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Nikon FE - Nikkor 50 1.2 - Ilford HP5+@800 - Rodinal 1+50 - dslr scan

Nikon FE - Nikkor 50 1.2 Ai - Ilford HP5+ @ 800 - Rodinal 1+50 - dslr scan

Toying with in-camera double exposure.

 

Nikon FE - Nikkor 50 1.2 - HP5@800 - Rodinal 1+50 - dslr scan

February 12th, 2011.

 

Equipment

Camera: Kiev-4

Lens: Jupiter-8 50mm f/2

Filters: ND8 3 stop neutral density filter

Film: Kodak Tri-X 400, pushed to 1600 ASA

Metering: Gossen Digisix

 

Exposure

Aperture: f/2 to f/4

Shutter speed: 1/50 to 1/250

 

Development

D-76: Pre-soak, D-76 (1+1) 13.25 minutes at 68°F (20°C) with 2 inversions every minute, 3 washes, Kodafix 6 minutes with 4 inversions every minute, 7 washes, Ilford Ilfotol wetting agent 1 minute with first 30 seconds inversions, hang dry.

 

Digitization

Scanner: Epson 4490

Nikon FE - Nikkor 50 1.2 - Ilford HP5+@800 - Rodinal 1+50 - dslr scan

Nikon FE - Nikkor 50 1.2 - HP5@800 - Rodinal 1+50 - dslr scan

Minolta X-700 - Vivitar Auto Macro 55 2.8 - Ilford HP5+@ 800 - Rodinal 1+50 - dslr scan

Nikon FE - Nikkor 50 1.2 - Ilford HP5+@800 - Rodinal 1+50 - dslr scan

Originally purchased to provide a background for all of the online meetings that a lot of us have been having recently, this set of dividers has come to mean more than that to us both physically and metaphorically. For us they put a blockade between work and free time, before and during Covid-19, night and day and, most recently, between this set of dark and sombre photos and the following bright and colourful one.

 

Film: Ilford HP5+ pushed to 1600

Camera: Konica Autoreflex T3 with 28 mm lens

Development: Ars-Imago FD & 2 stop push development

Digitised with a digital camera and contrast adjusted in LR

I went back at night. It was almost the shortest night of the year too.

 

Linhof Technika iv 4x5 with an old Angulon 90mm on expired Ilford HP4+ processed in Ilfotec HC 1+31 for 9 minutes.

 

The exposure was about an hour and a half......I think.

Nikon FE - Nikkor 50 1.2 - Ilford HP5+@800 - Rodinal 1+50 - dlsr scan

Camera: Nikon FE2

Lens: Nikkor 50mm 1.8 AIS manual focus

Film: T-Max 400 (pushed to 3200)

Light: Household incandescent bulb

View Large On Black

From thedailylumenbox.com

Rollei RPX 25 pushed to 50, shot with Chroma Double Glass 24mm f/11 lens on Leica Ic. Developed in Cinestill Df96 monobath.

Kentmere 100 pushed to 800 exposed with Olympus XA stand developed in Rodianl 12ml into 600ml

May2025. Warehouse in Carlisle, Arkansas USA. Ilford FP4at400.Minolta70.MinoltaA-24mm.YellowFilter.DiafineDevolper3+3.AgoFilmProcessor.CameraScan:FujifilmXH1

Leica M6 TTL 0.85 | Leitz 50mm 1.5 Summarit | Ilford Delta 3200 @ 6400 | Kodak HC110b | www.JohnnyMartyr.com

 

Available Light B&W 35mm Photojournalism by Johnny Martyr

 

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Thanks for checking out my work!

Nikon F3, Micro-Nikkor 55/2.8, Kodak Portra 400@640, push 1 stop development.

Imagine you come to your favourite antique pub for peaceful pint of beer and you find 44" inch plasma? It didn't look antique at all.

 

This one is one of the few which ended usable after pushing Ilford Delta 400 to 3200.

Nicole Fiorentino of Veruca Salt, Smashing Pumpkins - 07.14.23 by Johnny Martyr - Leica M6 TTL 0.85 | Leitz 90mm Summicron | Kodak TMAX P3200 @ 6400

Central Hong Kong at night.

 

Bronica ETRS hand held with 50mm f/2.8 MC.

 

Kodak Tri-X 400 pushed to 1600 and developed in HC-110 (B).

 

© Copyright Carl Hall 2018. All rights reserved.

 

www.carlhall.co.uk

An installation recognising and posthumously pardoning those WW1 soldiers (numbering over 300) sentenced by military tribunal to being shot at dawn. The listed crimes include "cowardice", in a time when PTSD was not officially acknowledged or understood. Some of those executed were only 16 years old.

 

National Memorial Arboretum, Alrewas, Staffordshire.

 

Hasselblad 501CM

Carl Zeiss Distagon 4/50 T* CFi

f11

1/500th second

Hand-held

Kodak T-Max 400 (at EI 800)

N+1 development in DD-X 1:4 at 20 °C for 10 mins.

Digitised using 16-shot pixel-shift capture

Toned

 

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

 

(best viewed fullscreen in the lightbox)

Phoenix, Arizona

 

Kodak Portra 800 (Pushed 1 Stop)

Nikon F3

Nikkor 50mm

Processed @ Oscar's Photo Lab

Nikon FM2n | Nikkor 50mm 1.8 AIS | Kodak TMAX P3200 @ 6400 | Kodak HC110b | www.JohnnyMartyr.com

Kentmere 100 pushed to 800 exposed with Olympus XA stand developed in Rodianl 12ml into 600ml

This is yet another shot from one of the recent snow storms from several weeks ago. In front of my house there is this small bush that was covered with a good 1/2 foot of snow. Odly, there was this small hole right in the center of it. Not sure what caused it, but it was pretty cool.

 

Shot with a Minolta XGM, 55mm F1.7, HP5 pushed ISO 800, DDX (1+4)

Using a Kodak Tri-X 400 simulation, shot at 1600 ISO for increased grain.

 

Fujifilm X-Pro3 with Fujinon XF 23mm f2 R WR lens. Straight out of camera with no post processing.

Fomapan R 100 pushed 2 stops and reversed in PQ Universal, Ilford Reversal Processing

Toyo-View 45A - Nikkor-W 150 1:5.6 - Ilford HP5+@800 - Rodinal 1+50 - dslr scan

Fujicolor 200, pushed one stop. Turoa, New Zealand. Ricoh 35 ZF.

Nikon FE - Nikkor 28 2.8 - orange 21 filter - Ilford HP5+@800 - Rodinal 1+50 - dslr scan

Rolleiflex 3.5 Automat - Ilford HP5+ @ 1600 - Rodinal - dslr scan

Minolta Autocord RGv2

Chiyoko Rokkor 75mm f/3.5

fuji pro 400h@1600, pushed 2 stops.

Processed and scanned at Nation Photo, Paris.

 

Rouleau 6 pro400h@1600

9. 2016-03-28 17:00 16+1=17EV 1/250 f/16

 

Let's kiss and then, let's take a shower. 😊

 

By far, one of my luckiest shots.

 

Ça valait vraiment le coup de casser un parapluie pour ça. Et d'avoir les chaussures trempées.

 

-- originally uploaded in May 2016

-- changed the upload date after 2019-04-15 unfortunate fire

 

Never thought that'd be such a "once in a lifetime" shot.

Nikon FE - Nikkor 50 1.2 - Ilford HP5+ @ 800 - Rodinal 1+25 - dslr scan

Mamiya C330f

Mamiya-Sekor 80mm f/2.8

Ilford HP5+ @800

ID11 1+2 19:00 min

Łódź, Apr. 2023

Kentmere 400 PUSH +1 developed in Fomadon Excel

Kodak Eastman Double-X pushed 2 stops and reversed in PQ Universal.

 

Shot 2 rolls of this film and am left wanting more! Aboslutely lovely film.

February 12th, 2011.

 

Equipment

Camera: Kiev-4

Lens: Jupiter-8 50mm f/2

Filters: ND8 3 stop neutral density filter

Film: Kodak Tri-X 400, pushed to 1600 ASA

Metering: Gossen Digisix

 

Exposure

Aperture: f/2 to f/4

Shutter speed: 1/50 to 1/250

 

Development

D-76: Pre-soak, D-76 (1+1) 13.25 minutes at 68°F (20°C) with 2 inversions every minute, 3 washes, Kodafix 6 minutes with 4 inversions every minute, 7 washes, Ilford Ilfotol wetting agent 1 minute with first 30 seconds inversions, hang dry.

 

Digitization

Scanner: Epson 4490

february 2020

 

leica m2 | summicron 2/35 | tri-x +2

Nikon F2

Nikon Non-Ai 50mm f/1.4 lens

Kodak T-Max 100 (800 push)

Kodak Xtol (1:1 dillution) developer

-14min @ 20ºC

Minolta XGM, 28mm f/2.8, HP5 pushed ISO 1600, DDX (1+4)

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