View allAll Photos Tagged PushProcessing
Film: Rollei Retro 400S @ 800 ISO | Develop: HC-110B, 10:45 mins @ 20°C | Scan: Plustek OpticFilm 8200i
Film: Rollei Retro 400S @ 1600 ISO | Develop: HC-110B, 16:00 mins @ 20°C | Scan: Plustek OpticFilm 8200i
Film: Rollei Retro 400S @ 800 ISO | Develop: HC-110B, 10:45 mins @ 20°C | Scan: Plustek OpticFilm 8200i
A chilly Monday, November 14, 2022 sees a northbound manifest train cruising downhill south of Page, Oklahoma. Having just crossed the state line, this train is coming down off of the Rich Mountain grade in Arkansas.
Captured with a Nikon FM at 1/500s using a 20mm lens at f/3.5 and Ektar 100 film pushed 2 stops to ISO 400.
Film: Rollei Retro 400S @ 1600 ISO | Develop: HC-110B, 16:00 mins @ 20°C | Scan: Plustek OpticFilm 8200i
Hasselblad 500C
Kodak Verichrome, expired 1972
There's another shot of this on my blog taken with the Certo SL110 plastic camera, as well as some info on the Certo camera itself.
A scan of slide derived from Kentmere Pan 100 pushed 2 stops and reversed in PQ Universal
Best enjoyed with Dark Ambient / RUREX
Scan of Kentmere Pan 400 pushed 2 stops and reversed to slide in PQ Universal + toned in Kala Namak or Himalayan Black Salt
Nothing, Arizona
Cinestill 50Daylight (Pushed 2 Stops)
Nikon F3
Nikkor 50mm 1.4
Processed @ Oscar's Photo Lab
I've used a new simulation for this shot. Ilford Delta 100, Push process. It was one of my most used monochrome films a few years ago.
A favourite place of mine.... it's so peaceful. Plus, my 4x (or is it 5x?) great-grandparents are buried there, so it's nice to visit from time to time :)
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Camera: Cosina CT-10
Film: Fomapan 200 (camera set to ISO 400)
Lens: Pentax 50mm
One more black and white oldie before I return to prairie birds. Fast forward just over five years from yesterday's street shot: I am now processing my own black and white film. I have spent two and a half years working for the Post Office before quitting in disgust. I've been in and out of several relationships. Returning to university to finish my degree remains an option, but really I'm not interested in an academic or professional career. I have moved to Gold River on the west coast of Vancouver Island and I'm working in a pulp mill. Good money, some danger: those industrial jobs can kill you. I'm still in my twenties and starting to get my work published in photo magazines. Life is good.
I remember this day in January. I was driving up the Island Highway, returning to the mill after five days off. Stopped to stretch my legs, ended up walking a cobble beach in thick fog. The scene was shrouded in silence and stillness, and I watched as a lone fellow in a small rowboat slowly worked his way through the calm water. When I saw the Great Blue Heron coming, I just raised the camera to my eye and fired off a single shot.
I was shooting black and white - Tri-X, pushing it a stop to ISO 800. It would be very grainy but also moody. I did not understand yet that black and white doesn't sell: if you want to make money in photography, shoot colour. At this point in my life I did want to make some money doing something that would be creative, fun, interesting, and would not kill me; within two years I was shooting colour full time and working as a printer in a pro lab.
Forty-six years later, I still like this image. It was only there for a split second, and my reaction was intuitive. What it lacks in fine detail - we've come a long way since those days - it makes up for, perhaps, in mood.
Photographed on Kodak Tri-X pushed to ISO 800; scanned from the original negative. Don't use this image on websites, blogs, or other media without explicit permission ©1978 James R. Page - all rights reserved.
Into Chocolate
I was out at night shooting a roll of Ilford FP4 film. It’s unusual to use this film in poor light because its only 125 iso. A friend Jason Foley, recently experimented with this film except push processing it to 400 iso. He found it retained the fine grain and sharpness that FP4 is famous for but yielded more contrast. I wanted to see how it performed at night. I was wandering through the village and came across my favourite candy shop, which was closed. The lighting on either side of the sign over the door looked interesting so I captured this shot. It was taken on a Canon AE1 with 50mm.
Fort Langley British Columbia Canada
Film: Rollei Retro 400S @ 1600 ISO | Develop: HC-110B, 16:00 mins @ 20°C | Scan: Plustek OpticFilm 8200i
Holga
Another (127) version of this is on my blog. pushprocessed.blogspot.com/2022/03/wrights-pond-shore-1.html
Street scene, Barcelona.
Leica M7 with 28mm f2 and 400TX developed for EI1600 in XTOL stock. The "slow" 28mm lens makes capturing anything in motion difficult at night - this was at 1/15th second.
A road vanishes into corner in Blenheim Park. Pentax Spotmatic SPII, probably an SMC Takumar 35/3.5. Adox CHSII @200 in ID-11. Autumn 2020.
Film: Foma Fomapan 400 @ 800 ISO | Develop: HC-110B, 10:00 mins @ 20°C | Scan: Plustek OpticFilm 8200i
A scan of slide derived from Kentmere Pan 100 pushed 2 stops and reversed in PQ Universal
Best enjoyed with Dark Ambient / RUREX