View allAll Photos Tagged PushProcessing
2012-05-24
model: Amy Ontiveros
Nikon F3
Nikon Ais 20mm f/2.8 lens
Ilford Delta 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 15.5min
Ica Trona 210 with Fomapan 100. Rated 200, developed in Ilfotec LC29 1+19 for 12 minutes at 18ºC.
31st October 2014 was the warmest last day in October on record in the UK.
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Kodak Ektar 100 shot at EI 50.
Color negative film in 35mm format.
Push processed 2-stops.
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Large version at: emulsive.org/photography/35mm-format/one-more-coat-kodak-...
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Filed under: #35mmformat #Photography #35MmFormatFilm #ColorNegativeFilm #EI100 #EI50 #ISO100 #ISO50 #Kodak #KodakEktar100 #Nikon #NikonF100 #PushProcessing
Ricoh 500 G with Rikenon f2.8/40mm, Kodak Tmax 400 @800 in D-76 1+1 for 11min. 20C
I love this cobbled streets in Edinburgh.
It seems that nowadays parking is difficult everywhere
In January, I got a beautiful candy apple red stand mixer. In February, I got a white Cuisinart hand mixer with retro styling. I am in love with them both. Living in a baker's paradise.
Austin, TX - March 15, 2015
Pentax K1000 | Sears 50mm f/2
Ilford HP5+, pushed to 800 in Ilfotec-DDX (1+4, 10min)
Wife and I planned a fun monday trip down to sandusky to hit up cedar point while there weren't too many kids out of school yet haha! Got so many damn rides in holy shit, here's a little collection of random shots I snapped all around the park; from queue lines to midways to everything in between.
Shot in my olympus pen ees on ektachrome 100, pushed to 200 in rapid e6.
2014-01-25
models: Katie Robinson and Megan Porter
wardrobe: Bob Smithey with At The Ritz Costumes
Greensboro, NC
Nikon FE2
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 10.5min
2012-09-19
Fujica ST-801
Fujinon EBC 50mm f/1.4 lens
Ilford Delta 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 15.5min
[Canon EOS-1 / EF24-85mm F3.5-4.5 USM / ORIENTAL NEW SEAGULL 100 / KODAK D-76 (EI400) / EPSON GT-X970]
2012-12-17
model: Kirstie Ew
hair/MUA: Lauren Elaine
assisting: Sam Cruse
Nikon F2
Nikon Ais 85mm f/1.4 lens
Ilford Delta 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 15.5min
The plantation creeped me out on a very misty morning. I was just waiting for something to pop out from behind one of the trees. This was shot on an MPP camera using HP5+ film pushed to 3200 ISO and then stand developed in Rodinal at 1:100 for 90 minutes (Inversions once every 30 minutes).
2014-12-20
Nikon F3
Nikon Ai 50mm f/1.4 lens
Ilford Delta 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 15.5min
He is only a 4 inches tall model.
I love Pirates of the Caribbean.
Ilford HP5 Uprated 1600ASA.
Vivitar V2000 Film camera.
Strobist Vivitar 2800 Flashgun and Stofen camera left, reflector camera right, connected with synch cable.
Canonet
Tri-X @ EI3200
Rodinal 1:100 for 6 HOURS
I went to see a couple of friends' bands at a place in Brooklyn called the Silent Barn. The Silent Barn is DARK. They don't bother with such luxuries as stage lights or anything. I was already planning on pushing Tri-X to 1600, but turns out I had to expose at 3200, maybe even 6400. Basically I opened wide (1.7) and shot at either 1/15 when I wanted the background to be relatively steady, or at 1/8 when I didn't care if my hands shook the photo.
So when I got home, late, tired, drunk, of course I decided that I had to develop the film right away. The plan was to semi-stand in Rodinal 1:100 for an hour, but I fell asleep after the inversion at 1/2 hour, and woke up 5.5 hours later. So what you're seeing is Tri-X @ 3200 stand-developed in Rodinal for SIX HOURS. Amazingly, the highlights were no more blown out than I expected from the 1 hour development (though the shadows probably didn't benefit very much either). And in a weird twist of events, the fact that the film base itself got way overdeveloped (the entire roll, edges and between exposures, was light brown) actually helped my V500 detect the exposure borders, so I could use the auto-thumbnail feature to save time.
Speak Onion's music available at speakonion.com
2016-04-04
Nikon F2
Nikon Ais 105mm f/2.8 macro lens
Ilford HP5 400 (800-push) 35mm film
Adox Rodinal (1+50) developer
20ºC - 16min
Wife and I planned a fun monday trip down to sandusky to hit up cedar point while there weren't too many kids out of school yet haha! Got so many damn rides in holy shit, here's a little collection of random shots I snapped all around the park; from queue lines to midways to everything in between.
Shot in my olympus pen ees on ektachrome 100, pushed to 200 in rapid e6.
Canon A-1 with Ilford Pan 100, rated 400, stand developed in R09 One Shot diluted 1+150 for three hours, agitation at the one hour and two hour marks.
Canon A-1 with Ilford Pan 400 rated 3200, developed in Ilfotec LC29 diluted 1+9 for 11 minutes at 20ºC.
2011-03-13
model: Valeria Sweet
hair: Kyle Britt
Nikon FE2
Nikon Ais 20mm f/2.8 lens
Ilford Delta 400 (800-push) 35mm film
Agfa Rodinal (1+25) developer
24ºC - 16min
Canon A-1 with Ilford Pan 400 rated 3200, developed in Ilfotec LC29 diluted 1+9 for 11 minutes at 20ºC.
Installation by Tana West at the Jerwood Makers Open 2019.
I've never met a swan with such a bad attitude before. It kept coming at us like some kind of evil zombie swan, intent on eating our faces.
Camera: Kiev 4AM
Lens: Jupiter 12
Film: Ilford Surveillance P3 (pushed to 1600)
Developed: Rodinal 1:50 for 31:38 mins at 21ºC.
2011-02-16
Photo taken by Sam Cruse
Nikon F2
Nikon Ais 105mm f/2.8 macro lens
Ilford Delta 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 15.5min
Focused Mat is focused. That happens in the darkroom. Taken in Findlay, OH.
Camera: Nikon FE2 w/ 135mm lens
Film: Ilford HP5+ developed in Xtol 1+1 to achieve ASA 1600
2013-02-02
model: Kaci Burgos
Hair/MUA: Kasie Jaye Greene
wardrobe: Bob Smithey with At The Ritz Costume Rental
Nikon FE2
Nikon Ais 85mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 10min