View allAll Photos Tagged Question
Got tagged by plaguebearer so i'mma answer some questions and present a random picture of Rook whom just came home DOUBLE POST OF INTRODUCTIONESS AND INFO!
Some Favorites of Mine
Animal: Big Cats (LION RAWR X3)
Color: Apple Green and White
Author: Gail Giles
Shape: Star
Drink: Red Bull
Season: Fall
Game: Bioshock or Final Fantasy 2
Hobby: Writing and BJDs
Holiday: Thanksgiving
Style: Casual, skinny jeans, printed tees, a vest, flats or converse
Disney Character: Flynn Rider
Movie: o.O Shawn of the Dead, Girl with the Dragon Tattoo, Due Date, Zombieland, Third Star, Stewart a Life Backwards, History Boys, Nativity! (2009 with Martin Freeman)
Band: Our Lady Peace, Queen, The Bangles, Goo Goo Dolls, Flyleaf
Food: Cheesy Potatoes like my mama makes
Book: Acceleration or... Shattering Glass
Villain: James Moriarty,Terminators (aka skynet), The Joker
Comic: Uncanny X-Men, The Runaways
Disney Movie: Peter Pan
Candy: Jolly Ranchers
Music Genre: All?
Superhero: Buffy Summers, Sarah Connor, Iron Man, Sherlock Holmes/John Watson
TV Show: Buffy the Vampire Slayer, Sherlock (BBC), Spaced, South Park, The Walking Dead, Black Books
Book Genre: Supernatural, horror, detective, thrillers
Comic Company: Marvel
Subject: Literature
Actor: Benedict Cumberbatch, Tom Hardy, Sam Rockwell, Logan Lerman, Michael Angarano, Helen Mirren, Rooney Mara, Daniel Craig, Ben Whishaw, Martin Freeman, Emma Stone, Jesse Eisenberg
Person: My sister Megan(Aka PlagueBearer on here)
Website: tumblr, Deviantart, themoviebox.net
Time Period: 1940s
Number: 7
Singer: Lana Del Rey, Anna Ternheim, Utada Hikaru, Celine Dion, Jeff Buckley, Richard Marx, Mary Elizabeth McGlynn
Hot Tea: Ew, never
Nail Color: Natural w/ a white tip
TV Channel: AMC, TruCRIME, MSNBC for To Catch a Predator (those gais are gross yo)
Flower: Lily
Object: My phone
Ice Cream: vanilla with cheese cake chunks
Shoes: flip flops or converse
Hero: My sister Megan and Sherlock Holmes
Sandwich: turkey on white with lettuce, pepper jack cheese, and mayo
BJD: Supia Muse
Cookie: Oatmeal Raisin
anything else just ask~~~!! I'm not tagging anyone cause I never do these fuckin things.
When it comes to the play of light and the end of the filament bulbs
..............................
La petite ville de Pontrieux soigne ses éclairages et c'est très agréable de s'y promener de nuit pendant les fêtes de Noël tout autant que pendant le reste de l'année. Ce soir là , je profitais de ma visite pour chercher un reflet intéressant, sujet d'un exercice de mon club photo. Ce fut un "one shot" la propriétaire de la voiture est arrivée, sa réunion terminée. Après une explication du pourquoi je tournais avec insistance autour de son véhicule ce qui est intrigant, je le reconnais; je l'ai félicitée d'habiter une si jolie ville. Un compliment opportun puisque c'était une élue de la municipalité. " Mais pour combien de temps encore ces mises en lumières", m'a t'elle dit," il est si difficile de trouver des ampoules de spots et le remplacement de tout le système à incandescence avec des leds est si onéreux pour notre budget ! " .
Alors, vous tous, venez visiter Pontrieux, venez passer des vacances, aidez cette commune à vivre pour qu'elle puisse continuer à enchanter vos soirées ... et les miennes ! ;-))
The small town of Pontrieux treats so well his lighting and it is very pleasant to walk nightly during the Christmas period as well as for the rest of the year. That evening, I took advantage of my visit to look for a interesting reflection, suject of an exercice for my photo club. It was a "one shot" the owner of the car arrived, her evening meeting ended. After an explanation of why I've turned insistently around the vehicle that is intriguing, I admit, I complimented her to live in such a beautiful city. An appropriate compliment since she is a member of the town council. "But for how long will these lights " she said, "it is so difficult to find spotlight bulbs and replacing all the incandescent system with LEDs is so expensive for our budget! ".
So, all of you, come visit Pontrieux, spend holidays, help this town for living so she could continue to enchant your evenings ... and mine ... Or help to find a sponsor for buying new bulbs! ;-))
A student asks NASA Administrator Charles Bolden a question at Jefferson-Houston School in Alexandria, Va. on Friday, February 13, 2015. Administrator Bolden spoke about his experiences as an astronaut; the importance of science, technology, engineering, and math (STEM) education; and answered questions from the students as part of the school's "NASA Day" activities. Photo Credit: (NASA/Joel Kowsky)
1. Alexandra, 2. { For the love of italian food ,,, 3. Nower Hill Green drinking fountain, 4. Black & White, 5. Johnny_depp, 6. Caipiroska strawberry, 7. Na Pali Coast, Kauai, Hawaii, 8. Tiramisu, 9. RICH & POWERFUL, 10. funny how you never forget a friend's laugh..., 11. Unique Beauty, 12. Thank you sunshinecity!
Created with fd's Flickr Toys.
Here's how..
a. Type your answer to each of the questions below into Flickr Search.
b. Using only the first page, pick an image.
c. Copy and paste the html into your blog or Flickr stream (the easiest way is to copy the URLs and then head over to the fd's flickr toys mosaic maker ).
The Questions:
1. What is your first name?
2. What is your favorite food?
3. What high school did you go to?
4. What is your favorite color?
5. Who is your celebrity crush?
6. Favorite drink?
7. Dream vacation?
8. Favorite dessert?
9. What you want to be when you grow up?
10. What do you love most in life?
11. One Word to describe you.
12. Your flickr name.
There is no divide, no controversy or confusion. This is the food of the Gods and anyone who says otherwise is courting contradiction for its own sake.
The program collects films that are asking the same questions: What was here before? And how can you show it if it’s not there anymore? When and how did absence turn into presence? Does it always do that?
It also connects places in East and West, New York, Berlin and Warsaw. Shanghai and Venice. Not only through images, but also through the people who made the films (and are in them): For them, 1984 had been fiction and 1989 a reality. They are from a generation that has been producing images and sounds before and after the Berlin Wall, in East and West, until today.
Program runtime is 62 minutes.
a-b-city by Dieter Hormel and Brigitte Bühler
BRD 1985, 8 minutes, digital projection
Accompanied by a score using music of Pere Ubu and Einstürzende Neubauten, a-b-city revolves around West-Berlin’s psychodelic atmosphere. Brigitte Bühler and Dieter Hormel, who were renown for their fast paced and skillfully edited Super-8 clips, mix TV images and time-lapse shots of nightly streets, drifting clouds, and a men continuously jumping in front of the Berlin Wall, bringing about an impression of the enclosed city that constantly shifts between ecstasis and depression. (Text: Florian Wüst)
Haunt No. 1-3 by Niklas Goldbach
2007, 2 minutes, digital projection
Haunt No. 1, Video Loop, 35 sec., Stereo
Assistance: Daniel Reuter
Haunt No. 2, Video Loop, 28 sec., Stereo
Assistance: Viktor Neumann
Haunt No. 3, Video Loop, 36 sec., Stereo
Assistance: Viktor Neumann
The video triptych focuses on the historical background and the future of up to now abandoned places in Berlin’s former working-class district Prenzlauer Berg where the gentrification process is almost accomplished.
5 lessons and 9 questions about Chinatown by Shelly Silver
USA, 2009, 10 minutes, digital projection
You live somewhere, walk down the same street 50, 100, 10,000 times, each time taking in fragments, but never fully registering THE PLACE. Years, decades go by and you continue,unseeing, possibly unseen. A building comes down, and before the next one is up you ask yourself ‘what used to be there?’ You are only vaguely aware of the district’s shifting patterns and the sense that, since the 19th century, wave after wave of inhabitants have moved through and transformed these alleyways, tenements, stoops and shops.
10 square blocks, past, present, future, time, light, movement, immigration, exclusion, gentrification, racism, history, China, America, 3 languages, 13 voices, 152 years, 17,820 frames, 9 minutes, 54 seconds, 9 questions, 5 lessons, Chinatown.
View Excerpt
Former East/Former West by Shelly Silver
USA, 1994, excerpt 10-15 minutes digital projection
Made up of hundreds of street interviews done in Berlin two years after the Reunification, FORMER EAST/FORMER WEST is a vital, surprisingly open, and at times disturbing documentary. Silver questions the very notion of a shared language, focusing on changing definitions of words for political and economic systems – democracy, freedom, capitalism, socialism, nationality and history.
Magnetic [eye] Berlin by Gunter Krüger
Germany, 2007 / 08, excerpt 10 minutes, digital projection
Since 1997, Gunter Krüger has been archiving media fragments which he finds on the street – broken audiotapes, scraps of VHS and discarded compact discs. At the location he records additional filmic notes.
In the second part of the “Magnetic [eye]” series, “Magnetic [eye] Berlin”, a selection of media fragments forms a portrait of his living space. The film is designed as a generative structure, i.e. there is no final version.
In 2007 and 2008, three different playlists were made, each varying in both the selection of the media fragments as well as their compilation. By integrating new modules, new playlists with predefined running times can be created for each screening.
Nullpanorama by Martin Ebner
Germany, 2003, 1 minute, digital projection
The ascent and decent of an advertiser’s captive balloon over the roofs of the capital.
Proprio Aperto by Judith Hopf, Natascha Sadr Haghighian, Florian Zeyfang
Germany / USA, 2005, 6 minutes, digital projection
The single channel video and installation work PROPRIO APERTO, which was first presented in February 2005 at the Museum of Contemporary Art, Chicago in the exhibition, “Universal Experience: Art, Life and the Tourist’s Eye,” shows a walk taken through the giardini, the grounds of the Venice Biennale, in winter.
The conversations that took place there among Judith Hopf, Natascha Sadr-Hadhighian and Florian Zeyfang result in a text that circles around landscapes of ruin, ghosts and the Dasein in cultural hegemony. The images — actually photographs — are presented in slow pans, and the various levels of destruction of the pavilion come more and more into the center.
The tone of voice and language congenially conveys the suitably contemplative mood during the walk, which carries over to the spectator.
The Rooms (excerpt) by Tim Blue and Paul Rowley
USA 2010, 5 minutes, digital projection
With rich sound design and diverse formats, THE ROOMS is an experimental study of an abandoned world that somehow continues to operate. This excerpt feautures the HAU 1 / Hebbel am Ufer, a historical theater in Berlin, that turned into a cultural space for contemporary experimental and innovative theater and performance art (HAU 1).
We will be strong in our weakness. Notes from the first congress of the Jewish Renaissance in Poland.Performance by Yael Bartana with Susanne Sachsse and Slawomir Sierakowski
Israel/Netherlands/Poland, 2010, 15 minutes, digital video projection
Jewish Renaissance movement in Poland, Tel-Aviv/Amsterdam/Warsaw
Stefanie Schulte Strathaus is a film and video curator who lives and works in Berlin. She is Co-Director of Arsenal – Institute for Film and Video Art (with Milena Gregor and Birgit Kohler) and Member of the selection committee of the Berlinale Forum and founding director of Forum Expanded, a new section of the Berlin International Film Festival which negotiates the boundaries of cinema. Her curatorial work comprises numerous film programs, retrospectives and exhibitions, among them Michael Snow, Guy Maddin, Heinz Emigholz, Birgit Hein, Ulrike Ottinger, Stephen Dwoskin and many others. She recently co-curated (with Susanne Sachsse and Marc Siegel) LIVE FILM! JACK SMITH! Five Flaming Days in A Rented World (October 2009).
Her texts have been published in Frauen und Film, The Moving Image, Texte zur Kunst, Ästhetik & Kommunikation, Schriftenreihe Kinemathek as well as in various festival and exhibition catalogues. She is the editor of: Kinemathekheft Nr. 93: Germaine Dulac (with Sabine Nessel and Heide Schlüpmann), Berlin 2002; “The Memo Book. Films, Videos and Installations by Matthias Müller”, Berlin: Vorwerk 8, 2005; “The Primal Scene: Christine Noll Brinckmann. Films and Texts”, Berlin: arsenal edition, 2008; “Who says concrete doesn’t burn, have you tried? West Berlin Film in the ’80s” (with Florian Wüst), Berlin: arsenal edition, 2008. www.arsenal-berlin.de
Paul Rowley was born 1971 in Dublin. He has worked for more than ten years as a filmmaker and visual artist.
His critically acclaimed feature documentary Seaview, which he co-directed with Nicky Gogan, premiered at the Berlin Film Festival and has toured festivals internationally since.
Together with David Phillips, Paul completed a collection of films to accompany a live performance of John Cage’s Sonatas and Interludes, premiered at The Stone in New York in collaboration with pianist Emily Manzo. They recently completed a 60 screen permanent video installation in the international terminal at LAX airport.
Paul was artist in residence at the Atlantic Center for the Arts in Florida with Gillian Wearing, and has received many awards from the Irish Arts Council for his work since 1997. He was a fellow at the Macdowell Artist Colony in New Hampshire, and the Bogliasco Foundation, Italy. He was awarded a residency at the Experimental Television Center in New York, which led to a grant from NYCSA, the New York State Council for the Arts. He lives in Dublin and Brooklyn.
See also www.condensate.net and www.stillfilms.org
Shelly Silver is a New York based artist utilizing video, film and photography. Her work, which spans a wide range of subject matter and genres, explores the personal and societal relations that connect and restrict us; the indirect routes of pleasure and desire; the stories that are told about us and the stories we construct about ourselves.
Silver’s work has been exhibited and broadcast widely throughout the U.S., Europe and Asia. Screenings and installations have been mounted by venues such as the Museum of Modern Art in New York, the International Center of Photography in New York, the Museum of Contemporary Art in Los Angeles, the Yokohama Museum, the Pompidou Center, the Kyoto Museum, the London Institute of Contemporary Arts, the Museo Reina Sofia, and the London, Singapore, New York, Moscow, and Berlin film festivals. Her work has been broadcast on BBC/England, PBS/USA, Arte, Planete/Europe, RTE/Ireland, SWR/Germany, and Atenor/Spain. Silver’s numerous fellowships and grants include awards from the Guggenheim Foundation, the NEA, NYSCA, NYFA, the DAAD, the Jerome Foundation, the Japan Foundation and Anonymous was a Woman. She is based in New York where she is an Associate Professor of Visual Arts in the School of the Arts, Columbia University.
Modeling 45surf shirts, hats, hoodies, and t-shirts!
Sony A7R RAW Photos of Pretty Blonde Bikini Swimsuit Model Goddess in Sea Cave! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 !
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Blonde Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Blonde Wavy Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Check out my greatest hits compilation, and let me know what you think:
www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Ody...
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
New instagram! instagram.com/45surf
Pretty Swimsuit Bikini Model Goddess! :)
Follow me on facebook! facebook.com/elliot.mcgucken
Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
I'm going to enter this image in a show. I can't decide which crop I like better - this one or the one in the comment section. Feedback and constructive criticism from everyone is helpful & welcome!
When 2Pac & Biggie died, questions were who was going to take the throne? Well two stepped up to the plate, Jay-Z & a underground battle rapper named DMX. Both men signed to Def Jam Records in 1997. The next year both top the album charts. While Jay-Z made radio hits to get to the top of the charts, DMX gritty dark angry rhymes top the charts by not going to the mainstream, the mainstream went to him. With six No.1 albums & movies along with awards, X had the world in his hands. But he had one big problem, he couldn't shake the drugs, a problem he had when an adult gave him a joint that was laced with crack lead him to a drug addiction that had sadly stayed with him till his untimely death when someone gave him tainted cocaine that finally killed him. What a fucking lost. I wish he would had took his words from his song "Slippin" close to his heart. Rest In Paradise DMX.
A full interview with the Israeli painter Raphael Perez (in Hebrew Rafi Peretz) about the ideas behind the naive painting, resume, personal biography and CV
Question: Raphael Perez Tell us about your work process as a naive painter?
Answer: I choose the most iconic and famous buildings in every city and town that are architecturally interesting and have a special shape and place the iconic buildings on boulevards full of trees, bushes, vegetation, flowers.
Question: How do you give depth in your naive paintings?
Answer: To give depth to the painting, I build the painting with layers of vegetation, after those low famous buildings, followed by a tall avenue of trees, and behind them towers and skyscrapers, in the sky I sometimes put innocent signs of balloons, kites.
A recurring motif in some of my paintings is the figure of the painter who is in the center of the boulevard and paints the entire scene unfolding in front of him, also there are two kindergarten teachers who are walking with the kindergarten children with the state flags that I paint, and loving couples hugging and kissing and family paintings of mother, father and child walking in harmony on the boulevard.
Question: Raphael Perez What characterizes your naive painting?
Answer: Most naive paintings have the same characteristics
(Definition as it appears in Wikipedia)
• Tells a simple story to absorb from everyday life, usually with humans.
• The representation of the painter's idealization to reality - the mapping of reality.
• Failure to maintain perspective - especially details even in distant details.
• Extensive use of repeating patterns - many details.
• Warm and bright colors.
• Sometimes the emphasis is on outlines.
• Most of the characters are flat, lack volume
• No interest in texture, expression, correct proportions
• No interest in anatomy.
• There is not much use of light and shadow, the colors create a three-dimensional effect.
I find these definitions to be valid for all my naive paintings
Question: Raphael Perez Why do you mainly choose the city of Tel Aviv?
Answer: I was born in Jerusalem, the capital city which I love very much and also paint,
I love the special Bauhaus buildings in Tel Aviv, the ornamental buildings that were built a century ago in the 1920s and 1930s, the beautiful boulevards, towers and modern skyscrapers give you the feeling of the hustle and bustle of a large metropolis and there are quite a few low and tall buildings that are architecturally fascinating in their form the special one
Also, the move to Tel Aviv, which is the capital of culture, freedom, and secularism, allowed me to live my life as I chose, to live in a relationship with a man, Jerusalem, which is a traditional city, it is more complicated to live a homosexual life, also, the art world takes place mainly in the city of Tel Aviv, and it is possible that from a professional point of view, this allows I can support myself better in Tel Aviv than in any other city in Israel.
Question: raphael perez are the paintings of the city of Tel Aviv different from the paintings of the city of Jerusalem
Answer: Most of the paintings of Jerusalem have an emphasis on the color yellow, gold, the color of the old city walls, the subjects I painted in Jerusalem are mainly a type of idealization of a peaceful life between Jews and Arabs and paintings that deal with the Jewish religious world, a number of paintings depict all shades of the currents of Judaism of today
In contrast, the Tel Aviv paintings are more colorful, with skyscrapers, the sea, balloons and more secular motifs
Question: Raphael Perez Tell us about which buildings and their architects you usually choose in your city paintings
Answer: My favorite buildings are those that have a special shape that anyone can recognize and are the symbols of the city and you will give several examples:
In the city of Tel Aviv, my favorite buildings are: the opera building with its unusual geometric shape, the Yisrotel tower with its special head, the Hail Bo Shalom tower that for years was the symbol of the tallest building in Tel Aviv, the Levin house that looks like a Japanese pagoda, the burgundy-colored Nordeau hotel with the special dome at the end of the building, A pair of Alon towers with the special structure of the sea, Bauhaus buildings typical of Tel Aviv with the special balconies and the special staircase, the Yaakov Agam fountain in Dizengoff square appears in a large part of the paintings, many towers that are in the stock exchange complex, the Aviv towers and other tall buildings on Ayalon, in some of the paintings I took plans An outline of future buildings that need to be built in the city and I drew them even before they were built in reality,
In the paintings of Jerusalem, I mainly chose the area of the Old City and East Jerusalem, a painting of the walls of the Old City, the Western Wall, the Church of the Holy Sepulcher, the El Akchea Mosque, the Tower of David, most of the famous churches in the city, the right hand of Moses, in most of the paintings the Jew is wearing a blue shirt with a red male cord I was in the youth movement and the Arab with a galabia, and in the paintings of the religious public then, Jews with black suits and white shirts, tallitas, kippahs, special hats, synagogues and more
I also created three paintings of the city of Haifa and one painting of Safed
In the Haifa paintings I drew the university, the Technion, the famous Egged Tower, the Sail Tower, well-known hotels, of course the Baha'i Gardens and the Baha'i Temple, Haifa Port and the boats and other famous buildings in the city
Question: Have you created series of other cities from around the world?
Answer: I created series of New York City with all the iconic and famous buildings such as: the Guggenheim Museum, the famous skyscrapers - the Chrysler Building, the Empire State Building, Lincoln Center, the famous synagogue in the city, the Statue of Liberty, the flags of the United States and other famous buildings
Two paintings of London and all its famous sites, Big Ben, famous monuments, the Ferris wheel, Queen Elizabeth and her family, the double bus, the famous public telephone, palaces, famous churches, well-known monuments
I created 4 naive paintings of cities in China, a painting of Shanghai, two paintings of the city of Suzhou and a painting of the World Park in the city of Beijing... I chose the famous skyline of Shanghai with all the famous towers, the famous promenade, temples and old buildings, two Paintings of the city of Suzhou with the famous canals, bridges, special gardens, towers and skyscrapers of the city
Answering any questions you may have, post them here :)
****************************************
For a while now it has been very difficult to find the time to reply to all of the comments made on my photos as I did in the past. The main problem being time and the fact that there are so many photos and the amount of followers are always increasing and has now reached a point that has me snowed under.
However, I have been reading all of your comments, and with the new Flickr app it has made it difficult to get back to them to reply, especially where questions were asked, so please use this upload as a central place for now, if you have questions that can't go unanswered!
xx
-Tawney
Nikon D810 Photos Pro Women's Surfing Swatch Women's Pro Trestles Sports Photography With New Tamron SP 150-600mm F/5-6.3 Di VC USD Lens for Nikon!
New blog!
I get a lot of questions here, so if you have one, please ask at the blog! Thanks!
Swatch Women's Pro in Trestles San Clemente with pro surfers /models Alana Blanhard, Lakey Peterson, Laura Enever, Sally Fitzgibbons, Coco Ho, Stephanie Gilmore, newcomer Nikki Van Dijk, and more!
The new Nikon D810 rocks for sports photography! New Instagram!
Goddess videos! vimeo.com/45surf
Nikon D810 Photos Pro Women's Surfing Van's US Open Sports Photography Tamron SP 150-600mm F/5-6.3 Di VC USD !
I shot in DX mode which crops away the extra pixels and takes me 1.5X closer while allowing for up to 7 FPS with the Nikon D810's Nikon MB-D12 Battery Grip using the 8 AA battery option! 8 Duracels took me through around 3,000 shots no problem--maybe more! I was shooting at the equivalent of 900mm with the 1.5x crop factor! Pretty close! Had I gone with the Nikon D4s, I would have gotten 12 fps, but no DX crop factor, as the sensor has only around 14mp, compared to the d810's 36 megapixels! Sure the larger pixel size on the Nikon D4s full frame sensor comes in handy indoors or at night, but in the bright sun, there's more than enough light for the smaller pixels in crop mode! Sure we lose some pixels from the outer edges when shooting in DX crop mode, but most of those pixels would be cropped away in lightroom anyway. And the smaller files make the memory cards last longer, while also upping the FPS to 7 shots per second! Not quite 12 FPS, but still awesome and enough I felt!
What a beautiful way to test the Nikon D810 and Tamron 150-600mm zoom lens for sports photography!
Athletic graceful girl goddesses! Tall, thin, fit and in shape! Pro women's surfers form the van's us open wearing both long wetsuits and bikini bottoms with shorty wetsuit tops/summer wetsuits. Sexy, beautiful beach babes and water goddesses all! Many are professional swimsuit bikini / surf lifestyle models too!
Tamron SP 150-600mm F/5-6.3 Di VC USD Autofocus lens for Nikon AF-D Cameras.
The new Nikon D810 rocks for sports photography New Instagram!
Deputy President David Mabuza briefing members of the National Council of Provinces (NCOP), at Parliament, Cape Town, on efforts led by government to bring stability to the National Power Utility, Eskom, measures to improve governance and performance of State Owned Companies, and progress on the Land Reform Programme, during his reply to oral questions. [Photo: GCIS]
Things get lively again during Prime Minister's Questions as the PM is ordered to sit down as he looks away from the Speaker of the House during his answer.
If you have any questions or would like to contribute to this archive, please visit www.underjams.art and contact me on Twitter DM or Telegram ♥
Feel free to use this image for your website or blog as long as you agree to the following -
You include photo credit with a clickable (hyperlinked) and do-follow link to -
No Derivative Works - You may not alter, transform, or build upon this work.
A full interview with the Israeli painter Raphael Perez (in Hebrew Rafi Peretz) about the ideas behind the naive painting, resume, personal biography and CV
Question: Raphael Perez Tell us about your work process as a naive painter?
Answer: I choose the most iconic and famous buildings in every city and town that are architecturally interesting and have a special shape and place the iconic buildings on boulevards full of trees, bushes, vegetation, flowers.
Question: How do you give depth in your naive paintings?
Answer: To give depth to the painting, I build the painting with layers of vegetation, after those low famous buildings, followed by a tall avenue of trees, and behind them towers and skyscrapers, in the sky I sometimes put innocent signs of balloons, kites.
A recurring motif in some of my paintings is the figure of the painter who is in the center of the boulevard and paints the entire scene unfolding in front of him, also there are two kindergarten teachers who are walking with the kindergarten children with the state flags that I paint, and loving couples hugging and kissing and family paintings of mother, father and child walking in harmony on the boulevard.
Question: Raphael Perez What characterizes your naive painting?
Answer: Most naive paintings have the same characteristics
(Definition as it appears in Wikipedia)
• Tells a simple story to absorb from everyday life, usually with humans.
• The representation of the painter's idealization to reality - the mapping of reality.
• Failure to maintain perspective - especially details even in distant details.
• Extensive use of repeating patterns - many details.
• Warm and bright colors.
• Sometimes the emphasis is on outlines.
• Most of the characters are flat, lack volume
• No interest in texture, expression, correct proportions
• No interest in anatomy.
• There is not much use of light and shadow, the colors create a three-dimensional effect.
I find these definitions to be valid for all my naive paintings
Question: Raphael Perez Why do you mainly choose the city of Tel Aviv?
Answer: I was born in Jerusalem, the capital city which I love very much and also paint,
I love the special Bauhaus buildings in Tel Aviv, the ornamental buildings that were built a century ago in the 1920s and 1930s, the beautiful boulevards, towers and modern skyscrapers give you the feeling of the hustle and bustle of a large metropolis and there are quite a few low and tall buildings that are architecturally fascinating in their form the special one
Also, the move to Tel Aviv, which is the capital of culture, freedom, and secularism, allowed me to live my life as I chose, to live in a relationship with a man, Jerusalem, which is a traditional city, it is more complicated to live a homosexual life, also, the art world takes place mainly in the city of Tel Aviv, and it is possible that from a professional point of view, this allows I can support myself better in Tel Aviv than in any other city in Israel.
Question: raphael perez are the paintings of the city of Tel Aviv different from the paintings of the city of Jerusalem
Answer: Most of the paintings of Jerusalem have an emphasis on the color yellow, gold, the color of the old city walls, the subjects I painted in Jerusalem are mainly a type of idealization of a peaceful life between Jews and Arabs and paintings that deal with the Jewish religious world, a number of paintings depict all shades of the currents of Judaism of today
In contrast, the Tel Aviv paintings are more colorful, with skyscrapers, the sea, balloons and more secular motifs
Question: Raphael Perez Tell us about which buildings and their architects you usually choose in your city paintings
Answer: My favorite buildings are those that have a special shape that anyone can recognize and are the symbols of the city and you will give several examples:
In the city of Tel Aviv, my favorite buildings are: the opera building with its unusual geometric shape, the Yisrotel tower with its special head, the Hail Bo Shalom tower that for years was the symbol of the tallest building in Tel Aviv, the Levin house that looks like a Japanese pagoda, the burgundy-colored Nordeau hotel with the special dome at the end of the building, A pair of Alon towers with the special structure of the sea, Bauhaus buildings typical of Tel Aviv with the special balconies and the special staircase, the Yaakov Agam fountain in Dizengoff square appears in a large part of the paintings, many towers that are in the stock exchange complex, the Aviv towers and other tall buildings on Ayalon, in some of the paintings I took plans An outline of future buildings that need to be built in the city and I drew them even before they were built in reality,
In the paintings of Jerusalem, I mainly chose the area of the Old City and East Jerusalem, a painting of the walls of the Old City, the Western Wall, the Church of the Holy Sepulcher, the El Akchea Mosque, the Tower of David, most of the famous churches in the city, the right hand of Moses, in most of the paintings the Jew is wearing a blue shirt with a red male cord I was in the youth movement and the Arab with a galabia, and in the paintings of the religious public then, Jews with black suits and white shirts, tallitas, kippahs, special hats, synagogues and more
I also created three paintings of the city of Haifa and one painting of Safed
In the Haifa paintings I drew the university, the Technion, the famous Egged Tower, the Sail Tower, well-known hotels, of course the Baha'i Gardens and the Baha'i Temple, Haifa Port and the boats and other famous buildings in the city
Question: Have you created series of other cities from around the world?
Answer: I created series of New York City with all the iconic and famous buildings such as: the Guggenheim Museum, the famous skyscrapers - the Chrysler Building, the Empire State Building, Lincoln Center, the famous synagogue in the city, the Statue of Liberty, the flags of the United States and other famous buildings
Two paintings of London and all its famous sites, Big Ben, famous monuments, the Ferris wheel, Queen Elizabeth and her family, the double bus, the famous public telephone, palaces, famous churches, well-known monuments
I created 4 naive paintings of cities in China, a painting of Shanghai, two paintings of the city of Suzhou and a painting of the World Park in the city of Beijing... I chose the famous skyline of Shanghai with all the famous towers, the famous promenade, temples and old buildings, two Paintings of the city of Suzhou with the famous canals, bridges, special gardens, towers and skyscrapers of the city
Stained glass Masonic Square and Compasses hang at the foot of my bed.
Masonic Square and Compasses.
The Square and Compasses (or, more correctly, a square and a set of compasses joined together) is the single most identifiable symbol of Freemasonry. Both the square and compasses are architect's tools and are used in Masonic ritual as emblems to teach symbolic lessons. Some Lodges and rituals explain these symbols as lessons in conduct: for example, Duncan's Masonic Monitor of 1866 explains them as: "The square, to square our actions; The compasses, to circumscribe and keep us within bounds with all mankind".
However, as Freemasonry is non-dogmatic, there is no general interpretation for these symbols (or any Masonic symbol) that is used by Freemasonry as a whole.
Square and Compasses:
Source: Mackey's Encyclopedia of Freemasonry
These two symbols have been so long and so universally combined — to teach us, as says an early instruction, "to square our actions and to keep them within due bounds," they are so seldom seen apart, but are so kept together, either as two Great Lights, or as a jewel worn once by the Master of the Lodge, now by the Past Master—that they have come at last to be recognized as the proper badge of a Master Mason, just as the Triple Tau is of a Royal Arch Mason or the Passion Cross of a Knight Templar.
So universally has this symbol been recognized, even by the profane world, as the peculiar characteristic of Freemasonry, that it has recently been made in the United States the subject of a legal decision. A manufacturer of flour having made, in 1873, an application to the Patent Office for permission to adopt the Square and Compasses as a trade-mark, the Commissioner of Patents, .J. M. Thatcher, refused the permission as the mark was a Masonic symbol.
If this emblem were something other than precisely what it is—either less known", less significant, or fully and universally understood—all this might readily be admitted. But, Considering its peculiar character and relation to the public, an anomalous question is presented. There can be no doubt that this device, so commonly worn and employed by Masons, has an established mystic significance, universally recognized as existing; whether comprehended by all or not, is not material to this issue. In view of the magnitude and extent of the Masonic organization, it is impossible to divest its symbols, or at least this particular symbol—perhaps the best known of all—of its ordinary signification, wherever displaced, either as an arbitrary character or otherwise.
It will be universally understood, or misunderstood, as having a Masonic significance; and, therefore, as a trade-mark, must constantly work deception. Nothing could be more mischievous than to create as a monopoly, and uphold by the poser of lacy anything so calculated. as applied to purposes of trade. to be misinterpreted, to mislead all classes, and to constantly foster suggestions of mystery in affairs of business (see Infringing upon Freemasonry, also Imitative Societies, and Clandestine).
In a religious work by John Davies, entitled Summa Totalis, or All in All and the Same Forever, printed in 1607, we find an allusion to the Square and Compasses by a profane in a really Masonic sense. The author, who proposes to describe mystically the form of the Deity, says in his dedication:
Yet I this forme of formelesse Deity,
Drewe by the Squire and Compasse of our Creed.
In Masonic symbolism the Square and Compasses refer to the Freemason's duty to the Craft and to himself; hence it is properly a symbol of brotherhood, and there significantly adopted as the badge or token of the Fraternity.
Berage, in his work on the higher Degrees, Les plus secrets Mystéres des Hauts Grades, or The Most Secret Mysteries of the High Grades, gives a new interpretation to the symbol. He says: "The Square and the Compasses represent the union of the Old and New Testaments. None of the high Degrees recognize this interpretation, although their symbolism of the two implements differs somewhat from that of Symbolic Freemasonry.
The Square is with them peculiarly appropriated to the lower Degrees, as founded on the Operative Art; while the Compasses, as an implement of higher character and uses, is attributed to the Decrees, which claim to have a more elevated and philosophical foundation. Thus they speak of the initiate, when he passes from the Blue Lodge to the Lodge of Perfection, as 'passing from the Square to the Compasses,' to indicate a progressive elevation in his studies. Yet even in the high Degrees, the square and compasses combined retain their primitive signification as a symbol of brotherhood and as a badge of the Order."
Square and Compass:
Source: The Builder October 1916
By Bro. B. C. Ward, Iowa
Worshipful Master and Brethren: Let us behold the glorious beauty that lies hidden beneath the symbolism of the Square and Compass; and first as to the Square. Geometry, the first and noblest of the sciences, is the basis on which the superstructure of Masonry has been erected. As you know, the word "Geometry" is derived from two Greek words which mean "to measure the earth," so that Geometry originated in measurement; and in those early days, when land first began to be measured, the Square, being a right angle, was the instrument used, so that in time the Square began to symbolize the Earth. And later it began to symbolize, Masonically, the earthly-in man, that is man's lower nature, and still later it began to symbolize man's duty in his earthly relations, or his moral obligations to his Fellowmen. The symbolism of the Square is as ancient as the Pyramids. The Egyptians used it in building the Pyramids. The base of every pyramid is a perfect square, and to the Egyptians the Square was their highest and most sacred emblem. Even the Chinese many, many centuries ago used the Square to represent Good, and Confucius in his writings speaks of the Square to represent a Just man.
As Masons we have adopted the 47th Problem of Euclid as the rule by which to determine or prove a perfect Square. Many of us remember with what interest we solved that problem in our school days. The Square has become our most significant Emblem. It rests upon the open Bible on this altar; it is one of the three great Lights; and it is the chief ornament of the Worshipful Master. There is a good reason why this distinction has been conferred upon the Square. There can be nothing truer than a perfect Square--a right angle. Hence the Square has become an emblem of Perfection.
Now a few words as to the Compass: Astronomy was the second great science promulgated among men. In the process of Man's evolution there came a time when he began to look up to the stars and wonder at the vaulted Heavens above him. When he began to study the stars, he found that the Square was not adapted to the measurement of the Heavens. He must have circular measure; he needed to draw a circle from a central point, and so the Compass was employed. By the use of the Compass man began to study the starry Heavens, and as the Square primarily symbolized the Earth, the Compass began to symbolize the Heavens, the celestial canopy, the study of which has led men to think of God, and adore Him as the Supreme Architect of the Universe. In later times the Compass began to symbolize the spiritual or higher nature of man, and it is a significant fact that the circumference of a circle, which is a line without end, has become an emblem of Eternity and symbolizes Divinity; so the Compass, and the circle drawn by the Compass, both point men Heavenward and Godward.
The Masonic teaching concerning the two points of the Compass is very interesting and instructive. The novitiate in Masonry, as he kneels at this altar, and asks for Light sees the Square, which symbolizes his lower nature, he may well note the position of the Compass. As he takes another step, and asks for more Light, the position of the Compass is changed somewhat, symbolizing that his spiritual nature can, in some measure, overcome his evil tendencies. As he takes another step in Masonry, and asks for further Light, and hears the significant words, "and God said let there be Light, and there was Light," he sees the Compass in new light; and for the first time he sees the meaning, thus unmistakably alluding to the sacred and eternal truth that as the Heavens are higher than the Earth, so the spiritual is higher than the material, and the spiritual in man must have its proper place, and should be above his lower nature, and dominate all his thoughts and actions. That eminent Philosopher, Edmund Burke, once said, "It is ordained that men of intemperate passions cannot be free. Their passions forge the chains which bind them, and make them slaves." Burke was right. Masonry, through the beautiful symbolism of the Compass, tells us how we can be free men, by permitting the spiritual within us to overcome our evil tendencies, and dominate all our thoughts and actions. Brethren, sometimes in the silent quiet hour, as we think of this conflict between our lower and higher natures, we sometimes say in the words of another, "Show me the way and let me bravely climb to where all conflicts with the flesh shall cease. Show me that way. Show me the way up to a higher plane where my body shall be servant of my Soul. Show me that way."
Brethren, if that prayer expresses desire of our hearts, let us take heed to the beautiful teachings of the Compass, which silently and persistently tells each one of us,
"You should not in the valley stay
While the great horizons stretch away
The very cliffs that wall you round
Are ladders up to higher ground.
And Heaven draws near as you ascend,
The Breeze invites, the Stars befriend.
All things are beckoning to the Best,
Then climb toward God and find sweet Rest.”
The secrets of Freemasonry are concerned with its traditional modes of recognition. It is not a secret society, since all members are free to acknowledge their membership and will do so in response to enquiries for respectable reasons. Its constitutions and rules are available to the public. There is no secret about any of its aims and principles. Like many other societies, it regards some of its internal affairs as private matters for its members. In history there have been times and places where promoting equality, freedom of thought or liberty of conscience was dangerous. Most importantly though is a question of perspective. Each aspect of the craft has a meaning. Freemasonry has been described as a system of morality, veiled in allegory and illustrated by symbols. Such characteristics as virtue, honour and mercy, such virtues as temperance, fortitude, prudence and justice are empty clichés and hollow words unless presented within an ordered and closed framework. The lessons are not secret but the presentation is kept private to promote a clearer understanding in good time. It is also possible to view Masonic secrecy not as secrecy in and of itself, but rather as a symbol of privacy and discretion. By not revealing Masonic secrets, or acknowledging the many published exposures, freemasons demonstrate that they are men of discretion, worthy of confidences, and that they place a high value on their word and bond.
Masonic Square and Compasses.
The Square and Compasses (or, more correctly, a square and a set of compasses joined together) is the single most identifiable symbol of Freemasonry. Both the square and compasses are architect's tools and are used in Masonic ritual as emblems to teach symbolic lessons. Some Lodges and rituals explain these symbols as lessons in conduct: for example, Duncan's Masonic Monitor of 1866 explains them as: "The square, to square our actions; The compasses, to circumscribe and keep us within bounds with all mankind".
However, as Freemasonry is non-dogmatic, there is no general interpretation for these symbols (or any Masonic symbol) that is used by Freemasonry as a whole.
Square and Compasses:
Source: Mackey's Encyclopedia of Freemasonry
These two symbols have been so long and so universally combined — to teach us, as says an early instruction, "to square our actions and to keep them within due bounds," they are so seldom seen apart, but are so kept together, either as two Great Lights, or as a jewel worn once by the Master of the Lodge, now by the Past Master—that they have come at last to be recognized as the proper badge of a Master Mason, just as the Triple Tau is of a Royal Arch Mason or the Passion Cross of a Knight Templar.
So universally has this symbol been recognized, even by the profane world, as the peculiar characteristic of Freemasonry, that it has recently been made in the United States the subject of a legal decision. A manufacturer of flour having made, in 1873, an application to the Patent Office for permission to adopt the Square and Compasses as a trade-mark, the Commissioner of Patents, .J. M. Thatcher, refused the permission as the mark was a Masonic symbol.
If this emblem were something other than precisely what it is—either less known", less significant, or fully and universally understood—all this might readily be admitted. But, Considering its peculiar character and relation to the public, an anomalous question is presented. There can be no doubt that this device, so commonly worn and employed by Masons, has an established mystic significance, universally recognized as existing; whether comprehended by all or not, is not material to this issue. In view of the magnitude and extent of the Masonic organization, it is impossible to divest its symbols, or at least this particular symbol—perhaps the best known of all—of its ordinary signification, wherever displaced, either as an arbitrary character or otherwise.
It will be universally understood, or misunderstood, as having a Masonic significance; and, therefore, as a trade-mark, must constantly work deception. Nothing could be more mischievous than to create as a monopoly, and uphold by the poser of lacy anything so calculated. as applied to purposes of trade. to be misinterpreted, to mislead all classes, and to constantly foster suggestions of mystery in affairs of business (see Infringing upon Freemasonry, also Imitative Societies, and Clandestine).
In a religious work by John Davies, entitled Summa Totalis, or All in All and the Same Forever, printed in 1607, we find an allusion to the Square and Compasses by a profane in a really Masonic sense. The author, who proposes to describe mystically the form of the Deity, says in his dedication:
Yet I this forme of formelesse Deity,
Drewe by the Squire and Compasse of our Creed.
In Masonic symbolism the Square and Compasses refer to the Freemason's duty to the Craft and to himself; hence it is properly a symbol of brotherhood, and there significantly adopted as the badge or token of the Fraternity.
Berage, in his work on the higher Degrees, Les plus secrets Mystéres des Hauts Grades, or The Most Secret Mysteries of the High Grades, gives a new interpretation to the symbol. He says: "The Square and the Compasses represent the union of the Old and New Testaments. None of the high Degrees recognize this interpretation, although their symbolism of the two implements differs somewhat from that of Symbolic Freemasonry.
The Square is with them peculiarly appropriated to the lower Degrees, as founded on the Operative Art; while the Compasses, as an implement of higher character and uses, is attributed to the Decrees, which claim to have a more elevated and philosophical foundation. Thus they speak of the initiate, when he passes from the Blue Lodge to the Lodge of Perfection, as 'passing from the Square to the Compasses,' to indicate a progressive elevation in his studies. Yet even in the high Degrees, the square and compasses combined retain their primitive signification as a symbol of brotherhood and as a badge of the Order."
Square and Compass:
Source: The Builder October 1916
By Bro. B. C. Ward, Iowa
Worshipful Master and Brethren: Let us behold the glorious beauty that lies hidden beneath the symbolism of the Square and Compass; and first as to the Square. Geometry, the first and noblest of the sciences, is the basis on which the superstructure of Masonry has been erected. As you know, the word "Geometry" is derived from two Greek words which mean "to measure the earth," so that Geometry originated in measurement; and in those early days, when land first began to be measured, the Square, being a right angle, was the instrument used, so that in time the Square began to symbolize the Earth. And later it began to symbolize, Masonically, the earthly-in man, that is man's lower nature, and still later it began to symbolize man's duty in his earthly relations, or his moral obligations to his Fellowmen. The symbolism of the Square is as ancient as the Pyramids. The Egyptians used it in building the Pyramids. The base of every pyramid is a perfect square, and to the Egyptians the Square was their highest and most sacred emblem. Even the Chinese many, many centuries ago used the Square to represent Good, and Confucius in his writings speaks of the Square to represent a Just man.
As Masons we have adopted the 47th Problem of Euclid as the rule by which to determine or prove a perfect Square. Many of us remember with what interest we solved that problem in our school days. The Square has become our most significant Emblem. It rests upon the open Bible on this altar; it is one of the three great Lights; and it is the chief ornament of the Worshipful Master. There is a good reason why this distinction has been conferred upon the Square. There can be nothing truer than a perfect Square--a right angle. Hence the Square has become an emblem of Perfection.
Now a few words as to the Compass: Astronomy was the second great science promulgated among men. In the process of Man's evolution there came a time when he began to look up to the stars and wonder at the vaulted Heavens above him. When he began to study the stars, he found that the Square was not adapted to the measurement of the Heavens. He must have circular measure; he needed to draw a circle from a central point, and so the Compass was employed. By the use of the Compass man began to study the starry Heavens, and as the Square primarily symbolized the Earth, the Compass began to symbolize the Heavens, the celestial canopy, the study of which has led men to think of God, and adore Him as the Supreme Architect of the Universe. In later times the Compass began to symbolize the spiritual or higher nature of man, and it is a significant fact that the circumference of a circle, which is a line without end, has become an emblem of Eternity and symbolizes Divinity; so the Compass, and the circle drawn by the Compass, both point men Heavenward and Godward.
The Masonic teaching concerning the two points of the Compass is very interesting and instructive. The novitiate in Masonry, as he kneels at this altar, and asks for Light sees the Square, which symbolizes his lower nature, he may well note the position of the Compass. As he takes another step, and asks for more Light, the position of the Compass is changed somewhat, symbolizing that his spiritual nature can, in some measure, overcome his evil tendencies. As he takes another step in Masonry, and asks for further Light, and hears the significant words, "and God said let there be Light, and there was Light," he sees the Compass in new light; and for the first time he sees the meaning, thus unmistakably alluding to the sacred and eternal truth that as the Heavens are higher than the Earth, so the spiritual is higher than the material, and the spiritual in man must have its proper place, and should be above his lower nature, and dominate all his thoughts and actions. That eminent Philosopher, Edmund Burke, once said, "It is ordained that men of intemperate passions cannot be free. Their passions forge the chains which bind them, and make them slaves." Burke was right. Masonry, through the beautiful symbolism of the Compass, tells us how we can be free men, by permitting the spiritual within us to overcome our evil tendencies, and dominate all our thoughts and actions. Brethren, sometimes in the silent quiet hour, as we think of this conflict between our lower and higher natures, we sometimes say in the words of another, "Show me the way and let me bravely climb to where all conflicts with the flesh shall cease. Show me that way. Show me the way up to a higher plane where my body shall be servant of my Soul. Show me that way."
Brethren, if that prayer expresses desire of our hearts, let us take heed to the beautiful teachings of the Compass, which silently and persistently tells each one of us,
"You should not in the valley stay
While the great horizons stretch away
The very cliffs that wall you round
Are ladders up to higher ground.
And Heaven draws near as you ascend,
The Breeze invites, the Stars befriend.
All things are beckoning to the Best,
Then climb toward God and find sweet Rest."
The 'Park of Honour of Those Who Were Shot'
Memorial and graves of resistance heroes and martyrs - brave Jews, brave Christians, dissidents, anti-fascists, socialists, rebels, samizdat journalists and organisers - those who dared to question and fight oppression, and the evil Powers That Be.
Here you see the faces of my brothers, my own dear family, my partners in fighting sheer political evil - resting in their graves here, in perhaps the most poignant place in all of Brussels, Belgium. Here lie those in Belgium who were shot fighting the Nazis of the 1940s - as I myself have nearly been killed fighting the more recent fascists, some of the 'new Nazis' of the 21st century.
Shortly after I arrived in Brussels as a political refugee from the US, under threat of murder by far-right political figures, this is one of the first places I visited. I came here to weep some tears amid the companionship of my anti-fascist comrades, who also looked death in the eye as they tried to speak and act for what is right.
The camera used here, and the chance to make these photos, are gifts of the brave dissident US Jewish physician, Dr Moshe 'Moss' David Posner, who risked and gambled his own life, to support me and help keep me alive in the face of threats by neo-Nazi assassins.
These are photos from the daily life of writer and political refugee from the US, Dr Les (Leslie) Sachs - photos documenting my new beloved home city of Brussels, Belgium, my life among the people and Kingdom who have given me safety in the face of the threats to destroy me. Brussels has a noble history of providing a safe haven to other dissident refugee writers, such as Victor Hugo, Karl Marx, Charles Baudelaire, and Alexandre Dumas, and I shall forever be grateful that Brussels and Belgium have helped to protect my own life as well.
(To read about the efforts to silence me and my journalism, the attacks on me, the smears and the threats, see the website by European journalists "About Les Sachs" linked in my Flickr profile, and press articles such as "Two EU Writers Under Threat of Murder: Roberto Saviano and Dr Les Sachs".)
This extremely moving memorial and gravesite, is known locally as the Enclos des Fusillés - Ereperk der Gefusillerden (Brussels is bi-lingual French- and Dutch-speaking, so place names are given in both languages here.) - In English, the name is perhaps best rendered as the "Park of Honour of Those Who Were Shot".
The Enclos des Fusillés - Ereperk der Gefusilleerden includes many martyrs of the Belgian resistance of World War II, being both their gravesite and also the place where many of them were shot to death by a Nazi firing squad. - And it is also a memorial and the place of death, of other heroic figures who were shot to death in the previous German occupation of Belgium during World War I. One heroine from the First World War who was shot by the Germans and is now commemorated here, is the famous British nurse Edith Cavell.
The reason that this was a convenient place of execution by firing squad, is that it was originally part of a Belgian military training area and rifle range that existed here once upon a time, and you still see here the tall hillside that served as an earthen 'backstop' to safely absorb high-powered rifle bullets. The hillside was thus ready-made for the German commandants who occupied Brussels in both wars, to carry out their firing-squad executions.
Nowadays, the Enclos des Fusillés - Ereperk der Gefusilleerden appears quite 'central' in urban Brussels, as it lies in the Schaerbeek - Schaarbeek commune, directly in the path from the EU institution area toward the roads that lead to the airport, and very near to the 90-metre high VRT-RTBF communications tower that has long been a major Brussels landmark.
The Enclos des Fusillés - Ereperk der Gefusilleerden is walking distance from the eastern Brussels 'prémétro', which is a grouping of tram lines that run underground for several stops on both the eastern and western sides of the Brussels city centre, supplementing the regular métro underground system with a similarly high frequency of service and also underground. If you continue along the prémétro lines south from the Diamant stop which is near the Enclos des Fusillés - Ereperk der Gefusilleerden, you shortly arrive at the elaborate 19th-century military barracks buildings which once housed the soldiers who used the rifle range and parade grounds, which later become the place of martyrdom for members of the anti-Nazi resistance.
This is a place of great emotion for me personally, because the resistance martyrs who lie in these graves - a number of them socialists, journalists and with Jewish-heritage, critics of corruption just like myself - are my comrades in my own ordeal. I barely escaped alive out of the USA, nearly murdered by neo-Nazi-linked thugs, who themselves spoke favourably of Hitler as they moved toward killing me, as well as trying to ban my ability to write and speak.
It is sad that this place, Enclos des Fusillés - Ereperk der Gefusilleerden, is very little visited nowadays. Most of the time when I come here to contemplate and shed a few tears amid my comrades, and also to gain strength from their brave spirits, I am alone. Many of the family members and children of those who died or are buried here, have now themselves often passed away.
But on occasion there are people visiting, and on one day I was privileged to meet the daughter of one of the resistance martyrs who is buried here. She spoke to me of being a little girl, and seeing the Nazis arrest her father inside their home. She spoke about how they tied his hands behind his back, and yet how bravely he looked at her one last time. - She never saw her father alive again, and she is now in her seventies. - But when she spoke of her father, her voice grew energised and strong. She said she remembered the day of her father's arrest like if it was yesterday. And as she spoke, I could feel it and almost see it, as if I had been there myself.
The heroes in these graves are quite alive for me still. I am a religious man, a person of faith, and I believe in the life hereafter. - Many people have been afraid to help me, abandoning me to be murdered by the powerful forces of the American government - people too frightened to dare oppose the deadly US power of global assassination, the vicious US global media slandering of a dissident's reputation - Yet when I walk here at the Enclos des Fusillés - Ereperk der Gefusilleerden, I feel myself amid a powerful throng of comrades, among brave people who understand me, people who know what it is like to be menaced with murder and to look death straight in the eye. - I feel the spirits in these graves support me and sustain me, that they welcome me as one among themselves.
It is my privilege now to honour these brave companions of mine, giving their memory some further renown and support. And I have wanted very much to do so, as the Enclos des Fusillés - Ereperk der Gefusilleerden still is in need of expanded documentation on the Web, before some of what can be seen here fades away much further.
One of the most powerful aspects of visiting this tree-lined and grassy cemetery and memorial, is that you see on a number of the grave markers, not only names and comments from loved ones, but in some cases actual pictures of these brave people, pictures rendered into sepia-type photos on porcelain. Though efforts were made to make these photographs permanent, the elements and the years and decades have taken their toll. Many of the pictures are now faded, or cracked, or broken, or fallen on the ground from their mountings. In one case I held a cracked porcelain image together with one hand, while taking the photo with the other hand. The years are passing, and I have wanted to document the faces of these brave heroes before they disappear, before time takes a greater toll on this place of sacred honour.
You look into the eyes of these brave people, and you see and feel the spirit of true bravery, of genuine resistance of oppression, resistance to the point of death, their hope that sacrificing one's own life in the fight, will yet do some good for others in the world. Look into their eyes, and you see their faces, faces of real people, quite like anyone in some ways, but in other ways very special, with a light in them that carries far beyond their own death - people who yet had the fire of faith in that Greater than mere earthly existence.
In this hillside that you see in the photos - the hillside in front of which many of these heroes stood in the moment as they were shot to death - in that hillside is a large memorial marker to the heroes of World War I who died here. On that marker it says:
Ici tomberent
sous les balles allemandes
35 héros victimes de leur
attachement à la patrie
Hier vielen
onder de duitse kogels
35 helden ten offer
aan hun liefde voor het vaderland
Here fell 35 heroes
who offered their lives
for their country
shot by the Germans
You'll notice that the 4th name down on the marker is that of Edith Louisa Cavell (1865-1915), with just her initial and last name and the date of her death here, on 12 October 1915:
Cavell E. 12-10-1915
The banners that you see here, in the colours of red, yellow, and black, are in the three colours of the national flag of Belgium
There are 17 rows of graves here at the Enclos des Fusillés - Ereperk der Gefusilleerden, 12 on the upper level closer to the hillside, and then five on the lower level below. Between the upper and lower levels is an obelisk serving as a kind of centre for the memorial as a whole. On the obelisk it says, on one side in Dutch, on the other side in French:
Opgericht door de Verbroedering van de Vriendenkringen der Nazikampenen Gevangenissen
XXVe Verjaring
April 1970
Erigé par le Fraternelle des Amicales de Camps et Prisons Nazis
XXVe Anniversaire
April 1970
In English this would be:
Constructed by the Association of Friends of Those in the Nazi Camps and Prisons
25th Anniversary
April 1970
Around this obelisk lay some faded but still visibly grand wreaths, placed here by the highest figures of Belgian public life. One great wreath at the centre, placed here by the King of the Belgians, Albert II, and his wife Paola, whose royal household has very quietly but effectively supplied some of the protection for me in Belgium, that has so far prevented me from being murdered here by foreign powers. - You see the ribbon say simply 'Albert - Paola'.
And another large wreath has a ribbon saying 'la Gouvernement - de Regering', from the government of Belgium.
Though many of the resistance martyrs buried here, were shot by firing squad right on this spot, a number of these martyrs died in other places, most especially in the Belgian concentration camp at Breendonk (Breendonck), which due to its stone structure is one of the best-preserved Nazi concentration camps. Breendonk can be visited today, about 40 kilometres north of Brussels in the direction of Antwerp, very near the Willebroek train station.
Among the graves here, a number are of heroes of the anti-Nazi resistance whose names are unknown: 'Inconnu - Onbekend' say the grave markers in French and in Dutch. In one row, there are six unknowns side-by-side; and then the entire final last row of the Enclos des Fusillés - Ereperk der Gefusilleerden, is all the resting place of unknown heroes, 21 altogether.
In any struggle against oppressive government, there are often unknown heroes. - And as I myself am a victim of brutal deceptive media smear campaigns, as well as the US regime ordering search engines to suppress my own websites, I can testify as to how hard the evil powers work, to try to see that those who fight the system, remain unknown, or else smeared and slandered with propaganda and lies.
There are perhaps yet other heroes of the World War II resistance, whose anonymous graves somewhere, may yet one day be found. One of the photos here is of a maintenance area by the side, where fresh grave markers are ready, some with crosses, some with a star of David, awaiting use for some other hero whose remains are yet to be discovered.
In addition to the photographs on the grave markers, which speak for themselves, a number of the graves are also marked with heartfelt statements by those who loved and honoured them. Most are in French, and with photos where there are such engraved statements, there are transcriptions of what you find, along with a translation.
Many of these resistance martyrs to the Nazis who lie here, are of course Jewish. The majority are Christians of Belgium, but a significant proportion of the heroes who lie here, are Jewish resistance martyrs of the Holocaust. And even more than one from the same family - the Livchitz brothers who lie here. Moreover, some of the Christians who are buried here, are of Jewish heritage as well - as I am myself, a unitarian Christian.
My own heritage on my mother's side is Jewish, and it was my commitment to honour the memory of relatives and other Jews who died in the Holocaust, that led to my being forced to become a political refugee from the United States. - Back when living in the US, I received a letter threatening the book-burning of the books of this Jewish-heritage writer, and I responded strongly. A few weeks later my freedom to speak and write was banned, and threats to extort and murder me were put in motion. This story has been told in other places (see link to press articles in my profile), but suffice it to say here, that it was my honouring the memory of murdered Jews, which led me to be a Jewish-heritage political refugee today in Brussels.
Though I am unitarian Christian by faith, the old Jewish sites of Brussels and Belgium strike deep chords within me, as I very much feel the spirit of the Jews who suffered and died under the kind of racist threats I have also suffered.
One of the things I am often-asked, as a Jewish-heritage political refugee, is why the Jewish groups and Jewish leaders, do not say or do more to defend me, against the threats to have me murdered, against the lies and hoaxes spread about me, against the blocking of my own journalism sites from the internet search engines. - For example, in my efforts to stay alive these last few years, I have received much more comfort and assistance and support from brave Muslims, than from the Jewish people who share my own heritage.
There are two main reasons for this kind of neglect of someone like myself by Jewish leaders. One is that I am not a political Zionist - I favour peace and justice for all the residents of the ancient holy lands of Palestine. - A second reason, is that there is a sad heritage among Jewish people, to stand by and do nothing while other Jews are attacked by the dominant power of the day. - It was that way in the old pogroms of Eastern Europe, it was that way under the Nazi-era exterminations, and it is that way today regarding the case of the United States. - Since it is the US regime which has been attacking me and forcing me to be a refugee here, Jewish 'leadership' simply does not want to confront the USA. Given that I am a non-Zionist, and a unitarian Christian in faith, well, that settles it as far as Jewish leaders are concerned, and they turn away and say nothing.
There are still some brave Jews, however, like one brave Orthodox Jewish physician in America, a friend who has helped me to be able to be here now, supplying these photographs of the Jewish and other martyrs of anti-Nazi resistance.
And the Jewish heritage is there in me, and I am glad I honoured the memory of the Holocaust dead, even though it led me into terrible sufferings at the hands of US political figures and the US regime.
There is a sense of profound spiritual achievement that I have, as I place on-line this historical record of the martyrs of the Enclos des Fusillés - Ereperk der Gefusilleerden. It is perhaps only by the grace of God that I was able to escape the US alive, from the clutches of the people menacing to illegally jail me and murder me in a US jail cell. - My now being able to honour the memory of my fellow anti-fascist figures in Belgium, who were shot dead by the Nazis of an earlier era, feels to me to be one of the important purposes, for which I was kept alive by divine hands.
To visit the Enclos des Fusillés - Ereperk der Gefusilleerden, you can walk about 600 metres from the Diamant 'prémétro' or underground tram stop which includes tram lines 23, 24, and 25. If you wish to get even closer by bus, you can take buses number 12, 21, or 79 the two stops from Diamant to the Colonel Bourg - Kolonel Bourg bus shelter sign. Alternatively, if you are in the EU area, you can take these same buses 12, 21 or 79 directly from the Schuman métro station by the EU's main Berlaymont building. Another route is that bus 80 from the Mérode metro station will also take you directly to the Colonel Bourg - Kolonel Bourg stop. A few tens of metres west of where the bus halts, along the rue Colonel Bourg - Kolonel Bourgstraat, you see the sign directing to the entrance of the Enclos des Fusillés - Ereperk der Gefusilleerden.
Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Laguna Beach! Victoria Beach! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3
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Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Check out my greatest hits compilation, and let me know what you think:
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Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
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She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown Black Hair!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Dynamic Dimensions Theory's First Law and equation: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c: dx4/dt=ic.
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All the best on your Epic Hero's Odyssey from Johny Ranger McCoy!
The 'Park of Honour of Those Who Were Shot'
Memorial and graves of resistance heroes and martyrs - brave Jews, brave Christians, dissidents, anti-fascists, socialists, rebels, samizdat journalists and organisers - those who dared to question and fight oppression, and the evil Powers That Be.
Here you see the faces of my brothers, my own dear family, my partners in fighting sheer political evil - resting in their graves here, in perhaps the most poignant place in all of Brussels, Belgium. Here lie those in Belgium who were shot fighting the Nazis of the 1940s - as I myself have nearly been killed fighting the more recent fascists, some of the 'new Nazis' of the 21st century.
Shortly after I arrived in Brussels as a political refugee from the US, under threat of murder by far-right political figures, this is one of the first places I visited. I came here to weep some tears amid the companionship of my anti-fascist comrades, who also looked death in the eye as they tried to speak and act for what is right.
The camera used here, and the chance to make these photos, are gifts of the brave dissident US Jewish physician, Dr Moshe 'Moss' David Posner, who risked and gambled his own life, to support me and help keep me alive in the face of threats by neo-Nazi assassins.
These are photos from the daily life of writer and political refugee from the US, Dr Les (Leslie) Sachs - photos documenting my new beloved home city of Brussels, Belgium, my life among the people and Kingdom who have given me safety in the face of the threats to destroy me. Brussels has a noble history of providing a safe haven to other dissident refugee writers, such as Victor Hugo, Karl Marx, Charles Baudelaire, and Alexandre Dumas, and I shall forever be grateful that Brussels and Belgium have helped to protect my own life as well.
(To read about the efforts to silence me and my journalism, the attacks on me, the smears and the threats, see the website by European journalists "About Les Sachs" linked in my Flickr profile, and press articles such as "Two EU Writers Under Threat of Murder: Roberto Saviano and Dr Les Sachs".)
This extremely moving memorial and gravesite, is known locally as the Enclos des Fusillés - Ereperk der Gefusillerden (Brussels is bi-lingual French- and Dutch-speaking, so place names are given in both languages here.) - In English, the name is perhaps best rendered as the "Park of Honour of Those Who Were Shot".
The Enclos des Fusillés - Ereperk der Gefusilleerden includes many martyrs of the Belgian resistance of World War II, being both their gravesite and also the place where many of them were shot to death by a Nazi firing squad. - And it is also a memorial and the place of death, of other heroic figures who were shot to death in the previous German occupation of Belgium during World War I. One heroine from the First World War who was shot by the Germans and is now commemorated here, is the famous British nurse Edith Cavell.
The reason that this was a convenient place of execution by firing squad, is that it was originally part of a Belgian military training area and rifle range that existed here once upon a time, and you still see here the tall hillside that served as an earthen 'backstop' to safely absorb high-powered rifle bullets. The hillside was thus ready-made for the German commandants who occupied Brussels in both wars, to carry out their firing-squad executions.
Nowadays, the Enclos des Fusillés - Ereperk der Gefusilleerden appears quite 'central' in urban Brussels, as it lies in the Schaerbeek - Schaarbeek commune, directly in the path from the EU institution area toward the roads that lead to the airport, and very near to the 90-metre high VRT-RTBF communications tower that has long been a major Brussels landmark.
The Enclos des Fusillés - Ereperk der Gefusilleerden is walking distance from the eastern Brussels 'prémétro', which is a grouping of tram lines that run underground for several stops on both the eastern and western sides of the Brussels city centre, supplementing the regular métro underground system with a similarly high frequency of service and also underground. If you continue along the prémétro lines south from the Diamant stop which is near the Enclos des Fusillés - Ereperk der Gefusilleerden, you shortly arrive at the elaborate 19th-century military barracks buildings which once housed the soldiers who used the rifle range and parade grounds, which later become the place of martyrdom for members of the anti-Nazi resistance.
This is a place of great emotion for me personally, because the resistance martyrs who lie in these graves - a number of them socialists, journalists and with Jewish-heritage, critics of corruption just like myself - are my comrades in my own ordeal. I barely escaped alive out of the USA, nearly murdered by neo-Nazi-linked thugs, who themselves spoke favourably of Hitler as they moved toward killing me, as well as trying to ban my ability to write and speak.
It is sad that this place, Enclos des Fusillés - Ereperk der Gefusilleerden, is very little visited nowadays. Most of the time when I come here to contemplate and shed a few tears amid my comrades, and also to gain strength from their brave spirits, I am alone. Many of the family members and children of those who died or are buried here, have now themselves often passed away.
But on occasion there are people visiting, and on one day I was privileged to meet the daughter of one of the resistance martyrs who is buried here. She spoke to me of being a little girl, and seeing the Nazis arrest her father inside their home. She spoke about how they tied his hands behind his back, and yet how bravely he looked at her one last time. - She never saw her father alive again, and she is now in her seventies. - But when she spoke of her father, her voice grew energised and strong. She said she remembered the day of her father's arrest like if it was yesterday. And as she spoke, I could feel it and almost see it, as if I had been there myself.
The heroes in these graves are quite alive for me still. I am a religious man, a person of faith, and I believe in the life hereafter. - Many people have been afraid to help me, abandoning me to be murdered by the powerful forces of the American government - people too frightened to dare oppose the deadly US power of global assassination, the vicious US global media slandering of a dissident's reputation - Yet when I walk here at the Enclos des Fusillés - Ereperk der Gefusilleerden, I feel myself amid a powerful throng of comrades, among brave people who understand me, people who know what it is like to be menaced with murder and to look death straight in the eye. - I feel the spirits in these graves support me and sustain me, that they welcome me as one among themselves.
It is my privilege now to honour these brave companions of mine, giving their memory some further renown and support. And I have wanted very much to do so, as the Enclos des Fusillés - Ereperk der Gefusilleerden still is in need of expanded documentation on the Web, before some of what can be seen here fades away much further.
One of the most powerful aspects of visiting this tree-lined and grassy cemetery and memorial, is that you see on a number of the grave markers, not only names and comments from loved ones, but in some cases actual pictures of these brave people, pictures rendered into sepia-type photos on porcelain. Though efforts were made to make these photographs permanent, the elements and the years and decades have taken their toll. Many of the pictures are now faded, or cracked, or broken, or fallen on the ground from their mountings. In one case I held a cracked porcelain image together with one hand, while taking the photo with the other hand. The years are passing, and I have wanted to document the faces of these brave heroes before they disappear, before time takes a greater toll on this place of sacred honour.
You look into the eyes of these brave people, and you see and feel the spirit of true bravery, of genuine resistance of oppression, resistance to the point of death, their hope that sacrificing one's own life in the fight, will yet do some good for others in the world. Look into their eyes, and you see their faces, faces of real people, quite like anyone in some ways, but in other ways very special, with a light in them that carries far beyond their own death - people who yet had the fire of faith in that Greater than mere earthly existence.
In this hillside that you see in the photos - the hillside in front of which many of these heroes stood in the moment as they were shot to death - in that hillside is a large memorial marker to the heroes of World War I who died here. On that marker it says:
Ici tomberent
sous les balles allemandes
35 héros victimes de leur
attachement à la patrie
Hier vielen
onder de duitse kogels
35 helden ten offer
aan hun liefde voor het vaderland
Here fell 35 heroes
who offered their lives
for their country
shot by the Germans
You'll notice that the 4th name down on the marker is that of Edith Louisa Cavell (1865-1915), with just her initial and last name and the date of her death here, on 12 October 1915:
Cavell E. 12-10-1915
The banners that you see here, in the colours of red, yellow, and black, are in the three colours of the national flag of Belgium
There are 17 rows of graves here at the Enclos des Fusillés - Ereperk der Gefusilleerden, 12 on the upper level closer to the hillside, and then five on the lower level below. Between the upper and lower levels is an obelisk serving as a kind of centre for the memorial as a whole. On the obelisk it says, on one side in Dutch, on the other side in French:
Opgericht door de Verbroedering van de Vriendenkringen der Nazikampenen Gevangenissen
XXVe Verjaring
April 1970
Erigé par le Fraternelle des Amicales de Camps et Prisons Nazis
XXVe Anniversaire
April 1970
In English this would be:
Constructed by the Association of Friends of Those in the Nazi Camps and Prisons
25th Anniversary
April 1970
Around this obelisk lay some faded but still visibly grand wreaths, placed here by the highest figures of Belgian public life. One great wreath at the centre, placed here by the King of the Belgians, Albert II, and his wife Paola, whose royal household has very quietly but effectively supplied some of the protection for me in Belgium, that has so far prevented me from being murdered here by foreign powers. - You see the ribbon say simply 'Albert - Paola'.
And another large wreath has a ribbon saying 'la Gouvernement - de Regering', from the government of Belgium.
Though many of the resistance martyrs buried here, were shot by firing squad right on this spot, a number of these martyrs died in other places, most especially in the Belgian concentration camp at Breendonk (Breendonck), which due to its stone structure is one of the best-preserved Nazi concentration camps. Breendonk can be visited today, about 40 kilometres north of Brussels in the direction of Antwerp, very near the Willebroek train station.
Among the graves here, a number are of heroes of the anti-Nazi resistance whose names are unknown: 'Inconnu - Onbekend' say the grave markers in French and in Dutch. In one row, there are six unknowns side-by-side; and then the entire final last row of the Enclos des Fusillés - Ereperk der Gefusilleerden, is all the resting place of unknown heroes, 21 altogether.
In any struggle against oppressive government, there are often unknown heroes. - And as I myself am a victim of brutal deceptive media smear campaigns, as well as the US regime ordering search engines to suppress my own websites, I can testify as to how hard the evil powers work, to try to see that those who fight the system, remain unknown, or else smeared and slandered with propaganda and lies.
There are perhaps yet other heroes of the World War II resistance, whose anonymous graves somewhere, may yet one day be found. One of the photos here is of a maintenance area by the side, where fresh grave markers are ready, some with crosses, some with a star of David, awaiting use for some other hero whose remains are yet to be discovered.
In addition to the photographs on the grave markers, which speak for themselves, a number of the graves are also marked with heartfelt statements by those who loved and honoured them. Most are in French, and with photos where there are such engraved statements, there are transcriptions of what you find, along with a translation.
Many of these resistance martyrs to the Nazis who lie here, are of course Jewish. The majority are Christians of Belgium, but a significant proportion of the heroes who lie here, are Jewish resistance martyrs of the Holocaust. And even more than one from the same family - the Livchitz brothers who lie here. Moreover, some of the Christians who are buried here, are of Jewish heritage as well - as I am myself, a unitarian Christian.
My own heritage on my mother's side is Jewish, and it was my commitment to honour the memory of relatives and other Jews who died in the Holocaust, that led to my being forced to become a political refugee from the United States. - Back when living in the US, I received a letter threatening the book-burning of the books of this Jewish-heritage writer, and I responded strongly. A few weeks later my freedom to speak and write was banned, and threats to extort and murder me were put in motion. This story has been told in other places (see link to press articles in my profile), but suffice it to say here, that it was my honouring the memory of murdered Jews, which led me to be a Jewish-heritage political refugee today in Brussels.
Though I am unitarian Christian by faith, the old Jewish sites of Brussels and Belgium strike deep chords within me, as I very much feel the spirit of the Jews who suffered and died under the kind of racist threats I have also suffered.
One of the things I am often-asked, as a Jewish-heritage political refugee, is why the Jewish groups and Jewish leaders, do not say or do more to defend me, against the threats to have me murdered, against the lies and hoaxes spread about me, against the blocking of my own journalism sites from the internet search engines. - For example, in my efforts to stay alive these last few years, I have received much more comfort and assistance and support from brave Muslims, than from the Jewish people who share my own heritage.
There are two main reasons for this kind of neglect of someone like myself by Jewish leaders. One is that I am not a political Zionist - I favour peace and justice for all the residents of the ancient holy lands of Palestine. - A second reason, is that there is a sad heritage among Jewish people, to stand by and do nothing while other Jews are attacked by the dominant power of the day. - It was that way in the old pogroms of Eastern Europe, it was that way under the Nazi-era exterminations, and it is that way today regarding the case of the United States. - Since it is the US regime which has been attacking me and forcing me to be a refugee here, Jewish 'leadership' simply does not want to confront the USA. Given that I am a non-Zionist, and a unitarian Christian in faith, well, that settles it as far as Jewish leaders are concerned, and they turn away and say nothing.
There are still some brave Jews, however, like one brave Orthodox Jewish physician in America, a friend who has helped me to be able to be here now, supplying these photographs of the Jewish and other martyrs of anti-Nazi resistance.
And the Jewish heritage is there in me, and I am glad I honoured the memory of the Holocaust dead, even though it led me into terrible sufferings at the hands of US political figures and the US regime.
There is a sense of profound spiritual achievement that I have, as I place on-line this historical record of the martyrs of the Enclos des Fusillés - Ereperk der Gefusilleerden. It is perhaps only by the grace of God that I was able to escape the US alive, from the clutches of the people menacing to illegally jail me and murder me in a US jail cell. - My now being able to honour the memory of my fellow anti-fascist figures in Belgium, who were shot dead by the Nazis of an earlier era, feels to me to be one of the important purposes, for which I was kept alive by divine hands.
To visit the Enclos des Fusillés - Ereperk der Gefusilleerden, you can walk about 600 metres from the Diamant 'prémétro' or underground tram stop which includes tram lines 23, 24, and 25. If you wish to get even closer by bus, you can take buses number 12, 21, or 79 the two stops from Diamant to the Colonel Bourg - Kolonel Bourg bus shelter sign. Alternatively, if you are in the EU area, you can take these same buses 12, 21 or 79 directly from the Schuman métro station by the EU's main Berlaymont building. Another route is that bus 80 from the Mérode metro station will also take you directly to the Colonel Bourg - Kolonel Bourg stop. A few tens of metres west of where the bus halts, along the rue Colonel Bourg - Kolonel Bourgstraat, you see the sign directing to the entrance of the Enclos des Fusillés - Ereperk der Gefusilleerden.
"A photograph is a secret about a secret. The more it tells you the less you know."
~Diane Arbus
Created for the Our Daily Challenge topic:
Half Full/Half Empty is the topic for Tuesday 24thh November 2020
Most Filipino nurses want to work abroad for greener pastures. But before that, nurses should face a big question that they need to decide on – to be a nurse, away from home or stay with the family in the country? Indeed a big question to answer.
©ILO/J. De Guzman as entry to the ILO-EU Decent Work across Borders Photo Contest
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US.
The ILO Decent Work across Borders, a project funded by the European Union on migrant health workers and skilled professionals, launched a photo contest in 2013. The photo contest, in partnership with the Alliance of Young Nurse Leaders and Advocates (AYNLA) captured images related to migration from the perspective of young health professionals.
www.ilo.org/manila/whatwedo/projects/WCMS_173607/lang--en...
The 'Park of Honour of Those Who Were Shot'
Memorial and graves of resistance heroes and martyrs - brave Jews, brave Christians, dissidents, anti-fascists, socialists, rebels, samizdat journalists and organisers - those who dared to question and fight oppression, and the evil Powers That Be.
Here you see the faces of my brothers, my own dear family, my partners in fighting sheer political evil - resting in their graves here, in perhaps the most poignant place in all of Brussels, Belgium. Here lie those in Belgium who were shot fighting the Nazis of the 1940s - as I myself have nearly been killed fighting the more recent fascists, some of the 'new Nazis' of the 21st century.
Shortly after I arrived in Brussels as a political refugee from the US, under threat of murder by far-right political figures, this is one of the first places I visited. I came here to weep some tears amid the companionship of my anti-fascist comrades, who also looked death in the eye as they tried to speak and act for what is right.
The camera used here, and the chance to make these photos, are gifts of the brave dissident US Jewish physician, Dr Moshe 'Moss' David Posner, who risked and gambled his own life, to support me and help keep me alive in the face of threats by neo-Nazi assassins.
These are photos from the daily life of writer and political refugee from the US, Dr Les (Leslie) Sachs - photos documenting my new beloved home city of Brussels, Belgium, my life among the people and Kingdom who have given me safety in the face of the threats to destroy me. Brussels has a noble history of providing a safe haven to other dissident refugee writers, such as Victor Hugo, Karl Marx, Charles Baudelaire, and Alexandre Dumas, and I shall forever be grateful that Brussels and Belgium have helped to protect my own life as well.
(To read about the efforts to silence me and my journalism, the attacks on me, the smears and the threats, see the website by European journalists "About Les Sachs" linked in my Flickr profile, and press articles such as "Two EU Writers Under Threat of Murder: Roberto Saviano and Dr Les Sachs".)
This extremely moving memorial and gravesite, is known locally as the Enclos des Fusillés - Ereperk der Gefusillerden (Brussels is bi-lingual French- and Dutch-speaking, so place names are given in both languages here.) - In English, the name is perhaps best rendered as the "Park of Honour of Those Who Were Shot".
The Enclos des Fusillés - Ereperk der Gefusilleerden includes many martyrs of the Belgian resistance of World War II, being both their gravesite and also the place where many of them were shot to death by a Nazi firing squad. - And it is also a memorial and the place of death, of other heroic figures who were shot to death in the previous German occupation of Belgium during World War I. One heroine from the First World War who was shot by the Germans and is now commemorated here, is the famous British nurse Edith Cavell.
The reason that this was a convenient place of execution by firing squad, is that it was originally part of a Belgian military training area and rifle range that existed here once upon a time, and you still see here the tall hillside that served as an earthen 'backstop' to safely absorb high-powered rifle bullets. The hillside was thus ready-made for the German commandants who occupied Brussels in both wars, to carry out their firing-squad executions.
Nowadays, the Enclos des Fusillés - Ereperk der Gefusilleerden appears quite 'central' in urban Brussels, as it lies in the Schaerbeek - Schaarbeek commune, directly in the path from the EU institution area toward the roads that lead to the airport, and very near to the 90-metre high VRT-RTBF communications tower that has long been a major Brussels landmark.
The Enclos des Fusillés - Ereperk der Gefusilleerden is walking distance from the eastern Brussels 'prémétro', which is a grouping of tram lines that run underground for several stops on both the eastern and western sides of the Brussels city centre, supplementing the regular métro underground system with a similarly high frequency of service and also underground. If you continue along the prémétro lines south from the Diamant stop which is near the Enclos des Fusillés - Ereperk der Gefusilleerden, you shortly arrive at the elaborate 19th-century military barracks buildings which once housed the soldiers who used the rifle range and parade grounds, which later become the place of martyrdom for members of the anti-Nazi resistance.
This is a place of great emotion for me personally, because the resistance martyrs who lie in these graves - a number of them socialists, journalists and with Jewish-heritage, critics of corruption just like myself - are my comrades in my own ordeal. I barely escaped alive out of the USA, nearly murdered by neo-Nazi-linked thugs, who themselves spoke favourably of Hitler as they moved toward killing me, as well as trying to ban my ability to write and speak.
It is sad that this place, Enclos des Fusillés - Ereperk der Gefusilleerden, is very little visited nowadays. Most of the time when I come here to contemplate and shed a few tears amid my comrades, and also to gain strength from their brave spirits, I am alone. Many of the family members and children of those who died or are buried here, have now themselves often passed away.
But on occasion there are people visiting, and on one day I was privileged to meet the daughter of one of the resistance martyrs who is buried here. She spoke to me of being a little girl, and seeing the Nazis arrest her father inside their home. She spoke about how they tied his hands behind his back, and yet how bravely he looked at her one last time. - She never saw her father alive again, and she is now in her seventies. - But when she spoke of her father, her voice grew energised and strong. She said she remembered the day of her father's arrest like if it was yesterday. And as she spoke, I could feel it and almost see it, as if I had been there myself.
The heroes in these graves are quite alive for me still. I am a religious man, a person of faith, and I believe in the life hereafter. - Many people have been afraid to help me, abandoning me to be murdered by the powerful forces of the American government - people too frightened to dare oppose the deadly US power of global assassination, the vicious US global media slandering of a dissident's reputation - Yet when I walk here at the Enclos des Fusillés - Ereperk der Gefusilleerden, I feel myself amid a powerful throng of comrades, among brave people who understand me, people who know what it is like to be menaced with murder and to look death straight in the eye. - I feel the spirits in these graves support me and sustain me, that they welcome me as one among themselves.
It is my privilege now to honour these brave companions of mine, giving their memory some further renown and support. And I have wanted very much to do so, as the Enclos des Fusillés - Ereperk der Gefusilleerden still is in need of expanded documentation on the Web, before some of what can be seen here fades away much further.
One of the most powerful aspects of visiting this tree-lined and grassy cemetery and memorial, is that you see on a number of the grave markers, not only names and comments from loved ones, but in some cases actual pictures of these brave people, pictures rendered into sepia-type photos on porcelain. Though efforts were made to make these photographs permanent, the elements and the years and decades have taken their toll. Many of the pictures are now faded, or cracked, or broken, or fallen on the ground from their mountings. In one case I held a cracked porcelain image together with one hand, while taking the photo with the other hand. The years are passing, and I have wanted to document the faces of these brave heroes before they disappear, before time takes a greater toll on this place of sacred honour.
You look into the eyes of these brave people, and you see and feel the spirit of true bravery, of genuine resistance of oppression, resistance to the point of death, their hope that sacrificing one's own life in the fight, will yet do some good for others in the world. Look into their eyes, and you see their faces, faces of real people, quite like anyone in some ways, but in other ways very special, with a light in them that carries far beyond their own death - people who yet had the fire of faith in that Greater than mere earthly existence.
In this hillside that you see in the photos - the hillside in front of which many of these heroes stood in the moment as they were shot to death - in that hillside is a large memorial marker to the heroes of World War I who died here. On that marker it says:
Ici tomberent
sous les balles allemandes
35 héros victimes de leur
attachement à la patrie
Hier vielen
onder de duitse kogels
35 helden ten offer
aan hun liefde voor het vaderland
Here fell 35 heroes
who offered their lives
for their country
shot by the Germans
You'll notice that the 4th name down on the marker is that of Edith Louisa Cavell (1865-1915), with just her initial and last name and the date of her death here, on 12 October 1915:
Cavell E. 12-10-1915
The banners that you see here, in the colours of red, yellow, and black, are in the three colours of the national flag of Belgium
There are 17 rows of graves here at the Enclos des Fusillés - Ereperk der Gefusilleerden, 12 on the upper level closer to the hillside, and then five on the lower level below. Between the upper and lower levels is an obelisk serving as a kind of centre for the memorial as a whole. On the obelisk it says, on one side in Dutch, on the other side in French:
Opgericht door de Verbroedering van de Vriendenkringen der Nazikampenen Gevangenissen
XXVe Verjaring
April 1970
Erigé par le Fraternelle des Amicales de Camps et Prisons Nazis
XXVe Anniversaire
April 1970
In English this would be:
Constructed by the Association of Friends of Those in the Nazi Camps and Prisons
25th Anniversary
April 1970
Around this obelisk lay some faded but still visibly grand wreaths, placed here by the highest figures of Belgian public life. One great wreath at the centre, placed here by the King of the Belgians, Albert II, and his wife Paola, whose royal household has very quietly but effectively supplied some of the protection for me in Belgium, that has so far prevented me from being murdered here by foreign powers. - You see the ribbon say simply 'Albert - Paola'.
And another large wreath has a ribbon saying 'la Gouvernement - de Regering', from the government of Belgium.
Though many of the resistance martyrs buried here, were shot by firing squad right on this spot, a number of these martyrs died in other places, most especially in the Belgian concentration camp at Breendonk (Breendonck), which due to its stone structure is one of the best-preserved Nazi concentration camps. Breendonk can be visited today, about 40 kilometres north of Brussels in the direction of Antwerp, very near the Willebroek train station.
Among the graves here, a number are of heroes of the anti-Nazi resistance whose names are unknown: 'Inconnu - Onbekend' say the grave markers in French and in Dutch. In one row, there are six unknowns side-by-side; and then the entire final last row of the Enclos des Fusillés - Ereperk der Gefusilleerden, is all the resting place of unknown heroes, 21 altogether.
In any struggle against oppressive government, there are often unknown heroes. - And as I myself am a victim of brutal deceptive media smear campaigns, as well as the US regime ordering search engines to suppress my own websites, I can testify as to how hard the evil powers work, to try to see that those who fight the system, remain unknown, or else smeared and slandered with propaganda and lies.
There are perhaps yet other heroes of the World War II resistance, whose anonymous graves somewhere, may yet one day be found. One of the photos here is of a maintenance area by the side, where fresh grave markers are ready, some with crosses, some with a star of David, awaiting use for some other hero whose remains are yet to be discovered.
In addition to the photographs on the grave markers, which speak for themselves, a number of the graves are also marked with heartfelt statements by those who loved and honoured them. Most are in French, and with photos where there are such engraved statements, there are transcriptions of what you find, along with a translation.
Many of these resistance martyrs to the Nazis who lie here, are of course Jewish. The majority are Christians of Belgium, but a significant proportion of the heroes who lie here, are Jewish resistance martyrs of the Holocaust. And even more than one from the same family - the Livchitz brothers who lie here. Moreover, some of the Christians who are buried here, are of Jewish heritage as well - as I am myself, a unitarian Christian.
My own heritage on my mother's side is Jewish, and it was my commitment to honour the memory of relatives and other Jews who died in the Holocaust, that led to my being forced to become a political refugee from the United States. - Back when living in the US, I received a letter threatening the book-burning of the books of this Jewish-heritage writer, and I responded strongly. A few weeks later my freedom to speak and write was banned, and threats to extort and murder me were put in motion. This story has been told in other places (see link to press articles in my profile), but suffice it to say here, that it was my honouring the memory of murdered Jews, which led me to be a Jewish-heritage political refugee today in Brussels.
Though I am unitarian Christian by faith, the old Jewish sites of Brussels and Belgium strike deep chords within me, as I very much feel the spirit of the Jews who suffered and died under the kind of racist threats I have also suffered.
One of the things I am often-asked, as a Jewish-heritage political refugee, is why the Jewish groups and Jewish leaders, do not say or do more to defend me, against the threats to have me murdered, against the lies and hoaxes spread about me, against the blocking of my own journalism sites from the internet search engines. - For example, in my efforts to stay alive these last few years, I have received much more comfort and assistance and support from brave Muslims, than from the Jewish people who share my own heritage.
There are two main reasons for this kind of neglect of someone like myself by Jewish leaders. One is that I am not a political Zionist - I favour peace and justice for all the residents of the ancient holy lands of Palestine. - A second reason, is that there is a sad heritage among Jewish people, to stand by and do nothing while other Jews are attacked by the dominant power of the day. - It was that way in the old pogroms of Eastern Europe, it was that way under the Nazi-era exterminations, and it is that way today regarding the case of the United States. - Since it is the US regime which has been attacking me and forcing me to be a refugee here, Jewish 'leadership' simply does not want to confront the USA. Given that I am a non-Zionist, and a unitarian Christian in faith, well, that settles it as far as Jewish leaders are concerned, and they turn away and say nothing.
There are still some brave Jews, however, like one brave Orthodox Jewish physician in America, a friend who has helped me to be able to be here now, supplying these photographs of the Jewish and other martyrs of anti-Nazi resistance.
And the Jewish heritage is there in me, and I am glad I honoured the memory of the Holocaust dead, even though it led me into terrible sufferings at the hands of US political figures and the US regime.
There is a sense of profound spiritual achievement that I have, as I place on-line this historical record of the martyrs of the Enclos des Fusillés - Ereperk der Gefusilleerden. It is perhaps only by the grace of God that I was able to escape the US alive, from the clutches of the people menacing to illegally jail me and murder me in a US jail cell. - My now being able to honour the memory of my fellow anti-fascist figures in Belgium, who were shot dead by the Nazis of an earlier era, feels to me to be one of the important purposes, for which I was kept alive by divine hands.
To visit the Enclos des Fusillés - Ereperk der Gefusilleerden, you can walk about 600 metres from the Diamant 'prémétro' or underground tram stop which includes tram lines 23, 24, and 25. If you wish to get even closer by bus, you can take buses number 12, 21, or 79 the two stops from Diamant to the Colonel Bourg - Kolonel Bourg bus shelter sign. Alternatively, if you are in the EU area, you can take these same buses 12, 21 or 79 directly from the Schuman métro station by the EU's main Berlaymont building. Another route is that bus 80 from the Mérode metro station will also take you directly to the Colonel Bourg - Kolonel Bourg stop. A few tens of metres west of where the bus halts, along the rue Colonel Bourg - Kolonel Bourgstraat, you see the sign directing to the entrance of the Enclos des Fusillés - Ereperk der Gefusilleerden.
50 Questions !
I was tagged and I haven't done one of these for awhile so here goes. FYI, the picture is of me holding my brother's new baby puppy heeler Ronin a couple of weekends ago.
1: What are you wearing? Tank, splarkly grey sweater, black pants
2: Something about you that nobody ever knew? I have a fairly mild form of Hyperacusis
3: Biggest phobias? Bees and wasps
4: How tall are you? 5"5
5: Ever been in love? Once
6: Any tattoos that you want? I want a purple and yellow pansy on my shoulder, but I'm too much of a chicken to get one.
7: Any piercings that you want? Nope, ears double pierced is all I have and need
8: Makeouts or cuddling? Either or, but all I get these days is puppy and kitty snuggles
9: Shoe size? 9
10: Favorite bands? Def Leppard, Snow Patrol
11: Something you miss? my 20's
12: Favorite song? Mother - Tori Amos
13: How old are you? Mid to Upper 40's
14: Zodiac sign? Cancer
15: Hair Color? Red
16: Favorite Quote? I didn't lie, I willfully participated in a campaign of misinformation
17: Favorite singer? Tori Amos, oh Tori!!
18: Favorite color? Purple, but I did pink too
19: Loud music or soft? Either, depends on my mood
20: Where do you go when you're sad? The toy store
21: How long does it take you to shower? 10 minutes.
22: How long does it take you to get ready in the morning? 1 hour, but that includes walking Quincy, feeding him and Spencer, and getting pretty
23: Ever been in a physical fight? No but a kid hit me in the nose with a bucket and I WANTED to slap him. I still have a tiny scar on the bridge of my nose
24: Turn on? A good smile
25: Turn off? Smokers and bad breath
26: The reason I joined Flickr: Blythe
27: Fears? Losing my parents
28: Last thing that made you cry? A video of a dog rescue my co-worker sent me yesterday
29: Last time you cried? Yesterday due to above video
30: Meaning behind your url: It's one of the plants mentioned in the Tori Amos song Datura where she was listing all the flowers and plants that grew in her garden in her summer home in Florida. Apparently Weeping Sabicu is a tree
31: Last book you read? I don't read as much as I should or used to. I'm trying to read White Oleander right now
32: Last song you listened to? Thistle and Weeds - Mumford & Sons
33: Last show you watched? Criminal Minds last night
34: Last person you talked to? My co-worker Adrien about the feathers littering the floor in his office
35: The relationship between you and the person you last texted? Friends & co-workers
36: Favorite food? Cookies
37: Place you want to visit? Ireland
38: Last place you were? Besides home ? Work
39: Do you have a crush? Could someone package up Dean Cain and Shamar Moore in a box and send them to my house?
40: Last time you kissed someone? Do Spencer and Quincy my cat and dog count?
41: Last time you were insulted - yesterday, my co-worker said something
42: What color underwear are you wearing? White with black polka dots
43: What color shirt are you wearing? Teal, tan and white
44: Are you tired? Yup, every day
45: Wearing any bracelets? Yes, I feel naked without one or two every day. Today's is a clear glass beaded one
46: Last sport you played? Softball, I'm a pitcher
47: Last song you sang? Slow Motion by Casey Stratton
48: Last prank call you remember doing? BlytheCon, I was compelled to turn around the Do Not Disturb plackards to Maid Service. I know, I'm still 12
49: Last time you hung out with anyone? Yesterday afternoon with Kelly for our booze frun for the work monthly meeting
50: Do you consider your approachable? I hope that I am.
When I cut this yam, this milky substance oozed out around the edges of the cut surface. Is this normal? Update: Yes, apparently.
The 'Park of Honour of Those Who Were Shot'
Memorial and graves of resistance heroes and martyrs - brave Jews, brave Christians, dissidents, anti-fascists, socialists, rebels, samizdat journalists and organisers - those who dared to question and fight oppression, and the evil Powers That Be.
Here you see the faces of my brothers, my own dear family, my partners in fighting sheer political evil - resting in their graves here, in perhaps the most poignant place in all of Brussels, Belgium. Here lie those in Belgium who were shot fighting the Nazis of the 1940s - as I myself have nearly been killed fighting the more recent fascists, some of the 'new Nazis' of the 21st century.
Shortly after I arrived in Brussels as a political refugee from the US, under threat of murder by far-right political figures, this is one of the first places I visited. I came here to weep some tears amid the companionship of my anti-fascist comrades, who also looked death in the eye as they tried to speak and act for what is right.
The camera used here, and the chance to make these photos, are gifts of the brave dissident US Jewish physician, Dr Moshe 'Moss' David Posner, who risked and gambled his own life, to support me and help keep me alive in the face of threats by neo-Nazi assassins.
These are photos from the daily life of writer and political refugee from the US, Dr Les (Leslie) Sachs - photos documenting my new beloved home city of Brussels, Belgium, my life among the people and Kingdom who have given me safety in the face of the threats to destroy me. Brussels has a noble history of providing a safe haven to other dissident refugee writers, such as Victor Hugo, Karl Marx, Charles Baudelaire, and Alexandre Dumas, and I shall forever be grateful that Brussels and Belgium have helped to protect my own life as well.
(To read about the efforts to silence me and my journalism, the attacks on me, the smears and the threats, see the website by European journalists "About Les Sachs" linked in my Flickr profile, and press articles such as "Two EU Writers Under Threat of Murder: Roberto Saviano and Dr Les Sachs".)
This extremely moving memorial and gravesite, is known locally as the Enclos des Fusillés - Ereperk der Gefusillerden (Brussels is bi-lingual French- and Dutch-speaking, so place names are given in both languages here.) - In English, the name is perhaps best rendered as the "Park of Honour of Those Who Were Shot".
The Enclos des Fusillés - Ereperk der Gefusilleerden includes many martyrs of the Belgian resistance of World War II, being both their gravesite and also the place where many of them were shot to death by a Nazi firing squad. - And it is also a memorial and the place of death, of other heroic figures who were shot to death in the previous German occupation of Belgium during World War I. One heroine from the First World War who was shot by the Germans and is now commemorated here, is the famous British nurse Edith Cavell.
The reason that this was a convenient place of execution by firing squad, is that it was originally part of a Belgian military training area and rifle range that existed here once upon a time, and you still see here the tall hillside that served as an earthen 'backstop' to safely absorb high-powered rifle bullets. The hillside was thus ready-made for the German commandants who occupied Brussels in both wars, to carry out their firing-squad executions.
Nowadays, the Enclos des Fusillés - Ereperk der Gefusilleerden appears quite 'central' in urban Brussels, as it lies in the Schaerbeek - Schaarbeek commune, directly in the path from the EU institution area toward the roads that lead to the airport, and very near to the 90-metre high VRT-RTBF communications tower that has long been a major Brussels landmark.
The Enclos des Fusillés - Ereperk der Gefusilleerden is walking distance from the eastern Brussels 'prémétro', which is a grouping of tram lines that run underground for several stops on both the eastern and western sides of the Brussels city centre, supplementing the regular métro underground system with a similarly high frequency of service and also underground. If you continue along the prémétro lines south from the Diamant stop which is near the Enclos des Fusillés - Ereperk der Gefusilleerden, you shortly arrive at the elaborate 19th-century military barracks buildings which once housed the soldiers who used the rifle range and parade grounds, which later become the place of martyrdom for members of the anti-Nazi resistance.
This is a place of great emotion for me personally, because the resistance martyrs who lie in these graves - a number of them socialists, journalists and with Jewish-heritage, critics of corruption just like myself - are my comrades in my own ordeal. I barely escaped alive out of the USA, nearly murdered by neo-Nazi-linked thugs, who themselves spoke favourably of Hitler as they moved toward killing me, as well as trying to ban my ability to write and speak.
It is sad that this place, Enclos des Fusillés - Ereperk der Gefusilleerden, is very little visited nowadays. Most of the time when I come here to contemplate and shed a few tears amid my comrades, and also to gain strength from their brave spirits, I am alone. Many of the family members and children of those who died or are buried here, have now themselves often passed away.
But on occasion there are people visiting, and on one day I was privileged to meet the daughter of one of the resistance martyrs who is buried here. She spoke to me of being a little girl, and seeing the Nazis arrest her father inside their home. She spoke about how they tied his hands behind his back, and yet how bravely he looked at her one last time. - She never saw her father alive again, and she is now in her seventies. - But when she spoke of her father, her voice grew energised and strong. She said she remembered the day of her father's arrest like if it was yesterday. And as she spoke, I could feel it and almost see it, as if I had been there myself.
The heroes in these graves are quite alive for me still. I am a religious man, a person of faith, and I believe in the life hereafter. - Many people have been afraid to help me, abandoning me to be murdered by the powerful forces of the American government - people too frightened to dare oppose the deadly US power of global assassination, the vicious US global media slandering of a dissident's reputation - Yet when I walk here at the Enclos des Fusillés - Ereperk der Gefusilleerden, I feel myself amid a powerful throng of comrades, among brave people who understand me, people who know what it is like to be menaced with murder and to look death straight in the eye. - I feel the spirits in these graves support me and sustain me, that they welcome me as one among themselves.
It is my privilege now to honour these brave companions of mine, giving their memory some further renown and support. And I have wanted very much to do so, as the Enclos des Fusillés - Ereperk der Gefusilleerden still is in need of expanded documentation on the Web, before some of what can be seen here fades away much further.
One of the most powerful aspects of visiting this tree-lined and grassy cemetery and memorial, is that you see on a number of the grave markers, not only names and comments from loved ones, but in some cases actual pictures of these brave people, pictures rendered into sepia-type photos on porcelain. Though efforts were made to make these photographs permanent, the elements and the years and decades have taken their toll. Many of the pictures are now faded, or cracked, or broken, or fallen on the ground from their mountings. In one case I held a cracked porcelain image together with one hand, while taking the photo with the other hand. The years are passing, and I have wanted to document the faces of these brave heroes before they disappear, before time takes a greater toll on this place of sacred honour.
You look into the eyes of these brave people, and you see and feel the spirit of true bravery, of genuine resistance of oppression, resistance to the point of death, their hope that sacrificing one's own life in the fight, will yet do some good for others in the world. Look into their eyes, and you see their faces, faces of real people, quite like anyone in some ways, but in other ways very special, with a light in them that carries far beyond their own death - people who yet had the fire of faith in that Greater than mere earthly existence.
In this hillside that you see in the photos - the hillside in front of which many of these heroes stood in the moment as they were shot to death - in that hillside is a large memorial marker to the heroes of World War I who died here. On that marker it says:
Ici tomberent
sous les balles allemandes
35 héros victimes de leur
attachement à la patrie
Hier vielen
onder de duitse kogels
35 helden ten offer
aan hun liefde voor het vaderland
Here fell 35 heroes
who offered their lives
for their country
shot by the Germans
You'll notice that the 4th name down on the marker is that of Edith Louisa Cavell (1865-1915), with just her initial and last name and the date of her death here, on 12 October 1915:
Cavell E. 12-10-1915
The banners that you see here, in the colours of red, yellow, and black, are in the three colours of the national flag of Belgium
There are 17 rows of graves here at the Enclos des Fusillés - Ereperk der Gefusilleerden, 12 on the upper level closer to the hillside, and then five on the lower level below. Between the upper and lower levels is an obelisk serving as a kind of centre for the memorial as a whole. On the obelisk it says, on one side in Dutch, on the other side in French:
Opgericht door de Verbroedering van de Vriendenkringen der Nazikampenen Gevangenissen
XXVe Verjaring
April 1970
Erigé par le Fraternelle des Amicales de Camps et Prisons Nazis
XXVe Anniversaire
April 1970
In English this would be:
Constructed by the Association of Friends of Those in the Nazi Camps and Prisons
25th Anniversary
April 1970
Around this obelisk lay some faded but still visibly grand wreaths, placed here by the highest figures of Belgian public life. One great wreath at the centre, placed here by the King of the Belgians, Albert II, and his wife Paola, whose royal household has very quietly but effectively supplied some of the protection for me in Belgium, that has so far prevented me from being murdered here by foreign powers. - You see the ribbon say simply 'Albert - Paola'.
And another large wreath has a ribbon saying 'la Gouvernement - de Regering', from the government of Belgium.
Though many of the resistance martyrs buried here, were shot by firing squad right on this spot, a number of these martyrs died in other places, most especially in the Belgian concentration camp at Breendonk (Breendonck), which due to its stone structure is one of the best-preserved Nazi concentration camps. Breendonk can be visited today, about 40 kilometres north of Brussels in the direction of Antwerp, very near the Willebroek train station.
Among the graves here, a number are of heroes of the anti-Nazi resistance whose names are unknown: 'Inconnu - Onbekend' say the grave markers in French and in Dutch. In one row, there are six unknowns side-by-side; and then the entire final last row of the Enclos des Fusillés - Ereperk der Gefusilleerden, is all the resting place of unknown heroes, 21 altogether.
In any struggle against oppressive government, there are often unknown heroes. - And as I myself am a victim of brutal deceptive media smear campaigns, as well as the US regime ordering search engines to suppress my own websites, I can testify as to how hard the evil powers work, to try to see that those who fight the system, remain unknown, or else smeared and slandered with propaganda and lies.
There are perhaps yet other heroes of the World War II resistance, whose anonymous graves somewhere, may yet one day be found. One of the photos here is of a maintenance area by the side, where fresh grave markers are ready, some with crosses, some with a star of David, awaiting use for some other hero whose remains are yet to be discovered.
In addition to the photographs on the grave markers, which speak for themselves, a number of the graves are also marked with heartfelt statements by those who loved and honoured them. Most are in French, and with photos where there are such engraved statements, there are transcriptions of what you find, along with a translation.
Many of these resistance martyrs to the Nazis who lie here, are of course Jewish. The majority are Christians of Belgium, but a significant proportion of the heroes who lie here, are Jewish resistance martyrs of the Holocaust. And even more than one from the same family - the Livchitz brothers who lie here. Moreover, some of the Christians who are buried here, are of Jewish heritage as well - as I am myself, a unitarian Christian.
My own heritage on my mother's side is Jewish, and it was my commitment to honour the memory of relatives and other Jews who died in the Holocaust, that led to my being forced to become a political refugee from the United States. - Back when living in the US, I received a letter threatening the book-burning of the books of this Jewish-heritage writer, and I responded strongly. A few weeks later my freedom to speak and write was banned, and threats to extort and murder me were put in motion. This story has been told in other places (see link to press articles in my profile), but suffice it to say here, that it was my honouring the memory of murdered Jews, which led me to be a Jewish-heritage political refugee today in Brussels.
Though I am unitarian Christian by faith, the old Jewish sites of Brussels and Belgium strike deep chords within me, as I very much feel the spirit of the Jews who suffered and died under the kind of racist threats I have also suffered.
One of the things I am often-asked, as a Jewish-heritage political refugee, is why the Jewish groups and Jewish leaders, do not say or do more to defend me, against the threats to have me murdered, against the lies and hoaxes spread about me, against the blocking of my own journalism sites from the internet search engines. - For example, in my efforts to stay alive these last few years, I have received much more comfort and assistance and support from brave Muslims, than from the Jewish people who share my own heritage.
There are two main reasons for this kind of neglect of someone like myself by Jewish leaders. One is that I am not a political Zionist - I favour peace and justice for all the residents of the ancient holy lands of Palestine. - A second reason, is that there is a sad heritage among Jewish people, to stand by and do nothing while other Jews are attacked by the dominant power of the day. - It was that way in the old pogroms of Eastern Europe, it was that way under the Nazi-era exterminations, and it is that way today regarding the case of the United States. - Since it is the US regime which has been attacking me and forcing me to be a refugee here, Jewish 'leadership' simply does not want to confront the USA. Given that I am a non-Zionist, and a unitarian Christian in faith, well, that settles it as far as Jewish leaders are concerned, and they turn away and say nothing.
There are still some brave Jews, however, like one brave Orthodox Jewish physician in America, a friend who has helped me to be able to be here now, supplying these photographs of the Jewish and other martyrs of anti-Nazi resistance.
And the Jewish heritage is there in me, and I am glad I honoured the memory of the Holocaust dead, even though it led me into terrible sufferings at the hands of US political figures and the US regime.
There is a sense of profound spiritual achievement that I have, as I place on-line this historical record of the martyrs of the Enclos des Fusillés - Ereperk der Gefusilleerden. It is perhaps only by the grace of God that I was able to escape the US alive, from the clutches of the people menacing to illegally jail me and murder me in a US jail cell. - My now being able to honour the memory of my fellow anti-fascist figures in Belgium, who were shot dead by the Nazis of an earlier era, feels to me to be one of the important purposes, for which I was kept alive by divine hands.
To visit the Enclos des Fusillés - Ereperk der Gefusilleerden, you can walk about 600 metres from the Diamant 'prémétro' or underground tram stop which includes tram lines 23, 24, and 25. If you wish to get even closer by bus, you can take buses number 12, 21, or 79 the two stops from Diamant to the Colonel Bourg - Kolonel Bourg bus shelter sign. Alternatively, if you are in the EU area, you can take these same buses 12, 21 or 79 directly from the Schuman métro station by the EU's main Berlaymont building. Another route is that bus 80 from the Mérode metro station will also take you directly to the Colonel Bourg - Kolonel Bourg stop. A few tens of metres west of where the bus halts, along the rue Colonel Bourg - Kolonel Bourgstraat, you see the sign directing to the entrance of the Enclos des Fusillés - Ereperk der Gefusilleerden.