View allAll Photos Tagged PushProcessing
2020-07-10
Nikon FE2
Nikon Ai 35mm f/2 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) film
20ºC - 11min
Jefferson County Photography Project II (2010-2011)
Copyright holder C. Mason Do not use my image, or any part of it without my permission.
2020-10-02
Nikon F90X
Nikon Ais 85mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 11min
Tom in the bath looking very cute and helpless. just off the frame jackie gets his attention.
This almost verges on the animal cruelty pictures in the whole heartwarming look.
To be honest I really like this picture and can't help but go awww when I look at it.
2022-01-01
Nikon FE2
Nikon Ai 35mm f/2 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 11min
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Shot on Kodak Tri-X 400 at EI 800.
Black and white negative film in 120 format shot as 6x6.
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Read on at: emulsive.org/photography/medium-format/waiting-time-shot-...
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Filed under: #Mediumformat, #Photography, #2018June, #6X6, #BlackAndWhiteNegativeFilm, #EI400, #EI800, #EMULSIVEDailyPhoto, #Hasselblad, #Hasselblad2000FCW, #HasselbladPlanarF80MmF28, #ISO400, #ISO800, #Kodak, #KodakTriX400, #PushProcessing, #PushingFilm
#shootfilmbenice #filmphotography #believeinfilm
2019-02-24
Fujica ST801
Fujinon EBC 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Adox Rodinal (1+50) developer
20ºC - 17min
Concertina | Campinas | Brazil | Jul/2015
Canonet QL17 GIII
Film Kodak Proimage 100@400 push. (B&W by Lr)
Epson V600
Twitter: @brupsilva
Facebook: facebook.com/brupsilva
Blog: Medium
Copyright © Bruno Silva. All rights reserved.
Reprodução proibida. © Todos os direitos reservados.
© All rights reserved. Use without permission is illegal. Unauthorized use, copy, editing, reproduction, publication, duplication and distribution of my photos, or any portion of them, is not allowed.
Praktica LTL-3 with Carl Zeiss Jena 50mm f2.8.
Kodak Portra 160 ISO 35mm film. (push processed).
Processed at home with Tetenal C-41 kit.
I remember when we were young we would claim an empty block in our street for our annual Guy Fawkes bon fire. Weeks out from the 5th we would collect flammable materials from anyone happy to donate...come to think of it I think some of the Dads in the area probably looked at it as an opportunity to have a bit of a clean out. We'd pile it up in the middle of the empty block, usually the one next to Yiankuiskis house in preparation for a big "Lord of the Flies" style romp around the biggest fire we could get together.
We would also have to protect our construction from neighboring roaming urchins, much like ourselves, who would be all too happy to flick a premature match into our Craigie road gang offering to the Guy Fawkes Gods, ruining our big night. This was especially important in the week leading up to the 5th and we would sometimes post an overnight watch.
Sometimes the older kids in the street, usually my cousins would make us an effigy of Guy although I can only remember this happening once or twice.
There would always be fireworks involved too, mostly shop bought but with a spattering of home made also. Needless to say we were Kings of our domain on the night of the 5th, Guy Fawkes night.
I'd be surprised if my kids had ever heard of Guy Fawkes night. They're all about Halloween these days, which was never celebrated in Australia when I was young.
It is also the birthday of my first and still friend Pete. Both 52 we still call each other on our Birthdays.
These days of course, apart from calling Pete, my November the 5ths come and go without much reference to Guy Fawkes but it was pretty nice this November the 5th to take off from a happy family and spend the night out and about in this location, watching the moon rise and light the scenes around me....one again King of my domain.
Linhof Super Technika IV, Nikkor 75mm, Fuji Velvia 50. Exposure about 1 hour, between about 11.30pm and 12.30am, under a full moon with a pretty patchy cloud cover at F5.6. Processed beautifully by Vanbar Imaging N+1. There is a bit a fall off up the top because I have to use quite a lot of rise so the bed doesn't show up in the photos.....think I need a 90mm.......
Canon A-1 with Ilford Pan 100, rated 400, developed in Ilfotec LC29 diluted 1+19 for 14 minutes at 20ºC.
2022-01-19
Nikon FE2
Nikon Ai'd 28mm f/2 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 11min
Leica M4-2, Voigtlander 15mm, Neopan 400+2, D76
So most of my NYC photos are like where's waldo except you're trying to find my sister.
She's in almost all of them
:)
2022-01-19
Nikon FE2
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 11min
Here is a train signal near my home. Nothing too special about it, but I like this photo!
Canon AE-1 Program
Rodinal 1+24 for 8 mins
Ilford HP5@800
Epson V600
This view of Stoke Bruerne, and it's canalside buildings, has been taken thousands of times. Use a prewar, uncoated Schneider-Kreuznach lens and black and white film and it takes on a different look. The 1945 Kodak Retina camera, with which I took this shot, was made in the same year as the Ealing film "Painted Boats", much of which was filmed at Stoke Bruerne.
17.11.18
1945 Kodak Retina 1, type 010 (early).
Ilford Pan-F plus @ 100asa
Dev.: ID-11/ 1:1/ 11mins/ 68°F
Pentax Super Program, Pentax-M 50mm f/1.8, Tmax 400 @ 1600 ISO, D76 1+1, 18.5' @ 69f (20.5c). Scanned with Plustek OpticFilm 7600i.
Another old scan, from 2016. I really let myself get behind on working on my photos.
Ilford Delta 3200 this time, developed in caffenol-c-l. I find that I prefer pushed HP5 to Delta 3200. I jest got a bunch of the reissued tmax 3200, so I'm going to experiment with that soon.
Praktica LTL-3 with Carl Zeiss Jena 50mm f2.8.
Kodak Portra 160 ISO 35mm film. (push processed).
Processed at home with Tetenal C-41 kit.
Facca Bar | Campinas | Brazil | Jul/2015
Canonet QL17 GIII
Film Kodak Proimage 100@400 push.
Epson V600
Twitter: @brupsilva
Facebook: facebook.com/brupsilva
Blog: Medium
Copyright © Bruno Silva. All rights reserved.
Reprodução proibida. © Todos os direitos reservados.
© All rights reserved. Use without permission is illegal. Unauthorized use, copy, editing, reproduction, publication, duplication and distribution of my photos, or any portion of them, is not allowed.
2020-10-02
Nikon F90X
Nikon Ais 85mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 11min
IIlford HP5 400 pushed to 800 - Yashica Electro 35 GTN
Snapped in Rethymno, Crete, Greece
More about Street Photography at www.streethunters.net
Catalan Nationalist Riots, Passeig de Gracia, Barcelona, October 2019.
More than 1000 recycling buns have been torched in Barcelona, along with almost anything else flammable and not nailed down. This was triggered by the sentencing of a number of nationalist regional political figures for sedition and misuse of public funds in connection to the illegal 2017 independence referendum. The cost to the city is expected to be millions of euros, even before the impact on tourism of images such as these is felt.
These photographs are a continuation of the State of Independence project, for which I was awarded an ARPS distinction in October 2018. It is a project that I had hoped would not need any continuation.
More here: State of Independence XVIII