View allAll Photos Tagged PushProcessing
Sometimes you show up to the party and end up having to shoot at EI3200 instead of EI800... but I think Tri-X and Microphen did pretty well here!
Contax 137MD, Planar 50/1.7, Kodak Tri-X 400 @ EI3200, Microphen stock 21:30 at 21.5C, scanned on Plustek 7500i.
Come join me on Instagram (@10rolls_of_film) and at my podcast:
Keep shooting them film photos!
Toronto ON - The RC Harris Water Treatment Plant at the east end of the Beaches in Toronto. An art deco masterpiece featured as a prison or mental hospital in at least a dozen movies. May 2023.
taken on a Canon F-1 slr w/ 50mm FD f1.8 lens + polarizer. Kosmo Foto Agent Shadow 400 B&W film pushed to 1600.
Canon EOS 5
Yashinon-DX 50mm f1.4
Kodak T-Max 400 @500
Rodinal R-09
SCAN:
Sony a7
extension tubes
Helios 44-M 58/2
Looking at this image, I am mildly frustrated at my composition of it. Not terribly so, but certainly a little. A little laziness perhaps, and not quite having grasped the lens, which I think was a Takumar 28/3.5, but may have been a 35/3.5. Whatever the case of that, I cannot by any means be disappointed by how the reflection was and came out...
Trees reflected in water, Blenheim Park, Oxon, late 2020. Pentax SPII, Takumar lens, either 28/3.5 or 35/3.5. Adox CHSII 100 @ 200 in ID-11.
Ilford HP5 EI1600, Rodinal 1:100 stand development, 120mins
The Banker public house facing onto the River Thames, London, with Cannon Street Railway Bridge to the left.
Cannon Street Railway Bridge was originally named Alexandra Bridge after Alexandra of Denmark who was the wife of the future King Edward VII.
"the woman invisible to herself " is a site specific performance installation in and around the old Sunshine Biscuit Factory in Oakland, CA by Dance-Theater Choreographer Mary Armentrout. I have done work with Mary in various capacities (on and off stage) for the past decade and the thing I love about her work is that it is very abstract yet extremely accessible to the non-artist (i.e. you can see her work and be able to "get it" without being an MFA), yet not so dumbed down to not be poignant to career artists as well. On this show I'm setting up and operating all the A/V gear and this go around she let me bring my Hasselblad to do a little shooting during the performance.
This is my first attempt at push processing C-41 film. This is shot via available light on the rooftop of the old factory just after sunset, so It was getting dark fast. In this shot I was also panning with the dancers' movement. Pretty interesting results (although it's very grainy).
Ilford XP2 super - C41 (pushed 2 stops) - (processed @ Light Waves Imaging)
SEKONIC L-778 DUAL SPOT F METER
(shot @ 1600ASA, exposure unrecorded, no filtration used)
Hasselblad 500C (1968) w/120mm f5.6 Zeiss S-Planar T*
Epson PERFECTION V750-M PRO SCANNER
(20110716_XP2_pushed2_C41_511041_017)
Asahi Pentax Spotmatic, SMC Takumar 3.5/28
Fujifilm Neopan ACROS 100@400
1/250, f16, yellow filter
On tumblr: theatreofthemundane.tumblr.com
On Instagram: lemonhats
Pentax Spotmatic SP, Super Takumar 55/1.8, Kodak Tri-X 400@800, push +1 stop developing, HC-110/dil. b, 8.5 min.
2022-01-23
Nikon FE2
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) devloper
20ºC - 11min
Mary Huff of Southern Culture on the Skids live at The Southern Cafe and Music Hall, Charottesville, Va., 3/4/22
Nikon FE - Nikkor 50 1.2 - Ilford HP5+ @ 1600 - Rodinal 1+50 - 24 minutes at 68° agitate every 3 minutes - dslr scan
A foggy morning at the Sault Canal- -Parks Canada National Historic Site.
The Sault Canal opened in 1895- - it was the world’s first electrically operated lock, and the world’s longest lock- -274 metres / 899 feet long and 18 metres / 59 feet wide. Closed in 1987 due to a lock wall collapse, the canal was reconstructed and reopened for recreational boating use in 1998.
May2024. Willard’s not Dillard’s. A building in the historic square in downtown DeWitt, Arkansas USA. Foma100@200.FujicaST801.Fujinon100mm-M42screwmount.YellowFilter.HC110(e).AGOFilmProcessor.CameraScan:FujifilmXH1
Bronica ETRC, Zenzanon 50/2.8 PE, Ilford Delta 3200 @ EI6400, developed in Microphen stock (9min at 23.5C), scanned on V500 and cleaned up in CS6
- from the second roll of my Christmas marathon, as announced on 10 Rolls of Film podcast:
More to come very soon: I'm halfway through the third roll, shot through the very special lens of camera No.3! :)
Fomapan 100 pushed at 200 exposed with Contax 139q paired with Zeiss 50mm F1.7 developped at home with Rodinal
I have always loved the way the rock is left with these darker lines when the tide recedes. A nice bit of afternoon sun and some B&W film seemed like a good combination to capture them. This is film that has been push processed and developed at home. (Ilford FP4 Plus) That basically means you take the picture as if it is brighter than it really is, and then bring out the darker exposure in the development. This creates more grain but also more contrast which suits B&W shooting.
2010-06-22
Nikon F2
Nikon Non-Ai 50mm f/1.4 lens
Kodak T-max 100 (400-push) 35mm film
Acufine developer
20ºC - 7.5min
Film: Rollei Retro 400S @ 800 ISO | Develop: HC-110B, 10:45 mins @ 20°C | Scan: Plustek OpticFilm 8200i
because of the rainy season...
I rarely have to go to school by bus/train because I usually ride my bike. I think I might have to do it more often this month since it's the rainy season.
I've used a new simulation for this shot. Ilford Delta 100, Push process. It was one of my most used monochrome films a few years ago.
Last weekend we made a trip down to the Pudu Prison in the heart of Kuala Lumpur. The 115 year old prison is to be demolished to make way for an urban redevelopment project. This is an attempt to document the untold stories behind the walls that have imprisoned the notorious criminals including the infamous Botak Chin.
Seeing the insides of the famous prison, I could feel a vast array of emotions. The atmosphere within these walls breathes trails of regrets, repentance, anger, sadness, loneliness, love etc.
May the lost souls of Pudu Prison rest in peace. Al Fatihah.
Ilford HP5+ at EI1600, HC110 (1:100) semi stand development for 80 mins with full agitation for first 1 minute and gentle inversions at 30th and 60th minute.
Continuing my series of push processed film shots. This one really appealed, with the fine lines of the moving water and stepping stones across the surface. A hard one to meter for so I am happy with the way it turned out. The feeling of light across the water was ultimately what I wanted here.
For those interested, here are the more technical aspects to this shot.
(Mamiya RZ67 Proii, Ilford Fp4 plus 125 rated at 400 iso, 110mm, F/32.0, 3 stop nd, polariser, Kodak HC110 @24 degs for 26mins, scanned on an Epson V750)