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Gentlemen — A Question — What is your very lovely lady back home doing right now? Why Ask? Because an hour ago she went on Facebook and Flickr and Twitter to comment on your latest photo & video postings. So you know exactly what your woman is doing this morning — she’s monitoring your social media posts. 😏
Here’s another thought — Is it possible that your very lovely lady has spent the last 28 years ‘Living Las Vegas’ and ‘Leaving Las Vegas’ far better than you? She knows pretty much everything you know because she’s known you for 28 years and because she’s spent the last 15+ months of the Coronavirus Global Pandemic monitoring your last three Las Vegas trips. And so from the safety and comfort of her suburban back yard lounger, she has monitored on her handy 🍎 iPad your desperate attempts at ‘Living Las Vegas’ Coronavirus Style. 🤔
Gents — How many times over the course of 28 years of ‘Loving/Living/Leaving Las Vegas’ did your very lovely lady spent her entire departure day laying out at the hotel cabana swimming pool sun bathing while you, on the other hand, spent your entire day out in the hot desert sun on Flickr camera safari?!?! The last time you and your woman ventured to the Vegas Strip together, y’all didn’t see each other on departure day until you brought down her luggage to the hotel’s shuttle station for the 5pm shuttle to the airport. 😎
So now that your wonderful seven day Vegas Vacation has come down to its last bittersweet four hours — what is your plan to slow down time and makes those last four hours last forever? 🤔
Chris Huhne, Secretary of State for Energy and Climate Change, Ambassador Mxakato-Diseko of South Africa, Foreign Secretary William Hague with and Martin Davidson, Chief Executive at the British Council answer questions on Climate Change, 8 November 2011. The debate was chaired by Rick Edwards.
Scouts hike along Thomas Road for the first area show. 2010 National Scout Jamboree at Fort A.P. Hill, Virginia, Wednesday July 28, 2010. Photo by Jim Brown
**********Beginning of Shooting Data Section**********
Canon EOS 5D Mark II iso - 500 f/11 shutter - 1/500
file name - 6732-07-001-128 date - 7/28/10 time - 8:26:49 AM
program - Program AE white balance - Auto
meter - multi-segment tone comp - 0 exp. comp - 0.0
flash - off
President Cyril Ramaphosa replies to Questions for Oral Reply in the National Council of Provinces (NCOP) in Parliament, Cape Town. (Photo: GCIS)
From the autumn 2016 trip to Vietnam:
Goodbye, Hue. This is also the last full day that Junebug would be on this trip as she had a Sunday morning flight back to China. As it was a travel day, there wouldn’t be as much shooting as usual, either.
We woke up around 7:45 and had the exact same breakfast as Friday. In my case, an omelet and toast (with wonderful passionfruit jelly), compliments of the fine folks at Huenino. From there, we took a private car to the very, very small local airport and awaited our late morning flight to Hanoi.
Through noon, it was a very uneventful day. My only real observation flying into Hanoi’s airport, which is about 20 kilometers north of the city, was: “Wow, this air looks a lot like China!” That is to say, heavily polluted.
I’m glad to say that that’s the only negative thing I had to say about Hanoi. In the weekend I had there, I found the people, food, and environment (granted, I rarely left the Old Quarter) to be wonderful.
Back to the narrative. We got out of the airport sometime around noon and took a taxi to town for 400,000 VND (~$20 USD). Even with showing the driver the address, he had no clue whatsoever where he was going. He took us to one address, insisted it was correct against my protestations, at which point we called the hotel and they told him he was wrong. After another 15 minutes of driving in circles, he finally got us to the right place: Art Trendy Hotel.
Since this was our last night/weekend, I decided to splurge and book a hotel that cost a whole $48, almost twice the going rate of what we’d been paying this whole trip. For that, we found ourselves in a well-decorated boutique hotel (with few rooms) and extraordinarily helpful front desk staff. (However, since Junebug was leaving the following morning, she only booked the room for one night and I found myself having to switch hotels to the nearby Hotel Aquarius for Sunday night which, while in an ideal location, wasn’t quite as nice as the Art Trendy.)
After checking in and dropping off our bags, we went out a few minutes later for a very light lunch (a snack, really, since it was not-so-good fast food) before wandering around the Old Quarter. My only disappointment is that I hadn’t brought along my tripod (which would drive me nuts in the evening) because I thought we were going back to the hotel before going out again. However, I had another night, so no huge worries; it just meant less pictures on Saturday night.
So, from about 1:30 in the afternoon, we stayed out until early evening; maybe around 10:00. Besides a mediocre snack, we started walking around the Old Quarter which I found mesmerizing with its mix of old buildings, narrow allows, and throngs of people. We just walked along a prescribed route that the girls at the hotel recommended
The first real place we stopped was (at least according to the hotel), “one of the best places around here to eat bun cha.” It was a small dive of a restaurant, but packed, mostly with locals, which I took to be a sign that she was right.
Bun cha is wonderful; probably one of my favorites that I ate during the two weeks in Vietnam. Lonely Planet describes it this way:
“This street favorite features barbecued sliced pork or pork patties served with thin rice vermicelli, a heap of fresh herbs and green vegetables, and a bowl of lightly sweetened nuoc mam (fish sauce) with floating sliced of pickled vegetables. The Hanoi version combines sliced pork belly and pork patties formed from chopped pork shoulder.”
That’s heaven in a dish for this old man. The beer chaser was another brilliant idea.
After eating a real meal, which would end up being the last of the day, we went back along the hotel’s route and found ourselves at the north end of Hoan Kiem Lake. This isn’t the largest lake in Hanoi (West Lake is), though it’s the second-largest in the city and, by far, the most crowded. The north end has all sorts of Vietnamese establishments like Popeye’s, Burger King, and Dunkin’ Donuts. On weekends, the road around the lake is closed off to traffic making it pedestrian only.
We sat around the north end of the lake for a few minutes before wandering off to the west looking for St. Joseph’s Cathedral. This was a nice cathedral and, at least on this afternoon, we had the added luxury of crashing a Vietnamese wedding (along with plenty of others who came and took up seats in the back pews). It was a wonderful service from what I could understand, very similar to a wedding in the U.S. Since I didn’t have my tripod, I didn’t get terrific shots, but took a few with the P&S, anyway.
After staying for about half an hour, we finally left and continued wandering around the neighborhood. I happened to locate my hotel for the following night, as it was directly behind the church about 10 doors down (and less than a 10 minute walk from the Art Trendy).
This is when I thought we’d head back to the hotel and grab dinner along the way, but Junebug felt like wandering the other direction. So, we just kept walking (and shooting very, very little; I’d taken my P&S away from her, so photography didn’t interest her anymore). From the main road west of the church, we headed south to the next main road before heading east directly to the Hanoi Opera House (based on the lesser of Paris’s two famous opera houses).
That route took us along a street that had some nice character before skirting the southern end of Hoan Kiem Lake – which, by evening, was starting to get crowded – and then a high end shopping street that ran for 2-3 blocks towards the Opera House. The highlight of that street, for me, was bumping into a bona fide Argentinean steakhouse (where I would have lunch on Sunday) less than 100 meters from the Opera House.
After a very quick stop at the Opera House, we walked northwest heading towards the Night Market, which wasn’t quite underway yet; it was evening, but everyone was still unpacking. That was fine by me, though, since we’d seen a few night markets this trip and I couldn’t photograph it well if I’d wanted to without my tripod. Eventually, we made our way through the market and found our way back to the Art Trendy about five blocks away.
As always, thanks for dropping by and viewing these pictures. Please feel free to leave any questions or comments and I’ll answer as I have time.
what advantage is there to being born with a silver spoon ... when the riches of life come from within
submitted to 100 words
76/100 words: question
Part of the Question of the Moment bulletin board set, “If You Could Only Choose One, Which Would You Rather Use: Texting or Facebook?”
How do you render metallic colors from LDD? This image shows the difference between the two when rendered with Bluerender.
I posed the question the night before, that I wondered if the bells of the Minster would chime all night, and so would they be made silent after, say, eleven? I can now reveal that the bells did chime all night. I would like to say it was kind of re-assuring, but the ringing, not only of the hours but an attractive peal before the hours were chimed, was loud, loud enough to wake me from my slumber on a few occasions.
We arranged to meet Bradey at eight for breakfast, and in an unusual move we had to exit the guesthouse and go in the front door for the breakfast room. It worked, and soon we were tucking into toast, cereal and a huge cup of coffee or two.
Before breakfast, Jools and I walked round the monster, and saw that it opened at nine, so we hoped to load the car and be at the doors at the final stroke of nine so we could hit toe road as soon as we, or rather, I had my shots.
And this is what happened. The car loaded, we walked to the monster to find the door unlocked, but the church deserted. So, I rushed round getting my shots, it is always wonderful to have a building to oneself, but one as grand and as special as Beverley Minster was a rare treat.
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Beverley Minster, in Beverley, East Riding of Yorkshire, is a parish church in the Church of England. It is one of the largest parish churches in the UK, larger than one third of all English cathedrals and regarded as a gothic masterpiece by many.
Originally a collegiate church, it was not selected as a bishop's seat during the Dissolution of the Monasteries; nevertheless it survived as a parish church and the chapter house was the only major part of the building to be lost. It is part of the Greater Churches Group and a Grade I listed building.[1] Every year it hosts events in association with local schools. Including the Beverley Minster Primary School Nativity Performance and the Beverley Grammar School Speech Night.
The minster owes its origin and much of its subsequent importance to Saint John of Beverley, who founded a monastery locally around 700 AD and whose bones still lie beneath a plaque in the nave. The institution grew after his death and underwent several rebuildings. After a serious fire in 1188, the subsequent reconstruction was overambitious; the newly heightened central tower collapsed c. 1213 bringing down much of the surrounding church. Work on the present structure began around 1220.
It took 200 years to complete building work but, despite the time scale involved, the whole building has coherent form and detail and is regarded[who?] as one of the finest examples of Perpendicular design, the twin towers of the west front being a superlative example. These formed the inspiration for the design of the present Westminster Abbey.
Saint Thomas Becket of Canterbury, (c. 1118–29 December 1170) was named Provost of Beverley in 1154.
Henry Percy, 4th Earl of Northumberland (1449–1489), was buried in the church after being murdered by the citizens of York in 1489 during the Yorkshire Rebellion over high taxes imposed by King Henry VII.
As with many English churches during the wars of religion in the 16th century, Beverley Minster was not immune to dissension. Church authorities cracked down hard on those they felt were part of the "Popish" conspiracy contrary to Royal decrees. "Among those holding traditional beliefs were three of the clergy at the minster, who were charged with Popish practices in 1567; John Levet was a former member of the college and Richard Levet was presumably his brother. Both Levetts were suspended from the priesthood for keeping prohibited equipment and books and when restored were ordered not to minister in Beverley or its neighbourhood."[2]
In the 18th century the present central tower replaced an original lantern tower that was in danger of collapse. This central tower now houses the largest surviving treadwheel crane in England, which is used when raising building materials to a workshop located in the roof. A distinctive feature of both the north and south transepts is the presence of rose windows, and a White Rose of York, with ten equal parts. Daily tours to the crane and rose windows are available to the general public, subject to other church commitments.
Features of the interior include columns of Purbeck Marble, stiff-leaf carving and the tomb of Lady Eleanor Percy, dating from around 1340 and covered with a richly-decorated canopy, regarded[who?] as one of the best surviving examples of Gothic art. A total of 68 16th century misericords are located in the quire of the minster and nearby is a sanctuary or frith stool dating back to Anglo-Saxon times.
The misericords were probably carved by the Ripon school of carvers and bear a strong family resemblance to those at Manchester Cathedral and Ripon Cathedral.
The church contains one of the few remaining Frith Stools (also known as Frid Stools, meaning "peace chairs") in England. Anyone wanting to claim sanctuary from the law would sit in the chair. The chair dates from Saxon times before 1066.[3][4][5][6]
The organ is mounted above a richly carved wooden screen dating from the late 19th century. There is a staircase in the north aisle which would have been used in collegiate times to gain access from and to the chapter house.
Improvements to the choir were made during the 16th and 18th centuries and medieval glass, which was shattered by a storm in 1608, was meticulously collected and installed in the East Window in 1725. The Thornton family, great craftsmen of the early 18th century, were responsible for the font cover and the west door. Another notable feature is the series of carvings of musicians which adorn the nave.
en.wikipedia.org/wiki/Beverley_Minster
Beverley Minster is the Parish Church of St. John and St. Martin
John, bishop of York, founded a monastery on the site where Beverley Minster stands.
John died in 721 and his body was buried in a chapel of the Saxon church.
He was canonised in 1037.
The present church was built around his tomb.
Building work began in 1220 and was completed in 1425.
Throughout the Middle Ages miracles which took place at his tomb attracted pilgrims from far and wide.
Today the church is still a place of pilgrimage for visitors. It also continues to be a place of prayer and worship at the heart of the community.
NOW ON eBay r.ebay.com/JRcoHB
- See more at: loudbike.blogs.com/vintage_cycles_for_sale
92 honest-to-goodness rear wheel horsepower in a perfectly set-up package that weighs less than 300 pounds. Arguably the fastest DB1 in North America and likely the only one set-up for serious track day work.
Noted moto journalist, Chief Instructor at Yamaha Champions Riding School and Sport Riding Techniques author Nick Ienatsch rode the bike at Mosport last week and had this to say: "Buy it. My experience on Steve's DB-1 at Mosport couldn't have been more positive. He rolled it off the trailer Saturday morning, we rode the hell out of it all weekend, and he rode it back onto the trailer Sunday night. All Steve did was add gas. Bulletproof and extremely fun, surprisingly quick...probably the fourth-quickest lap time in the fast group at DOCC. The motor pulls strong, the bike sounds right and the chassis is sorted and composed at the limit. The problems? All the new sport bikes in the way during lapping!!"
The machine started out as a pretty tired and far removed from stock DB1 that was brought over from Europe by the previous owner and as such, it made an excellent candidate for a full-on hot-rod. The bike was completely stripped-down and I started on the process of renewing all the rolling chassis components and rebuilding the motor over a period of 22 months. The end result is an absolute riot on the race track – really sharp handling as would be expected with a platform as short as the DB1, but with excellent stability. With 93hp and 63ftlbs of torque, the little bike goes like a scalded cat. Given that the Montjuich cams are being used, I would have expected a more peaky delivery, but the Meyers Performance 790 kit beefed-up the bottom end significantly. As you can see by the dyno chart in the pics, peak torque is at 6,500rpm and there’s usable stuff as low as 5,500.
I’ve ridden the bike at the Ducati Owners Club events at Mosport in July 2013 and May 2014 as well as at NHIS in October 2013 - and have been amazed at how well the whole package worked at speed. The DB1 Is surprisingly comfortable and easy to ride fast – and absolutely gorgeous sounding. My log shows 6 hours of riding time on the motor and I just completed a full post-track day service.
Here are the specs on the build:
Chassis:
DB1 chassis, swing arm with new swing arm pin, motor mount spacers and steering head bearings / races
Custom battery box with a Shorai L-ion battery – also mounts the Kokusan ignitors, solenoid and new regulator
Custom mounts for Dyna 3-ohm coils
Custom oil cooler mount, Starlight hoses with Earls fittings
Custom oil cooler and feed/return adapters
Carbon fiber dash
Domino quick action throttle
Custom built Stadium shock with rebound + hi/lo speed compression adjustment
Rebuilt DB1 series Marzocchi M1Rs
PM 17” spun aluminum wheels with Pirelli Superbike Slicks (SC1 front and SC2 rear)
300mm EBC full floating rotors with Brembo P3034 calipers and Menani caliper adapters
Braided steel hydraulic lines
Custom rear caliper mount and Brembo racing 2-piston caliper
Milled footpeg hangers
AFAM lightweight front & rear sprockets
Brembo 996 brake and clutch pumps
Airtech bodywork (this is the first pull they did off the mold and is much lighter than normal
Paint by Peach Pit (Robbi Nigl)
Custom wiring harness
Aluminum & titanium fasteners throughout
loudbike open NCR replica exhaust in 304 stainless
Motor:
750 F1 (Montjuich) base with Meyers Performance 12:1 790cc kit
Lightened clutch basket, clutch housing, primaries, flywheel and clutch cover
JPrecision heads (Stage IV Pantah) with new valves, guides & seats
Montjuich ("P") cams with Bucchi adjustable pulleys – timing set at 102.5 degrees at lobe centers)
Malossi 41mm carbs
Modified Old Racing Spares cam end covers
Top-end lubrication via cam end cover feed
Exact Fit timing belts
New Kokusan pick-ups
Aluminum & Titanium fasteners throughout
Dyno tuned to 93hp and 63ftlbs of torque (I terminated the pulls at 8,500rpm, so there’s more on tap)
Please check out the dyno pull videos at www.youtube.com/watch?v=_tVaaTTa3jA&feature=share&... and www.youtube.com/watch?v=w5hU55YhUYY&feature=share&... . Note that I was still fooling around with jetting in the first video, so you can see the stumble as the motor came out of the lower rpm range. The final jetting set up has the motor pulling cleanly from 4,000rpm. The 2nd video is one of the heat cycle sessions as I was breaking the motor in. You can also track the progress of the build on my blog:
loudbike.blogs.com/loud_bike/2013/08/mosport-part-1-the-b...
loudbike.blogs.com/loud_bike/2013/07/1985-bimota-db1-race...
loudbike.blogs.com/loud_bike/2013/03/1985-bimota-db1-race...
loudbike.blogs.com/loud_bike/2012/12/the-bimota-db1.html
loudbike.blogs.com/loud_bike/2012/05/ducati-750-tt1-and-b...
loudbike.blogs.com/loud_bike/2011/12/winter-2011-loudbike...
And finally, there are hi-rez copies of the pics used in this listing at: www.flickr.com/photos/loudbike/sets/72157634524192692/ To get to the hi-rez images, select one and then click on the icon in the lower right of the page (three white dots) and select view all sizes from the drop-down menu.
There are a few surface cracks developing in the bodywork that are most visible in the hi-rez pics (it’s inevitable; the bodywork is paper-thin except in the main support area between the four mounting studs).
This is a fully-sorted track bike that’s ready to go. Add gas, tickle the carbs, push the starter button and have at it!
This is a rare and unique machine. Consider that a standard DB1 in decent shape will fetch north of $19k: add 30 reliable HP, knock almost 60lbs off the curb weight, upgrade the wheels, suspension & brakes and you get a sense for what it would cost to build this machine. Reserve has been set accordingly.
I'm happy to assisting world-wide shipping. My customers have used the following companies with very good results:
North American shipments:
Adam or Jacqui
TFX International Specialized Vehicle Transport
11 City View Drive
Etobicoke. ON M9W 5A5
Canada
Phone 416.243.8531
Fax 416.243.8886
Mackie Auto Transport
933 Bloor St. W.
Oshawa, ON, Canada L1J 5Y7
1-905-728-2400
e-mail: motorcyclemoves@mackiegroup.com
International shipments:
Tony or Amanda
Inter-Par Logistics Inc.
3845 Nashua Drive
Mississauga, ON L4V 1R3
Tel.: 905-678-1288
Fax: 905-678-1289
e-mail: tl@inter-par.com or sc@inter-par.com
Questions? Please feel free to send me an email at steve@loudbike.com - or you can call me anytime at 1-613-230-7448.
Somehow I've managed to get this far in life without trying Marmite. When asked the question: do you love it or hate it? I've never been able to answer.
Well tonight I decided to fix that.
Armed with the necessary tools, marmite, bread and me, I set about tasting the yeasty goo.
And the verdict?
Yuk! Urgh! That is quite the most vile disgusting thing I've ever tried! Ewwwww!
Grab your old-style red/ blue lens glasses and enjoy this anaglyph photograph.
© Norman Posselt (Monotype)
I am trying to put together a better list of what fits my clothing. Right now I own Minifee and I've been told that some of my clothing fits Bluefairy msds. I would really appreciate it if anyone could take the time to let me know what other MSD sculpts fit my clothing so I can list it on my Etsy. You can PM me if you'd like. Thank you! <3
For any question or request:
bankvideo@yahoo.com
All over the capital, the Arirang adverts (« Grand mass gymnastic and artistic performance », « Welcome to Pyongyang » and so on) warn the profane…Between August and October, takes place one of the biggest and most impressive performances in the world. The tone is set : even the Beijing Olympics ceremony can’t compete with the mass games organized by the Democratic People's Republic of Korea (DPRK). The show is held several times a week and welcomes tourists from all over the World, including the US, in one of the most isolated and despised country on earth. The well-called « mass games » are designed to emphasize group dynamics rather than individual performances as the supreme emblem of communism. Prepared by hundred of thousands performers all along the year, after their classes for the youngest of them, they are entirely dedicated to the NK’s leader Kim Jong Il and his deceased father Kim Il Sung, considered as the « Eternal president » and « sun of the 21st century »…
In the surroundings of Pyongyang's May Day giant Stadium, two girls are running to perform for the Arirang show. They are already dressed in their gymnastic outfits, as well as some 100,000 others who participate to the performance. They all come to honour their self-proclaimed « dear leader » Kim Jong Il, after a very hard and gruelling training, since their earliest age. Yet, it has been many years that Kim Jong Il has not shown up, formally for business reasons. But officials now admit the western medias’ assertions of illness. Anyways, Kim Jong Il or not, the mass games are held every year in Pyongyang, as a means for the regime to show to the entire world the country’s strength and good shape. To reach this sole purpose, not less than 100,000 people are involved in a choreographed show of simultaneous dancing and gymnastics. Many symbols are displayed by thousands of trained athlets, whether they are adults or even children. Hand over their heart, the young pupils sing in chorus "We are the happiest children in the world", one of the famous propaganda songs in North Korea. Many dancers make movements either with ribbons or colourful flowers named « kimjonglias » after the leader Kim Jong Il. All along the show, a live band plays a ceremonious music.
On the background, some 20,000 young koreans sit on the terraces, facing the spectators. They flip coloured cards at a high speed to form a fresco of animated and detailed images, changing from one to another. Each time they turn the page to create a new giant picture, they cry out. It creates a awe-inspiring atmosphere, as the shout is mixed with the noise of thousands of pages turned at the same moment. The figures are stunning : to compose these images, 2000 children are needed to make only one soldier, 20,000 for a north korean flag. Hiding a much more grim reality, the panels represent Pyongyang enlightened by night, wheat fields ready for harvest, scientists at work, atoms as symbols of the nuclear bomb and others for the reunification of two Koreas. One of the North Korea’s myths (history according to them) is recounted by the means of a huge image made by thousands of children. It represents the two pistols reportedly used by Kim Il Sung, when he founded the Anti-Japanese People’s Guerrilla Army in 1932. When the pistols appear, the audience applauses loudly. Among them, many soldiers attend the show as the ultimate award after years of good and faithful service.The thousands and thousands of boys and girls involved create a giant mass movement in the stadium which leaves the public stunned. These talented performers are used to that kind of performance: in North Korea they have to dance, sing, jump and spin around as many times as there are celebrations, always in praise of their leaders. There are mainly two sorts of shows. The first one is the classical artistic show, named "Arirang" after the famous korean folk song (whose story sometimes changes, but most often recounts the legend of a disappointed woman who hopes that her lover will return to her –metaphor of the break-up with South Korea). The second one is a more political show, which was untitled in 2008 "Prosper our country" and intended to show the country’s greatest achievements and its struggle against the foreign oppressors.
The show continues in the same way for one hour. Thereafter, the thousands of people present vanish in the dark and silent streets of Pyongyang, which contrast with the flood of lights and music in the stadium. Within the space of a few hours, it gives us a a strange feeling, between the real and unreal, of another universe both terrifying and fantastic.
Pyongyang North Korea 북한
First up was Boughton Malherbe, which no one can seem to agree on how to spell, which I go to following the sat nav down narrow, twisting lanes, that finally dived over the edgeof the down, and there on a small level space was the church.
And a welcoming committee.
They watched me park, get my cameras out and begin to walk towards the church.
You'd better not park thar, large tractor comes by regular. One of the group is an old farmer, I guess, he smiles and shows just two teeth remaining. He is leaning on a shepherds crook, like you see in films but never see in real life.
I move the car to the area of grass they indicate, then ask me 50 questions on why I wanted to photograph the church, in a light hearted manner, of course.
Satisfied, they let me in, though are keen I see the fallen yew tree to the east of the church, that English Heritage would let them cut fully down.
I go in and they group are keen to stay out of my way lest I get them in a shot, I pretend to snap them, and they scuttle for cover.
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It is worth persevering to get into this church which is regularly open on set days in the summer. The setting is delightful - in a small farming hamlet with trimmed verges and distant views. The church was heavily handled by the late 1840s restorer (Apsley of Ashford) - but this date alone is very early for this type of work, and shows that the person responsible had a good knowledge of the work of the Camden Society and its principals. The chancel screen is particularly elaborate - it was this part of the building that received most attention. The chancel was extended to provide space for more elaborate ceremonial. The difference in texture of the wall is easily seen. The church also contains the remains of monuments to the Wootton family. Regrettably most of the monuments have been pulled apart or reset but enough survives to show that they were once a very grand collection. I especially like the lovely carved lions form the Countess of Chesterfield's monument. She was a Royalist rewarded by the King after the Restoration. The vestry is now floored with marble from her monument. In the nave is a memorial to Lionel Sharp, Chaplain to Elizabeth I.
www.kentchurches.info/church.asp?p=Boughton+Malherbe
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BOUGHTON-MALHERB (St. Nicholas), a parish, in the union of Hollingbourn, hundred of Eyhorne, lathe of Aylesford, W. division of Kent, 1½ mile (S. W. by S.) from Lenham. [1]
Boughton Malherbe is a village and civil parish in the Maidstone district of Kent, see Boughton Malherbe Wikipedia
Boughton Malherbe St Nicholas is an Ancient parish in the Diocese of Canterbury and includes the village of Grafty Green within the parish boundary. A Map of the parish boundary may be viewed at A church near you
The Church of St Nicholas, Boughton Road, Boughton Malherbe was restored in 1848-1850 and again in 1909 and has been designated as a grade II* listed building British listed building
See also Edward Hasted The History and Topographical Survey of the County of Kent: Volume 5 (1798), pp. 397-415. Malherbe+ at British History Online and Kent Churches website.
familysearch.org/wiki/en/Boughton_Malherbe,_Kent_Genealogy
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Boughton Malherbe (/ˈbɔːtən ˈmælərbi/b baw-ton mal-erby) is a village and civil parish in the Maidstone district of Kent, England equidistant between Maidstone and Ashford. According to the 2001 census it had a population of 428, including Sandway and increasing to 476 at the 2011 Census.[1]
Boughton Place, a 16th-century manor house, was home to Sir Henry Wotton and other members of the Wotton family and was later owned by the Earls of Chesterfield and the Earls Cornwallis. Many of the Wottons are buried in the Church of St Nicholas.
Aretas Akers-Douglas, 1st Viscount Chilston (1851–1926) who was a Home Secretary, lived at Chilston Park, and has a memorial stone dedicated to him in the village church.[2]
In August 2011 a hoard of more than 350 bronze weapons, tools, ornaments and other objects dating to the late Bronze Age was found in a field at Boughton Malherbe by two metal detectorists. The objects are of types that are unusual in southern Britain, but are common in northern and north-west France and therefore it is thought that the objects were made in France and later brought to southern Britain where they were subsequently buried in about 875–800 BC.
en.wikipedia.org/wiki/Boughton_Malherbe
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THE next parish eastward from Ulcomb, is situated almost in the middle of this county, and is so called from a family antiently possessors of it, and to distinguish it from the several other parishes of the name of Boughton within this county.
It is written in antient deeds both Boughton and Bocton, and in some, Bocton, alias Boughton, and seems, as well as the other parishes of this name, to have been so called from Boc, signifying in Saxon a charter, and ton, a town or parish; that is, the place held by charter. So much of this parish as is eastward of a line drawn from the church of it across, through the middle of Chilston-house to Lenham church, is in the lath of Shipway, and in the division of East Kent.
The summit of the hill, which crosses this parish from west to east, is the northern boundary of the Weald of Kent; so much of it, therefore, as is southward of that line, is within that district.
But a very small-part of this parish lies above, or northward of the quarry hills, in which part the soil is a deep unfertile sand, at the northern boundary of it, at a place called Sandway, the high road runs from Ashford towards Maidstone, the pales of Chilston park join it, the mansion of which stands about a quarter of a mile within it, on lower ground, rather in a damp and wet situation, but well cloathed round it with trees, behind it the ground rises to the hills, near the summit of which is the church, and not far distant eastward the parsonage, a good habitation; close to the church-yard westward are the small remains of Boughton-place, by no means an unpleasant situation, the greatest part of which has been pulled down many years ago, andwhat is left of it, though only sufficient for a farm-house, gives a strong idea of what it once was. Here the quarry rock abounds pretty near the surface, and from the church here southward the Weald begins, the lands above and below the hill being distinguished by the names of Boughton upland, and Boughton Weald, in like manner as the other parishes in the same situation. From the church southward the hill declines, and not far from the bottom of it is the village, or to say more properly, the hamlet of Grassley-green, and not far from it Eastwood common, with another smaller hamlet of houses on the lower side of it. Hence the parish extends over an unpleasant country, very flat and deep; the soil a miry stiff clay, the same in every particular as those parts of the adjoining parishes last described, which lie below these hills, continuing over it for more than three miles, till it joins Hedcorne and Smarden, the whole being watered by several small streamlets, which run into the larger one at Hedcorne; about a mile only from this boundary of the parish is the scite of Colbridge-castle, the mote and foundations of which are all that remain of it.
Dr. Plot mentions in his MSS. collections for a natural history of this county, some petrified oyster shells, being found at Chilston, which were larger than even those of Cyzicum, mentioned in Pliny to be the largest of any then known. (fn. 1)
AT THE TIME of taking the general survey of Domesday, about the year 1080, this manor was held of the archbishop of Canterbury, by knights service, and seems to have been included in the donation which Æthelstan Etheling gave by his will in 1015, to Christ-church, in Canterbury, of lands in Hollingborne, as will more plainly appear by the following entry of it in that record.
In Haithorne hundred, Ralph Fitzturald holds Boltone of the archbishop. It was taxed at balf a suling, and lies in the six sulings of Holingeborne. The arable land is one carucate and an half. In demesne there is one carucate, and three villeins, with two borderers having one carucate. There is a church, and two acres of meadow, and wood for the pannage of sixteen hogs. In the whole it is, and was, worth separately forty shillings.
The above description plainly relates to that small part of this parish above or northward of the hill, the otherpart below it in the Weald, at that time, being for the most part, an uncultivated forest, and part of the royal demesnes of the crown of England, though many grants had been made of different parts of it, even at that time.
The manor came afterwards into the possession of the family of Malherb, who implanted their name on this parish. Robert de Malherb held it in the reign of king John, of the archbishop of Canterbury, as appears by the roll of knights fees returned to the king's treasurer, in the twelfth and thirtenth years of that reign.
Alicia Malherb possessed Boughton Malherb manor in the beginning of the next reign of king Henry III.
Robert de Gatton, son of Robert de Gatton, who was one of the Recognitores Magne Assisæ, or judges of the great assise, in the second year of king John, and bore for his arms, Chequy, or and azure, died possessed of this manor in the thirty-eighth year of king Henry III. and was succeeded in it by Hamo his son, who died possessed of it in the twentieth year of king Edward I. holding it of the king in capite, as of the honor of Peverel, and by the service of ward to the castle of Dover, and by suit to the court of Osprenge from three weeks to three weeks, Hamo his son, being his heir, who left his two daughters his coheirs; of whom Elizabeth married to William de Dene, entitled her husband to the possession of this manor. He died in the fifteenth year of king Edward III. possessed of it, with the advowson of the church, as of the inheritance of Elizabeth his wife, having, in the tenth year of king Edward II. obtained a charter of free-warren to his lands here.
His eldest son, Thomas de Dene, died possessed of it in the twenty-third year of king Edward III. bearing for his arms, Argent, a fess dancette, gules. He left by Martha his wife, daughter of Benedict Shelving, four daughters his coheirs, of whom Martha, afterwards was married to Sir John Gousall, who bore for his arms, A plain shield azure.
Soon after his death this manor, by what means I have not discovered, came into the possession of Robert Corbie, who appears to have built a stately mansion here, having in the 36th year of Edward III. obtained the king's licence so to do, and to fortify this his manor-house at Boughton with embattlements and towers, according to the defence of those times. His son Robert Corbye, esq. of this place, kept his shrievalty here in the 8th year of Richard II. He left by Alice, daughter and coheir of Sir John Gousall before-mentioned, an only daughter and heir, Joane, who carried this manor in marriage to Nicholas Wotton, esq. whose descendants flourished in this parish for many generations afterwards, and for their learning, fortune, and honors, at times when honors were really such, may truly be said to have been ornaments to their country in general, and to this county in particular. Mr. Wotton was of the Draper's company, and was twice lord-mayor of London, at which time he bore for his arms, Argent, a cross patee, sitched at the foot, sable, quartered with Corbye, Argent, a saltire ingrailed sable, which arms of Corbye, his mother's, his son bore, in preference to his own, as the elder branch of this family, which, his descendants continued to do for some time afterwards. Stow says, it was reckoned a privilege for any one, who had been lord-mayor and alderman of London, not to serve the king, without his own consent, in any other part of the kingdom. Such a matter once happened in the reign of Henry VI. for Nicholas Wotton, some time mayor and alderman, living in Kent, stood upon this privilege, and refused to serve when he was impanelled with others before the judges of assize, in this county, upon articles touching the king's peace, and on pretence of the liberty of the city of London, refused to be sworn. But this was held as a contempt, and he afterwards had his pardon anno 17 Henry VI. (fn. 2) He retired to Boughton place, where he died in 1448, and was buried in the church here. His grandson, Sir Robert Wotton, was lieutenant of Guisnes, and comptroller of Calais, where he died, and was buried in the church there. He had been sheriff anno 14 Henry VII. and married Anne, one of the sisters and coheirs of Sir Edward Belknap, by whom he left two sons, Edward, his heir, and Henry, LL. D. afterwards dean of York and Canterbury, of whom more may be seen under the account of the deans of the latter cathedral, in which he lies buried.
Sir Edward Wotton, the eldest son, succeeded him here, who was treasurer of Calais, and of the privy council to Henry VIII. and Hollingshed says, the king offered to make him lord chancellor, which, through his great modesty, he refused. In the 27th year of king Henry VIII. he kept his shrievalty at Boughton-place, and procured his lands to be disgavelled by both the acts of the 31st Henry VIII. and 2d and 3d Edward VI. He died in 1550, being then possessed of the manor and rectory of Boughton Malherb, held in capite, as of the king's manor of Ospringe, the manor of Colbridge, and the manor of Byndwardsmarsh, together with other lands purchased of Henry VIII. and held in capite by knights service, with many other manors and lands, as mentioned in the inquisition then taken.
Thomas Wotton, esq. his eldest son, succeeded him in Boughton-place, where he resided. He was closely imprisoned in the Fleet, in 1553, by queen Mary, under pretence of his religion, but really at the request of his uncle, Dr. Nicholas Wotton, on account of a dream he had had in France, where he was then ambassador, and this in all likelihood saved Mr. Wotton's life: for whilst he was in prison, Wyat's rebellion broke out, in which he had most probably been concerned, had he not been confined there. He was twice sheriff, and in July 1573, being the 16th year of queen Elizabeth's reign had the honor of entertaining the queen, with her whole court, at his seat here, in her progress through this county. Walton says, that the queen, when at Boughton, offered to knight Mr. Wotton, as an earnest of some more honorable and profitable employment under her, which he declined, being unwilling to change his country retirement and recreations for a courtier's life; however, it appears by his epitaph, that he afterwards accepted of that honor. He resided here till his death, in 1587, having been remarkable for his hospitality; a great lover and much beloved of his country, a cherisher of learning, and besides his own abilities, possessed of a plentiful estate, and the antient interest of his family.
He was twice married; by his first wife he had Edward his heir, and other children; by his second he had only one son Henry, afterwards knighted, and provost of Eton college. (fn. 3)
He was succeeded here by his eldest surviving son, Sir Edward Wotton, who was employed by queen Elizabeth, as her ambassador, on several occasions; after which he was made comptroller of her houshold; represented this county in parliament, and served the office of sheriff in the 36th year of that reign. In the 1st year of king James I.'s reign he was created lord Wotton, baron of Merley, in this county; (fn. 4) and next year he was appointed lord lieutenant of it, a privy counsellor, and afterwards comptroller and treasurer of the houshold. He inclosed the grounds round his house here as a park, but they have been long since again disparked, and died in 1628, being succeeded by Thomas, lord Wotton, his only son, who died two years afterwards. It has been observed that Nicholas Wotton, esq. son of Sir Nicholas Wotton, by Joane, daughter and heir of Corbye, bore his mother's arms in preference to his own, as his descendants of the eldest branch seem to have done, till Thomas, lord Wotton, as appears by his arms on his grave-stone, reassumed the arms of Wotton in his first quartering again, which was followed by his four daughters and coheirs, and Guillim says, that argent, a saltire (engraited) sable, was borne by the name of Wotton, and was in effect confirmed to Edward Wotton, esq. being allowed, and with his quarterings, being seventeen in number, marshalled, by Robert Cooke, in 1580. He left four daughters his coheirs, Catherine, married to Henry, lord Stanhope, son and heir of Philip, earl of Chesterfield; Hester, to Baptist Noel, viscount Camden; Margaret, to Sir John Tuston, of the Mote, knight and baronet, and Anne, to Sir Edward Hales, of Tunstal.
On the partition of his estates among his daughters, the manor of Boughton, with the mansion of Boughton-place, and the advowson of the rectory, were, among other estates, allotted to the eldest daughter, the lady Catherine, in whose right her husband, Henry, lord Stanhope, became possessed of them. He was descended from ancestors seated in early times in the county of Nottingham, where they flourished with much eminence and renown, bearing for their arms, quarterly, Ermine and gules. After a succession of many generations of them, Michael Stanhope became the heir male of this family in the reign of Henry VIII. whose grandson, Sir John Stanhope, was first of Shelford, and afterwards of Elvaston, in Derbyshire, where he died in 1611, leaving by his first wife, one son Philip; by his second wife he had several sons and daughters; of whom, Sir John, the eldest, was seated at Elvaston, from whom the present earl of Harrington is descended. Sir Philip Stanhope, eldest son of Sir John, was, anno 14 James I. 1616, created lord Stanhope of Shelford, and afterwards in 1628 Earl of Chesterfield. Continuing stedfast in his loyalty to the king, his house was by storm burnt to the ground, and the earl being taken prisoner at Litchfield, endured a long confinement, and died in 1656. By his first wife he had eleven sons and four daughters, of the former, Henry, the second, but eldest surviving son, married Katherine, daughter and coheir of Thomas, lord Wotton, and possessed Boughton Malherb as before-mentioned.
He died in the life-time of his father in 1635, leaving his wife surviving, and one son, Philip, then a year old. The lady Catherine Stanhope, on her husband's death, became again possessed in her own right of this estate, among the rest of her inheritance, and was after wards created countess of Chesterfield, to hold during her life. She had before the death of king Charles I. remarried John Vanden Kerkhoven, lord of Henulflet in Holland, by whom she had a son Charles Henry Kerkhoven, who was, by reason of his mother's descent, created lord Wotton, baron Wotton of Boughton Malherb, and was naturalized. He was likewise created earl of Bellamont in Ireland, and bore for his arms, Argent, three hearts gules. He died s. p. having resided at Boughton-place, and was buried in Canterbury cathedral in 1683, having by his will given this, among the rest of his estates, to his nephew Charles Stanhope, younger son of his half-brother Philip, then earl of Chesterfield; remainder to Philip, lord Stanhope, eldest son and heir apparent of his brother; remainder to his brother Philip, earl of Chesterfield, with divers remainders over, in tail male.
Charles Stanhope, esq. upon this changed his surname to Wotton, being the last of this family who resided at Boughton-place, where he died in 1704, s. p. Upon which this estate came by the above entail to Philip, lord Stanhope, his elder brother, who on his father's death in 1713, succeeded as earl of Chesterfield, and died in 1726. His eldest son Philip Dormer Stanhope, earl of Chesterfield, became remarkable for the brilliancy of his wit, and the politeness of his manners. He was an eminent statesman, and much in favor with king George I. and II. who conferred on him from time to time several offices and trusts of honor and advantage, in all which he shewed his eminent abilities and public spirit, whenever the interest and honor of his country was concerned, but at length his health declining, he retired from all public business. However, before this period he passed away this manor, with the scite of Boughton-place, and the advowson of the rectory appendant to the manor, and all the rest of the Wotton estates in this part of the county, by the description of the heriotable manor of Bocton, alias Boughton Malherbe, the manors of Burscombe, Wardens, alias Egerton, Southerdon, Colbridge, Marley, alias Marleigh, Sturry, East Farborne, Holmill, alias Harrietsham, and Fill, in 1750, to Galfridus Mann, esq. of London. This family is descended from ancestors seated at Ipswich, in Suffolk, of whom Edward Mann, esq. was comptroller of the customs at that place, who bore for his arms, Sable on a fess counter embattled, between three goats passant argent, as many ogresses; which was confirmed to him by Byshe, clarencieux, in 1692. His descendant, Robert Mann, was of London, and afterwards of Linton, in this county, esq. who died in 1752, leaving five sons and three daughters, Edward Louisa, the eldest son, was of Linton, esq. where he died unmarried in 1775, and was succeeded in his estates in this county by his brother, Sir Horatio Mann, bart. and K. B. who was the second son, and was many years resident at Florence, as envoy extraordinary. On March 3, 1755, he was created a baronet, to him and his heirs male, and in default of such issue, to his brother Galfridus, and his heirs male, he died unmarried in 1786, and was succeeded in title and estate by his nephew Sir Horace Mann, whose father was Galfridus, the third son, who was purchaser of Boughton manor, as before-mentioned. Of the daughters of Robert Mann, Eleanor married Sir John Torriano, of London, merchant, by whom she had issue; Mary-married Benjamin Hatley Foote, esq. (fn. 5) and Catherine married the Rev. Francis Hender Foote. Galfridus Mann, esq. died possessed of this estate in 1756, leaving by Sarah his wife, daughter of John Gregory, of London, one son, Horatio, and three daughters, viz. Alice, married to Mr. Apthorpe; Sarah, who died unmarried; Catherine, married to the hon. and Rev. Dr. Cornwallis now bishop of Litchfield, next brother to marquis Cornwallis, and Eleanor, married to Thomas Powis, lord Lilford.
Horatio Mann, esq. succeeded his father in the possession of this estate, of which he is the present owner. He was afterwards knighted, being then stiled Sir Horace Mann, to distinguish him from his uncle Sir Horatio, on whose death he succeeded him in the title of baronet. He has been twice M. P. for Maidstone, as he is now for the town and port of Sandwich. He married in 1765 lady Lucy Noel, sister of Thomas, earl of Gainsborough, who died at Nice in 1778, by whom he has three daughters, Lucy, Emely, and Harriot, the eldest of whom is married to James Mann, esq. of Linton-place; the second to Robert Heron, esq. of Lincolnshire.
Wormsell has always been counted as an appendage to the manor of Boughton.
COLBRIDGE antiently called Colewebregges, is an eminent manor in this parish, the mansion of which, called Colbridge-castle, stood below the hill towards Egerton, considerable remains of its former strength being visible in the ruins of it, even at this time; and the report of the country is, that the stones and other materials of this ruined mansion were made use of, ages ago, to build Boughton-place.
In the reign of king Henry III. this place was in the possession of the family of Peyforer; one of whom, Fulk de Peyforer, obtained a charter of free-warren for his lands at Colewebrugge in the 32d year of king Edward I. (fn. 6) and he had licence in the 7th year of the next reign of king Edward II. to embattle, that is, to build and fortify in a castle like manner, his mansion here. Soon after which it seems to have passed into the family of Leyborne, who had long before this possessions in this parish, and William de Clinton, earl of Huntingdon, husband to Juliana, daughter of Thomas de Leyborne, died possessed of it in the 28th year of king Edward III. She survived him, and afterwards became again possessed of it in her own right, and continued so at her death, anno 41 Edward III. when there being found no one who could claim consanguinity to her, this manor, among the rest of her estates, escheated to the crown, where it remained till the beginning of king Richard II's. reign, when it became vested in John, Duke of Lancaster, and other feoffees in trust, for the performance of certain religious bequests in the will of Edward III. then lately deceased. In consequence of which, the king afterwards, in his 21st year, granted it, among other premises, to the dean and canons of St. Stephen's college in Westminster, for ever, for the performance of the religious purposes therein mentioned, and in part of the exoneration of the sum of 500l. to be taken at his treasury till he should in such manner provide for them.
In which situation this manor continued till the 1st year of king Edward VI. when an act passing for the surrendry of all free chapels, chantries, &c. this, among others, was soon afterwards dissolved, and the lands and possessions of it were surrendered into the king's hands, at which time it appears to have been in the tenure of William Hudson, at the yearly rent of 8l. 13s. 4d. The year afterwhich, the king granted it to Sir Edward Wotton, to hold in capite, who died possessed of it in the 5th year of that reign, holding it in manner as above mentioned. After which, it passed through the like succession of ownership as Boughton manor before described, down to Philip Dormer Stanhope, earl of Chesterfield, who in 1750 sold it, with the rest of the Wotton estates in this part of the county, to Galfridus Mann, esq. whose only son Sir Horace Mann, bart. is the present possessor of it.
CHILSON, or Chilston, is a manor, situated in the borough of Sandway, at the north-west boundary of this parish, which crosses the middle of this house, the eastern part of which is in the parish of Lenham, lath of Shipway, and eastern division of this county. It was antiently called Childeston, and was in the reign of king Henry I. part of the possessions of William Fitz-Hamon, as appears by the register of the neighbouring priory of Ledes. After which it became the property of the family of Hoese, afterwards called. Hussey. Henry Hoese or Husley had a charter of free-warren for his manor of Childerston in the 55th year of king Henry III. before which he had taken an active part with the rebellious barons against that king. He died in the 18th year of king Edward I. leaving by Joane his wife, daughter and coheir of Alard Fleming, and niece of that noted pluralist John Maunsell, provost of Beverly, &c. Henry Hussee his son and heir, who, in the 23d year of that reign, had summons to Parliament, as he had likewise in all the succeeding ones of it, and of the next of king Edward II. in whose descendants it continued down to Henry Husley, who in the 31st year of Henry VIIIths. reign, procured his lands to be disgavelled by the general act passed that year, and afterwards transmitted it by sale to John Parkhurst, whose descendant Sir William Parkhurst alienated it to Mr. Richard Northwood, of Dane-court, in Thanet, whose eldest son Alexander Northwood, or Norwood, as he was usually called, was of St. Stephen's, near Canterbury, and succeeded his father in this manor, which he sold soon after the death of king Charles I. to Cleggat, and he again sold it to Mr. Manley, of London, who quickly afterwards alienated it to Edward Hales, esq. who was the son of Samuel Hales, a younger son of Sir Edward Hales, created a baronet in 1611. He afterwards resided at Chilston, and died in 1696, leaving his three daughters his coheirs, viz. Thomasine, wife of Gerard Gore, gent. Elizabeth Hales, and Frances, wife of William Glanville, esq. of London, who in 1698 joined in the conveyance of this manor, with other estates in this parish and neighbourhood, to the hon. Elizabeth Hamilton, the eldest daughter of John lord Colepeper, and widow of James Hamilton, esq. the eldest son of Sir George Hamilton, of Tyrone, in Ireland.
She resided at Chilston, and dying here in 1709, was buried in Hollingborne church, leaving two sons surviving; James, earl of Abercorn, and William Hamilton, esq. to the latter of whom she gave by her will this manor, with her other estates in this county. He resided at Chilston, and died possessed of it in 1737, leaving by Margaret his wife, daughter of Sir Thomas Colepeper, of Hollingborne, four sons and one daughter; of whom, John Hamilton, esq. the eldest, succeeded him at Chilston, where he resided and inclosed the ground round it for a park, bestowing much cost on the improvement both of the house and grounds adjoining to it. He kept his shrievalty here in 1719, and afterwards with the concurrence of his eldest son William, joined in the sale of this estate to Thomas Best, esq. the eldest son of Mawdistley Best, esq. of Boxley, who resided at Chilston, the mansion of which he rebuilt, and made other very considerable improvements to the park, and grounds. He died in 1795, s. p. having married Caroline, daughter of George Scott, esq. of Scott's hall, who died in 1782, and by his will gave this among his other estates to his nephew George, the youngest son of his brother James Best, esq. of Boxley and Chatham, who now resides here, He was M. P. for Rochester in the last parliament. and in 1784 married Caroline, daughter of Edward Scott, esq. of Scott's-hall, by whom he has several children.
THE TYTHES of the manor of Chilston, or Childeston, were given to the priory of Leeds soon after the foundation of it, by William Fitz-Hamon, the owner of it; viz. in corn, fruit, hay fowls, calves, flax, pannage, cheeses, pigs, and in all other things which belonged to the demesne, to Edwin de Bletchindenne, with his tenancy, to hold as freely as he ever held it. (fn. 7)
This portion of tithes remained part of the possessions of the priory till the dissolution of it in the reign of Henry VIII. when it was surrendered into the king's hands, among other estates belonging to it. After which the king, by his dotation charter in his 33d year settled this portion of tithes on his new-founded dean and chapter of Rochester, who now possess the inheritance of it. George Best, esq. of Chilston, is the present lessee of it.
On the intended dissolution of deans and chapters, after the death of king Charles I. these tithes were surveyed in 1649, by order of the state; when it was returned, that this portion consisted of all the tithes of corn, grain, hay, wool, lambs, calves, and other spiritual obventions and duties, arising out of the manor of Chilston, in Boughton Malherbe and Lenham, of the yearly improved value of fourteen pounds, which premises were let by the dean and chapter, anno 15 Charles I. to Richard Norwood, esq. for twenty-one years, at the yearly rent of ten shillings, so that there remained the clear yearly rent of 13l. 10s.
BEWLEY is a manor in this parish, of considerable repute, extending itself into the parish of Harrietsham. It was antiently called Boughley, and was part of those possessions which William the Conqueror gave to his half-brother Odo, bishop of Baieux; under the general title of whose lands it is thus entered in Domesday:
Adam Fitzbubert holds of the bishop of Baieux, Bogelei. It was taxed at two sulings. The arable land is two carucates and an half. In demesne there is one carucate, and two villeins, with two borderers having half a carucate. There is a church, and four servant:, and one mill of five shillings, and six acres of meadow. Wood for the pannage of twenty hogs.
After which there follows another entry, importing, that of this same manor one tenant named Adam held one suling, called Merlea, of which a further account will be given, under the description of Marley, in the adjoining parish of Harrietsham.
On the bishop of Baieux's disgrace in 1084, all his possessions were confiscated to the crown; after which this manor appears to have become the property of Eudo Dapiser, and afterwards of Philip de Leleburne, or Leyburne, whose descendant Robert de Leiburne held it in the reign of king Edward I. in which name it continued till it was alienated to Tregoze, (fn. 8) one of whom, Thomas Tregoze, held it in the beginning of king Edward III.'s reign, in the 5th year of which he obtained a charter of free warren for his lands at Boggeleye. John Tregoze died possessed of this manor in the 5th year of Henry IV. but it did not remain long in that name; for in the reign of Henry VI. it was become the property of Goldwell, from whence it was alienated to Atwater, of Lenham, from whence by Joane, daughter and coheir of Robert Atwater, of Royton, in that parish, it went in marriage to Humphry Hales, esq. of the Dungeon, in Canterbury, who had a numerous issue by her. He was succeeded in it by his eldest son Sir James Hales, of the Dungeon, whose son Cheney Hales, esq. of the Dungeon, passed it away to his kinsman John Hales, esq. eldest son of Sir Edward Hales, created a baronet in 1611. He parted with it to his brother Mr. Samuel Hales, whose son Edward Hales, esq. of Chilston, succeeded him in it. Since which it has passed in like manner as Chilston, before described, down to George Best, esq. of Chilston, the present possessor of it.
THE TITHES of this manor were given by Eudo Dapifer to Anschetill, archdeacon of Canterbury, who afterwards, with the consent of Eudo, granted them to the priory of St. Andrew, in Rochester. These tithes were afterwards confirmed to the priory on the payment annually of five shillings to the monks of Colchester. Henry de Leiburne, possessor of this manor, having inspected the charters of his ancestors, confirmed these tithes in pure alms to the church of St. Andrew, and the monks of Rochester.
This portion of tithes remained with the priory till the dissolution of it, in the 32d year of Henry VIII. when it was, among the rest of the possessions of that monastery, surrendered into the king's hands, who in his 33d year settled them, by his dotation charter, on his new-erected dean and chapter of Rochester, part of whose inheritance they remain at this time. George Best, esq. of Chilston, is the present lessee of them.
On the intended dissolution of deans and chapters, soon after the death of king Charles I. this portion was surveyed, by order of the state, in 1649; when it was returned, that these tithes arose out of the manor of Bugley, together with the tithe of the mill, called Bugley-mill, of the improved yearly value of nine pounds, which premises were let by the dean and chapter in the 10th year of Charles I. to Samuel Hales, esq. for twentyone years, at the yearly rent of two quarters of malt heaped, and one capon, or two shillings in money; so there remained clear the rent of 5l. 14s. per annum.
There are no parochial charities. The poor constantly relieved are about forty, casually twenty-five.
BOUGHTON is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Charing.
The church is a handsome building, with a square tower steeple at the west end. The inside of it is much ornamented by the several monuments of the Wotton family, most of whom lie buried in it; but there was one of them, a large pyramid of black marble, supported by three lions couchant, on a deep base, erected to the memory of Henry, lord Stanhope, his widow lady Catherine, countess of Chesterfield, her third husband Daniel O'Neal, and several of her children, which was injudiciously placed just within the altar rails eastward, and filled up almost the whole space of it, but has lately been taken down to make room for an altar and railing. In the south chancel there is a very antient figure in Bethersden marble of a man in armour lying cross-legged with his shield and sword. It lies on the pavement, and seems to have been removed from some other part of the church. On the opposite side of the chancel is the figure of a woman, full as antient as the, former, and of the like marble, but fixed in the pavement, these most probably were in memory of one of the family of Peyforer and his wife.
The families of Hales and Hamilton, both of Chilston, and all their children, were christened and married in Boughton church, but were all buried from time to time in Lenham church.
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The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
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Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
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Pretty Swimsuit Bikini Model Goddess! :)
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Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
A full interview with the Israeli painter Raphael Perez (in Hebrew Rafi Peretz) about the ideas behind the naive painting, resume, personal biography and CV
Question: Raphael Perez Tell us about your work process as a naive painter?
Answer: I choose the most iconic and famous buildings in every city and town that are architecturally interesting and have a special shape and place the iconic buildings on boulevards full of trees, bushes, vegetation, flowers.
Question: How do you give depth in your naive paintings?
Answer: To give depth to the painting, I build the painting with layers of vegetation, after those low famous buildings, followed by a tall avenue of trees, and behind them towers and skyscrapers, in the sky I sometimes put innocent signs of balloons, kites.
A recurring motif in some of my paintings is the figure of the painter who is in the center of the boulevard and paints the entire scene unfolding in front of him, also there are two kindergarten teachers who are walking with the kindergarten children with the state flags that I paint, and loving couples hugging and kissing and family paintings of mother, father and child walking in harmony on the boulevard.
Question: Raphael Perez What characterizes your naive painting?
Answer: Most naive paintings have the same characteristics
(Definition as it appears in Wikipedia)
• Tells a simple story to absorb from everyday life, usually with humans.
• The representation of the painter's idealization to reality - the mapping of reality.
• Failure to maintain perspective - especially details even in distant details.
• Extensive use of repeating patterns - many details.
• Warm and bright colors.
• Sometimes the emphasis is on outlines.
• Most of the characters are flat, lack volume
• No interest in texture, expression, correct proportions
• No interest in anatomy.
• There is not much use of light and shadow, the colors create a three-dimensional effect.
I find these definitions to be valid for all my naive paintings
Question: Raphael Perez Why do you mainly choose the city of Tel Aviv?
Answer: I was born in Jerusalem, the capital city which I love very much and also paint,
I love the special Bauhaus buildings in Tel Aviv, the ornamental buildings that were built a century ago in the 1920s and 1930s, the beautiful boulevards, towers and modern skyscrapers give you the feeling of the hustle and bustle of a large metropolis and there are quite a few low and tall buildings that are architecturally fascinating in their form the special one
Also, the move to Tel Aviv, which is the capital of culture, freedom, and secularism, allowed me to live my life as I chose, to live in a relationship with a man, Jerusalem, which is a traditional city, it is more complicated to live a homosexual life, also, the art world takes place mainly in the city of Tel Aviv, and it is possible that from a professional point of view, this allows I can support myself better in Tel Aviv than in any other city in Israel.
Question: raphael perez are the paintings of the city of Tel Aviv different from the paintings of the city of Jerusalem
Answer: Most of the paintings of Jerusalem have an emphasis on the color yellow, gold, the color of the old city walls, the subjects I painted in Jerusalem are mainly a type of idealization of a peaceful life between Jews and Arabs and paintings that deal with the Jewish religious world, a number of paintings depict all shades of the currents of Judaism of today
In contrast, the Tel Aviv paintings are more colorful, with skyscrapers, the sea, balloons and more secular motifs
Question: Raphael Perez Tell us about which buildings and their architects you usually choose in your city paintings
Answer: My favorite buildings are those that have a special shape that anyone can recognize and are the symbols of the city and you will give several examples:
In the city of Tel Aviv, my favorite buildings are: the opera building with its unusual geometric shape, the Yisrotel tower with its special head, the Hail Bo Shalom tower that for years was the symbol of the tallest building in Tel Aviv, the Levin house that looks like a Japanese pagoda, the burgundy-colored Nordeau hotel with the special dome at the end of the building, A pair of Alon towers with the special structure of the sea, Bauhaus buildings typical of Tel Aviv with the special balconies and the special staircase, the Yaakov Agam fountain in Dizengoff square appears in a large part of the paintings, many towers that are in the stock exchange complex, the Aviv towers and other tall buildings on Ayalon, in some of the paintings I took plans An outline of future buildings that need to be built in the city and I drew them even before they were built in reality,
In the paintings of Jerusalem, I mainly chose the area of the Old City and East Jerusalem, a painting of the walls of the Old City, the Western Wall, the Church of the Holy Sepulcher, the El Akchea Mosque, the Tower of David, most of the famous churches in the city, the right hand of Moses, in most of the paintings the Jew is wearing a blue shirt with a red male cord I was in the youth movement and the Arab with a galabia, and in the paintings of the religious public then, Jews with black suits and white shirts, tallitas, kippahs, special hats, synagogues and more
I also created three paintings of the city of Haifa and one painting of Safed
In the Haifa paintings I drew the university, the Technion, the famous Egged Tower, the Sail Tower, well-known hotels, of course the Baha'i Gardens and the Baha'i Temple, Haifa Port and the boats and other famous buildings in the city
Question: Have you created series of other cities from around the world?
Answer: I created series of New York City with all the iconic and famous buildings such as: the Guggenheim Museum, the famous skyscrapers - the Chrysler Building, the Empire State Building, Lincoln Center, the famous synagogue in the city, the Statue of Liberty, the flags of the United States and other famous buildings
Two paintings of London and all its famous sites, Big Ben, famous monuments, the Ferris wheel, Queen Elizabeth and her family, the double bus, the famous public telephone, palaces, famous churches, well-known monuments
I created 4 naive paintings of cities in China, a painting of Shanghai, two paintings of the city of Suzhou and a painting of the World Park in the city of Beijing... I chose the famous skyline of Shanghai with all the famous towers, the famous promenade, temples and old buildings, two Paintings of the city of Suzhou with the famous canals, bridges, special gardens, towers and skyscrapers of the city
We were seeing each other after 3 months and I had been through couple of major events like starting a new job, getting a car and completing School. This her drilling me with questions eventhough she's pissed off that I was late for our meeting.
P.S. I think I have figured out something, its tough for people to stay mad at you when you are taking snaps, As they know that those snaps are gonna end up in the albums.
For a new constable posted to central London the information you are expected to know can be overwhelming. The fact is that most London policemen do not come from London and their knowledge of London may be somewhat scant, to remedy this all new Police Officers straight from Hendon were told by everybody who was older in service to obtain a 'Nicholsons'. This was the Nicholson's pocket guide to London which was an invaluable mine of information which seemed to become more and more dogeared as the officer retained the information in his head so that he could eventually dispense with it. A very necessary appointment for the London Policeman.See link.
Andalusia (/ˌændəˈluːsiə, -ziə, -ʒə/; Spanish: Andalucía [andaluˈθi.a]) is an autonomous community in southern Spain. It is the most populous and the second largest in area of the autonomous communities in the country. The Andalusian autonomous community is officially recognised as a "historical nationality". The territory is divided into eight provinces: Almería, Cádiz, Córdoba, Granada, Huelva, Jaén, Málaga and Seville. Its capital is the city of Seville (Spanish: Sevilla).
Andalusia is in the south of the Iberian peninsula, in south-western Europe, immediately south of the autonomous communities of Extremadura and Castilla-La Mancha; west of the autonomous community of Murcia and the Mediterranean Sea; east of Portugal and the Atlantic Ocean; and north of the Mediterranean Sea and the Strait of Gibraltar. Andalusia is the only European region with both Mediterranean and Atlantic coastlines. The small British overseas territory of Gibraltar shares a three-quarter-mile land border with the Andalusian province of Cádiz at the eastern end of the Strait of Gibraltar.
The main mountain ranges of Andalusia are the Sierra Morena and the Baetic System, consisting of the Subbaetic and Penibaetic Mountains, separated by the Intrabaetic Basin. In the north, the Sierra Morena separates Andalusia from the plains of Extremadura and Castile–La Mancha on Spain's Meseta Central. To the south the geographic subregion of Upper Andalusia lies mostly within the Baetic System, while Lower Andalusia is in the Baetic Depression of the valley of the Guadalquivir.
The name "Andalusia" is derived from the Arabic word Al-Andalus (الأندلس) The toponym al-Andalus is first attested by inscriptions on coins minted in 716 by the new Muslim government of Iberia. These coins, called dinars, were inscribed in both Latin and Arabic. The etymology of the name "al-Andalus" has traditionally been derived from the name of the Vandals; however, a number of proposals since the 1980s have challenged this contention. Halm in 1989 derived the name from a Gothic term, *landahlauts, and in 2002, Bossong suggested its derivation from a pre-Roman substrate. The region's history and culture have been influenced by the native Iberians, Phoenicians, Carthaginians, Greeks, Romans, Vandals, Visigoths, Byzantines, Jews, Romani, Muslim Moors and the Castilian and other Christian North Iberian nationalities who reconquered and settled the area in the latter phases of the Reconquista.
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️ eXploration 21
🌟 eXploration of "Andalusia"
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✨ eXploration (️)
📝 Type : Ground eXploration
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⚠ The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more.
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❓ WHY : To eXplore Andalusia
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🕓 WHEN : May, 2018
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Time to start preparing for Alex's arrival! I want to make sure he has some goodies waiting for him when he gets home. Thanks for your help!
News From St. Mary and St. Joseph
Father Ed's Desk
History of St. Mary's Church Building - Plantersville, Texas
August 2005
Many have asked questions about the church and have requested a written description and explanation of the church building and its interior. The information following is what I have gathered and surmised during my brief time as pastor of St. Mary/St. Joseph.
The present church structure of 1917 replaces the original church building of 1894 which was destroyed by lightening hitting the bell tower. The 1894 structure faced a trail which is now County Road 205, the road running along side of the church. This trail may have been part of the old Montgomery Trace winding through Montgomery, Dobin, and to Washington-on-the-Brazos. When the 1894 church burned in July of 1917, construction on a new church was begun immediately. The church would face toward a road which was now a more principal thoroughfare than the old trail had been: FM 1774. This explains why, when entering the church grounds, a cemetery is on the highway, with the church building in the back.
More than likely, the style of the original structure was similar to the present church: country Gothic, a style popular at the time. Interesting to note, though, is the steeple. It seems stumpy, squatty. An explanation may be that the congregation had learned its lesson. They would no longer tempt nature with a tall steeple. Short was better and less likely to be a target for the frequent lightening storms.
The leaded glass in the entry and side doors are not original to the church. They were created and installed as part of the centennial celebration of 1994. The original doors were wooden paneled doors without windows. There is evidence that at one time interior swinging doors separated the foyer from the main body of the church. The ceiling of the foyer is thought to have been installed at a later date. The foyer would have soared high overhead. There is stenciling on the ceiling in the storage space that forms the floor above the foyer. Such a soaring space would have also revealed completely the leaded window in the foyer which is now cut in half by the ceiling. This may have been done to provided storage space and easier access to the bell in the tower.
Newly revealed stenciling and color with the original beaded board can be seen to the immediate right as one passes from the foyer to the main body of the church, next to the confessional. On the opposite side can be seen the same beaded board, but the stenciling painted over. This seems to be evidence that as the stenciling was in need of repair, it was simply painted over or covered. Areas of the church seem to have been painted at different times as needed. In time, it is planned that the remainder of the paneling along both sides of the church will be removed to disclose, hopefully, more stenciling and color. What we do see gives us at least the original color and stencil design.
The church has been painted a variety of colors, according to the taste of the time. One prominent color was a creamy yellow. Another was a rose beige. When the church was repainted in 1994, a yellow was chosen which may be a bit more yellow than creamy, but gives the church a bright, happy feeling. The stenciled blue bands with detailing throughout the church are based on the original coloring seen in the stenciling in the storage area above the foyer.
The pews are original to the 1917 church. The last two pews on each side of the aisle are different from the others. They were in the choir loft and were brought downstairs in two years ago to provide additional seating. They may be from the 1894 church, saved from the burning building.
The painting of the Lamb with incensing angels forming the frieze above the sanctuary is original to the 1917 church. It is painted on canvas appliquéd to the arch. The format of the victorious Lamb, adored/incensed by angels is found in many of the painted churches in Texas. It is also frequently found on the arch above the sanctuary.
The altar is in the Gothic style and was most probably crafted and shipped from the same company in San Antonio that made the vesting cabinet in the priest's sacristy. This same altar can be seen in many of the painted churches in Central Texas. My hunch is that a church would write the company and describe the sanctuary area [so many feet wide, so many high] and the company would spec an altar for the space. The Last Supper panel was originally colored to represent a painting. All three altars originally had a German inscription on the base. Research is underway to decipher the inscriptions and have them reinstated. The statues of the Sacred Heart and the Adoring Angels are original to the 1917 church. The angels would not have been on the altar but on ledges cantilevering to each side. The canopy over the Sacred Heart is salvaged from an old gothic altar. It was repaired and installed by Bill Malek in 2000. The original was for some reason discarded years before. The altar was lovingly repainted and re-gilded for the centennial celebration in 1994 by Frank Hill.
Originally the ceiling above the sanctuary was painted blue with a multitude of stars. The Sun Burst design at the height of the ceiling is original to the 1917 church. Around 1955, the stars were painted over and the angels installed. They are painted on canvas and appliqued to the ceiling. Looking closely, one can see the square canvas area painted with the image of the Dove, the Holy Spirit.
The side altars are original to the 1917 church, though the canopies are exact copies painstakingly reproduced by Bill Malek and installed in 2001. Still to be reduplicated are the altar backings seen in the 1935 photographs.
The statues of the Blessed Mother and St. Joseph are thought to be original to the 1894 church, saved as the building was burning. The other two items mentioned in archival material as being saved from the original church are the box of Holy Oils and the Holy Eucharist. The original box once containing the Holy Oils can be seen at the left of the Main Altar. It was found in the rectory garage.
A renowned restoration specialist of Houston recently restored the statue of the Blessed Mother. He affirmed the age of the statue and pointed out the uniqueness of an image of Mary without a veil. Not only is her hair revealed but cascades down the length of her back. Such a display would have been shocking to Mary's contemporaries and culture.
The statue of St. Joseph was recently rediscovered in the church hall and had floated around for years from storage area to storage area. That the statue of St. Joseph, which had been in the church for years, was not original was pointed out one afternoon during a tour of the church. While looking at 1935 photographs of the interior of the church, someone pointed out that the St. Joseph in the church was not the St. Joseph in the picture. Sure enough. The St. Joseph in the picture was recognized as the St. Joseph statue in my office in the hall. What probably happened was that the extended hand of Jesus had broken off and couldn't be satisfactorily repaired. So the statue was retired and a new one bought. After extensive restoration sponsored by St. Mary's Altar Society, the original St. Joseph reigns again. The substitute St. Joseph statue was donated to St. Joseph/Stoneham and now has a prominent place in St. Joseph's hall.
The other statues of St. Anne with the child Mary and St. Anthony of Padua are original to the 1917 church and are in their original places as seen in the 1935 photograph.
The ambo [pulpit] is not original to the 1917 church but is said to closely resemble the original which was on wheels and rolled out for the reading of the Gospel and sermon. The ambo was originally on the St. Joseph side of the church and pushed toward the side door. It does not appear in the 1935 photograph. The present ambo was found in Atkins Architectural Antiques in Houston and is dated c.1860's. It comes from a church in the Chicago area. Frank Gabriel, a lifetime member of the church, donated it.
The octagonal wooden altar replaces a marble rectangular altar installed shortly after the reforms of Vatican Council II were implemented in the early '60's. The wooden altar, made from the base of an ambo much like the present ambo, is more in keeping with the wooden appointments throughout the church. It was installed in 2001, donated in memory of Robert Crowley by Mary Crowley and her Family.
The leaded glass windows are original to the 1917 church and were donated by the early founding families. Originally one side of the church windows were dedicated in English. The other side had the dedications in German. This would indicate that in 1917 the congregation was becoming assimilated into American culture, while still trying to hold on to its German heritage. Originally founded by a handful of Catholic Ukrainians of German descent from Russia in 1894, St. Mary's now boasts 450 families from many ethnic and cultural backgrounds.
Altar cloths, seen in the 1935 photo, are often on display. They are used only during the 50 days of the Easter Season. Other items attached to the history of the church are actively being sought. Recently, the folding rests upon which the coffin rested during the funeral Mass was returned by Herb Swonke, who preserved them when they were no longer wanted for use. Also, the family of Katie Mock returned a funeral candelabrum which would have flanked the coffin during the funeral Mass. The candelabra were sold at a church bazaar years before, again probably because they were no longer being used. Early photographs of the church have also been donated by Bill Hock, with a generous supply of antidotes and historical lore.
The Stations of the Cross are not original to the 1917 church. The originals were pictures framed in wood in the Gothic design. They seem to be rather large in the 1935 photo. It is said they were sold at a bazaar auction in the 50's-60's. The present stations were purchased to replace the older stations. It is hoped that an original may surface some day.
It is interesting to note that the visible stenciling reflects only about an eighth of the original stenciling. The photograph of 1935 shows the extent of stenciling around each window, in each bay of the main body of the church, in the sanctuary area, and the very unique motif around the side altars. A peek behind the statue of St. Anthony reveals some of the stenciling and its color that once graced the area around the altar. It is hoped and planned that the original stenciling will be gradually restored and the church will shine with an even greater brilliance
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!
Some background:
Even while the heavy T43 (M103) tank was still in development during the early Fifties, the U.S.A. was not done with attempts at making better heavy tanks. The primary concern were the Soviet heavy tanks that were expected to roll over Western Germany in the case of a Cold War escalation. Development was split into two schools of thought: One based its work on the T43, leading to the T57 and T58 auto loading tanks, while the other started from scratch, trying to mount a heavy weapon that could engage enemy tanks at long range in a more compact hull than the large and heavy T43.
In June 1954, the Detroit Arsenal held its third Question Mark Conference, the goal of which was brainstorming ideas for new heavy tanks. Conditions these proposals had to meet were that a prototype had to be constructed within two years, and the vehicle had to be able to fit within the confines of the Berne International Clearance Diagram, a code of standardization for rail tunnels established at the international conference at Berne, Switzerland, in 1913.
Various designs were submitted and discussed: The TS-2 and TS-5 were both armed with a 105 mm (4.13 in) T210 smoothbore gun; in a turret on the TS-2, and in a fixed casemate on the TS-5. The TS-6 and TS-31 were armed with the 120 mm (4.72 in) T123E1 gun; again in a turret on the TS-6, and casemate on the TS-31. Power for the tanks would have been supplied by either a 700 hp Continental AOI-1490-1 engine with an XT-500 transmission (TS-2 and TS-5), or an 810 hp Continental AVI-1790-8 with an XT-500 transmission (TS-6 and TS-31).
In the end, the TS-31, outfitted with a gimbal gun mount and estimated to weigh 45 tons, was chosen for further development, because it promised the most compact outlines. Chrysler was assigned to the development of the TS-31, which was given the project designation “120mm gun tank T110”; at the same time, the T43 was entering pre-production as the M103.
The original TS-31/T110 had a driver in the hull, a gunner to the left of the gun, a commander and his machine gun cupola to the right of the gun, and two loaders. It was rear-engined and had six road wheels on either side. Armor was to be as thick as 9 inches (228.6 mm) on the gun mantlet. Despite the TS-31 concept being chosen as the winner, it still was slightly too big to fit through the Berne Clearance Dimensions. Additional problems were found with the off-center commander’s cupola: the field of view was poor and the additional metal to support it added to the tank’s weight and increased its size. These flaws led to Chrysler redesigning the tank.
The second draft, the T110E1, was an improvement over the original TS-31. It was slightly smaller, becoming shorter and the front becoming flat. The driver was moved into the casemate, to the left of the gun, with the gunner being moved to the right of the gun. Behind the driver and gunner were two loaders and the commander behind them. The commander was placed directly in the middle of the tank, leaving him to sit almost directly atop the engine and with his feet worryingly close to the gun breech. Despite all this, it was still too big to fit through the Berne Clearance Dimensions. Size, in addition to the Detroit Arsenal’s disapproval of the driver’s position, led to a second redesign.
The third draft, the T110E2, was sort of a reversion to the original; the driver was moved back to the hull outside of the casemate, and the gunner was moved back to the left of the gun. The commander’s turret was moved slightly forward, so he would no longer have to sit on top of the engine, but was now forced to sit in a very awkward and cramped position in order to avoid being crushed by the gun’s recoil every time it fired. The casemate reverted to being rounded at the front. Unfortunately, the third draft was no smaller in size than the second.
The Detroit Arsenal replied to Chrysler’s unsatisfactory proposals with the fourth draft of the T110 on its own (even though this proposal did not receive a dedicated designation): The casemate was moved to the back, hanging over the rear of the tank. The transmission was moved to the rear as well, joining the engine. In its place up front was a massive fuel tank, nearly encompassing the driver. The power plant (which was now a Continental 700 hp AOI-1490) was pushed to the left to afford the commander a more comfortable (but still probably hot) position on the far rear right. The suspension was changed to a more conventional (for the Americans) type, with smaller road wheels; although the original draft was without them, return rollers would have been necessary.
Chrysler rejected the Detroit Arsenal’s idea to put the casemate on the very back on the tank and kept it in the middle, leading to the T110E3. The driver was moved back again inside of the casemate, this time to the right of the gun and in an elevated position that offered a very good field of view, and the driver had an M24 infrared periscope.
Chrysler originally tried to simplify maintenance on this design by allowing the engine to be pulled out, on rails, via a hatch in the rear of the tank. But this novel feature created rigidity issues and the engine was returned to a standard position, now turned lengthwise in the tank. This new engine placement again left the commander stuck between the engine and the gun breech. The gun mantlet, which had been relatively tiny before, was much bigger in this iteration, weighing 2 tons and being 9 inches (228.6 mm) thick. The tank was now short and narrow enough to barely fit into the limits of the Berne Tunnel standard.
This version of the T110 was eventually the first deemed worthy enough to be turned into hardware. A wooden mockup was built and engineering diagrams were drawn up. The main weapon was a 120 mm T123E1 rifled anti-tank gun (the same gun that was carried by the M103, later designated M58), combined with an M14 stereoscopic sight. Gun traverse was 15 degrees to each side, with 20 degrees of gun elevation and 10 degrees of gun depression. Frontal armor was 5 inches (127 mm) at a 60 degree slope from vertical. Secondary weaponry comprised as a .30 cal (7.62 mm) machine gun, paired with the main gun, and the commander had a remote-controlled .50 cal (12.7 mm) M2 Browning machine gun on the M1 cupola, which could be aimed and fired from the inside.
Interest from the U.S. Army for this tank, which was rather a self-propelled gun carriage than a classic battle tank and rather passé in the U.S. Army’s eyes, was high enough to warrant the build of two prototypes – primarily because the Army was not too enthusiastic about the large M103. While the T110E3 featured basically the same armament as the M103 and offered comparable frontal armor, it was considerably lighter (50 vs. 65 tons) and more compact.
In order to save cost and development time, a modified M48 Patton chassis was chosen for the prototypes, which featured three rollers per side and the early track tension wheel between the last road wheel and the sprocket wheel at the rear. All six road wheel pairs were sprung on independent torsion arms, while the two front pairs and rear ones received extra shock absorbers with dampers to block excessive amplitude from the torsion arms. Power came from an uprated Continental Motors, Inc. AV-1790-3 petrol engine, which delivered 875 hp instead of the early M48’s 810 hp standard output.
The prototypes were built by Chrysler and ferried to the U.S. Army’s Aberdeen Proving Ground for field tests and comparison with the current standard tanks, namely the T43/M103 and the standard medium M48 MBT.
Potential service vehicles would have received the designation M90 and were supposed to be powered by a more reliable and longer-range Continental AVDS-1790-2 diesel power plant, but no more than the two T110E3 prototypes were built and tested in the course of 1956. However, no series production ensued, since the tank’s performance did not meet the U.S. Army’s expectations – even though the T110E3 proved to be much more agile than the T43/M103 and the commonality with the M48 made the T110E3 an attractive concept. Alas, the casemate layout was outdated and the ergonomics for the crew were poor and the interior was cramped due to the large cannon and the need for two loaders, because charges and warheads for the 120 mm rounds were separate and weighed 51 lbs (23.1 kg) in total, too much for a single loader and a decent rate of fire. The commander had, despite the cupola, a very limited field of view esp. of the tank’s direct surroundings. Furthermore, the development of improved armor-piercing ammunitions for lighter guns, as well as the advent of guided anti-tank missiles, made the heavy tank, including the M103 as well as the T110E3, obsolete. As a final blow to the project, development of the new medium M60 tank with the powerful Royal Ordnance L7 105mm cannon had just started when the T110E3 finished its trials, and an update of the M48 with the L7 cannon was the eventual solution.
A single T110E3, the first prototype, survived and is preserved at the Detroit Arsenal in Warren, MI.
Specifications:
Crew: Five (commander, gunner, 2× loader, driver)
Weight: 50 tonnes
Length: 6.87 m (22 ft 6 in) hull only
9.29 m (30 ft 5 in) overall
Width: 3.65 m (12 ft 0 in)
Height: 3,02 m (9 ft 11 in)
Suspension: Torsion-bar
Ground clearance: 15.2 in (387 mm)
Fuel capacity: 200 US gal (760 l; 170 imp gal)
Armor:
12.7 – 229 mm (0.5 – 9 in)
Performance:
Speed:
- Maximum, road: 30 mph (48 km/h)
- Sustained, road: 25 mph (40 km/h)
- Cross country: 9.3 to 15.5 mph (15 to 25 km/h)
Climbing capability:
- 40% side slope and 60% max grade
- Vertical obstacle of 36 inches (91 cm)
- 102 inches (2.59 m) trench crossing
Fording depth: Unprepared: 4 ft (1.219 m), prepared: 8 ft (2.438 m)
Operational range: 160 ml (258 km) on road
Power/weight: 17.5 hp/t
Engine:
1× Continental Motors, Inc. AV-1790-3 petrol V12 engine with fuel injection, delivering 875 hp,
plus a 1-cylinder auxiliary generator
Transmission:
General Motors CD-850-4A with 2 ranges forward, 1 reverse
Armament:
1× 120 mm T123E1 (M58) rifled anti-tank gun with 34 rounds
1× co-axial 7.62 mm M73 machine gun with 3.000 rounds
1× 12.7mm M2 Browning anti-aircraft machine gun on the commander’s cupola with 900 rounds
The kit and its assembly:
Yes, this is a whiffy tank, but the T110 project as such actually existed as an alternative to the M103. However, there never was any hardware beyond a wooden mock-up, and after many iterations (T110E5 was the last one!) the project was dropped in favor of classic designs with a fully rotating turret, and the availability of the British L7 cannon made the need for the American 120mm cannon obsolete.
I came across this obscure American tank project when I browsed the online shop of the German tank model/conversion kit manufacturer ModellTrans/Silesian Models, who offer a T110E3 resin conversion kit for an unspecified M48 chassis. I found the concept odd and the kit looked good, so I bought one, together with an ESCI M48A2 kit as chassis donor.
The rest was simple kitbashing. The M48 chassis was built OOB, just the upper hull replaced by the T110 resin parts, which also include the gun barrel and the mantlet, the commander’s cupola and several other small parts. Fit was/is surprisingly good! The T110 hull also went very smoothly onto the ESCI chassis: not plastic or resin had to be cut, just a 2mm gap at the lower rear had to be filled with a styrene strip, and only minor PSR had to be done on the front and the rear.
Some personal improvements include a scratched wall inside of the muzzle brake (made from a simple piece of 0.5 mm styrene sheet) and rails along the sidewalls, made from thin brass wire. Furthermore, some small parts from the ESCI M48 were transferred to the T110, including the barrel support, the housings for the stereoscopic rangefinder and a jerry can. Since this was supposed to become a prototype, I did not want to change too much.
Painting and markings:
The whole vehicle became Olive Drab, a conservative choice. I could not imagine that this outdated tank concept could have seriously entered service, so I decided to represent a prototype. But even if I had wanted a U.S. Army in-service vehicle, it would most probably have been painted all-over Olive Drab, anyway, since more complex paints schemes were only introduced in the late Seventies.
AFAIK there was no clearly defined standard for “Olive Drab” in practice, even though there was a contemporary Federal Standard tone, 24087 (very different from the later, much lighter FS tone with this code), also known as “OD ‘50”. In order to keep things simple, I chose Humbrol 66 (HM3), since it is supposed to represent the typical US Army tone. At first this looked rather dark and murky, but with some dry-brushing (with a mix of 66 and 111) after a washing with a mix of black and red brown, things started to look really good – esp. after the decals had been applied. The latter primarily came from the OOB ESCI sheet, complemented with the markings “TEST” and “T110E3”, created with single white 3mm letters from TL Modellbau and seen on contemporary American test vehicles in a similar fashion.
Further weathering was done through more dry-brushing with Humbrol 72 (Khaki Drill), then the model received a coat of matt acrylic varnish. Once the tracks (painted with a mix of acrylic black, brown and iron beforehand) had been mounted and finishing touches had been made, the lower areas were dusted with a reddish-brown mix of mineral pigments, reflecting the red-brownish washing all over the hull.
Not a very complex project, the most tedious aspect of this build was the M48 running gear. However, the latter went together well with little resistance, and the T110 hull from ModellTrans/Silesian Models was easy to integrate, too. I am actually very impressed by the good fit, the details and the molding quality of the resin parts. Even thin and delicate parts and areas like the mudguards have been crisply molded and they are not distinguishable from the IP counterparts from the ESCI kit! And I like the result: the T110E3 looks very retro, a design fallen out of time, and a worthy post-WWII what-if model.
About the Garden
Lan Su Chinese Garden Essential Information
Download the Organizational Profile.
Download our 2009-2011 Strategic Plan.
Frequently Asked Questions
When did the Garden open?
The Garden opened September 14, 2000.
Where is the Garden located?
The Garden is located between NW 2nd and 3rd and NW Flanders and Glisan in Old Town/Chinatown. The Garden can be reached from I-405 by taking the Everett Street Exit and turning east. The Garden is also available by MAX, which is Portland’s light rail system, or by buses 1, 4, 5, 8, 10, 16, 33, 40, and 77. Visit TriMet’s Trip Planner, which can provide door to door directions using public transit.
How much is admission?
Your admission gains access to the Garden, Teahouse, and when offered, public tours and exhibits. Some special events are not included with admission or may require the purchase of a tea service. For more information, please see the events page. With a membership, admission is free for one year.
$9.50 Adults
$8.50 Seniors (age 62 & over)
$7.00 Students (age 6-18 and college students with I.D.)
Children five and under are free
Individual adult admission tickets and discounted admission bundles are available for purchase in advance at 503.228.8131.
What are your hours?
The Lan Su Chinese Garden is open to visitors seven days a week year-round, closing only on Thanksgiving, Christmas, and New Year’s Day.
Summer hours April 1 - October 31 10:00 a.m. - 6:00 p.m. Winter hours November 1 - March 31 10:00 a.m. - 5:00 p.m.
What does a membership provide?
All memberships are good for one-year free admission to the Garden, a 10% discount in the gift store and teahouse, and quarterly newsletter. Prices being at $25 for a student membership, $40 for an individual membership, $60 for a family membership with additional higher memberships. Additional membership information is available on our membership page.
How big is the Garden?
The Garden is one city block or approximately 40,000 square feet.
How big is the lake?
The lake, named Lake Zither, is about 8,000 square feet.
What are those free-standing rocks?
The rocks, called Tai Hu rocks are limestone mined from Lake Tai, a fresh-water lake near Suzhou. They are prized for their four virtues which are: the holes that allow life force to flow freely, the rough texture, their slenderness, and being top-heavy. Over 500 tons of rock was shipped from China for the Garden.
What types of wood are used in the Garden?
There are three types of wood used in the Garden. San-Mu (Northeast China Fir) is used for most of the beams and columns. Dong-Bei-Song (Northeast China Pine) is used for the largest columns. Yingxing (Gingko) wood is used for the pale yellow decorative carving in the Pavilions. Nanmu (similar to walnut) is used for the carvings in the doors and windows.
What are leak windows?
The windows, around the Garden and inside the walls, are called “leak” windows since they allow the visitor to see the view “leaking” through. There are 51 windows, each unique, in and around the Garden.
Is there a Gift Store?
The Garden Shop is just outside the entrance and is open the same hours as the Garden.
What is the Teahouse?
The Garden’s Teahouse, run by the Tao of Tea, located with the Garden allows visitors to sip authentic Chinese tea and view the Garden. The Teahouse also offers small snack. It is located in the Tower of Cosmic Reflections.
Where can I park?
The Garden is surrounded by on-street parking meters, both short term and long term. A number of parking garages within a few blocks including a Smartpark on the corner of NW Davis and Naito Parkway.
Is the Garden available for rent?
The Garden is available for both before and after hours events, including weddings. For more information, please see the Rental page for more details.
Are tours available?
The Garden tries to offer tours on a daily basis at noon and 1 pm. You may visit the Garden without a tour, and tours are free. To schedule a private tour of 15 or more, please call the Garden’s tour coordinator at 503.228.8131 ext. 1001. Please see the Tours page for more details.
Is the Garden wheelchair accessible?
The Garden has a wheelchair accessible route that travels throughout the Garden.
Who owns the Garden?
The City of Portland owns the Garden, and contracts with the Lan Su Chinese Garden, a non-profit organization, to operate the Garden.
Can I bring my pet?
Please leave your pets at home.
for more: www.lansugarden.org/home
China and India
Website:
www.museudooriente.pt/?lang=en
english
“On the gods, I can affirm neither that they do exist nor that they do not exist: much prevents the acquisition of such knowledge beginning with the obscurity addressed by the question and followed by the brevity of human life.”
Protagoras (5th century BC)
“Gods of Asia” (in contrast to “The Gods of Asia” that would be of ridiculously pretentious scope) is a title that runs of risk of getting mired in equivocation. We are victims of the inappropriateness of a word’s meaning in one language when applied to another and particularly when dealing with the word god. The terms monotheist and polytheist are Western notions that prove rather lacking when considering Hinduism or Taoism. The first Western missionaries reaching Asia referred constantly to idolatry whenever encountering statues in places of worship that seemed strange to them. However, having hardly begun explaining the great Asian religions, we are immediately struck by the sheer similarities that they share with the great Western religions that shock anybody attempting to move on from the prevailing prejudices. The idea of a single God, considered by some to be the great Judaic religious contribution, was already in practice in Asia. The Brahman in Hinduism, the Tao of the Chinese are single, the origin of everything and everything exists in them. It would bizarre for the Hindus and Taoists to depict the almighty as a grizzled old man with a white beard not so much due to the fact that this would be sacrilege, as Islamic believers would hold, but rather because both fall outside the scope of any human understanding and are beyond any means of representation. The concept that “God made man in His image” swiftly becomes “man made God in his image”.
Furthermore, when dealing with Asian religions, there are references to gods when other terms would be used by Western religions. The Hindu gods are, in fact, the diverse manifestations of Brahman acting in the world and only as such susceptible to depiction. The Chinese gods bear a closer relationship with the saints of Christianity. Each serves its own particular function, such as Eloy as patron saint of goldsmiths or Saint Genevieve as the patron saint of Paris, which in the latter case would be known as the goddess of the Parisian earth within a Chinese pantheon.
Some of the similarities existing among all the religions are indeed surprising. The idea of the trinity is central to Hinduism. Given that everything born has to one day die, Brahman becomes creator, conservator and destroyer as reflected in the three manifestations: Brahma, Vishnu and Shiva. Vishnu is incarnate as God was incarnated in Jesus Christ. The Chinese are somewhat more abstract in this area given that their belief system holds that from the Three are born all beings.
Each founder of a religion is inseparable from the surrounding environment in which emerging. Just as the New Testament is not understandable unless its message is situated within the context of the Old Testament, the message of Buddha Shakyamuni was announced within a Hindu society and does not call into question beliefs such as reincarnation or karma. The Taoist religion becomes incomprehensible if stripped of either the Taoist philosophy that preceded it or the beliefs of ancient China.
Another common point is that the original message has been subject to whatever first the disciples or later the faithful decided to do with it given that the founders never actually set it down in writing. Neither Jesus Christ nor Shakyamuni not to mention Zhang Daoling left any written legacy. It was only through witnesses that we gain our awareness of their thinkings and teachings: rather disturbing when considering the general accuracy of such accounts. Just as Jesus Christ would not agree with what Churches have done with his message and in his name down through the centuries, Shakyamuni would not recognise his own thinking in the elaborations of those wishing to spread his message. Many founders of religions sought only to provide an answer to a precise question. Just as Jesus Christ wanted to introduce charity, Shakyamuni wanted to find a means to escape the suffering of existence. Just as Jesus Christ did not call into question the God of the Bible, Shakyamuni made no pronouncement on either Brahman or nirvana to such an extent of stating that Buddhism was a religion without a god.
Despite all that has been written, Judaism, Christianity and Islam are not the only book based religions. Buddhism, Jainism and Taoism are based on texts even if quite different to the Bible or the Koran. As regards the mirabilia spreading all the beliefs on either side of the Urals, it should be remembered that Asian thinkers knew how to distinguish between directly reading texts in order to gain the admiration of crowds and their interpretation at the philosophical or theological level and demonstrating a thorough understanding in the meantime.
We may inquire as to the origins of all these similarities between the world’s great religions. Are they due to the very nature of the human spirit? From a shared human story dating back to the beginnings of history? Factual influences for this, however, appear to be extremely limited even if we may recall that the halos of Western saints derive from the aura of light that is depicted around Buddhas in Asia and the concept of Hell complete with boiling cauldrons and devouring fires also originates in the East (with the difference that in the Orient, Hell is not eternal).
May it be said, as an Indian thinker once wrote, that all men worship the same god under different names? No. While the concept of a single god exists in the Asian religions and accepting that all world religions have undergone sometimes less than inspired revisions running counter to their original content, and that there are particularities common to all, it would certainly be fallacious not to see the differences inherent to each. Taoism provides an explanation of the world but each is free to accept it or otherwise and engages in no form of proselytism. Buddhism seeks to end with suffering in the hope that all men may benefit from its message but without ever becoming an imposition and sought to be tolerant regarding long existing local beliefs given its acceptance that spirits exist within living beings. As regards theological differences, these are only too susceptible to generating interminable debates.
However, this is not the intention of this exhibition nor does it involve presenting the gods of India, Indonesia, Myanmar, Thailand, China, Vietnam, Korea and Japan with a concern to somehow encapsulate the beliefs of others into the content of picturesque or striking images. It is rather more about setting out why they are worthy of the same respect that we provide our own religions.
The exhibition thus seeks to raise awareness about certain aspects of the religious art of Asia, particularly at the popular level, and introduce the still living mythology underlying the objects on display. Hence, all the great religions of the continent are included: Hinduism, Buddhism, Taoism and Shinto. While the Western word “god”, corresponds closest to abstract
Asian concepts such as Brahman in India or Tao in China, the supernatural beings represented here are far more manifestations of the divine in the human world.
português
“Sobre os deuses, nada posso afirmar, nem que existem nem que não existem: muitas coisas o impedem de saber, a começar pelo lado obscuro que envolve a pergunta, e a seguir pela brevidade da vida humana”
Protágoras (século V a.C.)
“Deuses da Ásia” (e não “Os deuses da Ásia”, o que seria uma pretensão ridícula) é um título que corre o risco de gerar grandes equívocos. Somos vítimas da inadequação das palavras de uma língua para a outra, e mais particularmente quando se trata da palavra deus. Os termos monoteísta e politeísta são noções ocidentais muito mal adaptadas quando se trata do hinduísmo ou do taoísmo. Os primeiros missionários ocidentais que chegaram à Ásia falavam dos idólatras sempre que viam em templos estas estátuas que lhes pareciam estranhas. No entanto, mal começamos a informar sobre as grandes religiões asiáticas, são, antes de tudo, as semelhanças com as grandes religiões ocidentais que espantam quem tente abstrair-se dos preconceitos correntes. A ideia do Deus único, que alguns consideram ser a grande contribuição da religião judaica, já vigorava na Ásia. O Brahman do hinduísmo, o Tao dos chineses são o Único, a Origem de tudo, e tudo neles existe. Seria ridículo para os hindus e taoistas verem representados o Brahman ou o Tao sob os traços de um ancião de barba branca, não tanto pelo facto que isto possa ser um sacrilégio, como o pensam os islamitas, mas porque tanto um como o outro escapam ao entendimento humano e situam-se para além de qualquer forma. A ideia de que “Deus fez o homem à sua imagem” transforma-se rapidamente em “o homem fez Deus à sua imagem”. Mas quando se trata de religiões asiáticas, fala-se de deuses quando no Ocidente utilizar-se-ia um outro termo. Os deuses hinduístas são, de facto, manifestações diversas do Brahman actuando no mundo e como tais podem ser representados. Os deuses chineses são mais aparentados aos santos do cristianismo. Cada um deles tem uma função, como Santo Elói é o patrono dos ourives ou Santa Genoveva é a padroeira de Paris, que neste caso, para os chineses, seria conhecida como deusa do Solo de Paris.
Algumas das semelhanças que existem entre todas as religiões são surpreendentes. A ideia da trindade é central no hinduísmo. Visto que tudo o que nasce tem que morrer, o Brahman manifesta-se enquanto criador, conservador e destruidor, o que se traduz pelas suas três manifestações, Brahma, Vishnu e Shiva. Vishnu incarna-se como Deus se incarnou em Jesus Cristo. Os chineses são mais abstractos nesta matéria, já que para eles é do Três que nascem todos os seres.
Cada fundador de religião é inseparável do meio em que apareceu. Tal como o Novo Testamento não é compreensível se a sua mensagem não for situada no contexto do Antigo Testamento, a mensagem do Buda Shakyamuni foi anunciada numa sociedade hinduísta e não põe em causa a crença nas reincarnações e no karma. A religião taoista torna-se incompreensível se for omitida a filosofia taoista que a precedeu e as crenças da antiguidade chinesa.
Um outro ponto comum é que a mensagem original é vítima do que fizeram dela os discípulos ou sobretudo depois, os fiéis, já que os fundadores nunca escreveram uma linha. Nem Jesus Cristo, nem Shakyamuni, nem Zhang Daoling deixaram algum escrito. Foi somente por testemunhos que se pôde conhecer o seu pensamento, o que não deixa de ser assustador quando nos lembramos do que estes valem. Tal como Jesus Cristo não concordaria com o que as Igrejas, ao longo dos séculos, fizeram com a sua mensagem, Shakyamuni não reconheceria o seu pensamento nas elaborações dos que quiseram divulgar o seu contributo. Muitos fundadores de religiões quiseram fornecer apenas uma resposta a uma pergunta precisa. Tal como Jesus Cristo quis introduzir a misericórdia. Shakyamuni quis encontrar uma via para escapar aos sofrimentos da existência. Tal como Jesus Cristo não pôs em causa o Deus da Bíblia, Shakyamuni não se pronunciou sobre o Brahman ou o nirvana, de tal maneira que chegou a dizer-se que o budismo era uma religião sem deus.
Apesar do que se escreveu, o judaísmo, o cristianismo e o Islão não são as únicas religiões do livro. O budismo, o jainismo e o taoísmo têm como base textos que nada devem aos da Bíblia ou do Corão. Quanto às mirabilia que espalham todas as crenças de cada lado dos Urais, é preciso reconhecer que os pensadores asiáticos souberam distinguir entre uma leitura dos textos ao primeiro grau, que suscita a admiração das multidões, e a sua interpretação a um nível filosófico ou teológico, para que seja entendido o sentido profundo.
Donde vêm as semelhanças entre todas as grandes religiões? Da natureza própria do espírito humano? De uma história comum da humanidade que remonta à origem dos tempos? As influências factuais parecem ser, no entanto, limitadas, mesmo que se lembre que a auréola dos nossos santos provém da aura de luz que se põe à volta dos Budas na Ásia e que a ideia do Inferno, com os seus caldeirões fumegantes e os seus fogos devoradores são originários também do Oriente (com a diferença que no Oriente o Inferno não é eterno).
Pode-se dizer, como o escreveu um pensador indiano, que todos os homens veneram o mesmo deus sob nomes diferentes? Não. Se o conceito de um deus único existe nas religiões asiáticas e já que todas as religiões do mundo conheceram reveses por vezes pouco brilhantes e contrárias ao seu pensamento original, e que algumas particularidades se encontram em todas, seria falacioso não ver as diferenças próprias de cada uma. O taoísmo fornece uma explicação do mundo, mas cada um é livre de poder aceitá-la ou não e não desenvolve nenhum tipo de proselitismo. O budismo procura apagar o sofrimento, esperando que todos os homens possam usufruir da sua mensagem, mas sem a impor, e quis-se tolerante no que toca às crenças locais antigas, visto que admite a existência de espíritos no meio dos seres. No que toca às diferenças teológicas, estas poderiam dar lugar a debates intermináveis.
Mas não é esta a intenção da exposição. Nem tão pouco apresentar deuses da Índia, da Indonésia, de Mianmar, da Tailândia, da China, do Vietname, da Coreia e do Japão com a preocupação de limitar as crenças dos outros ao conteúdo de imagens pitorescas ou belas, mas sim de mostrar que elas merecem o mesmo respeito que nós prestamos às nossas.
A exposição procura, isso sim, tornar conhecidos certos aspectos da arte religiosa na Ásia, sobretudo ao nível popular, e introduzir a mitologia ainda viva que está subjacente aos objectos apresentados. Daí estarem representadas as grandes religiões do continente, o hinduísmo, o budismo, o taoísmo, o shintô. Uma vez que a palavra ocidental “deus”, corresponde mais a conceitos asiáticos abstractos como Brama, na Índia, e Tao, na China, os seres sobrenaturais representados são muito mais manifestações do divino no mundo humano.
_______________________________________________________-
english
The Museum of the Orient (Portuguese: Museu do Oriente) in Lisbon, Portugal celebrates the history of Portuguese exploration with a collection of Asian artifacts. The museum opened in May, 2008, and is located in a refurbished industrial building on the Alcântara waterfront. The collection includes Indonesian textiles, Japanese screens, antique snuff bottles, crucifixes made in Asia for Western export, and the Kwok On Collection of masks, costumes, and accessories.
português
O Museu do Oriente está instalado no edifício Pedro Álvares Cabral, antigos armazéns da Comissão Reguladora do Comércio do Bacalhau em Alcântara, Lisboa.
O museu reúne colecções que têm o Oriente como temática principal, nas vertentes histórica, religiosa, antropológica e artística.
A exposição permanente engloba 1400 peças alusivas à presença portuguesa na Ásia e 650 peças pertencentes à colecção Kwok On.
O museu é da responsabilidade da Fundação Oriente e foi inaugurado no dia 8 de Maio de 2008.
A actual directora é Maria Manuela d'Oliveira Martins.
Foi classificado como Monumento de interesse público (MIP) pelo IGESPAR em 15 de junho de 2010.
Siena è un comune di 54.391 abitanti della Toscana centrale, capoluogo dell'omonima provincia.
La città è universalmente conosciuta per il suo patrimonio artistico e per la sostanziale unità stilistica del suo arredo urbano medievale, nonché per il suo famoso Palio; il centro storico è stato infatti dichiarato dall'UNESCO patrimonio dell'umanità nel 1995.
Siena fu fondata come colonia romana al tempo dell'Imperatore Augusto e prese il nome di Saena Iulia.
All'interno del centro storico senese sono stati ritrovati dei siti di epoca etrusca, che possono far pensare alla fondazione della città da parte degli etruschi.
Il primo documento noto in cui viene citata la comunità senese risale al 70 e porta la firma di Tacito che, nel IV libro delle Historiae, riporta il seguente episodio: il senatore Manlio Patruito riferì a Roma di essere stato malmenato e ridicolizzato con un finto funerale durante la sua visita ufficiale a Saena Iulia, piccola colonia militare della Tuscia. Il Senato romano decise di punire i principali colpevoli e di richiamare severamente i senesi a un maggiore rispetto verso l'autorità.
Dell'alto Medioevo non si hanno documenti che possano illuminare intorno ai casi della vita civile a Siena. C'è qualche notizia relativa alla istituzione del vescovado e della diocesi, specialmente per le questioni sorte fra il Vescovo di Siena e quello di Arezzo, a causa dei confini della zona giurisdizionale di ciascuno: questioni nelle quali intervenne il re longobardo Liutprando, pronunziando sentenza a favore della diocesi aretina. Ma i senesi non furono soddisfatti e pertanto nell'anno 853, quando l'Italia passò dalla dominazione longobarda a quella franca, riuscirono ad ottenere l'annullamento della sentenza emanata dal re Liutprando. Pare, dunque, che al tempo dei Longobardi, Siena fosse governata da un gastaldo, rappresentante del re: Gastaldo che fu poi sostituito da un Conte imperiale dopo l'incoronazione di Carlo Magno. Il primo conte di cui si hanno notizie concrete fu Winigi, figlio di Ranieri, nel 867. Dopo il 900 regnava a Siena l'imperatore Ludovico III, il cui regno non durò così a lungo, dal momento che nel 903 le cronache raccontano di un ritorno dei conti al potere sotto il nuovo governo del re Berengario.
Siena si ritrova nel X secolo al centro di importanti vie commerciali che portavano a Roma e, grazie a ciò divenne un'importante città medievale. Nel XII secolo la città si dota di ordinamenti comunali di tipo consolare, comincia a espandere il proprio territorio e stringe le prime alleanze. Questa situazione di rilevanza sia politica che economica, portano Siena a combattere per i domini settentrionali della Toscana, contro Firenze. Dalla prima metà del XII secolo in poi Siena prospera e diventa un importante centro commerciale, tenendo buoni rapporti con lo Stato della Chiesa; i banchieri senesi erano un punto di riferimento per le autorità di Roma, ai quali si rivolgevano per prestiti o finanziamenti.
Alla fine del XII secolo Siena, sostenendo la causa ghibellina (anche se non mancavano, le famiglie senesi di parte guelfa, in sintonia con Firenze), si ritrovò nuovamente contro Firenze di parte guelfa: celebre è la vittoria sui toscani guelfi nella battaglia di Montaperti, del 1260, celebrata anche da Dante Alighieri. Ma dopo qualche anno i senesi ebbero la peggio nella battaglia di Colle Val d'Elsa, del 1269, che portò in seguito, nel 1287, alla ascesa del Governo
dei Nove, di parte guelfa. Sotto questo nuovo governo, Siena raggiunse il suo massimo splendore, sia economico che culturale.
Dopo la peste del 1348, cominciò la lenta decadenza della Repubblica di Siena, che comunque non precluse la strada all'espansione territoriale senese, che fino al giorno della caduta della Repubblica comprendeva un terzo della toscana. La fine della Repubblica Senese, forse l'unico Stato occidentale ad attuare una democrazia pura a favore del popolo, avvenne il 25 aprile 1555, quando la città, dopo un assedio di oltre un anno, dovette arrendersi stremata dalla fame, all'impero di Carlo V, spalleggiato dai fiorentini, che cedette in feudo il territorio della Repubblica ai Medici, Signori di Firenze, per ripagarli delle spese sostenute durante la guerra. Per l'ennesima volta i cittadini senesi riuscirono a tenere testa ad un imperatore, che solo grazie alle proprie smisurate risorse poté piegare la fiera resistenza di questa piccola Repubblica e dei suoi cittadini.
Dopo la caduta della Repubblica pochi senesi guidati peraltro dall'esule fiorentino Piero Strozzi, non volendo accettare la caduta della Repubblica, si rifugiarono in Montalcino, creando la Repubblica di Siena riparata in Montalcino, mantenendo l'alleanza con la Francia, che continuò ad esercitare il proprio potere sulla parte meridionale del territorio della Repubblica, creando notevoli problemi alle truppe degli odiati fiorentini. Essa visse fino al 31 maggio del 1559 quando fu tradita dagli alleati francesi, che Siena aveva sempre sostenuto, che concludendo la pace di Cateau-Cambrésis con l'imperatore Carlo V, cedettero di fatto la Repubblica ai fiorentini.
Lo stemma di Siena è detto "balzana". È uno scudo diviso in due porzioni orizzontali: quella superiore è bianca, quella inferiore nera,con la Lupa che allatta Senio e Ascanio. Secondo la leggenda, starebbe a simboleggiare il fumo nero e bianco scaturito dalla pira augurale che i leggendari fondatori della città, Senio e Ascanio, figli di Remo, avrebbero acceso per ringraziare gli dei dopo la fondazione della città di Siena. Un'altra leggenda riporta che la balzana derivi dai colori dei cavalli, uno bianco ed uno nero, che Senio e Ascanio usarono nella fuga dallo zio Romolo che li voleva uccidere e con i quali giunsero a Siena. Per il loro presunto carattere focoso che, si dice, rasenta la pazzia, anche i senesi sono definiti spesso "balzani".
Siena (em português também conhecida como Sena) é uma cidade e sede de comuna italiana na região da Toscana, província do mesmo nome, com cerca de 52.775 (ISTAT 2003) habitantes. Estende-se por uma área de 118 km2, tendo uma densidade populacional de 447 hab/km2. Faz fronteira com Asciano, Castelnuovo Berardenga, Monteriggioni, Monteroni d'Arbia e Sovicille.
Siena é universalmente conhecida pelo seu património artístico e pela notável unidade estilística do seu centro histórico, classificado pela UNESCO como Património da Humanidade.
Segundo a mitologia romana, Siena foi fundada por Sénio, filho de Remo, e podem-se encontrar numerosas estátuas e obras de arte mostrando, tal como em Roma, os irmãos amamentados pela loba. Foi um povoamento etrusco e depois colónia romana (Saena Julia) refundada pelo imperador Augusto. Era, contudo, uma pequena povoação, longe das rotas principais do Império. No século V, torna-se sede de uma diocese cristã.
As antigas famílias aristocráticas de Siena reclamam origem nos Lombardos e à data da submissão da Lombardia a Carlos Magno (774). A grande influência da cidade como pólo cultural, artístico e político é iniciada no século XII, quando se converte num burgo autogovernado de cariz republicano, substituindo o esquema feudal.
Todavia, o esquema político conduziu sempre a lutas internas entre nobres e externas com a cidade rival de Florença. Data do século XIII a ruptura entre as facções rivais dos Guibelinos de Siena e dos Guelfos de Florença, que seria argumento para a Divina Comédia de Dante.
Em 4 de Setembro de 1260, os Guibelinos apoiaram as forças do rei Manfredo da Sicília e derrotaram os Guelfos em Montaperti, que tinham um exército muito superior em armas e homens. Antes da batalha, toda a cidade fora consagrada à Virgem Maria e confiada à sua protecção. Hoje, essa protecção é recordada e renovada, lembrando os sienenses da ameaça dos aliados da Segunda Guerra Mundial de bombardearam a cidade em 1944, o que felizmente não veio a acontecer.
Siena rivalizou no campo das artes durante o período medieval até o século XIV com as cidades vizinhas. Porém, devastada em 1348 pela Peste Negra, nunca recuperou o seu esplendor, perdendo também a sua rivalidade interurbana com Florença. A Siena actual tem um aspecto muito semelhante ao dos séculos XIII-XIV. Detém uma universidade fundada em 1203, famosa pelas faculdades de Direito e Medicina, e que é uma das mais prestigiadas universidades italianas.
Em 1557 perde a independência e é integrada nas formações políticas e administrativas da Toscana.
Siena também deu vários Papas, sendo eles: Alexandre III, Pio II, Pio III e Alexandre VII.
Os dois grandes santos de Siena são Santa Catarina (1347-1380) e São Bernardino (1380-1444). Catarina Benincasa, filha de um humilde tintureiro, fez-se irmã na Ordem Terceira dominicana (para leigos)e viveu como monja na casa dos pais. É famosa pelo intercâmbio interior com o próprio Cristo, que num êxtase lhe disse: "Eu sou aquele que é e tú és aquela que não é". Apesar da origem modesta, influenciou papas e príncipes com sua sabedoria e seu exemplo, conseguindo inclusive convencer o papa de então, contra a maioria dos cardeais, a regressar a Roma do exílio de Avinhon na França. Quanto ao franciscano São Bernardino, ele é célebre por ter sido o maior expoente, no Catolicismo, da via espiritual de invocação do Nome Divino, que encontra similares em todas as grandes religiões, do Budismo (nembutsu) ao Islã ([[dhikr]]) e ao Hinduísmo (mantra). Os sermões que Bernbardino fez na praça central de Siena provocaram tal fervor religioso e devoção ao nome de Jesus que o conselho municipal decidiu colocar o monograma do nome de Jesus (composto pelas letras IHS, significando "Jesus salvador dos homens")na fachada do prédio do governo. Do mesmo modo, muitos cidadãos o pintaram sobre as fachadas de suas casas, como até hoje se pode ver na cidade.
Siena also widely spelled Sienna in English) is a city in Tuscany, Italy. It is the capital of the province of Siena.
The historic centre of Siena has been declared by UNESCO a World Heritage Site. It is one of the nation's most visited tourist attractions, with over 163,000 international arrivals in 2008.[1] Siena is famous for its cuisine, art, museums, medieval cityscape and the palio.
Siena, like other Tuscan hill towns, was first settled in the time of the Etruscans (c. 900–400 BC) when it was inhabited by a tribe called the Saina. The Etruscans were an advanced people who changed the face of central Italy through their use of irrigation to reclaim previously unfarmable land, and their custom of building their settlements in well-defended hill-forts. A Roman town called Saena Julia was founded at the site in the time of the Emperor Augustus. The first document mentioning it dates from AD 70. Some archaeologists assert that Siena was controlled for a period by a Gaulish tribe called the Saenones.
The Roman origin accounts for the town's emblem: a she-wolf suckling infants Romulus and Remus. According to legend, Siena was founded by Senius, son of Remus, who was in turn the brother of Romulus, after whom Rome was named. Statues and other artwork depicting a she-wolf suckling the young twins Romulus and Remus can be seen all over the city of Siena. Other etymologies derive the name from the Etruscan family name "Saina," the Roman family name of the "Saenii," or the Latin word "senex" ("old") or the derived form "seneo", "to be old".
Siena did not prosper under Roman rule. It was not sited near any major roads and lacked opportunities for trade. Its insular status meant that Christianity did not penetrate until the 4th century AD, and it was not until the Lombards invaded Siena and the surrounding territory that it knew prosperity. After the Lombard occupation, the old Roman roads of Via Aurelia and the Via Cassia passed through areas exposed to Byzantine raids, so the Lombards rerouted much of their trade between the Lombards' northern possessions and Rome along a more secure road through Siena. Siena prospered as a trading post, and the constant streams of pilgrims passing to and from Rome provided a valuable source of income in the centuries to come.
The oldest aristocratic families in Siena date their line to the Lombards' surrender in 774 to Charlemagne. At this point, the city was inundated with a swarm of Frankish overseers who married into the existing Sienese nobility and left a legacy that can be seen in the abbeys they founded throughout Sienese territory. Feudal power waned however, and by the death of Countess Matilda in 1115 the border territory of the Mark of Tuscia which had been under the control of her family, the Canossa, broke up into several autonomous regions.
Siena prospered as a city-state, becoming a major centre of money lending and an important player in the wool trade. It was governed at first directly by its bishop, but episcopal power declined during the 12th century. The bishop was forced to concede a greater say in the running of the city to the nobility in exchange for their help during a territorial dispute with Arezzo, and this started a process which culminated in 1167 when the commune of Siena declared its independence from episcopal control. By 1179, it had a written constitution.
This period was also crucial in shaping the Siena we know today. It was during the early 13th century that the majority of the construction of the Siena Cathedral (Duomo) was completed. It was also during this period that the Piazza del Campo, now regarded as one of the most beautiful civic spaces in Europe, grew in importance as the centre of secular life. New streets were constructed leading to it, and it served as the site of the market and the location of various sporting events (perhaps better thought of as riots, in the fashion of the Florentine football matches that are still practised to this day). A wall was constructed in 1194 at the current site of the Palazzo Pubblico to stop soil erosion, an indication of how important the area was becoming as a civic space.
In the early 12th century a self-governing commune replaced the earlier aristocratic government. The consuls who governed the republic slowly became more inclusive of the poblani, or common people, and the commune increased its territory as the surrounding feudal nobles in their fortified castles submitted to the urban power. Siena's republic, struggling internally between nobles and the popular party, usually worked in political opposition to its great rival, Florence, and was in the 13th century predominantly Ghibelline in opposition to Florence's Guelph position (this conflict formed the backdrop for some of Dante's Commedia).
On 4 September 1260 the Sienese Ghibellines, supported by the forces of King Manfred of Sicily, defeated the Florentine Guelphs in the Battle of Montaperti. Before the battle, the Sienese army of around 20,000 faced a much larger Florentine army of around 33,000. Prior to the battle, the entire city was dedicated to the Virgin Mary (this was done several times in the city's history, most recently in 1944 to guard the city from Allied bombs). The man given command of Siena for the duration of the war, Bonaguida Lucari, walked barefoot and bareheaded, a halter around his neck, to the Duomo. Leading a procession composed of all the city's residents, he was met by all the clergy. Lucari and the bishop embraced, to show the unity of church and state, then Lucari formally gave the city and contrade to the Virgin. Legend has it that a thick white cloud descended on the battlefield, giving the Sienese cover and aiding their attack. The reality was that the Florentine army launched several fruitless attacks against the Sienese army during the day, then when the Sienese army countered with their own offensive, traitors within the Florentine army killed the standard bearer and in the resulting chaos, the Florentine army broke up and fled the battlefield. Almost half the Florentine army (some 15,000 men) were killed as a result. So crushing was the defeat that even today if the two cities meet in any sporting event, the Sienese supporters are likely to exhort their Florentine counterparts to “Remember Montaperti!”.
The limits on the Roman town, were the earliest known walls to the city. During the 10th and 11th centuries, the town grew to the east and later to the north, in what is now the Camollia district. Walls were built to totally surround the city, and a second set was finished by the end of the 13th century. Much of these walls still exist today.[2]
Siena's university, founded in 1240 and famed for its faculties of law and medicine, is still among the most important Italian universities. Siena rivalled Florence in the arts throughout the 13th and 14th centuries: the important late medieval painter Duccio di Buoninsegna (1253–1319) was a Sienese, but worked across the peninsula, and the mural of "Good Government" by Ambrogio Lorenzetti in the Palazzo Pubblico, or town hall, is a magnificent example of late-Medieval/early Renaissance art as well as a representation of the utopia of urban society as conceived during that period. Siena was devastated by the Black Death of 1348, and also suffered from ill-fated financial enterprises. In 1355, with the arrival of Charles IV of Luxembourg in the city, the population rose and suppressed the government of the Nove (Nine), establishing that Dodici (Twelve) nobles assisted by a council with a popular majority. This was also short-lived, being replaced by the Quindici (Fifteen) reformers in 1385, the Dieci (Ten, 1386–1387), Undici (Eleven, 1388–1398) and Twelve Priors (1398–1399) who, in the end, gave the city's seigniory to Gian Galeazzo Visconti of Milan in order to defend it from the Florentine expansionism.
In 1404 the Visconti were expelled and a government of Ten Priors established, in alliance with Florence against King Ladislas of Naples. With the election of the Sienese Pius II as Pope, the Piccolomini and other noble families were allowed to return to the government, but after his death the control returned into popular hands. In 1472 the Republic founded the Monte dei Paschi, a bank that is still active today and is the oldest surviving bank in the world. The noble factions returned in the city under Pandolfo Petrucci in 1487, with the support of Florence and of Alfonso of Calabria; Petrucci exerted an effective rule on the city until his death in 1512, favouring arts and sciences, and defending it from Cesare Borgia. Pandolfo was succeeded by his son Borghese, who was ousted by his cousin Raffaello, helped by the Medici Pope Leo X. The last Petrucci was Fabio, exiled in 1523 by the Sienese people. Internal strife resumed, with the popular faction ousting the Noveschi party supported by Clement VII: the latter sent an army, but was defeated at Camollia in 1526. Emperor Charles V took advantage of the chaotic situation to put a Spanish garrison in Siena. The citizens expelled it in 1552, allying with France: this was unacceptable for Charles, who sent his general Gian Giacomo Medici to lay siege to it with a Florentine-Imperial army.
The Sienese government entrusted its defence to Piero Strozzi. When the latter was defeated at the Battle of Marciano (August 1554), any hope of relief was lost. After 18 months of resistance, it surrendered to Spain on 17 April 1555, marking the end of the Republic of Siena. The new Spanish King Philip, owing huge sums to the Medici, ceded it (apart a series of coastal fortress annexed to the State of Presidi) to the Grand Duchy of Tuscany, to which it belonged until the unification of Italy in the 19th century. A Republican government of 700 Sienese families in Montalcino resisted until 1559.
The picturesque city remains an important cultural centre, especially for humanist disciplines
Medicare Overview
If you have questions about Medicare, you’re not alone. Here’s what you need to know.
What is Medicare?
Medicare is a health insurance program managed by the federal government which helps pay for medical expenses such as hospital, nursing, doctor visits, prescription drugs, hospice care, and preventive services.
Who is eligible for Medicare?
Any citizen or permanent resident who is age 65 or above can be eligible for Medicare.
People with permanent disabilities under the age of 65 are also eligible if they qualify for Social Security Disability Insurance or have End Stage Renal Disease.
Younger widows and disabled adult children can also qualify for Medicare.
Will I Be Enrolled Automatically?
If you are receiving Social Security or Railroad Retirement benefits, you will be automatically enrolled into Traditional Medicare (Parts A and B).
For anyone who is not automatically enrolled, you’ll need to sign up manually.
How Do I Sign Up For Medicare?
Each of the different “parts” has a separate enrollment process. You can sign up through the Social Security office, or online at Medicare.gov.
When Should I Sign Up For Medicare?
To avoid paying penalties you should sign up during the 3 months before you turn 65, unless you have coverage through an employer.
What does Medicare cover?
Traditional Medicare covers hospital, doctor and nursing care. Part A generally covers hospital and other inpatient expenses. Part B covers doctor expenses and preventative services. Medicare Part D helps pay for prescription drugs.
What does Medicare NOT cover?
Traditional Medicare does not cover dental, vision, hearing aids, and other health expenses.
For additional coverage you can sign up for Medical Advantage, purchase a supplemental Medigap plan, or enroll in a PACE program.
What is Medicare Advantage (Part C)?
Medicare Advantage combines Parts A, B, and D into a single plan which you purchase through a private insurance company. These plans typically include all the benefits from Parts A and B, as well as additional optional benefits such as dental, vision, gym memberships and more. Medicare Advantage plans are similar to other health insurance with deductibles, coinsurance, and a monthly premium.
What is Medigap?
Medigap is extra insurance which can help pay for medical expenses that Medicare does not cover. Most states offer a standard set of Medigap options, which are sold through private insurance companies and vary in benefit levels and cost.
What is PACE?
PACE is a Medicare resource for those who qualify which stands for “Programs of All-Inclusive Care for the Elderly”. PACE can help provide social services, dentistry, prescription drugs, and nursing home care. If you have Medicaid you won’t have to pay a monthly premium for PACE, but there is a monthly payment otherwise.
How much does Medicare cost?
In most cases you pay a monthly premium for your Medicare coverage, and you also pay the deductible and coinsurance amounts before benefits are applied.
Most people who paid Medicare taxes during their life are eligible for “premium-free” Part A. If not, it can cost over $400 a month. Part B typically costs $135.50 per month, although it can be higher for people with higher incomes.
Medicare Advantage plans range from costing zero to several hundred dollars per month. Medigap plans range from as low as $22 per month to several hundred dollars. What you pay for PACE depends on your financial situation.
What If I Can’t Afford Medicare?
If you have limited resources to pay for Medicare costs, you may be eligible for financial assistance through the government. Contact the State Health Insurance Assistance Program in your area to explore your options.
Changes to Medicare in 2019
Aside from slightly higher premiums and deductibles, the coverage gap known as the “donut hole” has been closed for brand-name drugs in 2019. Another change is that you can try out or switch your Medical Advantage plan for up to 3 months.There’s also improved Medicare resources online to help beneficiaries.
There’s also been an increase in coverage for a range of medical expenses:
Outpatient physical speech and occupational therapy
Telemedicine and telehealth services
Meal delivery services
Home-safety improvements such as wheelchair ramps or bathroom bars
Transportation to medical offices
In-home assistance from health aides for Medical Advantage plans
Make the Most of your Medicare
It’s important not to wait too long to sign up for Medicare, but you don’t want to rush into it either. Do some research to find the best plan for your specific needs. The more informed you are, the better you’ll be able to take advantage of what Medicare has to offer.
Please visit www.agilehealthinsurance.com/... to learn more and www.agilehealthinsurance.com/ for more information on your health insurance options.
This video is about real estate questions for buyers and sellers The Nedder Group, Coldwell Banker 66 Field Point Road Greenwich, CT 06830 www.theneddergroup.com sales@cnedder.com 203-983-7471
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FENCE EDUCATION CONSULTANCY INC MD MBBS Philippines
In this video Dr.Charlene Robelle Locaylocay and Dr.Karla Motol – Mallari explains UPHSD regulations and course details.
DOCTORS:
Dr.Charlene Robelle Locaylocay
Executive assistant Dean
University of Perpetual Help System DALTA
Dr.Karla Motol – Mallari
Vice Chairman – Obstetrics
University of Perpetual Help System DALTA
The Philippines is a tropical country located in South East Asia region, the medium of communication is english the cos of living almost like india.
The Philippines medical education follows American standard of health education, so the University of Perpetual Help System Dalta in manila, philippines follows a same standard of education which is accredited by
commission of Higher Education in Philippines, which is also ISO certified, and that has been existed past 45 years.
The university has Autonomous status, it is only given to the long, tradition of integrity, reputation, commitment of excellence and sustainability of operations. The University of Perpetual Help System Dalta School of Medicine is the center of excellence in medical education, training research and community service. Our goal is to produce competent and quality facilities.
Once you entered our medical program you have to first clear the Pre-Medicine program, which is a Bachelor Degree. After that you enter MD medicine, which is a 4 year curriculum base. Our curriculum is out come based education standard which is an American education standard.
In first year, you need to pass basic sciences, which is composed of Gross anatomy, Histology, Neuroanatomy, Physiology, Bio-Chemistry and Preventive medicine Communal health services. Those subjects were first introduced to you as first year medical student.
As a fresh student we offer an unique course called Pedagoji, which is offered free to fresh men, just to give them an idea about how to learn medicine. Which gives an idea about teaching and learning strategy.
Once you comes to second year, The second year subjects are Basic Science and as well as Clinical Sciences. In second year students will be given subjects like case studies they will be introduced to how to diagnose
deceases, physical examination as well as management. During this time we assist a student by objective structural clinical examination, multiple choice questions also be given as well as laboratory works.
After cleared all your second year subjects, You have a comprehension exam. The comprehensive exam will test how you learned for the past two years in medical school. You need to appear in NMAT exam, which only contain 200 MCQs. After clearing this exam you will then enter into your MD program.
In third year all subjects are purely clinical sciences, which will focus in different branches of medicine, after completing third year you have another comprehensive exam just to reflect on mat how you ensure your course, after you moved on to fourth year automatic clinical clerkship program.
It is a 52 week clinical rotations on a different departments, which will then given to you for medical and clinical exposure on different patients.
Our medical school has a base hospital a LEVEL 3 treasury hospital, we provide credited residency training program in different special case like internal medicine, pediatrics, surgery, obstetrics and gynaecology so this departments will helps you to test your theoretical knowledge and improve your practical skills.
Once you go to the hospital you will routine in different specialty departments, so you will be enhanced, developed in your theoretical knowledge and clinical skills. We have four major departments such as internal medicine, Pediatrics, Surgery, Obstetrics and Gynaecology. You have rotated in those major departments for 8 weeks or 2 months and 2 weeks in minor departments like Otolaryngology, ophthalmology, psychology, radiology and anesthesia. In preventive medicine and community health you will be rotated for 4 weeks.
During your clerkship rotation you will be part of the health care team and also supervised by intern and attending physician. During that period you have the opportunity of doing minor procedures such as intravenous injection etc. You can also assist in major procedures like Dora synthesis
and Para synthesis. So during this rotations you have to go on duty for 24 hours and in some days it will be assigned in the out-patient department, Emergency room, Intensive care unit and also during this rotations you will be a part of case conferences case discussions with all attending physicians. These all discussions could helps to improve and enhance your theoretical and practical knowledge.
The one other major department is obstetrics and gynaecology which is an project of residency medical training of UPHSD. When you rotate for that department we teach you how to handle normal spontaneous delivery and ask you to assist in major operations like cesarean section.
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