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This was incredibly fun - fun company, and fun to make. I've never photographed a furry or a furry-adjacent avatar, so this was new. And it was equally fun to make the acquaintance of someone who was largely a mystery to me until then, only to realize it was simply easy. As easy as this came together.
Autumn, I owe you a debt of gratitude for the authenticity to come just as you are, as you feel, and as the creature you relate to most. I am genuinely glad you felt comfortable to come and bring your own flavor and a bit of a challenge. You bring so much into the world around you, and you brought so much into my world by entering it as well. So thank you always for your support, for the challenge, for your time, and for your patience as well.
Astronomical spring relates to the position of the earth in relation to the sun, while meteorological spring relates to the warming temperatures from March through May. For meteorologists and climatologists, spring begins March 1.
Your early life experiences have had deeply painful impacts upon your brain, your mind and how you see and relate to things, experiences and people. Your layers upon layers of deeply traumatic experiences have led you to see through tear covered glasses. Though you have faced pain-filled misunderstandings and further harm as a result of some people seeing through their rose colored glasses and acting accordingly, there is still value, truth and importance in your perspective. Just because some people are critical of your thoughts, ideas and viewpoints is not an indication you are wrong, too messed up, crazy or bad. You have a gift of seeing things from a vantage point some people will not understand or may choose to invalidate. It’s ok to be who God created you to be.
____________________________
A few weeks ago I went outside in the rain to take some pictures and while enjoying my time outside I got soaked by the falling rain. I am new to the world of wearing glasses. At nearly 40 years old I’ve never needed to wear glasses and though I still have 20/20 vision I needed to start wearing glasses 6 months ago. Just before coming back into the house on that rainy day I realized my glasses had raindrops all over them. This transition to wearing glasses has felt like a huge change for me and little things like tiny raindrops on my glasses really changes my perspective and disturbs my vision—slowly over time I’m trying to learn to “see through” the spots on my lenses and it’s still not as clear as all the years I didn’t need to wear glasses. When this happened it reminded me of the concept of seeing the world through tear covered glasses and it seemed like almost the opposite of seeing through rose colored glasses and what an impact these filters can have on us and those around us.
sagittal - Relating to or denoting the suture on top of the skull which runs between the parietal bones in a front to back direction.
This piece was created in response to a call out for submissions for a Batik Guild exhibition on the theme of 'Patterns of Change.'
An artistic response to climate change.
Typically I finished this not far from the deadline and submitted my photo and application for judging.
'This work started with me quite freely making marks, spontaneously playing with the batik process. There arose a playfulness in my thoughts that began to take form in the work being created, like converging energy flows running their own course then uniting as one.
It relates to the theme of patterns of change by acknowledging, with a childlike sense of wonder our need to live harmoniously and at one with nature.'
Glad to say that it's been accepted and will be exhibited alongside the works of other guild members in the gallery of the Naples Botanical Gardens in Florida, USA from May 4th to June 30th 2024 and is part of the International Year of Batik celebrations.
Multi-layered batik on mono-printed habotai silk - 44cm x 44cm (60cm x 60cm in frame)
Greg Brown ~ Lull It By
Kudos to the birders who figure out who these drifters are and then take the trouble to help other birders find them.
This guy was way off his patch.
"While today’s vagrant might be tomorrow’s model citizen, destined to become a colonizer and perhaps an established resident, as Grinnell (1922) asserted, most vagrants might be viewed as “failed colonization attempts”. Newton (2008: 267–299) summarized quite well the various explanations of the causes of vagrancy put forward over the past century or so. They include: normal dispersal over long distances, population growth or expansion, drift by winds, migration overshoots, deviant directional tendencies (right time but wrong direction), mirror-image migration, and reversed direction migration. While all explanations probably play a role and explain the occurrence of some vagrant individuals, we address the latter three explanations as they likely involve the vast majority of landbirds. The mirror-image misorientation theory, originally developed by DeSante (1973), and described by Diamond (1982), proposed that vagrants are misoriented by confusion of right and left in relating an inherited migration direction to a compass reference direction. Mirror-image misorientation theory accounts for observations made by DeSante (1983a) that in certain situations large-angle misorientations seem more frequent than small or intermediate deviations from the normal migration course (Alerstam, 1990). Misorientation by the wind has long been suggested as a cause of accidentals (Austin, 1971), but Thorup et al. (2012) found differently, as the authors used radio telemetry to track individual migratory flights of several species of songbirds from the Faroe Islands, approximately halfway between Norway and Iceland, far west of their normal migration route. Birds with expected easterly and south-easterly migration direction departed westward out over the Atlantic Ocean, indicating that these birds are actively flying in the “wrong” direction and that their occurrence is not caused by wind drift. However, on Attu Island, in the Aleutian Islands off Alaska, Hameed et al. (2009) found statistical evidence that the occurrence of spring Asian vagrants on this North Pacific island were correlated with storm winds from the west."
Vincent of Beauvais relates that at this time there was a young cleric at Lyons who had a dream in which he beheld a mountain with a beautiful city standing on the top of it. This city attracted him mightily so that he longed to get there. But between him and the mountain was a river, and in the river he saw twelve men washing their garments. With them was another, different from them, in a shining white robe who was helping them in their task. The cleric asked the stranger who they all were, and He replied that He was Jesus Christ and that those were men doing penance with His aid, and as soon as their robes were clean, they would be able to go on to the city which they all desired, that is, to heaven. Some time later the cleric told his dream to the Bishop of Châlons, who advised him on the strength of it to enter Cîteaux. He accordingly made his way to the woods where the monks were dwelling, and finally found the enclosure of the little monastery. The gate was made of wattles, and there was an iron hammer hanging there for a knocker. When the porter responded to his summons, what was the astonishment of the cleric to recognize him as one of the men in his dream. He also recognized all the other members of the community too, and he was not long in becoming one of them.
-Thomas Merton, OCSO In the Valley of Wormwood Cistercian Blessed and Saints of the Golden Age CISTERCIAN STUDIES SERIES: NUMBER TWO HUNDRED THIRTY-THREE, (Saint Alberic, Second Abbot of Cîteaux, France)
The story relates that Bishop Aubert (Saint-Aubert) of the city of Avranches, founded a shrine in 708 at Mont-Tombe (former name of Mont Saint-Michel), after three apparitions of the archangel Saint Michael (Saint-Michel in French) . Consecrated in 709, the church has since never ceased to attract visitors and pilgrims from all over the world. The architecture of Mont Saint Michel and its bay make it the most frequented tourist site in Normandy and the second most frequented in France after Paris
1
: of, relating to, or suitable for the country : RURAL
rustic rolling farmland
2
a
: made of the rough limbs of trees
rustic furniture
b
: finished by rusticating
a rustic joint in masonry
3
a
: characteristic of or resembling country people
b
: lacking in social graces or polish
4
: appropriate to the country (as in plainness or sturdiness)
heavy rustic boots
🌵Violetility in collaboration with Violation, the Cactus Chair is a relatable mood (Go Sit on a Cactus) accented with neon. Includes solo and duo Bento animations, static photography poses, and a neon color change HUD to change the cactus neon.
🌵Violetility - Mothman Slippers- Keep cozy with a cryptid companion! The fuzzy and unisex Mothman Slippers are rigged for a variety of bodies with an unrigged version included and a texture change HUD. Rigged for eBody REBORN, Legacy Feminine and Masculine, Maitreya Lara and LaraX, Signature Gianni, Belleza Jake, and Anatomy.
#violetility #secondlife #secondlifedecor #sldecor
Backdrop-
☀️Scafall - Djerva Terrace Villa, inspired by the Mediterranean. 10% off in store with group tag! Enjoy the sun on the rooftop terrace, then escape to the well-insulated shade of the ground floor studio. It has surrounding pavement to seamlessly integrate it into landscaping.
Scafall MarketplaceScafall Main Store Flickr: www.flickr.com/photos/scafall/Facebook: www.facebook.com/scafall/
#Scafall #sldecor #slhomeandgarden
#secondlifedecor
Additional Items Displayed
Reborn Body and Avalon evo x head
Shirt- Riot
Shorts- epoch
Truth- lyrical hair
Apparently they have run out of money, the results of which are the tunnel extension has been stopped. The builders have been told to make good and make safe.
Work will resume when funds become available.
This shot shows 43162 leading 43094 with the 2C69 Cardiff to Penzance.
The headland is known locally as Parson and Clerk and relates to an old myth where these guys were chased over the cliff by the devil. The Clerk rock is a sandstone stack which is out of shot. Its head fell off in a storm over 10 years ago.
The white building is a Summer House within the grounds of a property known as Windward. It used to be a Parma Violet Farm and would send bunches of Devon Violets to Covent Garden everyday via the freight yards that used to exist behind Teignmouth station.
A heavy storm is spilling out of Torbay and obscuring the island known as Ore Stone. Ore Stone is a breeding Island for many sea birds. This year there has been a colony of 2000 breeding Guillemots and Razor Bills. Also gold was once mined on the island, inside is a large cavern where miners extracted gold.
[polski opis niżej]
The title relates to the previous photo. The event from which this picture comes, was the first one organized by Pomeranian Railfans Society with the old Ganz-MÁVAG's SN61-183. The journey took one day and covered some used and unused railway lines in North-Western Poland. Here, the diesel motor car in Złocieniec, before depart to Grotniki Drawskie. October 28, 2000.
Złocieniec is a knot point station built in 1877 and originally named Falkenburg, with the suffix (Pommern) added later. It used to have a steam locomotive depot for three locomotives to serve the two railway lines 210 (Chojnice - Runowo Pomorskie) and 410 (Grotniki Drawskie - Choszczno), which meet here, with the latter originally running from Grzmiąca, 61 kilometers further.
Photo by Jarek / Chester
Tytuł nawiązuje do poprzedniego zdjęcia. To natomiast pochodzi z pierwszej imprezy zorganizowanej przez Pomorskie Towarzystwo Miłośników Kolei Żelaznych z udziałem szczecińskiego SN61-183 (ex-189). Jako że to była pierwsza impreza, potrwała "tylko" jeden dzień i obejmowała linie w woj. zachodniopomorskim. Na fotce "ganz" w Złocieńcu, przed odjazdem do Grotnik Drawskich. 29 października 2000 r.
Fot. Jarek / Chester
Greymouth, NOVA ZELANDA 2023
History House Museum is a collection of photographic and archival records and historical objects relating to Grey District on the West Coast of New Zealand. The museum opened in the former Grey County Council Chambers in 1996, but the building was deemed unsafe in the event of an earthquake and forced to close in 2017. A new home for the collection is being sought
History House Museum was housed in the former Grey County Council Chambers at 27 Gresson Street, Greymouth. The Grey County Council was formed in 1877, and built the Grey County Council Chambers in 1924. In 1989 the building was vacated when the County Council amalgamated with the boroughs of Greymouth and Runanga and the Greymouth Harbour Board to form the Grey District Council.
The project to turn the empty building into a history museum was instigated by former deputy mayor Kevin Brown, Mayor of Grey Ron Hibbs, and Kevin Beams of Grey District Council. Kevin Brown recruited volunteers from the Lions, family, and local community to fit out the building and assemble a collection. The museum opened in 1996, with Brown as manager. When Brown was elected Mayor in 1998, volunteer Bob Naisbitt took over the running of the museum, along with assistant historian Margaret Mort. By 2013 Margaret Mort and Karen Prendergast were running the History House.
Volunteers Jack Flood and George Gardner apply a paint job to the Standard Austin-Western Grader outside History House Museum. The Grey County Council purchased the grader in 1920 for £225.
In February 2017 a seismic assessment of the Grey County Council Chambers found it was at only 10 per cent of the new building standard (NBS), well below the 34 per cent required for a public building; the standards had been revised following the 2010–2011 Christchurch earthquakes. The cost to strengthen the building would be $142,000, and it is in a flood zone. The museum was closed and the archives moved to the Grey District Library. Several options were pursued: eventually incorporating the museum into a "Discovery Centre", disbanding the collection, or moving to another space – the former Dick Smith premises at 130 Mackay Street at a cost of $50,000/year – in conjunction with an iSite visitor centre.
The location of the museum (at the other end of town from the railway station where most tourists arrived) and the lack of signage were blamed for the low visitor numbers: about 6–8 people a day.[3][8] The Greymouth iSite manager Phil Barnett claimed tourists were simply not interested in its collections.
In any event the Protected Objects Act and Public Records Act required the collection to be catalogued before moving, at a cost of over $100,000. One consultant suggested the bulk of the collection was not "of sufficient merit" to be archived. The archives at the museum also needed to be properly stored; the Council Chambers are unsuitable and in a flood zone. There is no regional archive on the West Coast, although Shantytown near Greymouth had offered to host one.
James Tunnicliffe cleaning the gold-mining Kershaw Pump outside History House Museum
After a stocktake of the collection, items relevant to other West Coast districts were sent to the Hokitika Museum and Coaltown Museum. The museum operated from a pop-up space in the former Dick Smith premises, operating Wednesday to Sunday afternoons from 20 December 2017. The space had to close in July 2018 but had 1200 visitors in the first month and 9000 visitors in total, compared to the 1200 visitors a year at its former home.
In September 2018, the Council budgeted $140,000 to strengthen the Gresson Street building, but resolved to move the museum to a new discovery centre combining a library and museum some time in the future. The cost to reopen History House was estimated at $455,000, and just to make the building safe would be $170,000: even strengthened the former Council building would still have problems with climate control, fire safety, and storage. The former manager Kevin Brown took back his extensive photograph collection in protest at the lack of progress in strengthening the building. In 2020 the building was emptied and the collection moved into two climate-controlled shipping containers at a cost of $90,000.
Wikipedia
I cannot relate the story behind this little scene, all I can do is to relate the circumstance.
I was enjoying my early morning walk to fetch the morning newspapers when this odd picture leapt into my vision. It was much too early for the site workers to have started their days work though.
It relates to 18th Century. As of the time of transfer to the museum, the house was the oldest in the village and belonged to Oros family. The house has two premises: house and mudroom. It is one of the most ancient types of house planning in Zakarpattia. Walls of the house are constructed with wide oak cut blocks. Its high four-sloping roof is covered with straw.
This house is the oldest Zakarpattia house in our museum. It displays specific features of national building in valley of Tereblia-river and the middle reaches of Tysa River. The house’s area is 35.4 square meters.
Look at the exterior of the hut:
Характерною ознакою житла лемків (етнографічної групи українського народу), як і бойків, були білий та синій кольори.
Хата із с. Теребля, Тячівського району Закарпатської області
Датується XVIII ст. На час перенесення до музею хата була найстарішою в селі і належала родині Оросів. Хата дводільна: хата, сіни – є одним із давніх варіантів планування житла на Закарпатті. Стіни хати складені з широких дубових колених брусів. Високий чотирисхилий дах вкритий соломою.
Це найстаріша хата Закарпаття в експозиції нашого музею. Вона розкриває особливості народного будівництва у долині ріки Теребля та середньої течії річки Тиси. Площа хати — 35, 4 кв.м.
Орос Ярослав (родина з Тячівського району) - журналіст, відомий у літературі як ідеолог українського арійства:
“Ментально і культурно українці належать до західної цивілізації. Сучасний конфлікт із Росією — насправді цивілізаційний конфлікт. Війна на Донбасі — це війна між західною цивілізацією та азійською, виразником якої є сучасна Росія. Захоплюючись мужністю у відстоюванні європейських цінностей під час Революції гідності, сучасний французький філософ Бернар-Анрі Леві сказав: «Я французький громадянин, я — європейський федераліст, але сьогодні на Майдані, який нагадав Європі про її першочергові покликання, я також українець».
Фактично Леві у такий спосіб потрактував ідею Освальда Шпенґлера про старіння європейської культури («Присмерк Європи»). Україна, Литва, Польща — надія старої Європи, її свіжа енергія. У питанні європейських цінностей і свободи ми готові воювати і покласти за це життя, а Західна Європа до цього вже не готова.
Вона занадто розбещена комфортом і достатком. Ідея арійства допоможе нам бути сильнішими, сміливішими, енергійнішими — компенсувати покірність, століттями нав’язувану російським православ’ям. Арійство не заперечує християнську любов чи мораль, а повертає до першо¬джерел. Сучасне українське суспільство хоче бути цивілізованим, культурно й економічно конкурентним. І арійство — та духовна сила, що допоможе нам такими стати.”
/Урядовий кур’єр, 9 листопада 2024./
This work relates to an analogy made by Glabush between paintings and individuals: "there is no starting point within the painting and it appears all at once, similar to the way we perceive a person. A person has a history and is the product of embodied memory and experience, and imagination. But when we seek to really see a persona we perceive a totality not a collection of parts."
Of or relating to the pleasant aspects of the countryside and country life
GhostWorks Texture Competition #42
Texture with thanks to Skeletal Mess
Conversation relates to the two ladies and the inspection relates to the two people looking in the shop window.
Okay, John and Jax. Having been tagged by both of you in less than 24 hours, I guess I really need to go ahead and devote the time to this task. My favorite 10 albums of all time. IMPOSSIBLE! It simply cannot be done. To try and cultivate into a mere 10 albums (and let alone rank them) a half a century of musical tastes and preferences is physically impossible. So I cannot even begin to do so.
I can however, relate to you perhaps ten albums that, for a plethera of reasons, have impacted who I am, how I feel about life or world issues or just everyday living, or have seeded themselves firmly into the medley of musical variations I have come to enjoy over the span of 50 years. Some are rock, some are country, some are blues, some are just uniquely different. But the majority of them have had their early roots in the blues, or have been influenced by various blues artists to some degree. So in no particular order, here they are.
SRV, Stevie Ray Vaughan and Double Trouble, The Sky is Crying.
Released about one year after Vaughan's death in 1990, the album features ten tracks originally recorded between 1984 and 1989.
The Sky Is Crying illustrates many of Vaughan's musical influences, including songs in the style of traditional Delta blues, Chicago blues, jump blues, jazz blues, and Jimi Hendrix. The album's tone alternates primarily between uptempo pieces and gritty, slow blues. The album includes a Grammy-winning extended instrumental cover version of Jimi Hendrix's "Little Wing"; "Chitlins con Carne", a jazz instrumental; and, "Life by the Drop", a song written by Vaughan's friend Doyle Bramhall and played on acoustic guitar. This song is not about Vaughan's struggle with drug abuse, as many think, but actually about Vaughan's friendship with Doyle Bramhall from Bramhall's perspective.
ZZ Top, Tres Hombres.
Tres Hombres is the third album by American blues-rock band ZZ Top, released in 1973, and marked the first of many times the band worked with engineer Terry Manning. It proved to be the group's commercial breakthrough, attracting a far larger fanbase. The album hit the top ten while the single "La Grange" hit 41 on the singles chart.
The band's name is often said to be a combination of two popular brands of rolling paper, Zig-Zag and Top. It has also been claimed as a tribute to blues singer Z. Z. Hill. However, Gibbons wrote in his autobiography, Rock + Roll Gearhead, that it actually came from a tribute to and a play on the name of blues guitar master B. B. King. The band had planned to call themselves Z.Z. King, but felt it was too similar. Since B.B. King was at the "top", they settled on ZZ Top.
In January 1973, ZZ Top opened for The Rolling Stones three shows in Hawaii. They also began recording with engineer Terry Manning at Ardent Studios in Memphis. The resultant third album, Tres Hombres (1973), was the first for which the band gained a million-seller and wide acclaim. Hombres featured ZZ's classic hit "La Grange", written about the Chicken Ranch, a famous La Grange, Texas bordello (that was also the subject of the musical The Best Little Whorehouse in Texas). Other album cuts like "Waitin' for the Bus" and its immediate follower "Jesus Just Left Chicago" became fan favorites and rock-radio staples. However, my favorite tune to be spawned on this album was "Hot, Blue and Righteous".
Delbert McClinton, Never Been Rocked Enough.
This album is probably the most currently produced album on my list here, and possibly on my list of the 50 most influential albums for me. It as produced and relased in 1992. Nothing since then, at least to my immediate knowledge, would make the list.
Delbert McClinton (born 4 November 1940, Lubbock, Texas) is a singer-songwriter, guitarist, harmonica player, and pianist. Active as a side-man since at least 1962 and as a band leader since 1972, he has recorded several major-label albums, and charted singles on the Billboard Hot 100, Mainstream Rock Tracks, and Hot Country Songs charts. His highest-peaking single was "Tell Me About It", a 1992 duet with Tanya Tucker which reached #4 on the Country charts. He has also had four albums that made it to #1 on the U.S. Blues chart, and another that reached #2.
His 1992 release of this album featured the hit single "Every Time I Roll the Dice", which made it to #13 on the US Mainstream Rock charts, While the album only made it to #113. He has written for and recorded with a group of musicians that reads like the who's who or the music industry, including John Lennon.
And at the legendary Skyliner Ballroom, where McClinton's band was the only white act to play its Blue Monday nights AND be the backing band for the headliners, he received a first-class tutelage from the masters of blues music like Jimmy Reed, Howlin' Wolf and Sonny Boy Williamson. McClinton cut a number of local and regional singles before hitting the national charts in 1962 playing harmonica on Bruce Channel's now classic “Hey! Baby.” On a subsequent package tour of England, Delbert showed some of his harp licks to the rhythm guitarist for a young band at the bottom of the bill. The lessons he gave John Lennon were later heard on hit singles by The Beatles; when the two met Lennon already knew the instrument's basics, and the experienced McClinton shared some new licks with him.
Pink Floyd, Momentary Lapse of Reason
A Momentary Lapse of Reason is the thirteenth studio album by English progressive rock group Pink Floyd. It was released in the UK and US in September 1987. In 1985 guitarist David Gilmour began to assemble a group of musicians to work on his third solo album. At the end of 1986 he changed his mind, and decided that the new material would instead be included in a new Pink Floyd album. Subsequently Pink Floyd drummer Nick Mason and keyboardist Richard Wright (who had left the group in 1979) were brought on board for the project. Although for legal reasons Wright could not be re-admitted to the band, he and Mason helped Gilmour craft what would become the first Pink Floyd album since the departure of lyricist and bass guitarist Roger Waters in December 1985.
The album was recorded primarily on Gilmour's converted houseboat, Astoria. Its production was marked by an ongoing legal dispute between Waters and the band as to who owned the rights to Pink Floyd's name, which was not resolved until several months after the album was released. Unlike most of Pink Floyd's studio albums, A Momentary Lapse of Reason has no central theme, and is instead a collection of rock songs written mostly by Gilmour and musician Anthony Moore. Although the album received mixed reviews and was derided by Waters, with the help of an enormously successful world tour it easily out-sold their previous album The Final Cut. A Momentary Lapse of Reason is certified multi-platinum in the US.
Although the amazing talents of Water's were not present on this album, it still spawned two of my all time favorite songs, "Dogs of War", and "On the Turning Away".
Iron Maiden, Live After Death.
Live After Death is a live album by the British heavy metal band Iron Maiden, released on October 14, 1985 on EMI in Europe and its sister label Capitol Records in the US (it was re-released by Sanctuary/Columbia Records in the US in 2002). It was recorded during the band's World Slavery Tour. The album was instrumental in establishing the band as an extraordinary live band and is regarded as one of the best live albums ever recorded.
For anyone with a love of metal, Iron Maiden is a must hear band. The cover art was done by Derek Riggs, and pictures the band's mascot, Eddie rising from a grave. On that grave is a tombstone with a quote from the fantasy and horror fiction author H. P. Lovecraft's The Nameless City:
"That is not dead which can eternal lie
Yet with strange aeons even death may die."
The proper quote is actually "And with strange..." instead of "Yet with strange...". A similar version of this phrase is used in Metallica's song "The Thing That Should Not Be" from the Master of Puppets album.
Queensryche, Operation Mindcrime.
Operation: Mindcrime is a concept album by American progressive metal band Queensrÿche. Released on May 3, 1988, it is the band's third full-length album. A rock opera, its story follows a man who becomes disillusioned with the society of the time and reluctantly becomes involved with a revolutionary group as an assassin of political leaders. The album is highly regarded within the heavy metal community, often labelled as one of the genre's finest works. It ranked at number 10 at metal-rules.com's best heavy metal albums ever. In January 1989, it ranked #34 on Kerrang! magazine's "100 Greatest Heavy Metal Albums Of All Time."
The album begins with the protagonist, Nikki, in a hospital. He lies in a near catatonic state, unable to remember anything but snippets from his past. Suddenly, Nikki's memories come flooding back in a torrent. He remembers how, as a heroin addict and would-be political radical frustrated with contemporary society, he was manipulated into joining a supposed secret organization dedicated to revolution. At the head of this organization is a political and religious demagogue known only as Dr. X, who by manipulating Nikki through a combination of his heroin addiction and brainwashing techniques, uses Nikki as an assassin. Whenever Dr. X uses the word "mindcrime" Nikki becomes his docile puppet, a state which Dr. X uses to command Nikki to undertake any murder that the Doctor wishes. Through one of Dr. X's probable associates, a corrupt priest named Father William, Nikki is offered the services of a prostitute-turned-nun named Sister Mary. Through his friendship and growing affection toward Sister Mary, Nikki begins to question the nature of what he is doing. Dr. X notices this and, seeing a potential threat in Mary, orders Nikki to kill both her and the priest. Nikki goes to Mary's church and kills the priest, but after confronting Mary fails to comply with the command to murder her. He and Mary decided to leave the organization together, and Nikki goes to Dr. X to tell him that they are out. Dr. X, however, reminds Nikki that he is an addict, and that he is the one who can provide him with his daily fix. Nikki leaves, conflicted and returns to Mary, only to find her dead, hanging from her own rosary. He cannot cope with the loss, as well as the possibility that he himself may have killed her and not known it, and begins to succumb to insanity. The police, arriving on the scene, arrest him for Mary's murder and the murders he committed for Dr. X. He is put into a hospital, where he begins to remember what has happened.
Rush, Hemispheres.
Hemispheres is the sixth studio album by the Canadian rock band Rush, released in 1978. The album was recorded at Rockfield Studios in Wales and mixed at Trident Studios in London. This album continues Rush's trend of using the fantasy and science fiction lyrics written by Neil Peart. Similar to their 1976 release, 2112, Hemispheres contains a single, epic song broken into chapters as the first half of the album ("Cygnus X-1, Book II: Hemispheres") while the second half contains two more conventionally-executed tracks ("Circumstances", "The Trees"), then is rounded out by the nine-and-a-half-minute instrumental, "La Villa Strangiato".
The album contains examples of Rush's adherence to progressive rock standards including the use of epic, multi-movement song structures, complex rhythms and time signatures, and flexible guitar solos, like those found in "La Villa Strangiato".
Hemispheres was Rush's fourth consecutive Gold album upon release in 1978 and would subsequently go Platinum in the US. For a short period of time, the album was released on Canadian red vinyl in a gatefold sleeve with poster (catalogue number SANR-1-1015), and as a limited edition picture disc (catalogue number SRP-1300),both have which become much sought after collectors items.
Hang in there, folks....only 3 to go. I apologize, but I try not to halfway do anything...LOL!
Metallica, Ride the Lightning.
Ride the Lightning is the second studio album by the American heavy metal band Metallica. It was released on July 27, 1984 through Megaforce Records and was re-released on November 19, 1984 by Elektra Records. Ride the Lightning was certified gold by the RIAA on November 5, 1987 and was most recently certified 5x platinum on June 9, 2003.
Ride the Lightning retains the speed of Kill 'Em All on songs like "Trapped Under Ice" and "Fight Fire with Fire", but also contains the first of Metallica's longer, more intricate tracks, such as "Fade to Black" and the nearly 9-minute closing instrumental "The Call of Ktulu". "Ride the Lightning" is the last Metallica album to credit former member, Dave Mustaine. Ride the Lightning was listed at #3 on a list compiled by metal-rules.com of the Top 100 Metal Albums of All Time.
"Ride the Lightning" is Metallica's first song which directly pointed on the misery of the criminal justice system. The song is one of two on the album that credits former member Dave Mustaine. The lyrics of the song "Ride the Lightning" are written from the perspective of someone who is forthcoming death-by-electrocution, although he didn't commit murder.
"For Whom the Bell Tolls" was composed by Cliff Burton, James Hetfield, and Lars Ulrich. The songs inspiration is Ernest Hemingway's novel For Whom the Bell Tolls about the dishonor of modern warfare and Robert Jordan's eminent doom during the bloody Spanish Civil War, with specific allusions to the scene in which five soldiers are obliterated during an air-strike, whilst taking a position on a hill.
The lyrics of Fade to Black suggest a man contemplating, then eventually committing suicide. Metallica revealed that they have received letters from fans who were dissuaded from committing suicide by the song.
"Creeping Death" describes the Plague of the Firstborn (Exodus 12:29). The lyrics deal with the 10 plagues on Egypt, and throughout the song, four of the ten plagues are mentioned as well as the Passover.
"The Call of Ktulu" was Metallica's second instrumental song, following the first instrumental "(Anesthesia) Pulling Teeth" from Kill 'Em All. The song working title was originally "When Hell Freezes Over".
The idea of the song "The Call of Ktulu" is based upon H.P. Lovecraft's book The Shadow Over Innsmouth which was first introduced to the rest of the band by Cliff Burton. The song's name was taken from one of H.P. Lovecraft's main stories featuring Cthulhu, The Call of Cthulhu, which was written in 1928 for the magazine Weird Tales. The name "Ktulu" is originally written "Cthulhu" by H.P. Lovecraft.
And all this time you thought they were just a bunch of fucking stoners.....hehehe.
Led Zeppelin, IV.
The fourth album by the English rock band Led Zeppelin was released on 8 November 1971. No title is printed on the album, so it is generally referred to as Led Zeppelin IV, following the naming standard used by the band's first three studio albums. Also the album has alternatively been referred to as , Four Symbols, The Fourth Album (those two titles each having been used in the Atlantic Records catalogue), Untitled, Runes, Sticks, ZoSo and The Hermit. Zoso is also the moniker for the band's guitarist, Jimmy Page.
Upon its release, Led Zeppelin IV was a commercial and critical success. The album is one of the best-selling albums in history at 37 million units. It has shipped over 23 million units in the United States alone, putting it third on the all-time list in the United States and twelfth world-wide. In 2003, the album was ranked 66th on Rolling Stone magazine's list of the 500 greatest albums of all time.
"Black Dog" got its name from a stray black dog that was roaming about the concourse of Headley Grange during recording sessions for the song.
"The Battle of Evermore" and "Misty Mountain Hop" are references to J.R.R. Tolkien's Lord of the Rings novels.
"Going to California" is a reference to John Steinbeck's The Grapes of Wrath.
The idea for each member of the band to choose a personal emblem for the cover was Page's. In an interview he gave in 1977, he recalled:
After all this crap that we'd had with the critics, I put it to everybody else that it'd be a good idea to put out something totally anonymous. At first I wanted just one symbol on it, but then it was decided that since it was our fourth album and there were four of us, we could each choose our own symbol. I designed mine and everyone else had their own reasons for using the symbols that they used.
Page stated that he designed his own symbol himself and has never publicly disclosed any reasoning behind it. However, it has been argued that his symbol appeared as early as 1557 to represent Saturn. The symbol is sometimes referred to as "ZoSo", though Page has explained that it was not in fact intended to be a word at all.
Bassist John Paul Jones' symbol, which he chose from Rudolf Koch's Book of Signs, is a single circle intersecting 3 vesica pisces (a triquetra). It is intended to symbolise a person who possesses both confidence and competence.
Drummer John Bonham's symbol, the three interlocking rings, was picked by the drummer from the same book. It represents the triad of mother, father and child, but also happens to be the logo for Ballantine beer.
Singer Robert Plant's symbol was his own design, being based on the sign of the supposed Mu civilisation.
There is also a fifth, smaller symbol chosen by guest vocalist Sandy Denny representing her contribution to the track "The Battle of Evermore"; it appears in the credits list on the inner sleeve of the LP, serving as an asterisk and is shaped like three triangles touching at their points.
And finally we make it home with....
Allman Brothers, Live at Fillmore East.
At Fillmore East is a double live album by The Allman Brothers Band. The band's breakthrough success, At Fillmore East was released in July 1971. It ranks Number 49 among Rolling Stone magazine’s 500 Greatest Albums of All Time and remains among the top-selling albums in the band’s catalogue. It is often cited as being one of the most well-known live recordings in history.
Recorded at the Fillmore East concert hall, the storied rock venue in New York City, on Friday and Saturday March 12, 1971–March 13, 1971, it showcased the band's mixture of blues, Southern rock and jazz. The cover of Blind Willie McTell's "Statesboro Blues" which opens the set showcases Duane Allman's slide guitar work in open E Tuning. "Whipping Post" became the standard for a long, epic jam that never lost interest (opening in 11/8 time, unusual territory for a rock band), while the ethereal-to-furious "In Memory of Elizabeth Reed", with its harmonized melody, Latin feel and burning drive invited comparisons with John Coltrane (especially Duane's solo-ending pull-offs, a direct nod to the jazz saxophonist).
The album was produced by Tom Dowd, who condensed the running time of various songs, occasionally even merging multiple performances onto one track. At Fillmore East peaked at #13 on Billboard's Pop Albums chart.
Two other songs recorded during the same set of shows, "Trouble No More", and the memorable "Mountain Jam", were later released on Eat a Peach, the latter spanning two sides of the double album.
Those songs were later included in their entirety, along with uncut versions of some, re-edited versions of others, and some previously omitted tracks, on a new release of the Fillmore material entitled The Fillmore Concerts (1992). "Stormy Monday" gained back a harmonica solo; "Don't Keep Me Wonderin'" and "Drunken Hearted Boy" were included as well.
In 1998 a 5.1 DTS mix of the original version was released with Duane Allman in the left rear channel, Dickey Betts in the right rear channel, Jai Johanny Johanson in the front left channel, Butch Trucks in the right front channel and Gregg Allman and Berry Oakley both spread out over the front and center channels.
George Kimball of Rolling Stone magazine hailed them as "the best damn rock and roll band this country has produced in the past five years." A few months later, group leader Duane Allman was killed in a motorcycle accident. The group survived that and the death of bassist Oakley in another motorcycle accident a year later; with replacement members Chuck Leavell and Lamar Williams, the Allman Brothers Band achieved its peak commercial success in 1973 with the album Brothers and Sisters and the hit single "Ramblin' Man". Internal turmoil overtook the band soon after; the group dissolved in 1976, reformed briefly at the end of the decade with additional personnel changes, and dissolved again in 1982.
In 1989, the group reformed with some new members and has been recording and touring since. A series of personnel changes in the late 1990s was capped by the departure of Betts. The group found stability during the 2000s with Warren Haynes and Derek Trucks, the nephew of their drummer, serving as its guitarists, and became renowned for their month-long string of shows in New York City each spring. The band has been awarded eleven gold and five platinum albums between 1971 and 2005 and was inducted into the Rock and Roll Hall of Fame in 1995. Rolling Stone ranked them 52nd on their list of the 100 Greatest Artists of All Time in 2004.
I can relate. While on vacation getting in some 25-30 thousand steps in a day, it can be a challenge sometimes to be cordial.
The Tour métallique de Fourvière ("Metallic tower of Fourvière"), a landmark of Lyon, France, is a steel framework tower which bears a striking resemblance to the Eiffel Tower, which predates it by three years. With a height of 101 m (331 ft), previously 85.9 m (282 ft) before installation of the TV broadcasting antenna, and weighing 210 tons, the "metallic tower" was built between 1892 and 1894.
When I met him I knew he lived a life I couldn't relate to and made some enemies along the way. Now those enemies are my enemies.
Details Here: bothourworlds.blogspot.com/2015/11/dangerously-in-love.html
Said starway isn't what I was standing on while taking the picture, it rather relates to the current state of the locomotive presented on the picture. The ET42-025 shown here running alone through Kraków Mydlniki in the direction of Zabierzów is no more in service (presumably hasn't been for a couple of months now), and the railway station has undergone a massive modernisation, leading to a classically standardised look without the footbridge or any romanticism ;), as you can see by yourself over here.
In general the whole ET42 class of engines is coming to an inevitable end, as more and more Dragon locomotives are delivered from Newag to PKP Cargo. At the time of writing this description (12.01.2024) there are only 17 locomotives in service, from what used to be a series of 50 engines produced between 1978-1982 in НЭВЗ (Новочеркасск, Russia). They were innitially mostly deployed on the railway line connecting Silesia with the northern harbours in Gdynia and Gdańsk, but in recent years also spread to majority of the country, even becoming relatively common in Warsaw since around 2018, which was unthinkable beforehand.
From what I heard, the ET42 locomotives were generally a pretty successful series, thanks to being based on ВЛ10 engines, which had already been after years of service in the harshest conditions of the Soviet Union. Extremely reliable, easy to repair, but not without their downsides, the worst of which is that the locomotives could get extremely hot in summer, forcing drivers to provide different ways of cooling by themselves.
A little curiosity on all of the engines is their paint scheme, which differed from the standardised PKP livery. All ET42 locos had a big V-shape at the very front, presumably as a tribute to the ВЛ10 forefathers. The colour of the stripe making up the V differed across the years, together with the general paint schemes of PKP, but never really disappeared until the corporate scheme of PKP Cargo was introduced. Initially yellow on minty green background, then it turned to orange with the introduction of the 'yellow fronts' in 1989 and finally settled on red after the grassy-green livery was made the new standard. Despite generally liking the yellow fronts, I find that the red stripe on grassy green fits these Soviet monsters best.
The nicknames, which the railfans came up with included Czapajew and Rusek, generally very generic names which could theoretically be attributed to any locomotive of Soviet origin, just as Gagarin become a common way to call ST44.
Photo by Piotrek/Toprus
A feeling likely every single one of us can relate to right now! I am definitely feeling a bit antsy, particularly wanting to get back out and head out for multiple days exploring and photographing our wonderful natural world. However, looks like I need to content myself with the digital form only for now (together with some walks around the neighborhood). This was from a visit to Boardman Tree Farm in Oregon a few years ago. It was a popular stop for photographers in the fall to shoot the rows of aspen, but sadly it was sold and the last trees harvested and converted to farmland.
This particular crop was from a much larger pano I took (9 or 10 frames wide I think). I was just experimenting, and when I got it on the computer some of the most interesting symmetries got lost in the wider angle but cropping it down made it more pleasing and also made the "bars" at the end of this row visible. I thought that was an interesting little detail.
It has in fact been a delight for me to spend time with my family in recent weeks, and I feel in some ways like it's made up for at least a little bit of the time I missed traveling for the job when the girls were younger. I am realizing just how disruptive the constant business travel was, not just to me but to our whole family. We have a practice now of stating what we appreciate and are grateful for at dinner each night which I think has been helpful. I am extremely grateful for such a loving and wonderful family. They have kept a fantastic sense of humor and a warm and cooperative spirit in a time when it's easy to let anxiety consume one's emotions. I hope everyone is able to find some light and color in their lives right now.
Stay safe!
"The Surrender" This is a self-portrait I created a few months back. The location is a dried up lake called Øyeren, which is located just a few miles outside of Oslo. This image represents the days you just want to surrender and disappear from the face of the earth. I'm sure everybody can relate to this in one way or another... If you want to learn more about my creative process, check out my latest blog post!
I chose this name as the definition relates to regions beyond our earth/celestial and heavenly and it also happens to be the soundtrack that was used in the video I created (music by Stelladrone) see here on YouTube: www.youtube.com/watch?v=7MKCZJYChmE
Captured using a QHY600 60 Megapixel Full Frame Monochrome CMOS camera mounted on the Takahashi 130 FSQ that we have the honor of beta testing for QHYCCD.
This setup is available immediately for people wanting to subscribe to Grand Mesa Observatory's system 1.
grandmesaobservatory.com/equipment-rentals.
Some of the objects visible include NGC4438-NGC4435 are known as The Eyes Galaxies and are among the most prominently featured Galaxies in this image lying at a distance of around 52 Million Light Years from us. 3 galaxies from the messier catalogue M87, M86 and M84, 52 galaxies from the NGC-IC catalogues, but you have to zoom in to see the over 600 distant galaxies from the PGC catalogue.
View in High Resolution
Astrobin: www.astrobin.com/m3s2ui/
Captured bin 2x2 over 2 nights in April 2021 for a total acquisition time of 14 hours.
Technical Details
Captured and processed by: Terry Hancock
Location: GrandMesaObservatory.com Purdy Mesa, Colorado
Dates of Capture April 3rd and 8th 2021
LUM 216 min 108 x 120 sec
RED 210 min 105 x 120 sec
GREEN 218 min 109 x 120 sec
BLUE 198 min 99 x 120 sec
Filters by Chroma
Camera: QHY600 Monochrome CMOS Photographic version
Gain 60, Offset 76 in Read Mode Photographic 16 bit, bin 2x2
Calibrated with Dark, Bias and Flat Frames
Optics: Walter Holloway's Takahashi FSQ 130 APO Refractor @ F5
Mount: Paramount ME
Image Scale:2.39 arcsec/pix
Image Scale: 2x2 = 2.38 arcsec/pix
Field of View: 3d 7' 41.0" x 2d 3' 5.3 (127.3 x 190.1 arcmin)
Image Acquisition software Maxim DL6, Pre Processing in Pixinsight and Post Processing in Photoshop CC
Museo Ferrari is a Ferrari company museum dedicated to the Ferrari sports car marque. The museum is not purely for cars; there are also trophies, photographs and other historical objects relating to the Italian motor racing industry. In addition to that, the exhibition introduces technological innovations, some of which had made the transition from racing cars to road cars.
It is located just 300 m (980 ft) from the Ferrari factory in Ferrari's home town of Maranello, near Modena, Italy.
The museum first opened in February 1990, with a new wing being added in October 2004. Ferrari itself has run the museum since 1995. The total surface area is now 2,500 square metres. The number of annual visitors to the museum is around 180,000.
The exhibits are mostly a combination of Ferrari road and track cars.
-
-
related to there
related
to there being a spirit
of
determination
however
one
relates
it t o one
in
the
spirit
of integration the understanding is
there
is more than
one
in
a
state
or
condition of portrayal by way
of
separation as this is next from one
perspective
there is more
than
one way for integration to
be
portrayed
in
the
spirit
of
determination
it has been
determined
one
might
say
it
is already decided
there
must be more
to
it
than
that we might
say
n - - - o one finishes
that
with a flourish related to integration since
or
as we need to be
determined
to
understand
portrayal is directed
not
to
be
just
now
fully integrated I
mean
honestly in what
direction
are
we
integrated
for
now
there
is a rhetorical - - - environment to the policy of
integration
in the atmosphere
one
might
say
trust
me
we can all be familiar - we can all be familiar
with
the
atmosphere
one just needs to integrate - one just needs to integrate
it
portray it as
integral
to
being
directly
related
somehow
or
other relate it back to your leader
but
no
but
no if only
portrayal
is directed in
the
spirit of determination
unity
has to be in diversity
the
only
thing
that can be
integrated
into one as
an
element
of
portrayal
is
separation
with
the understanding portrayal
is
directed - - - that which is
not
in
any
direction is fallacious
earth
water
fire
air
ether
mind intelligence and
time
sensitive
ego
those are the
elements
that bring direction into play as they
are
in no way merged like this or
suggestive
of a great big impactful origin already
they
are
to
be
portrayed
as the separated energies of
the
complete whole by
way
of being complete
in
and of themselves
that
is
the
way to portray unity in
diversity
-
-
-
-
-
-
space makes sense
ॐ
pūrṇam adaḥ pūrṇam idaṁ
pūrṇāt pūrṇam udacyate
pūrṇasya pūrṇam ādāya
pūrṇam evāvaśiṣyate
light
o r
one
might say the light is
complete
in and of
itself
why
bother
saying
it
is has no
mass
Tales of history relate that Dinajpur derived its name from Raja Dinaj or Dinaraj, founder of the Dinajpur Rajbari. But others say that after usurping the Ilyas Shahi rule, the famous Raja Ganesh of the early 15th century was the real founder of this house for a brief period. At the end of the 17th century Srimanta Dutta Chaudhury became the zamindar of Dinajpur and after him, his sister's son Sukhdeva Ghosh inherited the property as Srimanta's son had a premature death. Sukhdeva's son Prannath Ray became famous and powerful and began the construction of the famous Kantanagar Nava-Ratna Temple, now known as the Kantajir Mandir, one of the most precious heritage structures.
It is difficult to conceive what the main palace block looked like when it was young and bold. Wild leaves and veins have wrapped the building like octopus tendrils while the skeleton and naked brick structures give a horrid look as the ageing plaster is almost worn out of the walls. In different parts of the building, structural girders are exposed while there is no roof above. Still from his historical study and the remaining ruins, Dr Nazimuddin Ahmed gave a vivid description of the structures in one of his publications published in 1986.
"The imposing façade of the two-storey palace, facing east has a broad frontage of about 150 feet. The central part carrying a 10 feet wide verandah above is projected prominently. The front projection has a series of elegant Ionic columns in pairs with round shafts on the upper floor.
"The parapet is plain except for a curved plaque-wall in the centre, bearing in relief, two elephants standing face to face and holding a crown. Above and below it are some indistinct English letters. On either side of the balcony a broad spiral masonry staircase leads up to the upper storey. The roof of the 15 feet wide balcony collapsed.
"Immediately behind the balcony a large hall (50"X20") originally flagged with white marble stone and flanked by two 10" wide verandahs on the east and west is roofed over with massive iron girders. The lofty 25 feet high roof is in a highly disintegrating condition. On its north there is another smaller (30"X 20") hall and on the south a broad corridor leads to the inner quadrangle of residential quarters."
If the bricks could paint or write the tales of the Rajbari and its inhabitants, what a book could have been written! But with the silent walls, the palace has now grown old and inexpressive. It has faced not only the cruelty of time but also the ravages of nature like the 1897 earthquake that had left it badly damaged. Although the palace was largely rebuilt by Maharaja Sir Girijanath Ray Bahadur, time has not spared it from its claws. It is up to us now whether we would at least let the ruins remain and let our future generations see them and let their imagination flow back to the past and touch our heritage.
other pictures from the set Dinajpur Rajbari .... Discovering the hidden glory
His Golden Touch
One day, as Ovid relates in Metamorphoses XI, Dionysus found that his old schoolmaster and foster father, the satyr Silenus, was missing. The old satyr had been drinking wine and wandered away drunk, to be found by some Phrygian peasants who carried him to their king, Midas (alternatively, Silenus passed out in Midas' rose garden). Midas recognized him and treated him hospitably, entertaining him for ten days and nights with politeness, while Silenus delighted Midas and his friends with stories and songs. On the eleventh day, he brought Silenus back to Dionysus in Lydia. Dionysus offered Midas his choice of whatever reward he wished for. Midas asked that whatever he might touch should be changed into gold.
Midas rejoiced in his new power, which he hastened to put to the test. He touched an oak twig and a stone; both turned to gold. Overjoyed, as soon as he got home, he touched every rose in the rose garden, and all became gold. He ordered the servants to set a feast on the table. Upon discovering how even the food and drink turned into gold in his hands, he regretted his wish and cursed it. Claudian states in his In Rufinem: "So Midas, king of Lydia, swelled at first with pride when he found he could transform everything he touched to gold; but when he beheld his food grow rigid and his drink harden into golden ice then he understood that this gift was a bane and in his loathing for gold, cursed his prayer."
Await and Awaken©
Relate within the same letter of life's law
As easy as a first breath of cherishment galore
Howsoever the day may have begun,
It's course in your hands may still be spun
That door remains open till the day is done
To welcome with opportune resolve life's home run
Call it emotional topiary, your garden, your space
No overnight fantasticism can over-emphasise apace
The quality of being the mirror before sightseeing seen,
Sets the beautified scene so miraculously serene
Renewable, inexhaustible, when finally found it's never lost
That is the feeling of being warmed at the touch of a Sun thawing frost
Two worlds away unite within the same second
As much as the first owes the last over which it is reckoned
Birthdays split the differences as we all move through time at the same pace
Every range of clock face imaginable and none a disgrace
It tells of antiquity within the presence of valour
And speaks a charmed silence which awaits and awakens within flowing candour.
by anglia24
10h45: 24/01/2009
©2009 anglia24
Carl Jung rejected many of Freud's theories. Jung expanded on Freud's idea that dream content relates to the dreamer's unconscious desires. He described dreams as messages to the dreamer and argued that dreamers should pay attention for their own good. He came to believe that dreams present the dreamer with revelations that can uncover and help to resolve emotional or religious problems and fears.
Jung wrote that recurring dreams show up repeatedly to demand attention, suggesting that the dreamer is neglecting an issue related to the dream. He believed that many of the symbols or images from these dreams return with each dream. Jung believed that memories formed throughout the day also play a role in dreaming. These memories leave impressions for the unconscious to deal with when the ego is at rest. The unconscious mind re-enacts these glimpses of the past in the form of a dream. Jung called this a day residue. Jung also argued that dreaming is not a purely individual concern, that all dreams are part of "one great web of psychological factors."
Fritz Perls presented his theory of dreams as part of the holistic nature of Gestalt therapy. Dreams are seen as projections of parts of the self that have been ignored, rejected, or suppressed.Jung argued that one could consider every person in the dream to represent an aspect of the dreamer, which he called the subjective approach to dreams. Perls expanded this point of view to say that even inanimate objects in the dream may represent aspects of the dreamer. The dreamer may, therefore, be asked to imagine being an object in the dream and to describe it, in order to bring into awareness the characteristics of the object that correspond with the dreamer's personality.
I think most anyone can relate to a desire to talk to someone we no longer can. For whatever reason, whether it be for estrangement or death, there are some people we wish we could talk to but can't. These are conversations unfinished, ties untethered, connections lost. Sometimes those manifest into conversations we have with ourselves, because that is the only cathartic closure or resolution there is. The morning at dawn when I shot this, I thought of how connected I feel to my grandfather when I'm out alone in nature. How I feel I am sort of with him when I'm surrounded by trees, as if his memory is tied somehow to the tall oaks, redbuds and pines of our Oklahoma landscape. In Native American lore, they believe that when a loved one dies a red fern grows in its place as a symbol of eternity, and the kind of love that transcends time.
Loup des bois . Gray Wolf
Shot at Parc Omega which is a ten-kilometer nature roadway in Montebello, Quebec.
Sea Princess Scenic Nature, Seals & Fjord Cruise tour out of Northeast Harbor Maine is a great way to see Nature and spectacular views of Mount Desert Island.
I am reposting this message and creation from my December 2019 post
Although this was written in 2019 I knew something big was going to take place on earth in the months ahead.
It is as relevant today as it was back in 2019 because it relates to today in 2021
I underestimated the severity of this message. In saying this I was extremely unsettled for many months and prayed as I knew something was going to happen but I did not know exactly what.
I had endured many months of suffering knowing. Through this process things became crystal clear to me and with that an understanding of the higher picture and ultimately a sense of surrendering to 'what is' and a sense of Peace and Calm came with this, along with so much gratitude for being guided and shown. A blessing and a curse
To add to this, many souls have sacrificed themselves - knowingly and unknowingly to wake up humanity.
We can never know the soul agreement that each of us has made when we birthed into this world.
I am eternally grateful to the many souls who have endured hell on earth, lost their lives to awaken the masses to the reality of this world.
There are many people at this time on earth who are struggling with all that is happening in our world.
I was guided with this message and design back in 2019 - it started many months before it was completed by December of that year.
I hope that this message will bring some understanding and comfort to anyone who is struggling right now.
Despite her name Black Winged Goddess, she does bring a message of Hope and Unity to humanity.
We are living in times of great destruction of the world as we know it, earth changes, fires, floods, earthquakes.
Here alone in Australia we sit in horror at the extent of the fires rampage across the country. Unprecedented fires and weather in the history of our existence (well what is on record)
Whilst horrific - the earth we live on has always been full of cyclic changes.
Ancient cities have been discovered under the sea, we are naive to think that the world as we know it will remain the same.
What continents exist now may no longer exist. What coastline exists now is slowly being swallowed up by the ocean.
Volcanic eruptions are changing the face of the planet as are earthquakes - the list is long.
We cannot stop the force of Mother Nature. We live on a planet that has always endured such destruction.
We have pole shifts taking place - all kinds of catastrophic events happening across the Globe. We are but a spit in the ocean to the wide Galaxies that we know of. Yet we think we are precious in some way.
I cannot help but wonder why I was so drawn to create this "Black Winged Goddess" let alone give her the name of Black Winged Goddess. But I was drawn, my soul was pushing me for weeks with a "slight vision" of what I needed to create. It now makes total sense to me why I was so drawn to create The Black Winged Goddess, given the state of our world and humanity.
My soul as always when I listen guides me with powerful messages and reminds me to just 'be' to accept 'what is'.
We may not like the current state of our world, but it is what it is and all we can do is stay strong within ourselves and hold the power of 'love' in our hearts despite seeing so much being played out on the planet.
Kali (Hindu) - was known as a deity of the Fearsome Demon destroying Goddess who represents death and rebirth - so her name means "Black One".
We can never truly comprehend or understand the power of mother nature - we have abused her for centuries, taken her for granted and she is a living breathing consciousness so powerful that we dare not go up against here.
In recent years we have seen the influence of the feminine energy on earth which for eons has been dominated by the male energy.
So it makes complete sense to me that we are witness to so much destruction on the planet.
We are witness to the destruction of our societies as we know it, breakdown of families, law, politics.
So much of humanity is at war with the 'system', the injustices, and the lack of balance within our society. The homeless, the abused, the forgotten souls, the mental health issues that seem to have become rampant, the rise of Corporate wealth while humanity is trapped in slavery. We have learnt nothing as a humanity over the past how many hundred years?
In order for rebirth, for new growth, a culling needs to take place - hence the energy of the Black Winged Goddess she is both the Destroyer and the Giver of New Life.
We have elected to be here at this time on the planet - despite the suffering we witness or endure - I know at a higher level it is absolutely necessary for real change to take place.
Our world is a very different place to the one we have known - and whilst we have believed we have had a safe and reasonable planet in which to live, the reality is much Evil has existed and people have been brainwashed to the point of being zombies. There has been so much suppression imposed upon humanity even to the extreme of vaccinations and fluoride to our water supply. All of these chemicals act as suppressants to our brain! It has been a deliberate agenda of the existing power on earth. Their agenda has always been to rule, control and suppress the populous.
Humanity is awakening and with this will be uproar, dis - ease, a culling if you like. It is time for humanity to step out of fear and into their true power which is within each and every one of us.
New growth, new beginnings but not before the dismantling of the old - it has to be this way.
These times we are living through were written in history.
So I have created "The Black Winged Goddess" she is available in different styles, inside a Dome with beautiful etched glass or stand alone. She will rotate or can be static.
She is available on MP in the Stand Alone version (rotating) or can be seen in world at my store.
****This POST IS NOT to promote my MP. I will not put my MP link here for this reason. If anyone does not have the money and would like a version of her please send me a notecard in world with your full name and I will happily send one to you. This is NOT about promoting my MP it is about assisting humanity at this time***.
I hope you enjoy and embrace 'The "Black Winged Goddess' and rather be in fear of her - understand she brings 'New Life" but first the old has to die for the new to be born.
How appropriate for a New Year of 2020 fast approaching.
Interestingly and unconsciously I created 4 of these Black Winged Goddesses.
The year 2020 equates to the number 4 in Numerology.
The #4 represents a Universal energy. (see below for a deeper understanding of the #4)
The # 2 - Is the most feminine and often underestimated when it comes to power and strength. She is always gentle, tactful, diplomatic, forgiving and understanding. She likes to keep peace and likes to avoid confrontation. # 2 is the survivor and extremely resilient force. Her shape looks as though she is bent back on a knee with head bowed in humility and service. However when enough pressure is applied to the # 2 energy. Some would perceive her as weak and powerless due to this servitude shape. However never underestimate the power behind #2 because she represents the power (double) #1 who is the all powerful warrior who will shake and destroy no matter what. So #2 brings the balance but never underestimate the power of 2 Energy.
The #4 Energy in more detail
The 4 is without a doubt masculine, reflecting strength and stability. His chief characteristics are dependability, productivity, punctuality and obedience. He is trustworthy, patient, conventional and a traditionalist.
Tend to be rule followers. 4 is the area of sciences, upholding the law (such as Government and the military). The #4 represents Disciplined, systematic, Dependable, Strong. Loyal
Four is the basis of all solid objects. Four points are used in constructing the simplest solid and thus four is the number symbolizing the way of construction. In many religions, four is seen as the number for earth, and representing the four elements, Air Earth, Water and Fire.
At its extreme 4's can tend to overreact to violence.
So 2020 seems to have more challenges ahead and I suspect we will be seeing more uprising across the planet (#2 energy) with totalitarianism (#4 energy) being played out like never before. Perhaps more of what the world has witnessed in Hong Kong this year.
It is as if the two energies Masculine & Feminine are battling against one another. But at the same time, I cannot help but feel and acknowledge UNITY - and this is what I will remain focused upon during the year ahead. We must stand united. We are after all 'one humanity'
We are without doubt living in very challenging times.
May peace be with you!
Copyright December 2019 Chant Lyric
Please share with anyone who you believe may take some comfort during these days - not because I want awards, in fact I do not want awards. This is for humanity and was given to me through the Grace of God
This post is NOT about promoting my MP - she is available there for anyone who wants to purchase her. For anyone who truly feels drawn to her and the strength and comfort she brings to me, and do not have the money to purchase her. Please contact me in world with a notecard, give me your full name and I will happily send her free of charge to you.
My original posts can be seen here www.flickr.com/photos/58903384@N04/49251189433/in/datepos...
www.flickr.com/photos/58903384@N04/49251186488/in/photost...
Can you relate? I got up early because I wanted to photograph some places in town at sunrise. Hoping for warm light and strong shadows.
Almost all the sites I visited had changed into construction sites though and I really got in a bad mood.
I decided to go on since I was there anyway and time can be precious.
Then I saw the light on this window. Diffused by the tree. It's shadows casted on the wall. It instantly changed my mood. I started to photograph other things than planned and got home with a really nice set of photos. You have got to stay open minded.
OLYMPUS DIGITAL CAMERA
Olympus E-300, Zuiko Digital 40–150mm F3.5–4.5
There is nobody in the world who knows so many stories as Ole-Luk-Oie, or who can relate them so nicely. In the evening, while the children are seated at the table or in their little chairs, he comes up the stairs very softly, for he walks in his socks, then he opens the doors without the slightest noise, and throws a small quantity of very fine dust in their eyes, just enough to prevent them from keeping them open, and so they do not see him. Then he creeps behind them, and blows softly upon their necks, till their heads begin to droop. But Ole-Luk-Oie does not wish to hurt them, for he is very fond of children, and only wants them to be quiet that he may relate to them pretty stories, and they never are quiet until they are in bed and asleep. As soon as they are asleep, Ole-Luk-Oie seats himself upon the bed. He is nicely dressed; his coat is made of silken stuff; it is impossible to say of what color, for it changes from green to red, and from red to blue as he turns from side to side. Under each arm he carries an umbrella; one of them, with pictures on the inside, he spreads over the good children, and then they dream the most beautiful stories the whole night. But the other umbrella has no pictures, and this he holds over the naughty children so that they sleep heavily, and wake in the morning without having dreamed at all.
Ruben M. Benjamin (1833-1917), an attorney known for litigation relating to railroad regulation, had this Italianate-style house built for him and his wife, Laura, upon their marriage in 1856. The builder, carpenter John L. Routt (1826-1907), would go on to serve as the first and seventh Governor of Colorado from 1876 to 1879, and 1891 to 1893. He also served as Mayor of Denver from 1883 to 1885.
Benjamin received his primary education at Kinderhook Academy, New York and in 1853 was graduated from Amherst College with high honors. He was principal of Hopkins Academy at Hadley, Massachusetts, one year and was a student a year later in the Harvard Law School and the next year he was a tutor at Amherst. He arrived in Bloomington in the spring of 1856. In the fall he appeared before Judge (and future Associate Justice of the United States Supreme Court) David Davis at Lincoln, Illinois, for his bar exam. One of the examiners was Abraham Lincoln. He passed the test and later became a close friend of the future 16th U.S. president.
Benjamin was a prominent attorney who represented the people in The People vs. Chicago and Alton Railroad. That case was widely considered a benchmark ruling that allowed the government to regulate private enterprises.
After Benjamin "retired" from the practice of law, he devoted his time to writing textbooks that were used at many of the most prominent law schools in the country. He also served as a McLean County judge from 1877 to 1886, and served for a time as the dean of the law school faculty at Illinois Wesleyan University in Bloomington.
The Ruben M. Benjamin House is listed both by itself and as a contributing property in Bloomington's East Grove Street District. The only other home in the East Grove Street District to have this distinction is the George H. Cox House previously shown in this McLean County series.
The East Grove Street District includes 43 houses and apartment buildings, 25 of which are considered contributing buildings. The houses in the district were built between 1855 and 1915 for many of Bloomington's upper middle class residents. Due to a building boom between 1880 and 1900, the then-popular Queen Anne style is the most prevalent in the district. Other popular architectural styles in the district include Greek Revival homes from the 1850s, Italianate homes built between 1860 and 1880, and Arts and Crafts homes built in the 1900s. The district was added to the National Register of Historic Places (NRHP) in 1987.
Bloomington is the seat of McLean County. It is adjacent to Normal, and is the more populous of the two principal municipalities of the Bloomington-Normal metropolitan area. Bloomington is home to State Farm Insurance, Country Financial and Beer Nuts. Illinois Wesleyan University is located here, while the neighboring twin city of Normal is home to Illinois State University and Heartland Community College. Bloomington is 135 miles (217 km) southwest of Chicago, and 162 miles (261 km) northeast of St. Louis. The estimated population of Bloomington in 2019 was 77,330, with a metro population of 191,067.
Italy, Venice, "Campo Bandiera & Moro o de la Bragora" with a peaceful atmosphere, the square is framed by the church of San Giovanni in Bragora & some beautiful buildings including the Palazzo Gritti-Badoer.
Siting on the benches for a break in the shade of the trees at the square, you can observe the "original fake merchandise" street vendors who are meeting or passing by here. However, while I was sitting here, I did not see once a vendor approaching or harassing anyone on the marketplace.
The origin of the term Bragora is unclear, but relates to the church "San Giovanni in Bragora", located on the square & founded in the early 8th century, Pietro Barbo, 1417-1471, future Pope Paul II & Antonio Vivaldi, 1678 -1741, were baptised in the church.
👉 One World one Dream,
🙏...Danke, Xièxie 谢谢, Thanks, Gracias, Merci, Grazie, Obrigado, Arigatô, Dhanyavad, Chokrane to you & over
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from Madras Fruit Stand Decor Gacha @ Main Store
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