. Our furniture is a kind of bricolage - bits and pieces from different places and often relating to particular stories, lives re-arranged and expressed through our eclectic interior, a composite entity just as my mind is. Therefore, should it be true that the outside is a reflection of the inside, then this should also hold for my hobby, photography. I am not creating anything when making images. I am re-arranging what I see. Different from, say, a painter, I do not create something new. I am actually interpreting or translating what I see. Most of the time, that is. Sometimes, I design something and then take the picture. Usually, however, I am looking at things that are already out there and then give this a visual expression. Basically, I am a translator. And I am keenly aware that there can be very fine and also less convincing translations.

topographic: relating to the arrangement of the physical features of an area.

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