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visit also my website & twitter & tumblr ... thank you, folks!
Post a pic of yourself and answer the questions! Tagged by the truly quite, quite wonderful Hej!
1: What are you wearing?
Tights, a dress and me spectacles! (Oh and pants and bra obv!)
2: Something about you that nobody ever knew?
I believe in fairies like really believe in them!
3: Biggest phobias?
Spiders, amphibians, fish, birds, touching rubbish
4: How tall are you?
Five foot 6 and a half!
5: Ever been in love?
Yes and it scared and excited me in equal measure!
6: Any tattoos that you want?
I want a bow on my wrist coloured pink and the words Deo Volente (God willing) somewhere
7: Any piercings that you want?
No, I dont think so although I sometimes wish I had a nose stud
8: Makeouts or cuddling?
Both! Greedy aint I?
9: Shoe size?
Size 7 clown feet
10: Favorite bands?
The Doors, Joy Division, Black Sabbath, The Who, Fleetwood Mac
11: Something you miss?
I miss various peoples
12: Favorite song?
Oh golly gosh it changes regularly but I really like Golden Brown by the Stranglers and have done for ages I have a top 10 but I wont bore you with that!
13: How old are you?
29 on the cusp of 30!
14: Zodiac sign?
Capricorn
15: Hair Color?
Mousey Brown
16: Favorite Quote?
"Whoever saves one life save the world entire"
17: Favorite singer?
Jim Morrison
18: Favorite colour?
Pink it makes the boys wink dontcha know?!
19: Loud music or soft?
I like my music LOUD!
20: Where do you go when you're sad?
I retreat to my bed or I go to my best friends flat
21: How long does it take you to shower?
We dont have a shower so I bathe!
22: How long does it take you to get ready in the morning?
I prefer as much sleep as possible so anywhere between 20 minutes and my own personal best of 2 minutes!
23: Ever been in a physical fight?
No! I dont even know how to punch! Sad eh? But that doesnt mean I wont fiercely protect my and my loved ones honour!
24: Turn on?
Being caressed, Hair, laughter, geeks, friendliness, sense of humour, certain aftershaves, being challenged
25: Turn off?
Fuckwits, snobbery, monobrows, smelly breath
26: The reason I joined Flickr?
Blythe
27: Fears?
Dyeing alone, never finding love, being hurt by people, never having a baby
28: Last thing that made you cry?
A man, the same man it always is!
29: Last time you cried?
Last week
30: Meaning behind your url:
I dont have one but my flickr name comes from the fact my most overused phrase is Oh my God so I made my username oh my Blythe!
31: Last book you read?
The Hunger Games
32: Last song you listened to?
Starships by Nicki Minaj I love singing the rap part out loud!
33: Last show you watched?
The Big Bang Theory I am in love with Leonard
34: Last person you talked to?
My sister
35: The relationship between you and the person you last texted?
He's my best friend
36: Favorite food?
Chinese
37: Place you want to visit?
New Zealand, Tokyo and New York
38: Last place you were?
Brighton
39: Do you have a crush?
Oh blime loads! Main ones are Tom Hardy, Aidan Turner, Johnny Depp and Ralph Fiennes
40: Last time you kissed someone?
I kiss people all the time ie friends etc it depends what kind of kiss this question refers too!
41: Last time you were insulted and what was it?
My brother in law said I was a bum beard
42: What color underwear are you wearing?
Leopard print
43: What color shirt are you wearing?
I'm wearing a grey dress
44: Are you tired?
Hell to the yeah!
45: Wearing any bracelets?
No
46: Last sport you played?
Ha ha Sport!
47: Last song you sang?
Foxy Lady by Jimi Hendrix
48: Last prank call you remember doing?
I'm rubbish at pranks!
49: Last time you hung out with anyone?
Last night with my sis and friend Meg..
50: Do you consider yourself to be approachable?
I like to think so!
1. Alexandra, 2. { For the love of italian food ,,, 3. Nower Hill Green drinking fountain, 4. Black & White, 5. Johnny_depp, 6. Caipiroska strawberry, 7. Na Pali Coast, Kauai, Hawaii, 8. Tiramisu, 9. RICH & POWERFUL, 10. funny how you never forget a friend's laugh..., 11. Unique Beauty, 12. Thank you sunshinecity!
Created with fd's Flickr Toys.
Here's how..
a. Type your answer to each of the questions below into Flickr Search.
b. Using only the first page, pick an image.
c. Copy and paste the html into your blog or Flickr stream (the easiest way is to copy the URLs and then head over to the fd's flickr toys mosaic maker ).
The Questions:
1. What is your first name?
2. What is your favorite food?
3. What high school did you go to?
4. What is your favorite color?
5. Who is your celebrity crush?
6. Favorite drink?
7. Dream vacation?
8. Favorite dessert?
9. What you want to be when you grow up?
10. What do you love most in life?
11. One Word to describe you.
12. Your flickr name.
There is no divide, no controversy or confusion. This is the food of the Gods and anyone who says otherwise is courting contradiction for its own sake.
The Birth of Venus: Sony A7 R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3
45surf Hero's Odyssey Mythology Photography! & 45surf Hero's Odyssey Mythology Fine Art! :)
New Instagram! instagram.com/45surf
New Instagram!
instagram.com/johnnyrangermccoy
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Blonde Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Blonde Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Follow me on facebook!
www.facebook.com/45surfAchillesOdysseyMythology
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
Pretty Swimsuit Bikini Model Goddess! :)
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Dynamic Dimensions Theory's First Law and equation: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c: dx4/dt=ic.
All the best on your Epic Hero's Odyssey from Johny Ranger McCoy!
Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Laguna Beach! Victoria Beach! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Laguna Beach! Victoria Beach! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3
Fine art swimsuit model, ballerina, and ballet photography!
The program collects films that are asking the same questions: What was here before? And how can you show it if it’s not there anymore? When and how did absence turn into presence? Does it always do that?
It also connects places in East and West, New York, Berlin and Warsaw. Shanghai and Venice. Not only through images, but also through the people who made the films (and are in them): For them, 1984 had been fiction and 1989 a reality. They are from a generation that has been producing images and sounds before and after the Berlin Wall, in East and West, until today.
Program runtime is 62 minutes.
a-b-city by Dieter Hormel and Brigitte Bühler
BRD 1985, 8 minutes, digital projection
Accompanied by a score using music of Pere Ubu and Einstürzende Neubauten, a-b-city revolves around West-Berlin’s psychodelic atmosphere. Brigitte Bühler and Dieter Hormel, who were renown for their fast paced and skillfully edited Super-8 clips, mix TV images and time-lapse shots of nightly streets, drifting clouds, and a men continuously jumping in front of the Berlin Wall, bringing about an impression of the enclosed city that constantly shifts between ecstasis and depression. (Text: Florian Wüst)
Haunt No. 1-3 by Niklas Goldbach
2007, 2 minutes, digital projection
Haunt No. 1, Video Loop, 35 sec., Stereo
Assistance: Daniel Reuter
Haunt No. 2, Video Loop, 28 sec., Stereo
Assistance: Viktor Neumann
Haunt No. 3, Video Loop, 36 sec., Stereo
Assistance: Viktor Neumann
The video triptych focuses on the historical background and the future of up to now abandoned places in Berlin’s former working-class district Prenzlauer Berg where the gentrification process is almost accomplished.
5 lessons and 9 questions about Chinatown by Shelly Silver
USA, 2009, 10 minutes, digital projection
You live somewhere, walk down the same street 50, 100, 10,000 times, each time taking in fragments, but never fully registering THE PLACE. Years, decades go by and you continue,unseeing, possibly unseen. A building comes down, and before the next one is up you ask yourself ‘what used to be there?’ You are only vaguely aware of the district’s shifting patterns and the sense that, since the 19th century, wave after wave of inhabitants have moved through and transformed these alleyways, tenements, stoops and shops.
10 square blocks, past, present, future, time, light, movement, immigration, exclusion, gentrification, racism, history, China, America, 3 languages, 13 voices, 152 years, 17,820 frames, 9 minutes, 54 seconds, 9 questions, 5 lessons, Chinatown.
View Excerpt
Former East/Former West by Shelly Silver
USA, 1994, excerpt 10-15 minutes digital projection
Made up of hundreds of street interviews done in Berlin two years after the Reunification, FORMER EAST/FORMER WEST is a vital, surprisingly open, and at times disturbing documentary. Silver questions the very notion of a shared language, focusing on changing definitions of words for political and economic systems – democracy, freedom, capitalism, socialism, nationality and history.
Magnetic [eye] Berlin by Gunter Krüger
Germany, 2007 / 08, excerpt 10 minutes, digital projection
Since 1997, Gunter Krüger has been archiving media fragments which he finds on the street – broken audiotapes, scraps of VHS and discarded compact discs. At the location he records additional filmic notes.
In the second part of the “Magnetic [eye]” series, “Magnetic [eye] Berlin”, a selection of media fragments forms a portrait of his living space. The film is designed as a generative structure, i.e. there is no final version.
In 2007 and 2008, three different playlists were made, each varying in both the selection of the media fragments as well as their compilation. By integrating new modules, new playlists with predefined running times can be created for each screening.
Nullpanorama by Martin Ebner
Germany, 2003, 1 minute, digital projection
The ascent and decent of an advertiser’s captive balloon over the roofs of the capital.
Proprio Aperto by Judith Hopf, Natascha Sadr Haghighian, Florian Zeyfang
Germany / USA, 2005, 6 minutes, digital projection
The single channel video and installation work PROPRIO APERTO, which was first presented in February 2005 at the Museum of Contemporary Art, Chicago in the exhibition, “Universal Experience: Art, Life and the Tourist’s Eye,” shows a walk taken through the giardini, the grounds of the Venice Biennale, in winter.
The conversations that took place there among Judith Hopf, Natascha Sadr-Hadhighian and Florian Zeyfang result in a text that circles around landscapes of ruin, ghosts and the Dasein in cultural hegemony. The images — actually photographs — are presented in slow pans, and the various levels of destruction of the pavilion come more and more into the center.
The tone of voice and language congenially conveys the suitably contemplative mood during the walk, which carries over to the spectator.
The Rooms (excerpt) by Tim Blue and Paul Rowley
USA 2010, 5 minutes, digital projection
With rich sound design and diverse formats, THE ROOMS is an experimental study of an abandoned world that somehow continues to operate. This excerpt feautures the HAU 1 / Hebbel am Ufer, a historical theater in Berlin, that turned into a cultural space for contemporary experimental and innovative theater and performance art (HAU 1).
We will be strong in our weakness. Notes from the first congress of the Jewish Renaissance in Poland.Performance by Yael Bartana with Susanne Sachsse and Slawomir Sierakowski
Israel/Netherlands/Poland, 2010, 15 minutes, digital video projection
Jewish Renaissance movement in Poland, Tel-Aviv/Amsterdam/Warsaw
Stefanie Schulte Strathaus is a film and video curator who lives and works in Berlin. She is Co-Director of Arsenal – Institute for Film and Video Art (with Milena Gregor and Birgit Kohler) and Member of the selection committee of the Berlinale Forum and founding director of Forum Expanded, a new section of the Berlin International Film Festival which negotiates the boundaries of cinema. Her curatorial work comprises numerous film programs, retrospectives and exhibitions, among them Michael Snow, Guy Maddin, Heinz Emigholz, Birgit Hein, Ulrike Ottinger, Stephen Dwoskin and many others. She recently co-curated (with Susanne Sachsse and Marc Siegel) LIVE FILM! JACK SMITH! Five Flaming Days in A Rented World (October 2009).
Her texts have been published in Frauen und Film, The Moving Image, Texte zur Kunst, Ästhetik & Kommunikation, Schriftenreihe Kinemathek as well as in various festival and exhibition catalogues. She is the editor of: Kinemathekheft Nr. 93: Germaine Dulac (with Sabine Nessel and Heide Schlüpmann), Berlin 2002; “The Memo Book. Films, Videos and Installations by Matthias Müller”, Berlin: Vorwerk 8, 2005; “The Primal Scene: Christine Noll Brinckmann. Films and Texts”, Berlin: arsenal edition, 2008; “Who says concrete doesn’t burn, have you tried? West Berlin Film in the ’80s” (with Florian Wüst), Berlin: arsenal edition, 2008. www.arsenal-berlin.de
Paul Rowley was born 1971 in Dublin. He has worked for more than ten years as a filmmaker and visual artist.
His critically acclaimed feature documentary Seaview, which he co-directed with Nicky Gogan, premiered at the Berlin Film Festival and has toured festivals internationally since.
Together with David Phillips, Paul completed a collection of films to accompany a live performance of John Cage’s Sonatas and Interludes, premiered at The Stone in New York in collaboration with pianist Emily Manzo. They recently completed a 60 screen permanent video installation in the international terminal at LAX airport.
Paul was artist in residence at the Atlantic Center for the Arts in Florida with Gillian Wearing, and has received many awards from the Irish Arts Council for his work since 1997. He was a fellow at the Macdowell Artist Colony in New Hampshire, and the Bogliasco Foundation, Italy. He was awarded a residency at the Experimental Television Center in New York, which led to a grant from NYCSA, the New York State Council for the Arts. He lives in Dublin and Brooklyn.
See also www.condensate.net and www.stillfilms.org
Shelly Silver is a New York based artist utilizing video, film and photography. Her work, which spans a wide range of subject matter and genres, explores the personal and societal relations that connect and restrict us; the indirect routes of pleasure and desire; the stories that are told about us and the stories we construct about ourselves.
Silver’s work has been exhibited and broadcast widely throughout the U.S., Europe and Asia. Screenings and installations have been mounted by venues such as the Museum of Modern Art in New York, the International Center of Photography in New York, the Museum of Contemporary Art in Los Angeles, the Yokohama Museum, the Pompidou Center, the Kyoto Museum, the London Institute of Contemporary Arts, the Museo Reina Sofia, and the London, Singapore, New York, Moscow, and Berlin film festivals. Her work has been broadcast on BBC/England, PBS/USA, Arte, Planete/Europe, RTE/Ireland, SWR/Germany, and Atenor/Spain. Silver’s numerous fellowships and grants include awards from the Guggenheim Foundation, the NEA, NYSCA, NYFA, the DAAD, the Jerome Foundation, the Japan Foundation and Anonymous was a Woman. She is based in New York where she is an Associate Professor of Visual Arts in the School of the Arts, Columbia University.
Image created with Google Draw
(Remix your own - goo.gl/M7JKtl)
The original image is via JustLego101
RD17293. Question: When is an Avonside not an Avonside?
Answer: When it's a Hunslet like CHAKA'S KRAAL No.6!
This attractive looking 2ft gauge 0-4-2T was built by Hunslets in 1940, but to a design of the Avonside Engine Company of Bristol which the Hunslet Engine Company in Leeds had taken over in 1934. It spent its working life on a Sugar estate in Natal, South Africa, but now lives in retirement on the Toddington Narrow Gauge Railway in Gloucestershire.
Over the weekend 22nd - 24th June, 2018 however, CHAKA'S KRAAL No. 6 had a trip to the 2ft gauge Ffestiniog Railway in North Wales which held a gala to celebrate the 125th birthday of the 1893 built 2-4-0 ST/T Hunslets LINDA and BLANCHE.
Lots of other 2ft gauge engines built by the Hunslet Engine Company in Leeds also came to the party, so 'CHAKA' was in good company. In this shot it has just arriving back at Porthmadog harbour Station following a trip up the Welsh Highland Railway.
Sunday, 24th June, 2018. Copyright © 2018 Ron Fisher.
Easy question... Which saguaro is the oldest?
Actually, they're all (only eight are visible here, but there are twelve in this group) thought to be the same age. This is just a case where a couple of feet made all the difference in terms of being able to collect the most water or getting the right amount of sunshine or sufficient protection from the cold.
Seen on the Garwood Trail in Saguaro National Park.
I'm going to enter this image in a show. I can't decide which crop I like better - this one or the one in the comment section. Feedback and constructive criticism from everyone is helpful & welcome!
Our Trooper looked around and decided he just had to know...
Being a teacher I have heard just about every question there is to ask. I think this is do to the fact that I encourage my students to ask questions; regardless of how silly or ridiculous they may seem.
Today is a day for them. Today is National Ask a Stupid Question Day!
Enjoy!
This is an Alternative Version for one of my daily shots of 365 Days of Clones.
Subscribe to 365 Days of Clones via RSS | Email | Tumblr | Twitter
Visit our troopers at www.365DaysofClones.com.
When 2Pac & Biggie died, questions were who was going to take the throne? Well two stepped up to the plate, Jay-Z & a underground battle rapper named DMX. Both men signed to Def Jam Records in 1997. The next year both top the album charts. While Jay-Z made radio hits to get to the top of the charts, DMX gritty dark angry rhymes top the charts by not going to the mainstream, the mainstream went to him. With six No.1 albums & movies along with awards, X had the world in his hands. But he had one big problem, he couldn't shake the drugs, a problem he had when an adult gave him a joint that was laced with crack lead him to a drug addiction that had sadly stayed with him till his untimely death when someone gave him tainted cocaine that finally killed him. What a fucking lost. I wish he would had took his words from his song "Slippin" close to his heart. Rest In Paradise DMX.
When the child was a child,
It was the time for these questions:
Why am I me, and why not you?
Why am I here, and why not there?
When did time begin, and where does space end?
Is life under the sun not just a dream?
Is what I see and hear and smell
not just an illusion of a world before the world?
Given the facts of evil and people,
does evil really exist?
How can it be that I, who I am,
didn’t exist before I came to be,
and that, someday, I, who I am,
will no longer be who I am?
The question “How do you pick your subjects?” is often asked of those of us who do strangers projects. The answer is easy with subjects who are dramatic, stylish, beautiful, or visibly different from the norm. The answer is less easy with some subjects whose presence intrigues us for subtler reasons we may not be able to readily articulate. Such was the case with Christian who walked past me with his girlfriend as I was on my way to an appointment. It took a few moments for me to process that he would be a good photographic subject as well as someone I would enjoy meeting. It took me a bit of hustle to catch up with the two of them and explain my interest. They listened politely and looked at my contact card. His girlfriend was shy and said she doesn’t like having her picture taken which was a shame because she was quite photogenic. Christian, however, after checking with her about time, said “Sure.” He was walking her to work and didn’t want to make her late.
As chance would have it, we were mere steps from the salmon-colored wall of a social agency where I had photographed Emma (www.flickr.com/photos/jeffcbowen/28646553970/in/dateposted/) under similar circumstances a couple of weeks ago. Once I positioned Christian to be centered in the somewhat narrow space with some separation from the wall, I invited his girlfriend to stand behind my shoulder, thinking her presence might spark some expression in Christian. His expressions were very subtle in all the photos but the hint of a smile in this photo made it my favorite.
Christian is 22 and is in his fifth year of university majoring in History and English. He intends to take the LSAT exam in the near future. If successful, this will help him get admitted to law school. “If that doesn’t work out” he said “I would like to work with children in some capacity.” When I asked his girlfriend how people would describe Christian she said “He’s the wise one of the group. He’s compassionate, thoughtful, and always caring for others.” What nice qualities. When I asked about the necklace and whether religion is very important in his life he said “It means a lot to my entire family.” His girlfriend said he’s a very hard worker and his summer student job is working with kids for the city’s parks and recreation department.
In thinking about this rather brief encounter, Christian’s calm, fairly serious manner was very much in keeping with something I had sensed when we first passed each other on the sidewalk. He struck me as kind, somewhat quiet, and grounded. It would be hard to speculate further but something about his presence made me feel quite certain he would make a very solid friend and that his girlfriend has chosen wisely.
Hoping I had not made them late, I thanked them and invited Christian to type his contact information into my cell phone so I could send him the photo as I had promised. He said he would give some thought to my question about a message to share with the project and would provide it via email. I would appreciate that.
Thank you again, Christian, for taking a few minutes to meet and for participating in my photography project. Good luck with your school plans. It won’t surprise me if you do well on your LSAT and use your law degree to help those in need.
This is my 311th submission to The Human Family Group on Flickr.
You can view more street portraits and stories by visiting The Human Family.
Follow-up:
I received the following nice email from Christian sharing his message:
"Life is what you make of it!"
It was really nice meeting you Jeff! I hope you continue working hard on your photography.
Respectfully,
Christian
Much appreciated, Christian.
Jeff
They're pro bikini swimsuit models too! Nikon D810 Photos Pro Women's Surfing Swatch Women's Pro Trestles Sports Photography With New Tamron SP 150-600mm F/5-6.3 Di VC USD Lens for Nikon!
New blog!
I get a lot of questions here, so if you have one, please ask at the blog! Thanks!
Swatch Women's Pro in Trestles San Clemente with pro surfers /models Alana Blanhard, Lakey Peterson, Laura Enever, Sally Fitzgibbons, Coco Ho, Stephanie Gilmore, newcomer Nikki Van Dijk, and more!
The new Nikon D810 rocks for sports photography! New Instagram!
Goddess videos! vimeo.com/45surf
Nikon D810 Photos Pro Women's Surfing Van's US Open Sports Photography Tamron SP 150-600mm F/5-6.3 Di VC USD !
I shot in DX mode which crops away the extra pixels and takes me 1.5X closer while allowing for up to 7 FPS with the Nikon D810's Nikon MB-D12 Battery Grip using the 8 AA battery option! 8 Duracels took me through around 3,000 shots no problem--maybe more! I was shooting at the equivalent of 900mm with the 1.5x crop factor! Pretty close! Had I gone with the Nikon D4s, I would have gotten 12 fps, but no DX crop factor, as the sensor has only around 14mp, compared to the d810's 36 megapixels! Sure the larger pixel size on the Nikon D4s full frame sensor comes in handy indoors or at night, but in the bright sun, there's more than enough light for the smaller pixels in crop mode! Sure we lose some pixels from the outer edges when shooting in DX crop mode, but most of those pixels would be cropped away in lightroom anyway. And the smaller files make the memory cards last longer, while also upping the FPS to 7 shots per second! Not quite 12 FPS, but still awesome and enough I felt!
What a beautiful way to test the Nikon D810 and Tamron 150-600mm zoom lens for sports photography!
Athletic graceful girl goddesses! Tall, thin, fit and in shape! Pro women's surfers form the van's us open wearing both long wetsuits and bikini bottoms with shorty wetsuit tops/summer wetsuits. Sexy, beautiful beach babes and water goddesses all! Many are professional swimsuit bikini / surf lifestyle models too!
Tamron SP 150-600mm F/5-6.3 Di VC USD Autofocus lens for Nikon AF-D Cameras.
The new Nikon D810 rocks for sports photography New Instagram!
New Instagram! instagram.com/45surf
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown / Black Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Check out my greatest hits compilation, and let me know what you think:
www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Ody...
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
New instagram! instagram.com/45surf
Pretty Swimsuit Bikini Model Goddess! :)
Follow me on facebook! facebook.com/elliot.mcgucken
Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown Black Hair!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
Answering any questions you may have, post them here :)
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For a while now it has been very difficult to find the time to reply to all of the comments made on my photos as I did in the past. The main problem being time and the fact that there are so many photos and the amount of followers are always increasing and has now reached a point that has me snowed under.
However, I have been reading all of your comments, and with the new Flickr app it has made it difficult to get back to them to reply, especially where questions were asked, so please use this upload as a central place for now, if you have questions that can't go unanswered!
xx
-Tawney
Question only one can answer for them selves. At what point in your life,do you become an old thing. Is it when you have been out of school longer than in, Could it be when your children have children, or is it when you feel older than dirt more than 3 mornings a week, to grow old gracefully, is their another choice? Or are you an old thing when you ponder the time you have left, When we are young we can't wait to get older to experience life, when we are older we want it to slow down.
SWFEC Special Guest Chat: Shawnlei Breeding – Manager, Audubon Florida EagleWatch Program, April 11, 2019 8pm
Essec09 (Admin): SWFEC would like to extend a very warm welcome to Audubon Florida EagleWatch Program Manager, Shawnlei Breeding. We are very excited to have her join us this evening. Many of our SWFEC viewers provided questions earlier for Shawnlei. She will try to answer as many as time allows. The first part of the session will address the questions that were already submitted.
Essec09 (Admin): Welcome to SWFEC Shawnlei!
GinnyLWI (Admin): Good evening Shawnlei , we are all so looking forward to this special chat this evening.
MsSmith57 (Admin): Good evening and a huge SWFEC welcome to you Shawnlei
purpleagle (Admin): Good evening Shawnlei! We are so excited to have you here with us this evening for our special chat session!
RobertoD (Admin): Welcome, and thank you Shawnlei We are all excited to have you here!
icecream247 (Admin): Good evening Shawnlei. So happy you were able to join us this evening.
Sue_Lyons (Admin): Hello Shawnlei, thank you so much for spending time with us tonight! We are looking forward to learning from you
samour17 (Admin): Good evening Shawnlei and looking forward to this evening.
Shelli22 (Admin): Hi Shawnlei...I'm stoked to hear what you have to share with us!
SBAudubon (Moderator): Hello everyone! Thank you so much for the warm welcome! And thank you to the Pritchetts for inviting me! I’m honored to get to spend some time with you to answer your questions and chat about eagles! I was asked to briefly share a bit about myself. I received a B.S. in Zoology from the University of Oklahoma and had always dreamed of working with animals but fell into an administrative job for a number of years before switching gears to pursue that dream. I worked for a few years as a vet tech and then was hired as a Zookeeper at the Brevard Zoo in Melbourne, FL. Then I accepted a position with Disney’s Animal Kingdom where I was a Bird Keeper in their Avian Research Center for 12 years.
During that time I went back to school to get a Master’s degree in Conservation Biology from the University of Central Florida. That experienced opened doors which lead me to my current position with the Audubon Center for Birds of Prey. I’ve always loved Audubon and was so excited to get to work with them! So now that you now a bit about me, let's get started!
HOeagletfan1: thank you Shawnlei for joshing us and sharing your Eagle wisdom with us !
LCampbell75: Good Evening Shawlei...So nice to have you to chat with us tonight!!! Thanks for coming!!
Deen622: Good evening Mods and Shawnlei!
MagEagle9: I couldn't be more blessed to 'work' with this lady! Welcome my friend!
SBAudubon (Moderator): Thank you!
SueUMc: Good evening Shawnlei- much appreciation!
cats3eagles: Thank you for being here with us tonight Shawnlei!
Janet1: Good evening Shawlei. So nice to have you here tonight
Peggy180: Good evening, Shawnee, thank you for joining us tonight!
Carrie Brooks: GE what a treat!
SBAudubon (Moderator): Here's our first question.... Peggy Main asks: Shawnlei, thank you for your time with us! What has been the most challenging part of your job(s)?
SBAudubon (Moderator): Great question, Peggy. Everyone brings their own unique strengths to their role, so I suspect the answer might be different if you asked my predecessors. But for me, the most challenging part of the role has probably been the people side of things. People who love eagles are REALLY passionate about them. And it’s not uncommon in the world of conservation for there to be many different (and strongly held opinions) on how to accomplish our goals, or what our focus should be. I’m a peacemaker at heart, so I had to quickly learn that I can’t please everyone. I receive mean emails and get yelled at on a fairly regular basis and have had to learn not to take it personally, which is hard. I try to remind myself of the passion that is behind the emotion. I've definitely learned and grown so much! And the challenges have made me a better person. And leader.
SBAudubon (Moderator): Next up. Lauren Roberts asks: Hi Shawnlei and SWFL mods! I am an Eagle Watch volunteer and would just like to make a comment. Anyone that is thinking of volunteering, please do so! Your observations and reporting can help with studies and give insight to all the people, like Shawnlei, that are able to reach out to all organizations to help these amazing creatures! If you're already watching nests, why not let your observations be known! You might just see something that all eagles can benefit from!
SBAudubon (Moderator): Thank you for all you do as a volunteer! EagleWatch started 26 years ago with the goal of protecting nesting eagles in Florida We started in 3 counties with 22 volunteers and are now in 40+ counties with over 300 volunteers! Lauren makes a great point about the importance of the nest data we collect. This information is useful for showing general trends in the population. For example, EagleWatch data will show if the number of chicks surviving to fledge at the nests we watch is starting to decline. Then can delve further into the data to determine possible causes of that decline (disturbance, nest location, habitat, water quality).
vlpritchett (Moderator): Hey Shawnlei, This is Ginnie Pritchett McSpadden. Thank you so much for joining us tonight. So excited to see what viewers are asking and your thoughts on Bald Eagles in our state o FL!
SBAudubon (Moderator): Thanks, Ginnie!
SBAudubon (Moderator): Babs Liberty asks: Could you explain the process of when someone in the Eagle Watch program sees a problem at or in a nest including the process of what happens after that as far as who is contacted & how they determine the rehab facility the eaglet goes to? Is it always Audubon or others? SWFEC could you post that great link about the program in the chat maybe at the end for the next two days? Thanks!
SBAudubon (Moderator): Hi Babs! EagleWatch volunteers are trained to respond to a variety of potential problems at a nest, from human disturbance to injured eagles. For nest disturbances by humans, volunteers are asked to call the Florida Fish and Wildlife Hotline Alert: 888-404-3922. FWC is the law enforcement in our state for the federal laws protecting eagles and will send out an officer to determine if the law is being violated. Anyone can call this number if they have a concern about something happening near an active nest. FWC may also be contacted if you encounter an injured eagle. My office is at the Audubon Center for Birds of Prey and we work closely with many licensed raptor rehab facilities around the state. These organizations will often contact me when they recover an injured eagle. If it is a young eagle, I share our nest information to help them find a home for the young one if it can’t go back to its own nest. Some of the rehabbers we work with may not have a license to hold an eagle for treatment so will transfer it to the Audubon Center for Birds of Prey or another facility in their area that is licensed to rehab an eagle. Thankfully we have a broad network of caring rehabilitation facilities across the state! To learn more about EagleWatch, visit: cbop.audubon.org/conservation/about-eaglewatch-program.Yo... find information about EagleWatch as well as opportunities to support the amazing work that they do at the Raptor Trauma Clinic, which treats over 700 injured birds of prey each year. About 70-80 of those patients are Bald eagles
SBAudubon (Moderator): Mohammed Abul Magd asks: This year I have noticed an increased violence against protected birds. Vultures and eagles shot by arrows and guns. In your point of view, why is that? And what measures do we need to implement in order to stop this?
SBAudubon (Moderator): Hi Mohammed! At times it certainly feels like there has been an increase in violent acts against protected birds, but our intake data at the Center for Birds of Prey indicates no significant increase in these types of events. Looking back at 10 years of our intake records, only 1% of the patients had been shot. I suspect we are hearing about them more because of the prevalence of social media and the rapidity with which these types of stories are passed along. But it’s a good reminder for people that Bald eagles and other protected birds still face challenges and need our help.
SBAudubon (Moderator): DaveinMissouri asks: SBAudubon, would you be able to have any influence on asking manufacturers of lead bullets and fishing tackle to not use lead bullets for hunting. For fishing use alternative weights, not lead, and don't discard line or weights in the water. Maybe more warnings to hunters and fishermen on the products and better education when receiving a hunting or fishing license. Thank you for being here and for any help on this subject!
SBAudubon (Moderator): Great suggestion, Dave. These are both difficult battles to fight. I think it will take everyone raising their voice together and sharing the numbers of birds affected---and the stories behind those numbers of the birds that have been affected by lead poisoning or hung up in fishing line. Whenever I get a chance to speak somewhere I always touch on ways we can help raptors and I raise both of these points-stop using lead bullets and don’t cut the line. If a few people are reached and then share it in their realm of influence, perhaps we can change it at the grass roots level. Sort of like the societal pressure for restaurants to stop using straws. These are definitely topics of concern for our state and the federal wildlife agencies.
SBAudubon (Moderator): Androcat asks: Of the EagleWatch eaglets/fledglings, what diseases/health issues/injuries/or necropsy results are most commonly seen? Part 2. Have any EagleWatch fledglings that have come into care had lead exposures show up in the blood work done while in care?
SBAudubon (Moderator): I like your user name! Androcat.
As I mentioned, my office is at the Audubon Center for Birds of Prey in Maitland. Most of the eaglets we receive in our Raptor Trauma Clinic have fallen out of their nest for whatever reason. Surprisingly, they don’t often break any bones in the fall like you would expect. Generally after a round of meds to treat any internal parasites and some fluids and good food to fatten them up, they can be released. Other issues we’ll see with eaglets are Avian Pox, which is spread by mosquitos and causes wart-like lesions on the dry skin around their eyes, beak and feet. Sometimes the pox lesion will grow so large it will cover an eye or their nares. It’s treatable but can internalize and be fatal. But we’ve also seen cases of an eaglet in a nest with a bad case of pox and he got over it on his own. A couple of years ago, we got permission from US Fish and Wildlife to use a high-reach lift to rescue an eaglet from a nest that had a treble fishing lure with one hook caught in his beak and the other hook caught in his foot. He was basically hog-tied and was unable to eat. Thankfully the EagleWatch volunteers noticed something was wrong and we were able to rescue him and treat his wounds. He was released back at his nest a few weeks later. In general, the leading cause of injury for adult raptors we see in our Clinic is impact related issues, usually from car strikes. We also see a number of eagles who get secondary poisoning from consuming euthanized animals that aren’t properly buried at a landfill. This can be fatal if they aren’t rescued in time. But thankfully with just a couple of days of fluids to flush their system, they are usually as good as new! We do see lead toxicity in some of the birds.We are fortunate to have our own machine to test for lead levels, thanks to the generosity of some of our corporate donors. It allows us to quickly determine if they have lead in their system so we can start the treatment early. They usually recover from it with treatment. We usually see lead issues in birds that come from more rural areas where they may scavenge on a carcass that has been shot with lead bullets.
SBAudubon (Moderator): Donna LaFleur asks: Was that were BOB was?
SBAudubon (Moderator): Yes! Bob was a famous patient at the Audubon Center for Birds of Prey for about a year. Because of his injuries, he was no longer able to fly so was not releasable to the wild. We all wished we could’ve kept him at the Center but we just didn’t have room. So a lengthy search was made for the perfect forever home for Bob. (Bob was an adult Bald eagle) While we searched, Bob lived in our 100ft flight barn where he hung out with all of the other eagles that came through on their way to being released back into the wild. Including Peace, the young eagle from the American Eagle Foundation NE Florida Eagle Cam.
Bob now lives at the Ecotarium in Worcester, MA. We all miss him but are so happy for him to have a great home.
SBAudubon (Moderator): mdofmich asks: Any studies being done on three adult eagle nests?
SBAudubon (Moderator): Aren’t those fascinating? Several cases of three adult eagle nests have been documented but I’m not aware of any published studies on them. Often when you see something unusual like that in breeding behavior, it’s an adaptation to a limitation—not enough females for males or vice versa. And perhaps its enough of a challenge in those areas to provide enough food for the young that they tolerate a helper. But that’s my own speculation. One thing I’ve learned is to never say “birds never do that” or “birds always do that”. Because they will always surprise you! It’s one of the many reasons I love working with them.
SBAudubon (Moderator): Androcat: Q#1. Of the EagleWatch nests, are there any banded nesting adults, and if so, were the numbers of the bands able to be read to determine any history of the banded eagle parent? Part 2 of this question: If any EagleWatch fledglings have been banded in care, have there been any band sightings or returns (interested in where it migrated to or returned to, or what happened).
SBAudubon (Moderator): Androcat is back with another great question! The Audubon Center for Birds of Prey has a banding permit and we do band every Bald eagle we treat before release with a silver federal band. That band has a 9 digit unique code but unfortunately is almost impossible to read enough of the code to positively ID the bird. But having said that, we do have a number of nests monitored by EagleWatch that have banded adults. One nest in Lake County has a banded adult that we suspect is one we know. The breeding male had been rescued on the ground near this nest a few years before and then was banded and released. After that, a banded adult showed up at the nest the next season. We haven’t been able to confirm it’s him, but it makes sense that it probably is him. His patient number was 007. Like James Bond. The nest is in a neighborhood on the lake and all of the residents keep a close eye on that family. They love 007!
Two years we started an auxiliary banding program with the juvenile eagles we treat and release. In addition to the silver federal band, young eagles get a colored band on their other leg with an easy-to-read code in large white letters and numbers. Many of these banded juveniles are seen near their release location for the next few days but then take off on their migration. It can take up to 8 years on average for the first band resighting but we’ve been fortunate to receive a couple of reports of our banded youngsters being seen. Last July we got a report from West Virginia for one of our fledglings who had been released a month earlier in Lake county. That was our first report of one of a band outside of Florida! I think everyone heard me scream from excitement a mile away! This fall I got a photo from an EagleWatch volunteer in Pinellas County of one our bird who was banded two years ago and released in Orange County. That was encouraging to see that he had survived his first two years. So keep your eyes out for our birds! They either have a black band with two white numbers over a white A, or a green band with a white K over two white numbers.
SBAudubon (Moderator): Judy Shepherd asks: What is it like to be holding or standing right next to a bald eagle? I'm assuming you have based on the photo.
SBAudubon (Moderator): Hi Judy! It’s as amazing as you probably can imagine. I am fortunate to get to handle our eagle ambassadors at the Audubon Center for Birds of Prey. They are so large and majestic. It’s really cool to be that close to them. Handling them is not without its challenges, though. They are 8-10 lbs, so I had to start lifting weights to carry them. And they are still wild animals, and like any wild animal, they can be dangerous. I’ve learned to read their moods and respect their power and capabilities. But I try to never take it for granted that I have this privilege. Insider tip: their call is really loud when it’s right in your ear. And they have bad breath.
SBAudubon (Moderator): Valerie Seyforth Clayton asks: Where do we think Florida Eagles go when they fledge? Where do we think our adult adults go when they are out of the area? (June, July, Aug)
SBAudubon (Moderator): Hi Valerie! Valerie is one of our dedicated EagleWatch volunteers in the Florida panhandle!
OrchrdHs asked as similar question: What is the longest distance a banded bald eagle has been recorded as traveling seasonally from/to Florida?
So I thought I would address them together. In 1998 USFWS to put a satellite tracking device on a pre-fledgling in a nest in Polk county. When she fledged, she flew all the way north to Canada and spent the summer there, returning to Florida for the winter (where she traveled around the Central Florida region, going as far south as Lake Okeechobee and visiting both coasts). She made this migration for the next 3 years until the transmitter fell off. In 2014 she was badly injured in a territory fight in Deltona and was rescued and transferred to the Audubon Center for Birds of Prey. Unfortunately, she had to have part of her right wing amputated so she is a permanent resident at our Center—at the ripe young age of 21! Her name is Tallulah. Last year I received a photo of a banded eagle from an Orlando resident. The eagle also had the remnants of a satellite tracking pack on her back. I was able to track down the researcher who banded the bird. He said she was banded as an adult in Maine in 2015 and the tracking data indicated she spent her winters in Orlando and returned to Maine in the spring (their breeding season). Her pack has stopped transmitting the previous year. So it appears that FL eagles mostly migrate up the Atlantic flyway as far as Canada
SBAudubon (Moderator): Peggy180 asks: How does the hormone ghrelin make birds feel they have to migrate? What happens if a bird does not have enough to eat and is not full. Will that stop them from migrating?
SBAudubon (Moderator): Hi Peggy 180! That’s an interesting question. Migration is such a complex behavior, influenced by many factors that are still not well understood. And different bird species have different migratory patterns. In Piping plovers, the female leaves before the young have fledged, leaving the male behind to finish raising the young. When the young make their first flight south, they don’t follow their dad or even stick together. They take off seemingly not knowing where they are going. So for some, migration seems very instinctual while for other birds it is more of a societal cue—they learn the route from older birds by following them.
Body condition is certainly an important factor when a bird prepares to migrate. That’s why fattening up on their wintering grounds is so important. And why I always encourage parents of young children to teach their kids not to chase birds on the beach. Many of these birds are exhausted after migrating or are resting and preparing to start the trip. Using up energy and fat stores to run or fly away from being chased by humans puts them at risk of not being fit enough to survive the journey. But from what I’ve read, it sounds like ghrelin plays a role in signaling to some birds when they are fat enough to start that journey. But for truly migratory species, I think there are other important signals the birds receives that would drive it to start the migratory journey even if it’s not full. Sadly, not all birds survive their migration. Birds with insufficient fat stores may not make it back or if they do, they may be in too poor of a condition to defend a nest and raise a family. I’ve done shorebird surveys in February and have seen numbers of weak or deceased seabirds on the beach who didn’t make it. It’s heart-breaking to witness but reminds me how fragile life is and what a tough life it is out there for many birds.
SBAudubon (Moderator): Judy Jirasek asks: Why do some states like Florida have so many eagles and some states don't have many? I live in Central Texas and we don't have eagles here. There are so many lakes and rivers throughout the state so I don't understand why Texas doesn't have many.
SBAudubon (Moderator): Hi Judy from Texas! I’ve asked that question about tarantulas in Florida. Our climate is a lot like many of the Central American countries where you find tarantulas in great numbers. But we don’t have any in Florida. Why not? But that’s a question for another time. From a strict biology standpoint, the size of a population in an area is the result of the carrying capacity of its historic range, along with the birth and death and rate of immigration and emigration. That’s a long sentence to say if there aren’t a lot of eagles in Texas, it may simply be that historically there never were many there and the birth and death rate of those who live there is roughly equal so that the population is static. It could also be something related to climate or food source, two important factors in determining where species breed. Florida has one of the largest Bald eagle populations in the lower 48 states and biologists often wonder what our carrying capacity may be. i.e. will we reach a point where there is not enough nesting or foraging sites to sustain the population. When that happens, you will often see the range of a species start to spread as the adventurous birds strike out to stake their claim on the edge of the historic range. Over time, if they are successful, the range will continue to creep outwards.
SBAudubon (Moderator): Selena Elizondo-Cepeda asks: What states have best Eagle Nest results?
SBAudubon (Moderator): Great question, Selena. Florida’s population is doing well. Last season, for the nests that EagleWatch monitors, they fledged 1.3 chicks per nesting attempt. Nests that were successful fledged 1.65 young per nest. I don’t have great statistics for other states to compare with but have read that some states are seeing a decline in the number of nests that are hatching and fledgling two young. They speculated that this may be due to reaching its carrying capacity for that area. In Florida, the majority of the nests we monitor still produce 2 young, and each year ~10% of our nests hatch and fledge 3 young. That’s a testament to the large prey base here, that eagles can catch enough food to successfully raise three voracious eagles.
SBAudubon (Moderator): Annie Keeley asks: When Juvies leave the Northern States for winter do they return and fly together?
SBAudubon (Moderator): Research studies indicate that Bald eagles don’t migrate together. They may share common stopover spots for foraging and refueling as they travel, but ultimately they make the journey alone.
SBAudubon (Moderator): Carl Berube asks: Are there any current studies or research taking place on migration of young/sub-adult eagles on the east coast? And are there documented cases of a sub-adult eagle returning permanently to the nest area they hatched at?
SBAudubon (Moderator): Hi Carl, a study published in 2008 using satellite tracking indicated that sub-adults migrate up the Atlantic Flyway as far as Canada. Their routes varied somewhat going north and returning south during the first year or two, but as they aged, they showed more fidelity to a set route, indicating they were gaining experience in migrating as they aged. A study in 2014 based on banding data indicates that Bald eagles in general tend to disperse from 40-90 miles from where they were born to breed, with females dispersing greater distances than males (which is a typical life strategy for many species of bird to promote genetic diversity). However, one of our EagleWatch volunteers reported a banded adult at a newly documented nest in Martin County a year ago. When I reported the band to the researcher, I learned that the male was banded as a chick in a nest in Polk County in 2000. Our report was the first time he’d been seen since then! So 18 years later he had traveled 118 miles SE from where he hatched to breed.
SBAudubon (Moderator): Jackie Brown asks: Do you believe the parents and their off springs would recognize each other- if the kids came back into the area after leaving for a period of time?
SBAudubon (Moderator): Eagles seem to have a way or recognizing others. Mates indicate some level of recognition in that they mate for life and return to each other each season. They will often tolerate juvenile birds who visit their nest, even if not their own young. Last season we have several nests that we monitored that had an extra fledgling show up and join the family for a few days and the parents took them in. The parents were OK with it although the young in the nest seemed annoyed. We use this to our advantage in the rehab community so that we are able to rehome young eagles into foster nests if they can’t go back to their own nest or family for some reason. Our Clinic supervisor likes to joke that the adults either can’t count or don’t care.
SBAudubon (Moderator): Linda L. Reid asks: Are there statistics on the percentage of juvies who make it to 5 years old! I heard it is low and that is sad!!! Looking forward to the chat session! And JudyJirasek: What is the lastest statistics for a young Eagle surviving to adulthood and how do you know?
SBAudubon (Moderator): Hi Linda and Judy! You all had similar questions so thought I would address them together. The most dangerous time for a young Bald eagle is the first year. Recent studies using satellite tracking in several states indicate survival rates of 60-75% that first year. If birds survive that first year, their mortality rate drops to 10-15%into adulthood. We know these statistics thanks to bird banding.
SBAudubon (Moderator): Daunelle Danish asks: If a bald eagle pair abandon a nest will another bald eagle pair most likely move into that nest?
SBAudubon (Moderator): Hi Daunelle! Another EagleWatch volunteer! Having a breeding territory is incredibly valuable to a nesting pair, so much so that they will defend it to their death. So it would be unusual for a pair to abandon a territory. What is more likely is that they may be ejected for the territory by another pair that takes their nest, or a mate dies and the survivor finds another mate in the area. Sometimes you’ll have a nest that hasn’t been active in several years that is suddenly active again. Is it the same pair or a new one? It’s hard to say with any certainty unless the eagles are banded.
SBAudubon (Moderator): Isabelle Brunelle asks: How does the eagle know/determine the sex of another eagle for "bonding" purposes?
SBAudubon (Moderator): Eagles are dimorphic, meaning the females are substantially larger than the males, so those physical cues would play a big role. Behavioral clues likely also play a role. Females are much more dominant and aggressive. I would imagine there a number of nuances that the human eye doesn’t notice that eagles pick up on that signal whether the other bird is male or female.
SBAudubon (Moderator): NHDalGal asks: Are altercations between eagles, when fighting for territory or a nest, usually female vs.female or male vs. male? If yes, is this because males may not prevail in a fight with a female because females are larger than males?
SBAudubon (Moderator): That’s a great question, and one that I hadn’t really thought about before! I know that both adults defend the nest and will fight but I have not read anything in the literature that says males only fight males and females only fight females. It would make sense if that is true for the reason you mentioned, the size difference. Anecdotally, with eagles we see that come into the Center as the result of a territory fight, it does seem that they are from same-sex fights. If anyone’s heard of females fighting males, let me know!
SBAudubon (Moderator): Pamela Dorman Wright asks: Hi, Shawnlei and mods! Since eagles have moved from "endangered" to "protected" status, is there a designated point at which they will no longer fall under the "protected" parameters? Thanks and I hope your chat will be available for later viewing!
SBAudubon (Moderator): Hi Pamela, Thanks for the question. As you know, eagles were once on the brink of extinction but made an incredible come-back when laws were put in place to protect them. Their numbers have increased enough that they were removed from the federal list of Threatened and Endangered species just over 10 years ago. But Bald eagles are still protected by a federal law known as the Bald and Golden Eagle Protection Act. The Bald and Golden Eagle Protection Act has recently loosened some of their permitting processes based on data that indicates the population is doing well. The permits issued are directly related to the size and health of the populations. These permits allow for "take" of eagles or their nests. So if anything, I think the authorities may allow more take permits in the future if the population continues to do well and grow. The data that EagleWatch collects is used to help track the status of the population in Florida and is shared with both state and federal authorities. Because of America’s affinity for our national bird, I suspect eagles will always be protected in some measure.
SBAudubon (Moderator): Bonnie Rinehart asks: I always wonder how do they get water when young?
SBAudubon (Moderator): Good question! As with most raptors, they majority of the moisture they need from the food they consume as chicks in the nest. But as adults you will sometimes see them getting a drink from a pond, but if anything, they are usually bathing. They like to keep it clean!
SBAudubon (Moderator): Daunelle Danish asks: Hi Shawnlei, question: is there such thing of infertility in young bald eagles and if yes, do they hatch with that condition or could it be caused by injury, or both?
SBAudubon (Moderator): Infertility can affect birds of any age. Sometimes it is a genetic defect they are born with and sometimes it develops later in life due to injury or other health issues. As with most animals, birds enter a period of senescence in their later years where they are no longer reproductive.
SBAudubon (Moderator): Christine Napoline Lonabaugh asks: Do we know how old Harriet is? How long can she breed?
SBAudubon (Moderator): The wonderful moderators helped me with these questions. Here is what they said: The adults are not banded,so there is no way of knowing their exact age. Based on local viewers who have watched Harriet over the years, Harriet is at least 20 years of age. She has been seen at this nest since 2006. If she is the same female that nested across the street she could be in her mid 20s - this is taking into consideration that eagles mature and usually begin breeding at around five years of age.
Regarding how long they can breed, if they are healthy, I would imagine that like most birds, they can breed for much of their adult life. They are a long-lived species, living into their late 30’s/early 40’s in the wild.
SBAudubon (Moderator): Babs Liberty asks: Are the Eagle Watch training programs online or at specific locations. If online, can one sign up for the training but not actually join the program (for educational purposes)? Is there a cost? How many sessions are there? Is the training a one-time event or at different times during the year. I will try to think of more questions.
SBAudubon (Moderator): EagleWatch volunteer trainings are held in the fall and are mostly in-person at 8-10 locations around the state. I also held several online web trainings for the first time last year to reach those who live in areas that I don’t make it to for trainings. The trainings are focused on what we do, protocols, etiquette, etc. You are certainly welcome to sign up to attend. There is no cost to attend and no requirement that you continue on to volunteer. If you’re interested in being notified of the training dates and locations, email me at eaglewatch@audubon.org to be added to our email list.
SBAudubon (Moderator): Thank you so much for your time and for the great questions.
beju: Did Bob go to a zoo, there as some talk last year it could be a possibility
SBAudubon (Moderator): Yes! Bob went to the Ecotarium in Massachusetts. It's a zoological and educational facility.
MagEagle9: Would you explain what 'take' means in the permitting process?
PamW2017: Shawnlei - Can you explain what a "take" permit is?
Opalillie Colligan: Hi. What does it mean to "take" of eagles or their nests?
SBAudubon (Moderator): Thanks, yes
"Take" is the term used when a permit is issued to remove a nest (which is illegal without a permit, even if the nest is not being used). The other type of take permit covers work near a nest that may cause the nest to fail or may cause loss of life for an adult or the young
MelodyCS: Are internal parasites common? And if not treated, is it life threatening?
SBAudubon (Moderator): Internal parasites seem to be fairly common. At a low level they are not a concern. But if the bird is weakened or the load gets too high, it could potentially be fatal.
WPBEgal: Do you only monitor nests or do you take information on frequent eagle sightings in an area?
SBAudubon (Moderator): We only collect nest data. Ebird is a great resource for posting your eagle sightings
samour17 (Admin): Good evening Shawnlei. I am curious if the possible banding of all eaglets has been discussed for future studies similar to those being done at the Catalina Islands for their reintroduction program.
SBAudubon (Moderator): Currently our permit only allows us to band young eagles that come to our clinic for treatment. So we don’t actively climb up to the nest and band young in the nest like come research projects do. The color of the band we put on the eaglet is based on what type of nest they came from: green bands for eaglets from nests in trees and black bands for eaglets from nests on artificial structures (cell towers, power line transmission towers, platforms). The goal of our study is to determine if the type of nest they hatched in influences their nest choice at maturity. Because it takes juveniles 5 years to reach sexual maturity, this is a long term study, so I suspect we’ll focus on these methods for the foreseeable future. Great question!
SBAudubon (Moderator): Thank you again for having me! I hope you will consider visiting the Audubon Center for Birds of Prey the next time you are in the Central Florida area! You may visit our website for more information: cbop.audubon.org/visit-us. And don’t hesitate to contact me if you have any questions or ever need help with an injured eagle or eagle nest issue. I can be reached via email at 407-644-0190 or eaglewatch@audubon.org.
Essec09 (Admin): I want to thank you for sharing your evening with us Shawnlei. It was so informative and I really enjoyed it. We will be posting this session on SWFEC’s Flickr account by this weekend so that everyone will be able to read it. Thank you again! It was so nice “meeting you”. And thank you to the Pritchetts for setting this session up!
icecream247 (Admin): thank you Shawnlei, Very informative.
MtGal30: TY Shawnlei, Ginnie, Modsquad,Pritchett's n Peepers. I learned so much more about BE's tonight. Thoughtful questions were featured with some surprising answers!
DaveinMissouri: Thank you so much Shawnlei for taking time to be here tonight, it was very interesting seeing your answers to the questions being asked! Please come back when you can!
Sue_Lyons (Admin): Shawnlei thank you so much, this has been enlightening and educational - we so appreciate your time tonight!
SBAudubon (Moderator): Good night everyone!
Joanne Campbell: Thank you!
WPBEgal: Thank you Shawnlei!
Jackie Brown: Welcome Shawnie and thank you for coming to SWFE chat tonight.
MsSmith57 (Admin): Thank you Shawnlei, so much great information, Good night.
Megster: Thank you for joining this most special group of Admins and chatters Shawnllei
BckEE: Hello, Shawnlei! Welcome, and thank you!
Babs628: Thanks, Shawnlei, for joining this great chat with us tonight. Looking forward to all of the educational information you will be sharing with us tonight.
Gail Siebler: SB Audubon. Welcome to the SW world. I know you will enjoy it here. Such nice folks to share your info and ideas with.
vlpritchett (Moderator): Thank you Shawnlei and everyone for joining us tonight!
Sharon Davis: Nice to have you with us tonight shawnlei it's hard to pronounce really don't have any questions I'll just read
Valerie Seyforth Clayton: Hi Shawnlei this is Valerie. Thank you for all you do. I monitor 9 nests in the Panhandle for Eagle watch.My love of eagles began with E9. Thank you Shawnlei for all you do. Thank you to Dick Pritchett for the cam. Love my H and M15
HOeagletfan1: Night all and thanks Shawnlei SEDs
EJsbe: Thank you Shawnlei!
MelodyCS: A big thank you
Elaine Herbert: Welcome, Shawnlei! we are excited to have you with us!
Daunelle Danish: Thank you Shawnlei
Deen622: Thank you Shawnlei so much valuable information learned alot!
Susan Kiser: Thank you so very much for all of this very informative info Shawnlei! I am copying/pasting it to OpenOffice right now and I can't wait to read it later!
Ilene Horwitz: Thank you for so much information, Shawnlei, the hour flew by!
dadsjazz (Admin): Thanks so much for all the very valuable information!
monieagl11: Thank You Shawnlei so much was so informative
Essec09 (Admin): There are a few questions that Shawnlei wasn't able to get to. We will forward them to her by email and post the answers if she is able to answer them. Thank you all for joining us this evening. Was a wonderful, informative session.
purpleagle (Admin): Thank you Shawnlei for sharing your evening with us. I'm sure that you were able to answer many of our viewers questions !
E9Lover2: Thank you Shawnie for all the amazing knowledge you shared with us tonight. Hope you will visit with us again maybe next session?
RobertoD (Admin): Shawnlei, thank you very much for all of the information about migration! It’s my favorite subject Especially for mentioning Piping Plovers, and how you encourage parents with children to not chase after birds on the beach. I work and live on a barrier island off the SC coast and we do see Plovers migrating through each year. They stop here to refuel on the eggs of Horseshoe Crabs. Our problem here is dogs off of leashes which is difficult to control. I manage to get photos each year of banded Piping Plovers and am always fascinated by the data that I get back when I report the sightings. Thank you so much for being here tonight!
MelodyCS: I'm still giggling at, eagles have bad breath lol
LNBirdLady: Hello everyone. Thank you for all your information tonight. FYI, I visited Bob at the Ecotarium last summer. He had a new young female eagle joining him who was named Dianne after the author of the book Eagle One who raised eaglets in MA.
Peggy180: Thank you so much, Shawnlei. That information was absolutely fascinating!
SoarFreeE9: Thank you Shawnlei!!
beju: Thank you so very muchShawnlei
Macky Miller: I am a firm believer that protecting our precious wildlife has to start with the young. Our moderators have sessions with the schools. Have schools been receptive to your coming in and talking to the students? Have you been able to get younger children involved? I suspect they would, in turn, go back home and bring their parents into the picture. Hope I'm not off the wall with my thinking. I thank you for being here tonight.
SBAudubon (Moderator): Hi Macky! So true. Children are the future! And we do get many opportunities through the Center for Birds of Prey to go into schools and talk about the importance of eagles and other raptors and how we can help protect them. One of our EagleWatch volunteers is a grade school technology teacher and she uses the SW FL Eagle cam in her classroom. It’s really heartwarming to hear her stories.
jsheptwo: Shawnlei, thank you SO much....this has just been fascinating and so much wonderful information. I found the point about eagles scavaging on euthanized animals not buried deeply enough somewhat disturbing. Would that possibly be as a result of farmers leaving their euthanized animals out?
SBAudubon (Moderator): You make a good point. I had assumed that farmers were required to property dispose of euthanized animals. If not, that could certainly be one of the causes. But in most cases when we’ve received an eagle that has signs of secondary barbiturate poisoning (the chemical used to euthanize animals), they are found at a landfill or within half a mile of a landfill. Landfills are supposed to properly bury euthanized animals they receive. So when we identify a landfill that is a repeat offender, we work with them and the Florida Dept of Environmental Protection to help them address the issue.
Janet1: Thank you Shawnlei for all the information have a good night
JudyJirasek: Very informative thank you very much
Shannon Jemison Price: Thank you, Shawnlei! What a wonderful session tonight. Thank you for all you do and for your time tonight.
hootie-hoo: Shawnlei, Thank you for sharing your evening with us! DaveM great question about lead awareness!
katbate: Great, informative session. Thank you so much
Androcat: Thank you Shawnlei! Favorite chat session ever! Thank you Pritchett family for yet another gift!
PamW2017: Shawnlie - Many thanks for answering our questions! Very informative, and hope you can come back some time.
Carol Guarco Myers: Thank you all for coordinating. What a great hour! Time flies!
trusteagles: Thank you so much, Shawnlei. As Essec said, it was a pleasure to meet you. I learned so much tonight. Thank you,Ginnie, for making this happen.
NHDalGal: Wow! This was an awesome addition to our chat. I hope we can do things like this again. Thank you to Shawnlei and the Pritchetts for making this available to us.
TinEar: I think the operative word tonight was "take" which startled several people apparently. I also though it meant to hunt/kill/harvest and was a bit alarmed at first until getting Shawnlei's explanation.
Pat Kwap Kemble: Thank you Shawnlei for teaching us so much about eagles.
OrchrdHs: Super interesting and reminds us that there is still so much to learn about these magnificent birds. Adding notes to my eagle journal and now I have more ideas for research and then can share with others who are interested in BEs. Thanks so much!
Tom Sawyer: Thank you to Shawnlei for all the great information! I would like to see an answer to Sams last question myself? That was an interesting and very relevant question regarding banding considerations.
Beverly Morden Hall: Shawnlie thank you so much. I can't wait to read it all GAIN. iT IS FACINATING
lucybird: Thanks all for this special chat. It was so very informative. What a treat Thank you Ginni P for putting this together WOW.
Eagletoe06: Many thanks to Ginnie Pritchett & Shawnlei! Very informative & great statistics! Always learning!
Lauren Roberts: Thank you to the Pritchetts for having Shawnlei join us tonight. And thank you, Shawnlei. She is the BEST! I'm having computer issues and was afraid I would miss it. SO back to work on that for me. Thank you Mods for getting that all set up for us! SEDs all!
scurtis123: Thank you to our hosts and speaker, and other eagle fans here!
TinEar: Shawnlie certainly opened the door for those interested to further their eagle education with the free training classes held around the state of FL. Here's your opportunity.
Jackie Brown: Thanks Eagle Squad for having our guess Shawnlei with is tonight. Thanks Pritchett family for providing us the opportunity to always learn about our eagle family.
Babs628: That was very enjoyable, educational and thought-provoking. Definitely a copy & paste to keep for reference. Thank you, Shawnlei & the SWFEC & Pritchett family for arranging this great Q & A.
AndrewNH26: Thank you Shawnlie << Notice the 3 Eagles in oct on cam 2 nodding yes to eveything you shared Lol
TaraTrac: Please thank Shawnlei for this informative and inspiring talk! The timing couldn't be better because I'm signing up for an introductory class and nest viewing by our East Bay Regional Park Dist. citizen Raptor Research program, with a focus on bald eagles. Thanks Essec, SueL, Roberto, Sam for hosting her. And GE viewers.....great talk, huh?
Nancy Phillips: Thanks Pritchett's and all involved in this chat, Shawnlie was so interesting and I learned a lot more about our great Eagles, great chat!
MagEagle9: Thank you Ginnie for the great idea of this chat with Shawnlei and thank you Essec and awesome mods for making it happen! I get to work with her thru EagleWatch and the days I volunteer at the Audubon Center for Birds of Prey. I was blessed to spend the morning with her at 2 eagle releases! That is what it is all about-getting them back home! I hope to meet you the next time you visit our amazing center Ginnie! If any of you are ever near central Florida it is well worth the visit!
floridafox: Hi all question: Why is it unlawful to pick up an eagle feather from the ground it doesn’t seem to affect any natural events in an Eagles life ty
SBAudubon (Moderator): Hi floridafox! You are referring to the federal law that protects eagles and all of their body parts so that it is illegal to own an eagle feather or any body part without a federal permit. I didn’t realize until I came to this position that even deceased eagles found on the road, or wherever they may be found, must be properly disposed of. FWC often brings deceased eagles to our Clinic for processing. We have to report the death to US Fish and Wildlife and they direct us as to what to do with the body—either send it to a lab for necropsy to determine if the cause of death was something illegal or to the eagle repository where the remains are made available to American Indians for use in their religious ceremonies. So it’s quite a process. I suspect the law is as strict as it is because allowing the collection of eagle feathers could be a slippery slope—was the feather found on the ground or did someone shoot the eagle to get the feather and then hide the remains? Unfortunately, there are many unscrupulous people out there and as is often the case, our laws are shaped to prevent the worst.
LCampbell75: Those were great questions...I learned a lot... thanks for doing this...and why do you guys name the eagles and we at SWEFC don't??
SBAudubon (Moderator): Thanks! Are you referring to my story about Bob and Peace? We don’t actually name our eagle patients at the Audubon Center for Birds of Prey. Peace was named by the folks at the NE FL Eagle Cam, which is operated by the American Eagle Foundation, and they do name their eagles. When Peace came to our clinic for treatment, all of their camera followers began watching the live feed from our flight barn and they are the ones who gave the name Bob to the adult eagle who “fostered” Peace. We refer to our patients by their patient number. Although we do go on to name any non-releasable raptors who become permanent residents at our facility. At that point, they become family.
Deputy President David Mabuza briefing members of the National Council of Provinces (NCOP), at Parliament, Cape Town, on efforts led by government to bring stability to the National Power Utility, Eskom, measures to improve governance and performance of State Owned Companies, and progress on the Land Reform Programme, during his reply to oral questions. [Photo: GCIS]
Tim League, Robert Rodriguez, Daryl Sabara, Danny Trejo, Michelle Rodriguez, Jeff Fahey, and Mayra Leal
INSTALAÇÕES | INSTALLATIONS
Ali Miharbi - Movie Mirrors - Estados Unidos | United States
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Annica Cuppetelli & Cristobal Mendoza - Nervous Structure - Estados Unidos | United States
Ben Jack - Elucidating Feedback - Nova Zelândia | New Zealand
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Karina Smigla-Bobinski - ADA - analoge interactive kinetic sculpture - Polônia e Alemanha | Poland and Germany
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Euphorie - França | France
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HIPERSÔNICA | HYPERSONICA SCREENING
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Fernando Velázquez - auto-retrato - Brasil | Brazil
Fernando Velázquez - the mindscapes suite - Brasil | Brazil
Jaap: Harriet Payer & Jorge Esquivelzeta - Cyberspace Photsynthesis - México | Mexico
Jaap: Harriet Payer & Jorge Esquivelzeta - Dog's Eye View - México | Mexico
Paul O Donoghue aka Ocusonic - Phasing Waves - Irlanda | Ireland
Warsaw Electronic Festival 2010: Przemyslaw Moskal - Digital Sculptures for Analog Sounds - Estados Unidos | United States
HIPERSÔNICA PARTICIPANTES | HYPERSONICA PARTICIPANTS
Alvaro X - Dead in DUMP - Brasil | Brazil
Bernhard Loibner - Unidentified Musical Subject - Áustria | Austria
Claudio Parodi - The things that are missing - Itália | Italy
CLEBER GAZANA | SIMPLE.NORMAL - F. WILL I DREAM? - Brasil | Brazil
DANIEL GAZANA - NOSOCÔMIO - Brasil | Brazil
Joaquin Cofreces - Hamoni Lapude Anan ( "we used to make canoes" in yaghan language) - Argentina | Argentina
The Tiny Orchestra - Time Wounds All Heels - Canadá | Canada
Juan Pablo Amato - Duo Encaprichado en alisar rugosidades mentales - Argentina | Argentina
Mauro Ceolin - Spore's Ytubesoundscape and his wildlife - Itália | Italy
Panayiotis KOKORAS - Magic - Grécia | Greece
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Philip Mantione - Fabrics - Estados Unidos | United States
Music For Installations - Braindamage - Bélgica | Belgium
RINALDO SANTOS - MUSICONTOS - Brasil | Brazil
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Sergio Granada Moreno - Digital Rainbow (2009) - Colombia | Colombia
Sol Rezza - Preguntas - Questions - México | Mexico
MÍDIA ARTE | MEDIA ART
A. Bill Miller - gridSol-precomps - Estados Unidos | United States
A. Bill Miller - gridSol-altar1 - Estados Unidos | United States
Aaron Oldenburg - After - Estados Unidos | United States
Agam (A.) Andreas - La Resocialista Internacional - Holanda | Netherlands
alan bigelow - This Is Not A Poem - Estados Unidos | United States
Alcione Godoy, Camillo Louvise, Bruno Azzolini, Rafael Araujo, Rodolfo Rossi, Marina Maia & Vinicius Nakamura - Hipercepção - Brasil | Brazil
Alex Hetherington - Linda Fratianne - Reino Unido | United Kingdom
Anders Weberg - P2P ART - The aesthetics of ephemerality - Suécia | Sweden
Anders Weberg - JE SUIS PÈRE ET MON PÈRE EST PÈRE I'm a Father and my Father is a Father - Suécia | Sweden
Anders Weberg - Expose Yourself - Suécia | Sweden
Anstey/Pape: Josephine Anstey & Dave Pape - Mrs. Squandertime - Estados Unidos | United States
Balam Soto - Self Portrait Videos - Estados Unidos | United States
Bárbara de Azevedo - VIDEO ESTADO SIMULACRO CINEMATOGRÁFICO - Brasil | Brazil
Ben Baker-Smith - Infinite Glitch - Estados Unidos | United States
Brit Bunkley - Pardox of Plenty - Nova Zelândia | New Zealand
Brit Bunkley - Up River Blues - Nova Zelândia | New Zealand
Brit Bunkley - Springfield Paradox - Nova Zelândia | New Zealand
Bruno Xavier, Fabiane Zambon, Felipe van Deursen, Frederico Di Giacomo & Kleyson Barbosa (Equipe principal) | Ana Freitas, Ana Prado, André Sirangelo, Alisson Lima, André Maciel, Alexandre Versignassi, Dalton Soares, Daniel Apolinario, Douglas Kawazu, Emiliano Urbim, Érica Georgino, Leandro Spett, Gil Beyruth, Gustavo Frota, Marina Motomura, Maurício Horta, Rafael Kenski, Renata Aguiar & Simone Yamamoto (Parceiros e colaboradores) - Newsgames da Superinteressante - Brasil | Brazil
charly.gr - peronismo (spam) - Argentina | Argentina
charly.gr - Joan - Argentina | Argentina
Chen, I-Chun - Measuring Distance Between the Self and Others - Taiwan | Taiwan
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Cleber Gazana / Daniel Gazana - UNTITLED - Brasil | Brazil
Daniel Duda - Araucaria angustifolia - Brasil | Brazil
David Muth - 1 C A a 01x - Reino Unido | United Kingdom
David Sullivan - Fugitive Emissions - Estados Unidos | United States
Doron Golan - Waking Quad - Israel | Israel
Douglas de Paula - Interfaces Predatórias / Plundering Interfaces - Brasil | Brazil
Elétrico: Ludmila Pimentel, Carolina Frinhani & Bruna Spoladore - Experimento de Corpo - Brasil | Brazil
Grupo Vertigem: Juliana Rodrigues, Natalia Santana & Ygor Ferreira - Downtown 2.0 - Brasil | Brazil
Jarbas Agnelli - Birds on the Wires - Brasil | Brazil
Jason Nelson - Sydney's Sibera - Austrália | Australia
Jessica Barness - Common Sounds: Positive Elements, Negative Spaces - Estados Unidos | United States
Joana Moll & Heliodoro Santos - THE TEXAS BORDER - Espanha | Spain
jody zellen - Lines of Life - Estados Unidos | United States
Jorn Ebner - (L'ultimo turista) - Alemanha | Germany
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Luca Holland - rain.html - Reino Unido | United Kingdom
Luis Henrique Rodrigues - Internet Series - Brasil | Brazil
Luiz Gustavo Ferreira Zanotello - N.A.V.E - Brasil | Brazil
MALYSSE - THE BIOPERVERSITY PROJECT #1 - Brasil | Brazil
Matt Frieburghaus - Song - Estados Unidos | United States
mchrbn - Afghan War Diary - Suíça | Switzerland
Members: Aymeric Mansoux, Dave Griffiths and Marloes de Valk - Naked on Pluto - Holanda | Netherlands
Michael Takeo Magruder - Data Flower (Prototype I) - Reino Unido | United Kingdom
Nagasaki Archive Committee: Hidenori Watanave, Tomoyuki Torisu, Ryo Osera & others - Nagasaki Archive - Japão | Japan
Nanette Wylde - MettaVerse - Estados Unidos | United States
Nicholas Economos - Apophenia - Estados Unidos | United States
Nicholas Knouf - Journal of Journal Performance Studies (JJPS) - Estados Unidos | United States
Nurit Bar-Shai - FUJI spaces and other places - Estados Unidos | United States
Osvaldo cibils- everything breathes - Itália | Italy
Owen Eric Wood - Return - Canadá | Canada
Paolo Cirio - Drowning NYC - Reino Unido | United Kingdom
Quayola - Strata Series - Bélgica | Belgium
rachelmauricio - [[o]] - Brasil | Brazil
rachelmauricio - 3Y - Brasil | Brazil
rachelmauricio - ldj8jbl - Brasil | Brazil
Rayelle Niemann & Erik Dettwiler - www.citysharing.ch - Suíça | Switzerland
Remco Roes - Everything in between - Bélgica | Belgium
rage - Impermanência Formal - Brasil | Brazil
Representa Corisco: Vj Eletroman - Representa Corisco - Espanha | Spain
Richard J O'Callaghan - 'thechildrenswar' - Reino Unido | United Kingdom
Rodrigo Mello - Faces - Brasil | Brazil
Rosa Menkman - Collapse of PAL - Holanda | Netherlands
Santiago Ortiz - Impure - Espanha | Spain
seryozha kOtsun - Synesthesiograph - Rússia | Russia
Stuart Pound - Green Water Dragon - Reino Unido | United Kingdom
Stuart Pound - Time Code - Reino Unido | United Kingdom
TAMURA YUICHIRO - NIGHTLESS - Japão | Japan
TOMMY PALLOTTA: Submarine Channel - Collapsus: The Energy Risk Conspiracy - Holanda | Netherlands
Vladimir Todorovic - The Snail on the Slope - Singapura | Singapore
Vladimir Todorovic - Silica-esc - Singapura | Singapore
MAQUINEMA | MACHINIMA
André Lopes aka spyvspy aeon - Clockwork - Brasil e Portugal | Brazil and Portugal
André Lopes aka spyvspy aeon & slimgirlfat - MooN - Brasil e Portugal | Brazil and Portugal
Bernard Capitaine aka Iono Allen - Fears - França | France
Bernard Capitaine aka Iono Allen - Fusion - França | France
BobE Schism - Love Is Sometimes Colder Than Ice - Reino Unido | United Kingdom
C.-D. Schulz aka Rohan Fermi - 9 - Alemanha | Germany
C.-D. Schulz aka Rohan Fermi - Order in chaos - Alemanha | Germany
Chat Noir Studios: Sherwin Liu & Kate Lee - Death in Venice - Estados Unidos | United States
Chat Noir Studios: Sherwin Liu & Kate Lee - Incubus - Estados Unidos | United States
David Griffiths aka nebogeo - Missile Command - Finlândia | Finland
Evan Meaney - The Well of Representation - Estados Unidos | United States
Gottfried Haider - Hidden in plain sight - Áustria | Austria
Harrison Heller aka Nefarious Guy & Amorphous Blob Productions - Clockwise: Part 1 - Estados Unidos | United States
Harrison Heller aka Nefarious Guy & Amorphous Blob Productions - Stop, Rewind - Estados Unidos | United States
Henry Gwiazda - history - Estados Unidos | United States
Henry Gwiazda - infectious - Estados Unidos | United States
Iain Friar aka IceAxe - Trichophagia - Reino Unido | United Kingdom
Jun Falkenstein, Ben Covi, Brad Mitchell & Pete Terrill - The Lake - Estados Unidos | United States
Kerria Seabrooke & Paul Jannicola - Tiny Nation - Estados Unidos | United States
LES RICHES DOUANIERS: Gilles RICHARD & Fabrice ZOLL - The Lonely Migrant - França | France
Nonsense Studio: Drozhzhin, TimaGoofy, ultraviolet, ElGrandeBigB, Radiated & Takuhatsu - Johnny Cash - God's gonna cut you down - Finlândia | Finland
Pierre Gaudillere, Thomas Van Lissum, Oliver Delbos, Audrey Le Roy & Jonnathan Mutton - Unheimliche - França | France
Piotr Kopik - Psychosomatic rebuilders animation #002 - Polônia | Polland
Piotr Kopik - Psychosomatic rebuilders emoticons machinima - Polônia | Polland
Pooky Amsterdam, Draxtor Despres & Samuel's Dream - I'm Too Busy To Date Your Avatar! - Estados Unidos | United States
Saskia Boddeke aka Rose Borchovski - Lost in counting - Holanda | Netherlands
Saskia Boddeke aka Rose Borchovski - WHY IS THERE SOMETHING? Part 5: Greek Myth, The Battle of the Gods - Holanda | Netherlands
Saskia Boddeke aka Rose Borchovski - WHY IS THERE SOMETHING? Part 6: Israel Myth, The punishment - Holanda | Netherlands
Tom Jantol - Dear Fairy - Croácia | Croatia
Tom Jantol - Duel (Part) - Croácia | Croatia
Tom Jantol - The Remake - Croácia | Croatia
Tony Bannan aka ammopreviz - Selfish Gene - Austrália | Australia
Trace Sanderson aka Lainy Voom - Ctrl-Alt-Del - Reino Unido | United Kingdom
Trace Sanderson aka Lainy Voom - Dagon - HP Lovecraft - Reino Unido | United Kingdom
Tutsy Navarathna - My familiar dream - Índia | India
DOCUMENTA
Garry Shepherd – Global Shuffle - Austrália | Australia
Jim Haverkamp e Brett Ingram – Armor of God – Estados Unidos | United States
Khaled D. Ramadan – Psychic-Dentity - Dinamarca | Denmark
Lucius C. Kuert – Project 798, New Art In New China – China | China
Teilo Vallacott e J.A. Molinari – Altered_Egos – Reino Unido | United Kingdom
Vincenzo Lombardo – The VEP Project – Itália | Italy
Watch Mojo - A História do Daft Punk – Canadá | Canada
FILE ANIMA+
8-Bits Team: Valere Amirault, Jean Delaunay, Sarah Laufer & Benjamin Mattern - 8-Bits - França | France
Alan Becker - Animator Vs Animation - Estados Unidos | United States
Alessandro Novelli - The Alphabet - Itália | Italy
Alexander Gellner - 1 Minute Puberty - Alemanha | Germany
Andrew Huang - The Gloaming - Estados Unidos | United States
Ben Thomas & Leo Bridle - Train of Thought - Inglaterra | England
Birdo Studio: Luciana Eguti & Paulo Muppet - Bonequinha do Papai - Brasil | Brazil
Birdo Studio: Luciana Eguti & Paulo Muppet - Caixa - Brasil | Brazil
Birdo Studio: Luciana Eguti, Paulo Muppet & Allan Sieber - Animadores - Brasil | Brazil
Birdo Studio: Luciana Eguti, Paulo Muppet & Jimmy Leroy - Pequeno Cidadão - Brasil | Brazil
Brendan Angelides & Cyriak Harris - Eskmo - Estados Unidos | United States
Christopher Alender - Eye of The Storm - Estados Unidos | United States
Coala Filmes: Cesar Cabral - Dossiê Rê Bordosa - Brasil | Brazil
Dante Zaballa & Matias Vigliano - The Head - Argentina | Argentina
David O’Reilly - Please Say Something - Irlanda e Alemanha | Ireland and Germany
David O’Reilly - The External World - Irlanda e Alemanha | Ireland and Germany
David Wilson - Japanese Popstars “Let Go” - Inglaterra | England
Dominik Käser, Martin-Sebastian Senn, Mario Deuss, Niloy J. Mitra & Mark Pauly - Silhouettes of Jazz - Estados Unidos | United States
Esteban Diácono - Ólafur Arnalds - Ljósið - Argentina | Argentina
Fábio Yamagi & Denis Kamioka ‘Cisma’ - Photocopy Romance - Brasil | Brazil
Fernando Sanches - Xixi no Banho - Brasil | Brazil
Gabrielle Lissot, Pierre Lippens, Laurent Jaffier & Nicolas Deprez - Tous Des Monstres (All Monsters) - França | France
Guilherme Marcondes - Tyger - Brasil | Brazil
Guillermo Madoz - Head Honcho - Argentina | Argentina
Hi-Sim - Jump - Inglaterra | England
Home de Caramel - Alone Together - Espanha | Spain
Jasmin Lai - Brave - Estados Unidos e Tailândia | United States and Thailand
Jason Wishnow - Oedipus - Inglaterra | England
Jean-Paul Frenay - Artificial Paradise, Inc - Bélgica e França | Belgium and France
Joanna Lurie - Tree’s Migration - França | France
Joaquin Baldwin - Sebastian's Voodoo - Estados Unidos | United States
Joaquin Baldwin - The Windmill Farmer - Estados Unidos | United States
Ken Turner - TIM - Canadá | Canada
Lee Tao - Seedling - Canadá / Canada
Lemeh42 - Wool & Water - Itália / Italy
Leszek Plichta - Dreammaker - Polônia e Alemanha | Polland and Germany
Malcolm Sutherland - Bout - Canadá | Canada
Malcolm Sutherland - Umbra - Canadá | Canada
Marc Silver - There Are No Others - Inglaterra | England
Marlies van der wel - Protest Flatness - Holanda | Netherlands
Martin Piana - LUMI - Argentina | Argentina
Martin Woutisseth - Stanley Kubrick, a filmography - França | France
Matatoro Team: Mauro Carraro, Raphaël Calamote & Jérémy Pasquet - Matatoro - França | France
Matthias Hoegg - August - Inglaterra | England
Matthias Hoegg - Thrusday - Inglaterra | England
Max Hattler - SPIN - Inglaterra | England
Meindbender Animation Studio - The Pirate - Suécia | Sweden
Michael Paul Young - The Interpretation - Estados Unidos | United States
Michal Socha - Chick - Polônia | Polland
Michal Socha - Koncert - Polônia | Polland
Mr McFly - Baseball - França | France
MUSCLEBEAVER: Tobias Knipf & Andreas Kronbeck - How your money works - Alemanha | Germany
Napatsawan Chirayukool - What makes your day? - Tailândia e Inglaterra | Thailand and England
Pahnl - Nowhere near here - Inglaterra | England
Peppermelon TV - Advanced Beauty - Inglaterra e Estados Unidos | England and Unites States
Peppermelon TV - First - Inglaterra e Estados Unidos | England and Unites States
Peppermelon TV - Target - Friends with you - Inglaterra e Estados Unidos | England and Unites States
Robert Seidel - Vellum - Alemanha | Germany
Rogier van der Zwaag Nobody Beats The Drum - Grindin - Holanda | Netherlands
Ross Phillips - 5 Second Projects ( Ballons) - Inglaterra | England
Ross Phillips - 5 Second Projects ( Reverse) - Inglaterra | England
Sasha Belyaev - The Rite of Youth - Letônia | Latvia
Scott Pagano - Pororoca - Estados Unidos | United States
Scott Pagano - Trust In The 'M' Machine - Estados Unidos | United States
Serene Teh - Parkour - Cingapura | Singapore
Stephen Irwin - Black Dog's Progress - Inglaterra | England
Stephen Irwin - Horse Glue - Inglaterra | England
Sylvain Marc - Cocotte Minute - França | France
Sylvain Marc - Fertilizer Soup - França | France
Tanya Aydostian - L'autre - França | France
Taylor Price - Hunt - Canadá e Estados Unidos | Canada and United States
Treat Studios - E4 - Inglaterra | England
Veronika Obertová - Viliam - Eslováquia | Slovakia
Wesley Rodrigues - Pinga com Saquê - Brasil | Brazil
Zach Cohen - The Chair Not Taken - Itália | Italy
Andrew Ruhemann & Shaun Tan - The Lost Thing - Austrália / Australia
Animatório - Neomorphus - Brasil | Brazil
Bertrand Bey & Pierre Ducos - La Détente - França | France
Birdo Studio: Luciana Eguti, Paulo Muppet & Amir Admoni - Monkey Joy - Brasil | Brazil
Coala Filmes: Cesar Cabral - Tempestade - Brasil | Brazil
Fábio Yamaji - O Divino, de repente - Brasil | Brazil
Max Loubaresse, Marc Bouyer & Anthony Vivien - Salesman Pete - França | France
GAMES
Adam Saltsman & Danny Baranowsky - Canabalt - Estados Unidos | United States
Alex May & Rudolf Kremers - Eufloria - Reino Unido
| United Kingdom
Alexander Bruce - Hazard: The Journey of Life - Austrália | Australia
Binary Tweed - Clover: a Curious Tale - Reino Unido | United Kingdom
Cats in the Sky - Cargo Delivery - Brasil | Brazil
Christoffer Hedborg - Toys - Suécia | Sweden
Colibri Games - The Tiny Bang Story - Rússia | Russia
Edmund McMillen & Tommy Refenes - Super Meat Boy - Estados Unidos | United States
ENJMIN - Paper Plane - França | France
Evan Blaster - Infinite Blank - Estados Unidos | United States
Frictional Games - Amnesia: The Dark Decent - Suécia | Sweden
Gaijin Games - BIT TRIP BEAT - Estados Unidos | United States
Kiaran Ritchie, Jasmine Ritchie & Francisco Furtado - Beep Game - Canadá | Canada
Mark Essen - "Nidhogg" - Estados Unidos | United States
Mediatronic - Monsters Probably Stole My Princess - Reino Unido | United Kingdom
Nicklas Nygren - Saira - Suécia | Sweden
Paolo Pedercini / Molleindustria - "Every Day The Same Dream" - Estados Unidos e Itália | United States and Italy
Richard E Flanagan / Phosfiend Systems - FRACT - Canadá | Canada
Spaces of Play - Spirits - Alemanha | Germany
State of Play Games - Lume - Reino Unido | United Kingdom
Tales of Tales - The Path - Bélgica | Belgium
FILE TABLET
Aircord: Toshiyuki Hashimoto, Masato Tsutsui & Koichiro Mori – REFLECTION – Japão | Japan
Alex Komarov & Sergey Rachok – ACCORDION – Estados Unidos e Rússia | United States and Russia
Cruz-Diez Foundation - CRUZ-DIEZ "INTERACTIVE CHROMATIC RANDOM EXPERIENCE" – Venezuela | Venezuela
Fingerlab: Antoine Lepoutre & Aurélien Potier – MULTIPONG – França | France
Jason Waters – SPIROGROW – Estados Unidos | United States
Jay Silver & Eric Rosenbaum - SINGING FINGERS – Estados Unidos | United States
Nate Murray & TJ Fuller - IPAD GAME FOR CATS - Estados Unidos | United States
Pavel Doichev - ART IN MOTION – Estados Unidos | United States
Pavel Doichev - LINE ART – Estados Unidos | United StatesPavel Doichev – TESLA – Estados Unidos | United States
Rob Fielding – MUGICIAN – Estados Unidos | United States
RunSwimFly - Richard Harrison – GLOOP - Austrália | Australia
Scott Snibbe – ANTOGRAPH (ou MYRMEGRAPH) – Estados Unidos | United States
Scott Snibbe – BUBBLE HARP – Estados Unidos | United States
Scott Snibbe – GRAVILUX – Estados Unidos | United States
Scott Snibbe – OSCILLOSCOOP – Estados Unidos | United States
Scott Snibbe – TRIPOLAR – Estados Unidos | United States
Smule - MAGIC FIDDLE – Estados Unidos | United States
Spaces of Play: Mattias Ljungstrom, Marek Plichta, Andreas Zecher & Martin Strak – SPIRITS – Alemanha | Germany
Ted Davis - TEXT2IMAGE – Estados Unidos | United States
Typotheque / Resolume - DANCE WRITER – Estados Unidos | United States
WORKSHOP
Workshop Fiesp - AA School: Franklin Lee, Robert Stuart Smith (Kokkugia), Anne Save de Beaurecueil (SUBdV), Sandro Tubertini (Environmental Engineering Agency, BDSP), Thiago Mundim, Ernesto Bueno, Arthur Mamou-Mani, Arya Safavi, Yoojin Kim & Victor Sardenberg
Parametric Architecture - Reino Unido | United Kingdom
VENICE BIENNALE / VENEZIA BIENNIAL 2013 : BIENNALIST
www.emergencyrooms.org/biennalist.html
Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )
please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk
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lists of artists participating at the Venice Biennale :
Hilma af Klint, Victor Alimpiev, Ellen Altfest, Paweł Althamer, Levi Fisher Ames, Yuri Ancarani, Carl Andre, Uri Aran, Yüksel Arslan, Ed Atkins, Marino Auriti, Enrico Baj, Mirosław Bałka, Phyllida Barlow, Morton Bartlett, Gianfranco Baruchello, Hans Bellmer, Neïl Beloufa, Graphic Works of Southeast Asia and Melanesia, Hugo A. Bernatzik Collection, Ștefan Bertalan, Rossella Biscotti, Arthur Bispo do Rosário, John Bock, Frédéric Bruly Bouabré, Geta Brătescu, KP Brehmer, James Lee Byars, Roger Caillois, Varda Caivano, Vlassis Caniaris, James Castle, Alice Channer, George Condo, Aleister Crowley & Frieda Harris, Robert Crumb, Roberto Cuoghi, Enrico David, Tacita Dean, John De Andrea, Thierry De Cordier, Jos De Gruyter e Harald Thys, Walter De Maria, Simon Denny, Trisha Donnelly, Jimmie Durham, Harun Farocki, Peter Fischli & David Weiss, Linda Fregni Nagler, Peter Fritz, Aurélien Froment, Phyllis Galembo, Norbert Ghisoland, Yervant Gianikian & Angela Ricci Lucchi, Domenico Gnoli, Robert Gober, Tamar Guimarães and Kasper Akhøj, Guo Fengyi, João Maria Gusmão & Pedro Paiva, Wade Guyton, Haitian Vodou Flags, Duane Hanson, Sharon Hayes, Camille Henrot, Daniel Hesidence, Roger Hiorns, Channa Horwitz, Jessica Jackson Hutchins, René Iché, Hans Josephsoh, Kan Xuan, Bouchra Khalili, Ragnar Kjartansson, Eva Kotátková, Evgenij Kozlov, Emma Kunz, Maria Lassnig, Mark Leckey, Augustin Lesage, Lin Xue, Herbert List, José Antonio Suárez Londoño, Sarah Lucas, Helen Marten, Paul McCarthy, Steve McQueen, Prabhavathi Meppayil, Marisa Merz, Pierre Molinier, Matthew Monahan, Laurent Montaron, Melvin Moti, Matt Mullican, Ron Nagle, Bruce Nauman, Albert Oehlen, Shinro Ohtake, J.D. ‘Okhai Ojeikere, Henrik Olesen, John Outterbridg, Paño Drawings, Marco Paolini, Diego Perrone, Walter Pichler, Otto Piene, Eliot Porter, Imran Qureshi, Carol Rama, Charles Ray, James Richards, Achilles G. Rizzoli, Pamela Rosenkranz, Dieter Roth, Viviane Sassen, Shinichi Sawada, Hans Schärer, Karl Schenker, Michael Schmidt, Jean-Frédéric Schnyder, Friedrich Schröder-Sonnenstern, Tino Sehgal, Richard Serra, Shaker Gift Drawings, Jim Shaw, Cindy Sherman, Laurie Simmons e Allan McCollum, Drossos P. Skyllas, Harry Smith, Xul Solar, Christiana Soulou, Eduard Spelterini, Rudolf Steiner, Hito Steyerl, Papa Ibra Tall, Dorothea Tanning, Anonymous Tantric Paintings, Ryan Trecartin, Rosemarie Trockel, Andra Ursuta, Patrick Van Caeckenbergh, Stan VanDerBeek, Erik van Lieshout, Danh Vo, Eugene Von Bruenchenhein, Günter Weseler, Jack Whitten, Cathy Wilkes, Christopher Williams, Lynette Yiadom-Boakye, Kohei YoshiyUKi, Sergey Zarva, Anna Zemánková, Jakub Julian Ziółkowski ,Artur Żmijewski.
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other pavilions at Venice Biennale
Andorra Artists: Javier Balmaseda, Samantha Bosque, Fiona Morrison
Commissioner: Henry Périer Deputy Commissioners: Francesc Rodríguez, Ermengol Puig, Ruth Casabella
Curators: Josep M. Ubach, Paolo De GrandisAngola Artist: Edson Chagas Commissioner: Ministry of Culture
Curators: Beyond Entropy (Paula Nascimento, Stefano Rabolli Pansera), Jorge Gumbe, Feliciano dos Santos
Argentina Artist: Nicola Costantino Commissioner: Magdalena Faillace Curator: Fernando Farina
Armenia Artist: Ararat SarkissianCurator: Arman Grogoryan /AustraliaArtist: Simryn Gill Commissioner: Simon Mordant Deputy Commissioner: Penelope Seidler Curator: Catherine de Zegher /AustriaArtist: Mathias Poledna ,Curator: Jasper Sharp /AzerbaijanArtists: Rashad Alakbarov, Sanan Aleskerov, Chingiz Babayev, Butunay Hagverdiyev, Fakhriyya Mammadova, Farid Rasulov /Commissioner: Heydar Aliyev FoundationCurator: Hervé Mikaeloff
Bahamas Artist: Tavares Strachan Commissioner: Nalini Bethel, Ministry of Tourism Curators: Jean Crutchfield, Robert HobbsDeputy Curator: Stamatina Gregory/BangladeshChhakka Artists’ Group: Mokhlesur Rahman, Mahbub Zamal, A. K. M. Zahidul Mustafa, Ashok Karmaker, Lala Rukh Selim, Uttam Kumar Karmaker. Dhali Al Mamoon, Yasmin Jahan Nupur, Gavin Rain, Gianfranco Meggiato, Charupit School/Commissioner/Curator: Francesco Elisei. , Curator: Fabio Anselmi./BahrainArtists: Mariam Haji, Waheeda Malullah, Camille Zakharia /Commissioner: Mai bint Mohammed Al Khalifa, Minister of Culture /Curator: Melissa Enders-Bhatiaa/BelgiumArtist: Berlinde De Bruyckere
Commissioner: Joke Schauvliege, Flemish Minister for Environment, Nature and Culture .Curator: J. M. Coetzee ,Deputy Curator: Philippe Van Cauteren /Bosnia and Herzegovina
Artist: Mladen Miljanovic .Commissioners: Sarita Vujković, Irfan Hošić
Brazil Artists: Hélio Fervenza, Odires Mlászho, Lygia Clark, Max Bill, Bruno Munari
Commissioner: Luis Terepins, Fundação Bienal de São Paulo,Curator: Luis Pérez-Oramas ,Deputy Curator: André Severo
CanadaArtist: Shary Boyle /Commissioner: National Gallery of Canada / Musée des beaux-arts du Canada ,Curator: Josée Drouin-Brisebois/Central AsiaArtists: Vyacheslav Akhunov, Sergey Chutkov, Saodat Ismailova, Kamilla Kurmanbekova, Ikuru Kuwajima, Anton Rodin, Aza Shade, Erlan Tuyakov
Commissioner: HIVOS (Humanist Institute for Development Cooperation)
Deputy Commissioner: Dean Vanessa Ohlraun (Oslo National Academy of the Arts/The Academy of Fine Art)
Curators: Ayatgali Tuleubek, Tiago Bom
Scientific Committee: Susanne M. Winterling
ChileArtist: Alfredo JaarCommissioner: CNCA, National Council of Culture and the Arts Curator: Madeleine Grynsztejn
ChinaArtists: He Yunchang, Hu Yaolin, Miao Xiaochun, Shu Yong, Tong Hongsheng, Wang Qingsong, Zhang Xiaotao
Commissioner: China Arts and Entertainment Group (CAEG) ,Curator: Wang Chunchen
Costa Rica Artists: Priscilla Monge, Esteban Piedra, Rafael Ottón Solís, Cinthya Soto
Commissioner: Francesco EliseiCurator: Francisco Córdoba, Museo de Arte y Diseño Contemporáneo (Fiorella Resenterra)
Croatia Artist: Kata Mijatovic ,Commissioner/Curator: Branko Franceschi.
CubaArtists: Liudmila and Nelson, Maria Magdalena Campos & Neil Leonard, Sandra Ramos, Glenda León, Lázaro Saavedra, Tonel, Hermann Nitsch, Gilberto Zorio, Wang Du, H.H.Lim, Pedro Costa, Rui Chafes, Francesca Leone ,Commissioner: Miria ViciniCurators: Jorge Fernández Torres, Giacomo Zaza
CyprusArtists: Lia Haraki, Maria Hassabi, Phanos Kyriacou, Constantinos Taliotis, Natalie Yiaxi, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter Sinister /Louli Michaelidou
Deputy Commissioners: Angela Skordi, Marika Ioannou/Curator: Raimundas Malašauskas
Czech Republic & Slovak RepublicArtists: Petra Feriancova, Zbynek Baladran ,Commissioner: Monika Palcova, Curator: Marek Pokorny /DenmarkArtist: Jesper Just in collaboration with Project ProjectsEgypt
Artists: Mohamed Banawy, Khaled Zaki
EstoniaArtist: Dénes Farkas ,Commissioner: Maria Arusoo ,Curator: Adam Budak
FinlandArtist: Antti Laitinen , Commissioner: Raija Koli , Curators: Marko Karo, Mika Elo, Harri Laakso
FranceArtist: Anri Sala ,Curator: Christine Macel
GeorgiaArtists: Bouillon Group,Thea Djordjadze, Nikoloz Lutidze, Gela Patashuri with Ei Arakawa and Sergei Tcherepnin, Gio Sumbadze/Commissioner: Marine Mizandari, First Deputy Minister of Culture Curator: Joanna Warsza
GermanyArtists: Ai Weiwei, Romuald Karmakar, Santu Mofokeng, Dayanita Singh Commissioner/Curator: Susanne Gaensheimer /Great BritainArtist: Jeremy Deller ,Commissioner: Andrea Rose , Curator: Emma Gifford-Mead
Holy SeeArtists: Lawrence Carroll, Josef Koudelka, Studio Azzurro ,Curator: Antonio Paolucci
Hungary , Artist: Zsolt Asztalos , Curator: Gabriella Uhl
Iceland , Artist: Katrín Sigurðardóttir ,Commissioner: Dorotheé Kirch
Curators: Mary Ceruti , Ilaria Bonacossa/IndonesiaArtists: Albert Yonathan Setyawan, Eko Nugroho, Entang Wiharso, Rahayu Supanggah, Sri Astari, Titarubi
Deputy Commissioner: Achille Bonito Oliva , Assistant Commissioner: Mirah M. Sjarif
Curators: Carla Bianpoen, Rifky Effendy
IraqArtists: Abdul Raheem Yassir, Akeel Khreef, Ali Samiaa, Bassim Al-Shaker, Cheeman Ismaeel, Furat al Jamil, Hareth Alhomaam, Jamal Penjweny, Kadhim Nwir, WAMI (Yaseen Wami, Hashim Taeeh)
Commissioner: Tamara Chalabi (Ruya Foundation for Contemporary Culture)Curator: Jonathan Watkins.
IrelandArtist: Richard MosseCommissioner, Curator: Anna O’Sullivan
Israel , Artist: Gilad Ratman , Commissioners: Arad Turgeman, Michael GovCurator: Sergio Edelstein
ItalyArtists: Francesco Arena, Massimo Bartolini, Gianfranco Baruchello, Elisabetta Benassi, Flavio Favelli, Luigi Ghirri, Piero Golia, Francesca Grilli, Marcello Maloberti, Fabio Mauri, Giulio Paolini, Marco Tirelli, Luca Vitone, Sislej Xhafa ,Commissioner: Maddalena Ragni
Curator: Bartolomeo Pietromarchi /Ivory Coast Artists: Frédéric Bruly Bouabré, Tamsir Dia, Jems Koko Bi, Franck Fanny
Commissioner: Paolo De Grandis , Curator: Yacouba Konaté
Japan ,Artist: Koki Tanaka ,Curator: Mika Kuraya
KenyaArtists: Kivuthi Mbuno, Armando Tanzini, Chrispus Wangombe Wachira, Fan Bo, Luo Ling & Liu Ke, Lu Peng, Li Wei, He Weiming, Chen Wenling, Feng Zhengjie, César MeneghettiCommissioner: Paola Poponi ,Curators: Sandro Orlandi, Paola Poponi /Korea (Republic of)Artist: Kimsooja
KosovoArtist: Petrit Halilaj ,Commissioner: Erzen Shkololli ,Curator: Kathrin Rhomberg
KuwaitArtists: Sami Mohammad, Tarek Al-Ghoussein
Commissioner: Mohammed Al-Asoussi ,Curator: Ala Younis /Latin AmericaIstituto Italo-Latino Americano
Artists:Marcos Agudelo, Miguel Alvear & Patricio Andrade, Susana Arwas, François Bucher, Fredi Casco, Colectivo Quintapata (Pascal Meccariello, Raquel Paiewonsky, Jorge Pineda, Belkis Ramírez), Humberto Díaz, Sonia Falcone, León & Cociña, Lucía Madriz, Jhafis Quintero, Martín Sastre, Guillermo Srodek-Hart, Juliana Stein, Simón Vega, Luca Vitone, David Zink Yi. /Harun Farocki & Antje Ehmann. In collaboration with: Cristián Silva-Avária, Anna Azevedo, Paola Barreto, Fred Benevides, Anna Bentes, Hermano Callou, Renata Catharino, Patrick Sonni Cavalier, Lucas Ferraço Nassif, Luiz Garcia, André Herique, Bruna Mastrogiovanni, Cezar Migliorin, Felipe Ribeiro, Roberto Robalinho, Bruno Vianna, Beny Wagner, Christian Jankowski ,Commissioner: Sylvia Irrazábal ,Curator: Alfons Hug
Deputy Curator: Paz Guevara /Latvia Artists: Kaspars Podnieks, Krišs Salmanis ,Commissioners: Zane Culkstena, Zane Onckule ,Curators: Anne Barlow, Courtenay Finn, Alise Tifentale
LithuaniaArtist: Gintaras Didžiapetris, Elena Narbutaite, Liudvikas Buklys, Kazys Varnelis, Vytaute Žilinskaite, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter SinisterCommissioners: Jonas Žokaitis, Aurime Aleksandraviciute Curator: Raimundas Malašauskas /LuxembourgArtist: Catherine LorentCommissioner: Clément Minighetti Curator: Anna Loporcaro /MexicoArtist: Ariel Guzik ,Commissioner: Gastón Ramírez Feltrín ,Curator: Itala Schmelz
Montenegro ,Artist: Irena Lagator Pejovic .Commissioner/Curator: Nataša Nikcevic
The Netherlands ,Artist: Mark Manders
Commissioner: Mondriaan Fund ,Curator: Lorenzo Benedetti
New Zealand Artist: Bill Culbert ,Commissioner: Jenny Harper ,Deputy Commissioner: Heather Galbraith ,Curator: Justin Paton /Finland: ,Artist: Terike Haapoja ,Commissioner: Raija Koli ,Curators: Marko Karo, Mika Elo, Harri Laakso
Norway:Artists: Edvard Munch, Lene Berg
Curators: Marta Kuzma, Pablo Lafuente, Angela Vettese
Paraguay Artists: Pedro Barrail, Felix Toranzos, Diana Rossi, Daniel Milessi ,Commissioner: Elisa Victoria Aquino Laterza
Deputy Commissioner: Nori Vaccari Starck , Curator: Osvaldo González Real
Poland Artist: Konrad Smolenski Commissioner: Hanna Wróblewska Curators: Agnieszka Pindera, Daniel Muzyczuk
Portugal Artist: Joana Vasconcelos Curator: Miguel Amado
RomaniaArtists: Maria Alexandra Pirici, Manuel Pelmus Commissioner: Monica Morariu Deputy Commissioner: Alexandru Damia Curator: Raluca VoineaArtists: Anca Mihulet, Apparatus 22 (Dragos Olea, Maria Farcas,Erika Olea), Irina Botea, Nicu Ilfoveanu, Karolina Bregula, Adi Matei, Olivia Mihaltianu, Sebastian MoldovanCommissioner: Monica Morariu ,Deputy Commissioner: Alexandru Damian ,Curator: Anca Mihulet
Russia Artist: Vadim Zakharov ,Commissioner: Stella Kasaeva ,Curator: Udo Kittelmann
Serbia Artists: Vladimir Peric, Miloš Tomic .Commissioner: Maja Ciric
SloveniaArtist: Jasmina CibicCommissioner: Blaž Peršin ,Curator: Tevž Logar
South Africa Commissioner: Saul Molobi ,Curator: Brenton Maart
Spain Artist: Lara Almarcegui , Commissioner/Curator: Octavio Zaya
Switzerland Artist: Valentin Carron Commissioners: Pro Helvetia - Sandi Paucic and Marianne Burki
Curator: Giovanni CarmineVenue: Pavilion at Giardini
Syrian Arab RepublicArtists: Giorgio De Chirico, Miro George, Makhowl Moffak, Al Samman Nabil, Echtai Shaffik, Giulio Durini, Dario Arcidiacono, Massimiliano Alioto, Felipe Cardena, Roberto Paolini, Concetto Pozzati, Sergio Lombardo, Camilla Ancilotto, Lucio Micheletti, Lidia Bachis, Cracking Art Group, Hannu Palosuo
Commissioner: Christian Maretti Curator: Duccio Trombadori
Taiwan Artists: Bernd Behr, Chia-Wei Hsu, Kateřina Šedá + BATEŽO MIKILU Curator: Esther Lu
Thailand Artists: Wasinburee Supanichvoraparch, Arin Rungjang
Curators: Penwadee Nophaket Manont, Worathep Akkabootara
Turkey Artist: Ali Kazma Commissioner: Istanbul Foundation for Culture and Arts Curator: Emre Baykal
Ukraine Artists: Ridnyi Mykola, Zinkovskyi Hamlet, Kadyrova Zhanna Commissioner: Victor Sydorenko
Curators: Soloviov Oleksandr, Burlaka Victoria
United Arab Emirates Artist: Mohammed Kazem /Commissioner: Dr. Lamees Hamdan Curator: Reem Fadda
Uruguay Artist: Wifredo Díaz Valdéz
Commissioner: Ricardo Pascale Curators: Carlos Capelán, Verónica Cordeiro
USA Artist: Sarah Sze Commissioners/Curators: Carey Lovelace, Holly Block
Venezuela Colectivo de Artistas Urbanos Venezolanos , Commissioner: Edgar Ernesto González Curator: Juan Calzadilla
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Encyclopedic Palace is curated by Massimiliano Gioni
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Other Biennales (Biennials ) : Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
"A photograph is a secret about a secret. The more it tells you the less you know."
~Diane Arbus
Created for the Our Daily Challenge topic:
Half Full/Half Empty is the topic for Tuesday 24thh November 2020
Most Filipino nurses want to work abroad for greener pastures. But before that, nurses should face a big question that they need to decide on – to be a nurse, away from home or stay with the family in the country? Indeed a big question to answer.
©ILO/J. De Guzman as entry to the ILO-EU Decent Work across Borders Photo Contest
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US.
The ILO Decent Work across Borders, a project funded by the European Union on migrant health workers and skilled professionals, launched a photo contest in 2013. The photo contest, in partnership with the Alliance of Young Nurse Leaders and Advocates (AYNLA) captured images related to migration from the perspective of young health professionals.
www.ilo.org/manila/whatwedo/projects/WCMS_173607/lang--en...