View allAll Photos Tagged PushProcessing

I like a nice wet street shot. The drawback of wet streets is, of course, rain. Here I was almost blinded by drizzle on my bifocals and in the waist-level finder of my camera. I think I used the sports finder in the end. Here, a couple of hundred yards downstream from the confluence of the Rhondda Fach and the Rhondda Fawr, the combined waters tumble rapidly past, swollen by a week or more of what the missus and I call "double rain" ...a reference to the little pictograms used in the Met. Office online forecast, which indicate heavy rain by two drops falling from a black formalised cloud. On the opposite bank was the Porth branch of Morrison's, where I'd left the car. You can park free for three hours. I'd say that's jolly decent of them ...although it was probably a condition forced on them by the Council at the planning permission stage. The weather was not an inducement to tarry, but I resolved to return on a finer day. The rushing river and the all-surrounding hills faintly reminded me of Exmoor, North Devon and Lynmouth, but without the cream teas, morris dancers and "grockles".

2019-07-21

 

Nikon F90X

Nikon Ais 85mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 11min

Leica M7 / Summilux 35mm f1.4 / Fuji Neopan 400 PRESTO / Push Processing

Pentax ME Super | Pentax SMC-M 50mm 1.7 | Kodak Tri-X @ 1600 | Kodak HC110b

 

Bank of payphones at Dulles Airport

 

#PhotographersStillUsingFilm #Johnny_Martyr

Vienna, May 2019.

ilford hp5 exposed at EI 3200, developed in microphen stock solution

august 2020

 

leica m2 | ms optical perar 4/28 | tri-x pushed to 1600

2012-07-15

 

Hasselblad 500C/M

Hasselblad 80mm f/2.8 CF T* lens

Kodak Portra 400 (800-push) 120 film

Rolleiflex K4A

Ilford FP4+ pushed to 400 developed in paRodinal 1:100 60min Semi-Stand

1/100 f8

Scanned in Epson v700

Bronica ETRS with 150mm f/3.5 PE.

 

Kodak Tri-X 400 pushed to 800. Developed in HC-110 dil B.

 

Copyright Carl Hall 2018. All rights reserved.

 

www.carlhall.co.uk

2020-10-18

 

Nikon F90X

Nikon Ai 35mm f/2 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) developer (bad mix)

20ºC - 13min

Nikon F3 HP | Nikkor 50mm f/1.2 AI-S | Ilford HP5 @ 800

 

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Shot on Kodak Tri-X 400 at EI 51200.

Black and white negative film in 120 format shot as 6x6.

Push processed seven stops.

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Read on at: emulsive.org/photography/medium-format/flow-shot-on-kodak...

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Filed under: #Mediumformat, #Photography, #120FormatFilm, #2018August, #6X6, #BlackAndWhiteNegativeFilm, #EI400, #EI51200, #EMULSIVEDailyPhoto, #Hasselblad, #Hasselblad2000FCW, #ISO400, #ISO51200, #Kodak, #KodakTriX400, #PlanarF, #PushProcessing, #PushingFilm

#shootfilmbenice #filmphotography #believeinfilm

Leica M6 - Nokton 50mm F1.1 - Fuji Provia 400x (Pushed 2 stops)

 

View On Black

september 2016

 

leica m2 | summaron 3.5/35 | tri-x pushed to 1600

Pentax ME

SMC Pentax-A 28mm f/2.8

Kodak Gold 200 @ 400, pushed processed +1 (4:40mins.)

Home Developed in Argentix/Unicolor

Scanned with Pakon F135

 

I can get Kodak Gold 200 fairly easily and for an okay price near me, but 400 ISO film is a bit harder and more expensive to get, so I tried pushing and push processing Gold 200, because 400 is handy for fall and winter light conditions. I got a couple of shots in sunny conditions, some in undercast conditions, and a few indoors too, and while the grain is not bad, the shadows need to come out a bit more. The film can possibly have more time in the developer or I can scan with my Epson V550 where I can do more adjustments, but my Pakon F135 is so convenient and I like the colours from it.

 

Nikon F5 l 50mm f/1.8D l Lucky SHD 100@800 l Ilfosol 3

New York City

 

Leica M6

Kodak Tri-X 400

2020-10-18

 

Nikon F90X

Nikon AF 24-105mm f/2.8-4 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) developer (bad mix)

20ºC - 13min

Llum festival, Barcelona. Taken before the imposition of today's quarantine measures, which make any gathering such as this impossible for what will likely be several months.

 

Leica M-A with 35mm Summilux and Kodak 400TX rated at EI1600 and processed in XTOL stock.

Flodden QC - A tunnel of old trees leading to a 165-year old Scottish colonial farm (La Chevrerie Le Grand Flodden) in the Eastern Townships of Quebec. Two exposures in August and October 2013.

 

taken on a Canon F-1 slr w/ 50mm FD f1.8 lens + various filters. Ilford HP5 iso 400 film pushed to 1600.

 

twitter

2020-07-10

 

Nikon FE2

Nikon Ai 35mm f/2 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) film

20ºC - 11min

2021-02-15

 

Nikon F2

Nikon Ai 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Adox Rodinal (1+25) developer

20ºC - 10min

kodak tri-x shot at ei 1600 and developed in perfection xr-1

increasingly common

 

leica m2 | summicron 2/35 | tri-x at 1600

Mamiya RB67 + 127mm/F=3.7 [self dev.]

kodak D76 stock / tmax 400>>iso1600 push

august 2017

 

canon a-1 | fd 3.5/50 macro | tri-x at 1600

Masked skateboarders, Barcelona.

2017-11-25

 

Nikon FE2

Nikon Ai 50mm f/1.4 lens

Ilford Delta 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 15.5min

2019-07-21

 

Nikon F90X

Nikon Ais 85mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 11min

dear Flickr friends,

 

I am considering the purchase of a new scanner, probably an Epson 4490, to scan negatives. Quite frankly, the idea bugs me.

 

I've always held onto the idea that the entire process from shooting to printing is important, that to keep it analog the whole way through is imperative for what I do, for the medium. It bugs me because I do not want to give up my darkroom and I don't intend to, but I feel that I'll neglect it. Quite frankly, I need to justify selling myself out even further to digital technology.

 

Any words of consolation or advice would be helpful. Thank you.

 

love, huy

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Ilford MGIV - Neutol WA (1+7)

Nikon F3 • HP5+ EI 1600 / DD-X 1+9

I have an idea in my head. This doesn't quite portray it though.

2019-02-24

 

Fujica ST801

Fujinon EBC 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Adox Rodinal (1+50) developer

20ºC - 17min

From thedailylumenbox.com

Rollei RPX 25 pushed to 50, shot with Chroma Double Glass 24mm f/11 lens on Leica Ic. Developed in Cinestill Df96 monobath.

2020-08-20

 

Nikon F90X

Nikon Ais 85mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Adox Rodinal (1+50) developer

20ºC - 17min

cliffs near piha, after sunset.

ektachrome 100 +2 push

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